Sonic Boom!
On this CD:
1. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 Fanfare
Composed by Richard Strauss
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
2. Symphony No. 3 ("Organ"), in C minor, Op. 78 Second Movement, poco adagio
Composed by Camille Saint-Saens
Performed by Philadelphia Orchestra
with Virgil Fox
Conducted by Eugene Ormandy
3. The Planets, suite for orchestra & female chorus, Op. 32, H. 125 Mars
Composed by Gustav Holst
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
4. Pictures at an Exhibition (Kartinki s vïstavski), for piano Great Gate of Kiev, arr for orchestra
Composed by Modest Mussorgsky
Performed by Maurice Ravel / Philadelphia Orchestra
Conducted by Eugene Ormandy
5. Grand Canyon Suite for orchestra Cloudburst
Composed by Ferde Grofe
Performed by Morton Gould and his Orchestra
Conducted by Morton Gould
6. Billy the Kid, orchestral suite from the ballet Gun Battle
Composed by Aaron Copland
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
7. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) Dies Irae
Composed by Giuseppe Verdi
Performed by Chicago Symphony Orchestra
Conducted by Georg Solti
8. Die Walküre (The Valkyrie), opera, WWV 86b Ride of the Valkyries
Composed by Richard Wagner
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
9. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 Battle Scene
Composed by Richard Strauss
Performed by Chicago Symphony Orchestra
Conducted by Fritz Reiner
10. Unter Donner und Blitz (Thunder and Lightning), polka schnell for orchestra, Op. 324 (RV 324)
Composed by Johann II Strauss
Performed by Chicago Symphony Orchestra
Conducted by Fritz Reiner
11. Semper Fidelis, march for band
Composed by John Philip Sousa
Performed by Boston Pops Orchestra
Conducted by Arthur Fiedler
12. The Liberty Bell, march for band
Composed by John Philip Sousa
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
13. American Salute for orchestra
Composed by Morton Gould
Performed by Boston Pops Orchestra
Conducted by Arthur Fiedler
14. 1812 -- Festival Overture, for orchestra in E flat major, Op. 49 Finale
Composed by Pyotr Il'yich Tchaikovsky
Performed by Chicago Symphony Orchestra
Conducted by Fritz Reiner
Sonic Boom!, Music, Aaron Copland, Morton Gould, Ferde Grofe, Gustav Holst, Modest Mussorgsky, Camille Saint-Saens, John Philip Sousa, Johann II Strauss, Richard Strauss, Pyotr Il'yich Tchaikovsky, Giuseppe Verdi, Richard Wagner, Arthur Fiedler, Eugene Ormandy, Fritz Reiner, Georg Solti, Morton Gould, Boston Pops Orchestra, Chicago Symphony Orchestra, Maurice Ravel, Morton Gould and his Orchestra, Philadelphia Orchestra, Virgil Fox, 20th/21st Century Orchestral Music, Band, Choral, Classical, Classical Music, German/Austrian Romantic Opera, March for Band, Opera, Orchestral, Polka for Orchestra, Requiem/Requiem Section, Romantic Overture for Orchestra, Romantic Symphony, Romantic Tone Poem/Symphonic Poem for Orchestra, Suite for Orchestra, Symphonic
Average customer rating:
- Haunting and disturbing, yet familiar and safe
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Via Novella
Graig Markel
Manufacturer: Sonic Boom Recording
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
ASIN: B000O59084
Release Date: 2007-04-17 |
Tracks:
- Black Mesa
- Knives Drawn
- Reverse
- Cascadia
- Sixes and Sevens
- Silhouettes
- Turpentine
- Disconnection
- Shine Through
- Figures in the Snow
- Silverlining
Customer Reviews:
Haunting and disturbing, yet familiar and safe.......2007-05-29
Deep, dark, disturbing and surreal is how I'd best describe this new album from Graig Markel. It listens like an ethereal fairy tale which one cannot escape from. His voice is transcendent. It captures you deep and draws you in, deep, almost too deep at times. The chords are amazing. Almost haunting, as if the instruments themselves are weeping with you.
Personally, I find it best to listen to this album, loud, while in the shower, so no one can hear you crying along with it.
This is the best hour of music I've listened to since Sun Kil Moon's Tiny Cities came out.
