Classics for the Heart
On this CD:
1. Thais, opera Meditation
Composed by Jules Massenet
2. Work(s) Unspecified Nocturne in C sharp minor
Composed by Fryderyk Chopin
3. Piano Sonata No. 8 in C minor ("Pathétique") Op. 13 excerpt
Composed by Ludwig van Beethoven
4. Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 excerpt
Composed by Ludwig van Beethoven
5. Sicilienne, for cello & piano, Op. 78
Composed by Gabriel Faure
6. Clair de lune, for piano, L. 75/3
Composed by Claude Debussy
7. Songs without Words (48) for piano, Books 1-8 Unspecified Song Without Words
Composed by Felix Mendelssohn
8. Vocalise, song for voice & piano, Op. 34/14
Composed by Sergey Rachmaninov
9. Suite for orchestra No 3 in D major, BWV 1068 Air
Composed by Johann Sebastian Bach
10. Prelude for piano No. 4 in E minor, Op. 28/4, CT 169
Composed by Fryderyk Chopin
11. Prelude for piano No. 20 in C minor, Op. 28/20, CT 185
Composed by Fryderyk Chopin
12. Work(s) Unspecified Intermezzo
Composed by Johannes Brahms
13. Work(s) Unspecified Andante
Composed by Wolfgang Amadeus Mozart
14. Beau soir ("Lorsque au soleil couchant les rivières sont roses"), song for voice & piano, L. 6
Composed by Claude Debussy
Editorial Reviews
Album Description
Classics for the Heart is a rich collection full of poetic movements and evocative tonalities that will warm your heart and soothe your soul Stimulating arrangements of piano and violin underscore the clarity and passion found in the Romantic works of Chopin, Beethoven, Rachmaninov and Debussy. Moonlight Sonata and Claire de Lune, along with twelve of the most popular classics works, color the senses and bloom here with the beauty of Romantic rediscovery.
Classics for the Heart, Music, Johann Sebastian Bach, Ludwig van Beethoven, Johannes Brahms, Fryderyk Chopin, Claude Debussy, Gabriel Faure, Jules Massenet, Felix Mendelssohn, Wolfgang Amadeus Mozart, Sergey Rachmaninov, 20th/21st Century Music for Voice and Keyboard, Art Song (General), Baroque Suite/Partita for Orchestra, Chamber, Classical, Classical Collections-Artist Desc., Concerto, Keyboard, Keyboard Work with Descriptive or Unclassified Title, Miscellaneous, Miscellaneous Music, Orchestral, Orchestral & Symphonic, Prelude for Keyboard, Romantic Sonata/Sonatina for Keyboard, Violin Concerto, Vocal
Average customer rating:
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- Mi piace davvero!
- Viva Italia, excellent
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Viva Italia! Festive Italian Classics
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002WXS
Release Date: 1996-07-02 |
Tracks:
- Mattinata - Romano Ledenzio And His Orchestra
- Mala Femmena - Frankie Fanelli
- Canto D'Amore - Romano Ledenzio And His Orchestra
- Guaglione - Carlo Savina And His Orchestra
- Lary Mary(Luna Mezza Mare) - Lou Monte
- Anema E Core - Perry Como
- Funiculi Funicula - Romano Ledenzio And His Orchestra
- Soldi, Soldi, Soldi(From 'Boccaccio '70') - Sophia Loren
- Santa Lucia - Gino Del Vescovo And His Mandolins
- Hey Gumbaree(Bibadee Bobadee Bu) - Lou Monte
- Come Back To Sorrento - Romano Ledenzio And His Orchestra
- Volare(nel Blu Dipinto Di Blu) - Domenico Modugno
- A Man Without Love(Quando M'Innamore) - Sergio Franchi
- O Sole Mio - Romano Ledenzio And His Orchestra
- Forget Domani(From 'The Yellow Rolls Royce') - Perry Como
- Mama - Lou Monte
- O Mio Bambino Caro - Romano Ledenzio And His Orchestra
- Non Dimenticar(Don't Forget) - Lou Monte
- Al Di La(From 'Rome Adventure') - Frankie Fanelli
- Arrivederci Roma(Goodbye To Rome) - Romano Ledenzio And His Orchestra
Customer Reviews:
Terrific!.......2007-05-30
I bought this CD because I missed listening to the music my grandfather played. This CD brought back a flood of memories for me. Wonderful compilation of my favorite italian classics.
So-So CD.......2007-04-06
This is more cafe style but still worth listening to.
Great dinner background music.
This CD will put you to sleep.......2007-02-26
We bought this CD for our daughter's wedding. After reviewing it, we could have saved our money. The version of Funiculi sounded like the Salvation Army band and it was totally lifeless. Lou Monte's Hey Gumbaree (it is actually Eh Cumpare in Italian--that should have given it away) was awful, and he consistently butchers the Italian language in all his other songs (annoying, I mean, couldn't he have learned the right pronunciation?).
