Verdi: Music for Oboe & Piano

On this CD:

1. Divertimento on motifs from Verdi's Attila, or oboe & piano
Composed by Ricordano de Stefani
Performed by Paolo Pollastri

2. Fantasia on Verdi's Luisa Miller, for english horn & piano
Composed by Giovanni Daelli

3. Pot-Pourri on Verdi's Rigoletto for oboe & piano
Composed by Raffaele Parma
Performed by Paolo Pollastri

4. Fantasy on Themes from Giuseppe Verdi's Rigoletto for piano and oboe
Composed by Giovanni Daelli
Performed by Paolo Pollastri

5. Fantasia on Verdi's Il Trovatore, for english horn & piano
Composed by Giovanni Daelli

6. Mosaico on Verdi's La Traviata, for oboe & piano , Op. 70
Composed by Raffaele Gariboldi
Performed by Paolo Pollastri

7. Gran Concerto on Themes from Verdi's "I Vespri Siciliani" for oboe & piano
Composed by Antonio Pasculli
Performed by Paolo Pollastri

8. Rimembranze on Verdi's Un Ballo in Maschera, for oboe & piano
Composed by Raffaele Parma
Performed by Paolo Pollastri

Tracks:

Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
Turkish March - Mozart, Wolfgang Amadeus
Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

Overture No. 4 In Major: Rejouissance - J.S.Bach
Overture No. 3 In D Major: Air - J.S.Bach
Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
Jesu, Joy Of Man's Desiring - J.S.Bach
Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
Prelude In C Major - J.S.Bach
Toccata And Fugue In D Minor - J.S.Bach
Prelude In C Minor - J.S.Bach
Overture No. 1 In C Major: Passepied - J.S.Bach
Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
Violin Concerto In E Major: I. Adagio - J.S.Bach
St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
Fur Elise - Ludwig Van Beethoven
Violin Romance No. 2 - Ludwig Van Beethoven
'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
Minuet - Ludwig Van Beethoven
Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
Coriolan: Overture - Ludwig Van Beethoven
Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
Egmont: Overture - Ludwig Van Beethoven

Tracks:

Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
Wine, Woman And Song - Johann Strauss
Tritsch Tratsch Polka - Johann Strauss
The Blue Danube - Johann Strauss
The Gypsy Baron: Introduction - Johann Strauss
Annen Polka - Johann Strauss
Vienna Blood - Johann Strauss
The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
String Serenade: Waltz - Peter Tchaikovsky
Violin Concerto: Andante - Peter Tchaikovsky
The Sleeping Beauty: Introduction - Peter Tchaikovsky
The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
The Sleeping Beauty: Waltz - Peter Tchaikovsky
Capriccio italien Op. 45 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
Siciliano - VIVALDI, Antonio
Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
Waltz In E Flat Major, Op. 18 - Frederic Chopin_
Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

Ave Maria - Franz Schubert
Impromptu In E Flat Major - Franz Schubert
Standchen - Franz Schubert
Trout Quintet: Tema con variazioni - Franz Schubert
'Rosamunde': Entr'acte No. 1 - Franz Schubert
Moment Musical In A Flat Major - Franz Schubert
'Rosamunde': Entr'acte No. 2 - Franz Schubert
Moment Musical No. 3 In F Minor - Franz Schubert
'Rosamunde': Ballet Music No.2 - Franz Schubert
Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

Nabucco: Overture - Verdi, Giuseppe
Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
Aida: Prelude - Verdi, Giuseppe
II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
Aroldo: Overture - Verdi, Giuseppe
La Traviata: Prelude - Verdi, Giuseppe
La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Gloria In Excelsis
Sanctus
Glory To God
Awake The Harp
Gloria
Gloria
Sanctus
Heavenly Light
Aeterna Fac
Slava V Vyshnikh Bogu
Sanctus
Gloria
Alleluia
Sanctus
Magnificat

