Mozart: Clarinet Quintet; Oboe Quartet; Horn Quintet
On this CD:
1. Clarinet Quintet in A major ("Stadler") K. 581
Composed by Wolfgang Amadeus Mozart
Performed by Aureum Collegium, Hans Deinzer, Helmut Hucke, Walter Lexutt
Conducted by Franz Josef Maier
2. Quartet for oboe, violin, viola & cello in F major, K. 370 (K. 368b)
Composed by Wolfgang Amadeus Mozart
Performed by Aureum Collegium, Hans Deinzer, Helmut Hucke, Walter Lexutt
Conducted by Franz Josef Maier
3. Quintet for horn, violin, 2 violas & cello in E flat major, K. 407 (K. 386c)
Composed by Wolfgang Amadeus Mozart
Performed by Aureum Collegium, Hans Deinzer, Helmut Hucke, Walter Lexutt
Conducted by Franz Josef Maier
Mozart: Clarinet Quintet; Oboe Quartet; Horn Quintet, Music, Hans Deinzer, Wolfgang Amadeus Mozart, Franz Josef Maier, Collegium Aureum, Walter Lexutt, Helmut Hucke, Chamber, Classical, Classical Music, Quartet for Mixed Instruments without Keyboard, Quintet For Clarinet And String Quartet, Quintet for Mixed Instruments without Keyboard
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
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Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Great
- This is great for baby...and good for mom and dad, too!
|
Baby Needs Mozart
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
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Quintets
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General
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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Similar Items:
- Baby Needs Beethoven
- Baby Needs Bach
- Baby Needs Brahms
- Baby Needs More Mozart
- Baby Needs Guitar
ASIN: B000005Z2M
Release Date: 1998-04-21 |
Tracks:
- Eine Kleine Nachtmusick, K. 525: Andante
- Symphony No. 29 In A, K. 201: Andante
- Le Nozze de Figaro: How Delightful To Wander, Fanned by The Breath Of The Evening
- String Quartet No. 22 in B-Flat, K. 589: Larghetto
- Die Zauberflote: A Young Lady Or A Wife
- Quintet for Piano and Winds in E-flat, K.452: Larghetto
- Symphony No. 4 in D, K. 19: Andante
- Clarinet Quintet In A, K. 581: Menuetto
- Sonata in A, K. 331: Theme, Variations 4 And 5
- Sonata in D, K. 448: Andante
- Clarinet Quintet In A, K. 581: Allegro
Customer Reviews:
Great.......2006-02-15
This music is great for both kids and adults. It is much nicer then the baby Einstein version. It is great to listen to and I often play it during my son's nap time.
This is great for baby...and good for mom and dad, too!.......1998-12-10
This selection of Mozart's music is sure to be pleasing to baby whether in or out of the womb. This CD delivers some beautiful peices that are performed at a level that can be appreciated by parents as well as little ones. Do not, however, limit your personal collection of Mozart to this CD. There are many other works and performances to be explored!
Average customer rating:
- great mozart
- Reference Recording
- Musical bliss
|
Mozart: Clarinet Quintet, etc / Academy Chamber Ensemble
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
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| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
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| Music
General
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| Historical Periods
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Academy of St. Martin in the Fields
| ( A )
| Featured Performers, A-Z
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Similar Items:
- Mozart - Clarinet Concerto & Oboe Concerto / Pay, Piguet, AAM, Hogwood
- Mozart: The Complete Piano Trios
- Mozart: Sinfonia Concertante
- Mozart: The Six String Quintets
- Mozart: Complete String Trios & Duos
ASIN: B00000411T
Release Date: 1989-09-26 |
Tracks:
- Clarinet Qunintet In A, K. 581: 1. Allegro
- Clarinet Qunintet In A, K. 581: 2. Larghetto
- Clarinet Qunintet In A, K. 581: 3. Menuetto
- Clarinet Qunintet In A, K. 581: 4. Allegretto con variazioni
- Horn Quintet In E Flat, K. 407: 1. Allegro
- Horn Quintet In E Flat, K. 407: 2. Andante
- Horn Quintet In E Flat, K. 407: 3. Allegro
- Oboe Quartet In F, K. 370: 1. Allegro
- Oboe Quartet In F, K. 370: 2. Adagio
- Oboe Quartet In F, K. 370: 3. Rondeau: Allegro
Customer Reviews:
great mozart.......2005-10-12
In my opinion the clarinet quintet is one of Mozart's best chamber works. I am familiar with two other versions and this is the best of the three not so much for the strings - which are beautiful here - but for the wonderful tone in Antony Pay's clarinet. It is deeper and richer than that of the players in the other versions. Specifically I recently purchased Talich on Calliope records as part of their string quintets collection and while the string tone on that recording is wonderful the clarinet pales beside Pay's.