Average customer rating:
- Lee Morgan Quintet
- Nostalgic
- Not one of the perfect, ESSENTIAL Blue Notes, but great
- Lee Almost Goes "Boom"
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Sonic Boom
Lee Morgan
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Modern Postbebop
| Jazz
| Styles
| Music
Soul-Jazz & Boogaloo
| Jazz
| Styles
| Music
Blue Note Records
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- The Procrastinator
- Charisma
- Candy
- City Lights
- Search for the New Land
ASIN: B0000CDL5V
Release Date: 2003-10-07 |
Tracks:
- Sneaky Pete
- The Mercenary
- Sonic Boom
- Fathead
- I'll Never Be The Same
- Mumbo Jumbo
- Free Flow
- Stormy Weather
- Mr. Johnson
- The Stroker
- Uncle Rough
- Claw-Til-Da
- Untitled Boogaloo
Customer Reviews:
Lee Morgan Quintet.......2006-12-12
With the invigorating and inspiring playing of Cedar Walton(piano),Ron Carter(bass),and Billy Higgins(drums).'Fathead' Newman(Tenor),and Lee Morgan(Trumpet) are constantly energized and politely pushed to higher levels of creativity.Lee is a superb ballad player,on 'I'll Never Be The Same",both Lee and Cedar contribute beautiful solos.Newman has a great energy and excitement in his playing,and contriubutes some excellent solos,especially on the lead tune.Great set.Enjoy.
Nostalgic.......2005-01-12
As a child I can remember listening to my father play the album Sonic Boom over and over again. I did not appreciate it much as a kid, but as an adult I can fully understand the fascination with the tunes. Lee Morgan is often underrated, but a sinister genius in this album.
Not one of the perfect, ESSENTIAL Blue Notes, but great.......2004-06-21
I don't have a bunch of Lee's own albums but I really like this one.
Yesterday I decided that today I would review Kenny Dorham's Whistle Stop, and this album. I was fully ready to give Whistle Stop four stars and this one 3.5. Then I listened to both of them again just a short while ago and for some reason this time, this was the one I really liked better. Just goes to show you how subjective even our own opinions are when compared to our own opinions from other moments.
One of the things that you may or may not like about this album is that there are a couple tracks which, had Rowan & Martin's Laugh-In had better music, these couple tracks would have been right at home on that show. You know, wild camera work as Goldie Hawn flails about like a boneless chicken to this music. I don't even mean that badly, though. I like those couple songs, one of them being the untitled boogaloo. It's just obvious that mainstream mid '60s rock was a small influence here and there on this album.
I was originally going to give the line-ups and dates, but since the previous reviewer already did it, I'll just point you down to his review for those tidbits. For the most part, I think the highlight of the quintet tracks is when it's Cedar's turn to solo. Cedar, Ron Carter, and Billy Higgins are just a great trio here! When they have the space to themselves, they make the most of it. As for songs as a whole, Mercenary, Sonic Boom, and Fathead are the core of the quintet tracks, as far as I am concerned.
As for the sextet tracks, I like this line-up. George Coleman will still never be my favorite tenor player, but there is enough going on elsewhere, and I think so many of these tunes are really good that I don't mind his presence as much as I may have otherwise.
The Stormy Weather is lovely, and makes for a nice low-key introduction to two of my favorite songs and performances on the entire disc, Mabern's "Mr. Johnson" and Priester's "The Stroker". I love these two songs, and they are the tunes that pushed it over the top and made me decide to give this one the full four stars.
I think I like this one quite a bit more than does the previous reviewer, but we still both gave it four stars.
Lee Almost Goes "Boom".......2003-10-16
Of the six titles in this latest batch of Blue Note's limited edition Connoisseur Series, this is the CD I anticipated the most. Trumpeter Lee Morgan's "Sonic Boom" is an enjoyable disc, but it didn't quite live up to the hype I'd built up for it. "Sonic Boom" is actually two sessions. The first six tracks, comprising the original album, were recorded on April 14 & 28, 1967, but not released until 1979. Those sessions featured Lee, David "Fathead" Newman on tenor sax, Cedar Walton on piano, Ron Carter on bass and Billy Higgins on drums. Tracks 7-13 were cut on September 12 and October 10, 1969, and they were not released at the time of conception either -- they first appeared as the second LP of the "The Procrastinator" in 1978. The sextet on those dates was Lee, Julian Priester on trombone, George Coleman on tenor sax, Harold Mabern on piano, Walter Booker on bass and Mickey Roker on drums. As a result, this disc logs in at an impressive 75 minutes, but unfortunately quantity isn't always quality.