Amazon.com

This compilation features excerpts from some of the greatest sacred works in the literature--including Bach's Mass in B Minor, Handel's Messiah, Beethoven's Missa solemnis, and Verdi's Requiem--all led by Robert Shaw. The selections, from recordings made between 1983 and 1997 by Shaw and various ensembles including the Atlanta Symphony Orchestra and Chorus, are presented more or less in order of their composition, from Vivaldi's Gloria to Arvo Pärt's Magnificat. Especially thrilling is the complete "Gloria" from the Missa solemnis, 17 minutes of sheer grandeur, and the Sanctus movements from the Requiems of Verdi and Maurice Duruflé. --Ted Libbey

Customer Reviews:

It is absolutely breath-takingly beautiful........2007-05-15

I enjoyed this CD very much. It is just beautiful music.

Robert Shaw Choruses At Their Best!.......2004-09-20

If Sir Robert were still alive, & breathing, I believe he would be caught-up making music with this awesome, majestic, mystical GLORIA, Sanctus, Hallelujah Masterworks! I lucked-up on this old collection in the few classical CD'S in Best Buy!

At first hearing they sent me back into the 1970's when most of Church Musicians majored in Vivaldi's Gloria, the Sanctus of Bach's B-Minor Mass, the Long, georgeous GLORIA, Missa Solemnis, Beethoven, and incomparable Alleluia by Randall Thompson.

During a visit of Hurricane IVAN'S rushing winds and torrents of rain, I stayed on back roads of Decatur and East Atlanta! Also keeping alert & relaxed listening to Robert Shaw re-inventing his Choral Mystique! In slowly moving traffic of 2++ hours to Fayetteville, I kept alert singing along at 30 mph, wrapped in his quiet heavenly beauty of Koplov's "Heavenly Light!"

That mysteriously spiritual power of glorious choruses provided the same resourceful sounds of his eternal music-making from rehearsals in the Atlanta Symphony Chorus, Westminster Choir College and Avery Fischer Hall concerts in NYC! (1975-1985)

Only the early 33 1/3 recordings of the Robert Shaw Chorale in his Spirituals and Irish Songs, later Handel's Messiah and Bach B-Minor Mass were forerunners to his awesome listing of repeated Grammy winners, now printed in digital stereo color and sound! Hooray for Sir Robert and his rich chorale legacy... Let's keep them singing for Eternity! Retired Chaplain Fred W Hood

Glorious.......2000-06-30

If I had to choose one conductor to compile exerpts from the greatest masses and works in choral literature and history, I would only bestow that duty to Robert Shaw and his choruses. Once again he displays his uncanny ability to not only choose beautiful music but also perform it in a spellbinding manner. Even with the pieces the average listener has heard or performed, such as Vivaldi's Gloria or portions of Handel's Messiah, one cannot help but become enthralled with the recordings of Shaw's interpretations of those works. Although Shaw never followed through on his early-life ambition to be a minister, I still believe he does so and perhaps to a greater extent through his music ministry. One cannot help but feel closer to understanding what heaven is about after having finished listening to this CD. This is well worth buying for it will live up to the english interpretation of its Latin title: Glorious.

Average customer rating:

Magic of the Panpipes

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Romance of the Panflute
Zamfir: Greatest Hits
Pipe Dreams
Zamfir: The Lonely Shepherd
Georghe Zamfir Panflute, Vol. 1

ASIN: B00004Z32T
Release Date: 2001-05-08

Tracks:

Adagio (Arr. Giazotto)
Violin Romance No. 2 In F Major, Op. 50
Concerto In A Major For Panpipes And Orchestra: 1. Sicilienne (Arr. Jean Thilde Billandot, Paris)
Concerto In D Minor (BWV 1060) For Violin, Panpipes And Orchestra: 2. Adagio (Reconstr. Max Schneider)
Serse (Xerxes): Ombra mai fu (Largo)
Concerto In D Major For Panpipes And Orchestra: 1. Allegro
Concerto In D Major For Panpipes And Orchestra: 2. Andante
The Four Seasons - Concerto Op. 8 No. 4 'Winter': 3. Allegro (Arr.: H. van Hoof)
Kinderszenen: Traumerei (Arr.: H. van Hoof)
Ave Maria (Arr.: H. van Hoof)
Gianni Schicchi: O mio babbino caro
La Traviata: Addio del passato
Hungarian Dance No. 1 In G Minor (Arr.: Tony Britten)
Manon Lescaut: Donna non vidi mai
Couleurs d'automne
Evita: Don't Cry For Me Argentina

