Clementi: Piano Music (Box Set) [Box set]

On this CD:

1. Harpsichord Sonata in A flat major ("Sonata Inedita"), WoO 13
Composed by Muzio Clementi
Performed by Pietro Spada

2. Piano (Harpsichord) Sonata in F major, Op. 1bis/1
Composed by Muzio Clementi
Performed by Pietro Spada

3. Piano (Harpsichord) Sonata in B flat major, Op. 1bis/2
Composed by Muzio Clementi
Performed by Pietro Spada

4. Piano (Harpsichord) Sonata in G major, Op. 1bis/3
Composed by Muzio Clementi
Performed by Pietro Spada

5. Piano (Harpsichord) Sonata in A major, Op. 1bis/4
Composed by Muzio Clementi
Performed by Pietro Spada

6. Duo for 2 pianos (or harpsichords) in B flat major, Op. 1bis/6
Composed by Muzio Clementi
Performed by Pietro Spada

7. Piano (Harpsichord) Sonata in C major, Op. 2/2
Composed by Muzio Clementi
Performed by Pietro Spada

8. Piano (Harpsichord) Sonata in A major, Op. 2/4
Composed by Muzio Clementi
Performed by Pietro Spada

9. Piano (Harpsichord) Sonata in B flat major, Op. 2/6
Composed by Muzio Clementi
Performed by Pietro Spada

10. Duet for piano (or harpsichord), 4 hands in C major, Op. 3/1
Composed by Muzio Clementi
Performed by Pietro Spada

11. Duet for piano (or harpsichord), 4 hands in E flat major, Op. 3/2
Composed by Muzio Clementi
Performed by Pietro Spada

12. Duet for piano (or harpsichord), 4 hands in G major, Op. 3/3
Composed by Muzio Clementi
Performed by Pietro Spada

13. Duo for piano (or harpsichord), 4 hands in C major, Op. 6/1
Composed by Muzio Clementi
Performed by Pietro Spada

14. Harpsichord (Piano) Sonata in E flat major, Op. 7/1
Composed by Muzio Clementi
Performed by Pietro Spada

15. Harpsichord (Piano) Sonata in C major, Op. 7/2
Composed by Muzio Clementi
Performed by Pietro Spada

16. Harpsichord (Piano) Sonata in G minor, Op. 7/3
Composed by Muzio Clementi
Performed by Pietro Spada

17. Piano (Harpsichord) Sonata in G minor, Op. 8/1
Composed by Muzio Clementi
Performed by Pietro Spada

18. Piano (Harpsichord) Sonata in E flat major, Op. 8/2
Composed by Muzio Clementi
Performed by Pietro Spada

19. Piano (Harpsichord) Sonata in B flat major, Op. 8/3
Composed by Muzio Clementi
Performed by Pietro Spada

20. Harpsichord (Piano) Sonata in B flat major, Op. 9/1
Composed by Muzio Clementi
Performed by Pietro Spada

21. Harpsichord (Piano) Sonata in C major, Op. 9/2
Composed by Muzio Clementi
Performed by Pietro Spada

22. Harpsichord (Piano) Sonata in E flat major, Op. 9/3
Composed by Muzio Clementi
Performed by Pietro Spada

23. Harpsichord (Piano) Sonata in A major, Op. 10/1
Composed by Muzio Clementi
Performed by Pietro Spada

24. Harpsichord (Piano) Sonata in D major, Op. 10/2
Composed by Muzio Clementi
Performed by Pietro Spada

25. Harpsichord (Piano) Sonata in B flat major, Op. 10/3
Composed by Muzio Clementi
Performed by Pietro Spada

26. Piano Sonata in B flat major, Op. 11/1
Composed by Muzio Clementi
Performed by Pietro Spada

27. Piano Sonata in B flat major, Op. 12/1
Composed by Muzio Clementi
Performed by Pietro Spada

28. Piano Sonata in E flat major, Op. 12/2
Composed by Muzio Clementi
Performed by Pietro Spada

29. Piano Sonata in F major, Op. 12/3
Composed by Muzio Clementi
Performed by Pietro Spada

30. Piano Sonata in E flat major, Op. 12/4
Composed by Muzio Clementi
Performed by Pietro Spada

31. Duet for 2 pianos in B flat major, Op. 12/5
Composed by Muzio Clementi
Performed by Pietro Spada

32. Piano Sonata in B flat major, Op. 13/4
Composed by Muzio Clementi
Performed by Pietro Spada

33. Piano Sonata in F major, Op. 13/5
Composed by Muzio Clementi
Performed by Pietro Spada

34. Piano Sonata in F minor, Op.13/6
Composed by Muzio Clementi
Performed by Pietro Spada

35. La chasse, for harpsichord or piano in D major, Op. 16
Composed by Muzio Clementi
Performed by Pietro Spada

36. Capriccio for harpsichord or piano in B-flat major, Op. 17
Composed by Muzio Clementi
Performed by Pietro Spada

37. Piano (Harpsichord) Sonata in C major, Op. 20
Composed by Muzio Clementi
Performed by Pietro Spada

38. Duet for piano, 4 hands in C major, Op. 14/1
Composed by Muzio Clementi
Performed by Pietro Spada

39. Duet for piano, 4 hands in F major, Op. 14/2
Composed by Muzio Clementi
Performed by Pietro Spada

40. Duet for piano, 4 hands in E flat major, Op. 14/3
Composed by Muzio Clementi
Performed by Pietro Spada

41. Duet for piano, 4 hands in E flat major, Op. 14/3
Composed by Muzio Clementi
Performed by Pietro Spada

42. Piano (Harpsichord) Sonata with flute & cello accompaniment in D major, Op. 21/1
Composed by Muzio Clementi
Performed by Pietro Spada

43. Piano (Harpsichord) Sonata with flute (or violin) & cello accompaniment in C major ("La Chasse"), Op. 22/3
Composed by Muzio Clementi
Performed by Pietro Spada

44. Piano (Harpsichord) Sonata in E flat major, Op. 23/1
Composed by Muzio Clementi
Performed by Pietro Spada

45. Piano (Harpsichord) Sonata in F major, Op. 23/2
Composed by Muzio Clementi
Performed by Pietro Spada

46. Piano (Harpsichord) Sonata in E flat major, Op. 23/3
Composed by Muzio Clementi
Performed by Pietro Spada

47. Harpsichord (Piano) Sonata in F major, Op. 24/1
Composed by Muzio Clementi
Performed by Pietro Spada

48. Harpsichord (Piano) Sonata in B flat major, Op. 24/2
Composed by Muzio Clementi
Performed by Pietro Spada

49. Piano Sonata in C major, Op. 25/1
Composed by Muzio Clementi
Performed by Pietro Spada

50. Piano Sonata in G major, Op. 25/2
Composed by Muzio Clementi
Performed by Pietro Spada

51. Piano Sonata in B flat major, Op. 25/3
Composed by Muzio Clementi
Performed by Pietro Spada

52. Piano Sonata in A major, Op. 25/4
Composed by Muzio Clementi
Performed by Pietro Spada

53. Piano Sonata in F sharp minor, Op. 25/5
Composed by Muzio Clementi
Performed by Pietro Spada

54. Piano Sonata in D major, Op. 25/6
Composed by Muzio Clementi
Performed by Pietro Spada

Tracks:

Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Overture Coriolan Op.62 - Dresdner Philharmonic
Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

