Alessandro Ziliani
On this CD:
1. La Dame Blanche, opera Vieni mio tesoro
Composed by Francois-Adrien Boieldieu
Performed by Berlin State Opera Orchestra
with Alessandro Ziliani
Conducted by Bruno Seidler-Winkler
2. Lohengrin, opera, WWV 75 Mai devi domandarmi
Composed by Richard Wagner
Performed by Maria Caniglia, Alessandro Ziliani
Conducted by Giuseppe Antonicelli
3. Fedora, opera Amor ti vieta
Composed by Umberto Giordano
Performed by Alessandro Ziliani
Conducted by Franco Ghione
4. Fedora, opera Vedi, io piango
Composed by Umberto Giordano
Performed by Augusta Oltrabella, Alessandro Ziliani
Conducted by Giuseppe Antonicelli
5. Manon Lescaut, opera Donna non vidi mai
Composed by Giacomo Puccini
Performed by Alessandro Ziliani
Conducted by Franco Ghione
6. La bohème, opera Che gelida manina
Composed by Giacomo Puccini
Performed by Alessandro Ziliani
Conducted by Franco Ghione
7. La bohème, opera O soave fanciulla
Composed by Giacomo Puccini
Performed by Mafalda Favero, Alessandro Ziliani
Conducted by Franco Ghione
8. Madama Butterfly (Madame Butterfly), opera Bimba dagli occhi
Composed by Giacomo Puccini
Performed by Mafalda Favero, Alessandro Ziliani
Conducted by Giuseppe Antonicelli
9. La fanciulla del West (The Girl of the Golden West), opera Ch'ella mi creda libero
Composed by Giacomo Puccini
Performed by Alessandro Ziliani
Conducted by Giuseppe Antonicelli
10. Turandot, opera Non piangere, Liù
Composed by Giacomo Puccini
Performed by Alessandro Ziliani
Conducted by Giuseppe Antonicelli
11. Turandot, opera Nessun dorma
Composed by Giacomo Puccini
Performed by Alessandro Ziliani
Conducted by Franco Ghione
12. Francesca da Rimini, opera Benvenuto, signore mio cognato
Composed by Riccardo Zandonai
Performed by Gina Cigna, Alessandro Ziliani
Conducted by Alberto Erde
13. Serenata, for voice & piano (or orchestra)
Composed by Pietro Mascagni
Performed by Alessandro Ziliani
Conducted by Dino Olivieri
14. Funiculì Funiculà for voice & orchestra (& chorus ad lib)
Composed by Luigi Denza
Performed by Alessandro Ziliani
Conducted by Bruno Seidler-Winkler
15. Königin der Liebe
Composed by Borgmann
Performed by Alessandro Ziliani
Alessandro Ziliani, Music, Francois-Adrien Boieldieu, Borgmann, Luigi Denza, Umberto Giordano, Pietro Mascagni, Giacomo Puccini, Richard Wagner, Riccardo Zandonai, Alberto Erde, Bruno Seidler-Winkler, Dino Olivieri, Franco Ghione, Giuseppe Antonicelli, Berliner Staatsopernorchester, L'Orchestra del Teatro alla Scala, Alessandro Ziliani, Augusta Oltrabella, Gina Cigna, Mafalda Favero, Maria Caniglia, Classical, Classical Artists, Classical Vocals, French Romantic Opera, German/Austrian Romantic Opera, Italian 20th/21st Century Opera, Italian Romantic Opera, Opera, Romantic Music for Voice and Keyboard, Solo Voice(s) and Orchestra, Vocal, Vocal Music
Average customer rating:
- Sound Worse Than Expected
- Outstanding
- Just buy it.
- Goddess of belcanto!
- VOCAL MIRACLE!