Sacred Classics - Messiah, Ave Maria, Pie Jesu, Zadok the Priest, L'enfance du Christ

Average customer rating:

A wonderful and varied compilation of Sacred Choral Works

Sacred Classics - Messiah, Ave Maria, Pie Jesu, Zadok the Priest, L'enfance du Christ
George Frideric Handel , Johann Sebastian Bach , Gabriel Fauré , Antonio Vivaldi , Charles Gounod , Johannes Brahms , Edward Elgar , Gioachino Rossini , Wolfgang Amadeus Mozart , Franz Schubert , Giuseppe Verdi , César Franck , Hector Berlioz , Franz Joseph Haydn , Felix Mendelssohn , Gregorio Allegri , Conservatory Concert Society Orchestra , New Philharmonia Orchestra , Academy of St. Martin-in-the-Fields , London Philharmonia Orchestra , Halle Orchestra , Maggio Musicale Fiorentino Orchestra , Berlin Philharmonic Orchestra , Berlin Symphony Orchestra , Sir Charles Mackerras , Andre Cluytens , Riccardo Muti , David Willcocks , Philip Ledger , and Otto Klemperer
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Christian Contemporary Music | Christian & Gospel | Styles | Music
Similar Items:

Gloria: Music of Praise & Inspiration
Choral Masterpieces
Ave Maria
The #1 Choral Album
The Power & The Majesty: Essential Choral Classics

ASIN: B000000UWF
Release Date: 2003-08-05

Tracks:

Hallelujah - Ambrosian Singers
I Know That My Redeemer Liveth - Ambrosian Singers
Pie Jesu - Victoria De Los Angeles
In Excelsis Deo - Teresa Berganza
Jesu Bleibet Meine Freude - Choir Of King's College Cambridge
Ave Maria - Philip Ledger
Zadok The Priest - Coronation Anthem - Choir Of King's College, Cambridge
Wie Lieblich Sing Deine Wohnungen - Phiharmonia Chorus
Sanctus Fortis - Richard Lewis
Agnus Dei - Dame Janet Baker
Cujus Animam Gementem - Robert Gambill
Lacrimosa - New Philharmonia Orchestra
Ave Maria - Gerald Moore
Ingemisco - Confutatis - Dies Irae - New Philharmonia Chorus

Tracks:

Panis Angelicus - Elisabeth Schwarzkopf
Herrscher Des Himmels, Erhore Das Lallen - Choir Of King's College, Cambridge
Ouverture - L'Adieu Des Bergers - Choeurs Rene Duclos
Libera Me Domine - Dietrich Fischer-Dieskau
Ave Verum Corpus, K618 - Swedish Radio Chorus
Die HImmel Erzahlen Die Ehre Gottes - Jose Van Dam
Komm, Holder Lenz! - Chor Der Deutschen Oper Berlin
Lord God Of Abraham - New Philharmonia Chorus
And Then Shall Your Light Break Forth - New Philharmonia Chorus
Miserere Mei, Deus - Stephen Cleobury
Erbarme Dich, Sein Gott - Julia Hamari
O Haupt Voll Blut Und Wundern - Julia Hamari
Ich Folge Dir Gleichfalls - Lisa Otto
Ach Herr, Lass Dein Lieb' Engelein - Lisa Otto

Customer Reviews:

