Sibelius: Finlandia / Symphony No. 2

On this CD:

1. Symphony No. 2, for orchestra in D major, Op. 43
Composed by Jean Sibelius
Performed by Ljubljana Symphony Orchestra
Conducted by Anton Nanut

2. Finlandia, tone poem for orchestra, Op. 26
Composed by Jean Sibelius
Performed by Ljubljana Symphony Orchestra
Conducted by Marko Munih

Customer Reviews:

Must buy.......2006-05-16

Superlative seven-CDS hyper-bargain bid from BMG can't never beat that!!Over-all an allround best buy If you snooze you lose

Simply great Sibelius.......2006-05-15

At less than 20GBP, this set offers a most excellent initiation to the world of Johan Sibelius s'masterly work. A nice collection, that includes the symphonies (1--7) with important compositions such as the ever fascinating Kulervo and myriads of "TonePoems". The L.S.O play together with dedication, the sound and direction by sir Colin Davis increase the impression of greatness in the music. I was a little skeptical of the new Davis Kulervo "live", of which I prefer this one on rca, but been of course amazed by the L.S.O.Live powerful versions of symphonies 3 & 7. Otherwise, I generally love this uniformly excellent set, even more so than the earlier cycle in Boston of which I still like, above all, symphonies 5&6. Here, with this rca set, the "highlights" are to be found in symphonies 1, 3, 4, 5 and 6, as well as in a bracing and quite dramatic Kulervo. Among the poems, En Saga and Pohjola really shine along with a wonderful Suite Karelia. Of course everything is not perfection, but who will pretend to be anyway? I recommend highly this important box set, even more than the competitive 5CD Naxos however very good it is. Davis is a master Sibelian, no doubt about that. Kind regards. m.vuriling

Splendid Performances from LSO and Sir Colin Davis.......2004-12-31

This 7 CD set includes all of Sir Colin Davis' second Sibelius symphony cycle recorded with the London Symphony Orchestra in the 1990's, along with almost all of Sibelius' other major orchestral works, most notably his tone poems (Some of these were recorded as recently as 2000 or 2001.). These are impressive, vibrant performances replete with exquisite playing by the London Symphony Orchestra. Critics have praised Davis' first Sibelius symphony cycle with the Boston Symphony Orchestra as among the best; without question, his second symphony cycle is not only just as fine, but comes with better quality digital sound (However, with respect to sound, the best Sibelius symphony cycle that he's recorded may be the recent one with the LSO Live CD label.). I especially enjoyed the recordings of Sibelius' 2nd, 5th and 7th symphonies, and the tone poem En Saga, but all of Sibelius' works in this CD set are quite fine. Those interested in hearing music made by Sir Colin Davis, widely regarded as our foremost interpreter of Sibelius, with one of the world's greatest orchestras, the London Symphony Orchestra, will not be disappointed with this CD set.

Average customer rating:

THE Sibelius set...
Outstanding performances
An Introduction to Sibelius
WONDERFUL SOUND!
Hype and reality

Sibelius: The Complete Symphonies 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Sibelius: The Complete Symphonies 1
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Dvorák: The Symphonies
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ASIN: B0000041BW
Release Date: 1995-06-13

Tracks:

Symphony No. 3 In C, Opus 52: 1. Allegro moderato
Symphony No. 3 In C, Opus 52: 2. Andantino con moto, quasi allegretto
Symphony No. 3 In C, Opus 52: 3. Moderato - Allegro. Ma non tanto
Symphony No. 6 In D Minor, Opus 104: 1. Allegro molto moderato
Symphony No. 6 In D Minor, Opus 104: 2. Allegretto moderato
Symphony No. 6 In D Minor, Opus 104: 3. Poco vivace
Symphony No. 6 In D Minor, Opus 104: 4. Allegro molto
Symphony No. 7 In C, Opus 105: Adagio -
Symphony No. 7 In C, Opus 105: Vivacissimo - Adagio -
Symphony No. 7 In C, Opus 105: Allegro molto moderato - Allegro moderato -
Symphony No. 7 In C, Opus 105: Vivace - Presto - Adagio - Largamente molto -
Symphony No. 7 In C, Opus 105: Affettuoso

Tracks:

Violin Concerto In D Minor, Opus 47: 1. Allegro moderato
Violin Concerto In D Minor, Opus 47: 2. Adagio di molto
Violin Concerto In D Minor, Opus 47: 3. Allegro, ma non tanto
Finlandia, Opus 26
Tapiola, Opus 112: Tone Poem
The Swan of Tuonela, Opus 22 No. 2: Legend

Amazon.com essential recording

It was clever of Philips to couple Sibelius's least popular symphonies with the extremely popular Violin Concerto and tone poems. Don't let the words "least popular" scare you off, however. If you like Sibelius, you'll love the Third and Sixth Symphonies. The latter, in particular, is one of the most purely beautiful pieces of music in the history of sound; its only flaw is a quiet ending that makes conductors unwilling to play it at live concerts. Sir Colin Davis and the Boston Symphony perform all of this music with idiomatic flair and unflagging enthusiasm. These versions are far superior to Davis's recent remakes on RCA, and a lot cheaper too. So go ahead, indulge. --David Hurwitz

Customer Reviews:

THE Sibelius set..........2006-12-05

Sir Colin Davis has been known as a supreme Sibelius conductor for over 30 years now and this(his first complete cycle with the Boston Symphony Orchestra)is a perfect example of why. Davis gets into the heart of these works and shows why I consider Sibelius to be my favorite overall symphonist. These pieces all have an icy, lonely, quality that I've never heard from any other composer. No doubt part of this sound was highly influenced by the desolate landscape of his native Finland and one can almost feel the mountains and fjords when listening.

The symphonies on this set are basically perfect. Not to discredit his awesome first two, but Symphony no. 3 was his first truly innovative work and an unbelievably memorable and enjoyable piece. The 6th and 7th were his last two symphonies and perhaps his greatest. The richly melodic and inventive 6th is my personal favorite Sibelius work. The 7th is another standout for its unusual single movement structure and epic sound despite its sort length.

I'm usually not a huge fan of concertos in general, and the violin has never been my favorite instrument(I vastly prefer cello or piano), but Sibelius' violin concerto is an unbelievable work. There's no fancy showing off just for the sake of virtuosity here, although this piece does require a top-notch player. It's a bleak and chilling concerto and the orchestra shimmers right along side of the voilin. Admittedly this is the only version of this work I've head, but I was very very impressed. The second disc concludes impressively with 'Findlandia', 'Tapiola', and 'The Swan of Tuonela'- The three most popular Sibelius tone poems.

