John Williams Conducting the Boston Pops [Soundtrack]

Track Listings

1. Candide

2. America the Beautiful

3. This Land Is Your Land

4. When the Saints Go Marchin' In

Tracks:

Laura
Now, Voyager
Modern Times
Lost Weekend
The Quiet Man
The Adventures Of Robin Hood
Casablanca
Henry V
The Uninvited: 'Stella By Starlight'
My, Foolish Heart
Gone With The Wind
Wuthering Heights

Amazon.com

Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason Verlinde

Customer Reviews:

NEVER RECEIVED THIS ITEM!!.......2007-03-17

I cannot review the product which I know is great , as I was billed for it, but never received it.

Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04

With the success of Cinema Serenade, conductor John Williams and violinist Itzhak Perlman reunited to record another collection of classic movie themes. Performed this time by the Boston Pops Orchestra, the music of Cinema Serenade 2: The Golden Age harkens back to the days of stars such as Bette Davis, Humphrey Bogart, Errol Flynn, Ray Milland and Clark Gable.

The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.

Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.

For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.

Some of the most beautiful music you'll ever hear.......2001-06-15

This is one of the most beautiful CDs I've ever heard. The selections are musically much richer than Cinema Serenade I. In particular, Sir William Walton's music from Henry V, Korngold's music from Robin Hood, and Newman's music from Wuthering Heights are standouts. The Korngold is my favorite, with several themes from the picture packed into a short love scene lifted straight from the movie. The arrangements on this album are stunningly lush, especially those by Williams. His opening chords from The Uninvited are terrific harmonically.

Don't compare it to Cinema Serenade 1.......2000-01-24

Itzhak Perlman is still considered by me the best violinist alive today. His techiniques are so impressable and heartouching and nobody can contest that. The idea of this CD was wonderful, although the selections of the musics aren't so good than in Cinema Serenade 1. But anyway, if you want to listen musics that worldwide the people emotioned with, buy this CD, but don't fall in the temptation to compare it to the first one.

I can't stop listening to this CD...........1999-10-03

All of those lush movie themes are greatly compiled on this CD. I especially liked Laura and Stella by Starlight. After listening to this, you will want to go out and buy/rent these great old movies!

The Spielberg/Williams Collaboration (Film Score Anthology)

Average customer rating:

One of WIlliams best!
Setting the mark higher....
The best director/composer team in film history.....
Great mix, unless you're wedded to the album versions
A must for an introduction to Wiliams

The Spielberg/Williams Collaboration (Film Score Anthology)
John Williams & the Boston Pops
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

John Williams - Greatest Hits 1969 - 1999
Williams on Williams: The Classic Spielberg Scores
By Request: The Best Of John Williams And The Boston Pops Orchestra
Great Composers: John Williams (Film Score Anthology)
The Music of John Williams: 40 Years of Film Music

ASIN: B00000271M
Release Date: 1991-11-01

Tracks:

Raiders Of The Lost Ark: The Raiders' March
Always: Theme
E.T.:The Extra-Terrestrial: Adventures On Earth
Sugarland Express: Theme
Jaws: Theme
Jaws: Out To Sea - The Shark Cage Fugue
Empire Of The Sun: Exsultate justi
Indiana Jones And The Temple Of Doom: Parade Of The Slave Children
E.T.:The Extra-Terrestrial: Over The Moon
1941: March
Empire Of The Sun: Cadillac Of The Skies
Indiana Jones And The Last Crusade: Scherzo For Motorcycle And Orchestra
Close Encounters Of The Third Kind: Excerpts

Customer Reviews:

One of WIlliams best!.......2007-01-18

I've had this collaboration for years, I first owned it on cassette and then bought the CD! It's been one of my favorites for a very long time and is our families vacation music, we never leave on a road trip without putting this CD in and putting on the first track from Indiana Jones. Some of Williams' best scores and some of Spielberg's best movies! I highly recommend it!