The other two pieces here are also quite enjoyable but do not rise above the general run of Mozart's generally good chamber works.
The sound is good.
Reference Recording.......2004-01-25
Anthony Pay's rendition of the Mozart Quintet is one for the ages. A flawless performance well worthy for the title of being the reference benchmark recording of the piece.
The quintet, a beautiful piece itself indeed, is played here with an incredible warm tone brought forth by not only Mr. Pay but the string quartet as well, led by violinist Iona Brown.
The other unforgettable recording of this piece out there, Dave Shifirin's rendition, is also a classic, but a completely different rendition than Pay's. The preference over which performance is better is completely up to the tastes of the listener. Sihirin's version is more clear, where this one is, as I have already said, more warmer.
Musical bliss.......2000-07-20
Of all the classical discs in my collection, this is the one that I reach for when I am looking for some guaranteed musical bliss. There is a quintessential serenity about Antony Pay's performance of the Clarinet Quintet that defies any kind of criticism. Also included on this generous disc is the enchanting Horn Quintet, given an ebullient account by Timothy Brown. The last work is the Oboe Quartet, deliciously performed by Neil Black. In fact all the performers communicate a great love of this music. This is nearly 70 minutes of musical heaven, a heaven that deepens with repeated listenings.
Average customer rating:
- Bravo Maestro
- They don't make 'em like this any more...
- Treasure!
|
Pablo Casals: Festivals at Prades Vol. 1
Menuhin
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Tortelier, Paul
| ( T )
| Featured Performers, A-Z
| Classical
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Compilations
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General
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Similar Items:
- Beethoven: Late Quartets, etc / Busch Quartet
- Casals Festivals at Prades, Vol. 2
- Beethoven: Complete Piano Sonatas (Box Set)
- A Sonata Recital by Joseph Szigeti & Béla Bartók
- Johannes Brahms: Sextet No. 1/Piano Trio No. 1
ASIN: B000086EMD
Release Date: 2003-02-25 |
Tracks:
- I. Allegro
- II. Larghetto
- III. Allegretto
- I. Bewegt, Doch Nicht Zu Rasch
- II. Ziemlich Langsam
- III. Rasch
- IV. Kraftig, Mit Humor
Tracks:
- I. Allegro Con Brio
- II. Andante Con Variazioni
- III. Menuetto. Quasi Allegro
- IV. Finale. Prestissimo
- I. Allegro Vivace Con Brio
- II. Largo Assai, Ed Espressivo
- III. Presto
Tracks:
- I. Allegro Energico
- II. Presto Non Assai
- III. Andante Grazioso
- IV. Allegro Molto
- I. Poco Sostenuto/Allegro, Ma Non Troppo
- II. Allegretto
- III. Allegretto, Ma Non Troppo
- IV. Finale. Allegro
Tracks:
- I. Prelude. Allegro
- II. Allemande. Quasi Maestoso
- III. Courante. Allegro Non Troppo
- IV. Sarabande. Lento
- V. Bourree I. Allegro Moderato
- VI. Gigue. Vivace
- I. Allegro Con Brio
- II. Adagio Con Molto Sentimento D'Affeto/III.Allegro-Allegro Fugato
- I. Op.121a (Not Divided Into Movements)
Tracks:
- I. Adagio
- II. Allegro Ma Non Tanto
- III. Andante
- IV. Allegro Moderato
- I. Allegro Con Brio