Rustle of Spring Op.32, No.6 - Jennd
Novelette in F Major Op.21, No.1 - Jennd
Songs Without Words: E Major Op.19, No.1 - Jennd
Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
Songs Without Words: G Major Op.62, No.1 - Jennd
Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
Intermezzo in a Major, Op.76, No.6 - Jennd
Intermezzo in a Minor Op.76, No.7 - Jennd
Intermezzo in a Major Op.118, No.2 - Jennd
Intermezzo in E Flat Minor Op.118, No.6 - Jennd
Lyric Pieces: Arietta Op.12, No.1 - Jennd
Lyric Pieces: Folkevise Op.12, No.5 - Jennd
Lyric Pieces: Butterfly Op.43, No.1 - Jennd
Lyric Pieces: To Spring Op.43, No.6 - Jennd
Lyric Pieces: Notturno Op.54, No.4 - Jennd
Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
Melody in F Op.3, No.1 - Jennd
Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
Impromptu in B Flat Major D.935, No.3: Pito - Jennd
6 Moments Musicaux D.780: No. 1 in C Major - Jennd
6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
4 Impromptus D.899: No. 1 in C Minor - Jennd
4 Impromptus D.899: No. 2 in E Flat Major - Jennd
4 Impromptus D.899: No. 3 in G Flat Major - Jennd
4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

Sonata in a Major D.959: Allegro - Michael Endres
Sonata in a Major D.959: Andantino - Michael Endres
Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
Fantasy on Weber's FreischVilmos Fischer

Tracks:

Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Gnomus. Sempre Vivo
Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
Pictures at an Exhibition: Promenade. Tranquillo
Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

Prde Op.3, No.2 - Margarete Babinsky
Mdie Op.3, No.3 - Margarete Babinsky
Polichinelle Op.3, No.4 - Margarete Babinsky
Moment Musical Op.16, No.3 - Margarete Babinsky
Moment Musical Op.16, No.5 - Margarete Babinsky
Variations on a Theme by Corelli Op.42 - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Prde Op.23, No.5 - Margarete Babinsky

Tracks:

Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.

Average customer rating:

Excellent for Piano Students
Great listening, any time
A must-have for piano teachers
My family loves it!

Learning By Example Series, Vol. 1

Manufacturer: Cembal D'amour
ProductGroup: Music
Binding: Audio CD

Ecossaises | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Musettes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
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ASIN: B00003A9LQ
Release Date: 1999-11-29

Customer Reviews:

Excellent for Piano Students.......2006-10-06

Perfectly performed versions of classic piano pieces for the advanced beginner/early intermediate piano student. Very useful and enjoyable to listen to for such piano students and pleasant enough for others.

Great listening, any time.......2006-08-25

I purchased this cd after hearing one song from it on classical radio. Because it is a cd meant to show students how to play songs, the songs are played simply, without embellishment. They are lovely. This is a great cd to play when you want to relax and just hear simple melodies played beautifully.

A must-have for piano teachers.......2002-03-15

I am a piano instructor at a large conservatory where I instruct many younger players. This disc stays in the CD player in my studio almost constantly. Nowhere else will you find such a great collection of pieces which are in the standard teaching repetoire. The playing on this disc is very clean and clear, with great attention to each and every musical detail. My students have all benefitted from this fine recoding.

My family loves it!.......1999-12-04

I can't believe no one thought of this before. A major pianist has recorded the music that my children play. Now that my they have heard Mr. Shehori's CD, my children started to play at a noticably higher standard.

Apart from the educational aspect, this CD is really a pleasure for me to listen to. I always loved these pieces (particularly Bach's Inventions and Schumann's Happy Farmer) Now I can finally hear them played by a great artist.

I do regret that Mr. Shehori didn't record more sonatinas by Clementi. I hope to see these in future Series.

Tracks:

Sonata In G major, Op. 25 No. 2: Allegro con brio
Sonata In G major, Op. 25 No. 2: Rondo: Un poco allegro
Sonata In F Sharp Minor, Op. 25 No. 5: Piuttosto allegro con espressione
Sonata In F Sharp Minor, Op. 25 No. 5: Lento e patetico
Sonata In F Sharp Minor, Op. 25 No. 5: Presto
Sonatina In D Major, Op. 37 No. 2: Allegro assai
Sonatina In D Major, Op. 37 No. 2: Menuetto
Six Progressive Sonatinas, Op. 36 No. 6 In D Major: Allegro con spirito
Six Progressive Sonatinas, Op. 36 No. 6 In D Major: Rondo: Allegretto spiritoso
No. 5 In G Major: Presto
No. 5 In G Major: Air suisse: Allegro moderato
No. 5 In G Major: Rondo: Allegro di molto
No. 2 in G Major: Allegretto
No. 2 in G Major: Allegretto
No. 2 in G Major: Allegro
No. 1 In C Major: Allegro
No. 1 In C Major: Vivace
No 3 In C Major: Spiritoso
No. 3 In C Major: Spiritoso
No. 3 In C Major: Un poco adagio
No. 3 In C Major: Allegro
No. 4 In F Major: Con spirito
No. 4 In F Major: Andante con espressione
No. 4 In F Major: Rondo: Allegro vivace
Sonata In B Flat Major, Op. 24 No. 2: Allegro con brio
Sonata In B Flat Major, Op. 24 No. 2: Andante
Sonata In B Flat Major, Op. 24 No. 2: Rondo: Allegro assai

Customer Reviews:

"Playing With a Lot of Energy".......2005-10-26

Clementi is such an important piano music composer that virtually no pianists can neglect his works. Yet, regrettably there is so little recorded Clementi available either in Amazon or elsewhere.

The pianist we have here is Balazs. He is Hungarian, a former pupil of Kocsis (a formost pianist/composer). For whatever it is worth, Balazs took 4th place in Leeds International Piano Competition in 1990. His father was a professor in Liszt Academy who also composed. The British press commended his playing for it's energy and imagination.

As pointed out by some other review(s), he is fast, as fast (and as even) as a machine gun. Technically, he is "brilliant" if not equally vibrant. There is indeed a lot of "energy" in his playing; his touch is nice too, all prerequisites of a virtuoso. But there isn't much in this record to show us the full spectrum of his imagination, let alone poetry, and the influence of the above mentioned two composers on him is yet to be discovered. Some slow movements in the sonatas are, however, rather charming.

On the whole, this is a very worthwhile reference especially at a budget price. And for those who have more time, they may as well check out Maria Tipo who has recorded quite a number of Clementi's sonatas for an Italian reading.

Classical Piano Music Lover.......2005-08-02

EXCELLENT! EXCELLENT! EVERY single piece on this CD is great! I usually have a few favourites within a single CD but I love every single performance on this CD! And you can have this at an unbelievable price too! I found every piece exciting and just enjoyable. This is now my FAVOURITE classical piano CD and I think it will remain so for a very long time. I've listened to several other compositions of Muzio Clementi but this is by far the best.

Overall, Well Done.......2001-12-08

The playing on this CD is not only technically brilliant, it's on the quicker side of the expected tempo range. Szokolay's comprehension of the music is such that he can deliver dynamic, rapid performances while still retaining the clarity of each individual note. My only complaint is that, as others have noted, these performances are somewhat lacking in feeling. Granted, there's a difference between the emotional content of a Clementi sonatina and a Beethoven sonata, but these pieces are all extremely well-crafted works by a minor master, and they do indeed have their passionate moments. It would have been nice to have more emphasis placed on these emotional spots. That's a small flaw, however, in an otherwise brilliantly-played collection of well-written music. I still admire Clementi's tuneful melodies and artistic balance ("Mozart Lite," one might say), and the playing on this CD, while somewhat flat, does nothing to deter me from that opinion overall.

