Violin Showpieces

On this CD:

1. Zigeunerweisen, for violin & piano (or orchestra) ("Gypsy Airs"), Op. 20
Composed by Pablo de Sarasate
Performed by London Symphony Orchestra
Conducted by Erick Friedman, Malcolm Sargent

2. Légende in G minor for violin & orchestra, Op. 17
Composed by Henryk Wieniawski
Performed by London Symphony Orchestra
Conducted by Erick Friedman, Malcolm Sargent

3. Havanaise, in E major for violin & piano (or orchestra), Op. 83
Composed by Camille Saint-Saens
Performed by London Symphony Orchestra
Conducted by Erick Friedman, Malcolm Sargent

4. Violin Concerto No. 1 in E flat major (D major), Op. 6 (MS21) III: Rondo, Allegro spirituoso
Composed by Niccolo Paganini
Performed by Chicago Symphony Orchestra
Conducted by Erick Friedman, Walter Hendl

5. Poème for violin & orchestra, Op. 25
Composed by Ernest Chausson
Performed by London Symphony Orchestra
Conducted by Erick Friedman, Malcolm Sargent

6. Tzigane, rhapsodie de concert for violin & piano (or orchestra)
Composed by Maurice Ravel
Performed by London Symphony Orchestra
Conducted by Erick Friedman, Malcolm Sargent

7. Introduction and Rondo Capriccioso, for violin & orchestra in A minor, Op. 28
Composed by Camille Saint-Saens
Performed by Chicago Symphony Orchestra
Conducted by Erick Friedman, Walter Hendl

Violin Showpieces, Music, Ernest Chausson, Niccolo Paganini, Maurice Ravel, Camille Saint-Saens, Pablo de Sarasate, Henryk Wieniawski, Erick Friedman, Malcolm Sargent, Walter Hendl, Chicago Symphony Orchestra, London Symphony Orchestra, Chamber, Classical, Classical Music, Concerto, Violin Concerto, Violin with Keyboard
Violin Favourites & Virtuoso Showpieces
Average customer rating: 5 out of 5 stars
  • beautiful ,beautiful
  • Great Recording
Violin Favourites & Virtuoso Showpieces

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007WQHVW
Release Date: 2005-04-12

Tracks:

  1. Variations on an original theme, Op.15
  2. Romance, Op.78, No.2
  3. Mazurka, Op.81, No.1
  4. Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
  5. Cantabile, Op.17
  6. Scherzo-Tarantelle, Op.16
  7. Nigun (Improvisation)
  8. Perpetuum mobile
  9. The Prophet Bird
  10. Spanish Dance No.1
  11. Waves at play (Wellenspiel)
  12. Carmen Fantasy, Op.25 - Arr. Waxman

Tracks:

  1. Praeludium and Allegro
  2. Schosmarin
  3. Tambourin chinois
  4. Caprice viennois op.2
  5. La Preuse (in the style of Louis Couperin)
  6. Liebesfreud
  7. Liebesleid
  8. La Gitana
  9. Berceuse Romantique (Caprice)
  10. Polichinelle (Snade)
  11. Rondino on a Theme by Beethoven
  12. Tempo di menuetto (in the style of Pugnani)
  13. Toy Soldiers' March
  14. Allegretto (in the style of Boccherini)
  15. Marche miniature viennoise
  16. Aucassin and Nicolette (canzonetta medievale)
  17. Menuet (in the style of Porpora)
  18. Sicilienne and Rigaudon (in the style of Francois Francoeur)
  19. Syncopation

Customer Reviews:

5 out of 5 stars beautiful ,beautiful.......2007-05-27

I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.

5 out of 5 stars Great Recording.......2007-01-04

The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.
Heifetz Showpieces
Average customer rating: 4.5 out of 5 stars
  • very poor recording
  • Brilliant, brilliant, brilliant!
  • One of The Best Violin CDs
  • Where is the intermezzo?
  • Heifetz is IT!
Heifetz Showpieces

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  5. Beethoven, Mendelssohn: Violin Concertos

ASIN: B000003FIX
Release Date: 1997-06-17

Tracks:

