Mussorgsky, Ravel and Debussy
On this CD:
1. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
2. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
3. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
4. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Gnome
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
5. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Gnome
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
6. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Gnome
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
7. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
8. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
9. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
10. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Old Castle
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
11. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Old Castle
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
12. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Old Castle
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
13. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
14. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
15. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
16. Pictures at an Exhibition (Kartinki s vīstavski), for piano Tuileries
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
17. Pictures at an Exhibition (Kartinki s vīstavski), for piano Tuileries
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
18. Pictures at an Exhibition (Kartinki s vīstavski), for piano Tuileries
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
19. Pictures at an Exhibition (Kartinki s vīstavski), for piano Bydlo
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
20. Pictures at an Exhibition (Kartinki s vīstavski), for piano Bydlo
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
21. Pictures at an Exhibition (Kartinki s vīstavski), for piano Bydlo
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
22. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
23. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
24. Pictures at an Exhibition (Kartinki s vīstavski), for piano Promenade
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
25. Pictures at an Exhibition (Kartinki s vīstavski), for piano Ballet of the Unhatched Chicks
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
26. Pictures at an Exhibition (Kartinki s vīstavski), for piano Ballet of the Unhatched Chicks
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
27. Pictures at an Exhibition (Kartinki s vīstavski), for piano Ballet of the Unhatched Chicks
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
28. Pictures at an Exhibition (Kartinki s vīstavski), for piano Samuel Goldenberg & Schmuyle
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
29. Pictures at an Exhibition (Kartinki s vīstavski), for piano Samuel Goldenberg & Schmuyle
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
30. Pictures at an Exhibition (Kartinki s vīstavski), for piano Samuel Goldenberg & Schmuyle
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
31. Pictures at an Exhibition (Kartinki s vīstavski), for piano Limoges - The Market
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
32. Pictures at an Exhibition (Kartinki s vīstavski), for piano Limoges - The Market
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
33. Pictures at an Exhibition (Kartinki s vīstavski), for piano Limoges - The Market
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
34. Pictures at an Exhibition (Kartinki s vīstavski), for piano Catacombs (Sepulchrum Romanum)
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
35. Pictures at an Exhibition (Kartinki s vīstavski), for piano Catacombs (Sepulchrum Romanum)
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
36. Pictures at an Exhibition (Kartinki s vīstavski), for piano Catacombs (Sepulchrum Romanum)
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
37. Pictures at an Exhibition (Kartinki s vīstavski), for piano Con Mortuis In Lingua Mortua
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
38. Pictures at an Exhibition (Kartinki s vīstavski), for piano Con Mortuis In Lingua Mortua
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
39. Pictures at an Exhibition (Kartinki s vīstavski), for piano Con Mortuis In Lingua Mortua
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
40. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Hut on Fowl's Legs
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
41. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Hut on Fowl's Legs
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
42. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Hut on Fowl's Legs
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
43. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Great Gate at Kiev
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
44. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Great Gate at Kiev
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
45. Pictures at an Exhibition (Kartinki s vīstavski), for piano The Great Gate at Kiev
Composed by Modest Mussorgsky
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
46. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
47. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
48. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
49. Daphnis et Chloé, suite No. 2 for orchestra Lever Du Jour/Daybreak
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
50. Daphnis et Chloé, suite No. 2 for orchestra Suite No 2 Lever Du Jour
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
51. Daphnis et Chloé, suite No. 2 for orchestra Lever Du Jour/Daybreak
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
52. Daphnis et Chloé, suite No. 2 for orchestra Pantomime
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
53. Daphnis et Chloé, suite No. 2 for orchestra Suite No 2 Pantomime
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
54. Daphnis et Chloé, suite No. 2 for orchestra Pantomime
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
55. Daphnis et Chloé, suite No. 2 for orchestra Danse Générale
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
56. Daphnis et Chloé, suite No. 2 for orchestra Suite No 2 Danse Générale
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
57. Daphnis et Chloé, suite No. 2 for orchestra Danse Générale
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
58. Pour le piano, suite for piano, L. 95 No 2, Sarabande (arr. for orchestra)
Composed by Claude Debussy
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
59. Pour le piano, suite for piano, L. 95 No 2, Sarabande
Composed by Claude Debussy
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
60. La valse, počme choréographique for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
61. Pour le piano, suite for piano, L. 95 No 2, Sarabande (arr. for orchestra)
Composed by Claude Debussy
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
62. La valse, počme choréographique for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
63. La valse, počme choréographique for orchestra (or piano)
Composed by Maurice Ravel
Performed by Boston Symphony Orchestra
Conducted by Serge Koussevitzky
Mussorgsky, Ravel and Debussy, Music, Claude Debussy, Modest Mussorgsky, Maurice Ravel, Sergey Koussevitzky, Boston Symphony Orchestra, 20th/21st Century Orchestral Music, Classical, Classical Music, Keyboard, Orchestral, Suite for Orchestra, Suite/Partita for Keyboard
Average customer rating:
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Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00012QLTQ
Release Date: 2003-12-09 |
Album Description
Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.
