Pater Noster

On this CD:

1. Otce Nas
Composed by Anonymous

Conducted by Christo Arabadjiev

2. Prositelna Ektenia
Composed by Anonymous

Conducted by Christo Arabadjiev

3. Vo Tzarstvii Tvoem
Composed by Dobri Hristov

Conducted by Christo Arabadjiev

4. Ize Cheruwimi
Composed by Anonymous

Conducted by Christo Arabadjiev

5. We Sing unto Thee (Tebe poem)
Composed by Gavriil Yakimovich Lomakin

Conducted by Christo Arabadjiev

6. Edin Svjat
Composed by Anonymous

Conducted by Christo Arabadjiev

7. Dnes Vsjaka Twar
Composed by Anonymous

Conducted by Christo Arabadjiev

8. Nine Otpuztaesti
Composed by Anonymous

Conducted by Christo Arabadjiev

9. Blazhen muzh
Composed by Russian Anonymous

Conducted by Christo Arabadjiev

10. Gospodji uslizi molitwu
Composed by Anonymous

Conducted by Christo Arabadjiev

11. Blagoslovi Douche Moia Gospodi
Composed by Anonymous

Conducted by Christo Arabadjiev

12. Djertva Vecernaja
Composed by Anonymous

Conducted by Christo Arabadjiev

13. Mnogaya leta (Many Years) for choir in D major (No.25b)
Composed by Dimitry Stepanovich Bortnyansky

Conducted by Christo Arabadjiev

Tracks:

Gregorian Chant From Spain: Prolegendum: Dominus regnavit
Gregorian Chant From Spain: Tractus: Vide, Domine et considera
Gregorian Chant From Spain: Lauda: Laudate Dominum, quoniam bonus est psalmus
Gregorian Chant From Spain: Preces: Ecclesiam sanctam catholicam
Gregorian Chant From Spain: Nomina offerentium: Per misericordiam tuam, Deus noster Deus noster
Gregorian Chant From Spain: Antiphona: Pacem meam do vobis
Gregorian Chant From Spain: Illatio: Introibo ad altare Dei mei
Gregorian Chant From Spain: Sanctus
Gregorian Chant From Spain: Post Sanctus: Vere sanctus, vere benedictus
Gregorian Chant From Spain: Credo
Gregorian Chant From Spain: Pater noster
Gregorian Chant From Spain: Ad confractionem panis: Gustate et videte
Gregorian Chant From Spain: Kyrie I
Gregorian Chant From Spain: Kyrie II
Gregorian Chant From Spain: Kyrie III
Gregorian Chant From Spain: Gloria
Gregorian Chant From Spain: Sacrificium: Offerte Domino
Gregorian Chant From Spain: Sanctus
Gregorian Chant From Spain: Agnus Dei I
Gregorian Chant From Spain: Agnus Dei II
Gregorian Chant From Spain: Antiphona: Statuit Dominus
Gregorian Chant From Spain: Lamentatio Ieremiae Prophetae: Ego vir videns

Customer Reviews:

mystery and fact.......2006-05-07

While I agree with the other reviewers that this is a fine recording, two precisions are necessary for the sake of accuracy. The disc is titled "Gregorian Chant" but in fact it is Mozarabic or Old Spanish Chant. The reviewer who wrote that the monks observe this rite is mistaken. The monks observe the same monastic rite as the monks of Solesmes and other Benedictine abbeys. The choir director at the time (1968), however, is a musicologist who prepared a special program of Old Spanish Chant for the historically based Archiv Produktion of Deutsche Grammophon.

Gregorian Chant as it should always be!.......2005-02-15

The monks of Santo Domingo de silos follow the rites and traditions of the ancient Mozarabic period of Hispania (modern day Spain). This period stemmed from the Visigothic period of control over the former Roman protectorate. And from this period throughout the generations this form of pure, magical and yet authentic chant has been saved and will continue to be saved. I brought this CD initially for my stepdad but I decided to keep it with me after listening to it. I fell in love with the sound, the atmosphere and it made me great when I listened to it.
I hope to one day visit the abbey and listen to these chants in person and live. 22 tracks of solid gold chants and the voices are so in sync with each other that the real mystery is why there is not more monasteries like this one.

The best Chant CD on the market........2004-04-14

By happy coincidence, this CD was my introduction to Gregorian Chant and while I have since listened to many more, this disc is clearly the best. Right from the opening Dominus Regnavit and Laudate Dominum, the listener is caught up in what seems to be a swelling wave of deeply felt emotion, all the more impactful for the pure voices. Follows in due course the majestic old Credo and lastly for the moving finale, the Lamentation of the Prophet Jeremiah. Sung with tremendous control and feeling by the monks of the Abbey of Santo Domingo, the sound quality and the depth of the individual voices is amazing. Listening with your eyes closed, you can picture cowled monks singing in an echoing hall, yet the acoustics are so good that while giving the listener a feeling of resonance in space, there isn't the faintest of ghost echoes. I learn from the inset that the Abbey of Santo Domingo in the village of Silos is one of the oldest surviving Benedictine monasteries in Spain and an earlier reviewer on this page, Jason Anderson, has written some very informative historical notes. The inset also has a nice piece on the abbey and the history of the chant, as well as the full text of the lyrics in Latin plus an English translation. I cannot recommend this CD too highly: whether you love Gregorian Chant or you just want a soothing listen for a quiet evening or a long drive, I guarantee you will not go wrong with this one.

Un magnífico cd.......2001-11-18

Este es un maravilloso cd para cualquier persona a la que le guste el canto gregoriano o esté interesada en escuchar algo de este tipo de música. Al principio puede parecer que todas las canciones son muy similares, pero una escucha atenta hace que esa sensación se despeje por completo. La calidad de sonido es muy buena y uno se siente casi dentro del propio monasterio de Silos cuando pone este cd, da una ambientación totalmente medieval y transporta en el tiempo y en el espacio al oyente. Además el precio es muy bueno para un cd de estas características.