Fast, brilliant, exciting - one of my favorites.......1999-07-17

I bought the CD because my daughter was learning one of the selections in her piano class. I had no idea what to expect but the style of the composer and the technical skill of the performer have made this one of my favorite CDs (my collection exceeds 400 CDs). Clementi's use of thirds in the left hand lends his sonatinas a unique sound and the speed of the trills and runs makes this an exciting selection of pieces. Considering the pittance this CD costs I would think buying it is a no-brainer.

Fast, technical but brilliant.......1999-03-23

The music is fast not gentle or romantic. Technically flawless but I find it lacking in mood. but still worth the price for real early piano buffs.

Average customer rating:

Best of Horowitz
Truly Legendary...with icing on the cake...
Highs and Lows
Called "Legendary" for a reason
What More Can I Say That Hasn't Been Said?

Horowitz: Legendary RCA Recordings

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

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ASIN: B0000CE9YK
Release Date: 2003-11-04

Amazon.com

This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to appreciate Clementi, bless him.) The Chopin items include an unfortunately steely-sounding Polonaise-Fantaisie(along with a beautiful Mazurka), and the Liszt Mephisto Waltz gets pretty frantic at moments. Still, hearing this set will give you a well-rounded picture of Horowitz's art. RCA's producer-engineer Jon Samuels has gotten remarkably fine results with some of these antiquities. --Leslie Gerber

Customer Reviews:

Best of Horowitz.......2006-02-22

Those of us who were fortunate to SEE as well as hear pianist Vladimir Horowitz perform in concert will long remember the quiet, nervous, and rather timid man who slowly walked on the stage. When I saw him at the Paramount Theatre in Oakland in 1978, he hadn't played on the West Coast in many years. Actually, Horowitz was absent from concert halls for years, only making recordings, either for RCA Victor or Columbia.

His Oakland appearance was recorded by RCA and portions of the concert were included in the commercial releases; the engineers would take the best from various performances and cleverly edit them together to give a strong performance. Actually, Horowitz was absolutely dazzling once he sat down at the piano. Despite the initial tentative appearance, he really came to life when he began to play. He was a living legend by 1978 and he did not disappoint the audience. Fortunately, recordings such as those included in this two-CD set give excellent examples of his virtuoso playing.

The 1941 recording session of Tchaikovsky's first piano concerto was made in Carnegie Hall with the NBC Symphony Orchestra, conducted by Horowitz's father-in-law, Arturo Toscanini. Yes, Horowitz had married Wanda Toscanini. One wonders what Toscanini thought about having Horowitz in his family. It's clear, however, the Toscanini and Horowitz had great respect for each other and they worked well together. This is quite apparent in this celebrated, very popular recording, originally issued on 78-rpm discs.

By 1941 RCA Victor had reached a new standard in high fidelity, which was only limited by the surface noise of the shellac discs. This digital remastering has reduced the noise slightly while maintaining as much of the fidelity as possible. The performance is very exciting throughout. Given the difficulty of the solo passages, it is amazing how well Horowitz played this music. Toscanini, who only occasionally conducted the music of Tchaikovsky, saw to it that the NBC Symphony provided strong accompaniment throughout. The memorable orchestral interlude in the first movement is especially dramatic and powerful. An interesting comparison is Horowitz's live concert performance (also in Carnegie Hall) with Toscanini and the NBC Symphony from 1943, also released by RCA Victor; that performance is more "fluid" and there is one section in the second movement where Horowitz and the orchestra got a little "out of synch" for a few moments.

Just ten years later, Horowitz recorded Rachmaninoff's third piano concerto with a "pick-up" orchestra of New York musicians conducted by Fritz Reiner. This was recorded in Carnegie Hall on magnetic tape and the sound is much improved. The performance was the second of three recordings that Horowitz made of the concerto and it may be the best of them. Certainly Rachmaninoff himself had admired Horowitz's performances of his music and this clearly demonstrates why.

The other disc includes numerous shorter works, all briliantly played and all evidence of the wonderful playing of Horowitz. Some of them are taken from live performances and have the extra value of showing how well Horowitz played in concert. A special treat is Horowitz's popular arrangement of music from Georges Bizet's "Carmen," one of the most dazzling pieces the pianist ever played. I also enjoyed his fiery performance of Lizst's "Mephisto Waltz," clearly a devilish piece inspired by part of the Faust legend.

This is a wonderful compilation and a good introduction to the excellent playing of Vladimir Horowitz.

Truly Legendary...with icing on the cake..........2005-07-07

This cd is one of the best Horowitz compilations that exists. It is indeed Legendary. The recording of the Rach 3 here is the top, greatest reading of the piece, how Rachmaninoff himself would have approved. The Tchaikovsky with Toscanini is my favorite, even though Horowitz does not take many chances in tempo and whatnot because, afterall, he was playing with his great, fiery-tempered father-in-law. Now, on to the second disk. Despite what some people say about the Polonaise-Fantaisie, I believe it is a great reading, and Horowitz never drags the tempo like Ashkenazy often does. The Mazurka is beautiful indeed (the 1965 version is better) and the forever famous Nocturne can bother people who are used to Rubinstein's interpretation. The reading of the Nocturne is somewhat like Cortot's - different. The schumann Traumerei is beautifully done (it was toped, however, by the version in Horowitz in Moscow). The Scriabin preludes are full of color, but what really is fascinating is the Etude op.8 no.12 (not op. 18, as the cd cover says). This version is slower than Horowitz's usual tempo, and there are finger slips and mistakes. There are some "neurotic" sections, and all this is explained by the fact that Horowitz, at the time, was going through a period of uncertainty and failure, I guess you could say, because of all the medicine he was taking. It is, however, beautiful instead of powerful, and Horowitz is in control. The favorite encores Etincelles and Carmen variations are excellent, and the Rachmaninoff prelude is the most beautiful, deep, and searching reading I have ever heard. The Mephisto Waltz is a showpiece, and Horowitz plays it like it is intended to be, a little out of control in some places however.

Overall, this is an excellent 2-cd compilation. BUY IT!

Highs and Lows.......2005-07-04

Although the Tchaikovsky is "viscerally exciting" as one reviewer put it, it is unfortunately much too fast. While Horowitz certainly has the technical skills to pull this off, some of the grandeur of this concerto is lost along the way. It's too bad they couldn't instead have included Horowitz's incredible 1943 performance (also with Toscanini) of the concerto, which has all of the power and none of the rushing.

The second half of the first CD is an incredible performance of Rachmaninoff's 3rd concerto, somehow managing to contain both the power and grandeur of that work. The only flaw is a sound which (like in Cliburn's recording of the Rach 2 with Reiner) lacks a bit at times in terms of balance.

The second disk is a similar mixed bag, with both high points (the Rachmaninoff G-Major prelude is just gorgeous) and lows (I'm not a big fan of the Mephisto Waltz as recorded here). Nevertheless, there's certainly more than $17.98 worth of 5-star music on this set, so I conder it worth a 5-star rating.

Called "Legendary" for a reason.......2004-06-10

This set includes numerous staples of Horowitz's repertoire, most formidably the two concertos, complimented by the three Chopin pieces, Traumerei, Etincelles, and the Rachmaninoff prelude. It also includes three relatively unplayed composers whose music Horowitz championed: Clementi, Poulenc and Scarlatti. Other less publicly-performed pieces in Horowitz's repertoire are included on this disc, the Scriaban pieces, Horowitz's own arrangement of Bizet's Carmen, the Prokofiev Toccata and the Mephisto Waltz.