- II. Scherzo. Allegro Molto
- III. Adagio
- IV. Allegro
- I. Allegro
- II. Adagio
- III. Andante Grazioso
- IV. Allegro
Tracks:
- I. Sehr Lebhaft
- II. Mitinnigem Ausdruck
- III. In Massiger Bewegung
- IV. Nicht Zu Rasch
- I. Allegro - Arthur Grumiaux
- II. Larghetto - Arthur Grumiaux
- III. Allegretto - Arthur Grumiaux
Tracks:
- Prelude & Fugue In D Major - Mieczyslaw Horszowski
- Prelude & Fugue In F-sharp Minor - Mieczyslaw Horszowski
- Prelude & Fugue In G Major - Mieczyslaw Horszowski
- Prelude & Fugue In B Minor - Mieczyslaw Horszowski
- I. Allegro Con Brio - Arthur Grumiaux
- II. Tema Con Variazioni - Arthur Grumiaux
- III. Rondo (Allegro) - Arthur Grumiaux
- I. Allegro - Paul Tortelier
- II. Adagio - Paul Tortelier
- III. Allegro Ma Non Troppo - Paul Tortelier
- Aria - Victoria De Los Angeles
Tracks:
- I. Allegro
- II. Andante Con Moto
- III. Scherzo. Presto
- IV. Finale. Allegro Giocoso
- I. Mit Energie Und Leidenschaft - Mieczyslaw Horszowski
- II. Lebhaft, Doch Nicht Ru Rasch - Mieczyslaw Horszowski
- III. Langsam, Mit Inniger Empfindung - Mieczyslaw Horszowski
- IV. Mit Feuer - Mieczyslaw Horszowski
Tracks:
- I. Adagio Sostenuto/Allegro/Presto
- II. Allegro Vivace/Adagio
- I. Adagio Sostenuto Ed Espressivo/Allegro Molto Piu Tosto Presto
- II. Rondo. Allegro
- I. Allegro Moderato
- II. Poco Adagio
- III. Rondo. Allegro Moderato/Allegro Molto
Tracks:
- I. Allegro, Ma Non Tanto
- II. Scherzo. Allegro Molto
- III. Adagio Cantabile/Allegro Vivace
- I. Andante/Allegro Vivace
- II. Adagio/Tempo D'Andante/Allegro Vivace
- I. Allegro Con Brio
- II. Adagio Con Molto Sentimento D'Affetto
- III. Allegro
Tracks:
- Seven Variations On The Duet 'Bei Mannern, Welche Liebe...' From Die Zauberflote By Mozart, For Cello And Piano
- I. Allegro - Mieczyslaw Horszowski
- II. Adagio Molto Espressivo - Mieczyslaw Horszowski
- III. Allegro Con Variazioni - Mieczyslaw Horszowski
- I. Allegro - Jose Gonzales
- II. Larghetto - Jose Gonzales
- III. Menuetto/Trio I/Trio II - Jose Gonzales
- IV. Allegro Con Variazioni - Jose Gonzales
Tracks:
- I. Allegro Ma Non Troppo - Karen Tuttle
- II. Adagio (Segue) - Karen Tuttle
- III. Scherzo. Persto (Segue) - Karen Tuttle
- IV. Allegretto/Piu Allegro - Karen Tuttle
- I. Molto Allegro Ed Agitato
- II. Andante Con Moto Tranquillo
- III. Scherzo. Leggiero E Vivace
- IV. Finale. Allegro Assai Appassionato
Tracks:
- Adagio And Allegro For Piano And Horn In A Flat Major, Op.70
- I. Introduzione. Andante Espressivo/Allegro - Vegh Quartet
- II. Scherzo. Presto/Intermezzo - Vegh Quartet
- III. Adagio - Vegh Quartet
- IV. Presto - Vegh Quartet
- I. Allegro Brillante - Rudolph Serkin
- II. In Modo D'Una Marcia. Un Poco Largamente/Agitato - Rudolph Serkin
- III. Scherzo. Molto Vivace/Trio I/Trio II. L'Istesso Tempo - Rudolph Serkin
- IV. Allegro Ma Non Troppo - Rudolph Serkin
Customer Reviews:
Bravo Maestro.......2007-01-03
I consider myself fortunate to have found this gem. I have always admired Casals not only for his extraordinary musicianship but also for his political courage. The story of Prades is heart warming and the music is a rare treasure. If you are a Casals fan, you might also want to hear Casals conducting Beethoven's 7th Symphony...a masterpiece.