A RARE EXPERIENCE!.......2000-09-12

The stylistic and indeed musical perfection of the recorded legacy of the Abbey of Saint-Pierre de Solesmes aside (and what a legacy that is - and how impossible to set it aside!), this remains, in my view, the ultimate recording of liturgical chant. There is so much to recommend the recordings of Solesmes -the exceeding quality of their beautiful art, the exquisite singing -especially of that one anonymous tenor voice that seems not only to color but to create the 'sound' for which their choir is justly famed!- the aristocratic liturgical taste of Dom Gajard, and now of Dom Jean Claire, even the genuine poverty of the monastic life at Solesmes (I've been there and seen it) - yet, in this recording of the choir of monks of the Spanish Abbey of Santo Domingo de Silos, there is an abiding aura so mingled of sorrow and joy that its effect cannot merely be audaciously touted, but must be absorbed like a holy ether in order to be justly experienced. While Solesmes has explored that vast body of prayer we know as Gregorian chant, the monks of Santo Domingo here offer chant from an earlier age, so-called Visigothic (Mozarabic) chant, rarely heard in our time before the liturgical relaxations subsequent to the Second Vatican Council. To listen to these monodic melodies so redolent of Spain's ancient Arabic past leaves us marked not only with their own intrinsic beauty, but allows us, I think, to hear Roman chant itself again in a fresh light. While the Kyriale included in this recording is perhaps more exactly called neo-Mozarabic chant, the main body of selections indeed come from the period prior to the Roman codification under Gregory, Spanish in heart, and universal in beauty; the remarkable 'Introibo ad altare Dei mei', the various Antiphons and Prayers intrinsic to an older national liturgical ideal usurped by Gregorian legislation, culminating in the astonishing 'Lamentation of Jeremiah' which, once heard, will never leave your heart. Recorded in the great Romanesque church of the Abbey, the acoustic ambience is perfectly suited to the sung prayer of these glad monks. If you enjoy listening to liturgical chant and have never heard this recording, you are unfinished and impoverished in your enjoyment. Get this recording and enter on the rich path of a rare experience indeed.

Average customer rating:

heavenly (literally)
Exquisite and haunting
Sublimity somewhat impaired
Soaring,haunting music
Gorgeous but...

Vox de Nube

Manufacturer: Sounds True Direct
ProductGroup: Music
Binding: Audio CD

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The Virgin's Lament (Caoineadhi Na Maighdine)
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Rosa Mystica

ASIN: B0000037AG
Release Date: 1997-06-24

Tracks:

Magnificat Cum Alleluia (Song Of Praise)
Pater Noster (Our Father)
Lob/Ehre, Christe (Praise/Glory To Christ)
A Dhia Ghleigil (Oh Glorious God)
O Viridissima Virga (Most Holy Virgin)
A Song For Mary Magdalen/Pater Superni Luminis (Our Father Of Light)
Kyrie Eleison: Hildegard Of Bingen (Lord, Have Mercy)
We Venerate Thy Cross
Cum Processit: Hildegard Of Bingen (When You Came Forth)
An Taiseirl (The Resurrection)
Go Mbeannaitear Duit (Hail, Mary)
Homilia Sancti Bernardi Abbatis (Homily Of Saint Bernard)
The Beatitudes
Regnavit Dominus (The Lord Now Reigns)
Saint Brigid's Prayer
O Frondens Virga (Oh, Flowering Stem)
Seacht Suailci Na Maighdine Muire (The Seven Rejoices Of Mary)
Ar Nathair (Our Father)
In Paupertatis Praedio (In The Farmland Of Poverty)
Vater Unser: Joa Bolendas (Our Father)

Customer Reviews:

heavenly (literally).......2006-10-20

There are voices that crack glass. That's impressive, always. Noirin Ni Riain has a voice that stops you in your tracks and fills your eyes with tears and makes all that is holy to you as real as your hand. If you don't believe that, listen to ten seconds of "Magnificat cum alleluia" and see if you don't suddenly feel the impulse to drop to your knees.

Noirin Ni Riain --- in America, she'd be Noreen O'Ryan --- is not much known outside Ireland. There's a reason. As a child, she learned 1,000 traditional Irish songs in a style that's hundreds of years old. She made her first recordings with the choir of Benedictine monks at the Glenstal Abbey in Limerick, Ireland in 1979. The monks were, in essence, her record company. A very non-commercial company --- the monks filled orders but did not engage in the worldly practice of promotion.

Noirin Ni Riain was an Irish national treasure for a decade. (Sinéad O'Connor called her "my biggest influence and heroine in music.") Then she began performing outside of Ireland, often in support of peace groups. She's learned to sing the sacred music of India in Hindi and to play Indian instruments. In 2003, she earned a PhD. in theology from the University of Limerick. Her thesis subject: "Theosony," a theology she devised that marries listening to Spirit.

An Irish critic, Brendan Kennelly, nails her appeal: "Noirin Ni Riain's special magic springs from her ability to meditate coherently on the nature and consequences of her own passion for music, song and chant. She is a very conscious artist who has a direct, articulate link with her unconscious powers. The beautiful clarity of her singing and thinking is born of her intrepid ability to confront and express the complexity of her dreams, instincts, aspirations and longings. I believe that is why her genius, at once contained and soaring, creates in the listener's heart an atmosphere of serenity and calm, a peace that is all the more profound and convincing for being voiced in a world of horror, greed and compulsive destruction..."