While Perry Como and others have melodic voices (and very wisely sing in English because they don't know Italian), these are '50s versions of the songs, for the most part. While you have to appreciate them, they are really old and reflect the '50s type of instrumention and style. Would have loved to have heard all these songs done in a fresh and original way. Soldi Soldi was our favorite by far, and that is why we gave the CD two stars.
Could have gone to the library for this one.
Thanks for letting me voice our opinion. We are a big Italian family and just spent hundreds of dollars buying every CD out there for our daughter's wedding and figured we would share our opinion with others.
Mi piace davvero!.......2007-02-20
This is a beautiful CD filled with the authentic sounds of Italy! Each track brings be back a little farther to the streets of Italy...Rome...Trevi Fountain...bellissimo!!!!
Viva Italia, excellent.......2006-08-27
The CD was used as part of an Italia Fiesta we organised in Albury NSW, Australia. The music helped in setting the party atmosphere for the evening. The evening was held as fund raiser for the Murray Valley Sactuary Refugee Group. The evening was very successful.
Average customer rating:
- The Most Relaxing Classical Album In the World Eveer, Volume II
- Great music listein to while you read in bed
- A must buy for the non-snobbish classical music fan.
- A bliss of spirit.
- Boring
|
The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00002439O
Release Date: 2003-03-11 |
Tracks:
- Sheep May Safely Graze - Sir Neville Marriner
- Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
- Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
- Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
- Miserere Mei, Deus - Stephen Cleobury
- Schindler's List - Tasmin Little
- Traumerei - Dame Moura Lympany
- Dance Of The Sylphs - Sir Neville Marriner
- Water Music - Berlin Philharmonic Orchestra
- Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
- Jean De Florette - Toots Thielemans
- Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
- Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
- Waltz No.15 In A Flat - Dame Moura Lympany
- Romance - Piers Lane
- Pavane - Maurice Handford
- Woodbrook - Micheal O Suilleabhain
- Time To Say Goodbye - Orchestra
Tracks:
- The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
- Dance Of The Blessed Spirits - New Philharmonia Orchestra
- Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
- Prelude No.7 In A Op.28 No.7 - Tzimon Barto
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- The Lark Ascending - Hugh Bean
- 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
- Pie Jesu - Choir Of King's College, Cambridge
- Salut D'Amour - Richard Hickox
- La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
- The Coventry Carol - Medeval Babes
- Pavane For A Dead Princess - New Philharmonia Orchestra
- Liebestraum No.3 In A Flat - John Ogdon
- Panis Angelicus - Elisabeth Schwarzkopf
- Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
- Agnus Dei - Peter Barley
- Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
- My Heart Will Go On - Orchestra
Customer Reviews:
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.
Great music listein to while you read in bed.......2005-08-21
I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.
A must buy for the non-snobbish classical music fan........2004-10-22
I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!
A bliss of spirit........2004-09-18
That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!
Boring.......2004-05-11
Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !
Average customer rating:
- A great introduction to the art of Placido Domingo
- This is really the best.
- If you like Placido at all, you must have this CD.
- Rare And Great Domingo Classics
- A real Bobby Dazzler
|
Very Best of
Placido Domingo
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000083GOJ
Release Date: 2003-04-22 |
Tracks:
- Ill Mio Tesoro
- Un'aura Amorosa
- Dies Bildnis Ist Bezaubernd Schon
- La Ci Darem La Mano
- Vani Sono I Lamenti...Svegliatevi Nel Core
- Pays Merveilleux...O Paradis
- Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
- Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
- None But The Lonley Heart
- Lensky's Aria
- Donna, Non Vidi Mai (Manon Lescauy Act, II)
- Ah, Manon, Mi Tradisce
- Dammi I Colori...Recondita Armonia
- E Lucevan Le Stelle (Tosca, Act III)
- Ch'ella Mi Creda (La Fanciulla Del West, Act III)
- Dai Campi, Dai Prati (Mefistofele, Act I)
- Virgini Muse...Quando Al Soave Anelito
- O Sink Hernieder, Nacht Der Liebe
- Was Am Besten Er Kann...Hoho! Hohei!
Tracks:
- Se Quel Guerrier Io Fossi!...Celeste Aida
- Su, Profetessa...Di Tu Se Fedele
- Forse La Soglia Attinse...Ma Se M'e Forza Perderti
- O Tu Che In Seno Agli Angeli
- Su, Cacciator...Fontainebleau!...
- Niun Mi Tema
- Ach, Wie So Herrlich Zu Schau'n
- Sckenkt Man Sich Rosen In Tirol
- Gern Hab'ich Die Frau'n Gekusst
- O Vaterland...Da Geh'ich Zu Maxim
- Dein Ist Mein Ganzes Herz
- Mi Aldea
- Cancion Del Sembrador
- No Puede Ser
- Serenata
- Copillas De Belen
- Coplas Del Pastor Enamorado
- En Aranjues Con Tu Amor
- Jealousy Tango
- La Golondina
Amazon.com
Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler
Customer Reviews:
A great introduction to the art of Placido Domingo.......2007-07-04
Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!