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Rossini: Armida
Manufacturer: Opera D'oro
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- Verdi: I Vespri Siciliani
- Spontini - La Vestale / Callas · Corelli · Votto
- Cherubini: Medea
- Bellini: Il Pirata (complete opera live 1959) with Maria Callas, Costantino Ego, Nicola Rescigno, Orchestra & Chorus of the American Opera Society
- Donizetti: Poliuto
ASIN: B00004TCHL
Release Date: 2000-06-20 |
Tracks:
- Ov - Orch Of The Florence May Festival/Tullio Serafin
- Act One: Lieto, Ridente... Arditi All'ire
- Act One: Germano, A Te Richiede Donna Real
- Act One: Signor, Tanto Il Tuo Nome Ovunque Suona
- Act One: Sventurata! Or Che Mi Resta
- Act One: Or Che Faro? Ceder Dovro?
- Act One: German, Se Togli Al Campo Breve Drappel
- Act One: Per Me Propizio Il Fato Rallenta Il Suo Rigore
- Act One: Cedei, Guerrieri E Ver
- Act One: Come! A Dudon Costui Succede?
- Act One: Non Soffriro L'Offesa... Ah! Tutti V'Unite
- Act One: Grata Quest'alma... Amor... Possente Nome!
- Act One: Vacilla A Quegli Accenti, Manca La Mia Costanza
- Act One: Ah! Non Poss'io Resistere... Cara/Caro...
- Act One: Ecco Il Guerriro, Il Duce, Il Primier Degli Eroi
- Act One: Ah Menzognero! Se Pari Agli Accenti
- Act One: Che Terribile Momento!... Deh, Se Cara A Te Son Io
- Act One: Vieni, O Duce... M'Invita La Sorte
Tracks:
- Act Two: Alla Voce D'Armida Possente
- Act Two: Sovrumano Potere, Numi Del Tetro Abisso
- Act Two: Dove Son'io?... Al Fianco Mio
- Act Two: Mio Ben, Questa Che Premi
- Act Two: Canzoni Amorose, Carole Festose
- Act Two: D'Amore Al Dolce Impero
- Act Two: (Ballet) - Orch Of The Florence May Festival/Tullio Serafin
- Act Three: Come L'Aurette Placide Spiran
- Act Three: Oh! Quanto , Amico, D'Ascalona Al Saggio
- Act Three: In Quale Aspetto Imbelle Io Mi Ravviso
- Act Three: Unitevi A Gara Virtude, Valore
- Act Three: (Interlude) - Orch Of The Florence May Festival/Tullio Serafin
- Act Three: Sia Lode Al Ciel!
- Act Three: Ed E Pur Vero?... E Abbandonar Mi Vuoi?
- Act Three: Se Al Mio Crudel Tormento
- Act Three: Dove Son'io?... Fuggi, Lasciarmi, Ohime!
- Act Three: E' Ver... Gode Quest'alma In Te
Customer Reviews:
Sound Worse Than Expected.......2007-03-02
This is a live performance from 1952, so you can't really expect very good sound. I'm not a sound fanatic - some of my favorite CDs are from the 50's (Mitropoulos's La Forza, Perlea's Aida, etc.), but the sound on this CD was just too poor for me to enjoy.
Callas was undoubtedly great in this difficult role, and she was in good voice. While I'm glad to have heard this (wincingly, several times), I'm probably going to give it away (along with a De Sabata Falstaff and a couple of others). For me, it's just too painful to listen to - and I no longer have enough space to keep CDs I don't want to listen to just because of their historical value.
You may be able to get beyond the poor sound quality and enjoy the virtuoso coloratura. It's inexpensive and worth hearing - just be forewarned about the sound.
Outstanding.......2006-08-03
Despite the rather poor sound and mediocre supporting cast, this is a legendary Callas performance, captured live in 1952 during her vocal zenith.
Maria displays a range of 3 full octaves, from low F to F in alstissimo, endless breath control, elegant phrasing, and simply amazing coloratura. Just listen to the way she repeats the tenor's lines in the Act 1 duet Amor possente nome, which she crowns with a huge E flat, the gradually climbing stanzas of the bravura aria D'Amor al Dolce Impero, with no less than 3 high Ds, and the extraterrestrial final scene, again ending on a long, fortissimo E flat. This performance, together with the 1949 Naples NABUCCO, reveals her in pristine and unparalleled vocal form.
