Beethoven: Symphony No. 3 'Eroica'; Sibelius: Symphony No. 7
Editorial Reviews
Album Description
The TINTNER MEMORIAL EDITION has been produced to celebrate the life and work of the late Georg Tintner (1917-1999). Through his musicianship, Georg Tintner touched audiences and musicians on five continents. In an age that celebrates presentation over content, he remained resolute in his belief in the transcendent importance of musical ideas.
Beethoven: Symphony No. 3 'Eroica'; Sibelius: Symphony No. 7, Music, Ludwig van Beethoven, Jean Sibelius, Georg Tintner, Nova Scotia Symphony, 20th/21st Century Symphony, Classical, Classical Composers, Classical Music, Orchestral & Symphonic, Romantic Symphony, Symphonic
Average customer rating:
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Koussevitzky The Complete HMV Recordings (2 CDs) (Biddulph)
Manufacturer: Biddulph Records
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
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All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
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All Works by Sibelius
| Sibelius, Jean
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Classical
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Romantic
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General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
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General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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General
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| Classical
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Modern & 20th Century
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General
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London Philharmonic Orchestra
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ASIN: B000007SAZ
Release Date: 1997-03-13 |
Tracks:
- Sym No.40 in g (K.550): I. Molto Allegro
- Sym No.40 in g (K.550): II. Andante
- Sym No.40 in g (K.550): III. Menuetto: Allegretto
- Sym No.40 in g (K.550): IV. Allegro Assai
- Sym No.3 in E flat (Op.55) 'Eroica': I. Allegro Con Brio
- Sym No.3 in E flat (Op.55) 'Eroica': II. Marcia Funebre: Adagio Assai
- Sym No.3 in E flat (Op.55) 'Eroica': III. Scherzo: Allegro Vivace
- Sym No.3 in E flat (Op.55) 'Eroica': IV. Allegro Molto
Tracks:
- Sym No.5 in c (Op.67): I. Allegro Con Brio
- Sym No.5 in c (Op.67): II. Andante Con Moto
- Sym No.5 in c (Op.67): III. Allegro
- Sym No.5 in c (Op.67): IV. Allegro - Presto
- Sym No.88 in G: IV. Finale: Vivace
- Sym No.7 in C (Op.105): Adagio - BBC SO/Serge Koussevitzky
- Sym No.7 in C (Op.105): Un Pochettino Meno Adagio-Vivacissimo-Adagio- - BBC SO/Serge Koussevitzky
- Sym No.7 in C (Op.105): Allegro Molto Moderato- - BBC SO/Serge Koussevitzky
- Sym No.7 in C (Op.105): Vivace-Presto-Adagio - BBC SO/Serge Koussevitzky
Average customer rating:
- Lacks Voltage!!!
- Stunning Sibelius Seventh, Very Fine Eroica
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Beethoven: Symphony No. 3 'Eroica'; Sibelius: Symphony No. 7
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sibelius
| Sibelius, Jean
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
Modern & 20th Century
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B0000TSQWU
Release Date: 2003-11-18 |
Tracks:
- Allegro Con Brio
- Marcia Funebre: Allegro Assai
- Schero: Allegro Vivace
- Finale: Allegro Molto
- Symphony No.7 In C Major, Op.105
Album Description
The TINTNER MEMORIAL EDITION has been produced to celebrate the life and work of the late Georg Tintner (1917-1999). Through his musicianship, Georg Tintner touched audiences and musicians on five continents. In an age that celebrates presentation over content, he remained resolute in his belief in the transcendent importance of musical ideas.
Customer Reviews:
Lacks Voltage!!!.......2004-09-16
Just when you wonder about the Naxos logic of releasing the Mozart symphonies along with Schubert 9 we are given a lacklustre performance of Beethoven 3 and an entirely passionateless performance of one of Sibelius greatest works...added to this is the sonority of sound which comes from a cheap microphone set up in a an acoustic such as Rebecca Cohn and you really have the makings of a very poor recording.
Generally the Eroica lacks momentum...the sweep of the triadic melody of movement 1 one sounds disjointed and underplayed...the colour of the winds and strings does not blend so well. Intonation is rather suspect at times towards the finale and scherzo...articulation is not uniform in the fast 16ths in the finale.
Generally speaking one of the very worst in this set and sadly not entirely representative of a fine conductor.
This chamber like sound is unsuited to this epic music!!
Stunning Sibelius Seventh, Very Fine Eroica.......2004-09-13
The Eroica Symphony was a new departure in symphonies, a symphony on a scale never known before. It still is an astonishing work and there have been many fine recordings of it.
Georg Tintner and Symphony Nova Scotia did a very committed chamber orchestra performance, very well thought out. As I have pointed out, Tintner makes the most of the musical accents and phrasing, which keeps the performances lively and interesting. My favorite part of the Eroica is the second movement funeral march, especially the mighty fugue, which Tintner builds with inexorable logic to its stirring climax in the upper strings. I never think that I would rather be listening to something else: it's that good. I like a big orchestra for the Eroica. My favorites have been Ansermet, Schmidt-Isserstedt and Leibowitz, and I still probably would listen to them more often, but Symphony Nova Scotia's performance is very good. The 1988 recording is very good, and one can hear every note.
Even so, I was not prepared for the Sibelius Symphony No. 7. First off, the sound quality is superb. The 1999 recording is of demonstration quality, a true audiophile recording. It has a wonderful wide stereo image, very clear and with excellent ambience and depth.
Add to that, the performance is simply gripping, right up there with the famous London recording with Lorin Maazel and the Vienna Philharmonic Orchestra, and even better recorded. The Tintner is a somewhat closer recording with a smaller orchestra, but it is equally dramatic and equally well played and thought out. It holds my interest from beginning to end. Maazel's later Sony recording with the Pittsburgh Symphony is beatifully recorded, but much slower and not nearly as exciting. I compared Symphony Nova Scotia's recording with some others as well: Beecham, Gibson, Colin Davis. These all tend toward a lyrical, less dramatic interpretation, often quite lovely but not as exciting. On the whole, I'll take Maazel and Tintner over the others.
Symphony Nova Scotia's recording of Sibelius' Seventh is right up there with the best there are.
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