This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:
"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.
From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.
From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.
And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.
Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.
Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.
Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.
Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.
So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.
This is really the best........2007-05-16
I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.
If you like Placido at all, you must have this CD........2005-04-06
Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.
Rare And Great Domingo Classics.......2005-03-08
EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.
Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......
A real Bobby Dazzler.......2004-02-19
Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.
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Handel - Coronation Anthems / Gritton, Blaze, M. George, Choir of King's College Cambridge, AAM, Cleobury
George Frideric Handel , Stephen Cleobury , The Academy of Ancient Music , Susan Gritton , and Robin Blaze
Manufacturer: EMI Classics
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Similar Items:
- Handel: 4 Coronation Anthems
- Haydn: Missa in Angustiis "Nelson Mass" - Te Deum / Lott, Watkinson, M. Davies, Wilson-Johnson; Pinnock
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- Handel - Chandos Anthems (Complete) / Dawson · Kwella · Bowman · Partridge · M. George · The Sixteen · Christophers
- Mozart: Great Mass in C minor /McNair * Montague * Rolfe Johnson * Hauptmann * English Baroque Soloists * Gardiner
ASIN: B00005N6UE
Release Date: 2001-10-09 |
Tracks:
- Zadok The Priest: Zadok The Priest
- Zadok The Priest: And All The People Rejoic'd
- Zadok The Priest: God Save The King
- Let Thy Hand Be Strengthened: Let Thy Hand Be Strengthened
- Let Thy Hand Be Strengthened: Let Justice And Judgment
- Let Thy Hand Be Strengthened: Alleluia!
- The King Shall Rejoice: The King Shall Rejoice
- The King Shall Rejoice: Exceeding Glad Shall He Be
- The King Shall Rejoice: Glory And Worship
- The King Shall Rejoice: Thou Hast Prevented Him
- The King Shall Rejoice: Alleluia!
- My Heart Is Inditing: My Heart Is Inditing
- My Heart Is Inditing: Kings' Daughters
- My Heart Is Inditing: Upon Thy Right Hand
- My Heart Is Inditing: Kings Shall Be Thy Nursing Fathers
- Ode For The Birthday Of Queen Anne: Eternal Source Of Light Divine
- Ode For The Birthday Of Queen Anne: The Day That Gave Great Anna Birth
- Ode For The Birthday Of Queen Anne: Let All The Winged Race With Joy
- Ode For The Birthday Of Queen Anne: Let Flocks And Herds Their Fear Forget
- Ode For The Birthday Of Queen Anne: The Day That Gave
- Ode For The Birthday Of Queen Anne: Let Rolling Streams Their Gladness Show
- Ode For The Birthday Of Queen Anne: Kind Health Descends On Downy Wings
- Ode For The Birthday Of Queen Anne: The Day That Gave Great Anna Birth
- Ode For The Birthday Of Queen Anne: Let Envy Then Coneal Her Head
- Ode For The Birthday Of Queen Anne: United Nations Shall Combine
- Ode For The Birthday Of Queen Anne: the Day That Gave
Customer Reviews:
INDITING OF A GOOD MATTER.......2006-07-08
For many years I've been looking for my ideal version of Handel's great Zadok the Priest, and I'm somewhere near it at last. So far as this performance goes, I may actually have got there, all I miss in this account is a little more vividness in the recorded sound. As far as the rest of the disc goes, I have no complaints or reservations at all. The four coronation anthems are given this time in the sequence Zadok, Let thy hand be strengthened, The King shall rejoice and My heart is inditing. Opinions vary as to the appropriate order for them, but obviously if you take a different view of the matter it is very simple to sequence them however you think best. The balance of the disc is taken up with an earlier work, a birthday ode for Queen Anne, probably composed for that monarch's 48th birthday in 1713.
Back to Zadok. Please forgive a possible appearance of dogmatism if I say that the tempo is absolutely right. Cleobury's speed here is much as I remember it from the recording of the coronation of Queen Elizabeth II. It may be faster than one is used to, but there is a very good reason for it. Even at this speed, that spine-tingling orchestral introduction takes a full minute and 20 seconds to reach the great choral chords, and it measures out the tread of the monarch and consort, one stately pace to every four notes, as they advance towards the altar steps in Westminster Abbey, the choral outburst coming as they arrive at them. The choral tone here is very full and grand. I would have been interested to know whether Cleobury has used a larger chorus at this point than later - on one occasion Handel is known to have had 500 performers in Zadok. There are certainly not 500 here, and Handel's choral writing can convey an impression of multitudes even with a smallish choir. From this point on the chorus is appropriately small, clear in its diction and even, to my delight, producing a trill on `ever'. The other three anthems are beautifully done and beautifully recorded. There are various Alleluias in the first three including Zadok, and here, as in the great chorus in Messiah, Handel scans the word sometimes as All-e-LU-ia and sometimes as All-eh-EH-lu-IA. He learned the latter way of doing it from Purcell, and 150 years after Handel's anthems Brahms uses it again in his great Triumphlied celebrating the battle of Sedan.