Setting the mark higher...........2005-10-18

What can you expect when you take the greatest director of this era and combine him with the greatest composer of all time ? A minimum of 10 stars...

The best director/composer team in film history............2003-11-07

For almost 30 years, since 1974's The Sugarland Express, John Williams' music has been associated with director Steven Spielberg's films. With the notable exception of The Color Purple (scored by Quincy Jones), Williams has composed the scores to all of Spielberg's films, including 2002's Minority Report and Catch Me If You Can.

The Spielberg/Williams Collaboration predates the bulk of Spielberg's post-1980s works. It covers 15 years (1974-89), or half of their collaborative years. Although some of the films represented in this 13-track compilation were not successful (1941, Always), Williams' music has proved to be well-received, both by concert audiences and music-store customers alike.

The album starts off with the rousing "Raiders March" from 1981's Raiders of the Lost Ark. This unforgettable signature theme came about when Williams presented Spielberg with two musical motifs for adventurer/archaeologist Indiana Jones. The director listened to them, and instead of choosing one, asked Williams, "Can't you use both?" The first idea became the main theme, while the second became the "bridge." Glorious and brassy, yet with a wink and a nod to the music from the 1930s and '40s serials that inspired the Indiana Jones trilogy, the Raiders March is one of the best-known movie themes ever. Later in the album, two other selections (Parade of the Slave Children from Temple of Doom and Scherzo for Motorcycle and Orchestra from The Last Crusade) round out the trilogy.

Adventures on Earth, from 1982's E.T., begins with music that mimics the fast-and-furious pedaling of bicycles, then segues into several different musical themes, including "Over the Moon" (which is reprised independently on track 9), "The Flying Theme," and the incidental music covering E.T.'s farewell to his young protectors, including Elliott. It ends triumphantly with a rendition of "The Flying Theme" and a triumphant fanfare heralding the aliens' spaceship return to the stars.

The Theme from Sugarland Express, Spielberg's first feature film, takes listeners to the wide-open expanses of Texas and features the talented Toots Thielemans on harmonica. It's very much in the vein of a Western, though the movie (which starred Goldie Hawn) took place in the late 1960s and was based on a true story.

Jaws, which put both Spielberg and Williams into blockbuster territory for the first time, is represented by three compositions: the famous "Theme," "Out to Sea," and the suspenseful "Shark Cage Fugue." They capture the primordial relentlessness of the great white shark, the optimism and excitement of the Orca's setting out on the hunt, and the frantic activity to get the shark cage put together as Chief Brody, Matt Hooper, and Quint confront the shark.

Exsultate Justi and Cadillac of the Skies from 1987's underappreciated Empire of the Sun highlight not only orchestral music but choral music performed by the American Boychoir and the Tanglewood Festival Chorus. Exsultate Justi is a joyous prayer of deliverance heard over the liberation of British and American civilians held in Japanese internment camps near Shanghai, while Cadillac of the Skies is a concert arrangement featuring incidental music, including the cue heard when Jamie, the film's protagonist, sees his first P-51 Mustang.

The Spielberg/Williams Collaboration ends with musical excerpts from 1977's Close Encounters of the Third Kind, starting with the eerie and atonal music of the title and evolving into the more melodic music heard during the awe-inspiring encounter between humanity and aliens. Featuring beautiful soaring thematic material, brief quotations from "When You Wish Upon a Star," and ending with the classic five-note Close Encounters motif, Williams' medley from Spielberg's UFO film shows the versatility of both director and composer, whose friendship and teamwork may not have always resulted in successful movies, but provided listeners with a treasure trove of wonderful film music that will endure for many years to come.

Great mix, unless you're wedded to the album versions.......2003-03-27

This is a good overview of the Williams/Spielberg music up to 1990, but the performances are often a bit different from the various soundtrack album versions. If like me, you've heard those so many times that they're a part of you, you may find these performances jarring. They may even be better, some feel so, but they're just not the same. Stil, the album is worth having if only because it contains the only commercially available music from The Sugarland Express.