Philips deserves much credit here for pairing the least popular Sibelius symphonies with a second disc that includes some of his most popular works. Not only does this work perfectly to fill up each disc, but it should hopefully also introduce some hesitant fans to three awesome and neglected symphonies.

Outstanding performances.......2006-11-21

In the 1970s Colin Davis and the Boston Symphony Orchestra recorded a complete cycle of Sibelius symphonies, as well as the violin concerto and a few of the tone poems. A number of the live performances before the recording sessions were broadcast on PBS. The Davis cycle was generally regarded as one of the best available at that time, although the recorded sound was considered below Philips' usual high standard.

As it happens, the performances collected in Vol. 2 are among the stronger in the series. The two weakest performances--the Second and the Fourth--are in Vol. 1. If you're just getting to know Symphonies 3, 6, and 7, these are thoughtful, well-shaped, well-played performances with a strong feeling for the Sibelius sound world. Tempo relationships are reasonable. Davis doesn't rush the (apparently) faster music after the slow opening of the Sixth Symphony, a key point for those of us who love this symphony. A big plus is the violin concerto with Salvatore Accardo. There may be fierier or more virtuosic performances, but Davis makes the orchestra an equal partner. If you like the violin concerto treated as an additional Sibelius symphony, and I do, you'll like this interpretation.

Considering Vols. 1 and 2 of the Davis cycle together, I'd rate them superior to the Maazel/Vienna, but below the Berglund cycle, simply because none of Berglund's performances is as misconceived as the Davis Fourth. If you're looking for the specific works in Vol. 2, I wouldn't hesitate to get the Davis.

An Introduction to Sibelius.......2005-11-22

The music of Jean Sibelius (1865 --1957) has enjoyed a varied reputation over the years, but it today is held in deservedly high regard. His seven symphonies, in their varied forms, are classics of the Twentieth Century.

I have lived for several years with Sir Colin Davis' recordings of Sibelius with the Boston Symphony Orchestra. Davis is an acknowledged master of this music. The recordings date from 1975 -- 1979 and are currently available on two "duo" CD sets from Phillips. Davis later recorded the cycle again and a third version is in process. But the Boston Symphony compilation is highly accessible and modestly priced. If you are looking for an introduction to the essential works of Sibelius, this set is for you.

I supplemented my recent listening to this music by reading the accounts of each of Sibelius' symphonies in Michael Steinberg's excellent reference book : "The Symphony a Listener's Guide" (1995). I also have read the account of the violin concerto in Steinberg's parallel guide to the standard concerto repertory. Listeners wanting a more detailed discussion of the symphonies and concerto than that found in most liner notes, including the notes for this set, will greatly benefit from reading Steinberg.

This CD opens with Sibelius' symphony no. 3 in C major composed in 1904. This is a three-movement work in which the composer finds fully his own voice. The work is spare and neoclassical in style, written with both energy and restraint. The first movement opens with a brisk, characteristic theme for cello and bass. The second movement is intermezzo-like, with rhythmic ambiguity and a lovely singing theme as it progresses. The finale is in two parts with ever-changing tempos and moods leading to a final climax at the end.

The symphony no. 6 in D, opus 104 dates from 1923 and has always been my favorite of the Sibelius symphonies. As Steinberg points out, much of this symphony is written in the Dorian mode (on the piano this consists of playing all the white keys beginning on D) giving the music an etherial and remote character. The scoring of this work is also unusual with Sibelius using a harp and a bass clarinet, both of which add a great deal of color to the orchestration. Although this symphony is in the standard four-movements it is far from traditional, as the music is weightless, enigmatic, and mysterious. It is restrained in tone and ends very softly after a remarkably beautiful theme in the strings. The sixth is a highly idiosyncratic work.

Sibelius' completed his final symphony, no. 7 in C in 1924. This is a work of only about 21 minutes in what is nominally a single movement. But in its short space, the symphony moves through a variety of tempos and moods, all tightly unified and flowing from one section to the next. Some hear the work in five sections while others hear it in three. Many critics have noted that "The Seventh Symphony consummates the nineteenth-century search for symphonic unity". (Steinberg, page 607, quoting Robert Layton.) The work opens with a long slow section based upon a drum-tap and an ascending scale and concludes with a loud, triumphant chord in the brass on C major. This is tightly-written yet romantic and passionate music that will repay many listenings. Even though Sibelius lived more than 30 years after completing this work, he composed no more symphonies.

This CD also includes Sibelius' violin concerto in D minor opus 47 which the composer wrote in 1903 and revised in 1905. This work has at least found its place in the standard concert repertory. (It was recently programmed a few weeks apart in my area by the National Symphony Orchestra in Washington D.C. and by the Fairfax Symphony Orchestra in suburban Virginia.) The work is performed here by Salvatore Accardo with Colin Davis conducting the London Symphony Orchestra. The violin concerto differs from Sibelius' symphonic writing in that it is unabashedly and passionately romantic in character and a crushingly difficult, virtuoso piece for the soloist. The first movement includes a long, famous and showy cadenza followed by a long meditative slow movement and a lively, icy finale. This is one of the finest twentieth-century violin concertos and worthy to stand with its great nineteenth century predecessors.

The CD closes with three of Sibelius' shorter works for orchestra including his most familiar work, "Finlandia" , composed in 1899, which for some years was the only work of the composer to get a hearing. It also includes the long tone-poem "Tapiola", one of the composer's last important works and written after the seventh symphony. But the highlight of these last three works is "The Swan of Tuneola" opus 22, which includes an inimitable solo for the English Horn performed here by Laurence Thorstenborg.

This CD and its companion are ideal ways to get to know the music of Sibelius.

Robin Friedman

WONDERFUL SOUND!.......2005-09-15

The orchestra here sounds so vast and powerful--but also it carries a mellowness, a smoothness. Fantastic listening!
It's a bit like the gutsy sound of Beethoven melded with the easy sound of Faure's choral stuff. Can't say enough about this!

Hype and reality.......2005-07-03

I recently bought the Sibelius Volumes 1 and 2 in 2-in-1 sets. I wont comment on the artistic content as they are covered in others reviews of this page. The sound quality of Vol 2 is decidedly degraded - almost unlistenable - compared to the much much higher quality of Volume 1 (with magnificient artistry). The transfers are AAD on the Phillips label which, like DGG, of the 1970's are not meant for better quality music systems (even of that period) and unless remastered disappoint the listener. It is possible that reissues for this particular packaging could be faulty or may be that the repackaging is so cleverly done that all the goodies are on Volume 1 and the second-best on the second. Davis is redoing the Sibelius Synphonies with LSO and that may account for the rush to get this set out of the way!