The words to the birthday ode are by Ambrose Phillips. They are the usual sycophantic rubbish, but `twas ever thus. In days of old such toweringly great poets as Horace and Pindar had turned out equally wince-making sentiments, they just expressed them a lot better. The music is another matter, being simply exquisite. I have been familiar with these three soloists in Handel for a couple of years now, and what a pleasure it is to listen to such perfect singing and perfect sense for the composer's style. The opening number is a heavenly duet for counter-tenor and trumpet. I was very let down at not seeing the trumpeter credited in the liner. It may be Crispian Steel-Perkins (it's good enough to be him) but we are not told. The choir of King's, the Academy of Ancient Music and the director need no introduction by now, and are at their superlative best throughout.
The liner-note, by Anthony Hicks, is helpful, informative and readable, and is given in German and French as well as in English, as are the texts to the music. The recording is really very good too, except that I was eager for just that last ounce of `presence' at the start of Zadok that would have made this disc absolutely perfect for me. The set dates from 2001 I see, so perhaps it will be reissued sometime with a little remastering, fulfilling one of my remaining aspirations in this life.
Stellar.......2006-03-09
As a Handel enthusiast, I can't think of any way this recording could be less than perfect. As another reviewer has noted, this disc features a brilliantly-executed Ode for Queen Anne's Birthday in addition to the four Coronation anthems. The tempo for "Zadoc the Priest" is the fastest I've heard, and that speed heightens the drama of Handel's score. That Cleobury and company can perform it thus without losing any richness of tone or color -- indeed, excelling in those very areas -- testifies to the quality of this recording.
Crowning Achievement.......2005-09-30
If you only have room for one recording of the Coronation Anthems in your collection, this CD will do splendidly. It's pure, lively and 100% fresh Baroque and the chorus really gets into the act. The heavenly harmonies of "My heart is igniting..." and "Upon Thy Right Hand..." are royal pleasure. But as if this wasn't enough, this disc also contains the Ode for Queen Anne, and with it, the most perfect version of Eternal Source of Light Divine I have heard to date. This is one of Handel's most beautiful pieces, but it is not an easy one to nail; it was written for a countertenor, plus you need a great trumpet player- it is a trumpet-voice duet after all. While I enjoyed James Bowman's spirited rendition, I cringed while listening to many versions recorded by high, warbling sopranos- in particular, Kathleen Battle and Edita Gruberova have transposed this one up and out beyond recognition. But here we have Robin Blaze, a countertenor previously unknown to me, giving us an Eternal Source that is truly ethereal, sunlit and sung by a voice that is outstanding by itself and perfectly blended with that trumpet. And, after a beginning like that, the rest of the Ode actually lives up to the high standard.
King shall rejoice and so shall anybody who listens to this CD.
Professionalism.......2005-07-20
This CD of Handel's Coronation Anthems shows the Choir of King's College Cambridge at its true professional height. The music is lively and tuned to perfection. This recording allows both serious and amateur listeners the chance to experience Handel's music as it should be heard.
Simply Amazing!.......2004-03-16
While I am no monarchist, I am entranced by the heavenly beauty of this version of Handel's Coronation themes.
As a music piece the selections from this compilation should be deservidly included with other masterpieces such as Mahler's Resurection, and Bach's Brandenburg Concertos.
This recording is very much worth the money!!
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Great Choral Classics from King's Choir of King's College, Cambridge
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ASIN: B000007OTQ
Release Date: 1998-06-09 |
Tracks:
- Miserere
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- Sancte Deus
- Ave verum corpus
- Gloria in D Major, RV 589: Gloria in excelsis deo
- Gloria in D Major, RV 589: Et in terra pax
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- Gloria in D Major, RV 589: Domine Deus, Agnus Dei
- Gloria in D Major, RV 589: Qui tollis peccata mundi
- Gloria in D Major, RV 589: Qui sedes
- Gloria in D Major, RV 589: Quoniam tu solus Sanctus
- Gloria in D Major, RV 589: Cum Sancto Spiritu
Tracks:
- This Is The Record Of John
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Jesu, Priceless Treasure
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: So There Is Now No Condemnation
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: In Thine Arm I Rest Me
- Motet: Jesu, Priceless Treasure, BWV 227: Trio: Thus Then, The Law Of The Spirit Of Life In Christ Abiding
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: Death, I Do Not Fear Thee
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: Ye Are Not Of The Flesh
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Hence With Earthly Treasure
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- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Fare Thee Weel That Errest
- Motet: Jesu, Priceless Treasure, BWV 227: Chorus: If By His Spirit
- Motet: Jesu, Priceless Treasure, BWV 227: Chorale: Hence All Fears And Sadness
- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Zadok The Priest
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- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Kings' Daughters
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- The Anthems For The Coronation Of King George II And Queen Caroline, HWV 258-261: Kings Shall Be Thy Nursing Fathers
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The Boston Pops: Romance Classics
Alex North , Marvin Hamlisch , Johnny Alfred Mandel , Henry Mancini , Michel Legrand , Georges Auric , John Williams , Sammy Fain , Barbra Streisand , Nino Rota , Leonard Bernstein , Max Steiner , Francis Lai , Boston Pops , and Arthur Fiedler
Manufacturer: Philips
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ASIN: B0000041FY
Release Date: 1997-01-28 |
Tracks:
- Unchained Melody (Ghost)
- The Way We Were - The Shadow Of Your Smile (The Sandpiper)
- Moon River (Breakfast At Tiffany's)
- Days of Wine and Roses
- The Summer Knows (Summer Of '42)
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- Love is a Many Splendored Thing
- Evergreen (A Star Is Born)
- Romeo And Juliet
- West Side Story
- The Godfather
- A Summer Place - Love Theme
- Tara Theme (Gone With The Wind)
- Where Do I Begin (Love Story)
Customer Reviews:
More does not necessarily mean better.......2005-09-21
This recording sounds less like the Boston Pops and more like 101 Strings. (That's not a compliment.) In fact, I know there are better performances of each one out there. These are actually all pleasant, familiar pieces which I like. I'm not at all sure they should all be on the same album. If you want background music while you're reading, or making love, this is perfect. If you're driving late at night and trying to stay awake, not so good! In short, the sum is less than the total of its parts. But I'm giving it a 3, because I do like most of the individual pieces, and I never give more than 4.
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- Forget what they SAY
- Most Aggravating Album in the World!
- A fair introduction to Classical Music
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The Best Classical Album in the World... Ever!
Stanley Myers , Antonio Vivaldi , Gregorian Chant , John Williams , Edward Elgar , Giuseppe Verdi , Giacomo Puccini , Michael Nyman , Edvard Grieg , Ludwig van Beethoven , Umberto Giordano , Riccardo Muti , Fryderyk Chopin , Tomaso Giovanni Albinoni , Georges Bizet , Wolfgang Amadeus Mozart , Johann Pachelbel , Antonin Dvorak , Carl Orff , Pyotr Il'yich Tchaikovsky , Léo Delibes , George Gershwin , Maurice Ravel , Charles Gounod , Erik Satie , Sergey Prokofiev , and Sergey Rachmaninov
Manufacturer: EMI Classics
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Similar Items:
- The Best Opera Album in the World...Ever!
- The Most Relaxing Classical Album in the World...Ever!
- Best of the Millennium: Top 40 Classical Hits
- Simply the Best Classical Anthems
- The Most Relaxing Classical Album In the World Ever, Volume II
ASIN: B000002S6K
Release Date: 1996-04-23 |
Tracks:
- The Four Seasons: Concerto No.1 In E 'Spring': I. Allegro
- Schindler's List: Theme
- Requiem: Ingemisco
- The Piano: The Heart Asks Pleasure First
- Symphony No.5 In C Minor: I. Allegro con brio
- The Deer Hunter: Cavatina
- Puer natus est nobis
- Cello Concerto In E Minor: I. Adagio
- Turandot: Nessun dorma
- Piano Concerto: I. Allegro molto moderato
- Andrea Chenier: La mamma morta
- Waltz No.6 In D Flat, 'Minute'
- Adagio In G Minor
- Carmen: Habanera
- Horn Concerto No.4 In E Flat: III. Rondo (Allegro vivace)
- Canon In D
- Gianni Schicchi: O mio babbino caro
- New World Symphony: II. Largo
- La Traviata: Brindisi
- Carmina Burana: O Fortuna
Tracks:
- Piano Concerto No.1In B Flat Minor: I. Allegro non troppo e molto maestoso (Opening)
- Symphony No.3 'Symphony Of Sorrowful Songs': II. Lento e largo - Tranquillissimo
- Flute and Harp Concerto In C: II. Andantino
- Lakme: Flower Duet
- The Four Seasons: Winter: I. Allegro non molto
- Porgy And Bess: Summertime
- Bolero
- Ave Maria
- Gymnopedie No.1
- Romeo & Juliet: Montagues and Capulets
- Rhapsody On A Theme OF Paganinni: Variation 18
- Walking In The Air
- Sonata No.14 In C Sharp Minor 'Moonlight': I. Adagio sostenuto
- Messiah: Hallelujah Chorus
- Eine kleine Nachtmusik: I. Allegro
- NIMROD: Enigma Variations
- Swan Lake: Act One: Finale
- Orchestral Suite No.3 In D: Air on the G String
- The Planets: Jupiter
- 1812 Overture
Customer Reviews:
Forget what they SAY.......2003-11-10
Many of these prior reviewers complain that the abundance of operas and vocals degrate this compilation. They don't know what they're talking about. These genres are what made Classical music popular in it's age. In that era the forum for showcasing "classical music" was operas! Hence why most of these works are lost in the shuffle. Most of us know Mozart and Beethoven's compositions by ear but there are so many other great composers that existed and these CD's will show you but a PIECE. But, fair warning, these CD's show only a small fraction of the whole movement (song). If you truly dig the genre you're in for a treat, investigate!
