Classical Chillout Gold [Import]

Track Listings

1. Gollums Song - Howard Shore

2. Out Of Africa (Main Theme) - John Barry

3. The Eternal Vow - Tan Dun

4. Duettino (Sullaria From The Marriage Of Figaro) - Mozart

5. Harry Potter Theme - John Williams

6. Braveheart (End Credits Theme) - James Horner

7. Now We Are Free - Zimmer Gerrand Badelt

8. Hymn To The Fallen - John Williams

9. Midnight Cowboy (Main Theme) - John Barry

10. The Last Emporer - Sakamoto

11. Piano Concerto No 2 (Larghetto) - Chopin

12. Life Is Beautiful - Piovanni

13. You Only Live Twice (Main Theme) - John Barry

14. Adagio For Strings - Barber

15. Unchained Melody - Alex North

16. The Universal - Albarn James Coxon Rowntree

17. Six Feet Under - Thomas Newman

18. Chi Mai - Ennio Morricone

19. A Summer Place - Steiner

20. Midsomer Murders - Jim Parker

See all 48 tracks on this disc

Editorial Reviews
Album Description
The most relaxing classical music of all time, this UK compilation featuring music from the films, 'Platoon', 'The Pianist', 'Catch Me If You Can', & 'About Schmidt', as well as opera classics from Lesley Garrett, Bond, & more. Slimline jewel cases housed in a slipcase. Decadance. 2003.

Classical Chillout Gold, Music, Various Artists, Classical, Classical Collections-Artist Desc.

Average customer rating:

WHAT CAN I SAY?

Rest in Peace Dear Bubbles (1929-July 2, 2007)

two beautiful discs!

Good example of the "Art of Beverly Sills"

Claws

Art of Beverly
Beverly Sills
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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The Very Best of Beverly Sills

The Great Recordings

Beverly Sills: Made in America

Beverly Sills

Massenet: Manon

ASIN: B000075A7K
Release Date: 2002-11-12

Tracks:

Mignon: Oui, Pour Ce Soir Je Suis Reine Des Fees...Je Suis Titania La Blonde
Manon: Allons! Il Le Faut-Adieu, Notre Petite Table
Manon: Je Marche Sur Tous Les Chemins-Obeissons Quand Leur Voix Appelle
Louise: Depuis Le Jour
Linda Di Chamounix: Ah! Tardai Troppo...O Luce Di Quest'Anima
Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapito In Estasi
I Puritani: Fini...Me Lassa!
I Puritani: Vieni, Vieni Fra Queste Braccia
Roberto Devereux: L'amor Suo Mi Fe' Beata
Maria Stuarda: O Nube
Anna Bolena: Cielo A' Miei Lunghi Spasimi-Coppia Iniqua

Tracks:

Les Contes D'Hoffman: Les Oiseau Dans La Charmille
Les Contes D'Hoffman: Elle A Fui, La Tourterelle
Zaide: Ruhe Sanft, Mein Holdes Leben
Der Opernball: Im Chambre Separee
Die Lustige Witwe: Es Lebt' Eine Vilja
The Ballad Of Baby Doe: Gold Is A Fine Thing
Die Tote Stadt: Cluck, Das Mir Verblieb
Daphen: Was Blendet So...Ich Komme...Ich Komme
Sechs Lieder Op.19 No.2: Breit' uber Mein haupt Dein Schwarzes Haar

Customer Reviews:

WHAT CAN I SAY?.......2007-07-05

FOR THOSE WHO WANT A SAMPLER, IT IS THE BEST. YET, IT LEAVES YOU PINING FOR THE ITEMS SILLS NEVER RECORDED IN THEIR ENTIRETY. MORE STRAUSS, MORE OF EVERYTHING. A DEFINITIVE VOICE. HER LUCIA IS UNSURPASSED.

Rest in Peace Dear Bubbles (1929-July 2, 2007).......2007-07-03

I have always loved the flowing, plaintive music of bel canto, and no other singer perhaps captured the synthesis of fioritura and expression so perfectly as Beverly Sills. Callas may have been a supreme dramatist, but Beverly Sills had a better command of the fioritura that skyrocketed her career during the 60s and 70s. It is indeed sad that America has lost one of its national treasures yesterday when Beverly Sills passed away in Manhattan. She truly was one of the greatest. Just listen to her singing any one of Donizetti's three queens and you will know what I mean. She is exemplary not only in Donizetti though. Her Manon is still the best, her Violetta in par with Callas, her Louise the most idiomatic ever recorded, her Fille du Regiment a joy, Linda di Chamounix ecstatic, and Gilda a lesson in the art of light Verdi. She was a supreme painter of characters. Has there ever been a more brilliant Zerbinetta? And how many singers have been able to truly convey the youth of Elvira in Puritani? In Rossini, she was also unparalleled in L'Assedio di Corinto, the role that she made her La Scala debut in. Beverly Sills was one of a great many singers who belonged to a great golden age of singing, and I am thankful that I was born into the right time to hear her glorious work. This CD is a wonderful compilation of the brand of singing that she brought into the lives of many an opera fan for years and years to come.

I met this singer last fall in New York. A few months later, I saw her again hosting the opera quiz at the Met. Little did I know that about five months later, she would forever rest in the peace that she deserved for so long. Rest in peace Beverly. And brava...brava for the many years of wonderful singing that you gave us.

two beautiful discs!.......2007-02-18

Beverly Sills not only survived being a child prodigy - a rare enough thing among singing musicians - she triumphed in a big way. Her fertile and beautiful art is wonderfully represented on this double disc set from Deutsche Grammophon. I sense today a resurgence of appreciation for her art, and to call it well deserved is saying the least. The singing's jam packed with pure musicianship, attention to nuance, fidelity to composer and character - in a word, everything requisite to making the operatic art thrive, qualities in short enough supply today among many opera stars, and it makes this package even more attractive. Sills not only understood bel canto art, she accomplished it memorably. Highlights include 'Ah! Tardai troppo...' (Linda di Chamounix), &an unearthly 'Regnava nel silenzio...' (Lucia), which I might prefer to Sutherland's for its committment and munificence. The gone too soon Thomas Schippers conducts a great performance - how that man could possess whatever orchestra and score he worked with. Two arias from I Puritani - especially 'Vieni, vieni fra queste braccia' with the singing of the genius Nicolai Gedda as Arturo, and an opening to Anna Bolena's aria 'Cielo, a' miei lunghi spasimi' that wipes clean every memory of other versions. All that on disc 1! I had forgotten Sills' beautiful pianissimos, singing so musicianly and free of ego - her interpretation is always only her adherence to score and composer, and greater praise cant be given a classical singer. Disc 2 offers a definitive version of Korngold's 'Gluck, das mir verblieb' (Die Tote Stadt) among a number of fine versions out there. The slowest version available and I feel I'm hearing it for the first time, and with a true Viennese (Rudel) conducting! You can put this track alone on repeat and live out the day in freedom! If you dont know Sills' art, or dont remember it well and truly, this set is a fine place to begin what will become transfixion with a musical art that proves itself urgent and inextinguishable! Highest recommendation.