Such a pity that her vocal prime was so short lived. For other exciting live performances of the young Callas one should also refer to the 1951 Naples TROVATORE, the 1951 Mexico AIDA, the 1952 Mexico LUCIA and RIGOLETTO (again, she is superb here despite a mediocre cast, and her Caro Nome is a lesson in great singing art) and 1952 Scala MACBETH, finally the 1953 Scala MEDEA, probaly her last fearless vocal performance.
Just buy it........2005-05-20
If you have been worried about the audio quality of this recording
detracting from your enjoyment of this performance, JUST BUY IT.
The price is right and you have never heard anything like this
performance by Callas.
Goddess of belcanto!.......2004-06-17
Callas' Armida is the belcanto-miracle of the century. La Divina outshines them all, how amazing! Coloratura, acuti, arpeggios, roulades, scales are done to perfection. And the interpretation is BLAZING, the phrasing and diction crystal-clear and idiomatic. The only ARMIDA to buy!
VOCAL MIRACLE!.......2004-01-30
This is perhaps the greatest display of belcanto di bravura ever recorded. Callas goes up to an F in alto, and a ROCK-SOLID one! The allure of the enchantress Armida is brought to life like never before and never after. A TOP-NIGHT for Callas who did her greatest, most astonishing belcanto singing here, an opera not even Sutherland attempted to sing! To comprehend why Callas is the queen of belcanto, listen to her "D'Amore Al Dolce Impero"!!! People say Callas wasn't ideal for Belcanto? This recording proves that this is anything but true! ENJOY THE PERFORMANCE OF A LIFETIME!
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24 Nessun Dorma da Turandot di G. Puccini
Manufacturer: Bongiovanni
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ASIN: B000A1ILPU
Release Date: 2005-07-26 |
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Maria Callas: Gli Anni d'Oro Vol. 1 1951-1953
Manufacturer: Idi [Ital Disc Inst]
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ASIN: B000B2YQUC
Release Date: 2005-09-27 |
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Lebendige Vergangenheit: Augusta Oltrabella
Manufacturer: Preiser Records
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- Lebendige Vergangenheit: Margherita Carosio
ASIN: B00068XH74
Release Date: 2005-02-22 |
Average customer rating:
- Good Heavens!!!! What a great voice!
- A musical revolution
- Only for truly committed Callas fans
- An amazing performance!
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Rossini: Armida
Manufacturer: Melodram
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000061V9
Release Date: 1998-04-28 |
Tracks:
- Armida: Atto Primo: Sinfonia
- Armida: Atto Primo: Lieto e ridente
- Armida: Atto Primo: Si! Guerrieri, sian care
- Armida: Atto Primo: Signor, tanto il tuo nome
- Armida: Atto Primo: Sventurata or che mi resta?
- Armida: Atto Primo: Or che faro? ceder dovro
- Armida: Atto Primo: Cedei, guerrieri, e ver
- Armida: Atto Primo: Non soffriro l'offesa ... Ah, tutti v'unite
- Armida: Atto Primo: Grata quest'alma!...Amor! Possente nome!
- Armida: Atto Primo: Vacilla a quegli accenti...
- Armida: Atto Primo: Ecco il guerrier, il duce
- Armida: Atto Primo: Se pari agli accenti
- Armida: Atto Primo: Deh! se cara a te io sono
- Armida: Atto Secondo: Alla voce d' Armida possente
- Armida: Atto Secondo: Sovrumano poter
- Armida: Atto Secondo: Dove son io? Al fianco mio
Tracks:
- Armida: Atto Secondo: Mio ben, questo che premi
- Armida: Atto Secondo: Canzoni amorose
- Armida: Atto Secondo: D'amore al dolce impero
- Armida: Atto Secondo: Balleto e finale atto secondo
- Armida: Atto Terzo: Come l'aurette placide
- Armida: Atto Terzo: Ah, quanto, amico d' ascalone
- Armida: Atto Terzo: S' hai cor bastante in petto
- Armida: Atto Terzo: Sia lode al ciel!