Sibelius: The Complete Symphonies & Tone Poems

Average customer rating:

5 stars for the syms
Beautiful and comprehensive compilation of Sibelius works
excellent collection
A must for Sibelius lovers
A terrific and near-perfect set

Sibelius: The Complete Symphonies & Tone Poems

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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Symphonies 1-3 / Piano Concerto 1-4 / Isle of Dead

ASIN: B00005MIZT
Release Date: 2001-11-20

Tracks:

I: Andante, Ma Non Troppo - Allegro Energico
II: Andante (Ma Non Troppo Lento)
III: Scherzo: Allegro
IV: Finale (Quasi Una Fantasia): Andante - Allegro Molto
I: Allegretto
II: Tempo Andante, Ma Rubato
III: Vivacissimo - Lento E Suave - Tempo Primo - Largamente -
IV: Finale: Allegro Moderato

Tracks:

I: Allegro Moderato
II: Andantino Con Moto, Quasi Allegretto
III: Moderato - Allegro (Ma Non Tanto)
I: Tempo Molto Moderato, Quasi Adagio
II: Allegro Molto Vivace - Doppio Piu Lento
III: Il Tempo Largo
IV: Allegro

Tracks:

I: Tempo Molto Moderato - Largamente - Allegro Moderato
II: Andante Mosso, Quasi Allegretto
III: Allegretto Molto - Un Pochettino Largamente
I: Allegro Molto Moderato
II: Allegretto Moderato - Poco Con Moto
III: Poco Vivace
IV: Allegro Molto - Allegro Assai - Doppio Piu Lento

Tracks:

Adagio -
Un Pochettino Meno Adagio - Vivacissimo -
Poco Rallentando Al Adagio - Allegro Molto Moderato - Allegro Moderato - Vivace -
Presto - Adagio - Largamente Molto - Affettuoso
Cantata: Oma Maa, Op.92: 'Our Own Land'
Tulen Synty, Op.32: The Origin Of Fire

Tracks:

I: Introductione: Allegro Moderato
II: Kullervo's Youth: Grave
III: Kullervo And His Sister: Allegro Vivace
IV: Kullervo Goes To Battle: Alla Marcia
V: Kullervo's Death: Andante

Tracks:

The Oceanides, Op.73
I: Intermezzo
III: Alla Marcia
I: All'overtura: Grave - Allegro/II: Scena: Tempo Di Menuetto - Allegro Moderato/III: Festivo: Tempo Di Bolero
Tapiola, Op.112
Finlandia, Op.26
Serenade No.1 in D, Op.69a
Serenade No.2 in g, Op.69b (Lento Assai)

Tracks:

Luonnotar, Op.70
Pohjola's Daughter, Op.49
En Saga, Op.9
I. Nocturne
II. Elegie
III. Musette
IV. Serenade
V. Ballade
The Bard, Op.64

Tracks:

Spring Song, Op.16
III. The Swan Of Tuonela
IV. Lemminkainen's Return
I. At The Castle Gate
II. Melisande
IIa. By The Seashore
III. A Spring In The Park
IV. The Three Blind Sisters
V. Pastorale
VI. Melisande At The Spinning-wheel
VII. Entr'acte
VIII. The Death Of Of Melisande
Valse Triste
Scene With Cranes
II. The Harp
III. The Maidens With Roses
IV. Listen, The Robin Sings
VI. Swanwhite And The Prince

Customer Reviews:

5 stars for the syms.......2006-03-18

with the Helsinki
3 Stars for the Bourgemouth on the poems.
But truth be told, no matter how EMPHATIC statements that his syms are not programmatic, that is fall into a logical step by step order, they are just that, very predictible.
I've given these syms 30 yrs, and lately I've lost interest.
While Schonberg, Berg, Webern, Varese were scoring creative new atonal/poloytonal works of new genius, here was Sibelius struggling with old forms, that fail to deliver anything really new. And he knew it, and bothered him to no end.
I feel there is way too much Beethoven/Bruckner(I like neither) influence in the syms for me to become a fan of the syms. I like the 1st sym "somewhat" that is I never listen to it, and small parts of the 4-7 syms. But I'm afraid I only like Sibelius pre 1905, the Kullervo, VC, tone poems. Here is where the genius of Sibelius truly lies.
The syms long ago held some interest, but lately i've moved on to Schnittke and Pettersson.
I also much prefer Vaughan Wialliams syms to all of Sibelius.
Sibelius was a genius in his element, that of representing the folk ideas of his land. His syms are like a string of ideas that lack the connective passages. IOW the whole is less than the few interesting parts.

Beautiful and comprehensive compilation of Sibelius works.......2005-09-29

For me, this has been the year of Sibelius. Previously, I had listened to (and enjoyed) Finlandia. I also had a couple of the symphonies but hadn't listened too them but once or twice. After listening to Finlandia again, I decided to seek out more SIbelius to sample. After some searching through reviews, I settled upon this compilation of works because it offered a large variety of Sibelius and seemed to be well-received. I have been very happy with this purchase! Not only have I spent countless hours listening to each of the 8 disks in this set, the enjoyment of the music has led me to many other wonderful performances of Sibelius by other worthy conductors such as Ashkenazy and Vanska. Still, this boxed set will always be fondly remembered as the one that introduced me to the wonders of so many of these pieces.

I was immediately captured by the haunting clarinet solo that begins the first symphony. All of the symphonies, performed by the Helsinki Orchestra, are recorded in very clear digital sound -- so the solo and the pecussion accompanyment were perfectly captured. I was hooked by the first symphony, but all of the symphonies are presented clearly and with outstanding interpretations. The Helsinki Philharmonic has always had a strong affiliation with Sibelius's music, and Paavo Berglund is a renowned Sibelius conductor who has recorded three separate symphony cycles (once with the Bournemouth Symphony orchestra, the 2nd time with these recordings, and a third time with the Chamber Orchestra of Europe). The commitment felt by the conductor and orchestra comes through in these performances.

