Tchaikovsky: Grand Sonata [Import]
Track Listings
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1. Waltz Op.40-9
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2. Humoresque Op.10-2
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3. Noctune Op.10-1
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4. Dumka Op.59
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5. Meditation Op.72-5 From 18 Short Pieces
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6. Waltz-Scherzo Op.7
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7. Nocture No.19-4 (Bonus Track)
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8. Andante Maestoso-Pas De Deux From Suite Nutcracker Op.71a
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9. Moderato E Risoluto
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10. Andante Non Troppo Quasi Moderato
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11. Scherzo Allegro Giocoso
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12. Finale Allegro Vivace
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Tchaikovsky: Grand Sonata, Music, Ayako Uehara, Classical
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Pletnev Plays Tchaikovsky-Grand Sonata/Children's Album
Tchaikovsky , and Mikhail Pletnev
Manufacturer: Moscow Studio
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Similar Items:
- Tchaikovsky: 18 Pieces
- Grieg: Lyric Pieces; Sonata; 7 Fugues
- Tchaikovsky: The Seasons / 6 Pieces Op. 21
- Brahms: Works for Solo Piano
- Mikhail Pletnev ~ Domenico Scarlatti - Keyboard Sonatas
ASIN: B0002IQMOI
Release Date: 2004-09-07 |
Tracks:
- I. Moderato E Risoluto
- II. Andante Non Troppo, Quasi Moderato
- III. Scherzo: Allegro Giocoso
- IV. Finale: Allegro Vivace
- Morning Prayer
- Winter Morning
- Mama
- The Young Rider
- March Of The Toy Soldiers
- The New Doll
- The Sick Doll
- The Doll's Funeral
- Waltz
- Polka
- Mazurka
- Russian Song
- Peasant Playing Accordion
- Kamarinskaya
- Italian Song
- Old French Song
- German Song
- Neapolitan Song
- Nanny Tells A Story
- The Witch
- Sweet Dream
- Song Of The Skylark
- In Church
- The Organ Grinder's Song
Album Description
These keyboard works by Tchaikovsky are under-represented in the catalogues, and no finer interpretations are available at any price. These are brilliant modern digital recordings from 1987.
Average customer rating:
- I love this CD!
- Disappointment and irritation
|
Cartoons Greatest Hits
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Similar Items:
- Mad about Cartoons
- Bugs Bunny on Broadway
- Mad about The Classics
- The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957
- Reckless Nights & Turkish Twilights
ASIN: B0000029PS
Release Date: 1996-05-14 |
Tracks:
- Powerhouse (excerpt) (Bugs Bunny In 'Bugs Bunny Cartoons')
- Peer Gynt Suite No. 1: Morning Mood (Ralph Wolf & Sam Sheepdog in 'A Sheep In The Deep')
- Spring Song (Op. 62 No. 6)
- The Nutcracker: Dance Of The Suger-Plum Fairy (In 'Fantasia', Ren & Stimpy In 'Haunted House & Ren's Toothache')
- Hungarian Rhapsody No. 2: Friska (Bugs Bunny In 'Rhapsody Rabbit')
- Overture To 'The Barber Of Seville' (Bugs Bunny And Elmer Fudd In 'The Rabbit Of Seville')
- In An 18th-Century Drawing Room (Bugs Bunny In 'Bugs Bunny And The Three Bears')
- La Gioconda: Dance Of The Hours
- Willaim Tell Overture: Morning And Finale (Mickey Mouse In 'The Band Concert'; Ren & Stimpy In 'Fire Dogs')
- Grand Canyon Suite: On The Trail (In 'The Mighty Hunters')
- Flight Of The Bumble Bee (In 'Melody Time')
- The Blue Danube (Tom And Jerry In 'Johann Mouse')
- Die Walkure: Ride Of The Valkyries (Bugs Bunny & Elmer Fudd In 'What's Opera, Doc?')
- Gayne: Sabre Dance (Ren & Stimpy In 'The Cat That Laid The Golden Hairball')
- Toccata and Fugue in D Minor BWV 565 (In 'Fantasia'; Ren & Stimpy In 'Haunted House')
- The Sorcerer's Apprentice (Mickey Mouse In 'Fantasia')
Customer Reviews:
I love this CD!.......2001-09-13
I have been searching for a CD to accompany my balloon mime show for a long time, and when I found this, it was a dream come true. The songs are happy sounding, chirpy and fun, especially the souped up version of the PowerHouse. Comes with a burp in front that I could react to! If you like happy sounding instrumental music, this would be it!
Disappointment and irritation.......2000-08-01
This CD contains 16 tracks, some from Walt Disney "Fantasia" and one (track #11) presented as the recording of "The Flight of the Bumble Bee" from the full length cartoon-movie "Melody Time". Beware: it has got nothing to do with that enthusing performance, in boogie-woogie rhythm, by an excellent piano soloist (Freddie Martin? Teddy Wilson?) accompanied by a string-and-winds orchestra. It is, rather, a very banal rendition of Rimsky-Korsakoff's piece. Considering that I ordered this CD just for this piece (I have all others of classical music, from "Fantasia" in excellent recordings, I was disappointed and irritated when I tried to listen to the jazzed-up rendition of RK's music. This is a misrepresentation on part of the label (Sony). I don't think it's casual that the title of this piece, presented on the detail page as track #11 in the "List to Samples" section, disappears altogether from the following section ("On This CD"). If you are keen on Bugs Bunny and other rabbits, go ahead and buy this record. I'll be grateful to anybody (to the tune of $10) who can tell me where I can find a recording of the piece, such as I heard it on "Melody Time".