A must for an introduction to Wiliams.......2002-10-29

Nice introduction CD to John Williams music from the 70's and 80's for someone thinking of getting into film scores. In my opinion, there should be a sequel to this CD already as williams has since worked many times with Williams on some wonderful scores (Jurassic park,Schindlers list,Minority report etc to name just a few). There are some truly wonderful performances of favourites here which even sound better than the original recordings IMO. The Parade of the Slave children from Temple of Doom comes to mind, and it just build and builds into a stunning exotic piece. Other performances of well known pieces like E.T's Adventures on Earth are in my opinion much weaker and slower than the originals and its tough to listen when you know the original so well. This CD has a wondful performance of Last Crusade's "Scherzo for motorcycle" and glorious fantastic performance of "Cadillac of the skies" from Empire of the Sun. I obtained this Cd a number of years ago and my love for williams talent has increased upwards ever since. Amazing composer.

Tracks:

Star Wars: Main Theme
Star Wars: Princess Leia
The Empire Strikes Back: The Astroid Field
The Empire Strikes Back: Yoda's Theme
The Empire Strikes Back: The Imperial March
Return Of The Jedi: Parade Of The Ewoks
Return Of The Jedi: Luke & Leia
Return Of The Jedi: Jabba The Hut
Return Of The Jedi: The Forest Battle
Superman: March
Superman: Love Theme
E.T.: Adventures On Earth
E.T.: The Flying Theme
Close Encounters Of The Third Kind: Suite

Customer Reviews:

Excellent!.......2001-10-24

I love this cd! In fact, I like it so much that I'm buying a second copy to replace the one that was scratched in my step-dad's car stereo/cd player. While most of the music is from the Star Wars Trilogy, there are also songs from ET, Superman, and Close Encounters of the Third Kind. I definitely recommend it to anyone who enjoys Star Wars, or even just great instrumental music. The Boston Pops Orchestra does a fabulous job with the music of John Williams!

wonderful.......2000-11-13

*I thought this is a great album

The Best of the Best.......1999-11-03

This CD was just what I was looking for. I've owned the Original Soundtrack Recordings of the Star Wars Films for many years but I realized that often the concert arrangments and performances are of a better quality than the originals. In any case, this CD is a great collection of not only Star Wars music but also includes other classic Williams movie themes such as Superman, ET, and Close Encounters of the Third Kind. Superb!

It was a great cd, well it still is!.......1999-07-06

Great Musi

Average customer rating:

Somewhat Esoteric but Very Satisfying
Excellent Copland; the very best "Quiet City."
A shining star!
This is a must-have CD for fans of John Williams!

Music for Stage and Screen

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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American Visions
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The Green Album
Williams on Williams: The Classic Spielberg Scores
20th Century Masters - The Millennium Collection: The Best of John Williams & The Bosto

ASIN: B000002A2O
Release Date: 1994-04-05

Tracks:

Morning On The Ranch
The Gift
Dream March
Circus March
Walk to the Bunkhouse
Grandfather's Tale
Happy Ending
Born On The Fourth Of July: I. Theme
Born On The Fourth Of July: II. Cua Viet River, Vietnam 1968
Born On The Fourth Of July: Massapequa...The Early Days
Quiet City For Strings, Trumpet And English Horn
The Reivers

Customer Reviews:

Somewhat Esoteric but Very Satisfying.......2004-06-02

This is an interesting CD. The mix of Aaron Copland's and John Williams' compositions was quite unique. It took me by surprise the first time I listened to it. I love Copland's THE RED PONY suite, especially "Walk to the Bunkhouse". Williams' BORN ON THE FOURTH OF JULY was amazingly innovative and a much more serious composition than I had imagined. Copland's QUIET CITY was interestingly very moving. Again innovative and well conceived was Williams' THE REIVERS. The narration on this piece complemented the music extremely well after several times listening to it. This is an excellent CD. It really grew on me.