"Sneaky Pete" and "Fathead," the disc's funky Sidewinder-like numbers, are solid but not as creative as earlier follow-up attempts like "The Rumproller" or "Cornbread." "The Mercenary" and "Sonic Boom" are altogether better and more exploratory tunes, but they don't match the level of innovation found on "The Procrastinator." By the 1969 sessions, Lee sounds like he's beat these motifs dead with a stick. He is clearly running out of ideas, or should I say variations on earlier successful ideas, and even makes an ill-fated attempt at a boogaloo number (so unimpressive the artist didn't even title it!). Of course, it doesn't help that Rudy Van Gelder seemingly had an off-day as well -- Coleman's sax has an unusual amount of reverb (for RVG anyway), and Lee frequently distorts in the upper registers. Fortunately for us, Lee would find himself again, before his tragic death only three years down the road. His synthesis of slightly further out playing and his trademark grooves would combine for better results on Larry Young's "Mother Ship" (just released in this batch of Connoisseurs as well), and his own "Live at the Lighthouse" and "The Last Session" -- see my reviews of all three titles.
Average customer rating:
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All That Noise
The Darkside
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Space Rock
| Rock
| Alternative Styles
| Alternative Rock
| Styles
| Music
Similar Items:
- Melomania
- Ferment
ASIN: B000008EUG
Release Date: 1991-02-05 |
Tracks:
- Guitar Voodoo
- Found Love
- She Don't Come
- Good for Me
- Love in a Burning Universe
- All That Noise
- Spend Some Time
- Don't Stop the Rain
- Soul Deep
- Waiting for the Angels
Customer Reviews:
Deep Dark and glowing.......2004-12-06
Amazing psychedelia from the blistering opening track to the closer..this album is amazing, and was correctly heralded when it came out. too bad for these guys that it all came to a close early on...still this album is pretty amazing in its guitar work and drenched psychedelic, acid musings..Great Melomania is not worth getting its a piss poor album full of partial sloppy tunes.
Average customer rating:
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Ruff Guide to Genre-Terrorism
Sonic Boom Six
Manufacturer: Deck Cheese
ProductGroup: Music
Binding: Audio CD
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Ska General
| Ska
| Alternative Rock
| Styles
| Music
General
| Dance & DJ
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
ASIN: B000GIWSAG
Release Date: 2006-08-21 |
Tracks:
- Do It Today
- Apathy Begins At Home
- All In (Ft Coolie Ranx)
- Piggy In The Middle
- For Unlawful Carnal Knowledge
- Northern Skies
- Bigger The Punk Rock
- Danger! Danger!
- Don't Say I Never Warned Ya
- Shareena
- A Peoples History Of The Future
- Until The Sunlight Comes
Customer Reviews:
Bombastically Delicious!.......2007-04-26
A little bit of early No Doubt, Dance Hall Crashers, Lady Sovereign, Sex Pistols...recipe for Phat Phun.
Customer Reviews:
Alas. Good Music Gone........2005-12-02
As I mentioned in my review for Shadow The Hedgehog I have been a fan of Sonic since the beginning. Sonic CD was and still is my favorite out of the series, (with Shadow in close second). I liked Sonic CD not just for the game itself but also for the music which at the time was pretty advanced, this was the first time I had ever heard actual vocal tracks in a video game. It's just too bad this cd with that awsome music is now out of print. If not I would try to buy a copy of it in a heart beat. Sonic Spinball on the other hand was probably the only Sonic game I didn't like. Might be due to the fact that I'm not really all that much into pinball, I also kind of stunk at Sonic Spinball. Well at least I'v played it. Here's to fond high speed memories. *sniff*
The Best CD Ever! .......2005-09-29
Out of all the Sonic the Hedgehog music, this cd was definatly one of the best! The songs are great! I would recomend it! It has music from Sonic Spinball and Sonic the Hedgehog CD.