- Armida: Atto Terzo: Se al mio crudel tormento
- Armida: Dove son io? Fuggi!
- Armida: Atto Terzo: Untitled
Customer Reviews:
Good Heavens!!!! What a great voice!.......2005-04-09
Those detractors who ever thought that Callas was incapable of producing some fo the world's most beautiful sounds must look to this recording and eat mud. For one, this recording was captured during 1952, the year when Callas still had her great "fat" voice. Yes, Callas was fat once, and at that time, she was a vocal giant who could tackle Gioconda, Lucia, Norma, Armida, Lady Macbeth, Elena from I Vespri Siciliani, just to name a few of the many roles she sang during that period. Her high notes were impeccably placed, and everything, as she would say later in a 1968 interview with Edward Downes, within the middle of the note--finely placed and not overornamented. Armida is an opera in which there is only one lead female role and a supporting cast of tenors and basses. The legend of Armida was taken from Gerrusalemma Liberata, and this legend is retold in music through several operas, some of which are of the same name like Haydn's Armida, Gluck's opera of the leadn's name, and another one by Dvorak. Then you have Handel's Rinaldo, which is one of the best-loved operas of the great Messiah-composer's works, containing the famous aria "Laschia Ch'io Pianga". Then comes along the great bel canto composer Gioacchino Rossini, with his knack for composing some of the most exhilaratingly florid music in all of musical history. The vivacity of his works exceed even those of Bellini and Donizetti, and another detail that must be explored here is that Rossini favored a very unique voice--a soprano sfogato voice, one of a mezzo-soprano quality yet with the ability to ascend and descend his challenging scales and trills. He also wrote material of a similar style for the Rossinian tenor, one of which has been forgotten until the rise of the great Juan Diego Florez. Of course, back then, without great foundations such as the Rossini society, it was almost impossible to find rare and original material and to educate singers on the singing of this most challenging and emotional of repertoires. But then, in this 1952 recording, Callas' striking Armida stands out. From the moment she enters the stage and begins her declamations, one feels the enchanting aura of Rossini's mythical sorceress. What is most challenging about this role is that Armida must remain at stage for the large part of the opera, and it is because of this that the role is rarely--if not never performed by less-than-adequate singers. In the end of the quintet, "Per me propizio il fato", Callas sings Armida's coloratura with a voice that great legends are made of--it isn't senseless chirping like what tin-pot coloraturas would assume in their roles. (She sings an incredible high note, by the way, at the end of this excerpt!!!) This is real coloratura made by an immensely large voice with beautiful, rock-solid chest notes, and an amazing ability to do the trills and the scales demanded by the composer. The only singer in the past who could probably rival Callas in such a role would be Dame Joan Sutherland, but I dare say that she didn't undertake the role because of the immense difficulties associated with Rossini's music. You need a strong chest voice for Rossini, and since Armida's music is for the most part written in the middle of the voice, the role would have been inappropriate for her. I don't even want to go into Sills...
In the second act, you will encounter Rossini's famous aria, D'Amore al Dolce Impero, sung to perfection by La Divina. Each note is intelligently and passionately sung, never leaving one with a feeling of musical hunger. The performance is well conducted by Tullio Serafin, the greatest singer's conductor in history. His interpretations of the Ballo and the Symphony and the Ballet music, in my opinion, is unsurpassed even today. The last act of the opera is magnificently conducted, and Callas' brilliance in the last act aria "Se al mio crudel tormento" is simply breathtaking! The only drawback to this recording is the sounds and the tenors, none of whom are educated in the bel canto style, thus none of florid passages which Rossini wrote for their parts were displayed. But Serafin and Callas more than make up for this recording. The sound isn't fabulous. Understand that this is a live recording made during 1952, so it would be far from perfect. This simply should be heard for the miracle of Callas' Armida. Today, no other Armida comes close to Callas' interpretation of the role. I believe only Renée Fleming can sing such an amazingly demanding role, as exemplified by her 1993 Armida recording from Pesaro during 1993. I'm just quite disappointed that she didn't do the dangerous leaps that Callas did with her Armida, but her reading of the role is AMAZING! And the principal tenors in that recording are great singers too, with Rossinian skill that would easily make that Armida a landmark recording. Daniele Gatti conducts the performance well, but it is a pity that the recording is no longer in production.