In addition to the complete symphony cycle, there are a number of other treasures. A fine version of Finlandia is accompanied by a number of truly delightful tone poems such as Tapiola, the haunting Swan of Tuonela and Lemminkainen's Return (from the Lemminkainen Suite). These tone poems were inspired by the Finnish Kalevala. Other tone poems such as the Oceanides and Spring Song were inspired by Sibelius's love of nature. All receive strong performances by Berglund conducting the Bournemouth Symphony (in analog sound that is still quite good). The violin serenades (especially no. 2) were unexpected delights. The version of Kullervo is magnificent, as is the singing in Luonnotar and Oma maa. This set is a treasure trove of Sibelius treats!

excellent collection.......2004-06-28

This box set includes Sibelius' all symphonies, with Kullervo and his almost complete tone poems. The Symphonies are performed by Helsinki Philharmonic Orchestra, Kullervo and tone poems with Bournemouth Symphony Orchestra. All of them conducted by Paavo Berglund, who always a champion on performer of Sibelius.

Even so there are his incidental musics: Pelleas et Melisande, Swanwhite, Kuolema and King Christian II.
Especially Pelleas and Kuolema (which includes ever famous Valse triste) are the most beautifuls. Pelleas et Melisande is a very impressive music, and the best "Pelleas" music with Debussy's Pelleas (opera).

Kullervo is symphony-cantata for two soloists, men-chorus and orchestra, which be constitued in 5 movements, comparable in artistically with Mahler's 2nd Symphony "Resurrection". Especially the last movement "Kullervo's Death" is very effective, pathetique.

And one more a vocal work, a tone poem for soprano and orchestra: Lounnutar. This is based on Kalevala again, and Luonnotar is creator of nature in this poem. It is a very radical work, like his darkful 4th Symphony and The Bard. I think, The Bard is one of the best works of the composer, with it's harmonis, dark colours, contemplative mood. Still, this was written in tragic E-flat minor. It is based on a mythologic creature which plays an harp, like lyre in Greek mythology. And in the last minutes there is a dramatic climax and then music slowly fades out.

And there is the best Tapiola recording, I've ever heard (with Petri Sakari's version at Naxos). This is based on Kalevala, again. Tapio is the name of the forest god, according story. There are very impressive contrasts between hypnotic, a little hesitated, light colours and dramatic darkful colours. The orchestration is marvellous again. Especially, in last minutes there is a terrific storm scene and it's very spine chilling. Climaxes (which played by brass) are very powerful...

This is a very good addition to collectors of Sibelius fans and any classical music lovers. Highly recommended.

A must for Sibelius lovers.......2003-01-07

Jean Sibelius is one of those composers who I feel that even on his off days he did well. While I certainly can't say I enjoy all of his music enough to buy (Sacaramouche for instance), most of his music is highly pleasureful. All of the pieces on this set, conducted by Paavo Berglund, save maybe one or two, are part of the later catagory.

This set consists of most of Sibelius's major orchestral music, with the notible exceptions of Night Ride and Subrise, the first two sections of the Lemmenkainen Suite, and the Violin Concerto. It also contains such rarities as Origin of Fire, Our Own Land, and excepts from Swan White.

Berglund, I believe, was the first to fully record a complete cycle of Sibelius symphonies. The recordings here are not from his first set (which I have not heard), but the second cycle recorded in the mid-80s. The symphonies and two canatas mentioned above are recorded in digital, while the rest is analog. It's all in very good sound, though not perfect. That they wanted to keep the D and A recodings on seperate discs is the only possible reason I can see for why they left out the Violin Concerto (there's plenty of room on disc 4).

Now of course, contents are one thing, but what really matters is performance. And suffice it to say, they for the most part shine. This has easily the finest Symphony 1 I've heard, and the finale of Symphony 5 (truly one of the greatest works of the 20th century) shines with brillance. Symphony 3 makes its mark nicely, and Symphony 2, while perhaps a bit on the fast side, is certainly up to par. The only disappointment is Symphony 7, which falls totally flat compared to Davis/BSO.

The two cantatas are wonderful rarities, but its disc 5 where the choral aspect is full played out -- Kullervo. If you've never heard this piece, it's a 75 minute long programatic symphony (to use to term losely) with many ups and downs. This was the first ever recording, and most say it hasn't been topped.

The final three discs contain shorter works. Especially noteable are the absolutely beautiful Serenade #2 for Violin and Orchestra, the hauntingly lovely Luonnotar, a very rousing version of Lemminkainen's Return, and a passionate Pelleas and Mellsande.

Of course, it's almost impossible to have this big a set without some disapointments. Beyond the aformentioned Symphony 7, there's also not overly convincing Finlandia, and a WAY too slow Karelia Intermezzo. Thankfully, the rest of the set makes up for it. It's a great deal at only about $7 a disc retail, and if you're like me, on you'll keep coming back to.

A terrific and near-perfect set.......2002-04-05

This release couples Berglund's classic Bournemouth recordings of the Kullervo Symphony and a host of tone poems with his most recent cycle of the Symphonies.

The Bournemouth recordings are legendary, especially the Kullervo, which belongs in every classical music library. There is a real warmth to these readings, which charms me into letting the minor flaws in playing pass. The sound is pretty good, though slightly muddy at times (particularly in Tapiola), and the selections have been excellently remastered.

The Symphonies, recorded with the Helsinki Philharmonic in superb digital sound, are a real peak in the discography. Berglund doesn't play his Sibelius lukewarm; his readings are sharp, neo-classical and very powerful. You won't confuse these recordings with those of Colin Davis to be sure. Very comparable to Maazel's earlier readings with the Vienna Philharmonic, but with less over-dramatization. His First, Second, Third, Sixth and Seventh are as good as any, and his reading of the Fourth, while rather bleak for my taste (I like the idea of some kind of softening at the end) is a coherent vision, almost harsh in it's execution.

I really like Maazel's Pittsburgh Fifth, and Berglund's recording in no way comes close to Maazel's splendor or power as a total conception. But, Berglund's middle movement is the best I've heard by far; the obsessively repeated melody seems to weave in and out of the orchestral fabric very seductively. Berglund's knack for architecture is spot on here.