  1. Symphonie espagnole, Op. 21: Allegro non troppo
  2. Symphonie espagnole, Op. 21: Scherzando: Allegro molto
  3. Symphonie espagnole, Op. 21: Andante
  4. Symphonie espagnole, Op. 21: Rondo: Allegro
  5. Havanaise, Op. 83: Allegretto e lusinghiero
  6. Havanaise, Op. 83: Allegro
  7. Havanaise, Op. 83: Allegro ma non troppo
  8. Zigeunerweisen, Op. 20: Moderato
  9. Zigeunerweisen, Op. 20: Lento
  10. Zigeunerweisen, Op. 20: Un poco piu lento
  11. Zigeunerweisen, Op. 20: Allegro molto vivace
  12. Poeme, Op.25
  13. Introduction and Rondo Capriccioso, Op. 28: Andante
  14. Introduction and Rondo Capriccioso, Op. 28: Allegro ma non troppo
  15. Introduction and Rondo Capriccioso, Op. 28: Piu allegro

Amazon.com

Lalo's Symphonie Espagnole is a riot of instrumental color and virtuoso challenges; exactly Jascha Heifetz's piece of cake, as are Saint-Saëns's Havanaise, Chausson's Poème and Sarasate's Zigeunerweise (Gypsy Tunes). The sound is pre-stereo but well detailed. One movement of the Lalo is left out, but there are plenty of fireworks in the four that remain. --Joe McLellan

Customer Reviews:

1 out of 5 stars very poor recording.......2007-05-25

Besides having to turn up the volume to the max just so I could hear the music. The background is full hiss and stratches

5 out of 5 stars Brilliant, brilliant, brilliant!.......2007-01-03

Anything Heifetz ever recorded is sublime and this CD is no exception.

5 out of 5 stars One of The Best Violin CDs.......2005-11-06

If you could own only two classical violin CDs, this should be one of them! (The other is the Heifetz recording of the Tchaikovsky & Brahms violin concertos.)

Skip right past the first piece (Lalo), and you will enjoy violin music like liquid silver, with unbelievable passion, fireworks and virtuosity. This is Heifetz at his very best!

The Symphonie Espagnole performance is pedestrian. Neither Heifetz nor the orchestra quite catch the mood of the music. Buy the CD anyway! The rest of the music sets the standard for fine violin playing!

5 out of 5 stars Where is the intermezzo? .......2005-11-04

Ok, great play by Heifetz but why is the "intermezzo" in Symph.Espagnole missing??

5 out of 5 stars Heifetz is IT!.......2004-05-31

When it comes to Tchaikowsky, Mendelssohn, Lalo, Kreisler, and ANY kind of show piece, no one can touch Heifetz. Non of the violinists alive today can ever come close to his level of musical personality, command of his instrument and sound. He is the father of all violin virtuoso, together with Paganini himself, perhaps. My only negative comment is regarding the restoration sound of the CD, it is alright, but could be better.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
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  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Devil's Trill: Showpieces for violin & piano
Average customer rating: 5 out of 5 stars
  • a feast of violin virtuosity
The Devil's Trill: Showpieces for violin & piano

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Kodály, Zoltán | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
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Oistrakh, DavidOistrakh, David | ( O ) | Featured Performers, A-Z | Classical | Styles | Music
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Kodály, ZoltánKodály, Zoltán | ( K ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Tartini, GiuseppeTartini, Giuseppe | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Tchaikovsky, Peter IlyichTchaikovsky, Peter Ilyich | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Wieniawski, HenriWieniawski, Henri | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Oistrakh, DavidOistrakh, David | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music
InstrumentalInstrumental | Classical Music Blowout | Stores | Music
Similar Items:
  1. Prokofiev: Violin Concertos Nos. 1 & 2; Violin Sonata No. 2
  2. Brahms: Violin Concerto; Violin Sonata No. 3
  3. Glazunov, Khachaturian, Kabalevsky: Violin Concertos
  4. David Oistrakh
  5. Poulenc: Concerto champêtre; Concerto for two pianos; Organ Concerto

ASIN: B0002VEPR6
Release Date: 2004-09-07

Tracks:

  1. I. Larghetto Affettuoso
  2. II. Allegro (Tempo Giusto Della Scuola Tartinista)
  3. III. Andante - Allegro Assai - Andante - Allegro Assai - Andante - Allegro Assai
  4. Cadenza - Adagio
  5. III. Clair De Lune
  6. IV. Jota
  7. Extase Op.21
  8. Valse-Scherzo Op.34
  9. I. Love-Song
  10. Three Hungarian Folk-Dances
  11. Legende Op.17
  12. Mazurka Op.26

Customer Reviews:

5 out of 5 stars a feast of violin virtuosity.......2006-03-02

What a tone! David Oistrakh was a virtuoso, of that there is no doubt. What makes his playing stand apart, though, is his rich, full, round tone. Oistrakh does not draw attention to his technical skill, he draws attention to the music.