Customer Reviews:
A good gift for novice.......2007-05-12
This was a good gift for somebody learning about Classical music in Japan.
Average customer rating:
- Love the soprano sax
- Incredibly Musical Peformance
- Just a small point of rectifition
- What am I missing?
- Beautiful!!
|
Romances for Saxophone
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Creation
- Music for Saxophone & Orchestra
- Eternal
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- Ballades for Saxophone and Orchestra
ASIN: B0000026EH
Release Date: 1990-10-25 |
Tracks:
- L'Isle Joyeuse
- Pavane
- Arabesque No. 1
- Vocalise
- Pastorale
- Emmanuel
- Bachianas Brasileiras No. 5
- Gymnopedie No. 3
- Prelude
- Piece en forme de Habanera
- Sicilienne
- Serenata
- The Old Castle
Customer Reviews:
Love the soprano sax.......2007-05-18
If you don't already love the soprano sax, this should do it for you.
Incredibly Musical Peformance.......2006-03-20
In my opinion, this is one of the best Classical CDs ever produced. I listen to it often and I am amazed at what an incredibly MUSICAL performance Branford Marsalis had. If you like saxaphone, I think you will love it. If you don't, I think you will still find it valuable because the technique, the phrasing are quintissential.
Just a small point of rectifition.......2004-12-28
None of the works presented here precede the invention of the saxophone. Please look this up. You will find the saxophone invented around 1840, yes early romantic. And in addition, I believe many of the composers here used the saxophone at least once in their music. This is certainly true of Stravinsky, Debussy, Ravel and Villa-Lobos. (Villa-Lobos used the saxophone in at least 40 works!)
What am I missing?.......2003-12-19
I think it is very admirable that Marsalis has attempted to produce a classical CD, however, this is not the sublime, masterpiece that so many previous reviewers have labelled it. His tone is particularly unstable, and not very even, his soprano playing is miles better than his alto however. This is a real shame, as the primary solo instrument in the saxophone family is the alto, anyone beginning study in classical saxophone would need to get this sorted first. His tuning is barely acceptable, but only for a jazzo, he would be shot if he played so out for a real saxophone teacher. Please have a listen to some real repertoire for saxophone, played by a real player, such as Bornkamp, Rousseau, Delangle, Fourmeau, Michat, Londeix, etc. This is a good INTRODUCTION to classical music, if for the first time, but please don't accept this as being the be all and end all of classical music, and of saxophone.
Beautiful!!.......2003-03-17
I hae been a fan of Branford Marsalis for a while, but I had no idea that he had created a classical album. All of the songs are beautifully rendered. This CD is a treasure at any price.
Average customer rating:
- Magical and Majestic...
- A MUST HAVE!!! Buy two you might ware this CD out.
|
The Fantastic Leopold Stokowski: Transcriptions For Orchestra
Manufacturer: Telarc
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- Bach - Stokowski
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ASIN: B000003CZD
Release Date: 2002-07-23 |
Tracks:
- Toccata & Fugue In D minor
- Menuet
- 'Little' Fugue In G Minor
- Adagio Sostenuto
- Hungarian Dance No. 6
- Clair De Lune
- F-Dieu A Slle
- La Cathale Engloutie
- Prelude In C Sharp Minor
- Night On Bald Mountain
- The Great Gate Of Kiev
Customer Reviews:
Magical and Majestic..........2004-12-30
Kunzel and the Cincinnati Pops take a break from their usual contemporary program; to perform this eclectic selection of transcriptions by the flamboyant Leopold Stokowski. The novice wouldn't have known that Stokowski got his start in 1909 with the Cincinnati Symphony. I guess they are paying homage to him with this album. Where other discs usually concentrate on just Bach or baroque items; this disc offers orchestrations from Boccherini to Rachmaninoff. The digital recording is fine and detailed complementing the instrumentation. Though purists find Stokowski's meddling offensive, his transcriptions can make classical music more approachable to new ears. Kunzel kind of gives us his version of Stokowki's greatest hits, showing serious affection for the music. You get "Toccata and Fugue"
to start it off, and a very different "Great Gate of Kiev", less congested in orchestration than the Ravel, to end it. Most of the pieces have bombastic finales, which include heavy brass and percussion and even carillons ring out. A very likable program that won't fade with repeated listening. Add a star if your not aware that Stokowki's own recordings of these pieces are still available.