They don't make 'em like this any more..........2006-11-28
The quality of the MUSIC here is remarkable. Many of the world's elite classical artists of the post-World War II generation are here - and the result is magic! A few of the highlights for me are the Mozart Piano Quartet No. 2 (disc 1), Beethoven Cello Sonata in A Major (disc 10), Mozart Oboe Quartet (disc 7), and many more...
You might wonder, however, how these live 50's recordings compare to recordings made in the digital era? Well... in a word, very good, very good indeed considering. Occasionally there is audience coughing (primarily just during the breaks between sections) - after all this was recorded live and you can also sometimes hear music pages turning on the stage if you listen closely. However, the sound is about as full range as you could ask for and the hiss and noise levels are very acceptable and not ever intrusive - I did note that the string instruments generally sound very good while the piano does not always fair quite as well, sometimes sounding slightly boxy - the piano is just far more difficult to record in any live setting because it is more dependent upon the room acoustics. Still, overall, the restoration is very good and trust me, you will become engaged in the MUSIC very quickly and forget all about any limitations of the recordings.
To summarize, as other reviewers have also noted, the sound quality, while not perfect by digital standards, is indeed very good - the important thing is to be assured that sound quality considerations never get in the way of the fantastic, wonderful performances. They really don't make music like this anymore.... well maybe they do sometimes, but not on thirteen discs in a row! Of course, I'm now going to purchase the second box set.
Treasure!.......2003-06-19
When I first heard this set, I thought to myself: now I know how Howard Carter felt when he looked for the first time into Tutankhamen's newly-excavated tomb. Maybe you know the story: As his colleagues broke the seal on the long-undiscovered tomb's final door, Carter peered into a completely dark treasure room, illuminated fitfully by the beam of his flashlight. Someone asked, "What do you see?" and he answered, "Wonderful things!" Well, this set of Casals & Friends performances from early 1950s Prades Festivals also offers an unbelievable wealth of long-unheard, wonderful things. It is impossible to overpraise this production, or find the words to adequately thank Music and Arts for issuing such extravagance in these days of penny-pinching from what we used to call the major record companies. Thirteen (!) CDs of live performances, most featuring Pablo Casals working with front-rank collaborators, and all worth hearing many times over. Highlights? Casals, Rudolf Serkin, Alfred Cortot and Eugene Istomin survey all the Beethoven cello sonatas; Casals and Menuhin treat us to all the Brahms trios; the great, lamented William Kapell plays glorious Mozart and Beethoven with a young Arthur Grumiaux; the Vegh Quartet offer marvelous Schumann ..... and many, many more. Yes, you learn that even Willy Kapell could smudge a note now and then when performing 'live.' But, overall, the mistakes are few, and the musical insights so numerous as to defy listing. Note that these performances are completely different from those other, "official" live Prades recordings issued by Sony/Columbia/CBS over the past 30 years, so if you own the Sony CDs (and you should!), rest assured that while there is some overlap of repertory, you will not be duplicating performances. (On the other hand, 9 of the 13 discs were previously issued a few years back by Music and Arts.) Sound quality is mono and variable, but never less than completely acceptable. In fact, the sound quality (as realized by ace M&A engineer Maggi Payne) is surprisingly good considering that many of the performances apparently originated in the naves of ancient stone churches, not exactly a recording engineer's dream soundstage! Packaging is spartan, but well-designed and attractive: paper envelopes contain the CDs which are held together in a space-efficient soft box. Full liner notes helpfully discuss the origins of the Prades Festivals, and provide a limited discussion of participating artists other than Casals. (The fabulous Kapell performances -- of music he recorded nowhere else -- represent the pianist's only appearance at Prades, just a month or two before his tragic death in a plane crash.) Final word: In this set you get some of the greatest performing artists of all time playing some of the greatest chamber music ever written ..... and for an unbelievably low price. Unless you are completely averse to live music-making or have no tolerance at all for fallible sound, you need to own and hear these discs, over and over again!