I don't understand the words she sings. But I don't need to use the liner notes to know what they say. Her music comes across time, from a place out of time. Her voice is of this earth, and not. (The title of the CD means "voice from a cloud.") There is no arguing with it --- this music is truth, beyond judgment. And this is the most wonderful thing about it: There's no negativity. Noirin Ni Riain may knock you to the floor, but she will never fail to lift your heart to the heavens.

But I don't want to get all heavy about Noirin Ni Riain's gifts. Of course this CD will have special appeal to those who are hurt and lost and alone and feeling all of that every minute of the day. But this music can also be played for enjoyment --- in "Saint Brigid's Prayer," she sings: "I'd like to give a lake of beer to God/ I'd love the Heavenly Host/ to be tippling there/ For all eternity." So much for stuffy "church" music! (Consumer warning: There are some prayers spoken at one point. But they're not long, and they don't fatally break the mood.)

I wish I could give this CD to everyone in the world.

Exquisite and haunting.......2004-09-11

Noirin Ni Riain's music here, together with the monks of Glenstal Abbey, is
nothing less than equisite - and haunting. A superb example of the ability of the arts, including music of course, to mediate religious experience. (And for those who find the word "religious" to be impolitesse - "spiritual" experience.)

It is, of course, the music of worship - of monasteries ancient, of poetic longings and deepest enchantment with God.

To the reviewer who complained of the distraction of the inclusion of some spoken word - the complaint is astonishing - "like reading from the Bible!"
Well . . . as another reviewer wrote, what would one expect from Christian music of a worship nature? Prayer and scripture. Poetic prayer. Ancient prayers of great beauty. For the Irish, the spoken word, prayer and poetry are themselves musical reckonings.

I hope no one is dissuaded by a comment like that that simply arises from either misconceptions or simply ignorance of the form.

Sublimity somewhat impaired.......2001-03-09

Noirin Ni Riain's voice is often competing with the instrument that she is playing at the time, e.g. harmonium, and this is sometimes to the detriment of audibility.
She is often overwhelmed. When you can hear her, however, the singing is sublime. And the monks are as clear as monks should be. (Almost said "clear as a bell.")

The monks of Glenstal Abbey are Benedictines, not Trappists.

Soaring,haunting music.......2001-02-15

Norin Ni Riain has a luminous voice,yes,angelic is an appropriate description. Here with her faithful companions, the monks of Glenstal abbey compliment each other seamlessly through the tracks.the track opens with a brilliant magnificat,the Kyrie is quite moving,the song for Mary Magdalen is astonishing. The depths of this recording are authentic spirituality. The Reviewer who ojected to what they supposed to be "bible readings" mystifies me. What on earth do they think trappist monks would be singing about?this is profound religious music,with a deep,clear Irish touch.Norin Ni Riain is a pleasure, a gift,a treasure.

Gorgeous but..........2000-10-18

This is an absolutely beautiful cd, wonderful for background music or to just sit and meditate to. The only drawback I found was that there are a couple of tracks on which there is a person speaking as if they are reading out of the Bible! I bought this cd for music, not Christian sermons. I would highly recommend it, but just be aware of those disconcerting tracks.

Women in Chant: Gregorian Chants for the Festal Celebrations of the Virgin Martyrs and Our Lady of Sorrows

Average customer rating:

A CRUCIAL COLLECTION OF HYMNS FROM VARIOUS VIRGIN FEASTS LIKE OUR LADY OF SORROWS; CROWNED BY THE ABBESS'S CHANT OF PATER NOSTER
Beautiful Benedictine Chant
Perfect for Meditation

Women in Chant: Gregorian Chants for the Festal Celebrations of the Virgin Martyrs and Our Lady of Sorrows
The Choir of Benedictine Nuns at the Abbey of Regina Laudis
Manufacturer: Sounds True Direct
ProductGroup: Music
Binding: Audio CD

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Women in Chant: Recordare: Remembering the Mysteries in the Life of Jesus, Son of Mary
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Chant II

ASIN: B00000379Y
Release Date: 1997-10-21

Tracks:

Bells of Jesu Fili Mariae
Orante Sancta Lucia
Jesu Corona Virginum
Columna Es Immobilis
Regem Virginum Dominum
Dilexisti
Annulo Suo
Matins Lesson
Amo Christum
Ecce Quod Concupivi
Me Exspectaverunt
Quinque Prudentes
Valerianus
Adjuvabit Eam
Virgo Gloriosa
Confundantur
Benedico Te
Virginis Proles
Paganorum
Gaudeamus
Stabat Mater
Nolite Me Considerare
Kyrie, Pater Noster, Collect, Blessing by the Abbess
Regina Caeli

Customer Reviews:

A CRUCIAL COLLECTION OF HYMNS FROM VARIOUS VIRGIN FEASTS LIKE OUR LADY OF SORROWS; CROWNED BY THE ABBESS'S CHANT OF PATER NOSTER.......2007-03-09

Opening with a rousing tolling from the new Abbatial bell tower, this exquisite collection of hymns and chant from the Feasts of Saint Lucy, Saint Agnes, Saint Cecilia, Saint Agatha, and Our Lady of Sorrows (including the well-known Stabat Mater) is crowned with a deeply moving solo chant by the Founder of this Abbey of Regina Laudis, the so recently deceased Lady Abbess Reverend Mother Benedict Duss, OSB, whose new biography we now expect soon in May of 2007 from Ignatian Press. To hear her once again in advanced age intone the Kyrie and chant completely and with great inner strength the Pater Noster as so often throughout the life of this monastic choir, as well as the Collect of Our Lady of Sorrows, is to unite heart and mind, body and soul, in a sacred moment within an eternal and a sacramental dimension, full of God's loving grace, and challenge, and a prophetic calling to continual conversion in Christ.