A musical revolution.......2002-03-25
The entire "Rossini Renaissance" initiated with this Armida do to Callas' immence talent in grasping the right style for each composer. In 1952 no one had ever heard the intire opera and had no idea of how a series Rossini opera had to be sung.
The role is extreemly difficult,the soprano is constantly running up and down the scale and the virtuosity is at it's peak few other sopranos have had the courage to sing it:Christine Deutekom,Cecilia Gasdia,June Anderson and recently Renée Fleming at the Rossini Opera Festival in 1992.
The story comes from Tasso's Gerusalemme Liberata and had inspired many musicians throughout the centuries.
Callas'voice in 1952 combined with her immence theatrical talent created a real masterpiece and despite the terrible sound,what we here is an absolute masterpiece.
Armida goes through hope,pain,anger,desparation and fury,and Callas is able to find the right intensity for each emotion, if you're a true opera lover you must not miss this recording it will be a flabergasting experience...
Only for truly committed Callas fans.......1999-09-30
Absolutely agree, Callas, E-flats and the like: five stars for her incredible performance, but you have to take into account the four tenors singing along, unable to follow the quick pace of Rossini's music, so they shout their way in the worst verismo manner; and almost unlistenable sound (obviously a pirate recording?, far, far below the only versions of, for example, Alceste or La Vestale we have with Callas). Unless you are a devoted Callas fan (as I am), interested in her entire output, development of her career and other aspects of her art, you will not be able to put up with the sound.
An amazing performance!.......1999-09-04
This is one of Maria Callas' most spectacular performances ever. It was recorded live in Florence in 1952. The performance is full of exciting singing, and Callas' great aria is absolutely breathtaking. At the end of the CD, there's another recording of the same aria, made in 1954, and it's interesting to compare the two. I had never heard this opera before listening to this recording. The music itself is beautiful, and I'm no expert, but it sounds like it would be extremely difficult to sing. Callas is amazing!
This opera also features five leading tenors, who are not at Callas' level, but they're not bad, either. The sound quality is not that good, and part of Act III was lost, but that doesn't matter to me. I'm just glad we have this recording!
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Giuseppe Verdi La Traviata
Manufacturer: Video Artists Int'l
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ASIN: B000003LKV
Release Date: 1996-02-19 |
Tracks:
- La Travita: Prelude
- La Travita: Dell'invito trascorsa e gia I'ora
- La Travita: Libiamo, libiamo ne' lieti calici
- La Travita: Un di felice, eterea mi balenaste innante
- La Travita: Ebben? che diavol fate?
- La Travita: Si ridesta in ciel l'aurora
- La Travita: E strano! e strano!
- La Travita: Ah, fors e lui che l'anima
- La Travita: Follie! follie!
- La Travita: Lunge da lei... De' miei bollenti spiriti
- La Travita: Alfredo? - Per Parigi or or partiva
- La Travita: Madamigella Valery? - Son io
- La Travita: Pura siccome un angelo
- La Travita: Dite alla giovine
- La Travita: Dammi tu forza, o cielo!
- La Travita: Ah, vive sol quel core all'amor mio!
- La Travita: Di Provenza il mar, il suol
- La Travita: Ne rispondi d'un padre all' affetto?
Tracks:
- La Traviata: Avrem lieta di maschere la notte
- La Traviata: Noi siamo zingarelle
- La Traviata: Di Madride noi siam mattadori
- La Traviata: Alfredo! Voi!
- La Traviata: Invitato a qui seguirmi, verra desso?
- La Traviata: Ogni suo aver tal femmina
- La Traviata: Di sprezzo degno se stesso rende
- La Traviata: Prelude
- La Traviata: Annina? - Commandate?