A MUST HAVE!!! Buy two you might ware this CD out........1999-06-12
Arranged by the greatest, conducted by one of the greatest, and performed by the best you could not ask for anything more. These performances will inspire forever. Five stars do not do this music compilation justice!
Average customer rating:
- Electronic Classics
- Tomita, Will You Enjoy His Splendor?
- Complete list of Tomita's classical albums...
- A millenium must-have.
- Cleverly-synthesized, familiar classical tunes
|
Tomita's Greatest Hits CD
Manufacturer: RCA
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Binding: Audio CD
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- Debussy: Snowflakes Are Dancing, Prelude, etc / Tomita
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ASIN: B000003EO5
Release Date: 1990-10-25 |
Tracks:
- Also Sprach Zarathustra: Fanfare
- Grand Canyon Suite: On The Trail
- The Pachelbel Canon
- Syncopated Clock
- Bolero
- 'Star Wars' Main Title
- Suite Bergamasque: Clair De Lune
- Close Encounters Of The Third Kind
- Symphony No. 5: 2nd Movement: Allegro Marcato
- Children's Corner: Golliwog's Cakewalk
- Firebird Suite: Infernal Dance Of King Kastchei
- Hora Staccato
- The Planets: Mars, The Bringer Of War
- Pictures At An Exhibition: The Great Gate Of Kiev
Customer Reviews:
Electronic Classics.......2006-12-03
As far as I know, Isao Tomita is not an original artist in the sense that he composes new works. He is, however, an original artist who puts a new spin on existing compositions and reinterprets them in a new and, mostly, delightful way.
The selection on this album come right out of a "pops" concert given by any symphony orchestra but they are not performed my symphonic orchestras. They are performed electronically by Tomita. This results in some parts being more emphasized than one would expect to hear in a concert hall. It is a new experience.
This work is new and different in its presentation. It is quite enjoyable.
Tomita, Will You Enjoy His Splendor?.......2004-01-08
If you've never heard any Tomita then answer these questions:
1. Do you have a taste for classical music?
Good, you should know some of these peices, and be able to enjoy them.
2. Do you enjoy odd music, peices that are unique?
I personally don't have a taste for synth. But Tomita is very unique and is very enjoyable to listen to.
3. Do you hate pop music?
This shows your intellegence level. Like pop music? Then you are just another sheep and should NOT buy this album. Dislike pop music? You sir or madame may just show a ray of intellegence and should consider this.
This is a nice addition to your collection if you are a serious musician or student of music, (and I don't mean high school band class, I mean like music theory).
Enjoy the sonic explorations into the mind of Tomita.
Complete list of Tomita's classical albums..........2002-03-05
5 stars for the music, but why do all the Tomita compilation CDs have almost the same tracks with so much available?
A big box set of every classical Tomita album would be even better. Most of the CDs out of print for years are absolutely fantastic. Four of his albums would fit two on one CD. Here's the complete list...
Snowflakes Are Dancing 1974 (11 Debussy pieces) The newly remastered CD is an audiophile recording, adds Prelude To The Afternoon of a Faun and is available for a good price.
Pictures At An Exhibition 1975 (Mussorgsky)
Firebird 1976 (Stravinsky: Firebird. Debussy: Prelude To The Afternoon of A Faun. Mussorgsky: Night On Bald Mountain)
The Planets 1976 (Holst)
Kosmos 1978 (Star Wars Title. Space Fantasy- R. Strauss: 2001 Title, Wagner: Ride of The Valkyries and Tannhauser Overture. Honnegar: Pacific 231. Ives: Unanswered Question. Rodrigo: Aranjuez. Grieg: Solveig's Song. Dinicu-Heifetz: Hora Staccato. Bach-Tomita: The Sea Named Solaris)
The Bermuda Triangle 1979 (Sibelius: Valse Triste. And excerpts from... Williams: Close Encounters. Prokofiev: Romeo and Juliet, Scythian Suite, Symphonies 5 and 6, Violin Concerto 1. My favorite electronic CD.)