The recording of the chant by this living Gregorian Choir of sacred women is perfect in every way, although on my small player I found some overtones in the upper registers. Certainly this was the fault of my inadequate player, and I shall try it again. The cassette tape copy which kept me company for thousands of my miles in my small truck finally separated, and its sound was full and deep until then, very present, in fact so much so I felt I must arise to bow while driving whenever the Gloria Patri et Filii came on.

As subtle and precise as is the chant itself, the extensive booklet informs and educates not only the initiate but all of us already familiar with these sacred tones. The full text of the hymns are presented in the 45 page well-illuminated booklet, along with English translation. The translation of scriptural verses is drawn "from the Confraternity Version of The Holy Bible: The Book of Psalms and the Canticles of the Roman Breviary, published by the St. Anthony Guild Press. This edition was chosen because of its reliability and because its numbering of the Psalms corresponds to that used in the Graduale Romanum, Antiphonale Monasticum, and Breviarium Monasticum. (p.39)" Therefore the anglophile yet Catholic listener should feel all confidence in the English translation employed in the accompanying text. Please note nevertheless the Nolite's English was drawn from the very well-regarded Jerusalem Bible.

What you might find most extraordinary about the English translations is that non-SCriptural yet very traditional hymns and sequence such as the Stabat Mater comes not only with a brief description of author. but also new English translations done at the Abbey in order to provide a fresh and simplified understanding of the profound meaning of these chants. As one who in my youth wished nothing more than to do precisely such sacred translations, I must restrain myself from contesting the words used, as any translation is treason, as they say. Rather I resolve to find what remains within my heart and mind to do as an exercise of prayerful contemplation the translation I might once have done, knowing full well this is now impossible. By this disk I may now view from a distance the Promised Land which might once have been attained.

Please purchase this disk and you will be greatly and overwhelmingly rewarded in so many dimensions. I find a profound homecoming in the stunning centerfold photo of the new Abbatial nave, a true and sturdy ship of our Faith. I weep once agian to view the beautiful bas-relief of the Holy Virgins here presented, and of Mother Placid's excellent Via Crucis. The photos of te two Abbesses are a strengthening and truly Ikonic joy (in the true sense of the word IKON, not the meaningless cliche it has now popularly and commercially become). The introduction includes brief biographies of Dr. Marier and of Tom P., the producer, but what follows is truly blessed, a one page biography of the Reverend Mother Benedict Duss, followed by an extensive interview with her regarding the essence of the Chant, concluding:

"When I hear the chant, I hear people at peace together (p. 9)"

A fine colleciton of hagiography follows, etc. Please give yourself the gift of this recording and its warmly embracing theological commentary.

Beautiful Benedictine Chant.......2002-11-16

Benedictine chant from the nuns of abbey of Regina Laudis. Really gives you the feeling of attending a beautiful service. The accompanying booklet gives the Latin text and English translation of each piece, the interesting history of the Abbey, and has some very nice photographs of the nuns. The album's production is very natural and has an ambient quality. The producer Tom Pomposello was interestingly enough a blues guitarist and Grammy award winning professor. Well worth having!

Perfect for Meditation.......2000-08-14

I was looking for music to use in my meditation and, since my path is women-spirituality based, I was pleased to come upon Women in Chant. What beautiful music. Although I am not Catholic, it hardly matters in terms of recognizing and appreciating the sacredness of these chants. I wonder at the dedication of the nuns of the Choir to perfect the intricacies of the songs. The accompanying informational booklet that describes the circumstances of the Virgin Martyrs and Our Lady of Sorrows was both interesting and poignant. If you love Gregorian Chant -- or if you would like to experience it ... if you have listened to choirs of women before -- or if you have never heard women's voices raised in chant ... whatever your past experience, I think you will enjoy and grow from this compilation.

Beyond Chant: Mysteries Of The Renaissance

Average customer rating:

Great literature... but thats about it
Essential listening.
Captivating!
Lofty music
Slow down Maestro !

Beyond Chant: Mysteries Of The Renaissance

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000006ZN
Release Date: 1994-05-23

Tracks:

Sicut Cervus
Ave Maria
Justorum Animae
Jesu Rex admirabilis
Exultate Deo
Exultate Justi
Jesu,Dulcis Memoria
Ave Verum Corpus
Psalm 90
Psalm 96
Hodie Christus Natus Est
O Maria Virgo Pia
Tu Pauperum Refugium
O Sacrum Convivium
If Ye Love Me,Keep My Commandments
Hosanna To The Son Of David
O Quam Gloriosum
Selig sind die Toten
Heu Nos Miseros
Exaltabo Te
O Sing Joyfully
O Magnum Mysterium
Laudate Nomen
Cantate Domino

Amazon.com

Go right to the first track and prepare for one of the most masterful and stylish performances of Palestrina that you'll ever hear. It's not flashy music nor is the singing especially virtuosic, but the unified phrasing, ideal balance among sections, and overall ensemble technique is impressive, and Palestrina's little motet simply opens and displays itself like a beautiful flower. The rest of the program, which includes a variety of beautiful flowers from composers such as Josquin, Sweelinck, and Tallis, maintains the same standard. Anyone looking for an introduction to Renaissance sacred choral music will find much here to encourage further exploration--standards like Byrd's "Ave verum corpus" and Victoria's "O magnum mysterium"-- and lesser known tiny masterpieces such as Victoria's "Jesu, dulcis memoria." The Voices of Ascension ranks with the world's finest choirs, and this recording reflects both the highest standard of choral singing and the highest standard of choral composition during the Renaissance. --David Vernier

Customer Reviews:

Great literature... but thats about it.......2007-06-17

This cd was mildly dissapointing, to say the least. The literature is fantastic. Some of the greats are featured on here with some of their best works. No doubt a great taste of the Renaissance, especially for someone new to it. However, I'm sorry to say that the performance is second-rate, at best. Dennis Keene apparently is either unaware, or just simply understudied when it comes to the Renaissance. He shows an incredible lack of messa di voce, which was what drove the counterpoint of the Renaissance. His interpretations rob this music of its deeply personal purpose. I would suggest the Hilliard Ensemble over any ensemble for Renaissance literature, and find it dissapointing that so many people praise such emotionless, understudied Renaissance ensembels such as the Voices of Ascension, the Tallis Scholars, and the Oxford Camerata, just to name a few. Very good literature... But always pick the Hilliard Ensemble or Anthony Rooley's Consort of Musike when you have the option. It seems like Paul Hillier and Anthony Rooley are the only two true Renaissance scholars currently conducting ensembles.