Excellent Copland; the very best "Quiet City.".......2003-07-05

I can't really count myself among the many fans of the Boston Pops, whether under the direction of Arthur Fiedler, John Williams or Keith Lockhart. This is not meant as any sort of elitism on my part, but, simply, generally speaking, my classical music tastes lie elsewhere. Probably, all told, I have barely a dozen CDs representing these conductors' efforts. But this "Music for Stage and Screen" CD is special among my rather smallish Boston Pops collection for a number of reasons, and it is easily one of my favorite Boston Pops CDs as a result.

In a nutshell, what makes this recording special is the "spotlighting" that the choice of works gives to Tim Morrison, the principal trumpeter at the time the recording was made. (As far as I know, Tim Morrison had this role for a number of years, although I haven't seen his presence in recent TV broadcasts of either the Pops or the Boston Symphony, so either he has "moved on" or is perhaps on an extended sabbatical.)

Aaron Copland's "Quiet City" is one of his smaller masterpieces. Scored for chamber orchestra with trumpet and English horn soloists, it provides a nice interplay between these two instruments, with the trumpet getting somewhat the larger role. I must have a half-dozen or more performances of this work, all in anthologies that are in whole or in part made up of the music of Copland, including one in which Wynton Marsalis is the soloist (on the same Sony label, for that matter). But, as much as it's difficult for me to state this, or for readers to accept it, Morrison trumps Marsalis quite handily. His tone is simply gorgeous: full and with a nice "bloom" to it, much like Harry James on his best day. To my taste, this approach meshes perfectly with the work.

Morrison shines again in one of the best-known excerpts - the main theme - from Williams's score for "Born on the Fourth of July" (a score that is far different from what we usually associate with Williams's pen, and one of my favorite Williams scores). The other two excerpts from this film score are "Williams at his atmospheric best": again, something quite different from "usual Williams."

This fine album is rounded out with a nice performance of another lesser-known Copland gem, his suite for "The Red Pony," and a very early Williams score for the film "The Reivers," not at all well-known and so a pleasant surprise with its inclusion. The work includes whimsical narration of the tale by the late Burgess Meredith, having as distinctive (and perfect) a voice for this narration as could be imagined.

This is creative programming at its best, giving us excellent but lesser-known works of both composers. The album sound is terrific, and the Boston Pops musicians - obviously including Morrison - are on the top of their game throughout. A very easy recommendation, deserving perhaps only a slightly more creative title for the album.

Bob Zeidler

A shining star!.......2001-09-16

The selections of music that are most memorable on this CD belong to John Williams. The Copland selections are wonderful, but are available elsewhere. Williams' "Suite from 'Born On the Fourth of July'" is a stunning musical achievement. The trumpet and English horn solos are exquisite. However, the crown jewel of this release is "The Reivers." It is based on selections from the William Faulkner novel of the same name. It is a breath of fresh air, a narrative piece of small town Americana brought to life by the magical voice of Burgess Meredith. This is a wonderful release, destined to become a classic.

This is a must-have CD for fans of John Williams!.......2001-09-14

This release features some great Copland material, but the gems on this recording are some obscure works by John Williams. The "Suite from 'Born on the Fourth of July'" is superbly written and beautifully played. The solo trumpet and English horn playing is stunning. This "Suite" is a fabulous collection. However, it is "The Reivers" that is the crowning achievement on this CD. The piece is a musical narrative based on selections of William Faulkner's novel of the same name. An Americana setting in the deep south during the turn of the century sets the stage for a heart-warming "coming of age" story. What gives this recording more credence is the narration, performed by Burgess Meredith. The music is descriptive, powerful and emotional. Five very unique stars!!!!