Bolero 1980 (Ravel: Daphis and Chloe. Pavane for A Dead Princess. Bolero. Mother Goose Suite)
The Grand Canyon 1982 (Grofe)
Canon of The Three Stars 1984 (Pachelbel: Canon. Rachmaninoff: Vocalise. Albinoni: Adagio. Bach: Jesu Joy of Man's Desiring. 4 pieces from Villa Lobos: Bachianis Brasileiras 2, 4, and 7)
Live At Linz, Austria 1985 (With speakers on both sides of the Danube River and live soloists. Includes 7 pieces from previous albums plus Stravinsky: The Rite of Spring. Japanese Traditional: Cranes In Their Nest. Vaughn Williams: The Lark Ascending. Wagner: Tristan Und Isolde-Liebestod. Beethoven: Ode To Joy with full Choir.)
Live In New York 1988 (Includes 7 pieces from previous albums plus Dukas: Fanfare. Mahler: Symphony 3 in D Minor - 5th Movement. Traditional: Chinese War Lord Going Home. Gershwin: Rhapsody In Blue. Fisher-Dvorak: Goin' Home. My favorite live concert CDs.)
A millenium must-have........1999-11-05
This is the true reason God invented the CD player. Ravel's "Bolero" and Holst's "Bringer of War" are standouts, in my opinion. If Mr. Tomita is still living, perhaps, he can grace us with Camille Saint-Saens' "Organ Symphony" or "The Carnival of the Animals" electronically interpreted.
Cleverly-synthesized, familiar classical tunes.......1998-11-02
I use this CD with elementary school children. It's classical music with an electronic twist--fun, sometimes surprising, and well-done!
Average customer rating:
- If stranded on an island and had one disc...
- Truly inspired collection
- Encore! Encore!
- Encore! Encore!
- Surprised and ... inspired
|
Classical Dreams: Music to Inspire
Manufacturer: EMI Classics
ProductGroup: Music
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Similar Items:
- Cathedral Dreams: Music to Inspire
- Williams: The Five Sacred Trees (Bassoon Concerto) / Takemitsu: Tree Line / Hovhaness: Symphony No. s, Op. 132 "Mysterious Mountain" / Picker: Old and Lost Rivers
- The Most Relaxing Classical Album in the World...Ever!
- Modern Times
ASIN: B00005Q467
Release Date: 2001-10-09 |
Tracks:
- Antiphon: Ecce Annuntio Vobis - Dominique Vellard
- Symphony No. 5: Adagietto - Jukka-Pekka Saraste
- Gymnopedie No. 1 - Paul Tortelier
- Pavane - Paul Tortelier
- The Planets: Venus - Sir Charles Mackerras
- Old And Lost Rivers - Christoph Eschenbach
- Prld To The Afternoon Of A Faun - Dmitri Kitaenko
- Summer Pastorale - Jesus Lopez-Cobos
- Masques Et Bergamasques: Pastorale - Jean-Bernard Pommier
- Summa - Bournemouth Sinfonietta
- Pictures At An Exhibition: The Old Castle - Sir Charles Mackerras
- The Wounded Heart - Jonathan Rees
- Ser in e: Larghetto - Andrew Litton
Tracks:
- Apollon Musagete: The Birth Of Apollo - Jukka-Pekka Saraste
- Adagio for Strings - City Of London Sinfonia
- The Swan Of Tuonela - Paavo Jarvi
- Enigma Vars: Nimrod - RPO/Andrew Litton
- Petite Ste: En Bateau (Orch. Busser) - Jean-Bernard Pommier
- Holberg Ste: Air - Jonathan Rees
- Fantasia On 'Greensleeves' - Christopher Warren-Green
- Gymnopedie No. 3 - Paul Tortelier
- Pavane Pour Une Infante Defunte - Jukka-Pekka Saraste
- The Last Spring - Jonathan Rees
- Thais: Meditation (From Thais) - Paul Tortelier
- Vocalise - Andrew Litton
- Mother Goose: The Fairy Garden - Dmitri Kitaenko
- Antiphon: Ecce Annuntio Vobis - Dominique Vellard
Customer Reviews:
If stranded on an island and had one disc..........2006-01-23
I'd be tempted to make this the one, and I own over 2,000. I agree with what has been said above, but have a few thoughts of my own. I live near a major city with a known orchestra. Why are classical audienced declining? Maybe they're overplaying hackneyed works, and not playing some neglected masterpieces. In this double album there are some well known works, but some exquisite finds, like Picker's Old and Lost Rivers, Honegger's Pastorale, Arvo Part's Summa (!!!). Most highly recommended, with a good bottle of red wine.
Truly inspired collection.......2004-12-07
I came upon this compilation while researching a somewhat obscure piece called "Summer Pastorale", which is contained in the collection. One look at the play list and I was sold - here were most of my favorite tone poems, adagios, and assorted short works, all on one CD (OK, two CD's...)