The two concerto recordings are quite possibly the best ones of the respective pieces, except for Cliburn's Tchaikovsky concerto performance in 1958. The piano sounds almost metallic in the Polonaise-Fantaisie, a fault of RCA's. Most everything else on the second disc is flawless, excluding the Mephisto Waltz. Horowitz is widely acclaimed to bring the most tones out of the piano, but, in the Mephisto Waltz, there are lots of places where the tone is simply . . . bad. It is labeled as "Horowitz's retouching of the Busoni transcription". I, first of all, do not even agree with most of the Busoni transcription, and, as a result, do not agree at all with Horowitz's interpretation. In my opinion, Cliburn's and Kapell's versions are far superior.

So, buy the disc for the well-known Tchaikovsky, Rachmaninoff, Chopin, and Prokofiev, and the lesser-known Poulenc, Clementi and Scarlatti. Do not listen to the Mephisto Waltz! In fact, the first time I heard it I screamed out, "What were you thinking!?".
But maybe I am a little uptight about these sorts of things.

What More Can I Say That Hasn't Been Said?.......2003-12-11

Drake, the reviewer above or below this review, made me purchase this CD ... I advice you to do the same.

The two major concertos on the first disc were for me the main attractions, and they do not disappoint. The Rach 3rd especially is a must in your collection. It's indeed the one with Reiner (the most praised of all the Horowitz readings).

Tracks:

Sonata In E Major, K 531 (L430): Allegro
Sonata In A Major, K322 (L483): Allegro
Sonata In G Major K455 (L209): Allegro
Sonata No. 8 In C Minor, Op. 13 'Pathetique': I. Grave - Allegro di molto e con brio
Sonata No. 8 In C Minor, Op. 13 'Pathetique': II. Adagio cantabile
Sonata No. 8 In C Minor, Op. 13 'Pathetique': III. Rondo. Allegro
Impromptu In G-flat Major, Op. 90 (D899) No. 3: Andante
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Etude In C-sharp Minor, Op. 25 No. 7: Lento
Scherzo No. 1 In B Minor, Op. 20: Presto con fuoco
3 Preludes - From Book II: IV. Les fees sont d'exquises danseuses. Rapide et leger
3 Preludes - From Book II: V. Bruyeres. Calme
3 Preludes - From Book II: VI. General Lavine - eccentric.
Poeme In F-sharp Major, Op. 32 No. 1: Andante cantabile
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico

Tracks:

Piano Sonata No.2 In B- Flat, Op.35: I. Grave- Doppio movimento
Piano Sonata No.2 In B- Flat, Op.35: II. Scherzo
Piano Sonata No.2 In B- Flat, Op.35: III. Marche funebre. Lento
Piano Sonata No.2 In B- Flat, Op.35: IV. Finale. Presto
Etude-Tableau In C, Op.33 No.2: Allegro
Etude-Tableau In C, Op.33 No.2: Appassionato
Arabeske In C, Op.18: Leicht und zart
Kinderszenen, Op.15 - Scenes From Childhood: 1. Von fremden Landern und Menschen
KINDERSZENEN, OP.15: 2. Kuriose Geschichte
KINDERSZENEN, OP.15: 3. Hansche-Mann
KINDERSZENEN, OP.15: 4. Bittendes Kind
KINDERSZENEN, OP.15: 5. Gluckes genug
KINDERSZENEN, OP.15: 6. Wichtige Begbenheit
KINDERSZENEN, OP.15: 7. Traumerei
KINDERSZENEN, OP.15: 8. Am Kamin
KINDERSZENEN, OP.15: 9. Ritter vom Steckenpferd
KINDERSZENEN, OP.15: 10. Fast zu ernst
KINDERSZENEN, OP.15: 11. Furchtenmachen
KINDERSZENEN, OP.15: 12. Kind im Einschlummern
KINDERSZENEN, OP.15: 13. Der Dichter spricht
Toccata In C, Op.7: Allegro
Hungarian Rhapsody No.19 In D Minor: Lento patetico (Lassan)- Vivace (Friska)

Tracks:

Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Allegretto
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante e cantabile
Keyboard Sonatas: Allegro
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante
Keyboard Sonatas: Allegro
Keyboard Sonatas: Andante moderato
Keyboard Sonatas: Vivo
Keyboard Sonatas: Allegro

Tracks:

Toccata, Adagio And Fugue In C, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
Toccata, Adagio And Fugue In C, BWV 564: II. Intermezzo. Adagio
Toccata, Adagio And Fugue In C, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
Fantasie In C, Op.17: I. Durchaus phantastisch und leidenschalflich vorzutragen
Fantasie In C, Op.17: II. Massig. Durchaus energisch
Fantasie In C, Op.17: III. Langsam getragen. Durchweg leise zu halten
Piano Sonata No.9, Op.68 'Black Mass': Moderato quasi andante-Molto meno vivo-Allegro-Piu vivo-Allegro...
Poeme In F-Sharp Major, Op.32 No.1: Andante cantibile

Tracks:

Mazurka In C-sharp Minor, Op. 30. No. 4: Allegretto
Etude In F major, Op. 10 No. 8: Allegro
Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Serenade For The Doll. Allegro ma non troppo
Etude In C-Sharp Minor, Op. 2 No. 1: Andante
Etude In A-Flat Major, Op. 72 No. 11: Presto e con leggierezza
Traumerei
Sonata No. 11 In A Major, K.331: I. Tema.Andante grazioso e variazioni
Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
Sonata No. 11 In A Major, K. 331: III. Rondo alla Turca
Polonaise-Fantaisie In A-Flat Major, Op. 61: Allegro maestoso

Tracks:

Mazurka In B minor, Op. 33 No. 4: Mesto
Nocturne In E Minor, Op. 72 No. 1: Andante
Piano Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
Piano Sonata In F Major, Hob. XVI: 23: I. Allegro
Piano Sonata In F Major, Hob. XVI: 23: II. Adagio
Piano Sonata In F Major, Hob. XVI: 23: III. Finale
Blumenstuck In D-Flat Major, Op. 19: Leise bewegt
L'ISLE JOYEUSE: Quasi una cadenza - Tempo.
Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento

Tracks:

Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Meno mosso - Presto con fuoco
Nocturne In F Minor, Op. 55 No. 1: Andante
Polonaise In F-Sharp Minor, Op. 44: Tempo di polacca - Doppio movimento, tempo di Mazurka - Tempo I
Sonata In E major, K 380 (L23): Andante commodo
Sonata In G major, K 55 (L335): Allegro
Arabeske In C Major, Op. 18: Leicht und zart
Etude In D-Sharp Minor, Op. 8 No. 12: Patetico
Traumerei
Variations On A Theme From Bizet's Opera 'Carmen'

Tracks:

Sonata In E-Flat Major, Op. 12 No. 2: III. Rondo
Adagio sostenuto In F Major
Sonata In B-Flat Major, Op. 25 No. 3: II. Rondo
Sonata In A Major, Op. 50 No. 1: II. Adagio
Corale Prelude 'Lch ruf zu dir, Herr Jesu Christ'
Sonata In F-Sharp Major, K 319 (L35): Allegro
Sonata In G Major, K 260 (L124): Allegro
Sonata In C Major, HOB. XVI: 48: I. Andante con espressione
Sonata In C major, Hob. XVI:48: II. Rondo
Sonata No. 28 In A Major, Op. 101: I. Allegretto ma non troppo
Sonata No. 28 In A Major, Op. 101: II. Vivace alla Marcia
Sonata No. 28 In A Major, Op. 101: III. Adagio ma non troppo, con affetto - Allegro