Most Aggravating Album in the World!.......2002-05-26
This CD is the first thing I ever returned to Amazon. It is an inferior product--selections cut off abruptly before the end, volume fades and returns in the middle of a cut...production values are pure schlock here. Maybe I should have expected as much from such a sophomoric title.
A fair introduction to Classical Music.......2001-03-03
I purchased this CD because I am new to Classical Music and thought this would be a good introduction CD. There is some wonderful music on this CD. The only problem I have with this CD is every other track is Opera of one form or another. As a new listener I found that after the Opera tracks I felt I had been yelled at and it was a distraction to the other music contained on the CD. I now know to hit the skip button on my CD player just about every other track. I only gave it 3 stars because I felt put off by the vocal tracks. I believe that when someone is new to Classical Music they do not think of Opera. If you don't mind hitting the skip button a lot or if you like Opera this CD is for you!
Great for Beginners.......2000-07-14
This is a nice recording for folks who don't know much about classical music, and would serve as a wonderful introduction. It covers centuries of great music in a very listener-friendly format. I am sure that I will use this CD in my music classroom. For a seasoned classical music lover, however, the CD proves a bit frustrating, including only segments of masterworks (not even the entire movement of the Holst). I bought the CD for a few recordings, which I truly enjoy and make the CD a worthwile purchase. But I found (and I think that most classical musicians will find) that I already had many of these works in their entirety.
Exellent compilation.......2000-04-12
This is a fine collection of classical songs for those that have little experience with classical music. Howver, I truly love it.
Average customer rating:
- If stranded on an island and had one disc...
- Truly inspired collection
- Encore! Encore!
- Encore! Encore!
- Surprised and ... inspired
|
Classical Dreams: Music to Inspire
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Ballets
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- The Most Relaxing Classical Album in the World...Ever!
- Modern Times
ASIN: B00005Q467
Release Date: 2001-10-09 |
Tracks:
- Antiphon: Ecce Annuntio Vobis - Dominique Vellard
- Symphony No. 5: Adagietto - Jukka-Pekka Saraste
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- Pavane - Paul Tortelier
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- Old And Lost Rivers - Christoph Eschenbach
- Prld To The Afternoon Of A Faun - Dmitri Kitaenko
- Summer Pastorale - Jesus Lopez-Cobos
- Masques Et Bergamasques: Pastorale - Jean-Bernard Pommier
- Summa - Bournemouth Sinfonietta
- Pictures At An Exhibition: The Old Castle - Sir Charles Mackerras
- The Wounded Heart - Jonathan Rees
- Ser in e: Larghetto - Andrew Litton
Tracks:
- Apollon Musagete: The Birth Of Apollo - Jukka-Pekka Saraste
- Adagio for Strings - City Of London Sinfonia
- The Swan Of Tuonela - Paavo Jarvi
- Enigma Vars: Nimrod - RPO/Andrew Litton
- Petite Ste: En Bateau (Orch. Busser) - Jean-Bernard Pommier
- Holberg Ste: Air - Jonathan Rees
- Fantasia On 'Greensleeves' - Christopher Warren-Green
- Gymnopedie No. 3 - Paul Tortelier
- Pavane Pour Une Infante Defunte - Jukka-Pekka Saraste
- The Last Spring - Jonathan Rees
- Thais: Meditation (From Thais) - Paul Tortelier
- Vocalise - Andrew Litton
- Mother Goose: The Fairy Garden - Dmitri Kitaenko
- Antiphon: Ecce Annuntio Vobis - Dominique Vellard
Customer Reviews:
If stranded on an island and had one disc..........2006-01-23
I'd be tempted to make this the one, and I own over 2,000. I agree with what has been said above, but have a few thoughts of my own. I live near a major city with a known orchestra. Why are classical audienced declining? Maybe they're overplaying hackneyed works, and not playing some neglected masterpieces. In this double album there are some well known works, but some exquisite finds, like Picker's Old and Lost Rivers, Honegger's Pastorale, Arvo Part's Summa (!!!). Most highly recommended, with a good bottle of red wine.
Truly inspired collection.......2004-12-07
I came upon this compilation while researching a somewhat obscure piece called "Summer Pastorale", which is contained in the collection. One look at the play list and I was sold - here were most of my favorite tone poems, adagios, and assorted short works, all on one CD (OK, two CD's...)