Another gem here that I had never heard before is Pick's "Old and Lost Rivers". Ravel's final movement from Mother Goose is one of his best orchestrations and at the top of my 'A' list.
About the only pieces I missed here were Debussy's Engulfed Cathedral and Respighi's fourth church window, St. Gregory the Great. Perhaps they would be a bit too dramatic for this collection, though.
The only shortcoming of this collection is the lack of liner notes, but this is a minor issue. The music is superb.
Encore! Encore!.......2004-06-17
Like a few other reviewers here, I purchased this disc for Tobias Picker's "Old and Lost Rivers." But from the Gregorian chants that open this two-CD set to the closing strains of Ravel's "Mother Goose: The Fairy Garden," I was absolutely captivated by the beauty and cohesiveness of this compilation. Producer Robert Laporta has created a disc that passes muster with neophytes and long time classical music lovers alike. I humbly suggest -- make that BEG -- that Virgin Classics turn "Classical Dreams" into a series. I would love to hear a second volume featuring such favorites as the BBC Symphony Orchestra's interpretation of Delius' "On Hearing the 1st Cuckoo In Spring," the Royal Philharmonic's version of Vaughan Williams' "Fantastia on a Theme by Thomas Tallis" and the London Symphony's recording of Vaughan Williams' "Symphony No. 3 Pastoral" (Andre Previn conducting both Vaughan Williams' selections). By far, this is the finest classical collection I have yet heard. Encore!
Encore! Encore!.......2004-06-17
Like a few other reviewers here, I purchased this disc for Tobias Picker's miraculous (and criminally underrated) "Old and Lost Rivers." But from the Gregorian chants that open this two-CD set to the closing strains of Ravel's "Mother Goose: The Fairy Garden," I was absolutely captivated by the beauty and cohesiveness of this compilation. Producer Robert Laporta has created a disc both neophytes and long time classical music lovers can approve of. I humbly suggest that Virgin Classics turn Classical Dreams into a series. I would love to hear a second volume featuring such favorites as the BBC Symphony Orchestra's interpretation of Delius' "On Hearing the 1st Cuckoo In Spring," the Royal Philharmonic's version of Vaughan Williams' "Fantastia on a Theme by Thomas Tallis" and the London Symphony's recording of Vaughan Williams' "Symphony No. 3 Pastoral" (Andre Previn conducting both Vaughan Williams' selections). By far, this is the finest classical compilation I have yet heard. Encore!
Surprised and ... inspired.......2002-05-10
What a pleasant surprise this double CD turned out to be. I bought it used just for Picker's gorgeous and poetic "Old and Lost Rivers" but fell in love with the whole thing. I'm not usully one for "Best Of ---" or themed classical collections, but this one's in a class by itself. The selections are unusual and achingly lovely in themselves and as a whole. This is my new favorite disk. It's a relaxation or concentration tool... hell, it's a companion - it goes wherever my laptop and headphones go. You get over two hours of gorgeous and lyrical - never mushy, sentimental or tired - classical music, the perfect backdrop for everything from dinner dates to writing code. This CD has added sustained moments of beauty and poise to a busy life - which is more than I could have asked for!
Average customer rating:
- Every Track a Winner
- A top performance
- There are better recordings of Pictures
- Disappointing, but...
- Three of Von Karajan's finest directions
|
Ravel: Bolero; Debussy, Mussorgsky / Karajan, Berlin Philharmonic Orchestra
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001GQH
Release Date: 1996-02-13 |
Tracks:
- La Mer - Trois esquisses symphoniques: 1. De l'aube a midi sur la mer - Tres lent
- La Mer - Trois esquisses symphoniques: 2. Jeux de vagues. Allegro
- La Mer - Trois esquisses symphoniques: 3. Dialogue du vent et de la mer. Anime et tumultueux
- Bilder Einer Ausstellung: Promenade
- Bilder Einer Ausstellung: Gnomus
- Bilder Einer Ausstellung: Promenade
- Bilder Einer Ausstellung: Il vecchio castello
- Bilder Einer Ausstellung: Promenade
- Bilder Einer Ausstellung: Tuileries
- Bilder Einer Ausstellung: Bydlo
- Bilder Einer Ausstellung: Promenade
- Bilder Einer Ausstellung: Ballet des petits poussins dans leurs coques
- Bilder Einer Ausstellung: Samuel Goldenburg und Schmuyle
- Bilder Einer Ausstellung: Limoges: Le marche
- Bilder Einer Ausstellung: Catacombae: Sepulchrum Romanum
- Bilder Einer Ausstellung: Cum Mortuis in lingua mortua
- Bilder Einer Ausstellung: La cabane de Baba Yaga sur des pattes de poule
- Bilder Einer Ausstellung: La grande porte de Kiev
- Bolero
Customer Reviews:
Every Track a Winner.......2007-04-20
It is interesting that the Austrian Karajan and his German Berlin Phil. Orch. was so competent in the French and Russian repitiore. In all Karajan's programing of more "serious" and more Teutonic works by Beethoven, Brahms ect.; it is ironic that Ravel's "Bolero" is Karajan at his best-this rendition is very intense and at once very passionate. Likewise, Mussorgsky/Ravel's "Pictures at an Exhibition" is also very vivid and sonorous.