Essential listening........2007-03-05

This was my first CD of Renaissance choral music, as it undoubtably has been for a great many people. It offers the best possible introduction to the genre for 2 main reasons: 1. No other CD of Renaissance choral music contains such a varied cross-section of early to late Renaissance sacred music styles. 2. The performance and recording quality are fabulous.

Keene uses a variety of different voicings and numbers of singers according to the needs of each particular piece, sometimes with only 2 on a part. The ensemble heard on this recording is a select professional core of The Voices Of Ascension, one of the best choral groups in the country. The voices are all very rich and resonant, and the intonation through the entire CD is unquestionably on par with the best in the world. The singing is, for the most part, completelly vibratoless and extremely smooth, which creates a gorgeous purity that allows this music to shine. However, it does become strident at times, which may put off some choral conductors who are strongly against straight-tone singing.

Of particularly high quality and beauty are the Viadana "Exultate Justi", Byrd's "Ave Verum Corpus", Tallis' "O Sacrum Convivium", and the Victoria and Sweelinck pieces. Another extraordinary track is Leonardo Leo's "Heu Nos Miseros", a late Baroque piece included because of its influence from earlier styles. It is a 9 part double choir piece full of extravigant dissonances and emotion, performed breathtakingly.

Captivating!.......2006-04-12

I was christened as a choral music fan once, as a college student, I heard the music of the Cambridge Singers. Inundated with classical music for years, how could I never have heard such music?! It was as if my musical senses were born anew: for it was with the same awe as a child encountering the world for the first time, that I discovered this novel and fascinating world of a cappella choral music. There were landmark discoveries along the way: Choir of Trinity College, Cambridge; Concordia Choir; St. Olaf Choir; the Dale Warland Singers; the Kansas City Chorale; Kantorei; the West Coast Mennonite Chamber Singers...and (as you expected!) I must end with the Voices of Ascension. The clarity of their pure voices can only be paralleled by the Choir of Trinity College, Cambridge. Chant haters, do not avoid this CD - you will find no chants here! Chants hold absolutely NO intrigue for me and I cannot endure listening to them for long periods of time. By contrast, this music, aptly named "Beyond Chant," truly does uncover hidden musical treasures of the Renaissance for those who would ordinarily avoid such music. The intricately woven a cappella harmonies are captivating and satisfying. I highly recommend this CD to all choral music fans.

Lofty music.......2005-10-14

Some of the earliest pieces of Christian music are the various kinds of chant. These hearken back to synagogue singing; there were various kinds of chant, including Gregorian, Old Roman, Mozarabic, Cistercian and Anglican chant. These tend toward the monophonic, singing with a single 'tune' or lone. They are generally without regular beats or set meters. However, in the Renaissance, monophonic chant grew into a polyphonic form, and this is one of the most glorious eras of music. (My shelves at home are filled with CDs of this sort.) Composers in this era include many represented on this disc - Palestrina, Desprez, Victoria, Lassus, Byrd, Gibbons and Tallis were some of the leading lights of the time. Lesser known but still glorious include Tye, Viadana, Sweelinck, Hassler, Batten and Schutz.

One of the interesting features of this disc is that it includes three pieces by Sweelinck, two psalm settings and 'Hodie Christus Natus Est'. (Sweelinck is very under-represented in recording and performance today). Some pieces are very well known - Byrd's 'Ave Verum Corpus' is perhaps one of the most familiar pieces from this period, as is Palestrina's 'Exultate Deo'. This is a collection that draws from the breadth of the Western Christian tradition of music from this time, with composers from Britain, Italy, the Netherlands, France, Germany, and Spain.

The composers here wrote liturgical music for Masses and other worship services, as well as other pieces - motets and other kinds of new music. This disc represents music that is two or three steps removed from plainsong and basic forms of chant - some are quite a bit distant. Viadana's composition for 'Exultate Justi', for example, was actually composed later, and despite being done in a more Renaissance style, shows decided influences of the Baroque (this might also be part of the performance of the Voices of the Ascension that gives this impression).

The Voices of Ascension, under the direction of Dennis Keene, grew out of the choir of the Church of the Ascension in New York City. Many of the singers are active soloists in addition to being part of this group (whose numbers vary, but often around 40). Keene is a conductor, organist and teacher (not an uncommon combination). Trained at Juilliard, he has led the Voices of Ascension through many outstanding recordings and performances.

This is a performance that is definitely uplifting, and a good collection of music in its breadth to introduce the glories of Renaissance polyphony to those who with little exposure to it. The recording quality is very good, and the choir is quite full and well suited for the music. Some have commented upon the tempo, but this was not a concern for me, and did not stand out as unusual or a problem upon listening (indeed, there were a few points at which I might wish for it to be a bit faster, rather than slower).

A collection that soars!

Slow down Maestro !.......2004-01-04

Another reviewer writing about another album by Dennis Keene wrote:

"Yet the performance is not the slowly flowing honey usually served up by, say, the Tallis Scholars (as good as that is). Particularly in the Gloria and Credo of the Mass, Dennis Keene deliberately de-emphasizes the rise and fall of the different voices' lines in favor of a more naturally speech-like declamation of the long Latin texts. This means a surprisingly fast tempo--and some rhythmic spring and syncopation one might not expect in Palestrina. Some (not all) of the motets get a similar treatment: it works well in joyous pieces like the Pentecost motet Dum complerentur, but listeners might miss that melodic rise and fall in some of the slower works. The singers of Voices of Ascension are quite skillful, and the slight edge in their tone helps make the different melodies unusually audible. Very worthwhile, but not your father's Palestrina."