Average customer rating:
|
Wave: Grand Piano and Nature
Manufacturer: Direct Source Label
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Binding: Audio CD
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ASIN: B00005ORBR
Release Date: 2000-07-05 |
Tracks:
- Jesu, Joy of Man's Desiring
- Gymnope No. 1
- Arabian Dance (Nutcracker)
- Moonlight Sonata, Op. 27, #2, Second MVT.
- Clair de Lune
- Rrie
- Waltz in D Flat, Op. 64, # 1 (Minuet)
- Intermezzo in A, Op. 118, #2
- Sonata in C Major: Allegro, K. 545
- Oriental
- Moonlight Sonata, Op. 27, #2, First MVT.
- Solvejg's Song, Op. 52, #4
- Romanze in F Sharp, Op. 28, #2
- Morning Mood (Peer Gynt)
- Engulfed Cathedral
- Nocturne in E Flat, Op. 9, #2
Average customer rating:
- Stunning. . . .
- PORTRAIT OF AN ARTIST
- A world-changing musician
- CZIFFRA - A Keyboard Phenomenon
|
Les introuvables de Cziffra
Manufacturer: EMI Int'l
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Similar Items:
- Liszt: Works For Piano
- Rendez-vous de Senlis
- Georges Cziffra Plays Chopin, Liszt & Franck (EMI Classic Archive)
- Chopin: uvres pour piano
- Liszt: Transcendental Studies; Mephisto Waltz No. 1
ASIN: B000002SBW
Release Date: 2002-08-12 |
Tracks:
- La Campanella, Grande Etude De Paganini No. 3
- Nocturne No. 3 In A Flat Major, Reve D'Amour
- Mephisto Valse (D'Apres Le Faust De Lenau)
- Les Jeux D'Eau A La Villa D'Este
- Valse Oubliee No. 1
- Rhapsodie Espagnole
- Valse Impromptu
- La Ronde Des Lutins, Etude De Concert No. 2
- Grand Galop Chromatique
- Apres Une Lecture Du Dante, Fantasie Quasi Sonata (Extrait From 'Les Annees De Pelerinage')
Tracks:
- Polonaise D'Eugene Oneguine (Tchaikovsky)
- Rigoletto, Paraphrase De Concert (Verdi)
- Tarentelle De Bravoure Sur Des Theme De 'La Muette De Portici' (Auber)
- Valse De Faust (Gounod)
- Improvisation Sur Les Themes De Guillaume Tell (Rossini)
- Valse Triste (Vecsey)
- Tritsch Tratsch Polka (Johann Strauss)
- Le Beau Danube Bleu, Paraphrase (Johann Strauss)
- Danse Hongroise No. 5 (Brahms)
- Fantaisie Roumaine (Improvisation Dans Le Style Tzigane)
- Le Vol Du Bourdon (Rimsky-Korsakov)
Tracks:
- Islamey, Fantaisie Orientale
- Toccata In C Major, Op. 7
- Andante Et Rondo Capriccioso In E Major, Op. 14
- Rondo In E Flat Major, Op. 11
- Polonaise In C Major, Op. 89
- Rondo A Capriccio In G Major, Op. 129
- Andantino In B Minor
- Bourree In E Flat Major
- Sonata In C Major, K159
- Le Tic Toc Choc ,Ou Les Maillotins
- Les Barricades Mysterieuses
- L'Anguille
- La Bandoline
- Les Petits Moulins A Vent
- Les Folies Francaises Ou Les Dominos
- La Poule
- Le Rappel Des Oiseaux
- Gavotte En Rondeau
Tracks:
- Variations In C Major, Sur 'God Save The King', WoO 78
- 12 Variations In A Major, Sur Un Theme Russe (Wranitzky), WoO 71
- 32 Variations In C Minor, WoO 80
- Fantaisie In F Minor, Op. 49
- Book 1 - Variations Sur Un Theme De Paganini, Op. 35
- Book 2 - Variations Sur Un Theme De Paganini, Op. 35
Tracks:
- I. Grave - Allegro Molto E Con Brio, Sonata No. 8 In C Minor, Op. 13
- II. Adagio Cantabile, Sonata No. 8 In C Minor, Op. 13
- III. Rondo, Sonata No. 8 In C Minor, Op. 13
- I. Allegro - Sonata No. 10 In G Major, Op. 14
- II. Andante - Sonata No. 10 In G Major, Op. 14
- III. Scherzo -Allegro Assai - Sonata No. 10 In G Major, Op. 14
- I. Andante Con Variazioni - Sonata No. 12 In A Flat Major, Op. 26
- II. Scherzo (Allegro Molto) - Sonata No. 12 In A Flat Major, Op. 26
- III. Marcia Funebre (Andante Maestoso) - Sonata No. 12 In A Flat Major, Op. 26
- IV. Allegro - Sonata No. 12 In A Flat Major, Op. 26
- I. Andante - Allegro -Allegro Molto Vivace - Sonata No. 13 In E Flat Major, Op. 27
- II. Adagio Con Espressione - Sonata No. 13 In E Flat Major, Op. 27
- III. Allegro Vivace - Sonata No. 13 In E Flat Major, Op. 27
Tracks:
- Preambule Carnaval Op9
- Pierrot Carnaval Op9
- Arlequin Carnaval Op9
- Valse Noble Carnaval Op9
- Eusebius Carnaval Op9
- Florestan Carnaval Op9
- Coquette Carnaval Op9
- Replique Carnaval Op9
- Papillons Carnaval Op9
- A.S.C.H., S.C.H.A., Lettres Dansantes Carnaval Op9
- Chiarina Carnaval Op9
- Chopin Carnaval Op9
- Estrella Carnaval Op9
- Reconnaissance Carnaval Op9
- Pantalon Et Colombine Carnaval Op9
- Valse Allemande - Intermezzo: Paganinni Carnaval Op9
- Aveu Carnaval Op9
- Promenade Carnaval Op9
- Pause Carnaval Op9
- Danse Des Davidsbundler Contre Les Philistins Carnaval Op9
- I. Des Abends Fantasiestucke Op12
- II. Aufschwung Fantasiestucke Op12
- III. Warum? Fantasiestucke Op12
- IV. Grillen Fantasiestucke Op12
- V. In Der Nacht Fantasiestucke Op12