Good example of the "Art of Beverly Sills".......2007-01-27

Beverly Sills is one of the most well reputed coloratura sopranos of the past fifty years. This CD illustrates why she has attained such renown. First, it shows the range of her singing. While much of her work focused on Donizetti, Bellini, and Rossini, she sang about fifty roles in her career, before retiring in her late 40s. This 2 CD set provides a sense of the range of her work.

The first CD focuses on her operatic singing. The CD begins with a selection from Thomas' "Mignon," culminating in "Je suis Titania la blonde." Her voice is light and clear. She displays great agility. In the middle of this piece, she shows a decent but not great trill; she closes the "cut" with a series of terrific trills. Her ornamentation is nicely done.

Donizetti's "Linda di Chamounix" was another of Sills' characters. "Ah! Tardai troppo. . .O luce di quest'anima" features more clean vocalization. The florid singing is nicely done, with well sung high notes and additional sound trills. A very agile voice on display! From Donizetti's "Lucia di Lammermoor," Sills sings "Regnava nel silenzio. . .Quando rapito in estasi." Her voice is smooth. In the aria, she produces a set of trill after trill, each one well done, but in their totality almost overdone (I love trills, but there were almost too many!). "Quando rapito in estasi" is well sung, with much well done florid singing, with appoggiaturas, trills, and other ornamentation.

The remainder of the CD features selections from Bellini's "I Puritani," and Donizetti's "Roberto Devereux," "Maria Stuarda," and "Anna Bolena." I can say pretty much the same about these pieces as already stated before. Excellent technique, wonderful ornamentation.

The second CD begins with the redoubtable piece, sung by "Olympia," from Offenbach's "Les Contes d'Hoffmann." Well done, with good vocal effects, catching the mechanical aspects of the music. Other pieces on this side come from Mozart, Heuberger, Moore, Korngold, and so on.

One piece worth mentioning, because it captures her approach to a lighter work, from Lehar's "The Merry Widow." She sings the song for what it is, and does not overwhelm it with her voice. Compare with what Richard Tucker did to the enjoyable but rather light song, "What Now My Love?", when he essayed singing pop tunes. Enjoyable for the thrill of his voice; pretty grisly in terms of his overwhelming the music itself. That does not happen here; there is a certain pathos in Sills' singing, as warranted by the song. It suggests the range of her singing.

All in all, a good sampling of "The Art of Beverly Sills." Hearing her voice again after many years reinforces my preexisting view that she ranks as one of the best coloratura sopranos of the past fifty years. There are terrific contemporary singers who sing the same repertoire and do it well. But Beverly Sills certainly compares very well with them. If interested in an introduction to Sillsiana, this is a good place to start.

Claws.......2003-11-16

I already wrote a great review of this collection. It is supreme artistry, and I find her high notes rather large and not shrill. My only question is about the cover photo. Those fingers look like something out of Edward Scissorhands or Nightmare on Elm Street! Does anyone else agree with me? Almost seems like someone must have done some false touch-ups to make them look like claws!

Average customer rating:

Is it bad to say I like this better than the original soundtrack?
Absolutely Exquisite
Yo Yo Ma and the Maestro Marvelous!!!
Better Every Time
Fabulous CD

Yo-Yo Ma Plays Ennio Morricone

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Mission: Original Soundtrack From The Motion Picture
The Essential Yo-Yo Ma
Obrigado Brazil
Appassionato
Vivaldi's Cello

ASIN: B0002YCVXI
Release Date: 2004-09-28

Tracks:

The Mission: Gabriel's Oboe
The Mission: The Falls
Giuseppe Tornatore Suite: Playing Love from The Legend of 1900
Giuseppe Tornatore Suite: Nostalgia from Cinema Paradiso
Giuseppe Tornatore Suite: Looking for You (Love Theme) from Cinema Paradiso
Giuseppe Tornatore Suite: Malena (Main theme)
Giuseppe Tornatore Suite: Remembering (Ricordare)*
Sergio Leone Suite: Deborah's Theme from Once Upon A Time In America
Sergio Leone Suite: Cockeye's Song from Once Upon a Time in America
Sergio Leone Suite: Main Theme from Once Upon a Time in America
Sergio Leone Suite: Main Theme from Once Upon a Time in the West
Sergio Leone Suite: Ecstasy of Gold from The Good, the Bad, and the Ugly
Brian DePalma Suite: Main Theme from Casualities of War
Brian DePalma Suite: Death Theme from The Untouchables
Moses and Marco Polo Suite: Journey from Moses
Moses and Marco Polo Suite: Theme from Moses
Moses and Marco Polo Suite: Main Theme from Marco Polo
The Lady Caliph: Dinner
The Lady Caliph: Nocturne

Amazon.com

Ennio Morricone is well-known to moviegoers. His soundtracks for The Mission, The Good, the Bad and the Ugly, Once Upon a Time in America, Cinema Paradiso, and others are invariably warmly melodic and superbly suited to the films they grace. They not only add atmosphere; they help tell the story. For this CD Morricone has created new orchestrations for many of his scores, adding a solo cello part for the indefatigable Yo-Yo Ma, whose musical curiosity seems to be endless. Outside the films, these pieces tend to be lovely melodies, mostly pretty sentimental stuff, and, in the best way, gorgeous aural wallpaper. The most moving are the two selections from The Mission, but fans of Morricone's music will find plenty to enjoy here. Ma's playing, as always, is exquisite---warm, deeply felt (given the circumstances), and entirely idiomatic within the context. Perhaps not quite for the classical music lover, but an affectionate reworking of music by an important film composer. --Robert Levine

Customer Reviews:

Is it bad to say I like this better than the original soundtrack?.......2007-06-02

I never thought Yo-Yo Ma would do Gabriel's Oboe (Track 1) from THE MISSION justice, but I was wrong. There's a pureness to this version that makes it easier casual listening than the version(s) on the soundtrack CD itself. So no matter how much I love the theatrical "largeness" of the Original Soundtrack (not to mention the full choir), this is the version I grab for the CD player/iPod/whatever.