Average customer rating:
|
Mozart: Music for Piano and Wind Quintet
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Fantasies
| Forms & Genres
| Classical
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Chamber Music
| Forms & Genres
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| Historical Periods
| Classical
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General
| Classical (c.1770-1830)
| Historical Periods
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General
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| Classical
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Classical
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Similar Items:
- Piano Concertos by Tchaikovsky & Medtner [Hybrid SACD]
- The Penguin Guide to Compact Discs and DVDs Yearbook 2006/07 Edition (Penguin Guide to Compact Discs and Dvds Yearbook)
- Complete String Quintets
ASIN: B0000508RZ
Release Date: 2000-10-17 |
Average customer rating:
- Truly Delightful
- A superb collection of Mozart's elegant music
- Enjoyable, bright, sunny-morning-at-the-cafe selections
|
Mozart on the Menu: A Delightful Little Dinner Music
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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| Brass
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General
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Classical (c.1770-1830)
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| Romances
German
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CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Concertos
| Classical
| Today's Deals in Music
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All Bargain Titles
| Concertos
| Classical
| Today's Deals in Music
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CDs $7 - $10
| Operas
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All Bargain Titles
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| Today's Deals in Music
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Similar Items:
- Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day
- Bach for Breakfast
- Mozart for Meditation
- Mozart for Your Mind
- Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away
ASIN: B0000041DQ
Release Date: 1995-08-15 |
Tracks:
- Eine kleine Nachtmusik Menuetto (Allegretto)
- Flute Quartet in A Menuetto
- Flute Quartet in A Rondeau
- Quartet in F - Rondeau
- Divertimento No 17 in D - Menuetto
- Flute Quartet in D Adagio
- Flute Quartet in D Rondeau
- Devertimento in D Allegretto
- Clarinet Quintet in A Menuetto
- Horn Concerto in D allegro
- Oboe Concerto in C rondo (allegretto)
- Bassoon Concerto in B-flat rondo
- Country Dance #1 in C (non piu andrai from the Marriage of Figaro)
- String Quintet in E-flat menuetto:aleegretto
- Divertimento No. 11 in D andantino
- Serenade in D ('Posthorn')
Customer Reviews:
Truly Delightful.......2006-07-17
This is a perfect, relaxing, soothing and cheerful, unobtrusive music CD you can play in the background whether you're dining, working, studying or relaxing with a book.
A superb collection of Mozart's elegant music.......2005-01-26
Philips' "Set your Life to Music" series was designed for the average person who knows little about classical music but is interested to explore and enjoy it. For the average listener, the more soothing and elegant sounds of Mozart or Bach that this series features will be more appealing than the harsher tones and loudness of a Beethoven or modern symphony. This CD is a most lush collection of some of Mozart's finest music he composed for special festivities during the era of Dukes and Princes and Royal Courts (called "divertimenti"). So, the title "A Delightful Little Dinner Music" really is not far from the intent of the music Mozart wrote here - it was designed to be light, elegant and most of all to set a warm mood for the event. All pieces here are of a similar, non-invasive tone and temperament with no dramatic or loud sections that can disrupt special moments. The selections featuring the silky-smooth sounds of the oboe or clarinet are most delightful as Mozart had a special talent for writing for those highly-expressive instruments. Not a harsh note is heard on the entire CD.