A wonderful and varied compilation of Sacred Choral Works.......2001-08-13

This is a 2 CD set and is one of my favorites. While this CD contains several pieces that the general public probably hears often (Handel's Messiah, Bach's Jesu Bleibet mein freund) it also contains some not well known pieces. Of particular quality is the recording of Gregorio Allegri's MISERE MEI DEUS, a piece composed at the end of the Renaissance era. This piece, lasting roughly 13 minutes, is a master stroke of pure choral music. The piece is repetitive but Allegri builds up to a fantastic ending. Also of note is the glorious recording of Mozart's AVE VERUM CORPUS, Hadyn's DIE SCHOPFUNG, and Brahm's EIN DEUTCHES REQUIEM. A MUST for any choral music fan.

Dies Irae-The Essential Choral Collection

Average customer rating:

Dies Irae-The Essential Choral Collection Review
The Greatest Choral Masterpieces
Not that bad... at first
Gread Idea, Great Performance
Dies Irae

Dies Irae-The Essential Choral Collection

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Sutherland, Joan | Divas | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

The #1 Choral Album
Mass: The Most Powerful, Uplifting & Passionate Music You Will Ever Hear
Choral Masterpieces
Simply the Best Classical Anthems
Tears from Heaven

ASIN: B0000041NV
Release Date: 1997-09-16

Tracks:

Dies Irac: Requiem - DIES IRAE-ESSENTIAL CHORAL COL
Chorus Of THe Hebrew Slaves: Nabucco - DIES IRAE-ESSENTIAL CHORAL COL
Entrance Of The Toreadors: Carmen - DIES IRAE-ESSENTIAL CHORAL COL
An die Freude: Symphony No. 9 - DIES IRAE-ESSENTIAL CHORAL COL
Zadok the Priest - DIES IRAE-ESSENTIAL CHORAL COL
Bridal Chorus: Lohengrin - DIES IRAE-ESSENTIAL CHORAL COL
Easter Hymn: Cavellera Rusticana - DIES IRAE-ESSENTIAL CHORAL COL
Requiem Aeternam: Requiem - DIES IRAE-ESSENTIAL CHORAL COL
Pavane - DIES IRAE-ESSENTIAL CHORAL COL
Gloria In Excelsis Deo: Gloria - DIES IRAE-ESSENTIAL CHORAL COL
For Unto Us A Child Is Born: Messiah - DIES IRAE-ESSENTIAL CHORAL COL
O Isis und Osiris: The Magic Flute - DIES IRAE-ESSENTIAL CHORAL COL
Credo: Messe Solennelle Di Sainte Cecile - DIES IRAE-ESSENTIAL CHORAL COL
I Vow To Thee, My Country - DIES IRAE-ESSENTIAL CHORAL COL
Final Chorus: Turandot - DIES IRAE-ESSENTIAL CHORAL COL

Tracks:

O Fortuna: Carmina Burana - Various Artists
Trimphal March: Aida - Various Artists
Deus in adiutorium - Domine ad adiuvaum: Vespro Della Beata Vergine - Various Artists
See, The Conqu'ring Hero Comes: Judas Maccabeus - Various Artists
In The Hall Of The Mountain King: Peer Gynt Suite No. 1 - Various Artists
Magnificat anima mea: Magnificat - Various Artists
Agnus Dei: Requiem - Various Artists
Humming Chorus: Madama Butterfly - Various Artists
Ich will hier bei dir stehen: St. Mathew's Passion - Various Artists
Entry Of The Guest: Tannhauser - Various Artists
Auto0da-fe' Chorus: Don Carlo - Various Artists
Polovtsian Dances: Prince Igor - Various Artists
Anvil Chorus: Il Trovatore - Various Artists
Land Of Hope And Glory: Pomp And Circumstance - Various Artists
'Hallelujah' Chorus: Messiah - Various Artists

Amazon.com

This certainly is a desirable compendium of some of the most famous large-scale choral pieces, primarily drawn from Deutsche Grammophon's catalog of operas and oratorios. Among the 30 selections on this two-disc set are choruses from Carmen, Lohengrin, Aida, Madame Butterfly, and Il Trovatore, as well as Messiah, Beethoven's Ninth Symphony, Bach's St. Matthew's Passion, and Verdi's Requiem. --David Vernier

Customer Reviews:

Dies Irae-The Essential Choral Collection Review.......2007-07-07

This 2 disc collection of Choral music is a great introduction to classical music. Many of these selections have been made famous in movies and will be recognizable to even the most casual listener. I bought this album for O Fortuna by Carl Orff, a song that is featured in Excalibur and Jackass: The Movie. The music on these CDs is great. I especially like Symphony No. 9 by Beethoven, Peer Gynt Suite by Grieg, and Requiem by Mozart.

Other albums recommended:
Amadeus: Original Soundtrack Recording
25 Beethoven Favorites
Excalibur: Original Movie Soundtrack

The Greatest Choral Masterpieces.......2005-10-02

This collection is outstanding, featuring the best choral works from operas and oratorios in classical repertoire. It begins with the fiery and intense Dies Irae from Verdi's Requiem. This piece is sublimely performed by the Berlin forces. It's followed by the anthem-like Va Pensiero from Verdi's early opera Nabucco, as conducted by Sinopoli and sounds maravelous. A brief excerpt from Beethoven's Ninth "The Ode to Joy" is a treat. The Coronation Anthem from Zadok The Priest by Handel is well-executed and powerful. The famous Bridal March (better known as "Here Comes The Bride") from Wagner's opera Lohengrin is sumptuous. A lot of this music is grandiose, and all the famous grand choruse from the grand operas like Aida (The Triumphal March scene) and the Inquistion Scene from Don Carlo. What is missing however, and I would have enjoyed, is the wondrous Finale to Wagner's Die Meistersanger which features a great chorus in praise of art. My favorite piece on here is the little known Mass of Saint Cecilia by Charles Gounod. It is absolutely gorgeous and epic sounding. The underrated but great conductor Igor Markevitch conducts. The famous O Fortuna from Orff's Carmina Burana is also on here, not to mention Handel's "Hallelujah" chorus from Messiah and other pieces from Judas Maccabeus. This is a great collection of chorus masterpieces that any fan would appreciate or if you are studying to sing in chorues yourself.

Not that bad... at first.......2005-03-26

There's plenty of free samples to this CD, and I agree that this is a great collection of music. Chances are you won't find a collection of songs, all of them with angelic choirs, as great as this. When I got it I was quite happy with it, but when I heard the same songs done with different conductors I thought to myself: 'Hey, why doesn't it sound like my CD?' It's the quality that I don't like. For example, Dias Irae is a great song, and it sounds pretty good on the CD, but compare it to another version and this one is slower, the chorus is off key, and it doesn't have that intense emotion. Same thing with O Fortuna, it's a great song, but the chorus is just terrible on this CD, the instruments are lacking in emotion: percussion doesn't add that extra 'oomph' to the bass drum, the cymbals don't have enough emphasis, the chorus sounds like they're about to go asleep, and the dynamics between fortissimo and pianissimo have little effort.

I'd recomend this if you have little cash to blow on a lot of good songs, otherwise you might want to search for a bunch of seperate CDs with the same songs.

Gread Idea, Great Performance.......2003-03-03

This CD should move people in a way that few other recordings can. The one word to describe many of the works is "exalted". This is not music for dinner parties but instead should be heard in solitary contemplation of all the great artists and their efforts in creating such an inspiring recording.

Dies Irae.......2000-03-07

I have an extensive CD collection, but since purchasing this CD, it has become my very favorite. This music sent chills down my spine. I felt transported to a different world....What amazing voices! I intend to give this cd as xmas presents to family and friends.

A Hymn for the World / Bartoli, Bocelli, Chung

Average customer rating:

A Worthy Hymn
A Timeline of God-Inspired Masterworks
Great music for a beautiful event
It's music, not Hollywood
Sorry, this is not for me.