Tracks:

Introduction
Ride Of The Valkyries
Mars, The Bringer Of War
Montagues And Capulets
Sabre Dance
William Tell Overture (Conclusion)
In The Hall Of The Mountain King
The Hut On Fowl's Legs
The Great Gate At Kiev
Fanfare For The Common Man
Allegro Con Brio
Marche Au Supplice (March To The Scaffold)
Sacrificial Dance (The Chosen One)
Circus Maximus
Les Toreadors
Finlandia, Op.26
1812 Overture, Op.49 (Conclusion)

Tracks:

Procession Of The Nobles
Rakoczy March
Ritual Fire Dance
The Hero's Battlefield
Pines Of The Appian Way
Dies Irae
Allegro Con Brio
Allegretto
Air Et Danse Bacchanale
Farandole
Infernal Dance Of King Kastchei
O Fortuna
The Wedding Of Kije
Hurricane
Marche Slave, Op.31

Customer Reviews:

Good job.......2005-08-26

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

Masterful!.......2005-06-15

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

Great CD of Classical music's power pieces!.......2005-06-07

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.

Average customer rating:

Absolutely Superb!!
A little comment !
Let's call it fifty/fifty.
Brilliant #2...The Remainder of These 2 CD's are Worthless
Not essential for Sibelians

Sibelius: Orchestral Works

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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ASIN: B0000029YV
Release Date: 1997-11-18

Tracks:

Symphony No. 1 In E Minor, Op. 39: Andante, ma non troppo; Allegro energico - National Philharmonic Orchestra
Symphony No. 1 In E Minor, Op. 39: Andante (man non troppo lento) - National Philharmonic Orchestra
Symphony No. 1 In E Minor, Op. 39: Scherzo. Allegro - National Philharmonic Orchestra
Symphony No. 1 In E Minor, Op. 39: Finale (Quasi una fantasia). Andante - National Philharmonic Orchestra
The Swan Of Tuonela, From Lemminkainen Suite, Op. 22, No. 3 - Michael Winfield
Violin Concerto In D Minor, Op. 47: Allegro moderato - Zino Francescatti
Violin Concerto In D Minor, Op. 47: Adagio di molto - Zino Francescatti
Violin Concerto In D Minor, Op. 47: Allegro, ma non tanto - Zino Francescatti

Tracks:

Finlandia, Op. 26 - London Symphony Orchestra
Symphony no. 2 in D major, op. 43: Allegretto - New York Philharmonic
Symphony no. 2 in D major, op. 43: Tempo Andante, ma rubato - New York Philharmonic
Symphony no. 2 in D major, op. 43: Vivacissimo - New York Philharmonic
Symphony no. 2 in D major, op. 43: Finale: Allegro moderato - New York Philharmonic
Valse Triste From Kuolema, Op. 44 - Philadelphia Orchestra
Karelia Suite, Op. 11: Intermezzo. Moderato - Philadelphia Orchestra
Karelia Suite, Op. 11: Ballade. Tempo di menuetto - Un poco piu lento - Philadelphia Orchestra
Karelia Suite, Op. 11: Alla marcia. Moderato - Philadelphia Orchestra

Customer Reviews:

Absolutely Superb!!.......2005-11-04

An excellant recording of the most popular pieces by this wonderful composer. The performance of each and every piece is truly stunning and the sound quality of the recording---excellant. A very good introduction to Sibelius.

A little comment !.......2004-08-31

The Second Symphony is a real issue of that overwhelming who was Thomas Schippers . Even if i do not agree with the timings due I consider extremely contemplative , it has personality and expressiveness .
The jewel of the crown is the first symphony , one of the best in the market .
The Sibelius violin concerto remains in the top list of the ten greatets performances in any age . Warmth and poetic rendition .
Finlandia is irrelevant .
So consider this buying worthable for the expossed reasons.

Let's call it fifty/fifty........2003-06-12

Like some of the other reviewers, I am inclined also to rate this compilation mixed fare. I would consider purchase of this two cd set only if it was available at a bargain price. To begin with, I find Thomas Schippers' Sibelius Second hard to take seriously. It seems to be an exercise in theatrics more than anything else. On the other hand, Stokowski's Sibelius First is one of the best performances this work has ever been given. He demonstrates tautness and clarity and an attention to detail that is extremely satisfying. There is also boldness and adventuressness, and not least of all a very pleasing sense of atmosphere. My only disappointment comes in the second movement, where in the quieter pastoral sections I find Stokowski's pace a little too slow, though I still appreciate the attractiveness he displays. In the Sibelius Violin Concerto, Francescatti and Bernstein offer some pleasing moments, though the idiomatic and atmospheric elements are a little shortchanged. Despite this, Francescatti realizes some nicely expressive tonal shadings and accents. A different sort of performance from Heifetz and Oistrakh, but one that stands well on its own merit. Otherwise, I find Hickox's Finlandia presentation somewhat wayward. We should have been given Ormandy's solid and moving version with the Mormon Tabernacle Choir, although I could have done without his views here on Valse Triste and the Karelia Suite, especially the latter, which would have benefitted from a livelier, more atmospheric approach.

Brilliant #2...The Remainder of These 2 CD's are Worthless.......2001-02-06

Sony should have re-released only the Schippers on a single CD. This is the most brilliant reading of this difficult symphony I have ever heard. As for #1...Stokowski hit his high point as a conductor with the pap from "Fantasia"...it was all downhill for him after that. The best recording of Finlandia is Sir Colin Davis/Boston Symphony. Richard Hickox is a nullity and his conducting shows that in ample display with this reading. As for Eugene Ormandy and his Karelia...Stravinsky said it best..."Ormandy is an ideal conductor of Strauss waltzes." The Violin Concerto is serviceable, but nothing special...Good playing by Francescatti, but an indifferent accompaniment by Bernstein and his charges.

Not essential for Sibelians.......2000-04-04

I have heard countless recordings of the Sibelius symphonies, so from my perspective as a listener and as a conductor, I would recommend other recordings of these works. Firstly, the tempi in the recordings of the 1st and 2nd Symphonies are generally wrong. Sibelius was one of those composers who was particular about interpretations of his music, with only a slight flexibility. What Stokowski achieves, on the other hand, is a beautiful musical and emotional thread, as he always did. He brought out interesting harmonic balances and shadings in the "Swan of Tuonela" recording that many other recordings of the work lack. The Swan is obviously music that is perfectly suited to Stokowski's typical poetic treatment and wizardry. Zino Francescatti's recording of the Violin Concerto is actually quite good. Bernstein's accompaniment is lovingly dedicated. Bernstein ignores less of Sibelius's tempi here than he usually did. Francescatti is really in top form in this recording, and even though I'm not a big fan of mid-20th century styles of violin playing, I think that Francescatti displays a great deal of integrity, coupled with an obvious Mediterranean passion. This aesthetic is not too far removed from Sibelius's intent, since the composer frequently visited Italy around the time he wrote the work (The 2nd Symphony was actually composed in Italy). However, there's much of the Northern temperament in this work as well.