Tracks:

Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2 'Moonlight': I. Adagio sostenuto
II. Allegretto
Piano Sonata No. 14 In C-Sharp Minor, Op. 27, No. 2'Moonlight': III. Presto agitato
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': I. Allegro con brio
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': II. Introduzione. Adagio molto - attacca
Piano Sonata No. 21 In C Major, Op. 53 , 'Waldstein-Sonata': III. Rondo. Allegro moderato - Prestissimo
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': I. Allegro assai
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': II. Andante con moto -attacca
Piano Sonata No. 23 in F Minor, Op. 57, 'Appassionata': III. Allegro, ma non troppo - Presto

Tracks:

Mazurka in A minor, Op. 17 No. 4: Lento, ma non troppo
Etude in G-flat major, Op. 10 No. 5: Vivace
Introduction & Rondo In E-Flat Major, Op. 16: Introduzione. Andante - Rondo. Allegro vivace
Waltz in A minor, Op. 34 No. 2: Lento
Polonaise in A-flat Major, Op. 53: Maestoso
Mazurka in F-sharp minor, Op. 59 No. 3: Vivace
Mazurka in C-sharp minor, Op. 50 No. 3: Moderato
Mazurka in D-flat major, Op. 30 No. 3: Allegro non troppo
Mazurka in E minor, Op. 41 No. 2: Andantino
Mazurka in D major, Op. 33 No. 2: Vivace
Etude in C-sharp minor, Op. 10 No. 4: Presto
Etude in E major, Op. 10 No. 3: Lento, ma non troppo
Etude in C minor, Op. 10 No. 12: Allegro con fuoco
Prelidu In B Minor, Op. 28 No. 6: Lento assai

Tracks:

Posonaise in A major, Op. 40 No. 1: Allegro con brio
Prelude in D-flat major, Op. 28 No. 15: Sostenuto
Etude in E-flat minor, Op. 10 No. 6: Andante
Etude No. 2 in A-flat major from 'Trois Nouvelles Etudes': Allegretto
Mazurka In F Minor, Op. 7 No. 3
Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto
Variations On A Theme By Clara Wieck From Sonata No. 3 In F Minor,Op. 14: Andantino
Kreisleriana, Op. 16: I. Ausserst bewegt
Kreisleriana, Op. 16: II.Sehr innig
Kreisleriana, Op. 16: III. Sehr aufgeregt
Kreisleriana, Op. 16: IV. Sehr langsam
Kreisleriana, Op. 16: V. Sehr lebhaft
Kreisleriana, Op. 16: VI. Sehr langsam
Kreisleriana, Op. 16: VII. Sehr rasch
Kreisleriana, Op. 16: VIII. Schnell und spielend

Tracks:

Impromptu In A-Flat Major Op. 90 (D899) No. 4: Allegretto
Impromptu In F Minor Op. 142 (D935) No. 1: Allegro moderato
Impromptu In A-Flat Major Op. 142 (935) No. 2: Allegretto
Impromptu In E-Flat Major Op. 90 (D899) No. 2: Allegro
Consolation In E Major S. 172 (R.12) No. 2
Pour les arpeges composes: Dolce e lusingando
La terrasse des audiences du clair de lune: Lent
Etude In A Minor Op. 104b No. 3: Allegro vivace
Scherzo & March S. 177 (R.20)

Tracks:

Feuillet d'album In E-Flat Major Op. 45 No. 1: Andante piacevole
Etude In F-Sharp Minor Op. 8 No. 2: A capriccio, con forza
Etude In B-Flat Minor Op. 8 No. 11: Andante cantabile
Etude In D-Flat Major Op. 8 No. 10: Allegro
Etude In A-Flat Major Op. 8 No. 8: Lento (Tempo rubato)
Etude In F-Sharp Major Op. 42 No 3: Prestissimo
Etude In F-Sharp Major Op. 42 No. 4: Andante
Etude In C-Sharp Minor Op. 42 No. 5: Affannato
Etude Op. 65 No. 3: Molto vivace
No. 1: Allegretto
2 Poemes Op. 69: No. 2: Allegretto
Vers la flamme Op. 72: Allegro moderato
Feuillet d'album Op. 58
Fairy Tale In A Major Op. 51 No. 3
Sonata No. 2 In B-Flat Minor Op. 36: I. Allegro agitato
Sonata No. 2 In B-flat, Minor, Op. 36: II. Non allegro
Sonata No. 2 In B-Flat Minor, Op. 36: III. Allegro molto
Prelude In G-Sharp Minor Op. 32 No. 12: Allegro
Moment musical In B Minor Op. 16 No. 3: Andante cantabile
Etude-Tableau In E-Flat Minor Op. 33 No. 5: Non allegro - Presto
Etude-Tableau In C Major Op. 33 No. 2: Allegro
Etude-Tableau In D Major Op. 39 No. 9: Allegro moderato (Tempo di Marcia)

Amazon.com

It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains. There was some truth in this to the extent that he really could be variable on record, but by general consensus his Masterworks recordings show him at his absolute best. Aside from his famous Carnegie Hall concerts from 1965, you get stunning performances of music by Schumann, Haydn, Beethoven, Chopin, Scriabin, and above all, Scarlatti--the composer that Horowitz, more than anyone, put back on the map for pianists the world over. A great set. --David Hurwitz

Customer Reviews:

Horowitz: good. Amazon: good. Sony Classical: BAD........2004-05-24

I bought this set in December, and because I have so many classical CD's (more than 300), it took me 5 months to realize that the set contained TWO volume 8's and NO volume 9's. Worried that it might be too late, I e-mailed Amazon. Their first reply was that the replacement was already on its way (with return shipping paid for as well). Wow, that was a relief!

When I got the new set, I decided to study it closely and make sure that everything was good. It turns out that several of the discs (in both sets) had holes through the aluminum reflective layer -- which seemed to be because it was too thin to begin with. One disc was cracked, and another looked like the aluminum was "rotting out" on the edge. You would think that for $230, Sony Classical would put more quality into their discs. So what good is "Super Bit Mapping" and "High Definition Remastering" if the discs are so cheap that the player will misread the data? And I don't have much confidence that the discs will last many years, either.

Fortunately I got to pick the best discs from the 2 sets, so I won't need to replace this one for another. But I certainly lost respect for Sony Classical.

And kudos to you Amazon; you're really looking out for your customers!

ARE YOU CRAZY RICH OR CRAZY STUPID?.......2002-08-25

Why would any one in the right mind plunk down [money] for 13 CDS by the same pianist? Is it so you can brag about owning 11 years' worth of the same old thing? Or did you get it as a gift designed to impress but not really to listened to? Now you could probably get [money] for it whether you used it or not. Columbia Masterworks should have brought along new and younger talent. For my bet I can't think of many American pianists who are currently recording. Do we have to recycle Schumann, Rachmaninoff, Schubert, Beethoven, Liszt, Chopin, Scriabin, and others over and over? This is the Twenty-first Century. We should at least be thinking of Twentieth Century piano works. I can get 10 CDs by 10 pianists currently recording if I look to Europe.