A Hymn for the World / Bartoli, Bocelli, Chung
Antonio Vivaldi , Johann Sebastian Bach , Wolfgang Amadeus Mozart , Franz Liszt , Giuseppe Verdi , Gioachino Rossini , Charles Gounod , Georges Bizet , Cesar Franck , Gabriel Faure , Olivier Messiaen , Santa Cecilia National Academy Orchestra Rome , Myung-Whun Chung , Cecilia Bartoli , Andrea Bocelli , and Saint Cecilia Academy Chorus
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Bartoli, Cecilia | Divas | Opera & Vocal | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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Leoncavallo: Pagliacci

ASIN: B0000041NW
Release Date: 1997-11-11

Tracks:

Gloria RV 589: Gloria in excelsis Deo
Gloria RV 589: Domine Deus, Rex caelestis
Cantata BWV 147: Jesu, Joy Of Man's Desiring
Messiah: 'Hallelujah' Chorus
Ave verum corpus K. 618
Exsultate, jubilate K. 165-158a: Alleluia
Ave verum corpus
Psalm 125: Qui seminant in lacrimis
Requiem: Sanctis
Stabat Mater: Amen
Marche Pontificale
Agnus Dei
Panis angelicus
Requiem Op. 48: In Paradisum
O sacrum convivium
Friedensgebet: Rite Of Reace

Customer Reviews:

A Worthy Hymn.......2005-09-29

I got this CD as a gift and I have to say, seeing "Andrea Bocelli" in my iTunes is a strange feeling, but this album does what it is supposed to do, and I really liked the whole thing. Commissioned for Pope John Paul II, who came to Paris in August 1997 to celebrate an open air mass as a part of the International Day of Youth, this is a collection of sacred music from Baroque to the modern era. The progression is roughly chronological, but the flow of moods and styles works great. The chorus of Santa Cecilia National Academy is totally on, the orchestra, conducted by Myung-Whun Chung, enthusiastically joins in, and the two soloists are a strange pair, but they both put in a great performance.
The opening choral movement from Vivaldi's Gloria is fast- not as furiously fast as Rinaldo Alessandrini's take on Gloria, but really fast and energetic. Then Cecilia Bartoli comes in and serves up a killer Domine Deus from the same Gloria- beautiful, just beautiful! No tricks, just glorious singing and great oboe obligato to boot. Then you get nicely done Jesus bleibet meine Freude by Bach and some Mozart: moving Ave Verum, and ecstatic Alleluia from Exsultate, jubilate, sung by supercharged Cecilia. Another Ave Verum and Qui seminant by List and a well done Sanctus from Verdi's Requiem, plus Rossini and Vitali round up Phase One of this album, and set the stage for piece de résistance: Bizet's Agnus Dei, sung by - Andrea Bocelli.
I have no strong feelings about Bocelli, his attempts to sing opera or his crazed fandom which apparently felt this CD was a rip off because it didn't have enough of Divine Andrea singing and wasn't sexy enough- ??? - and all I can say is: he is very good in this piece, closely miked, straight up and quite moving. And, followed by Panis Angelicus, sung by Truly Divine Cecilia- she is too good! Beautiful singing, bordering on ravishing. I had no idea that she could sing a simple piece, without any aspirated heeheehoohoo coloratura, and sound so great.
Serene In Paradisum from Faure's Requiem, a piece by Messiaen and a Rite Of Peace prayer, read by Pope John Paul II, end the album.
The sound is not so great, and it is a live recording, so there are a few rough spots, but it's a very surprising delight, 100% sacred- JPII says so!- and well worth getting your hands on. And if you need more: there is a happy sequel, too, Hymn for the World II and Bryn Terfel joins the ranks of singers.

A Timeline of God-Inspired Masterworks.......2003-11-08

Yes, Andrea Bocelli and Cecilia Bartoli, the tenor and mezzo of the moment, are used sparingly on this CD. Their popularity is rather shamelessly used to promote this music, and their voices aren't much heard.