- La Traviata: 'Teneste la promessa' . . . Addio del passato
- La Traviata: Largo al quadrupede sir della festa
- La Traviata: Signora - Che t'accadde?
- La Traviata: Parigi, o cara, noi lasceremo
- La Traviata: Ah, non piu, a un tempio
- La Traviata: Gran Dio! morir si giovine
- La Traviata: Prendi, quest 'e l' immagine
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Rossini: Armida
Manufacturer: Melodram
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001ZPD
Release Date: 1994-05-09 |
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Prima Voce: Mafalda Favero
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ASIN: B00063U7GS
Release Date: 2005-01-04 |
Tracks:
- Signore, Ascolta
- Tu Che Di Gel
- In Quelle Trine
- Flammen Perdonami
- Son Pochi Fiori
- Suzel, Buon Di
- Non Mi Resta
- Ave Maria
- O Tu Ch'el Sai
- Vedrai Carino
- Ancora Un Passo Orvia
- Bimba Dagli Occhi Pieni Di Ma Lia
- Si, Mi Chiamano Mimi... O Soave Faniculla
- Donde Lieta Usci
- Sono Andati?
- Stridano Lassu
- Sola Nei Miei
- Aurette A Cui
- Te Sola, Vergin Rosa
Average customer rating:
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Verdi: La Traviata
Manufacturer: Arkadia: the 78's
ProductGroup: Music
Binding: Audio CD
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| Verdi, Giuseppe
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ASIN: B000005O6F
Release Date: 1996-06-18 |
Tracks:
- Atto I: Preludio - Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno
- Atto I: Dell'Invito Trascora E Gia L'Ora - Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno/Olga De Franco/Antonio Gelli...
- Atto I: Libiam Ne' Lieti Calici... - Alessandro Ziliani/Anna Rosza/Orchestra E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno
- Atto I: Che E Cio?... - Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno/Anna Rosza/Alessandro Ziliani...
- Atto I: Un Di, Felice, Eterea... - Alessandro Ziliani/Anna Rosza
- Atto I: Ebben?...Che Diavol Fate?... - Giordano Callegari/Anna Rosza/Alessandro Ziliani/Orch E Coro Del Teatro Alla Scala Di...
- Atto I: E Strano!.../Ah, Fors'E Lui Che L'Anima... - Anna Rosza
- Atto I: Follie!.../Sempre Libera... - Anna Rosza
- Atto II: Lunge Da Lei Per Me Non V'Ha Diletto!/De'Miei Bollenti Spiriti... - Alessandro Ziliani
- Atto II: Alfredo?-Per Parigi Or Or Partiva... - Anna Rosza/Olga De Franco/Luigi Borgonovo
- Atto II: Pura Siccome Un Angelo... - Luigi Borgonovo/Anna Rosza
- Atto II: Un Di, Quando Le Veneri... - Luigi Borgonovo/Anna Rosza
- Atto II: Dite Alla Giovine Si Bella E Pura - Anna Rosza/Luigi Borgonovo
- Atto II: Imponete-Non Amarlo Ditegli... - Anna Rosza/Luigi Borgonovo
- Atto II: Dammi Tu Forza, O Cielo!... - Anna Rosza/Olga De Franco/Alessandro Ziliani/Luigi Borgonovo
- Atto II: Di Provenza Il Mar, Il Suol... - Luigi Borgonovo/Alessandro Ziliani
Tracks:
- Atto II: Avrem Lieta Di Maschere La Notte... - Olga De Franco/Antonio Gelli
- Atto II: Di Madride Noi Siam Mattadori... - Giordano Callegari/Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno
- Atto II: Alfredo!...Voi!... - Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno
- Atto II: Invitato Qui E Seguirmi... - Anna Rosza/Alessandro Ziliani/Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno
- Atto II: Di Sprezzo Degno Se Stesso Rende... - Luigi Borgonovo/Alessandro Ziliani/Anna Rosza/Orch E Coro Del Teatro Alla Scala Di Milano...