"Pictures at an Exhibition" was one of my first introductions to "Classical" music when I was a teenager. It is an outstanding work, that captures the mysterious and very Russian essence of Mussorgsky; but also displays Ravel's orchestral mastery and French sensibility.
Debussy's "La Mer" is a musical portrait of the sea. It creates a mood, more than it delivers a melody; and Karajan and the Berlin Phil. and the "German/Romantic treatment" actually works quite well in giving "La Mer" sweep and power.
Comparison for "Bolero": Bernstein
Comparison for "Pictures": Bernstein; Szell
Comparison for "La Mer": Munch; Boulez/Cleveland Orch.
A top performance.......2001-02-06
This has long been one of my favourite performances of "Pictures". The sound quality from the early 60s recording is very good indeed. I find the pacing to be just right for this extraordinary work. I have listened to a number of versions over the years, including more recent recordings - including the Sinopoli version on DG, and a London Symphony version, as well as a few others that I have forgotten - none of them made my spine tingle like this one has. (The Ashkenazy version is a worthy complement to this version). The Bolero on this disc is also excellent. This is an excellent value CD.
There are better recordings of Pictures.......2001-01-01
I bought this CD thinking, "Hey, it's the Berlin Phil, it's got to be amazing." Well, it wasn't. If you're looking for "La Mer" or "Bolero", BUY this CD. They are magnificent and hypnotic, demonstrating what the orchestra and its conductor are really capable of. That is why this CD gets 4 stars.
If, on the other hand, you are looking for "Pictures", look elsewhere. The Chicago Symphony under Reiner is the best recording I have found. Next to that, this version just doesn't compare. First of all, the opening Promenade has an uneven sound quality. It almost sounds like the trumpets are switching off on the solo. Not only that, but the trumpet seems to have an unusual buzz in his sound. It's really not pleasant to listen to. This is compounded by Karajan's slow tempos - the opening "Promenade" isn't too bad, but the others just drag. "Gnomus" is played brilliantly in places, but it lacks the twisting, wicked sound of the violins found in the CSO under Reiner. "The Old Castle", however, is one of the CD's strongest tracks. In "Samuel Goldenberg", I was once again displeased with the trumpet. He needs to get control of his tonguing and let some sound out. I know the solo is high and difficult and staccato - I play trumpet myself - but it just sounds ugly. The notes are spit out with little attention to quality and a few bobbles. "Limoges", "Ballet of the Unhatched Chicks", and "Tuileries" all lacked the playfulness found with the CSO, while "Baba Yaga" just was not vicious enough for my tastes. "The Great Gate" some of you may really enjoy. It is more calm and less brassy than the CSO version. However, the trumpet is yet again a problem. Either he's shaking and having trouble controlling the notes, or he's putting way too much vibrato in where it's not needed or wanted.
Most of the problems I have with this "Pictures" are interpretational - the BPO does overall play quite well. Some of you will disagree with my notion of how the suite should sound and for you, this might be an excellent recording. I, however, don't like this version very much. I enjoy much more the Chicago Symphony Orchestra under Reiner, and also Ashkenazy's piano and orchestral versions.
Disappointing, but..........2000-11-01
Herbert von Karajan always played "impressionist" music in a strange way. At a glance, Debussy should be his favourite composer, because his music requires beautiful sound, and Karajan's sound is as beautiful as sound gets. Unfortunately, Herbie is often tempted to look for spectacularity where you shouldn't find it; so "La Mer" sounds much more like Berlioz than Debussy. The "Pictures" are much better, but they fall short from being completely convincing; even though the Berliners play at their best, there's something missing; you can't feel the mysterious sadness of the Old Castle, nor the excitement of the Limoges market, nor the impressive sense of "spleen" that makes the Catacombs so great. The only conductor - after Toscanini - who made the Pictures sound really good is probably Sinopoli, in his DG recording with the NYP. Fortunately, Karajan's Bolero is a pure beauty: nobody ever found a more ideal way to play the "crescendo continuo". If you love Bolero as much as I do, you can forgive Karajan and buy this CD in spite of its disappointing overall quality.