Another gem here that I had never heard before is Pick's "Old and Lost Rivers". Ravel's final movement from Mother Goose is one of his best orchestrations and at the top of my 'A' list.
About the only pieces I missed here were Debussy's Engulfed Cathedral and Respighi's fourth church window, St. Gregory the Great. Perhaps they would be a bit too dramatic for this collection, though.
The only shortcoming of this collection is the lack of liner notes, but this is a minor issue. The music is superb.
Encore! Encore!.......2004-06-17
Like a few other reviewers here, I purchased this disc for Tobias Picker's "Old and Lost Rivers." But from the Gregorian chants that open this two-CD set to the closing strains of Ravel's "Mother Goose: The Fairy Garden," I was absolutely captivated by the beauty and cohesiveness of this compilation. Producer Robert Laporta has created a disc that passes muster with neophytes and long time classical music lovers alike. I humbly suggest -- make that BEG -- that Virgin Classics turn "Classical Dreams" into a series. I would love to hear a second volume featuring such favorites as the BBC Symphony Orchestra's interpretation of Delius' "On Hearing the 1st Cuckoo In Spring," the Royal Philharmonic's version of Vaughan Williams' "Fantastia on a Theme by Thomas Tallis" and the London Symphony's recording of Vaughan Williams' "Symphony No. 3 Pastoral" (Andre Previn conducting both Vaughan Williams' selections). By far, this is the finest classical collection I have yet heard. Encore!
Encore! Encore!.......2004-06-17
Like a few other reviewers here, I purchased this disc for Tobias Picker's miraculous (and criminally underrated) "Old and Lost Rivers." But from the Gregorian chants that open this two-CD set to the closing strains of Ravel's "Mother Goose: The Fairy Garden," I was absolutely captivated by the beauty and cohesiveness of this compilation. Producer Robert Laporta has created a disc both neophytes and long time classical music lovers can approve of. I humbly suggest that Virgin Classics turn Classical Dreams into a series. I would love to hear a second volume featuring such favorites as the BBC Symphony Orchestra's interpretation of Delius' "On Hearing the 1st Cuckoo In Spring," the Royal Philharmonic's version of Vaughan Williams' "Fantastia on a Theme by Thomas Tallis" and the London Symphony's recording of Vaughan Williams' "Symphony No. 3 Pastoral" (Andre Previn conducting both Vaughan Williams' selections). By far, this is the finest classical compilation I have yet heard. Encore!
Surprised and ... inspired.......2002-05-10
What a pleasant surprise this double CD turned out to be. I bought it used just for Picker's gorgeous and poetic "Old and Lost Rivers" but fell in love with the whole thing. I'm not usully one for "Best Of ---" or themed classical collections, but this one's in a class by itself. The selections are unusual and achingly lovely in themselves and as a whole. This is my new favorite disk. It's a relaxation or concentration tool... hell, it's a companion - it goes wherever my laptop and headphones go. You get over two hours of gorgeous and lyrical - never mushy, sentimental or tired - classical music, the perfect backdrop for everything from dinner dates to writing code. This CD has added sustained moments of beauty and poise to a busy life - which is more than I could have asked for!
Average customer rating:
- a voice teacher and early music fan
- Outstandingly beautiful- a great legend in our time
- Follow the Leider...For He Is David Daniels
- Countertenors: They're not just for Baroque Anymore!
- Beyond Gimmick
|
David Daniels - Serenade
Christoph Willibald Gluck , Antonio Caldara , Antonio Cesti , Franz Schubert , Ludwig van Beethoven , Antonio Lotti , Charles Gounod , Ralph Vaughan Williams , Francis Poulenc , Henry Purcell , David Daniels , and Martin Katz
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
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| ( P )
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| ( D )
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ASIN: B00004SRG1
Release Date: 2000-06-06 |
Tracks:
- Adelaide Op.46
- Der Tod Und Das Madchen D531
- Auf Dem Wasser Zu Singen D774
- Nacht Und Traume D827
- Adelaide D95
- Selve Amiche, Ombrose Piante
- O Del Mio Dolce Ardor
- Intorno All'idol Mio
- Pur Dicesti, O Bocca Bella
- L'Absent
- Ou Voulez-Vous Aller?