But, don't misread the cute, contemporary art cover to mean substandard classical music. The quality of the performances, compilations and recordings are all surprizingly quite good. Even the "serious" classical listener should enjoy the variety of such compilations once in a while as hearing the fifteenth violin sonata in a row can start to become monotonous. Sometimes a little diversity is what is needed and the wonderful selections on this high-quality CD offers this. I have many CD's in this series and find this one my favorite. It is Mozart at his most elegant and wonderfully lyrical. It is music that never demands to be heard but only seeks to delight. Highly recommended.
Enjoyable, bright, sunny-morning-at-the-cafe selections.......1998-11-20
I like this CD so much, I'm buying it again so I can have a second copy for home. I'm a high school science teacher and I wanted an unobtrusive, but not bland, collection of Mozart to play in the background as my students worked. I found that this CD more than satisfied my meager demands by being invigorating without being overpowering, and varied enough so as to not get stale, even when on continuous play. My students have enjoyed it as well, quickly becoming comfortable with what, for most of them, was a new type of music, even asking me to play it if I forget to cue it up before class. I can't comment on the technical virtuosity of the performances, but they are certainly adequate, and the quality of the recording is very good. The music is presented in a menu style, with 'appetizers', 'main course', and 'dessert'. All in all, just the music for times when you need a pleasant, easily palatable, uplift for your day.
Average customer rating:
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El Efecto Mozart Música para Bebés, Vol. 2: Dulces sueños
Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00080Z71E
Release Date: 2005-04-19 |
Average customer rating:
- FABULOUS SELECTION OF CLASSICAL MUSIC
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Classics for Relaxation and Meditation
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000LOH
Release Date: 1995-04-16 |
Tracks:
- BWV 992: Jeusus Is Always My Gladness
- Concerto In B Flat Major: Adagio
- Organ Concerto In G Major: Largo
- Moonlight Sonata In C Sharp Minor Op. 27-2: Quasi Una Fantasia (Adagio Sostenuto)
- Mass In E Minor: Kyre Eleyson
- Piano Concerto No. 26 In D Minor K537: Larghetto
- Symphony No. 8 In Minor D 759: Andante Con Moto
- Fantasy Op. 73: Tender And With Expression
- The Moldau: Sympohic Poem
- Valse Triste: Op. 44, 1 From 'Kuolema'
- Oboe Concerto In C Major K314: Adagio - Mozart
- Piano Concerto No. 21 In C Major K467 'Elvira Madigan': Andante
Tracks:
- Souvenir De Florence In D Minor Op. 70: Adagio Cantibile - Tchaikovsky
- Raindrop Prelude In D Flat Major Op. 28 - 15
- Symphony No. 4 In A Major Op. 90 'Italian': Andante con molto
- Love Dream No. 3 In A Flat Major Op. 62
- Lullaby - Berceuse Op. 105
- Berceuse: Lullaby Op. 57 - Chopin
- Wind Quartet In E Flat Major Op. 88-2: Andante grazioso
- Cello Concerto In G Major: Romance
- Concerto For Flute, Harp And Orchestra In C Major K299: Andantino - Mozart
- Sonata In C Minor Op. 13 'Pathetique': Adagio cantabile - Beethoven
- Divertimento No. 1 In B Flat Major 'Chorale St. Antoni': Andante - Haydn _
Tracks:
- Stabat Mater Op.58: Virgo Virginium Praeclara - Dvorak
- Divertimento No. 1 In B Flat Major: Chorale - Haydn _
- Consolation In E Major - Liszt
- Symphony No. 5 In D Major, Op.107 'Reformation': Finale
- Execution Transcendante: Evening Harmony - Liszt
- Overture In D Major: Air BWV 1068 - Bach
- Orfeo ed Euridice: Dance Of The Blessed Spirits - Gluck
- Piano Concerto No. 1 in C major Op. 15: Largo - Beethoven
- String Quartet No. 62 In C Major, Op.76, 3 'Emperor': Adagiop cantabile - Haydn _
Customer Reviews:
FABULOUS SELECTION OF CLASSICAL MUSIC.......2001-05-16
Whether or not you are a fan of classical music, the truth is that everyone enjoys a few hours of peace and relaxation. This CD provides a wide selection of music from famous composers like Mozart to lesser known classical composers, which makes it the perfect CD to play on your stereo during those rare moments of peace. Play it while reading a favorite novel, or just simply sit down and meditate with the help of this classical CD. Beethoven's widely popular "Moonlight Sonata" for the piano and Chopin's extraordinary "Raindrop" are just two examples of musical pieces that will not only calm but enrich your life. With a total of three discs included at a phenomenal value, this is one CD that you cannot afford to pass up.