merely spectacular!.......2001-03-10

I've only had this set about a week and have already indulged three complete listenings; it's a gold mine! - the power of preaching is persuasive in the Temple of Horowitz! I'm taken aback by the unity and continuity of sonics, an excellent and remarkable display of high engineering art. Everything important is here (almost! I wish some of the Scriabin Preludes had been included). There are sketches of incomparable pianism and supreme intelligence in these discs: Liszt's 'Vallee d'Obermann', and the Consolations; Debussy's 'L'isle joyeux' - so 'russian playing french'! - Scriabin's 'Vers le flamme' and the Black Mass sonata - one simply can't climb out of the volcano, it's terrifying and beautiful! - and the Scarlatti and Chopin. Only Gilels approaches Horowitz's indigenous understanding of Chopin. In the course of thirteen discs the glory can start to crash in around you, but at the last moment of endurance along comes 'Serenade of the Doll', or one of the Consolations. The Bach-Busoni is cerebral and fine. Horowitz gets rapped for the wrong romanticism - it's the romanticism of artistic intelligence that his art claims! I love that famous C clunker at the beginning of the Bach-Busoni in the Return to Carnegie Hall recital; more than that, I appreciate how Horowitz played his public pride in it, no retouches, etc. Shrewd, and very real, I think. He was a pianist of enormous humility on the inside, so completely knowing of his gifts - one of the reason his playing was something special. He possessed the often disregarded ability to stand completely outside his playing and admire it as one might a beautiful woman, with complete humility. It affords us the privilege of reaping joy after joy of a remarkable art the likes of which will surely stand true for a long time. 200 bucks is a lot of money, I probably would have thought it too much for the convenience of a collection; I'm glad someone else didn't feel that way, and gave me the set! - now I find it curiously too clever a package to be considered merely a consolidation of recordings into a 'set' - there is something indefinably congruent about these recordings. They fit together with harmonious intent, and shine and shadow the land with a marvelous music. Highest recommendation without reservation.

I have never regretted buying this..........2000-08-22

Considering that this set is devoted to a single instrument played by one artist in a 12-year period, the depth is mind-blowing. If variety is the spice of life, than this set is a very warming set indeed.

For the most part, Horowitz communicates a deep respect for the specific style of each composer: his Scarlatti is done articulately and without any smear with the pedal. His Liszt is demonic. His Rachmaninov is dazzling, with all of the "superfluous" notes (!) and Russian virtuosity in tact. Horowitz's Schumann is sensitive, passionate and Romantic.

And then there are his interpretations of Chopin. To me, Vladimir Horowitz is one of Chopin's best ambassadors. In particular, I draw attention to the Polonaise-Fantaisie in Vol. 3 and the mazurkas and etudes of Vol. 7.

For a good summary of this collection, listen to Vol. 4, "The Legendary 1968 TV Concert." Applause is omitted between selections, and the repertoire is tailored to Horowitz's pianistic gifts.

The first disc of Vol. 3 (Including the Bach-Busoni Toccata and the Schumann Fantasy) is not top-notch piano-playing... It's a little sloppy and inaccurate. I'm sure there are other minor slips elsewhere in this collection, but here they are most obviously seen.

Regardless, this collection is a MUST for Horowitz fans. Save up your money little by little and go and buy it. It is truly the most rewarding purchase of classical music I have ever made.

The greatest 20th Cent. pianist at his best!.......2000-04-15

If you were to take a set of piano music from only one performer to a desert island, this would be the set. Vladimir Horowitz was a pianist of incredible, almost unique, technical prowess capable of creating wonderful piano textures and tone colorings, and possessing his own dark, distinctive sound on a wonderful Steinway he had transported to each of his concerts or studio recording sessions. Of almost limitless ability, he suffered criticism from music critics because he severely limited his performing repertoire and stayed away from the concert stage for several prolonged periods because of his terrible insecurity and stagefright. He was especially criticized in his early years for bravura performances which were brilliant, but loud and not always tasteful. He was known for giving his enthralled audiences what they wanted, but it should be remembered that he championed Scarlatti and almost single-handedly brought him back into the performing world from near-oblivion, and it was Horowitz who premiered several important works by twentieth century composers such as Barber and Khatchaturian. He kept the works of the mysterious and exotic Alexander Scriabin from disappearing from piano benches in the conservatories, and he created some of the most imaginative and thrilling encore transcriptions ever heard in the concert hall. In later years, his repertoire expanded and he played some wonderful Mozart, Haydn, and Beethoven, much of which is featured in this set. The highlight of this disc collection from the early 60's through about 1973 is the historic return concert at Carnegie Hall in 1965. After a self-imposed exile from public performing for 12 years, he made this famous recital which is one of the most memorable in the history of recorded piano performance. Although he made several nerve-induced mistakes in the opening Bach piece, he settled down quickly and delivered a thrilling performance, highlighted, for me, at least, by the Chopin Ballade in G minor, which took away my breath and featured one of the most dazzling climaxes I have ever heard on a piano. His incredible performance possessed a youthful vitality which belied his 62 years. Throughout the other discs in this set one hears Horowitz at his best: still technically awesome yet more musically mature and capable of producing little miracles from pieces well-known, and less-known. No longer pandering to the expectations of the audience, he gave as his encore at the Carnegie Hall return concert, a precious, child-like Traumerei from Kinderszenen. The Schumann featured on these discs includes some of the most beautiful offerings available anywhere of this composer, including a wonderful Fantasy in C and perhaps the best performance ever on record of Kreisleriana. The Schubert impromptus are little miracles, and the Debussy that's thrown in makes us fantasize about the other French music he could have given us! His wonderful Chopin reminds us there are other views besides Rubinstein's to this most-important-of-all piano literature, and his Rachmaninoff is glorious. Performing into his eighties, he was a wonder of music and the 13 discs offered here give a personal record of a dazzling career from his very best years. It might be pointed out that several pieces are offered more than once in the set as they were recorded in several concerts and studio sessions and it is interesting to hear the differences in his performances. One might wish that his piano oeuvre had included more composers and a wider range of pieces, but this collection certainly highlights the work he was best known for, including as it does the various Chopin, Rachmaninoff, Liszt, Schumann, Scarlatti, Scriabin, Bach, Mozart, Haydn, Schubert, Clementi, and Beethoven gems he was noted for throughout his long career. Anyone loving the piano, or just beautiful music must hear these discs!

Average customer rating:

wonderful gems
"New" Horowitz at his Best

Horowitz: Discovered Treasures

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Horowitz: The Private Collection, Vol. 1

ASIN: B0000027UH
Release Date: 1992-10-06

Tracks:

Sonata In G major, L. S28
Sonata In B Minor, L. I47
Sonata In F-Sharp Minor, L.481
Sonata In D Minor, L.267
Sonatat In G Major, F.120
Sonata In C Minor, L.9
Chorale Prelude 'Ich ruf' zu dir, Herr Jesu Christ
Sonata In E-Flat Major, Op.12, No.2: Rondo
Adagio sostenuto In F Major
Piano Sonata In B-Flat Major, Op.25, No.3: Rondo
Piano Sonata In A Major, Op.50, No.1: Adagio
Trois nouvelles etudes: Etude In A-Flat Major, No.1
Etude In E-Flat Minor, Op.10, No.6
Prelude In D-Flat Major, Op.28, No.15 'Raindrop'
Fairy Tale In A Major, Op.51, No.3
Feulilet d'album, Op.58
Etude, Op.65, No.3
Consolations In E Major, S.172, No.2

Customer Reviews:

wonderful gems.......2005-08-31

I remember how entranced I was seeing Horowitz perform on television and watching him craft and nurture the music. I've enjoyed his interpretations since and this recording was completely enjoyable. I enjoyed especially the Chopin, Clementi and Scryabin works. I'm glad I discovered it.

"New" Horowitz at his Best.......2000-03-25

The material for this album was recorded from 1962-1972, but not released until 1992. Horowitz was a perfectionist when it came to programming albums and recitals, and generally recorded more than was needed for an album--this is the extra material. The performances are uniformly outstanding.