Tracks on CD:
1. Sonic Boom-Opening Theme 3:08
2. Stardust Speedway-Bad Future 3:50
3. Tidal Tempest 3:16
4. Sonic Boom-Closing Theme 3:37
5. Tidal Tempest-Bad Future 3:34
6. Palmtree Panic 3:53
7. Quartz Quadrant 3:19
8. Stardust Present 3:02
9. Tempest Good Future 3:03
10. Quartz Future 2:33
11. Speedway To Good Future 2:46
12. Wacky Workbench 3:37
13. Special Stage 2:17
14. Workbench-Bad Future 2:21
15. Palmtree Party 2:38
16. Workbench Workout 3:10
17. Collision Chaos 3:17
18. Metallic Madness 2:15
19. Robotnik 1:24
20. Spinball Theme 2:31
21. Flight To Volcanic Fortress 3:26
22. Toxic Cave 3:03
23. Lava Powerhouse 3:53
Total Time-70:52
This item was produced by Spencer Nilsen and I think it was released in 1993. It is now out of print.
Average customer rating:
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Heather Duby
Heather Duby
Manufacturer: Sonic Boom Recording
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Post to Wire
- Symbient
- Bleeding Diamonds
- We Walked in Song
- Pretty Little Head
ASIN: B000G73UHW
Release Date: 2006-07-18 |
Tracks:
- Never Even Made A Voyage
- Still Rough
- Over And Under Arrangements
- A Sort Of Flat Curve
- Listen
- Wrestle And Cuss
- The Most Terrible Trip In The World
- Would Have Liked You (I'm Pretty Sure)
- Gone Aground
- Dullard Or Are You A Breakfast Alcoholic?
- Utterly Clear
- Places Shape Lives
Customer Reviews:
Moody rock balladry.......2006-08-03
Heather Duby's first album, Post to Wire, was an exercise in glacial electronica. Her cool, crystalline voice cast out one-liners and observations against state of the art samples and beats that emphasized atmospheric over harmonics. Her second album, Come Across the River removed the electronic atmospheres, replacing them with standard rock instrumentation augmented with cellos and the occasional odd instrument. It was a wise decision. Between album 1 and album 2, Duby lost the purity of her voice, and sang in lower register with a slight husk (reportedly, a bout with pneumonia caused the damage). Think Lynn Canfield of Area or Margo Timmins with more force. She opted to create moody indie rock ballads that were closer in spirit to such underdog sisters as Aimee Mann and Lisa Germano. The electronica is back in this album, and it meshes well with the template followed on CATR, and her songcraft has expanded. Like Mann, she writes pithy, catchy songs that explore bitterness and regret with wisdom. Her wounded voice gives her songs gravitas that her younger voice lacked. The spaciness of the electronic effects plays nicely against the driving, structured pieces. Highlights include "Gone Aground," with its swirling cello, "Listen" with its driving beat, and the catchy "Dullard, Or Are You A Breakfast Alcolholic". Duby has managed to make an album about depression that doesn't sound depressing.
Average customer rating:
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Sonic Boom E.P.
Dress Code
Manufacturer: Dress Code Records
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
Electronica
| Dance & DJ
| Styles
| Music
General
| Dance & DJ
| Indie Music
| Stores
| Music
ASIN: B00064321E
Release Date: 2004-09-21 |
Tracks:
- Control
- Sonic Boom
- Energize
- Just A Party
- Let It Go
Album Description
5 tracks of an eclectic mix of breaks, electro, and house with rock, funk, and hip-hop influences.
Average customer rating:
- Dark and glorious
- long awaited great album
- A welcome change of sound from this Seattle musician.
- A rare vavoom
- A brilliant collection of songs
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Come Across the River
Heather Duby
Manufacturer: Sonic Boom Recording
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Post to Wire
- Heather Duby
- Symbient
- The Reminder
- Let It Die
ASIN: B0000DZ3DX
Release Date: 2003-11-18 |
Tracks:
- Make Me Some Insomnia
- Stamped Out
- The Rare Vavoom
- Your Blue Shoes
- Providence
- The Big Dwindle
- Coin Jar
- Three Miles
- Auto Immune
- Golden Syrup
Customer Reviews:
Dark and glorious.......2004-06-18
I liked Heather Duby's first album upon first listen. Lovely soprano voice, interesting use of electronica. But it didn't stick, and I can't remember the last time I listened to it. _Come Across the River_, her second solo album, is a giant leap forward. It's less aggressive, more textured, more interesting. Her voice has changed, become deeper, huskier.
The album has a quiet intensity and something a touch Southern about it, in the way that the Cowboy Junkies have. Much of it feels like a dark street on a dark night. I hear it coming from around the corner (or, really, out of my stereo), and it holds me there without letting go. It has wonderful string arrangements, heaviness and lightness in the right places. I don't know how to describe it well; I just know it calls me to listen. The song titles are also wonderfully strange, and they add to the mystery of the album, especially since lyrics aren't included.
long awaited great album.......2004-03-20
I have gone to see the band many times in the last 4 years, and is obvious a lot of hard work went into this album. The songs are beautifully crafted and accompanied by a great cast of musicians. Two thumbs up to the dedicated band and their songwriter/leader Heather Duby. Bo Gilliland's bass playing really adds a distinctive nuance to this album, and is solid and interesting as usual. The vocals are sweet, melodic, ghostly, and internal. This album seems a bit less pop driven than her first debut, maybe more personal. I don't know. Im sure its all personal. Anyway. Glad too see it finally released. A fan from Seattle.
A welcome change of sound from this Seattle musician........2004-03-08
Heather Duby delivers a solid performance in "Come Across the River", which is a welcome departure from the new-age sound of her Sub Pop debut. While the songs that rely solely on piano and vocals are a bit too melodramatic, the more instrumented songs dominate this album, and tunes like "Three Miles" with dual vocal melodies and the support of a full band show her power as a songwriter.
These songs are catchy and fantastic. Definitely an album worth checking out!
A rare vavoom.......2004-01-05
Dear Ms. Duby:
This CD has become one of the most listened to in my collection. It is a perfect balance of ethereality and earthiness, catchiness and sonic exploration, with just the right touches of ornamentation. The lyrics are clever, personal hard-won observations. Your vocals have a husky edge to them, no doubt in part due to your voice-threatening bout of tonsilitus. The new husk in the voice gives your interpretations a gravity, conferred with the Dew of Wisdom. I'll demonstrate:
MAKE ME SOME INSOMNIA flirts with lo-fi indie rock before soaring into icy heights on the bridge. The double-tracked vocal is angelic and sweet. Great line: "To rely on anyone else is like sinking for the fun of it--there's no one, no help."
THE RARE VAVOOM is a midnight cabaret piece, with a startling and effective trumpet solo that sounds almost mariachi-influenced. "Would you break my knees, make me kneel and pray..."
THE BLUE SHOES is a slocore lullaby with a soaring chorus, complete with cricket chirps. "Off to bed, dreamless dead, you cannot keep mocking me..." Summer reminscience, the undercurrent of sweet regret.
PROVIDENCE is catchy enough to be a single. Again, you make regret sound so good. "Never was one to lay blame, til they took her from me."
Your echoey ballads, COIN JAR and AUTO IMMUNE are almost neoclassical in their execution. The phrasing is tentative, heartbreaking, and the lyrics have a self-deprecating air about them, that remind me of Jane Siberry and Suzanne Vega, though not in any way I can put my finger on.
GOLDEN SYRUP is a self-affirmation hymn that ends this song cycle. It's like a piece of '20s ragtime, discreetly updated with words that daringly flirt with the sentimental.
In short, you more than deliver the promise you showed on POST TO WIRE, your excellent debut. ("FOR JEFFREY" helped me tremendously when I lost my father and my aunt within a week of each other).
Special kudos to the song titles--they should make any 4AD afficianado lick their lips. Please keep creating.
Sincerely yours,
Ethereal Lad
A brilliant collection of songs.......2004-01-02
Those who are familiar with Heather Duby's first album, are in for something of a surprise with her follow-up. There's almost no trace of the ambient electronica that dominated on her first release. Instead it's piano, cello, guitar . . . a far more natural sound. Also absent are the near-operatic vocal flights of the former offering. But Heather is a special and mysterious talent. This is a great collection of instantly memorable songs. She seems to give her songs titles that bear no obvious connection to the contents of the songs. So the brilliant opener is called Make Me Some Insomnia; we'll never know why it's called that, but it is. The third track has the brilliant title, The Rare Vavoom. It's a peculiar number which I cannot really describe, other than to say there's a looming and disturbing darkness hanging around it, offset by an attractive melody. With quite a few of the songs, they start off as one thing, then end up as something else. It's both refreshing and beguiling. Which can also be said of her lyrical approach. Heather's lyrics are often elusive. This time round, she doesn't even bother printing them. Though what one makes out, is quite dark for the most part. The second half of the album loses a bit of the first half's dynamism, with a couple of more pop-oriented numbers, but then pulls it back with the last two superb tracks, Auto Immune and Golden Syrup. Auto Immune sounds like a superior Lisa Germano piano song, almost breathtaking in its melodic simplicity and directness. Golden Syrup slightly resembles melodically, Lou Reed's Perfect Day, but is obviously better than that song. It's a very beautiful and uplifting song, and we actually get Heather singing, 'Too-ra-loo-ra-loo my friend', which doesn't sound as bizarre as it seems. Every song on this album is tight, focused and individual. Whereas on the first album, the tracks stretched out into luscious soundscapes, here we get the opposite; we get the bare bones, the working machine. This is the kind of album Lisa Germano should have brought out, instead of the uninspired and clumsy work she released in 2003, which signalled perhaps the death knell of a talented but flawed artist. The difference is, Heather can actually write real and sharply effective lyrics. When she sings 'Don't go look for that long lost daughter/She's gone to the river of your disease', she sings it with real purpose. She has precise and meaningful things to express, although quite often, the listener is not really certain what they are. As an artist, she is both accessible and remote, simultaneously. The music suggests accessibility, the lyrics often suggest otherwise. She will no doubt remain a real enigma, and no doubt this album will be heard by only a small fraction of those who ought to hear it. I suspect alot less than heard the first album, which is a real shame, because Heather is a rare talent. This was one of the most original and compelling releases of 2003. It deserves to be widely listened to. But it obviously won't be. Which sadly reflects the state of the contemporary music scene only too well. Buy this album if you care about originality in music.
Average customer rating:
- good band good music overall, but BAD vocal
- Left a sonic boom in my cd case
- Overall Great CD! If You Liked Eyewitness, You'll Love this!
- Well, this wagon went downhill fast...
- Bought my son this CD, had to buy another copy just for me.
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Sonic Boom
Shades Apart
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
- Eyewitness
- Save It
- Seeing Things
- Neon
ASIN: B00005J71W
Release Date: 2001-05-15 |
Tracks:
- Conspiracy
- Beat By Beat
- Gravity
- Three Wishes
- Got Shot Down
- Shockwaves
- Rebel Teenager From Mars
- Radioactivated
- Behind The Wheel
- Spell
- Drive All Night
- Superzero
Customer Reviews:
good band good music overall, but BAD vocal.......2006-10-23
I like the composing, somehow surprising me.
The emotion of voice iS almost the same in every song that makes this album a little boring...
listen to each song seperately may be better.
Left a sonic boom in my cd case.......2003-02-14
All I can say is WOW! I bought this album with high expectations, and they were exceeded. From song one, the tone was set. Get ready to listen to rock the way it should be: volume UP, and your head a baggin'! Beat by Beat is my favorite song on this cd, so if you dont like that one, then you wont like this cd.
Overall Great CD! If You Liked Eyewitness, You'll Love this!.......2001-10-25
Although there are a few songs that dont I dont love, songs like "Beat by Beat" and "Gravity" are great. Other fans may be familiar with "Behind the Wheel," which was available on their website a long time ago. If you're a Shades Apart fan, you won't be disappointed.
Well, this wagon went downhill fast..........2001-07-22
There are some pop-punk bands that will sell their souls for some sort of radio success. And this release proves that Shades Apart are dying to be one of them.
Back in '95, in the wake of Green Day's success that brought underground pop-punk to the masses, Shades Apart released Save It, on Revelation Records. It was by no means a runaway hit, but it showed promise, and did gain some slight underground kudos amongst the pop-punk crowds. With every album since then, Shades Apart have been inching closer and closer to that cultural wasteland known as "alternative radio" (or possibly "modern rock" in your town.)