I don't care! I like the disc's concept: A timeline of spiritually inspired masterworks moving roughly from earliest to latest. "A Hymn to the World" opens appropriately enough with Vivaldi's jubilant ornate Glorias. It passes out of the Baroque period into the Classical for Bach's famous "Jesu, Joy of Man's Desiring." Next comes the Romantic Period, represented by a pair of Liszt compositions. This is followed by the work of composers whose fame rests on opera but are capable of much more: a slice of Verdi's renowned "Requiem" (Mass for the dead) and Rossini's touching "Stabat Mater" (scene of Mary at Christ's cross).

The grandeur of a Gounod march and the tunefulness of Bizet's "Agnus Dei" come next, the latter featuring the warm buttery voice of Bocelli. And Bartoli wraps her famous mezzo around another liturgical piece, the plaintive "Panis Angelicus." Both are highlights, but the disc does not need famous voices to shine.

It closes by whisking us into the 20th century. The final portion of Faure's Requiem, called "In Paradisium," unfolds with all its warm layered lushness. This sampling lead me to the entire Faure Requiem, now one of my favorite works. I must say it's even better to build to "In Paradisium" than hear it in isolation, since it resolves the tension and brightens the darkness of the preceding sections. Its sweetness, I think, has to be earned! Faure himself called his composition a "lullaby of death." Finally, there is Messiaen's "O Sacrum Convivium" which depicts sacred experience as a nu-Gregorian gang vocal in clear simple plainsong. It concludes the journey far from the Baroque flourishes of where it began.

It's a journey worth taking, an excellent tour for the person new to classical and/or sacred music and a solid addition to the collection of the regular classical listener.

Great music for a beautiful event.......2001-11-15

Enjoy this beautiful music performed by wonderful
musicians at an extraordinary event. Per liner notes,
"the visit of His Holiness Pope John Paul II to
Paris in August 1997, to celebrate an open-air Mass
as part of the Worldwide Days of Youth." You can put
yourself there while listening to these selections
that celebrate life. A surprise benediction touched
me.

It's music, not Hollywood.......2000-10-27

Ok everyone... Get over it, Bocelli and Bartoli only sing 4 of 16 selections. Is it just me, or has everyone lost their mind when trying to review this album!? This is absolutely beautiful music written by brilliant composers and performed extremely well by very well-accomplished musicians. Those of you who feel robbed by the lack of feature soloists obviously haven't experienced the pure joy and ecstacy a good chorale piece can bring because you've automatically closed your minds to the no-names who perform in this album. They are all wonderful musicians, and as such they deserve an enormous amount of credit. Take it from me, these people don't practice a half hour a day. If anyone has experienced life in a conservatory or music school, you'd know these people are practicing upwards of 4-5 hours a day. It makes me sick that people can no longer appreciate the purity of music as it has always been and still is today. Obviously they don't perform with absolute perfection (no one ever has... even Horowitz), but Chung did a fabulous job getting an absolutely gorgeous sound out of the choir which isn't exactly an easy task! Overall, very good album. As a final note: if you must, throw away the CD case documentation to get the picture of Bocelli, Chung, and Bartoli out of your mind. Just sit back and enjoy the clarity of tone and fabulous musicality of the entire album. Allow yourselves to fall in love with the music. Without that passion, there is no way any performer would have made it in the world, and you wouldn't be able to listen to such beautiful music.

Sorry, this is not for me........2000-08-04

I don't even want to get THIS! Sexy Andrea Bocelli only has ONE song on the whole CD: Georges Bizet's "Agnus Dei."