Each of the six Scarlatti Sonatas are performed with Horowitz' usual clarity, technical prowess, and charm.

Horowitz "floats" the theme of the Bach-Busoni Chorale Prelude in a way few other pianists can match.

The four Clementi Sonata movements one again re-establish Horowitz as the greatest advocate of Clementi of his time. Especially noteworthy here is the E-flat rondo, tossed off with brilliant virtuosity while remaining true to the spirit of the composition.

Horowitz recorded more of Chopin's music than that of any other composer, so the additions to Horowitz' Chopin discography are truly icing on the cake here. The well known "Raindrop" Prelude is played on a larger scale than usual--the rain threatens to become a thunderstorm! The late Etude is a miracle of chord voicing, while the earlier Etude proves that one does not have to drown the work in a haze of pedal to achieve a legato effect.

With the Scriabin, we reach the climax of the album. The Album Leaf exudes a steamy vagueness, while the Etude in Fifths will set your nerves aflame(the last octave run sounds like the Horowitz of the 1940s.)

Customer Reviews:

Berman: Underrated Giant.......2007-01-13

Lazar Berman is perhaps the most underrated of the giants of the 20th century. He was at once held in awe for his staggering technique and castigated for letting his "fingers outrun his brains," to borrow Horowitz's description of Simon Barere. Few seem to care for his Beethoven, for his is a perfectly un-Brendelian, un-Serkinian, un-Pollinian, and un-Kempfian approach. He puts what I like to call the "Berman mojo" on it, and the results are fascinating. Nonintellectual? Maybe, according to the German tradition. But why do so many think that is the only way to do it, anyway? The usual answer, "Because we should serve the composer's wishes," begs the question. Was Beethoven a god or a man like the rest of us? I say let Berman have his say: at the very least, there is something there to disagree with, as opposed to the various attempts simply to play what is written on the page without interpreting it, as if that is not already an interpretive choice.

Then, of course there is his Liszt, for which he is justly respected. Who has ever heard the F minor Transcendental Etude performed so intensely as in this recording from the mid 50s (even before the famous complete set on the Melodyia label)? It is like a well controlled strike of lightning. (Unfortunately, the recording omits two bars in the lead-up to the recapitulation. It sounds like a tape editing error. Possibly a memory slip? Berman makes his point well enough anyway.) The Dante Sonata, the Spanish Rhapsody, and various others, are hair raising. The 1956 recording of the B minor Sonata is a revelation. Very few pianists hold that piece together structurally as well as Berman, and none can match his technique in it. Not even Horowitz played the octaves in the final transformation of the main subject like Berman.

Also of great interest, particularly to pianists, will be Berman's Chopin etudes, since he was not well known as a Chopin player. In the Octave Etude, he again gives the Berman mojo, especially in the slower middle section, simply and beautifully played, contrasted perfectly with the earth-shattering violence of the outer sections. In many ways, his Winter Wind etude is reminiscent of the old Josef Lhevinne recording, which, to my mind, is a good thing. It is fast and furious but never out of control. But perhaps the two that will be most interesting to other pianists are the opus 10 no. 2 in a minor, and the opus 25 no. 6 in d-flat major. I have never heard the former, with the chromatic scales played with the weaker fingers of the right hand, played so fleetly, even by Ashkenazy. And the latter, all double sixths, is light and perfectly phrased, yet over in less than a minute. Having played that piece for years, I could only smile and accept it.

Not all of the performances show Berman at his best. The Prokofiev 8th Sonata, taken from a live concert in the early 1980s, is rather on the slow side. (Compare it to his studio recording with Deutche Gramophon, or, indeed, to Richter's performances.) But it is still of interest, as are the Romeo and Juliet pieces and the violin sonata recorded with his son, Pavel. None are definitive, but all are worth your time.

There is more to the set, and all of it is wonderful. The overall impression is of a pianistic and musical giant. Most who payed attention to music in the 20th century already knew of Berman's pianism. I suggest you listen again, and try to follow Berman's thinking. There is much there worthy to be understood.

Horowitz: The Private Collection, Vol. 1

Average customer rating:

A Bach rarity.
Stunning Live Performances from Horowitz

Horowitz: The Private Collection, Vol. 1

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

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Fantasies | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

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ASIN: B000003FPW
Release Date: 1994-10-11

Tracks:

Toccata, BWV 911, In C Minor: Toccata
Toccata, BWV 911, In C Minor: Fugue
Sonata, Op.33 No. 1, In A-Major
Sonata, Op.36, No.1, In A: Presto
Sonata, Op.24, No.2-Op.47, No.2, In B-Flat: I. Allegro con brio
Sonata, Op.34, No.1, In C: II. Un poco andante, quasi allegretto
Lieder ohne Worte-Songs Without Words, Op. 67:: No.3 In B-Flat
Fantaisie, Op.49, In F Minor
Polonaise, Op.26, No.1 In C-Sharp Minor
Mazurka, Op.30, No.2, In B Minor
Consolation No. 4 In D-Flat
Consolation No. 5 In E
Etude-tableau, Op. 39, No.7, In C Minor

Customer Reviews:

A Bach rarity........2001-10-01

Being a great Horowitz fan, I just had to find out how the master would fare in a non-transcribed Bach work.

Just like Michelangeli, Horowitz was of the opinion that a pianist should study the whole reperoire, but be selective in the works to be played in front of an audience.

While his Bach-Busonis do not represent the heights of his discography -just compare with Lipatti-, I do consider Horowitz' Scarlatti as one of the milestones in the history of recorded sound.

So how is the Bach? Very interesting!

We are currently in the (post-)authentic era. After the romantics like Horowitz and Fischer, the objectivists like Walcha and Karl Richter, the authenticists like Leonhardt and Harnoncourt, we are currently in a post-paradigmatic stage. It took them a while, but even the Gilberts, Koopmans, van Asperens, Tans, etc. etc. have finally figured out that their "authentic" approach was often more romanticized, than the one they despised in their predecessors. For those in doubt just listen to this performance.

Comparing Horowitz' Toccata to versions by Gould and Argerich highlights what a skilled and original artist he was. This Toccata represents an early work of the greatest master and often substitutes theatrical drama for more mature contrapunctual skill. This is ofcourse right down Horowit' alley. He plays the piece highly imaginative, dramatic, and with great clarity. A true blockbuster.

This recording highlights how modern Horowitz was. He is often portrayed as the last romantic, but just compare this Bach to Rachmaninov's Sarabande of Bach's fourth Partita in the complete Rach. recordings.

All the other works are available in technically better versions that I strongly prefer based on the dismal sonics of this disc.

Buy this disc. The Bach by itself warrants the price of admission.

Stunning Live Performances from Horowitz.......2001-05-15

Starting in 1945, Vladimir Horowitz engaged the Carnegie Hall Recording Company to record all of his solo recitals in that venue. He paid for the recordings himself, and discontinued them after 1950, when RCA began recording his concerts there. Horowitz would listen to the 78RPM and long-playing discs from time to time, usually at the request of one of his students. He seems to have lost interest in them in the 1960s, and they were stored away in the top floor of his New York townhouse. In 1986, while he was getting his affairs in order, he came upon the discs and donated them to Yale, alma mater of his friend and record producer Tom Frost. After Horowitz died in 1989, Frost listened to all thirteen recitals, and realized that the performances merited public release. In the end, it was decided to release only compositions which were not otherwise in Horowitz' discography, two CDs worth of material.