'97's Seeing Things had them teetering on the edge of the precipice: keep the edge & stay underground and "punk rock" or lose the edge and hope a different crowd latches on. Well, Eyewitness confirmed that they had chosen the latter, but I will admit that it had its share of good pop songs, and some that would have been more than adequate for mass radio play, if given the right "push."
But with this one, Shades Apart hurtles past their contemporaries and rushes headlong into territory that no sane band enters willingly. This stuff is... *gulp* ... worse than Third Eye Blind! This is sterile, generic, plodding, pointless, safe, pop .... The equivalent of Britney Spears with guitars. And MAYBE it would be forgiveable (live by the mainstream, die by the mainstream) if it weren't so poorly written and tuneless. Honestly, it makes Eve 6 sound like Mozart.
So time has not been kind to this trio, and they have no one but themselves to blame. I have a hard time believing their fans will enjoy this, as well as a hard time believing that even the legions of brain-dead radio listeners will bother with it (and they'll buy ANYTHING!)
So that leaves your fanbase as... ummm... mom's looking for "safe" music for their kids? Oh, a fate worse than death indeed!
Bought my son this CD, had to buy another copy just for me........2001-07-15
OK, at first I thought Shades was a kids group. I bought my son this CD because he's a big fan. After lots of garbled listens through his closed door, I realized I really like this CD, so I went out and bought another copy for myself. The rhythms are energizing and unpredictable. The melodies are friendly but not recycled. The lyrics are emotional, visual, poetic and best of all for us moms, THEY ARE CLEAN!!! I'm an accidental fan.
Average customer rating:
- Excellent debut
- I wish I had my dollar back
- Review of Andrew Morgan at ThreeImaginaryGirls.com
|
Misadventures in Radiology
Andrew Morgan
Manufacturer: Sonic Boom Recording
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Chamber Pop
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Similar Items:
- Andrew Bird & the Mysterious Production of Eggs
ASIN: B0007Y095A
Release Date: 2005-04-05 |
Tracks:
- Prologue
- Plight Of An Exile
- Aligned On The Steps
- Preacher's Ego
- Misadventures In Radiology
- This Awful Room
- Joann, You'll Be Happy Soon
- Shoulder Your Shovels
- Supine On The Covers
- Brushes To Bronze
- Aligned On The Steps (Reprise)
- Morpheus Calls
Customer Reviews:
Excellent debut.......2005-08-18
This album is chock full of beautiful melodies that grow on the listnener with repetition. The comparisons to Elliot Smith may be overstated, but mostly because Morgan has created something uniquely his own here. Can't wait for the next album.
I wish I had my dollar back.......2005-07-04
What a snoozer! I love Elliott Smith, but Andrew Morgan is a far cry from his late friend and mentor. I can't even listen to the entire album due to intense boredom.
Review of Andrew Morgan at ThreeImaginaryGirls.com.......2005-04-17
Elliott Smith fans take note: while nobody could ever replace Elliott, Andrew Morgan will surely bend your Smith-missing ears in a positive direction. As Morgan's friend and mentor, Elliott obviously had his influence, but Morgan takes Smith's sweet melancholy and adds the cinematic effect of orch-pop to create an album that's emotional, improvisational, and ambitious.
Morgan's musical sound incorporates so many instruments, you wonder if there were any that weren't played on this album. In addition to the customary piano/guitar/percussion mix found in most bands, Morgan's album credits musicians on cello, viola, French horn, harp, tympani (I had to grab my dictionary for that one), sleigh bells of all things, and many more. This cornucopia of instrumentation results in a sometimes playful sound similar to The Shins.
(...)
Music Review:
- Sonic Stock
- Sound Portraits
- Spohr: Nonet in F; Rossini: Andante in F
- Still and Moving Lines of Silence in Families of Hyperbolas
- Stravinsky: Le Sacre du Printemps (Revised Version 1947); Quatre Etudes pour Orchestre; Scherzo a la Russe (1944 Symphonic version)
- Suite Op 5
- Susanne Grützmann plays Chopin: Preludes, Op. 28 / Schumann: Symphonic Etudes
- Symphonies le Matin/Le Midi/Le Soir
- Symphony No. 2 [Enhanced]
- Symphony No. 8 - Rosamunde [Enhanced]
Music Review
music review
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