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PITOU

Salute To Hollywood

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Hollywood's Greatest Hits, Vol. 1

ASIN: B00000410B
Release Date: 1989-09-14

Tracks:

Hooray for Hollywood
Pops Salutes The Oscars: When You Wish Upon A Star - Swingin' On A Star - Moon River - Raindrops Keep Falln' On My Head - Theme From 'The Way We Were - The Shadow Of Your Smile
Somewhere Out There
A Tribute To Judy Garland: Over The Rainbow - We're Off To See The Wizard - You Made Me Love You - Be A Clown - Get Happy - The Man That Got Away
Balloon Sequence (Witches Of Eastwick)
Devil's Dance (Witches Of Eastwick)
Love Theme (Out Of Africa)
La Bamba
The Bad and the Beautiful

Customer Reviews:

PITOU.......1999-06-08

A great CD with the rarest music by John Williams: "The Wiches of Eastwick". It is the CD to buy immediately. It's not expensive, take advantage !

Movie Memories (Originally 1957 Film Score Anthology)

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Movie Memories (Originally 1957 Film Score Anthology)
John Williams & the Boston Pops
Manufacturer: Simitar Ent.
ProductGroup: Music
Binding: Audio CD

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Tracks:

Theme From 'Picnic'
Dearly Beloved
Brazil
Exact Like You
On The Sunny Side Of The Street
Pennies From Heaven
I'm Old Fashioned
Long Ago And Far Away
Put The Blame On Mame
The Anniversary

Digital Jukebox - John Williams & The Boston Pops

Average customer rating:

Digital Jukebox Boston Pops
This cd is one of the best orchestra cds ever

Digital Jukebox - John Williams & The Boston Pops

Manufacturer: Polygram Records
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Binding: Audio CD

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The Boston Pops: Romance Classics
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Unforgettable

ASIN: B0000040ZN
Release Date: 1990-10-25

Tracks:

Those Were The Days
Never On Sunday
More From 'Mondo Cane'
By The Time I Get To Phoenix
The Girl From Ipanema
Summer Of '42 (The Summer Knows)
Mack The Knife
Where Is Your Heart (From 'Moulin Rouge')
Classical Gas
Theme From 'The Pink Panther'
Ebb Tide
Tijuana Taxi
Days Of Wine And Roses
Theme From 'A Summer Place'
Unchained Melody
Ciribiribin
Love Is A Many Splendored Thing

Customer Reviews:

Digital Jukebox Boston Pops.......2000-09-15

Fantastic Music and as always Fantastic sound!!

This cd is one of the best orchestra cds ever.......2000-07-24

Wow! What a good job John Williams et al did on this cd. I have bought a lot of cds over the years and usually i find there are only a few songs that i truly like on these cds. On this particular cd, all the songs are among my fovorite songs. The orchestra never sounded better. What a great thrill it is for me to listen to this cd time and time again. This cd is one that you should never get tired of. Please buy this cd and discover the joy of this beautiful music.

Out Of This World (Science Fiction Anthology)

Average customer rating:

Jabba's Theme in all its glory
The Music of the Stars
Great example of substandard Williams/Pops
Great for science-fiction fans

Out Of This World (Science Fiction Anthology)
John Williams , and The Boston Pops
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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America the Beautiful

ASIN: B0000040W0
Release Date: 1990-10-25

Tracks:

2001: A Space Oddyssey (Introduction From 'Also Sprach Zarathustra')
E.T. ('Adventures On Earth')
Alien (Closing Title)
Star Trek - The Television Show (Main Theme)
Battlestar Galactica (Main Title)
Star Trek - The Motion Picture (Main Title)
Twilight Zone (Theme And Variations)
Return Of The Jedi: 'Parade Of The Ewoks'
Return Of The Jedi: 'Luke And Leia'
Return Of The Jedi: 'Jabba The Hutt'
Return Of The Jedi: 'The Forest Battle'

Customer Reviews:

Jabba's Theme in all its glory.......2005-05-10

The whole CD, short though it is, is good, but the real reason for a John Williams fan to buy this one is the concert version of "Jabba's Theme" from "Return of the Jedi." That particular theme appears on the "Jedi" soundtracks, but not as a complete and contained work, which is what you get here. And, naturally, it's fantastic.