My two other recommendations are Main Theme from ONCE UPON A TIME IN THE WEST (Track 11) and Ecstasy of Gold from THE GOOD, THE BAD, AND THE UGLY (Track 12). I suggest playing these consecutively as a single medley. Track 11 *WILL* bring tears to the manliest among us --particularly if you remember in the movie where Sergio Leone pulls the camera up to reveal the town rising.

I get the feeling "hardcore" classical fans would dismiss movie scores as commercial work. I truly believe Ennio Morricone transcends that. Even moreso than, say, John Williams, and on a different plane than a Danny Elfman. And I can't say more about the emotion Yo-Yo Ma brings to the table than what's already been discussed.

Absolutely Exquisite.......2007-05-15

The combination of Morricone and Ma is pure perfection. This CD fills my heart with so much joy that I could just cry. I listen to it almost daily and have given it away as a gift to my loved ones. I am captivated by their incredible talents, and I know you will be too.

Yo Yo Ma and the Maestro Marvelous!!!.......2007-05-13

Having recently succumbed to Yo Yo Ma after a longtime love of Ennio Marricone I was excited to get this CD from Amazon. It is superb! All of the songs had to be recrafted by Morricone to suit Yo Yo Ma but it is a great listen as you sonically travel down memory lane through some of Maestro Moricone's musical marvels. "Gabriel's Oboe" from "The Mission" now becomes "Gabriel's Cello." I laugh as Yo Yo Ma bows his brains out on the "Ecstacy of Gold' from "The Good,The Bad, and The Ugly." I recommend this to all Yo Yo Ma and Morricone fans...a great listen. Soothing after a hard day!

Better Every Time.......2007-05-09

This CD gets better with every listening. It was a great purchase.

Fabulous CD.......2007-05-07

I love Morricone and this CD has some of the best versions of my favorite pieces. I have ordered several as gifts for friends.

Average customer rating:

Eh, It's Okay
We really enjoyed hearing all of the old movie themes
Outstanding Film Music
An Interesting and Gratifying Volume 1
Fantastic collection of movie music

Hollywood's Greatest Hits, Vol. 1

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Hollywood's Greatest Hits, Vol. 2
Simply the Best Movie Themes
Great Movie Love Themes: Five Star Collection
Paramount 90th Anniversary Collection: Scores
Beautiful Hollywood

ASIN: B000003CUW
Release Date: 1990-10-25

Tracks:

20th Century Fox Fanfare
Overture From Captain Blood
Tara's Theme From Gone With the Wind
Parade Of The Charioteers From Ben Hur
Theme From Exodus
Lara's Theme From Doctor Zhivago
Theme From Lawrence Of Arabia
Love Theme From Romeo And Juliet
Theme From Goldfinger
Theme From Love Story
Theme From A Summer Place
Theme From Jaws
Theme From The Summer Of '42
Theme From Rocky
Theme From Terms Of Endearment
Main Theme From Out Of Africa
Theme From Chariots Of Fire

Customer Reviews:

Eh, It's Okay.......2007-04-24

For those that purchase soundtrack collages to have a variety of songs and themes, then this is good for you. Unfortunately, these tracks didn't have the signature Erich Kunzel version of the songs as he had on other soundtrack mix CDs. It was more like just that, a mix CD of different soundtracks and scores. However, it was a good buy in the fact that the tracks chosen had excellent sound quality and a sense of harmony.

We really enjoyed hearing all of the old movie themes.......2005-09-30

we put this CD in on a long road trip. We played a guessing game as to which one knew the movie. The music was excellent.

Outstanding Film Music.......2005-09-10

This is an outstanding collection of film music. The sound is qulity is very good. The selections cover a good range from various film genres and time periods. I like this CD.

An Interesting and Gratifying Volume 1.......2005-08-22

Erich Kunzel and the Cincinnati Pops' interpretation of film scores on this first tribute to Hollywood is somewhat a mixed bag. A SUMMER PLACE was beautifully executed and true to the nature of this sensitive film that was made during a time of innocence. The BEN HUR, CAPTAIN BLOOD and OUT OF AFRICA selections were good. The interpretation of GOLDFINGER was a rather bizarre and blatantly bombastic exercise in overkill. This is a good CD for me because of the A SUMMER PLACE selection.

Fantastic collection of movie music.......2001-02-13

Erich Kunzel and The Cincinnati Pops never fail to disappoint. This is a rousing stirring collection of overtures and themes from some of Hollywood's biggest films. And what better piece to start off the album than the "20th Century Fox Fanfare". A lot, if not all, of these pieces will be familiar to movie lovers. Who can resist the beautiful "Love Theme from Romeo & Juliet" or the "Theme from Love Story". Then there's the heart pumping "Theme from Jaws" and the "Theme from Rocky". This is a terrific album, and belongs, not just in a music fans collection, but also a movie lovers.