As a matter of fact, I used to like this album quite much although it was certainly not my favorite. That was until I listened to Robert shaw's "O Magnum Mysterium", which is amedley of Renaissance, negro spiritual, Russian and Western contemporary religious music. I was struck by Shaw's profoundly spiritual interpretation of the pieces by Victoria and Tallis that are also recorded on "Beyond Chant".

From then on I could no longer listen to this cd without feeling feeling increasingly dissatisfied. I tried to find a precise reason and not being a music specialist I was quite at a loss until I found the review above. Maybe the quick tempo is the key to my dislike.

I definitely feel that Dennis Keene and his singers do not have the depth of the Robert Shaw Festival Singers although the booklet accompanying the cd claims that the audience was spellbound by their performance, which took place in a cathedral in New York.

You may have a more gratifying experience if you buy a cd by the Tallis Scholars, Robert Shaw ("O Magnum Mysterium"), Pomerium(see their wonderful "Book of Hours") or even by the French countertenors and baritones of the Organum Ensemble ("Missa Pange Lingua").

Le Manuscrit Du Puy - Les Premieres Polyphonies Francaises
Average customer rating:

Explorations in the early Middle Ages

Le Manuscrit Du Puy - Les Premieres Polyphonies Francaises
Dominique Vellard , and Ensemble Gilles Binchois
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Chamber Music | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
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Polyphonic Aquitaine of th 12th Century

Magister Leoninus: Sacred Music from 12th-Century Paris

Aquitania

Perotin / The Hilliard Ensemble

Richard Coeur de Lion (Richard the Lionheart): Troubadours & Trouvères in the Courts of Eleanor of Aquitaine, Richard the Lionheart, Marie de Champagne & Geoffroy, Duke of Brittany - Alla Francesca

ASIN: B00005A9NZ
Release Date: 2001-10-09

Tracks:

Organum: Alleluia V. Multifarie Olim
Trope: Gaudeamus Hodie - Introit Puer Natus Est Nobis
Organum: Graduel Viderunt Omnes
Antienne Ecce Annuntio Vobis
Trope: Qui Es Sine Principio - Offertoire Tui Sunt Celi
Trope: Radix Iesse Virga - Communion Viderunt Omnes
Trope: O Si Gereus - Introit Statuit Ei Dominus
Organum: Graduel Posuisti Domine
Trope: Descendens Ab Etherei - Introit Ecce Advenit
Organum: Graduel Omnes De Saba
Trope: Paschale Carmen - Introit Resurrexi
Graduel Hec Dies
Organum: Alleluia V. Pascha Nostrum V. Epulemur
Antienne Ego Sum Alpha Et O
Organum: Repons Gaude Maria Virgo - Prose Inviolata
Antienne Ibo Michi
Organum: Repons Petre, Amas Me?
Prose Symon Bariona
Organum: Alleluia V. Video Celos Apertos

Tracks:

Exultantes In Partu Virginis
Deus In Adiutorium Meum Intende
O Nazarene, Verbum Patris
Salve, Festa Dies
Annus Novus In Gaudio
O Admirabile Commercium - Dixit Dominus
Iube, Domne, Benedicere - Verbum Caro Factum Est
Stirps Iesse
Veni Redemptor Gencium
Viderunt Omnes Fines Terre
Magnum Hereditatis Misterium - Magnificat
Dominus Vobiscum - Oremus
Benedicamus
Princeps Ecclesie - Sit Nomen
Psallat Vox Ecclesie
Iube, Domne, Benedicere - Verbum Quod Erat
Nostri Festi Gaudium
Iube, Domne, Benedicere - Apparuit Benignitas
Hac In Die
Maria Autem Conservabat - Miserere Mei Deus
Kyrie Eleyson
Pater Noster Qui Es In Celis
Dispersit - Dominus Vobiscum - Oremus
Benedicamus Domino
Creatorem Creatura
Serpentis Amonicio
Revirescit

Customer Reviews:

Explorations in the early Middle Ages.......2006-01-17

This is a wonderful and enligthening CD. The excellent French group Ensemble Gilles Binchois explore a very important moment in European music history: the emergence of polyphony. The so-called Ars Nova marks a radical departure from the monody of the gregorian chant. Arguably, polyphony is the cornerstone of European music. Even modern composers such as Nono, Berio and Boulez continue to be deeply influenced by the Ars Nova.
This record provides early examples of polyphony in France, showing examples of the transition to the monody to one, two and then many simultaneous voices. Dominique Vellard, conductor of the ensemble, is a scholar-performer in medieval music, and works at the Center for Medieval Music in Paris. The performance and recordings are first-rate. If you care about medieval music, this record is a must-have.