- Atto III: Preludio - Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno
- Atto III: Annina? - Comandate?... - Anna Rosza/Olga De Franco/Antonio Gelli
- Atto III: Teneste La Promessa... - Anna Rosza
- Atto III: Largo Al Quadrupede... - Orch E Coro Del Teatro Alla Scala Di Milano/Carlo Sabajno/Anna Rosza/Alessandro Ziliani
- Atto III: Parigi, O Cara, Noi Lasceremo - Alessandro Ziliani/Anna Rosza
- Atto III: Ah, Non Piu, A Un Tempio...Alfredo, Andiamo... - Anna Rosza/Alessandro Ziliani
- Atto III: Ah, Violetta!... - Alessandro Ziliani/Anna Rosza/Antonio Gelli/Olga De Franco
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Alessandro Ziliani
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
All Works by Mascagni
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| Puccini, Giacomo
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ASIN: B00000G3WH
Release Date: 1998-12-15 |
Tracks:
- La Dama Bianca HMV DA 1450 (ORA 789-II): Vieni Mio Tesoro - Berlin State Opr Orch/Bruno Seidler-Winkler
- Lohengrin HMV DB 2859 (2BA 1340-II): Mai Devi Domandarmi - La Scala Orch/Giuseppe Antonicelli
- Fedora HMV DA 1424 (OBA 572-II): Amor Ti Vieta - Franco Ghione
- Fedora HMV DB 2859 (2BA 1341-I): Vedi, Io Piango - La Scala Orch/Giuseppe Antonicelli
- Manon Lescaut HMV DA 1423 (OBA 571-I): Donna Non Vidi Mai - Franco Ghione
- La Boheme HMV DB 2521 (2BA 570-II): Che Gelida Manina - Franco Ghione
- La Boheme HMV DB 2521 (2BA 561-III): O Soave Fanciulla - Franco Ghione
- Madame Butterfly HMV DB 2894 (2BA 1381/2-I): Bimba Dagli Occhi - La Scala Orch/Giuseppe Antonicelli
- La Fanciulla Del West HMV DA 1483 (OBA 1300-I): Ch'ella MI Creda Libero - La Scala Orch/Giuseppe Antonicelli
- Turandot HMV DA 1483 (OBA 1301-I): Non Piangere, Liu - La Scala Orch/Giuseppe Antonicelli
- Turandot HMV DA 1423 (OBA 562-I): Nessun Dorma - Franco Ghione
- Francesca Da Rimini SK 3301/2: Benvenuto, Signore Mio Cognato - Alberto Erede
- Serenata HMV DA 1424 (OBA 569-II) - Dino Olivieri
- Funiculi' Funicula' HMV DA 1450 (ORA 799-I) - Berlin State Opr Orch/Bruno Seidler-Winkler
- Kongin Der Liebe HMV DA 4410 (ORA 861-II) - Alessandro Ziliani
Music Review:
- At Abby Road [Soundtrack]
- Baby's Look & Listen: Learning
- Baby's Look & Listen: Mozart [Enhanced]
- Baby's Look & Listen: Sleep
- Beethoven - Leonore (1809 version) / Coburn · M. Baker · Nelthardt-Barbaux · Kobel · von Halem · Jean-Philippe Lafont · Martin-Bonnet · Soustrot
- Beethoven: Piano Concerto in C minor No. 3, Op. 37; Piano Concerto in G No. 4, Op. 58
- Beethoven: The String Quartets, Op.18, No. 1 to 6
- Charles Craig - Operatic Arias & Italian Songs
- Cinema Classics, Vol. 10
- Cinema Classics, Vol. 12 [Soundtrack]
Music Review
music review
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The London Years 1948-1960
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Music: Best Arabian Night Album - Vol. 1 [IMPORT]
The World of Stevie B [Import]
Si Tu Quisieras
Toujours Aktif [Import]
Two More Years [CD-single] [Import]
The People Across the Street
Three Tenors in Concert 1994 [Live]
The Powers of Two
Tesoros de Coleccion
Te Vi Partir [Original recording remastered]
Blue Tango: Symphonic Pops by Leroy Anderson
Born Under a Bad Sign