Twilight of the Gods: The Essential Wagner Collection

Average customer rating:

Wonderful collection and price!
Awesome collection!
Helicopters? Marines?
A great addition to my music collection
Quintessential Wagner

Twilight of the Gods: The Essential Wagner Collection

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Wagner: Overture & Preludes
The Best Of Wagner
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Wagner without Words
25 Thunderous Classics

ASIN: B000009ON7
Release Date: 1998-08-11

Tracks:

The Valkyries: Ride Of The Valkyries
Twilight Of The Gods: Siegfried's Funeral March
Lohengrin: Prelude to Act III
The Flying Dutchman: Overture
The Flying Dutchman: Sailors' Chorus
The Rheingold: Journey Down To Nibelheim
The Mastersingers Of Nuremberg: Overture
Tannhauser: Overture
Tannhauser: Entry Of The Guests
Tannhauser: Tannhauser's Pilgrimage
Siegfried: Act III Orchestral Interlude
Twilight Of The Gods: Siegfried's Rhine Journey
Twilight Of The Gods: Finale
The Rheingold: Entry Of The Gods Into Valhalla

Tracks:

Lohengrin: Prelude To Act I
Lohengrin: Bridal Chorus
Parsifal: Prelude to Act I
Parsifal: Good Friday Music
Parsifal: Transformation Scene
Tannhauser: Venusberg Music
Tannhauser: Pilgrims Chorus
The Mastersingers Of Nuremburg: Prelude To Act III
The Rheingold: Vision Of Valhalla (Scene II Introduction)
Siegfried Idyll
Siegfried: Brunnhildes Awakening
Tristan And Isolde: Prelude To Act III
Tristan And Isolde: Death Of Isolde

Amazon.com

If you like your Wagner served up in bleeding chunks or if you're simply in a hurry to hear the tunes, then this compilation is for you. The performances, drawn from the Polygram (mainly Deutsche Grammophon) back catalog, are for the most part authoritative. They feature the likes of Herbert von Karajan, with the Berlin Philharmonic, and Karl Böhm, with the Bayreuth Festival Orchestra (and chorus), in extracts from recordings of complete operas, and conductors Giuseppe Sinopoli, Otto Gerdes, and Antal Doráti in some of the more familiar overtures and preludes. Singing, without which it is impossible to get the full flavor of Wagner's work, is skirted whenever possible: this is an unapologetic tribute to Wagner the orchestral genius. At times the salesmanship is a little overblown--the glitzy packaging includes a cover shot of the helicopters from Apocalypse Now--and the sound, some of it from very good originals, seems to have been juiced with a little added digital reverb, resulting in an overall glassiness. The gaps between tracks are minimized, disco style, so there's no dead air, and the whole thing has an Entertainment Tonight feel to it. Were he around, Wagner would have screamed bloody murder, then happily taken his cut of the action. For today's on-the-go listener, this may well be the most practical way to enjoy Wagner's music, but we won't be happy until it motivates at least one newcomer to seek out a recording of a complete opera. Anyone who does that will find out what "apocalypse" really means. --Ted Libbey

Customer Reviews:

Wonderful collection and price!.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

Awesome collection!.......2007-01-10

This is a great collection of some of Wagner's most memorable songs for those of you who do not want to buy the whole opera's for some of his works.

Helicopters? Marines?.......2006-12-05

Do those infotainment marketing mavens ever get it right? Talk about Hollywood disconnect! Not only are the helicopters irrelevant, but to quote from the gushy drivel on the jacket, "The gripping power of Richard Wagner's music was demonstrated with spectacular effect in...Apocalpse Now, when the "Ride of the Valkyries' became synonymous with the chilling journey of Marine 'Huey' helicopters into battle..."

Marine? Marine? Them Hueys in the movie was ARMY Air Cav, slick! "First of the ninth--air mobile." If you're going to dally down that primrose path, at least get it right.

Better yet, drop the choppers. Most people who listen to Wagner probably realize that quality of an artistic work has a mystically inverse relationship to the number of helicopters contained in it.

As for the music, it is good, but the operatic equivalent of sound bites, which may be just right for people who are new to Wagner or just can't take very much of him. Hmm...perfect for a helicopter ride, perhaps?

A great addition to my music collection.......2006-07-20

This CD takes the place of all my other Wagner music. VERY well done. Somehow I didn't realize that there were two cds in the package--what a pleasant surprise! Of the two cds, I like the first one best, but they are both good. I listen to this cd daily on my way to work. Stirring! I am so glad that I purchased this. Some purists might have a problem with the fact that some of the selections are not there in their entirety. I have no problem with that though. I recommend this to anyone who loves Wagner.

Quintessential Wagner.......2006-05-15

Okay, so I like Wagner. I LOVE "Ride Of The Valkyries". Do I want to go out and buy every single stinkin thing Wagner did? No. If you are a die-hard Wagner fan you probably will not think much of this collection.

But if you like Wagner and appreciate "Ride Of The Valkyries", and maybe require it in just a little more substance than what is included in "Apocolypse Now Redux", then this is what you want. The extra tracks are bonuses and are quite good. Meets my needs, presentation great, performance excellent. I recommend it for anyone that needs a Wagner fix.

Average customer rating:

A well-kept secret
Essential Wagner
Excellent Wagner from a surprising source ... or maybe not!
Go For Boult
Memorable and dramatic- A must have for Wagner fans

Wagner: Overtures & Preludes

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Wagner: Tristan und Isolde/Parsifal/Die Meistersinger Von Nürnberg/Lohengrin/Tannhäuser
The Best Of Wagner
Wagner: The "Ring" Without Words
Twilight of the Gods: The Essential Wagner Collection
Wagner: Orchestral Favourites

ASIN: B000002S08
Release Date: 1992-09-29

Tracks:

Tannher: Overture
Tannher: Grand March
Der Fliegende Holler: Overture
Tristan und Isolde: Prelude to Act 1
Tristan und Isolde: Prelude to Act 3
Die Meistersinger von Nurnberg: Overture
Die Meistersinger von Nurnberg: Prelude to Act 3
Lohengrin: Prelude to Act 1

Tracks:

Lohengrin: Prelude to Act 3
Parsifal: Prelude to Act 1
Parsifal: Act 1 Transformation scene
Parsifal: Prelude to Act 3
Parsifal: Good Friday Music
Das Rheingold: Entrance of the Gods
Die Walkure: Ride of the Walkyries
Siegfried: Forest murmurs
Gotterdammerung: Siegfried's Rhine Journey
Gotterdammerung: Siegfried's Funeral March

Customer Reviews:

A well-kept secret.......2007-05-18

Everyone wants to have a crack at the "bleeding chunks" eventually, and while I love the flashier Stoky and Furtwangler approach, I wouldn't want to be without the Boult. He's a great Wagnerian, strange as it may seem. Who could blame him for not wanting to go down in history merely as the finest Holstian? As long as this stays in print, Ormandy will still be considered the least sexy conductor. (I heard CBS researchers found an Ormandy fan once!)

Essential Wagner.......2006-06-17

As a child, this set was my first experience of Wagner's music, and it made quite an impression on me. However, as I grew older and began to collect the full operas I felt I could surely do better than Adrian Boult and the British for a collection of the preludes, overtures, and orchestral music from the operas. I was wrong. I have yet to here any recordings that can match the power and intensity as demonstrated in these discs from Boult and the LSO (and LPO). The Meistersinger prelude alone is worth the price, and the only version of the prelude to Tristan which outdoes the one here is Bohm's live 1966 Tristan. The Solti, Karajan, and Klemperer highlight discs have their moments (and truthfully, I do prefer Solti and Karajan for the "Ring" highlights), but their contributions are greatest in the full operas, and overall, they simply can't muster the power and intensity that Boult brings to these preludes, overtures, etc.

Even if you have other compilations of Wagner's music in "bleeding chunks", I can assure you they don't come close to this one; and with two discs (the second containing mostly music from Parsifal and the "Ring") at 14 bucks, there is absolutely no excuse not to have this essential recording. So go ahead and buy this disc, never buy another Wagner compilation again, and with the money you save get started on the more important task at hand: the full operas.

Excellent Wagner from a surprising source ... or maybe not!.......2004-09-27

Does Sir Adrian Boult conjure up of images of Gustav Holst and Ralph Vaughn Williams, but not Wagner? You're not alone! Nevertheless, this is a double CD set not to be missed! Many years ago, I was listening to a classical radio music station in NYC that was playing the music of Wagner. The performance was so good, that I wouldn't leave the radio until I found out the name of the conductor. When the announcer said the conductor was Sir Adrian Boult, I was quite surprised. I had recordings of English music from Sir Adrian on Angel/EMI, but I never associated that conductor with Wagner. Having been blessed with a friend who had knowledge of classical music way beyond his years, I gave him a call to find out more about the recording. He told me that, Boult had solid expertise in the area of Germanic music, but, in England, had been overshadowed in that repertoire by Otto Klemperer. He told me not to be surprised about Boult's very fine Wagner, it was an excellent recording to purchase and, indeed, search out Sir Adrian's wonderful performance of Beethoven's Fifth Symphony (now available on Vanguard). Fast-forward many years and I find myself browsing through Amazon for a recording of Wagner's Overtures and Preludes. Like everyone else I know, I foolishly jettisoned my LPs in the 1990s and have been "back-filling" ever since. Well, I was able to obtain this splendid set for less than $7 per CD! There are a total of 18 selections covering most of Wagner's operas including five excerpts from the Ring Cycle. The performances are excellent coming from no less than three British orchestras, and the sound is top-shelf EMI. Sir Adrian's pacing is measured and his vision is broad and sensitive, highlighting the beauty and grandeur --rather than just the fire-- of this glorious music. I heartily recommend this two-CD set, and at this price, I think it's a steal.

Go For Boult.......2003-07-08

Sir Adrian Boult is best known for his recordings of the British repertoire, and his performances, particularly of Holst's "The Planets" and Elgar's Symphonies and Orchestral Works, are legendary. But Boult was also an excellent conductor of Beethoven, Brahms and Wagner, and this 2-CD set collects the Overtures and Preludes of the latter German titan. These stereo recordings from the early to mid-1970s with the New Philharmonia Orchestra, and London Philharmonic and Symphony Orchestras are truly first rate. EMI's set compares nicely in terms of price, quality and musical offerings with competing sets by DG (Bohm, Kubelik, et al) and Sony (Ormandy & Szell). You might have reservations about getting German music conducted by a Brit, but you really can't go wrong with Boult.

Memorable and dramatic- A must have for Wagner fans.......2000-03-20

I bought this cd for the following reasons: 1 I'm a Wagner fan, 2 the cover looks exquisite and 3 I wanted to hear a "prelude" since it sounds fancy and never heard one. The result is great cd. The Tannhauser overture, Tristan and Isolde prelude and Lohengrin Prelude to act 3 are all very excellent. Excerpts from the Ring of the Nibelunge aren't as good as I had anticipated but are still enjoyable. The music speaks the tales of Wagner's operas. Just hear it, as slow and irksome as they maybe, these preludes make you feel the tragic love of Tristan and Isolde, the epic odyssey of Lohengrin and the holy, heavenly spirit in Parsifal as he discovers the Holy Grail. Buy this CD and you won't regret it. Except that one bit from Gotterdammerung, Siegfried's Funeral March. It does'nt quite have the feel of grand disaster as it did in John Boorman's film Excalibur. If you're hoping to find that version(which is better) stick with the Classics Go To The Movies Vol 2 cd. But all the other pieces on this CD are excellent. Go and buy this CD- now !

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Average customer rating:

A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Classical Evolution: Spanish Guitar Music

ASIN: B00012QLTQ
Release Date: 2003-12-09

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating:

Bacharach's Astonishing Songbook Opened Up by a Motley Gallery of Artists

Gold
Burt Bacharach & Friends
Manufacturer: Hip-O Records
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

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My Friends & Me
Gold: British Invasion
Love Songs: Gold
'80s Dance Gold
'60s: Gold

ASIN: B000ICLT50
Release Date: 2006-10-10

Tracks:

(They Long to Be) Close to You - The Carpenters
Do You Know the Way to San Jose - Dionne Warwick
What the World Needs Now Is Love - Jackie DeShannon
Wishin' and Hopin' - Dusty Springfield
What's New Pussycat? - Tom Jones
This Guy's in Love With You - Herb Alpert
Raindrops Keep Fallin' on My Head - B.J. Thomas
One Less Bell to Answer - The 5th Dimension
I'll Never Fall in Love Again - Dionne Warwick
I Say a Little Prayer - Aretha Franklin
You'll Never Get to Heaven (If You Break My Heart) - The Stylistics, Russell Thompkins, Jr.
Walk on By - Isaac Hayes
House Is Not a Home - Luther Vandross
Look of Love - Sergio Mendes & Brasil '66
Baby It's You - The Shirelles
Message to Michael - The Marvelettes
Trains and Boats and Planes - Billy J. Kramer & the Dakotas
Twenty Four Hours from Tulsa - Gene Pitney
Make It Easy on Yourself - The Walker Brothers
Knowing When to Leave - Burt Bacharach

Tracks:

Anyone Who Had a Heart - Dionne Warwick
I Just Don't Know What to Do with Myself - Dusty Springfield
Mexican Divorce - The Drifters
Wives and Lovers - Jack Jones
Only Love Can Break a Heart - Gene Pitney
Blue on Blue - Bobby Vinton
Alfie - Cher
Man Who Shot Liberty Valance - Gene Pitney
Casino Royale - Herb Alpert & the Tijuana Brass, Herb Alpert
Promises, Promises - Jerry Orbach
Living Together, Growing Together - The 5th Dimension
Arthur's Theme (Best That You Can Do) - Christopher Cross
Any Day Now - Ronnie Milsap
Heartlight - Neil Diamond
On My Own - Patti LaBelle, , Michael McDonald
Reach Out for Me - Olivia Newton-John
Always Something There to Remind Me - Naked Eyes
Windows of the World - The Pretenders
Don't Make Me Over - Sybil
God Give Me Strength - Burt Bacharach, , Elvis Costello
That's What Friends Are For - Burt Bacharach

Customer Reviews:

Bacharach's Astonishing Songbook Opened Up by a Motley Gallery of Artists.......2007-04-28

Rock music aside, there was not likely a better pop tunesmith in the second half of the 20th century than Burt Bacharach, and this robust two-disc retrospective set shows ample evidence of his infectious, idiosyncratic style, most notably his sophisticated pop melodies accompanied by momentous orchestra swells and infused with a sweeping, unapologetic romanticism. Sometimes amusingly dated but eminently listenable, this set covers the full breadth of Bacharach's career highlighting his 1960's work with his most mutually copasetic partner, lyricist Hal David, and inevitably, the dregs of the 1980's pop treacle he composed with then-wife Carole Bayer Sager ("Arthur's Theme", "Heartlight"). Because the intention is to showcase a number of different artists who had already covered his tunes on their own recordings, there is more of a hodgepodge feel here than with the more satisfying single-disc compilation, 2001's The Very Best of Burt Bacharach.

Consequently, among 41 songs presented, Bacharach's most pervasive muse, Dionne Warwick, is featured only on three classic tracks - the deceptively perky "Do You Know the Way to San Jose?"; the ironically sung "I'll Never Fall in Love Again"; and the syncopated swelling of "Anyone Who Had a Heart". Her radiant voice is missed most on "Alfie" where we instead get a twenty-year old Cher's unnecessarily bombastic performance; "Walk on By" made over into a psychedelic soul epic by Isaac Hayes; the sauntering "Message to Michael" covered by early Motown girl-group, the Marvelettes; Sybil's 1990's dance-club revamp of "Don't Make Me Over"; and "Trains and Boats and Planes" performed by Merseybeat band Billy J. Kramer & the Dakotas. The upside of the multi-artist approach is that we do get Aretha Franklin's saucy, gospel-fueled take on "I Say a Little Prayer"; the Stylistics' Philly soul-styled version of "You'll Never Get to Heaven (If You Break My Heart)"; and Broadway veteran (and future "Law & Order" star) Jerry Orbach's fresh-faced performance of "Promises, Promises".

Other classics included are the Carpenters' "(They Long to Be) Close to You" highlighting Karen's sparkling alto voice; B.J. Thomas' unavoidably sunny "Raindrops Keep Fallin' on My Head"; Herb Alpert's casually off-key "This Guy's in Love with You"; Jackie DeShannon's symphonic rendition of "What the World Needs Now is Love"; the samba-sized cover of "The Look of Love" by Sergio Mendes and Brasil `66; Tom Jones' Vegas-style, hip-shaking "What's New Pussycat?"; Dusty Springfield's yearning smokiness on "Wishin' and Hopin'" and "I Don't Know What to Do with Myself"; and the 5th Dimension's "One Less Bell to Answer" featuring Marilyn McCoo's studio-polished vocals. Luther Vandross' lengthy, melisma-filled take on "A House Is Not a Home" is also here, as is Bacharach's valedictory collaboration with Elvis Costello on the powerful "God Give Me Strength".

Obscurities are offered in the mix as well, for example, the hard-rocking Pretenders, of all bands, do a 1989 number called "The Windows of the World", and the 5th Dimension covers a long-lost song from the disastrous musical version of "Lost Horizon", a catchy sing-along therapy session called "Living Together, Growing Together". The height of 1960's sexism is represented by Jack Jones' lounge-act singing on "Wives and Lovers", and sad-voiced Gene Pitney is featured on three early sixties tracks uniquely his - "Twenty Four Hours from Tulsa", "Only Love Can Break a Heart" and most famously, "The Man Who Shot Liberty Valance". Bacharach himself ends each disk with instrumental versions of "Knowing When to Leave" and "That's What Friends Are For". Even if the performances vary with the artists, this collection shows how impressive Bacharach's expansive songbook truly is.

36 Favourite Piano Ballads: The Solid Gold Collection (2-CD Set)

Average customer rating:

For Piano Music Lovers

36 Favourite Piano Ballads: The Solid Gold Collection (2-CD Set)
Richard Clayderman
Manufacturer: Solid Gold
ProductGroup: Music
Binding: Audio CD

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Piano Passion

ASIN: B000BFH4PI
Release Date: 2005-11-01

Tracks:

(They Long to Be) Close to You
Have I Told You Lately
Hello
Up Where We Belong
How Do I Live
Groovy Kind of Love
No Matter What
How Deep Is Your Love
Everything I Do (I Do It for You)
Wind Beneath My Wings
I Don't Want to Miss a Thing
Ballade Pour Adeline
Homme et une Femme
Do You Know Where You're Going To? (Theme from Mahogany)
Smoke Gets in Your Eyes
Unbreak My Heart
Way We Were
Time After Time
Just the Way You Are
Titanic Symphony

Tracks:

I Just Called to Say I Love You
When a Man Loves a Woman
Power of Love
Promise Me
Eternal Flame
Cavatina
We've Only Just Begun
Memory
Only You
Savoir Aimer
Something About the Way You Look Tonight
Angels
I Will Always Love You
Lady in Red/Take My Breath Away
Careless Whisper
Don't Dream It's Over
Every Time You Go Away
Candle in the Wind
I Just Can't Stop Loving You
Time to Say Goodbyr

Customer Reviews:

For Piano Music Lovers.......2007-01-17

These CDs are an excellent choice and value-priced for the piano music lover. Awesome listening when you want to relax or for someone you know.

Average customer rating:

A disappointment
"The Ring without Words" is really "The Ring without Pauses . . . "
The best synthesis of orchestral music from the Ring
Could have been a fun ride, but...
Decent, though not ideal; fulfills the original intent

Wagner: The "Ring" Without Words

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Wagner without Words
Twilight of the Gods: The Essential Wagner Collection
Wagner: Overture & Preludes
Verdi without Words: Grand Opera for Orchestra
The Best Of Wagner

ASIN: B000003CUJ
Release Date: 1990-10-25

Tracks:

Thus, We Begin In The 'Greenish Twilight' Of The Rhine
Float Up To The Home Of The Gods (Entrance Of The Gods Into Valhalla)
Fall Amongst Hammering Dwarfs 'Smithying' Away
Ride Donner's Thunderbolt, Crawl With The Thirst-Crazed Siegmund To The Haven...
In The Sound Code, We 'See' His Loving Gaze
Their Flight
Wotan's Rage
The Cavalcade Of Brde's Sisters, (Ride Of The Valkyries)
Wotan's Farewell To His Favorite Daughter, (Wotan's Farewell And Magic Fire Music)
Mime's Fright
Siegfried's Forging Of The Magic Sword
His Wanderings Through The Forest, (Forest Murmurs)
His Slaying Of The Dragon
The Dragon's Lament
Day Breaking 'Round Sigfried's And Brde's Passion
Siegfried's Rhine Journey, (Dawn And Sigfried's Rhine Journey)
Hagen's Call To His Clan
Siegfried And The Rhinemaidens
His Death And The Funeral Music, (Siegfried's Death And Funeral Music)
Immolation. (Immolation Scene)

Customer Reviews:

A disappointment.......2007-04-20

Being a Wagnerite is sometimes a little difficult. Wagner's music is demanding on practically all levels, and especially demanding to the casual listener. The music can sometimes be too sugary, way overblown, or deceptively muted. This can definitely present problems, and that is why there are those who can detest Wagner's works to the degree that others love it. There is little middle room: Love or hate, Wagner's music is unique...and difficult.

This CD brings out another difficulty: The attempt to tone down Wagner and make his work more generally acceptable. On the good side, this CD is a rather good compilation of some of the Ring's most important melodies. Its symphonic structure allows good flow between the rather disjoint work, and the idea works to a significant degree.

But Maazel's approach is to create a uniformity of interpretation on a work that took more than 20 years to complete. This uniformity saps the Ring of much of its musical strength. The standard pieces are played almost the same as the other selections; little differentiation is evident and as a result only minor aspects of the drama in this incredible music drama are revealed.

While it is possible to play Wagner's music poorly, I always thought it was equally possible to at least grasp its passion. Unfortunately, Maazel's approach proves me to be wrong.

Yes, being a Wagnerite can be very difficult.

"The Ring without Words" is really "The Ring without Pauses . . . ".......2006-07-25

Even Wagner had the good sense to construct his monumental "Ring" Cycle as four distinct operas! So when Loren Maazel got the idea to record a "Ring without Words," what was so important about making it one long movement? No one knew better than Wagner the emotional impact of a well-placed fermata or a crash-bang finale, but this spark of genius seems to have eluded Maazel in his obsession to keep the musical Rhine flowing from beginning to end non-stop for 67 minutes. What seems at first to be a really novel idea starts to break down early on when we begin to anticipate the throbbing final pages of "Das Rheingold," only to discover that for the sake of seamlessness, the whole dramatic passage is skipped over by an awkward leap from Donner's thunder into the depths of "Die Walkure!" Other cuts can be forgiven considering time limitations, although there is still room for ten more minutes of music on the CD. Edo de Vaart gives us something more on his "Ring" recording, since he has no fear of finales. Otherwise, Maazel's handing of the score is quite exciting, and the Vienna Philharmonic is totally responsive to his every gesture. Here's a good idea for some future recording, one I'd certainly buy and which would appeal to thousands of other "Wagnerites" like myself: why not a four-movement "Ring Without Words" across two CDs, with every possible voiceless note from the pen of the Master, one opera after the other?

The best synthesis of orchestral music from the Ring.......2006-07-12

If you're looking for a single CD of orchestral music from Wagner's Ring, I'd like to recommend this one. Here's why.

Wagner's tetralogy Der Ring des Nibelungen contains some of the most magnificent, most stirring, most imaginative music ever written (along with some that's pedestrian and dull; there are glorious moments, splendid peaks, and there are arid stretches, longeurs that make one wish that Wagner the supreme egotist had submitted his work to the judgment of a good editor). The four operas comprising it are Das Rheingold (1869), Die Walkure (1870), Siegfried (1876), and Gotterdammerung (1876). Taken together they form the towering masterwork and crowning achievement of Wagner's maturity. They are also immensely long: about 17 hours.

The problem has always been to extract the best parts of the Ring for satisfactory concert presentation. The Ring does not make this easy: it contains no conventional overtures or preludes, no conveniently extractable bits. Thus various hands ever since Wagner's day have carved out "bleeding chunks," with mixed results, and the practice has always been controversial.

This CD presents a different approach. In order to make this recording---to quote the Wagner expert in Third Ear: Classical Music: The Listener's Companion (ed. Alexander J. Morin, 2002; an excellent book, by the way)---"Maazel decided to create his own vast symphonic suite from the Ring, and he has toured with it around the world. . . . If you want to hear the best parts of the Ring without sitting down to 17 hours or so, this is your best bet." I agree. Maazel's 70-minute symphonic synthesis of the best music from the Ring has a consistency, an integration and seamless flow, an organic rightness lacking in other Ring orchestral-highlights programs, with their "bleeding chunks" approach. Also, Maazel's suite gives a better idea of the scope and variety of the Ring, of its full range of colors and sonorities, than the standard orchestral excerpts.