Three of Von Karajan's finest directions.......2000-07-11
The three performances in this CD will help immortalize perhaps the greatest director of the twentieth century: Herbert von Karajan. Karajan's control of Debussy's La Mer (The Sea) leaves you breathless, as it transports you directly to the big blue. Mussorgky's Pictures at an Exhibition, is another excellent example of not only Karajan's genius, but also of the richness of sound and musical textures that the Berliner Philarmoniker (Berlin Philharmonic) is capable. But what really makes this CD worth, is Karajan's direction of Ravel's Bolero, a magnificent, hypnotic composition lasting more than 16 minutes of pulsating musical beauty. If you want to know why von Karajan is considered one of the best orchestral directors, this CD will answer all those questions and eliminate all doubts.
Average customer rating:
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Classical Music Start-Up Kit, Vol. 2: 1825-1945
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005YCX6
Release Date: 1996-01-04 |
Tracks:
- Scherzo - Jeno Jando
- Waltz In C# Minor - Peter Nagy
- Song Without Words, Op.102, No.5 - Peter Nagy
- 'The Fountains Of The Villa D'Este' - Jeno Jando
- Scherzo - Jeno Jando
- 'March To The Scaffold' - Pinchas Steinberg
- Finale - Adrian Leaper
- Pomp and Circumstance March No. 1 (Excerpt) - Adrian Leaper
- The Moldau (exc) - Slovak PO/Barry Wordsworth
- Final Movement Of Symphony No.9 'From The New World' - Stephen Gunzenhauser
- 'Bydlo' - Jeno Jando
- 'Flight Of The Bumblebee' - Balazs Szokolay
- 'Polovtsian Dances' - Slovak Philharmonic Orchestra
- Finale - Adrian Leaper
- Finale - Takako Nishizaki
- 'Liebestod' - Johannes Wildner
- Finale - Slovak Philharmonic Orchestra
- Intro To Also Sprach Zarathustra - Slovak Philharmonic Orchestra
- Uranus, The Magician - Adrian Leaper
- 'Jeux De Vagues' - Alexander Rahbari
- 'Sunrise' - Czecho-Slovak Radio Symphony Chorus
- Adoration Of The Earth (Finale) - Alexander Rahbari
- March From Love For Three Oranges Suite, Op.33: March - Andrew Mogrelia
- Scherzo - Alexander Rahbari
- Finale - Alexander Rahbari
Tracks:
- Bolero
- Sarabande (Orch. Ravel)
- Danse (Orhc. Ravel)
- Pictures At An Exhibition (Orch. Ravel)
Album Description
Australian pressing features 13 total tracks. Decca. 2005.
Customer Reviews:
3 for Effort.......2006-01-01
Its Chailly in his early days trying to get the Concertgebouw in shape from the long tenure of a previous conductor.
Chailly in his Messiaen, Schonberg is outstanding.
Here he does not have it together. Much better Mussorgsky out there.
3 Stars, save your money.
Average customer rating:
- Orchestral Trumpet Player's Bible:
- Essential Recording for Any Trumpet Player
- Most Excellent
- Awesome!
- Excellent for aspiring trumpet players, otherwise...
|
Orchestral Excerpts For Trumpet
Manufacturer: Summit(Classical)
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ASIN: B0000038JG
Release Date: 1995-02-07 |
Tracks:
- Trumpet concerto: Brandenburg Concerto No.2 - Trumpet Concerto
- Petrouchka
- Pictures at an Exhibition
- Leonore Nos. 3&2
- Ein Heldenleben
- Symphony No.5
- Scheherazade
- Don Juan
- Fetes
- Piano Concerto In G
- Piano Cto. No. 1
- Pines Of Rome
- Concerto For Orchestra
- Carmen Prelude
- Firebird Suite
- Parsifal Prelude
- La Mer
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- Symphony No. 3 (Post Horn)
- Capriccio Espagnol
- American In Paris
- Magnificat
Customer Reviews:
Orchestral Trumpet Player's Bible:.......2003-05-08
I carry this recording around with me in my case, and listen to it before auditions, concerts, rehearsals, etc. It's simply how the excerpts (along with trumpet playing in general) should sound. Smith's virtuostic playing, coupled with his vast orchestral experience, really teach the parts. All trumpet players, top to bottom, have something to learn from this CD--and while the entire work (with orchestra) and part should be studied (Smith actually recommends this), it is still very useful to hear one of the finest players on earth performing just the trumpet part.