Tracks:

Prologue (Excerpt)
Agnus Dei - Donna Carter
Kyrie - Edith Wiens
Hallelujah
Bless The Lord, O My Soul
Sanctus
Te Deum Laudamus (Excerpt)
Et In Terra Pax
Suscepit Israel
Pie Jesu - Judith Blegen
Libera Me (Excerpt) - Susan Dunn
Regina Coeli - Christine Brewer
Benedictus - David Gordon
Rex Tremendae
Finale - Heidi Grant Murphy

Amazon.com

This sampler, which appeared in 1997, features Robert Shaw, the Atlanta Symphony Orchestra, and its associated choruses in selections from some of the choral-orchestral blockbusters they recorded for Telarc between 1979 and 1993, in consistently excellent sound. Shaw's unrivalled mastery of this repertory shines through in every selection on the disc, not least in the excerpts that frame the program: the final pages of the "Prologue in Heaven" from Boito's Mefistofele, and the towering conclusion of Mahler's Symphony No. 8, both magnificently done. Just one warning: after listening to this, you're likely to find yourself hurrying back to buy the recordings of the complete works. --Ted Libbey

Customer Reviews:

One Who Loved Sir Robert; eager to see him again .......2006-06-30

If anyone goes back into that memory of nostalgia...It is easy to create good reminders of seeing, hearing and singing with Sir Robert Conducting JS Bach, Berlioz, Brahms, Mozart, Poulenc, Schubert and Vivaldi!

When anyone hears once again Donna Carter, Edith Wiens, Judith Blegen, Susan Dunn, Christine Brewer, Dawn Upshaw and William Stone it is a totally unforgetable Moment! Upon more keenly intense listening I found similarities in the voices of Edith Wiens...Judith Blegen and Donna Carter. In fact, I can exchange the songs of Donna, Edith and Judith without being sure of which is the right soprano. That is almost equal to the voice of Susan Dunn! The last two Sopranos, Christine Brewer and Dawn Upshaw are different qualities with a bit more variety of color and depth! Shaw had a masterful taste in choosing the right soprano for each demand and challenge!

When one dwells upon Shaw Favorites with CD's of "Deep River & other SPIRITUALS, Christmas with Robert Shaw, surely, CHORAL MASTERPIECES and Johannes Brahms GERMAN REQUIEM...what else is THERE?

No other Choral Inflence has been seen greater than upon Donald Neuen, Craig Jessop or Norman MacKenzie! SING-Cerely, "Revi" Fred W Hood

I may be musically challanged but...........2002-10-23

This is one of those recordings that would have a hole worn in it from overuse if CD's were capable of getting holes from being used. This is the most used CD in my entire collection. I love it! It picks me up when I am down and it quiets me when I am high. It send shivers down my spine and sets my heart pounding. In short, it does everything a good CD is supposed to do. I don't want to listen to an hour of the same piece. I am entirely content listening to the highlights. As I said before, I may be musically challanged, but this CD is my favorite.

Good selection of pieces, uniformly flat performances.......2000-07-27

This is a collection of choral selection from previous Telarc recordings featuring the Robert Shaw Chorale and the Atlanta Symphony. Recording dates range from 1979 to 1993.

It's a great cross-sampling of (mostly) Romantic-era choral pieces, the choral singing is as usual impeccable, and it's a great group of soloists.

As these excerpts are from some of my very favorite pieces of music, I kept wondering why I wasn't more enthusiastic about this compilation.

Part of the problem is hearing the music in excerpts (a movement here, an aria there) is pretty frustrating. Entering smack in the middle of the last movement of Mahler 8, it can take you a while to get your musical bearings.

I'm also not wild about most of the interpretations, many of which struck me as kind of flat and uninspired (the Verdi Requiem and the Mahler 8 stick out in my mind). Suffice to say I didn't learn anything new about any of the pieces on the album, and in every case there is a recording of the work I like much better. (Except the Cavalleria rusticana excerpt, which I really liked, go figure.)

Bottom line: if you're not familiar with these works, and want a good (and very well-performed) cross-section of Romantic choral pieces, give it a listen. But then do yourself a favor and buy complete and more inspired versions of the pieces you really like.

Standard Shaw.......2000-05-29

Like all of Shaw's recordings, this one is once again up to standards. A great assortment of selections from the religous works of many artists.