- VI. Fabel Fantasiestucke Op12
- VII. Traumeswirren Fantasiestucke Op12
- VIII. Ende Vom Lied Fantasiestucke Op12
- I. Allegro - Carnaval De Vienne, Op. 26
- II. Romanze - Carnaval De Vienne, Op. 26
- III. Scherzino - Carnaval De Vienne, Op. 26
- IV. Intermezzo - Carnaval De Vienne, Op. 26
- V. Final - Carnaval De Vienne, Op. 26
Tracks:
- Fantaisie Hongroise In F Major For Piano And Orchestra
- Totentanz, Paraphrase Sur Le 'Dies Irae' Pour Piano Et Orchestre
- Variations Symphoniques Pour Piano Et Orchestre
- I. Allegro Molto Moderato - Concerto For Piano And Orchestra In A Minor, Op. 16
- II. Adagio - Concerto For Piano And Orchestra In A Minor, Op. 16
- III. Allegro Moderato Molto E Marcato - Andante Maestoso - Concerto For Piano And Orchestra In A Minor, Op. 16
Tracks:
- I. Adagio Sostenuto Assai - Concerto No. 2 For Piano And Orchestra In A Major
- II. Allegro Agitato Assai - Concerto No. 2 For Piano And Orchestra In A Major
- III. Allegro Moderato - Concerto No. 2 For Piano And Orchestra In A Major
- IV. Allegro Deciso - Concerto No. 2 For Piano And Orchestra In A Major
- V. Marziale, Un Poco Meno Allegro - Concerto No. 2 For Piano And Orchestra In A Major
- VI. Allegro Animato - Concerto No. 2 For Piano And Orchestra In A Major
- I. Allegro Maestoso - Concerto No. 1 For Piano And Orchestra In E Flat Major
- II. Quasi Adagio - Concerto No. 1 For Piano And Orchestra In E Flat Major
- III. Allegretto Vivace - Allegro Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
- IV. Allegro Marziale Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
- I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
- II. Andante Semplice - Prestissimo - Tempo 1 - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
- III. Allegro Con Fuoco - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
Customer Reviews:
Stunning. . . . .......2007-01-10
I bought this set with some trepidation, since I didn't know what to expect from Cziffra's playing of composers other than Liszt. I had only heard him in his mercurially brilliant Lisztian incarnation, and didn't know how he would do with a less flamboyant style.
I have been very pleasantly surprised, especially at his Beethoven and his Schumann. I found that he kept the spontaneity of his Lisztian interpretations, but channelled it chronologically into insightful and spontaneous Beethoven interpretations, while respecting most of the rules and performance practices of the Classic era.
His Schumann was mercurial and spontaneous in a Romantic fashion, also, and - of course - brilliantly digitally played. As to the Liszt, it's par excellence; I've never heard that music played with such spontaneity and
digital fluency.
The sound quality is surprisingly good, altho somewhat uneven. I highly recommend this set to anyone who loves great piano-playing. My favorite pianist is still Richter, but Cziffra takes first prize in his Liszt, and runs a close second with other composers' music.
PORTRAIT OF AN ARTIST.......2006-10-15
The eight discs making up this set are invaluable to anyone interested in this extraordinary musician and pianist. His career was cut tragically short, and while it lasted he was most in demand to display his astounding technique in Liszt. He did it because he could. Not being enormously attracted to Liszt I was slow in coming to know Cziffra, but when I did what struck me forcibly was that the picture I had been given of him was seriously misleading. Any suggestion that he was a wilful virtuoso who turned the standard classics into something of his own is 180 degrees wide of the mark, and this selection enables us to hear what his playing was really like in music ranging from Lully and Couperin to the late 19th century, taking in on the way Rameau, Scarlatti, C P E Bach, Beethoven, Hummel, Chopin, Mendelssohn and Schumann. Liszt is here in the shape of the two concertos, the Totentanz and the Hungarian Fantasy plus some solos, my collection of least favourite romantic concertos is enhanced with his renderings of the Grieg and Tchaikovsky, but relief from these is provided with Franck's symphonic variations. Among the non-Liszt solo pieces we are given a number usually thought to call for exceptional virtuosity, namely Schumann's toccata, Mendelssohn's rondo capriccioso and Brahms's Paganini variations. Balakirev's Islamey is here too, but in a version of Cziffra's own, and so are some of his own virtuoso arrangements including one of the Flight of the Bumblebee as well as four similar efforts from Liszt.
Cziffra himself didn't aid popular comprehension by saying that he couldn't play Beethoven. I already owned his Waldstein, but here we have four more sonatas plus some smaller pieces, all early works. If I have a fault to find with his Waldstein it's that it is rather understated. What I don't fault at all is his sense of Beethoven's idiom, and the only flash of Cziffra's phenomenal technique comes where there can be no objection in the up-and-down octaves near the end. These are normally played glissando, because to finger them in strict time is impossible, allegedly. Even Horowitz can't do that - but Cziffra can. This really sums up his way of doing things - the technique is exercised strictly when needed, and then not in a showy way unless the sense of the music demands that. Try the Mendelssohn rondo here - light-fingered in the main rondo theme, relaxed in the episodes - then hear Serkin on Aura in his 1957 recital in Lugano, high-tension and full-speed-ahead. Serkin brought the audience to its feet, Cziffra is simply enjoying the piece, and very Mendelssohnian he sounds. Or again the Schumann toccata. Richter won raptures from the critics for his handling of the rat-tat fortissimo chords near the end while making no concessions to the tempo. He does that no better than Cziffra, if as well. The difference is that Richter `makes more' of the supposedly virtuoso sequences earlier. Now how about Cziffra's Beethoven here? It is natural, idiomatic and kept within a certain volume-level. There is no showing off let alone messing around. If Cziffra recalls anyone it is Kempff, and these performances would be safe models for teachers. In Schumann it's the same story. Not everyone could play Traumeswirren like this, and here and there the finger-work had me rubbing my eyes, but I keep sensing that Cziffra is not even aware that he's doing anything exceptional. The idiom is dead right, the rubato is natural, the lyricism is spontaneous if less `warm' than some, the sense of the overall structure is effortless - and I could say all that about Chopin's F minor fantasy too.
I can't avoid Liszt, but some comparisons are interesting. This high-powered Totentanz has been rightly praised, but both in this work and in the first concerto I feel that Michelangeli beats Cziffra at what is supposedly Cziffra's own game. I hear Michelangeli as Cziffra's solitary equal as a technician, but in second-rate music like this spontaneity and dexterity are trumped by an above-it-all Olympian aloofness, and Cziffra undoubtedly does not take the ultra-care that Michelangeli takes over perfect evenness of touch, sublime poise in the rhythm and super-perfection in the trills. (In the matter of trills, you can hear what Cziffra can do when he puts his mind to it in the fiendish 4th variation in book 1 of Brahms's Paganinis). In the 2nd concerto Cziffra is the best I have yet heard. In sheer technical address neither he nor anyone surpasses Richter, but where I like Cziffra better is in an aspect of his playing that gets too little attention, namely his natural and unaffected lyricism. In the Hungarian Fantasy, the Liszt solos and the various arrangements I imagine Cziffra is unsurpassed and unsurpassable, not that I propose to research that matter much.
The Grieg and Tchaikovsky concertos are here too. Cziffra adopts moderate tempi in the outer movements of the Grieg as the composer directs. The first movement of the Tchaikovsky is done as I like it, insofar as I like it at all. The introduction is taken fast, rather as Horowitz and Toscanini take it although I miss Toscanini's direction. The last movement however is taken at a very moderate pace, with the excitement saved for the end. Later performances are of some French music. In these pieces, as in the Scarlatti sonata, I wouldn't say that Cziffra stands out particularly - with one telling exception, Couperin's Barricades Mysterieuses, atmospheric and bewitching. Was this what they told you to expect from Cziffra?
He was a natural, a child of the gods. The near-unbelievable technique was an important part of his gift, but what I prize most is his lyric manner - simple, innocent and clear-eyed. His actual touch is not one that you could identify within seconds, as you could identify that of Horowitz, Serkin, Richter or Michelangeli, but it is utterly free from affectation. The better you know him, the more you will love him.
A world-changing musician.......2006-01-30
I've not a lot to add to Alan Thorpe's review except to say that to be young when Cziffra burst upon the world in 1956 after he left Hungary & started playing in western Europe was sheer intoxication--and it wasn't all Liszt either! Like Richter, who appeared at the same time, he played Schumann in a way that opened up entire new fields of tonal & interpretive possibility. I must say, too, that from the start, I admired his Beethoven--I like lyrically played Beethoven! Why shouldn't Beethoven sing as well as growl? He did write some lovely songs, after all. Cziffra's versions of Op.13, Op.14/2 & Op.26 on this set are very satisfying--I just wish they had managed to include a recording of his version of the Waldstein, too.
CZIFFRA - A Keyboard Phenomenon.......2001-05-26
Issued in 1991 by EMI France to celebrate Cziffra's 70th birthday this 8 CD boxed set is a bargain. The first CD is all Liszt and contains some of the most spellbinding playing you are ever likely to hear. Fire and brimstone reign as Cziffra tears up the keyboard in the Dante Sonata's demonic moments; surely a whiff of sulphur as he spontaneously combusts during the Mephisto-Valse; the Rhapsodie espagnole and Grand Galop chromatique {see him sweat playing this on Philip's `Great Pianists of the 20th Century video.}. As a contrast, be seduced by his heart-melting rendering of the third Liebestraume; the caprice of the Valse-Impromptu; and have the waters of `Les Jeux d'eau a la Villa d'Este' ever cascaded so onomatopoeically and with such a transcendental variety of touch and nuance. More diablerie follows on disc 2 with transcriptions by Liszt and those {in} famous ones by Cziffra himself. I have never heard a more demonic Gounod/Liszt ` Valse de Faust'; Auber/Liszt `Tarantelle de bravura'; or Tchaikovsky/Liszt Polonaise from `Eugene Onegin'; as for Cziffra's playing of his own transcriptions and paraphrases, especially the Strauss `Tritsch-tratsch polka' and Rimsky-Korsakov `Flight of the Bumble-bee; well, they are in a class of their own. Both Katsaris and Volodos recorded the latter pieces but I'm afraid they cannot compare with Cziffra's sheer electricity and panache. You will now need an ice pack as disc 3 opens with Balakirev's Islamey which starts steadily enough compared to say Simon Barere's famous account {now on APR} but increases in excitement as Cziffra adds all kind of gypsy embellishments as he builds to a fiery conclusion. Excitement is also the key to the next piece; Schumann's Toccata, which Cziffra plays with effortless abandonment and joie de vivre as he also does Mendelssohn's Rondo Capriccioso. Cziffra loved to play Baroque music and the rest of this disc is taken up by mainly short but characterful pieces by Couperin, Lully, Rameau and Krebs. Many were recorded in the 1980s and sound better if played back at a reduced volume level as they were obviously too closely miked. Cziffra once said that he couldn't play Beethoven so preferred to leave it to others who could. He did record a number of sonatas and this selection includes very fine accounts of the `Pathetique'; No. 13 in E flat Op27/1 {companion to the `Moonlight'};and Op. 26 in A flat. He brings a full cantabile to the latter works opening movt. and to the Adagio of the `Pathetique'. Elsewhere he plays with refinement and elegance; everything is in the best possible taste and there is nothing to offend, but those who like their Beethoven a bit more rough and gruff could be a bit disappointed as they might also be with Cziffra's Brahm's Paganini Variations which are technically stunning but find Cziffra musically out of sorts. The Schumann disc finds him on top form. Like many great artists Cziffra loved to play Schumann and he was equally at home with Eusebius { the dreamer} as he was with Florestan { the impetuous side of his character} and this is self evident in his brilliantly characterful accounts of Carnaval, Fantasiestücke, and Carnaval de Vienne - the latter piece highly praised by Cortot after he heard Cziffra during a Paris radio broadcast in the late 1950s. Discs 7 and 8 are all concertante works and show Cziffra at the very height of his stupendous powers. Again Cziffra has his demon up in the most astounding Liszt Totentanz ever recorded; a Hungarian Fantasy with all the improvisational colours of a band of gypsy fiddlers and an ideally recreative performance of the second concerto to make all others sound four-square . To cap this there is a fabulous Grieg concerto in which Cziffra dares to improvise the end of the Lisztian style cadenza; a meltingly beautiful slow movt with an excitingly brilliant finale. Last but certainly not the least, a very poetic reading of Franck's Symphonic Variations and a Tchaikovsky first concerto which combines thrilling virtuosity with all those individual touches that only a genuinely recreative artist can bring to such a familiar masterpiece. This collection is a splendid tribute to one of histories greatest pianists - an artist who knew the authentic meaning of ` bravura'.
Average customer rating:
- A joyful Christmas box of many rare musical jewels.
|
Classical Christmas
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001W1V
Release Date: 1993-09-30 |
Tracks:
- No. 2 March - Berlin Symphony Orchestra
- No. 4 Dance Scene - Berlin Symphony Orchestra
- No. 5 Scene and the Grandfather Dance - Berlin Symphony Orchestra
- No. 6 Scene - Berlin Symphony Orchestra
- No. 7 Scene - Berlin Symphony Orchestra
- No. 8 Scene - Berlin Symphony Orchestra
- No. 12 Divertissement: Chocolate (Spanish Dance)/Coffee (Arabian Dance) - Berlin Symphony Orchestra
- No. 13 Waltz of the Flowers - Berlin Symphony Orchestra
- No. 14 Pas de Deux - Berlin Symphony Orchestra
- No. 15 Closing Waltz and Grand Finale - Berlin Symphony Orchestra
Tracks:
- Vom Himmel Hoch (Christmas Cantata): Coro - Vom Himmel Hoch da ... - Dresden Kreuzchor, Dresden Philharmonic
- Ave Verum (From "Mozartiana-Suite") - Radio Symphony Orchestra of Stuttgart
- Messiah: Coro - And the Glory of the Lord - RIAS-Kammerchor, Rias Sinfonietta
- Tantum Ergo in E Flat Major D. 962 - Gisela Fetting, Astrid Pilzecher, Rundfunk-Sinfonieorchester Berlin, Rundfunk-Sinfonieorchester Berlin, Karl Heinz Schmieder, Ekkehard Wagner
- Ave Maria - Budapest Strings
- Laudate Pueri Op. 39, 2 - Dresden Kreuzchor, Michael Christfried Winkler
- Bringet Dem Herrn Ehre Seines Namens - Musicum Leipzig, Neues Bachisches Collegium, Thomanerchor Leipzig
- Laudate Dominum KV 339 - Budapest Philharmonic Orchestra, Chor "Jeunesses Musicales", Maria Zadori
- Ave Maria - Frank Berger, Hans Dieter Weber
- Virga Jesse - Dresden Kreuzchor
- Salve Regina Op. 47 D. 223 - Magdalena Hajosyova, Rundfunk-Sinfonieorchester Berlin
- Wachet Auf Ruft Uns Die Stimme BWV 645 - Frank Berger, Hans Dieter Weber
- Largo (From "Xerxes") - Werner Hollweg, Wiener Symphoniker
- Gloria (From "Magnificat") - Berliner Singakademie, Stattskapelle Berlin
- Concerto Fatto Per la Notte Di Natale in G Minor Op. 6 No. 8: Adagio-A - Virtuisi Saxoniae
- T, Ihr Pauden! Erschallet, Trompeten! - Ludwig Guttler, Leipzig University Chorus, New Leipzig Bach Collegium Musicum, Max Pommer
Tracks:
- Sleepers, Wake, The Voice Is Calling - Ludwig Guttler
- Wie Scheuchter Der Morgenstern - Felix Friedrich
- Jesus Christus, Gottes Sohn - Ludwig Guttler, Friedrich Kircheis
- Sleppers, Wake, The Voice Is Calling - Hans-Jurgen Scholze
- Kommst du Nun, Jesu, Cvom Himmel Hreunter - Ludwig Guttler, Friedrich Kircheis
- In Dulci Jubilo - Felix Friedrich
- Wie SchLeuchtet Der Morgenstern - Ludwig Guttler, Friedrich Kircheis
- Voluntary - Friedrich Kircheis
- Allein Gott in Der HSei Ehr - Felix Friedrich
- Herzlich Lieb Hab Ich Dich - Ludwig Guttler, Friedrich Kircheis
- Vom Himmel Hoch, Da Komm' Ich Her - Holm Vogel
- Concerto NoAllemand - Ludwig Guttler, Friedrich Kircheis, Kurt Sandau
Tracks:
- T, Ihr Pauken (From Cantata No. 214) - Ludwig Guttler, Leipzig University Chorus, , New Leipzig Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Sinfonia (From Christmas Oratorio) - Ludwig Guttler, New Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig, Virtuosi Saxoniae
- In Dulci Jubilo - Ludwig Guttler, Leipzig Capella Fidicinia, New Bach Collegium Musicum, Max Pommer, Rostock Motet Choir, Thomanerchor Leipzig
- Gror Herr, O Starker K (From Christmas Oratorio) - Ludwig Guttler, Siegfried Lorenz, , New Leipzig Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Vom Himmel Hoch, Da Komm Ich Her - Ludwig Guttler, Leipzig Capella Fidicinia, New Bach Collegium Musicum, Max Pommer, Rostock Motet Choir, Thomanerchor Leipzig
- Hallelujah (From Cantata No. 143) - Ludwig Guttler, , New Leipzig Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Jesu Mein Herzens Freud - Ludwig Guttler, Leipzig Capella Fidicinia, New Bach Collegium Musicum, Max Pommer, Rostock Motet Choir, Thomanerchor Leipzig
- Herr Jesu Christ, Dich Zu Uns Wend - Matthias Eisenberg, Ludwig Guttler, New Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Gloria in Excelsis Deo - Ludwig Guttler, Leipzig Capella Fidicinia, New Bach Collegium Musicum, Max Pommer, Rostock Motet Choir, Thomanerchor Leipzig
- Wie Wohl Ist Mir, O Freund Der Seelen - Walter Heinz Bernstein, Gisela Burkhardt, Ludwig Guttler, New Bach Collegium Musicum, Siegfried Pank, Max Pommer, Thomanerchor Leipzig
- Lobet Den Herrn Alle Heiden - Ludwig Guttler, Leipzig Capella Fidicinia, New Bach Collegium Musicum, Max Pommer, Rostock Motet Choir, Thomanerchor Leipzig
- Prelude und Fugue in G, BWV 541 - Matthias Eisenberg, Ludwig Guttler, New Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- FriedefHerr Jesu Christ (From Cantata No. 143) - Ludwig Guttler, , New Leipzig Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Air (From Orchestral Suite No. 3) - German Bach Soloists, Ludwig Guttler, New Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Sei Lob und Preis Mit Ehren (From Cantata No. 51) - German Bach Soloists, Edita Gruberova, Ludwig Guttler, New Bach Collegium Musicum, Max Pommer, Thomanerchor Leipzig
- Freut Euch und Jubilieret - Ludwig Guttler, Leipzig Capella Fidicinia, New Bach Collegium Musicum, Max Pommer, Rostock Motet Choir, Thomanerchor Leipzig
Tracks:
- In Dulci Jubilo
- Pastorale Per la Notte Di Natale - Virtuisi Saxoniae
- Sonata Per Chiesa et Camera - The Berlin Chamber Orchestra, ,
- Jubilate Domino
- Concerto Fatto Per la Notte Di Nattale - Franz Liszt Chamber Orchestra
- Sonatta Natalis - Virtuisi Saxoniae
- Vom Himmel Hoch
- Air (From Water Music) - Budapest Strings
- Concerto Per il Natale, RV 270 - Virtuisi Saxoniae
- Tochter Zion
- Concerto in G Minor, Op. 8, No. 6 - Virtuisi Saxoniae
- Trumpet Tune and Air
Customer Reviews:
A joyful Christmas box of many rare musical jewels........2001-12-10
Laserlight has the rights to so much recorded music - excellent, good, indifferent, bad - & of such varying sound quality, that it's difficult to rate the label's bargain compilations. Most are afflicted with "excerpt-itis," the "greatest hits" disease. However, some compiler with an interesting ear for the offbeat & a sense of humor put this fine five-CD Christmas box together. He or she did so by leaning on some less familiar music & by relying largely on good performances from ye olde East Germany ensembles & conductors, (as do Koch-Schwann & Berlin Classics labels, at higher prices).
The #1 disk is a solid performance of The Nutcracker Suite (also issued as a single disk by Laserlight) by Peter Wohlert conducting the Berlin Symphony (not to be confused with the Berlin Philharmonic). With that over-cooked chestnut out of the way, this compilation gets interesting.
We get some venerable excerpts of Bach cantatas, oratorios, motets & Lutheran hymns, performed by Fidicinia Capella, New Leipzig Bach Collegium Musicum, & the German Bach Soloists, all respectable ensembles. Edita Gruberova even joins in "Jauchzet Gott in allen Landen." Plus an earful of grand organ preludes.
Handel is represented by a happy section of "Water Music" & a piece for brass instruments from his oratorio, "Judas Maccabaeus." What, no "Halleluah Chorus?" Believe me, you don't need it! But it's here all the same.
Mozart checks in with the lovely, too brief, "Ave verum Corpus," motet for chorus, strings, & organ, K. 618. We also get snappy, dutiful baroque contributions from Vivaldi, Corelli & Purcell.
The remainder of the set is filled out with music from: Pavel Josef Vejvanovsky; Francesco Onofrio Manfredini; Johann Ludwig Krebs; George Friedrich Kauffmann; John the Elder Alcock; Michel Corrette; Michael Praetorius; Johann David Heinichen; Johann Heinrich Schmelzer; & Giuseppe Torelli. The inclusion of these marvelous obscurities pushes this bargain compilation over the top.
I give it four stars because the performances & sound quality vary considerably. But the compensation comes from hours of joyously felt Nativity music, a good deal of it unfamiliar yet beautiful all the same. Load all five into the CD changer, hit the random button, relax & enjoy your spiced eggnog with family & friends.
The five CDs are titled: 1. The Nutcracker 2. Classical Christmas 3. Christmas Music for Trumpet & Organ 4. Johann Sebastian Bach - Christmas Music 5. Baroque Christmas Music. They can be purchased individually.
Average customer rating:
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Meditation: Classical Relaxation, Vol. 10
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000007QJR
Release Date: 1998-05-19 |
Average customer rating:
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Best-Loved Classics 10
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000UX1
Release Date: 1997-07-01 |
Tracks:
- Ov 'Der Freischutz' - Philharmonia Orch/Wolfgang Sawallisch
- Sym No.38 in D, K.504 'Prague': IV. Finale (Presto) - English CO/Jeffrey Tate
- Sym No.9 in d, Op.125 'Chorla': II. Molto Vivace - Munich PO/Rudolf Kempe
- Ich Liebe Dich, Op.5 No.3 - Victoria De Los Angeles/Synfonia Of London/Rafael Fruhbeck De Burgos
- Ballet Egyptien' Ste3, Op.12- I: Allegro Non Troppo - RPO/Anatole Fistoulari
- Ov, Op.9 'Roman Carnival' - Philharmonia Orch/Herbert Von Karajan
- L'Africaine: Act III, O Paradis - Nicolai Gedda/ROHCG/Guiseppe Patane
- Radetzky March, Op.228 - Weiner Johann Strauss Orch/Willi Boskovsky
- Pno Son No.2 in b flat, Op.35: III. Marche Funebre (Lento) - Andrei Gavrilov
- 1812 Ov, Op.49 - LPO/Sir Adrian Boult
Average customer rating:
- Paderewski's rendition of Hungarian Rhapsody's perfect
- Treasure recordings on this CD unbelievable!