Essential Recording for Any Trumpet Player.......2001-05-24
If any principal orchestral trumpet player has succeeded Adolph Herseth as the "state of the art," the probable consensus among his peers would be Philip Smith of the New York Philharmonic. His virtually flawless technique, gourgeous sound, rarified musicianship and exceptional leadership make him virtually unique in his field, and his more than 20 years with the Philharmonic (plus his early years with the Chicago Symphony) have firmly established him as one of the greats in the history of orchestral brass performance.
Measured simply as a documentation of his skills, this recording would be an extraordinary document - the playing throughout is stupendous. But this is much more than that; Mr. Smith proves to be as articulate (mild "New Yoahk" accent and all) as he is talented, and his performance suggestions are truly helpful, even for those of us without his superhuman abilities. The recorded sound is superb, and overall this is a joy to listen to at every level. I recommend it without reservation for any trumpet player aspiring to a higher level of musicianship and performance - and if you play it at full volume shortly after your warmup, your neighbors will be very impressed.
Most Excellent.......1999-12-13
As a trumpet player, I must say that Phil Smith's comments during each track are immensely beneficial. His thoughts have produced profound understanding in my trumpet playing, and despite the fact that this CD is intended as a grouping of Phil Smith's insights into common Orchestral Excerpts and his following demonstration, I have countless times listened out of pure enjoyment than to gain expert insight. His tone is the most beautiful I have ever heard, and it shows on this CD. I recommend this particularly for any aspiring trumpet student.
Awesome!.......1999-10-25
The previous reviewer of this CD missed the point of the CD. Lets say your working on the Carmern Prelude or Stravinsky Pétrouchka you buy this CD, and learn how Philip Smith (one of the greatest symphonic trumpet players in the world) would interpret and play it. Thats why its entitled Orchestra Trumpet Excerpts.
Excellent for aspiring trumpet players, otherwise..........1999-05-31
This CD would be excellent for aspiring orchestral trumpeters and soloists; although Philip Smith conveys his expertise exceptionally well, this short snips of music on this CD are no substitute for the actual full-orchestra recordings.
Average customer rating:
- Fabulous re-mastered mono sound!
- ...if for the 72 minutes of Chopin alone, a must have
|
Leonard Pennario: The Early Years 1950-1958
Manufacturer: MSR Classics Archive
ProductGroup: Music
Binding: Audio CD
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ASIN: B000JCEB1I
Release Date: 2006-10-03 |
Product Description
A Limited Edition collection of the great recordings of American pianist Leonard Pennario. Taken from his earliest Capitol Classics catalogue, all recordings have been digitally remastered from original sources. All recordings are first time on CD.
Customer Reviews:
Fabulous re-mastered mono sound!.......2007-07-03
Back in the 50s we had many of these on LP. Great to find them again!
Why not a successor set of the concerto recordings?
...if for the 72 minutes of Chopin alone, a must have.......2006-11-13
MSR have used the original Masters of the actual recording sessions for their superb remastering of the performances on these discs, bringing out a richness and depth of tonality and `presence' seldom heard in monophonic recordings. In fact, using a DVD/CD player through a surround sound home cinema system, with the music hovering above the speakers, I was oblivious to the fact it was mono. Perhaps it was some close proximity of the microphone when recording, but there is an intimacy in the listening experience, as if Pennario has pulled up a chair to your living room piano (albeit a Steinway!), and we are privy.
From more than 66 albums and CDs, Pennario fans have long known. To a new generation becoming acquainted with his artistry: a reviewer of his 1952 UK debut wrote, (with to my mind typical British reserve and understatement), "Nobody plays better than Pennario". His staggering technical virtuosity underpins his interpretation of every work, from the supreme nostalgic lyricism of the complete Chopin Waltzes, the lyrical dynamism of the Heroic Polonaise, (both included in this set), or as in other CD releases, the ominous, brooding dynamism of his Tchaikovsky No.1, and the downright seamy raunchiness of his definitive Rhapsody in Blue.
To date, there has been a paucity of commercial release of his solo piano repertoire on CD. These discs provide a sample of his repertoire of Chopin, Schumann, Liszt, Debussy, Ravel and more. Hopefully this 4 disc set heralds that further releases can be eagerly anticipated.
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- Ravel, Debussy, Massenet and others
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- Rhymes Reveries Rimes
Music Review
music review
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