This performance of the Toccata, BWV 911, is the only available recording of Horowitz playing "untouched" Bach. He brings an almost Gouldian clarity to the proceedings, with a uniquely Horowitzian angst.

The Clementi pieces are played with a larger dynamic range than is customary with music of this period. The Sonata in A, Op. 36, No. 1 features a gentle Allegro and a rollicking Presto. These performances, from 1949-50 disprove the legend that Horowitz "discovered" Clementi while recovering from his 1953 nervous breakdown.

Horowitz rarely Played Chopin's Fantasie, Op. 49 in public, and this recording demonstrates why. The pianist is at his worst here, torturing rhythm, phrasing, and structure. Nor is he as on top of the piece technically as one would expect. If it weren't for the surface noise of this 1948 recording, one would easily guess this was the "mad-scientist" Horowitz of the late 1970s. The other Chopin works fare much better, and sound like Horowitz' typical Chopin playing of the time: bold, large-scaled, technically immaculate performances.

The Liszt and Mendelssohn pieces are played with simplicity and grace, with some miraculous chord-voicing in the Liszt Consolations.

The Rachmaninoff Etude-tableau, which concludes the CD, is played in a declamatory, riveting fashion, with a central section which comes dangerously close to veering out of control.

Customer Reviews:

Wonderful gift for any pianist.......2000-07-11

I play this wonderful classical CD for my young daughter to help her appreciate piano music. I recommend this CD for any classical music lover and student! A San Francisco fan of June Chung

Relaxing Yet Invigorating.......2000-05-19

I find myself listening to June Chun's CD here at work. It's very relazing and soothing music yet the beat also enables me to be even more productive and focused.

Exquisite and beautiful playing by June Chun.......2000-05-11

It is a beautiful, and timeless, performance of Clementi's Sonatinas Op. 36 & 38 by June Chun. She plays the music with great feeling. I love this CD, and highly recommend it!

Average customer rating:

Horowitz Shines in Uncharacteristic Repertoire.
Delightful "Recital"

Horowitz: A Baroque & Classical Recital

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B00000290E
Release Date: 1994-07-19

Tracks:

Muzio Clementi: Sonata In E-Flat Major, Op. 12 No. 2 - III Rondo
Muzio Clementi: Adagio sostenuto In F Major
Muzio Clementi: Sonata In B-Flat Major, Op. 25 No. 3 - II Rondo
Muzio Clementi: Sonata In A Major, Op. 50 No. 1 - II Adagio
J.S BACH - F. BUSONI: Corale Prelude 'Ich ruf' zu dir Herr Jesu Christ'
Domenico Scarlatti: Sonata In F-Sharp Major, K 319 (L35)
Sonata In G Major, K 260 (L124)
Joseph Haydn: Sonata In C Major, HOB. XVI: 48 - I: Andante con espressione
Joseph Haydn: Sonata In C Major, Hob. XVI:48 - II: Rondo
Lugwig van Beethoven: Sonata No. 28 in A major, Op. 101 - I: Allegretto ma non troppo
Lugwig van Beethoven: Sonata No. 28 In A Major, Op. 101 II: Vivace alla Marcia
Lugwig van Beethoven: Sonata No. 28 In A Major, Op. 101 III: Adagio ma non troppo, con affetto -- Allegro

Customer Reviews:

Horowitz Shines in Uncharacteristic Repertoire........2003-03-08

Volume Five of Sony's Vladimir Horowitz reissue cobbles together the pianist's live and studio recordings of music from the Baroque and Classical era.

From about 1950 on, Muzio Clementi's music was often featured on Horowitz's programs. Despite his advocacy, the pianist was unable to spark a Clementi-revival, as he did with Scarlatti and Scriabin. Yet, in Horowitz's hands, Clementi's music emerges as convincing and compelling. Horowitz plays the isolated sonata movements with characteristic clarity, technical control, and deft phrasing--hinting and Clementi's pre-echo of romanticism while honoring the era's Classical framework.

When playing Bach, Horowitz generally relied on Ferruccio Busoni's inimitable transcriptions. Horowitz greatly admired--even worshiped--Busoni and considered his arrangements the ideal transference of Bach's music to the modern piano. This Chorale Prelude, recorded for a GoodYear Tire promotional album in 1969, is played with appropriate reverence. The performance demonstrates that Horowitz's ability to suspend one line above another, his control of part writing is every bit as astonishing as Glenn Gould's, and his tone is a lot more pleasing.

The hallmarks of Horowitz's Scarlatti can be heard in the two Sonatas heard here: perfect transference of Scarlatti's sound world onto the modern piano; infinite grades of detachment and color; careful use of the sustaining pedal; flawless judgment of dynamics--from soft-softer-softest on the lower end, yet never pushing the piano too far into the forte range.

Horowitz always seemed at home with Haydn's diverse pianistic textures and musical humor. The pianist plays the opening movement of the C-major Sonata at a much broader tempo than usual, phrasing it as if it were an opera aria. The second movement, one of Haydn's wittiest rondos, runs at a brisk tempo, with the sudden key-shifts and off-beat accents handled with Horowitz's usual aplomb.

Horowitz was not congenial to late Beethoven, and felt that the piano works after Op. 81a were not meant for public performance--certainly not for today's mammoth concert halls. The pianist made an exception to his ban on Beethoven's late piano music for the Sonata in A major, Op. 101, performing it occasionally: in the 1930s, in 1967, 1980, and during his disastrous 1983 tour. In 1988, the intrepid Thomas Frost found several performances from 1967 recitals, spliced them together, and nervously presented the final product to Horowitz for approval. Much to Frost's surprise, Horowitz consented to release the Beethoven, along with several shorter works. This is pianistically one of the finest Op. 101s ever committed to disc (but his concert performances from 1980 were even more polished). For once, Beethoven's murky late piano writing is clear. The first movement sounds almost Wagnerian in its pathos. The dotted rhythms in the march are Schumannesque, the accents nearly brutal--no other performance on this work so clearly demonstrates Beethoven's influence on Schumann. The fugue is played with unprecedented clarity, despite a few quite inconsequential wrong notes--no pianist gets through this fugue unscathed.

The sound varies, given the diverse recording locales, but remains acceptable.

Delightful "Recital".......2000-11-22

Volume Five of Vladimir Horowitz's "Complete Masterworks Recordings" is a delightful collection of baroque and classical gems. But don't let the title fool you, this is not a single concert recital but instead an assortment of studio and live recordings ranging from 1963 through 1972. The other thing to be aware of with this disc is a majority of this material is also included on "Discovered Treasures" -- don't get both as I did. Anyway, back to the title at hand. The Clememti Sonatas are morsels of ear candy while the Bach-Busoni is achingly beautiful (and definitely superior to Evgeny Kissin's recording). Two more Scarlatti Sonatas (K319 & K260) are played with the passion that only Horowitz can bring to this composer's works, and then he goes on to perfectly capture the delicate grace of the first movement of Haydn's C-major Sonata and the forcefulness of its second movement. The final selection on this CD is a 1967 live recording of Beethoven's 28th Piano Sonata. While Horowitz recorded Beethoven Sonatas from the early and middle periods throughout his career, this is one of the few recordings he made of a late Sonata. Unfortunately, the solemn first movement is marred by numerous coughs from the Queens College audience, but Horowitz's playing is so masterful that you quickly forget about it (although I would not make this your definitive version -- check out Pollini's recording as well). Overall, "A Baroque and Classical Rectal" is as enjoyable a volume as any of the nine Horowitz "Masterworks" titles.

Music Review:

Music Review

music review

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