- Absence
- Ser
- Orpheus With His Lute
- Linden Lea
- Hands, Eyes And Heart
- C'est Ainsi Que Tu Es FP 121 (Metamorphoses No.2)
- Priez Pour Paix FP 95
- La Belle Jeunesse FP 42 (Chansons Gaillardes No.7)
- Sweeter Than Roses
- I'll Sail Upon The Dog Star
- Evening Hymn
Amazon.com's Best of 2000
It's a truism by now that countertenors have made a notable comeback in our time, but David Daniels--Amazon.com's Opera & Vocal Artist of 2000--isn't about to rest on his laurels. As if his recent successes weren't enough to set him apart, on this recital album Daniels forays beyond the countertenor's stereotypical domain of the baroque to interpret lieder of Beethoven and Schubert, as well as French mélodies and Vaughan Williams. A stunningly beautiful disc. --Thomas May
Customer Reviews:
a voice teacher and early music fan.......2006-05-30
The German and French art-song developed in parallel,but although they shared the same creative process based on the two key elements of words and music, they are distinct one from the other in their aim. Beethoven was one of the first to usher in the 'Leid'. Between 1795 and 1796 he drew inspiration from Friedich von Matthisson for his cantata 'Adelaide'. In 1814 Schubert set the same poem for his own 'Adelaide'. More than three-quarters of Schubert's songs are nature pictures as is 'Auf dem Wasser zu singen' on this disc. Other composers included on this recording are:Caldara-Gluck-Cesti-Lotte-Gounod-VaughanWilliams-Poulenc and Purcell.This disc absolutely delighted me. I can think of only one other countertenor who could have "pulled off" the variety of songs Daniels performs on this album. Most of them are quite well-known at least to singers and actually could be considered trite but not the way David Daniels sings them. He is so skillful with strong tone production when needed and always perfect diction. I marvel at the way he can implement the highly dramatic Italian aria and then sing the light "wispy" French songs. My personal favorites are "Adelaide" by Schubert. "Ou voulez-vous aller?" by Gounod and "I'll Sail Upon the DogStar by Purcell. In fact, if you are a Daniel's fan you MUST hear the Dog Star!!!!!
Outstandingly beautiful- a great legend in our time.......2005-06-22
This is a truly unique voice. David Daniels has an opulent timbre which he uses here to achieve sheer excellence. As much as I hate for his career to be upstaged by anything, knowing that he was tutored by Marilyn Horne seems to establish her vocal qualities as a suitable metaphor. It's that rich, opulent tone and secure vibrato that you don't get with some mezzos, let alone countertenors. No thin-ness here; no `hoot' and nothing shrill. He still has control though, and produces clean, even tones where appropriate. Think of the dramatic requirements of `Der Tod und das Madchen' and the celestial purity of `Absence' or `Ser'- he more than merely achieves the standards, he surpassed them and has set his own seal of distinction.
The choice of songs/arias is itself brilliant and Mr. Daniels' technique needs high praise. As a very minor observation, his diction, though good, doesn't come across as completely idiomatic. This is a VERY minor issue though. The pianist, Martin Katz is very responsive to the style of singing. Mr. Daniels' ability to sustain a phrase with grace and beauty is matched by Mr. Katz's sensitive touch and timing.
In parting, I recommend the ethereal experience of `Orpheus with his lute' (my favourite). The words, a Shakespearean sonnet, are of a straightforward beauty and the melody is from another realm but the singing? Mr. Daniels vocal control and phrasing are exquisite and his tone is sublime. Close your eyes and listen to this one quiet evening. "In sweet music is such art, killing care and grief of heart. Fall asleep, or hearing die." A lute and a song- a simple combination; yet profoundly moving beyond the raging elements. Thank you David.
Follow the Leider...For He Is David Daniels.......2004-08-18
Countertenor David Daniels takes a breather from his beloved Handel arias this time around for a recording of sheer beauty and most often tranquility, all the more surprising given the wide variety of tempos and international breadth of the program spanning five centuries. German leider from Beethoven and Schubert sits alongside Italian baroque songs followed by alternating French and English art songs. The 22 selections, once again reflecting his consummate musical taste, require him to sing in four different languages, and this South Carolina-born and -bred singer handles the daunting task with complete ease.
The result is a seamless recital, and the disc flows like an unfolding dream starting with Beethoven's enchanting "Adelaide". Schubert's "Naucht and Traume" highlights the purity of his tone and is as perfectly performed as any of his most moving opera arias. The Gounod pieces, especially "L'Absent" and the title track, have a sonorous quality that feel very much like lullabies, the sole exception being the lively "Ou voulez-vous aller?". Poulenc's "La belle Jeunesse" continues along this vein, a whirling dervish of a number referred in the accompanying booklet as an "invitation to debauchery". But these tracks are more the exception as Daniels achieves a lovely sense of vocal beatitude throughout.
The standout tracks have to be the three beautiful and somewhat more contemporary-sounding Vaughan Williams songs capped off by "Hands, eyes and heart", short and poignant, it is my favorite moment on this recording. The Renaissance-era Purcell selections provide the appropriate ending though, in particular, "Evening Hymn" sparked by the growing melismas on the hallelujahs. Whether he exhibits an astounding vibrato or the purest of tones, the man knows how to use his incredibly flexible voice and apply it intelligently to each song. Martin Katz accompanies with great precision and completely recognizes the individual style each song requires. It makes for a perfect pairing between singer and piano. This is a recording to treasure.
Countertenors: They're not just for Baroque Anymore!.......2004-03-23
OK, so it's a bad pun. Shoot