Wilhelm Peterson-Berger: Lieder
On this CD:
1. Marits visor, for voice & piano, Op. 12, No. 1, "Kum bukken til gutten"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
2. Marits visor, for voice & piano, Op. 12, No. 2, "Solen skinner vakkert om kvaelden"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
3. Marits visor, for voice & piano, Op. 12, No. 3, "Holder du av mig"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
4. En Vintervisa, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
5. Titania, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
6. Mitt Trollslott, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
7. Frukttid, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
8. Gedichte (4), for voice & piano, No. 1, "Liebesreime"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
9. Gedichte (4), for voice & piano, No. 2, "Vorfrühling"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
10. Gedichte (4), for voice & piano, No. 3, "Die letzte Nacht"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
11. Gedichte (4), for voice & piano, No. 4, "Musik bewegt mich"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
12. Gedichte (2) von Friedrich Nietzche, No. 1, "Venedig"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
13. Gedichte (2) von Friedrich Nietzche, No. 2, "Meine Rosen"
Composed by Wilhelm Peterson-Berger
Performed by Margareta Jonth
14. Dionysos-Dithyramb, for voice & piano, No. 1, "Nicht lange durstest du noch..."
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
15. Dionysos-Dithyramb, for voice & piano, No. 2, "Tag meines Lebens!..."
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
16. Dionysos-Dithyramb, for voice & piano, No. 3, "Heiterkeit, güldenne, komm!..."
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
17. Zarathustras Rundgesang, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
18. Ecce Homo, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
19. Semele, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
20. Villemo, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
21. En visa om kärlek, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
22. Melodi, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
23. O liv, jag såg dig, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
24. Aterkomst, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
25. Det blir ej till stoft, for voice & piano
Composed by Wilhelm Peterson-Berger
Performed by Helge Brilioth
Wilhelm Peterson-Berger: Lieder, Music, Wilhelm Peterson-Berger, Margareta Jonth, Helge Brilioth, Classical, Classical Vocals, Miscellaneous, Miscellaneous Music, Vocal, Vocal Music
Average customer rating:
- Fabulous live recital plus bonus
|
Jussi Björling in Concert - Atlanta 1959
Manufacturer: Myto Records Italy
ProductGroup: Music
Binding: Audio CD
All Works by Gounod
| Gounod, Charles
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Grieg, Edvard
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| Handel, George Frideric
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| Rachmaninov, Sergei
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Björling, Jussi
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Giordano, Umberto
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Gounod, Charles
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Grieg, Edvard
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Handel, George Frideric
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Massenet, Jules
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Strauss, Richard
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ASIN: B000001MIN
Release Date: 1995-03-14 |
Tracks:
- Serse: Frondi Tenere...Ombra Mai Fu
- Fruehlingsglaude, D.686
- Die Forelle, D.550
- Staendchen, D.957 No.4
- Traum Durch Die Daemmerung, Op.29 No.1
- Zueignung, Op.10 No.1
- Carmen: La Fleur Que Tu M'avais Jetee
- La Fedora: Amor Ti Vieta
- Lilacs: Siren', Op.21 No.5
- In The Silence Of The Night, Op. 4 No.3
- Skogen Sover: Op.28 No.6
- I Drommen Du Ar Mig Nara
- Jungfrun Under Lind, Op.10 No.1
- En Svane, Op.25 No.2
- Ein Traum, Op.48 No.6
- Visions
- Andrea Chenier: Come Un Bel Di Di Maggio
- La Boheme: Che Gelida Manina
- Turandot: Nessun Dorma
- Messa Di Requiem: Ingemisco - Jussi Bjorling
- La Boheme: O Soave Fanciulla - Jussi Bjorling/Anna-Lisa Bjorling
- Romeo Et Juliette: Va Je T'ai Pardonne - Jussi Bjorling/Anna-Lisa Bjorling
- Manon: Je Suis Seul!...Ah! Fuyez, Douce Image - Jussi Bjorling/Anna-Lisa Bjorling
Customer Reviews:
Fabulous live recital plus bonus.......2003-04-02
The critics of Jussi Björling had a way of making everyone believe that the Swedish tenor's temper resembled the cool nature of his homeland's climate. This recital is a perfect testimony of them being mostly wrong. While in person he might have not displayed the jovial likeability of Caruso or Pavarotti, his inspired, rich-voiced singing (with slightly covered vowels) was gorgeous in all aspects.
The main body of this CD consists of never before released live recital, recorded 4/13/59 in Atlanta. This was Björling's last song recital in the United States. For the most part, it followed the programme, but the tenor also obliged to some requests from the audience, such as "Amor ti vieta" from Giordano's "Fedora" and "Che gelida manina" from Puccini's "La Boheme". My personal favorites of this recital are the songs but lesser-known Swedish composers. These songs have a great deal of dreamy beauty in them, and no one could do them a better justice than Jussi Björling. Sjöberg's "Tonerna" is a very interesting modern/romantic (for the lack of better term) art song, it's a great loss that we don't have complete recitals dedicated to this composer.
For die-hard fans, there is some bonus material recorded in 1939 (Ingemisco with orchestra from Verdi's Requiem) and 1949 (arias & duets with orchestra). I was surprised by a very pleasant lyric soprano sound of Mrs. Björling. What is striking about this inclusion is that we can observe how little has the voice changed over these 20 years. While it did become slightly more "grainy", it did not loose any of its velvety bloom. He did not have to resort to scooping and his atacca was always muscular and almost always right in the center of pitch (something for vocal students to watch for and admire). By the way, a couple of soft falsetto notes help to dispel the myth that a tenor is "cheating" when he uses this technique.
The recording quality is not all that great (the piano is booming, a few coughs, earlier recordings have plenty of hiss), but the material of this 78-min disc does justify its relatively high price. Perhaps Myto could pour some money into re-engineering some of the wonderful live recordings it has in its possession.
Average customer rating:
|
Wilhelm Peterson-Berger: Lieder
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B00000166F
Release Date: 1995-04-18 |
Tracks:
- Marits Visor: I. Kom Bukken Til Gutten/II. Solen Skinner Vakkert Om Kvaelden/III. Holder Du Av Mig - Margareta Jonth/Sven Alin
- Vintervisa/Titania - Margareta Jonth/Sven Alin
- Mitt Trollslott - Margareta Jonth/Sven Alin
- Frukttid - Margareta Jonth/Sven Alin
- Vier Gedichte Von Ricarda Huch: I. Liebesreime/II. Vorfruhling/III. Die Letzte Nacht/IV. Musik... - Margareta Jonth/Sven Alin
- Zwei Gedichte Von Friedrich Nietzsche: I. Venedig/II. Meine Rosen - Margareta Jonth/Sven Alin
- Dionysos-Dithyramb: I. Nicht Lange Durstest Du Noch.../II. Tag Meines Lebens!.../III. Heiterkeit... - Helge Brilioth/Sven Alin
- Zarathustras Rundgesang/Ecce Homo - Helge Brilioth/Sven Alin
- Semele/Villemo - Helge Brilioth/Sven Alin
- En Visa Om Karlek - Helge Brilioth/Sven Alin
- Melodi - Helge Brilioth/Sven Alin
- O Liv, Jag Sag Dig/Aterkomst/Det Blir Ej Till Stoft - Helge Brilioth/Sven Alin
Music Review:
- Zweignung
- 100 Years of Italian Opera, 1800-10 [Box set]
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- Band Masterworks Series
- Beethoven: Symphony No. 3; Liszt: Les Préludes
- Bella Italia: The Golden Age of Italian Baroque Music
- Berceuse/ Preludium
- Brahms, Reger and Stephan
Music Review
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