These duets, with Vladimir Yampolsky on piano, were recorded at Abbey Road in London in early 1956, and first released by EMI in 1957. It's a fine set of "showpieces," beginning with Tartini's sonata in G minor, "The Devil's Trill." Slow lyrical numbers like Debussy's "Clair de lune" and Ysaye's "Extase" are interspersed with livelier numbers such as de Falla's "Siete canciones populares espanolas" and Koday's "Three Hungarian Folk-dances."

This is an easy recommendation for anyone who loves great violin music, another truly "Great Recording of the Century" from the EMI vaults.
Showpieces & Encores; Gershwin, Grieg, etc
Average customer rating: Not rated
    Showpieces & Encores; Gershwin, Grieg, etc

    Manufacturer: Delos Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    Piazzolla, AstorPiazzolla, Astor | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B00005R5ZE
    Release Date: 2001-11-13

    Tracks:

    1. Grieg: Prelude from Holberg Suite
    2. Tchaikovsky: Waltz from Serenade
    3. The Moon Is Shining
    4. Sinsalo: 3 Russian Folk Songs
    5. The Rush Light
    6. Clouds
    7. Festive Dance
    8. The Plainsmen
    9. Vagarshapati Par
    10. Spring
    11. Bridge: Valse-Intermezzo in E minor
    12. Vieuxtemps: Yankee Doodle
    13. Gershwin: Summertime
    14. Gershwin: Soon
    15. Davidov: At the Fountain
    16. Rachmaninoff: Vocalise
    17. Rimsky-Korakov: Flight of the Bumblebee
    18. Shostakovich: Spanish Dance from The Gadfly
    19. Piazolla: Libertango
    French Showpieces (Concert français)
    Average customer rating: 5 out of 5 stars
    • Talmi and Ehnes: Magnificent Duo Perform Saint-Saens
    French Showpieces (Concert français)

    Manufacturer: Analekta
    ProductGroup: Music
    Binding: Audio CD

    DancesDances | Ballets & Dances | Classical | Styles | Music
    All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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    Similar Items:
    1. Dvorák, Janácek, Smetana: Romantic Pieces (Includes Bonus CD)
    2. Prokofiev: 2 Violin Sonatas & 5 Melodies
    3. Fritz Kreisler: Variations On A Theme By Corelli; Praeludium & Allegro; Sicilienne & Rigaudon
    4. Bach: The Six Sonatas & Partitas for Solo Violin

    ASIN: B00005KKP1
    Release Date: 2002-04-09

    Tracks:

    1. Introduction Et Rondo Capriccioso
    2. Havanaise
    3. Le Corsaire
    4. Reverie Et Caprice
    5. Poeme
    6. Tarantelle Styrienne
    7. Cinema Fantaisie
    8. Meditation

    Customer Reviews:

    5 out of 5 stars Talmi and Ehnes: Magnificent Duo Perform Saint-Saens.......2006-09-27

    Originally heard Saint-Saens' "Introduction et Rondo Capriccioso, Op. 28," with Yoav Talmi conducting the Quebec Symphony Orchestra and James Ehnes as the featured artist for violin on our local classical music FM radio station while driving home from work. This trip, normally punctuated with good classical music, rarely makes me pull over to the side of the road to concentrate on one of the station's selections. However, in this case the music did just that! Ehnes and his violin perform the "Rondo" -- a repertoire workhorse for violinists -- with crystalline clarity and at the same time with richness and depth. His technique is precise and careful; each note stands alone and in conjunction with every other note, no cheating or sliding over the hard parts, no slurring of the passages --you have to hear his play to fully understand what this means. The truly car-stopping moment came about during the "Introduction" when his exquisite sensitivity to the plaintive and haunting feel of the first section of this piece occurred. I was stunned. In a nutshell, I highly recommend the entire CD, which contains the same brilliant collaboration between Talmi, Ehnes, and the Quebec Symphony Orchestra on other French pieces, but buy it if for no other reason than to hear Ehnes's "Rondo Capriccioso."
    Wieniawski: Violin Showpieces
    Average customer rating: 3 out of 5 stars
    • Mediocre
    Wieniawski: Violin Showpieces
    H. Wieniawski , Marat Bisengaliev , and John Lenehan
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Wieniawski: Violin Concertos Nos. 1 & 2
    2. Wieniawski: Virtuoso Music for Violin
    3. Wieniawski: Violin Concertos Nos. 1 & 2
    4. Aaron Rosand Plays Sarasate
    5. Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter

    ASIN: B0000013XK
    Release Date: 1994-10-04

    Tracks:

    1. Souvenir de Moscou, Op.6
    2. Capriccio-valse in E, Op.7
    3. Variations on an original theme, Op.15
    4. Polonaise brillante, Op.4
    5. Le carnaval russe, Op.11
    6. Gigue in e, Op.23
    7. Saltarello
    8. Mazurka Op.19, No.2, Village Fiddler
    9. Mazurka Op.19, No.1, Obertass
    10. Mazurka Op.12, No.2, Polish Song
    11. Mazurka, Kujawiak
    12. Legende, Op.17
    13. Scherzo-tarantelle, Op.16

    Amazon.com

    The violin showpieces of Wieniawski still turn up sometimes as encores, but there are few discs devoted entirely to them. They're fun. Wieniawski (1835-1880) must have been a brilliant violinist to write so well for the instrument, and he came up with some very catchy tunes and never pushed them too far. Marat Bisengaliev, who comes from Kazakhstan, is a very elegant violinist with a seamless technique. He plays these pieces for their musical value instead of showing off his zippy fingers. Since some of these works were meant for showing off, though, this lovely disc isn't the ultimate Wieniawski collection, but it will do until that is recorded. --Leslie Gerber

    Customer Reviews:

    3 out of 5 stars Mediocre.......2003-02-07

    Wieniawski was such a formidable violinist that his show off pieces are practicaly impossible to play. I would like to let know to Leslie Gerber that Wieniawski was, by unanimous consent, the best violinist of his time, just like Paganini.
    Zdenko
    Romantic Violin Showpieces
    Average customer rating: Not rated
      Romantic Violin Showpieces
      Pip Clarke
      Manufacturer: Classic Jewel
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Classical | Styles | Music
      ASIN: B000005O8B
      Release Date: 1994-02-01

      Tracks:

      1. Son No.1 in d, Op.75: I. Allegro Agitato
      2. Son No.1 in d, Op.75: II. Adagio
      3. Son No.1 in d, Op.75: III. Allegretto Moderato
      4. Son No.1 in d, Op.75: IV. Allegro Molto
      5. Valse-Scherzo Op.34
      6. Recitativo And Scherzo-Caprice Op.6
      7. Poeme Op.25
      8. Carmen Fant (After Bizet)
      The Lark Ascending: Violin Showpieces
      Average customer rating: Not rated
        The Lark Ascending: Violin Showpieces

        Manufacturer: Naxos
        ProductGroup: Music
        Binding: Audio CD

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        Similar Items:
        1. Elgar: Violin Concerto / Lark Ascending

        ASIN: B0000014E4
        Release Date: 1997-05-13

        Tracks:

        1. Adagio In E Major, K. 261
        2. Romance No. 2 In F Major, Op. 50
        3. The Lark Ascending
        4. Introduction And Rondo capriccioso, Op. 28
        5. Meditation From Tha
        6. Tzigane
        7. Havanaise, Op. 83
        8. Zigeunerweisen, Op. 20
        Tutta bravura: Virtuoso Showpieces for Violin and Piano
        Average customer rating: 3.5 out of 5 stars
        • A Must for Any Violin Music lover
        • I Cannot Ignore My Ears
        • I Cannot Ignore My Ears
        Tutta bravura: Virtuoso Showpieces for Violin and Piano

        Manufacturer: Elektra / Wea
        ProductGroup: Music
        Binding: Audio CD

        Ernst, Heinrich WilhelmErnst, Heinrich Wilhelm | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
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        ASIN: B00000HZOD
        Release Date: 1999-02-02

        Tracks:

        1. Paisiello's La Molinara: Variations On The Theme 'Nel cor piu non mi sento'
        2. Souvenir d'un lieu cher Op. 42: Melody In E-Flat
        3. Scherzo fantastique In G Major Op. 25: La Ronde des lutins (The Goblins' rondo)
        4. Polonaise brillante No. 1 In D Major Op. 4
        5. Caprice No. 24
        6. Rossini's Mose: Introduction And Variations On 'Dal tuo stellato soglio'
        7. Variations On An Original Theme Op. 15
        8. Zapateado Op. 23, No. 2
        9. Estrellita
        10. Waltz-Scherzo In C Major Op. 34
        11. Der Erlkonig, Grand Caprice Op. 26

        Amazon.com

        This program is an exercise in pure virtuosity, and it is breathtaking. It includes some of the most horrendously difficult showpieces in the repertoire, containing every imaginable--and some unimaginable--violinistic effects, such as simultaneous left-hand plucking and bowing, harmonics and double harmonics, double and triple stops, to say nothing of runs across the whole fingerboard at top speed. The violin seems to be called upon to do everything but turn somersaults. Especially stunning are two unaccompanied pieces: a set of variations by Paganini and Ernst's paraphrase of Schubert's song "Der Erlkönig," which Repin himself calls the technically most demanding violin piece ever written, as well as Paganini's Moses Fantasy, played entirely on the G string, tuned two notes up for greater brilliance. Repin performs all these acrobatics with an effortless ease that must be heard to be believed, playing with flair, perfect timing, and incomparable charm. Most amazing, he actually makes them sound like music and seems to be having fun besides. His tone is pure, beautiful, expressively inflected, and--though many of the pieces are of questionable musical value--his elegance keeps them from sounding cheap or corny. --Edith Eisler

        Customer Reviews:

        5 out of 5 stars A Must for Any Violin Music lover.......2004-07-10

        This is truly an excellent CD, a must for any violin music lover. If you are learning the violin, you may feel that you still have a very long way to go; but because of Repin's inspiration, you know it is not impossible. The sound quality is also excellent. Any violin music lover will regret for not having listened to this one.

        3 out of 5 stars I Cannot Ignore My Ears.......2000-06-27

        I am in accord with the Grammophone review of the album of violin delicacies performed by young and burgeoning Russian soloist, Vadim Repin. All in all, I cannot add anything in positive to a review that was so complete. His rawness is appealing. His phrasing tasteful and even refreshing. A violinists, violinist. Yet I have a problem. Intonational problems are evident all throughout the album. It may have been the recording style that was used, or some tweaking or lack thereof in the studio that had altered some intonation. Or then again, I could be going tone deaf. Specifically on the Zapateado track, he is missing a lot of harmonics and the arpeggio's are a bit sloppy. Sustained notes tail off in artistic phrasing, but lack intonational stability. An old violin teacher of mine once said, "never stop listening to what you are playing." I am wondering if Repin or the engineers at ERATO were really listening to the final tracks?

        3 out of 5 stars I Cannot Ignore My Ears.......2000-06-27

        I am in accord with the Grammophone review of the album of violin delicacies performed by young and burgeoning Russian soloist, Vadim Repin. All in all, I cannot add anything in positive to a review that was so complete. His rawness is appealing. His phrasing tasteful and even refreshing. A violinists, violinist. Yet I have a problem. Intonational problems are evident all throughout the album. It may have been the recording style that was used, or some tweaking or lack thereof in the studio that had altered some intonation. Or then again, I could be going tone deaf. Specifically on the Zapateado track, he is missing a lot of harmonics and the arpeggio's are a bit sloppy. Sustained notes tail off in artistic phrasing, but lack intonational stability. An old violin teacher of mine once said, "never stop listening to what you are playing." I am wondering if Repin or the engineers at ERATO were really listening to the final tracks?

        Music Review:

        1. Vivaldi: Concertos from L'estro armonico
        2. Walton: Belshazzar's Feast/Henry V/Partita For Orchestra
        3. Western Movie Themes
        4. Wieniawski: Concerto for violin No2; Tchaikovsky: Sérénade mélancolique Op26
        5. Willem Pijper: Symphony No. 2; String Quartets Nos. 4 & 5; Piano Concerto; Six Adagios
        6. Yehezkel Braun ¿ Choral Works
        7. 25 Ultimate Classics
        8. Adilia Alieva plays Piano
        9. Antonín Dvorák: Symphony No. 9/Scherzo Capriccioso/Carnival Overture
        10. Antonin Dvorák: Piano Quintets

        Music Review

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