Let Maazel describe his priorities in putting his suite together: "I was intrigued by the challenge: could a symphonic synthesis of the Ring reveal the essentials? I bolted the following list of criteria to my drawingboard: One: the synthesis must be free-flowing and chronological, beginning with the first note of Rheingold and finishing with the last chord of Gotterdammerung. Two: the transitions must be harmonically and periodically justifiable, the pacing contrasts commensurate with the length of the work. Three: most all of the music originally written for orchestra without voice must be used, adding those sections with a vocal line essential to a synthesis . . . . Four: every note must be Wagner's own. . . . Though no conscious attempt was made to include all the Ring's motifs, most of them do surface in one form or another."

The result as represented on this CD is eminently satisfactory. Maazel is a seasoned Wagner conductor, and has conducted the complete Ring at Bayreuth and elsewhere. The Berlin Philharmonic is one of the world's great orchestras. Both it and Maazel are in top form here: the performance is idiomatic and assured, sweeping and eloquent, played to the hilt, bristling with authority and conviction. I hope I'm not being fanciful in finding that listening to the whole suite straight through yields a kind of catharsis. The sound is robust, full-bodied, with wide dynamic range, with solid weight and impact. Telarc's engineers have done a commendable job of coping with the problematic acoustics of Berlin's Philharmonie; this is probably just about the best sound that can be extracted from that vexed venue.

The recording was made in Dec. 1987. Total playing time is 69:40 (broken out as follows: Das Rheingold 14:47, Die Walkure 12:42, Siegfried 6:15, and Gotterdammerung 36:33; if this seems to give short shrift to Siegfried, it has always been musically the weakest of the four operas).

In short, it's hard to imagine a better orchestral introduction to the glories of the Ring. The virtues of this CD move it to the top of its class: highly recommended.

Could have been a fun ride, but..........2005-10-01

Decades ago, Leopold Stokowski popularized opera for the general public through "symphonic syntheses." These included Wagner's Ring, Triastan, and Boris Godunov, to mention those I've heard and enjoyed. I was prepared to enjoy Maazel's modern update and expected a fun ride through the gorgeous sonorities of Wagner's score.

Not much enjoyment resulted, however. Maazel is superficial, often ponderous, and much too roughshod with this pastische. It can't all be crash and bang. So I threw the CD away and hope a few others won't make the mistake I did.

Decent, though not ideal; fulfills the original intent.......2005-04-27

In having read the other reviews of this CD, I think many individuals failed to take note of the original intent behind this CD coming about in the first place. Lorin Maazel was commissioned by the recording company (Telarc) to come up with an arrangement of the prime orchestral excerpts of the "Ring," and his 4-step approach listed in the booklet, makes it abundantly clear that NOT ALL of the music commonly heard on other recordings of the orchestral music from the "Ring," would be heard in this arrangement. Also, it is to be inferred that Maazel knows, and obviously doesn't expect his arrangement to take the place of ANY complete recording of the "Ring."

I heard Maazel conduct his arrangement live with the National Symphony Orchestra of Washington, DC last year. Before that concert, I had never listened to this recording, but I knew about it. So I had the advantage of going into the concert with a fresh mind.

I came out of the concert with the feeling that others before me expressed -- that some of the transitions between familiar excerpts were smooth, some so-so, and others rather clunky. I think Maazel would be the first to admit that he was more successful in some areas of his arrangement, and not as successful in others. So be it. Wagner is tough for anyone and everyone delving into the complete operas, whatever their command of German and musical/orchestral principles.

So, my rating and review of this recording is confined to Maazel's task at hand. I give his effort four stars. Most of this "grade" is confined to the arrangement itself. I give the orchestral playing five stars.

Average customer rating:

Beautiful waltzes conducted by a master of the genre.

Lehár: Waltzes

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Viennese Violin: The Romantic Music of Lehár, Kreisler & Strauss

ASIN: B00005NPJC
Release Date: 2003-03-25

Tracks:

Gold And Silver, Op.79
Ballsirenen (On Themes from 'The Merry Widow')
Where The Lark Sings
Giuditta
Luxembourg (On Themes from 'The Count Of Luxembourg')
Gypsy Love
Eva

Customer Reviews:

Beautiful waltzes conducted by a master of the genre........2003-08-31

Franz Lehar is most famous for his operetta "The Merry Widow," but he wrote several other tuneful operettas -- including "The Count of Luxembourg" -- as well as many delightful waltzes, the most famous of which is the great "Gold and Silver Waltz." This CD presents the "Gold and Silver Waltz," plus a collage of tunes from "The Merry Widow" and another from "The Count of Luxembourg," and other waltzes. The performances are by the Johann Strauss Orchestra conducted by the great waltz conductor Willy Boskovsky. If you love fine waltzes or simply are one of the few people who still appreciate the great music of the Romantic era, please get this delightful bargain CD while it's still available. Unfortunately, EMI CDs are often withdrawn shortly after their release. Please don't let this one get away from you.

Music Review:

Music Review

music review

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The King Will Come: Live [Live] [Import]

Affirmations: 4 works by Richard Wilson

5 Composers 3rd hearing

Music: Rio das Valsas

05.17.2012 01.34.28 PM -0400 CD

100 Años de Musica

10.000 Destinos Ao Vivo [Import]

#1's [Import]

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ZZ Top - Greatest Hits (2002)

Wonderful To Be

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Won't Be Denied [Explicit Lyrics]

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Sketches of Spain

1. Gollums Song - Howard Shore
2. Out Of Africa (Main Theme) - John Barry
3. The Eternal Vow - Tan Dun
4. Duettino (Sullaria From The Marriage Of Figaro) - Mozart
5. Harry Potter Theme - John Williams
6. Braveheart (End Credits Theme) - James Horner
7. Now We Are Free - Zimmer Gerrand Badelt
8. Hymn To The Fallen - John Williams
9. Midnight Cowboy (Main Theme) - John Barry
10. The Last Emporer - Sakamoto
11. Piano Concerto No 2 (Larghetto) - Chopin
12. Life Is Beautiful - Piovanni
13. You Only Live Twice (Main Theme) - John Barry
14. Adagio For Strings - Barber
15. Unchained Melody - Alex North
16. The Universal - Albarn James Coxon Rowntree
17. Six Feet Under - Thomas Newman
18. Chi Mai - Ennio Morricone
19. A Summer Place - Steiner
20. Midsomer Murders - Jim Parker