The recording of the 2nd Symphony is just wrong. Thomas Schippers had little understanding of Sibelius's music, in my opinion. The tempi are mostly incorrect, and the orchestral playing here is dull.

Tracks:

(Cd 1) Symphony No.1 Symphony No4
(Cd 2) Symphony No.2 Finlandia . Karelia Suite
(Cd 3) Symphony No.3 Symphony No.6 . Tapiola
(Cd 4) Symphony No.5. Symphony No.7. En Saga
(Cd 5) Violin Concerto* 2 Serious Melodies*

Customer Reviews:

The performances aren't first rate, but the recordings are.......2006-09-27

As these recordings appeared from 1979 to 1984, it became apparent that Ashkenazy was making a major bid to shift his career from pianist to conductor. As a star on the Decca label, he was given free rein, the company's engineers supplying him with spectacular sonics that sitll hold up for detail, impact, and wide dynamics. Every movement leaps out of the speakers. But the underlying interpretations, to my ear, are haphazard. Like Rostropovich, another great Russian instrumentalist who couldn't quite translate his mastery to the podium, Ashkenazy's Sibelius works by fits and starts. Sometimes he plunges in vigorously, at other times backs away and loses the rhythmic line. There's a lot of indulgent shaping of melodies--in all he's no cometiiton for great Sibelians like Karajan, Beecham, and Bernstein. Boris Belkin, the soloist in the Violin Concerto, is precise and extroverted but no match for the illustrious soloist--Heifetz, Shaham, Kremer, Oistrakh, etc.--who preceded and followed him.

Even so, the general thrust of Ashkenazy's readings is vigorously energetic, so I prefer hi to latter-day Colin Davis, and the Philharmonia plays much better than the various Scandinavian orchestras that produce most Sibelius recordings today. If you want to be thrilled by sheer sound, this bargain set--all the cheaper on the used market--can't be beat.

Fire and ice ..........2006-01-31

The glorious First Symphony in this Sibelius Cycle for this particular listener immediately sets the scene: bold and full-bodied playing, truly opening up all the warmer and darker sentiments of Sibelius' music, which to my ears has always, underneath a certain 'cool reserve', been deeply emotional and deeply 'human': how very 'Northern' in its sensibilities. Fire and ice. How intensely sweet and sad at the same time the main theme of the andante is played here! Ashkenazy and the Philharmonia Orchestra to my feeling dig deeply into all the emotions, really making the heart-strings of this particular listener resonate. The orchestral playing is both powerful/'muscled' and flowing, with nice legato. The same can also be said for the performances of the other symphonies. I will mince no words: just buy this if you love Sibelius' symphonies recorded in full, wide and directly recorded sound (typically Decca/London?), played in an unabashedly bold (romantic) way, letting bloom to the full all of the emotions.
But if you love this, I urge you to sample the (recent) Sibelius cycle by the Helsinki Philharmonic Orchestra conducted by Leif Segerstam (on Ondine). These lively, fresh but sturdy and full-bodied, romantic interpretations by Segerstam and the orchestra that premiered many of Sibelius' works under the composer's own direction, are simply revelatory (well, certainly to the ears of this particular amateur listener) and at least as well played - helped by a typical (for Ondine) crystal clear, perfectly balanced soundpicture.

Great Sibelius among much great Sibelius.......2005-11-11

There is no dearth of great Sibelius cycles - many are very good and all are less controversially regarded as good than most cycles of other symphonists. Small countries have gone to war over which Mahler cycle is the best, families have separated over Bruckner questions along Wand vs. Celibidache vs. Jochum lines... and small arms fire must on occasion decide which LvB cycle is primatur.

No such emotions when it comes to the cool Sibelius symphonies. Wouldn't be prudent. Too much good stuff is out there... and even if it were not the necessary top choice, few lovers of Siblius would claim not to be able to live with any of the three Colin Davis cycles or Osmo Vanska's or the almost-complete Karajan cycle on DG or Berglund's EMI traversal. Some English people might even accept the Rattle cycle as sufficient - and only a few people would sneer at the Barbirolli set of Sibelius' 7... although that's already one step out of the mainstream.

I personally hold Vanska in the highest regards - but Vladimiar Ashkenazy makes a good point in his recordings for those who claim he's a better conductor than a pianist. Indeed, if price is to play an issue, too, I'd place his cycle at the very top of my list. He's improved as a conductor over the years, but in this one he was already ahead of himself. It is solidly played throughout all the symphonies and then some. Not as 'safe' as Jaervi in either of his two cycles, not quite as all-out as Vanska. Cool but with northern fire. Excellent attacks and a lyrical side. In the reissue Decca threw in the tone poems and the violin concerto - all at a great price. These performances might be supplemented in individual symphonies according to ones own taste and preference - but they leave little to desire and I can only wish that I would have had them as my first and basic Sibelius set instead of Maazel. (No offense, Lorin!)

Very much recommended.

Sibelius: Symphony No. 2; Finlandia; Valse Triste

Average customer rating:

Okko Kamu - a great Sibelian reaches Berlin
Best Recording of These Sibelius Works
Not impressed

Sibelius: Symphony No. 2; Finlandia; Valse Triste

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Mahler: Symphony No. 1
Debussy: Nocturnes No1-3; Prélude à l'après-midi d'un faune
Tchaikovsky: Symphonies no 4, 5, & 6 / Karajan, Berlin PO
Tchaikovsky: Symphony No. 5
Prokofiev: Symphonies Nos. 1 & 5: Lieutenant Kijé

ASIN: B00004Z33P
Release Date: 2001-09-18

Tracks:

Finlandia - Berlin Phil/Herbert Von Karajan
Sym No.2 in D: 1. Allegretto
Sym No.2 in D: 2. Tempo Andante, Ma Rubato
Sym No.2 in D: 3. Vivacissimo
Sym No.2 in D: 4. Finale: Allegro Moderato
Valse Triste - Berlin Phil/Herbert Von Karajan
The Swan Of Tuonela - Gerhard Stempnik

Customer Reviews:

Okko Kamu - a great Sibelian reaches Berlin.......2005-11-26

Finnish conductor Okko Kamu, now largely forgotten, made recordings of Scandinavian music with his own Helsinki Radio Sym. for DGG and other labels a generation ago. So far as I know he only got to record with the Berlin Phil. once, in this 1970 Sibelius Second. This was Karajan's orchestra, of course, but he chose not to record this symphony a third time(his two version are on EMI with the Philharmonia and BPO), so perhaps that gave Kamu an opening.