Average customer rating:
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The Most Relaxing Chamber Music Album in the World ... Ever!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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| Mozart, Wolfgang Amadeus
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| Tchaikovsky, Peter Ilyich
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| Vivaldi, Antonio
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| Debussy, Claude
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ASIN: B000AXWGZE
Release Date: 2005-10-04 |
Tracks:
- String Quartet in B-Flat, Op. 76 No. 4 Sunrise - II Adagio - Franz Joseph Haydn
- Cello Sonata in G Minor, Op. 65 - III Largo - Frederic Chopin
- Piano Trio No. 1 in B-Flat, D.898 - II Andante, un poco mosso - Franz Schubert
- Clarinet Sonata No. 1 in F Minor, Op. 120 No. 1 - II Andante un poco adagio - Johannes Brahms
- String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
- String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
- Sonata In E Minor, F.XVI, No. 1 - II Largo - Antonio Vivaldi
- Mhenerzungen, Op. 132 - III Ruhiges Tempo, Mit Zartem Ausdruck - Robert Schumann
- Sonata No. 5 For Piano & Violin In F, Op. 24 Spring - Ii Adagio Molto Espressivo - Ludwig Van Beethoven
- Quintet For Piano & Winds In E-Flat, K.452 - II Larghetto - Wolfgang Amadeus Mozart
- Seven Last Words From The Cross - VII Largo - Franz Joseph Haydn
Tracks:
- String Quartet In C Minor, Op. 51 No. 1 - II Romanze; Poco Adagio - Johannes Brahms
- FantasiestOp. 73 - I Zart Und Mit Ausdruck - Robert Schumann
- Serenade In D, Op. 8 - Adagio
- Clarinet Quintet In A, K.581 - II Larghetto - Wolfgang Amadeus Mozart
- String Quartet No. 4 In E Minor, Op. 44 No. 2 - II Andante - Felix Mendelssohn-Bartholdy
- String Quartet, Op. 10 - III Andantino, Doucement Expressif - Claude Debussy
- Violin Sonata No. 3 In D Minor, Op. 108 - II Adagio - Johannes Brahms
- Quintet For Piano & Winds In E-Flat, Op. 16 - II Andante Cantabile - Ludwig Van Beethoven
- String Quartet No. 1 In D, Op. 11 - II Andante Cantabile - Piotr Ilyich Tchaikovsky
- Clarinet Trio In B-Flat, Op. 11 - II Adagio - Ludwig Van Beethoven
- String Quartet In E-Flat, D.87 - III Adagio - Franz Schubert
- Serenade (Andante Cantabile) - Franz Joseph Haydn
- Wiegenlied, Op. 49 No. 4 (Lullaby) - Johannes Brahms
Music Review:
- Mozart: Coś fan tutte / Borowska, Yachmi, Coles, Martin, Dickie, Mikulas
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- Rameau in Versailles - 6 Concerti / Hippolyte & Aricie
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Music Review
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