Average customer rating:

The Inspired Effect

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Christian & Gospel | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

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ASIN: B00000K2EM
Release Date: 1999-09-14

Tracks:

Gloriana: Courtly Dances: March
Sonata For Two Pianos, K.448: Allegro Molto
Messiah: Hallelujah Chorus
Cantata, Bwv 140: Wachet auf
Fa fa mi fa mi re - Ut re mi ut re mi
Concerto For Oboe, Rv 454: Allegro
Ave Maria
Rondo
Cantate Domino
Cantata, Bwv 147: Jesu, Joy Of Man's Desiring
Concerto For Organ, Op. 4 No. 1: Allegro
Hymn: God That Madest Earth And Heaven
Sonata, Bwv 1031: Allegro moderato
In dulci jubilo
Canon
Pater noster
Gloriana: Courtly Dances: March: Finale

Average customer rating:

Moving, intense music.
peaceful moment to soothe you and draw you closer to Him.
Aural Delight
Excellent Russian Music
Slavyanka: Small Chorus - Large Sound

Russian Church Music

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
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Russian Divine Liturgy
Russian Christmas
Russian Medieval Chant
Ancient Echoes
Basso Profondo From Old Russia

ASIN: B0000007DX
Release Date: 1992-10-01

Tracks:

Our Father (The Lord's Prayer)
Blessed is the Man
Behold, Bless The Lord
O Lord, Save Thy People
Having Fallen Asleep
By The Rivers Of Babylon
Make A Joyful Noise
With My Voice
For The Mercy Of Peace
Salvation Is Created
O Gladsome Light
It Is Fitting (A Hymn To The Virgin Mary)
The Shadow Of The Law Passed Away
Lord, Now Lettest Thou Servant Depart
For the Mercy of Peace
Our Father (The Lord's Prayer)
Glory To God In The Highest

Customer Reviews:

Moving, intense music........2006-04-30

I've had this album for a little over a year now and still listen to it regularly. It's a favorite in my car, especially in the early morning while driving my kids to school. The combination of the sunrise and the moving vocals combine to leave me feeling full of life, ready to move on with my day. The chorus is truly incredible, and with a decent sound system the feeling of being in the midst of all those deep voices is something memorable.

I love the sound and style of Russian music, and this CD has been wonderful when I'm in the mood for something more meaningful.

I'm not a music expert or Russian linguist, nor will you find me in a church on Sunday. I enjoy good music of all forms, and no matter what your religion or linguistic affiliation, this is excellent music that is sure to add something to your collection.

peaceful moment to soothe you and draw you closer to Him........2001-08-03

The themes and songs remind me of an ancient Russia when the Church is at peak and predominantly practiced at the whole of Russia.Just imagine yourself in one of those great cathedral with the choir singing and the priest celebrating the mass.The song that echoed in the great cathedral wall will surely put ones to heavenly realm,a sense of calm and joy one will always remember....

Aural Delight.......2001-02-06

Of all the music I own this cd is my favorite at this time. This group has a very rich and powerful sound. When I buy choral music this represents exactly what I am looking for. If you are like me you bought a Gregorian Chant cd and were disappointed becuse it is in unison and rather flat sounding: this is harmonious and lush. Each track is four part a capella. I cannot adequately express the pleasure I receive from this cd. I am not an audiophile or vocal technique expert but I know good music when I hear it; this certainly qualifies. The group has a very good blend and sings what seem to be difficult pieces very smoothly. I would describe the mood as invigoratingly soothing. If you like all-male choral works you will enjoy this. I will certainly be purchasing more work by this group in the future.

Excellent Russian Music.......2000-10-04

This is an excellent performance and resource. These days, it can seem that nothing less than an authentic performance will do, whether that necessitates playing Bach on 300 year old violins or Liszt being played by a full-blooded Hungarian. And with the amount of recordings becoming available from countries with few previous U. S. releases, it can seem that only a Russian ensemble can truly perform Russian music. Slavyanka's CD proves that philosophy to be false: an American choir can deliver an excellent account of Russian choral music.

I'm not sure if this is professional, semi-professional, or a group that meets weekly, but the results are quite good. Recording quality here is generally good and the choir has the requisite low bass section (the first track will let you know that). There are times when intonation and ensemble seem to slip away slightly, which keeps this recording from cracking the upper echelon. Some of the soloists seem uncertain at times, as well.

The inclusion of texts in Cyrillic letters, transliterated Russian, and English is an excellent addition that I wish CDs used more often. The texts make it easier to understand the message and to learn about the Russian language (definitely not the easiet language in which to sing). In fact, the CD booklet is so big that it scarcely fits into the jewel box.

I enjoy having this CD in my library and I would encourage those interested in choral music, Russian music, or even those learning Russian to buy it. I can't think of a better way to learn about a language and a culture.

Slavyanka: Small Chorus - Large Sound.......2000-03-29

Slavyanka Men's Chorus has the ability, through magnificent dynamic contrasts, to sound small and intimate, but can sound large as a Russian theological academy chorus. Their work on this disc is impeccable. The accompanying booklet of program notes is superior, and is in multiple languages. The inclusion of the text of the liturgical music in several languages, including Slavonic and transliterated English pronunciation of the Slavonic, is a wonderful addition. Can't recommend it highly enough!

The Mass of Saint Francis of Assissi "Let Me Bring Love"

Average customer rating:

The Mass of Saint Francis of Assissi "Let Me Bring Love"

Manufacturer: Alanna Records
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
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Philip Green: St. Patrick's Mass

ASIN: B000001H3W
Release Date: 1993-09-11

Tracks:

Introit: 'Suffer Little Children'
Kyrie
Gloria
Credo
Sanctus - Benedictus
Pater Noster
Agnus Dei
Communion Hymn: St. Francis Prayer
Dismissal And Reprise
Introit (solo piano interpretation)
Kyrie (solo piano interpretation)
Gloria (solo piano interpretation)
Credo (solo piano interpretation)
Sanctus - Benedictus (solo piano interpretation)
Pater Noster (solo piano interpretation)
Agnus Dei (solo piano interpretation)
Communion Hymn (solo piano interpretation)
Dismissal And Reprise (solo piano interpretation)

Average customer rating:

Most neglected Dichterliebe by Fischer-Dieskau

Concert of the Century

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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The Art of Ivry Gitlis
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Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
Casino Royale (Two-Disc Widescreen Edition)

ASIN: B0000027CX
Release Date: 1991-04-19

Tracks:

Leonore Overture No.3
Trio for Piano, Violin & Cello in A minor, Op.50: I. Pezzo elegiaco
Sonata for Cello & Piano in G minor, Op.19: III. Andante

Tracks:

A Poet's Love, Op. 48: In the lovely month of May...
A Poet's Love, Op. 48: From my tears spring up...
A Poet's Love, Op. 48: The rose, the lily, the dove, the son...
A Poet's Love, Op. 48: When I look into your eyes...
A Poet's Love, Op. 48: I will dip my soul....
A Poet's Love, Op. 48: The Rhine, the holy river...
A Poet's Love, Op. 48: I bear no grudge...
A Poet's Love, Op. 48: And if the flowers knew, the little ones...
A Poet's Love, Op. 48: There is playing of flutes and fiddles...
A Poet's Love, Op. 48: When I hear the song...
A Poet's Love, Op. 48: A boy loves a girl...
A Poet's Love, Op. 48: In the bright summer morning...
A Poet's Love, Op. 48: I cried my dream...
A Poet's Love, Op. 48: Every night in my dreams I see you...
A Poet's Love, Op. 48: Out of the old fairy tales...
A Poet's Love, Op. 48: The old evil songs...
Concerto for 2 Violins & Orchestra in D minor, BWV 1043: I. Vivace
Concerto for 2 Violins & Orchestra in D minor, BWV 1043: II. Largo ma non tanto
Concerto for 2 Violins & Orchestra in D minor, BWV 1043: III. Allegro
Pater Noster
'Hallelujah' Chorus from Messiah

Customer Reviews:

Most neglected Dichterliebe by Fischer-Dieskau.......2001-04-06

All lovers of Lieder seem to have a certain passion and veneration for Fischer-Dieskau's interpretation of Schumann's Dichterliebe. It is appearant that this singer's understanding of the music, his vocal capacity, his beautiful phrasing, clear diction, and his general (outstanding) musicianship enable him to communicate these Lieder in a way nobody else has done before (save maybe Hotter) or since.

In this live-recording he is supported by no other than Vladimir Horowitz! And the inspiration between these two artists works wonders. Horowitz' playing in crucial moments of the cycle fx "Ich Grolle Nicht" adds a spiritual dimension to the interpretation that you do not get from Moore, Brendel or Demus. We are dealing with the best interpretation of this cycle ever conveyed to disc.

Tracks:

Bells
Intonazione Ottavo Tono
Canzona
Introit
Son 333
Toccata 1
Intonazione Primo Tono
Kyrie
Christe
Kyrie
Gloria
Collect
Intonazione Terzo
Epistle
Canzona
Gospel
Intonazione Settimo Tono
Offertory: Deus Qui Beatum Marcum
Preface
Sanctus & Benedictus
Fanfare Sarasinetta
Son
Pater Noster
Canzona
Intonzione Quinto Tono
Communion: O Sacrum Convivium
Postcommunion
Benedictus Dominus Deus Sabaoth
Motet: Omnes Gentes

Customer Reviews:

Andrea and Giovanni.......2007-05-10

I can only say "ditto" to all the previous reviews. This recording has to be the best one of Andrea's works, which are all too rarely performed. Love the strong, low-register, at-times-blasting brass! Surely this is how the Gabrieli's intended the music. It makes the hair stand up on the back of one's neck! McCreesh's dynamic's instincts are spot-on and are a dramatic departure from his previous efforts. I cannot praise this CD enough.....

This CD won several awards .......2007-03-24

The other reviews here are spot on and i agree! This is a very special disc.
May i also add that it was awarded Record of the Year 1990 by ABC-FM Stereo
here in Australia and Gramophone (UK) 1990 Early Music Award.
I also suggest looking at abcshop dot com dot au for a superb selection of High quality classical music most of which is produced in Oz and not seen in huge quantities overseas. Amazon does have a few also. Type in ABC Classics
and browse through the selection.

Venetian Coronation CD.......2007-01-09

The item arrived in a good time and was well packed and in excellent condition. It was less than ordering it elsewhere. I learned of the music on PBS radio and was enchanted by it. Having a copy is a joy.

Wow! This is the best I've heard Gabrieli.......2005-01-19

The performance of Giovanni and Andrea Gabrieli is quite amazing. The acoustical effects of brass, organ and voices bouncing of the walls in natural stereophonic sound is really beyond description. A good mix of brass ensemble, vocals, organ and gregorian chant. I had not listened much to Andrea Gabrieli before I bought this CD and I have to admit that his contributions to this CD are very powerful.

The "omnes" at the end of the cd has extraordinary musical power. It builds to an amazing climax that has caused many a chill to go up my spine. On a personal note, I listened to this song on my way to see my alzheimer's stricken mother who had died just moments earlier. The finale to this CD represents the finale to my mother's life to me and will always be an important piece of music to my soul. I truly love this cd.

5 stars doesn't do this recording justice.......2004-12-28

There is little to say about this superlative recording that hasn't been said before. It represents the high point of the recording career of Paul McCreesh and his Gabrieli Consort and Players. This recording happens to be one of the best recordings of the music of Giovanni and Andrea Gabrieli available.

If you only ever buy one recording of Gabrieli's music, make it this one. There are a few good recordings of Gabrieli's music but none are better that 'A Venetian Coronation'. The recording 'Venetian Church Music', by the Taverner Consort & Players, is similar in quality to 'A Venetian Coronation', only Andrew Parrott did not choose to present the music as a recreation of an event.

The cornetts, Baroque violins, Baroque trombones and organs are all played with great style and panache in this recording. The choir features men's voices - from soprano to bass, and the sound blends beautifully with the cornetts and sackbuts.

Listen to 'Deus qui beatum Marcum' and you'll buy this recording.

This recording was a miracle and a wonder in its time and it is still the most impressive recording of its kind.

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