|
The Art of Piano
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Art of Piano - Great Pianists of 20th Century
- Horowitz Encores
- Beethoven: The Complete Piano Sonatas & Concertos
- Rachmaninoff plays Rachmaninoff
- Horowitz in Moscow
ASIN: B00002MXNC
Release Date: 2000-05-09 |
Tracks:
- The Art Of Piano: Hungarian Rhapsody In C Sharp Minor, S. 244 No .2 - ART OF THE PIANO
- The Art Of Piano: Prelude In C Sharp Minor, Op. 3 No .2 - ART OF THE PIANO
- Moments Musicaux, Op. 16: No.2 In E Flat Minor - ART OF THE PIANO
- The Art Of Piano: Prelude In B Minor, Op. 32, No. 10 - ART OF THE PIANO
- The Art Of Piano: Etude In F Major, Op. 10, No .8 - ART OF THE PIANO
- The Art Of Piano: Variations On A Theme From Bizet's 'Carmen' - ART OF THE PIANO
- The Art Of Piano: Grand Galop Chromatique, S. 219 - ART OF THE PIANO
- Sonata No. 23 In F Minor, Op. 57 'Appassionata': I Allegro Assai - ART OF THE PIANO
- The Art Of Piano: Polonaise In A Flat Major, Op. 53 - ART OF THE PIANO
- The Art Of Piano: Polonaise In A Major, Op. 40, No. 1 - ART OF THE PIANO
- The Art Of Piano: Etude In C Major, Op. 10, No. 7 - ART OF THE PIANO
- The Art Of Piano: Kinderszenen, Op. 15 - ART OF THE PIANO
Tracks:
- Concerto For Piano And Orchestra No. 4 In G Major, Op. 58: I Allegro moderato - Various Artists
- Concerto For Piano And Orchestra No. 4 In G Major, Op. 58: II Andante con moto - Various Artists
- Concerto For Piano And Orchestra No. 4 In G Major, Op. 58: III Rondo. Vivace - Various Artists
- The Well-Tempered Clavier, Book 1: No. 1: Prelude And Fugue In C Major, BWV 846 - Various Artists
- The Well-Tempered Clavier, Book 1: No. 8: Prelude In E Flat Minor And Fugue In D Sharp Minor, BWV 853 - Various Artists
- Sonata No. 23 In F Minor, Op. 57 'Appassionata': I Allegro assai - Various Artists
- Sonata No. 23 In F Minor, Op. 57 'Appassinata': II Andante con moto - attacca - Various Artists
- Sonata No. 23 In F Minor, Op. 57 'Appassionata': III Allegro, ma non troppo - Presto - Various Artists
Tracks:
- Concerto For Piano And Orchestra No. 1 In B Flat Minor, Op. 23: I Allegro non troppo e molto maestoso - Allegro con spirito - Various Artists
- Concerto For Piano And Orchestra No. 1 In B Flat Minor, Op. 23: II Andantino semplice - Prestissimo - Tempo I - Various Artists
- Concerto For Piano And Orchestra No. 1 In B Flat Minor, Op. 23: III Allegro con fuoco - Various Artists
- The Art Of Piano: Sonata In B Minor, L. 449 - Various Artists
- The Art Of Piano: La Valse - Various Artists
- Sonata No. 32 In C Minor, Op. 111: I Maestoso - Allegro con brio ed appassionato - Various Artists
- Sonata No. 32 In C Minor, Op. 111: II Arietta. Adagio molto semplice e cantabile - Various Artists
Customer Reviews:
Paderewski's rendition of Hungarian Rhapsody's perfect.......2004-12-04
I've listened to Hungarian Rhapsody rendered by 3 different artists, and Paderewski's rendition's by far the best. In fact, his version compared to, say, Misha Dichter's in "The #1 Piano Album" is so much superior that I could not bear to listen to Misha's version. While Misha obviously paid plenty attention to technical details, Paderewski effortlessly captured the true beauty of the piece - and conveyed it with near perfection. If you love Liszt or Hungarian Rhapsody or Paderewski, buy this album. Or if you just love classical music at its best, get it too!
Treasure recordings on this CD unbelievable!.......2000-08-11
If you want to hear Josef Hoffman play buy this CD. If you want to hear Arthur Rubinstein play buy this CD. All of the Great Pianists of the Century. A joy to listen to!
Average customer rating:
|
Bird: Grand Piano and Nature
Manufacturer: Direct Source Label
ProductGroup: Music
Binding: Audio CD
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| Bach, Johann Sebastian
| ( B )
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| Mendelssohn, Felix
| ( M )
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| ( D )
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ASIN: B00005AQG9
Release Date: 2000-07-05 |
Tracks:
- Pathque Sonata, Op. 13, Second MVT.
- Sweet Dream, Op. 36, #21
- Why?, Op. 12, #3
- In a Monastery Garden
- Arabesque, #1 in E Major
- Air (Holberg)
- Minuet
- Study in C Sharp Minor, Op. 25, #7 (Celio)
- Impromptu in G Flat Major, Op. 90, #3
- Liebestraume #1
- To the Spring, Op. 43, #6
- Prde and Fugue (WTC BK 1, #7)
- Songs Without Words, Op. 85, #1
- Child Falling Asleep, Op. 15, # 2
- Prde in E Minor, Op. 28, #4
Music Review:
- Tchaikovsky: Suite No.1/The Storm/Fate
- The Acoustic Records (1910-1918)
- The Art of Pan - A concert for Pan Flute & Organ / Ulrich Herkenhoff & Matthias Keller
- The Revenge of Hamish & Other Choral Works
- Vaudeville Accordion Classics: The Complete Works of Guido Deiro
- Verdi: Messa da Requiem; Bruckner: Te Deum
- W. A. Mozart: Piano Concerto G major KV 453 & Piano Concerto A major KV 488
- Will You Give Me to Tell You
- Wolfgang A. Mozart: piano concerto c major KV 467 & piano concerto d major KV 537
- Works for Chamber Orchestra
Music Review
music review
Recommended Music:
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Nono: La Lontananza Nostalgica Utopica Futura
Piezas Clasicas Maestras 12
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Our Happy Hardcore [Import]
Mas de 100 Anos de Boleros, Vol. 5
Odorimasenka? [Import] [Limited Edition]
Origin of Symmetry [Enhanced] [Import]
My Own Summer Pt.2 [CD-single] [Import]
Naked Songs
Sala Brothers
Pop Latin Vol.2 (Karaoke)
Select Old School Hip Hop
Weber: Piano Quartet; Trio for flute, cello and piano; Quintet for clarinet & strings
When All That's Left Is You