In any event, the orchestra plays magnificently, the sonics are fine, and the performance is first rate. Sibelius is open to so many interpretive styles that I sometimes think there's no such thing as a bad Sibelius Second. This one is flexible, at times fiery and explosive, always expressive, and tremendously viruosic. Only the finale, which begins with a slow, low-key build, may give pause. The additional fillers are the familiar, and very successful ones from Karajan. Five stars.

Best Recording of These Sibelius Works.......2004-04-17

I've never heard any better recordings of any of these works. Herbert Von Karajan and the Berliner Philharmoniker play Sibelius' Finlandia with an excitement that no other conductor has ever conducted with, and he knows where to slow down and where to accellerate his tempi in this recording of the piece. I can say the same thing about the Symphony No. 2 recording. Okku Kamu actually does do better than most conductors on all four movements. The recording of the second mvt. here makes Sir Colin Davis's, Eugene Ormandy's, and Lorin Maazel's sound pathetic. The movements in this symphony have never before had this much beauty or excitement. Valse Triste is played with a real sense of sadness and beauty in which other conductors seem to speed up the tempo during this piece. Herbert Von Karajan really is the star of that Valse Triste recording, and with The Swan of Tuonela too. The Swan of Tuonela has never been conducted in a not-so-slow, not-so-fast pace by anyone. All the other conductors seem to go at a snails pace for no good reason in their recordings of The Swan of Tuonela, even Lorin Maazel.
These are the absolute best performances of 4 of Sibelius's great orchestral works I've ever heard.

Not impressed.......2004-01-18

When I first played this disc, the opening bars of Finlandia made me excited for the rest of the album. Unfortunately, I was only disappointed. Although Karajan's Finlandia is well done, it seems that this success is only due to the simplicity of the work.
The 2nd Symphony was where the majority of my problems lay. Despite the lush beauty of string playing that the BPO is famous for, the orchestra's sound is too often imbalanced, the strings sometimes obliterating the winds. Also, it seems, during the final two movements, especially, that too many sacrifices are made for the sake of speed and volume. The intonation is, at times, horrendous, and the symphony's glorious conclusion is ruined by the thoughtless, strident brass playing. There are many recordings available, I just picked the wrong one.

Jean Sibelius: Symphony No. 2; Finlandia

Average customer rating:

Stirring!
Absolutely Beautiful!

Jean Sibelius: Symphony No. 2; Finlandia

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B000003CT9
Release Date: 1990-10-25

Tracks:

I. Allegretto
II. Tempo Andante, Ma Rubato
III. Vivissimo - IV. Finale
Finlandia, Op. 26

Customer Reviews:

Stirring!.......2002-05-10

A cold chill always seems to emanate from the music of Sibelius, whether it takes the form of Sibelius command of his orchestral forces or merely the depraved moodiness of his melodies. That being said, this is a great Sibelius recording. Yoel Levi calmly harnesses this coolness and forges it for maximum impact on this Cleveland Orchestra recording. Telarc's sound is abrubpt and close. Razor sharp sound quality gives an ironic presence to the recurring, but tiny foreboding element of the first movement every time it rears its omminous head, betraying all the light fluff around it. Things really get serious with the second movement. It is a tragic cliff-hanger: taught and brash. Hold onto your hat for movements III & IV. The Vivicissimo races past with lightning intensity until the Finale carries you away in blissful triumph. The last minute and a half are so powerful that you may forget to breathe. Top that off with a somber but spirited rendition of Finlandia and you cannot go wrong with this disc. It makes for a very satisfied listener.

Absolutely Beautiful!.......1999-11-29

I listen to this CD over and over, yet never tire of it. The richness of the strings marries with the very tender performance to produce a wonderful recording of several of Sibelius's most beautiful works. Technically, a practically flawless recording.

The Top 100 Masterpieces of Classical Music, Vol. 6-10

Average customer rating:

Great collections, with poor quality sound
The Greatest Collection Of Romantic Era Music
Somewhat lacking

The Top 100 Masterpieces of Classical Music, Vol. 6-10

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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German | Languages | Opera & Vocal | Styles | Music

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Masters of Classical Music (Box Set)
Classical Moods
Classical Masterpieces of the Millennium [20 CD Set]
25 Beethoven Favorites
Best of the Millennium: Top 40 Classical Hits

ASIN: B000001W12
Release Date: 1995-11-01

Tracks:

The Top 10 Of Classical Music 1842 - 1853: 1843: Wedding March, From 'A Midsummer Night's Dream' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1847: Liebestraum No. 3 In A Flat - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1842: Nabucco - Overture - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1848: The Merry Peasant - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1847: Hungarian Rhapsody No. 2 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1850: Lohengrin - Preldue To Act 3 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1853: La Traviata - Prelude to Act 1 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1845: Tannhauser - Arrival Of The Guests At Wartburg - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1845: Violin Concerto In E Minor, 2nd Movement - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1842 - 1853: 1846: Poet And Peasant - Overture - TOP 100 MASTERPIECES

Tracks:

The Top 10 Of Classical Music 1854 - 1866: 1858: Orpheus In The Underworld - Overture - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1858: Melody In F - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1854: Les Preludes - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1865: Waltz In A Flat - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1862: The Force Of Destiny - Overture - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1864: I Love You - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1866: The Bartered Bride - Overture - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1864: Barcarolle, From 'The Tales Of Hoffman' - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1858: Tritsch Tratsch Polka - Various Artists
The Top 10 Of Classical Music 1854 - 1866: 1866: Light Calvary - Overture - Various Artists

Tracks:

The Top 10 Of Classical Music 1867 - 1876: 1875: Piano Concerto No. 1 In B Flat Minor, 1st Movement (excerpt) - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1868: Cradle Song - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1875: The Moldau - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1870: Ride Of The Valkyries - From 'The Valkyrie' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1876: Morning, From 'Peer Gynt' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1875: Les Toreadors, From 'Carmen' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1870: Notturno, From 'Coppelia' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1876: Marche Slave, Op. 31 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1872: L'Arlesienne - Intermezzo - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1867 - 1876: 1867: The Blue Danbue - Waltz - TOP 100 MASTERPIECES

Tracks:

The Top 10 Of Classical Music 1877 -1893: 1878: Polonaise, From 'Eugene Onegin' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1893: Symphony No. 9, 'From The New World' - 2nd Movement - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1892: Waltz Of The Flowers, from 'The Nutcracker' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1887: Alborado, From 'Capriccio Espagnol' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1886: The Last Spring - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1886: Slavonic Dance No. 2 - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1889: The Sleeping Beauty - Introduction - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1877: Siegfried's Death And Funeral March, From 'Twighlight Of The Gods' - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1880: Songs My Mother Taught Me - TOP 100 MASTERPIECES
The Top 10 Of Classical Music 1877 -1893: 1889: Emperor Waltz - TOP 100 MASTERPIECES

Tracks:

The Top 10 Of Classical Music 1894 - 1928: 1896: Also sprach Zarathustra - Fanfare - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1902: Symphony No. 5 - Adagietto - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1899: Finlandia - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1900: Dance Of The Bumble Bee - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1894: Meditation, From 'Thais' - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1901: Pomp And Circumstance - March No. 1 - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1894: Humoresque - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1903: Valse Triste - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1899: Vienna Blood - Waltz - Various Artists
The Top 10 Of Classical Music 1894 - 1928: 1928: Bolero - Various Artists

Customer Reviews:

Great collections, with poor quality sound.......2003-01-09

I expected to listen to great professional classical orchestra ...for this classical music collection, but the quality of the music is not too good.

There are a lot of great music collections, but they will sound better when they record it right.

It is good when you just want to have more classical music, but for a CD, the sound quality is like a [poorley made] CD.

I give 3 stars for this product.

The Greatest Collection Of Romantic Era Music.......2002-09-05

The Top 100 Classical Music series is a must have for novices of classical music, or someone already into the classics but wishes to amassa an "essentials" collection. This particular cd's span the Romantic Era, and although the 19th century saw much more music than what is covered on these recordings, this is nevertheless a brilliant and essential body of works. The Wedding March of Mendelsshon's Midsummer Night's Dream (played in weddings all over the world I'm assuming), Franz Lizst Hungarian Rhapsody No. 2 (The Looney Tunes Theme Music by the way) and other jewels of the era, such as the Blue Danube Waltz by Johann Strauss, the operetta overtures of Franz Von Suppe, Verdi's preludes to such operas as Nabucco and La Traviata, Wagner's intense, dramatic music for his Ring of the Nibelung operas, regarded as the epitome and the zenith of Romantic Era opera, and the music of other composers such as Tchaikovsky, Bizet, Sibelius, Rimsky Korsakov and many others. I highly recommend this cd to anyone wanting to sample and taste what Romantic Era music was all about. Five stars all the way.

Somewhat lacking.......2001-03-28

(referring to the entire collection)

Tracks:

Symphony No.1 In E Minor, Op.39: I. Andante ma non troppo - Allegro energico - Sibelius
Symphony No.1 In E Minor, Op.39: II. Andante (ma non troppo lento) - Sibelius
Symphony No.1 In E Minor, Op.39: III. Scherzo: Allegro - Sibelius
Symphony No.1 In E Minor, Op.39: IV. Finale (quasi una fantasia) - Sibelius
Symphony No.4 In A Minor, Op.63: I. Tempo molto moderado - Sibelius
Symphony No.4 In A Minor, Op.63: II. Allegro molto vivace - Sibelius
Symphony No.4 In A Minor, Op.63: III. tempo largo - Sibelius
Symphony No.4 In A Minor, Op.63: IV. Allegro - Sibelius

Tracks:

Symphony no. 2 in D major, op. 43: I. Allegretto - Jean Sibelius
Symphony no. 2 in D major, op. 43: II. Tempo Andante, Ma Rubato - Jean Sibelius
Symphony no. 2 in D major, op. 43: III. Vivacissimo - Jean Sibelius
Symphony no. 2 in D major, op. 43: IV. Finale - Jean Sibelius
Finlandia, Op. 26, No. 7 - Jean Sibelius
Karelia Suite, Op. 11: I. Internezzo - Jean Sibelius
Karelia Suite, Op. 11: II. Ballade - Jean Sibelius
Karelia Suite, Op. 11: III. Alla Marcai - Jean Sibelius

Customer Reviews:

Top Recommendation.......2001-08-09

Sibelius' symphonies have often been represented as austere and sparsely-textured works, and this is in many ways true. However, at heart, and behind the 'profound logic' which pervades these exsquisitely structured masterpieces, Sibelius was at heart a romantic. These recordings from Ashkenazy, along with his readings of the Rachmaninov symphonies, are perhaps his most successful in the role of conductor. He approaches them from a different perspective to, say, Rattle or Sir Alexander Gibson (with the SNO on Chandos, and also thoroughly recommendable in his own right), infusing the music with a greater sense of expressive warmth, in addition to his powerful control of structure and almost flawless choice of tempi. Reservations are few and far between. Perhaps Ashkenazy allows a bit much passionate ardour into the great climaxes of the highly romantic first symphony, but this may not seem inappropriate to all listeners. Along with the earlier cycle from Colin Davis with the Boston Symphony (also available on two double cd sets from Philips), a firm recommendation.

Good, sometimes great Sibelius.......2000-05-07

Ashkenazy is not the greatest Sibelius conductor around, but he has moments of brilliance, and he is aided by a great orchestra and great sound. You could, however, make a case for the interpretation being too "warm" to fully suit Sibelius. While I think this true in parts, it writes off Ashkenazy too easily.
Symphony No. 1 is good, with a strong sense of rhythm and well-defined counterpoint. It is let down in places by sappy, ultra-romantic string playing, particularly in the first and last movements. Symphony No. 2, which was composed in a similar style to No.1, fares better. The details of the music come through vividly, but the string playing is not overdone. The "big tune" in the last movement is truly stirring and engaging. Symphony No. 4, probably the bleakest and coolest of Sibelius' symphonies, is more successful than the 1st but not as successful as the 2nd. There is just that extra degree of tension missing. The set is filled out by two of Sibelius' shorter orchestral works - the Karelia Suite and the ever-popular Finlandia. The Finlandia is superb, one of the best recordings ever. The brass really bite, and Ashkenazy conveys the patriotic furvor that made the Russian authorities of the time ban the work. The Karelia Suite goes from charming to exciting to beautiful without missing a step. The ballade section is absolutely gorgeous.
In conclusion, I would not want these to be my only Sibelius recordings, but there is still lots of good stuff here. Worth checking out.

Music Review:

Music Review

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