The Music of the Stars.......2003-08-28

Out of This World is a 1990 Philips reissue of a Boston Pops album first released in 1983, shortly after the release of Return of the Jedi. As with 1982's Aisle Seat, conductor John Williams and producer John McClure showcase music from classic science fiction movies and TV series. Although 5 of the 11 tracks were composed by Williams ("Adventures on Earth" from E.T. and a concert hall suite from "Return of the Jedi"), Star Trek fans will be happy to know that Alexander Courage's "Main Theme" from the Original Series and Jerry Goldsmith's "Main Title" from Star Trek: The Motion Picture were included.

As always, "America's Orchestra" tackles each composition with the same sensitivity and care as if they were pieces by Mozart or Beethoven. The pieces are relatively short -- "Adventures on Earth," the longest single piece, lasts slightly over nine minutes, while the Closing Title from "Alien" runs shy of the three-minute mark -- and are evocative of those hours spent in front of the television or in the darkness of the movie theaters where we went on those astral voyages of the imagination.

Great example of substandard Williams/Pops.......2002-09-19

This recording is shaky at best. At worst, Williams and his engineer were drunk during the recording sessions. The main problem with this album is, the orchestra sounds like an amateur or college orchestra, rather than a major professional organization. The ensemble sounds thin, as if lacking enough musicians to pull off the grand scope of the music. The engineering is sub-par compared to other Williams/Boston Pops releases. The sound quality seems lackluster for a 1983 recording (couldn't they have mixed it to get rid of the shrill woodwinds and brass?). Worst of all, the orchestra plays out of tune at several points (specifically in the French horns, trumpets and woodwinds). Especially in the "ET" and "Return of the Jedi" tracks, is this REALLY the Boston Pops??

Perhaps I'm being too critical. After all, Williams had only been the conductor at the Boston Pops for a few seasons before undertaking this mess. However, this recording pales in comparison to his other recordings of the era. The cuts from "Return of the Jedi" are nothing special; there are any of a number of other re-recordings of these tracks that I would recommend over this one. Williams' conducting seems uncertain during the pieces he didn't compose, for example, the excruciating tempo variations in "Battlestar Galactica" and the unbearably slow rendition of the "Star Trek: The Motion Picture" theme (Goldsmith would have picked up the pace significantly).

The BPO as heard on this album lacks the panache and polish of later recordings (including subsequent Williams efforts), and this is easily the worst Boston Pops album I've heard. In the end, for what you get in this collection, I recommend Erich Kunzel's "Star Tracks" compilation over this hackneyed effort. You'll find better performances and higher quality in the Cincinnati Pops compilation, with renditions of these great themes sounding more faithful to their original versions.

Great for science-fiction fans.......2000-08-31

If you are a science-fiction tv/movie lover you'll find this CD to be great. Boston Pops offer their usual performing excellence, very well conducted by John Williams. Very enjoyable, indeed.

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Cosmic Creature Classics

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FRY
Release Date: 1997-11-25

Tracks:

''Priva Son D' Ogni Conforto'' - Maureen Forrester With The New York City Opera Orchestra-Rudel
Andante From Symphony No. 2 - Jena Philharmonic-Montgomery
Jabba The Hutt - National Philharmonic Orchestra-Gerhardt
Adagio From The Gayne Ballet - National Philharmonic Orchestra-Tjeknavorian
The Thing Strikes / Desert Rendezvous - Hery Mancini And The Mancini Pops Orchestra
The Battle In The Forest - National Philharmonic Orchestra-Gerhardt
Romanze From Eine Kleine Nachtmusik - Boston Symphony Orchestra-Leinsdorf
The Day We Fight Back - Boston Symphony Orchestra
Symphonic Suite From Close Encounters - National Philharmonic Orchestra-Gerhardt

Music Review: