Grieg: The Complete Piano Music, Vol. 9
On this CD:
1. Slåtter (Norwegian Peasant Dances) (17) for piano, Op. 72
Composed by Edvard Grieg
Performed by Eva Knardahl
2. Stimmungen (Moods) (7) for piano, Op. 73
Composed by Edvard Grieg
Performed by Eva Knardahl
3. Pieces (3) for piano, EG 110-112 (edited by Julius Röntgen)
Composed by Edvard Grieg
Performed by Eva Knardahl
Grieg: The Complete Piano Music, Vol. 9, Music, Edvard Grieg, Eva Knardahl, Chamber Music & Recitals, Classical, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Dance-Based Music for Keyboard, Keyboard
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Backhaus: The Complete British Acoustic Recordings, 1908-25
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
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- Pablo Casals: Festivals at Prades Vol. 1
ASIN: B0000542HD
Release Date: 2001-02-27 |
Tracks:
- Prelude In C Sharp Minor, Op. 3, No. 2
- Liebestraum No. 3 In A Flat
- 'Harmonious Blacksmith' Vars
- Prelude No. 1 In C, Op. 28, No. 1
- Etude No. 1 In C, Op. 10, No. 1
- Norwegian Bridal Procession, Op. 19, No. 2
- Finale: Perpetuum Mobile
- Fantasy-Impromptu In C Sharp Minor, Op. 66
- La Cam-panella
- Etude No. 20 In D Flat, Op. 25, No. 8
- Etude No. 21 In G Flat, Op. 25, No. 9
- Etude No. 5 In G Flat, Op. 10, No. 5
- Prelude
- Fugue
- Etude No. 18 In G Sharp Minor, Op. 25, No. 6
- Etude No. 13 In A Flat, Op. 25, No. 1
- Etude In E Flat Minor, Op. 10, No. 12
- First Movement (Abridged)
- Third Movenment (Abridged)
- Novelette No. 7 In E, Op. 21, No. 7
- Waltz No. 11 In G Flat, Op. 70, No. 1
- Waltz No. 14 In E Minor, Op. Posth.
- Waltz No. 5 In A Flat, Op. 42
- Polka In F
- Sonata In F, L. 188 (Kk. 525)
- Sonata In G, L. 490 (Kk. 523)
- Etude No. 7 In C, Op. 10, No. 7
- Waltz No. 6 In D Flat, Op. 64, No. 1
- Moment Musical No. 3 In F Minor, Op. 94, No. 3
- Hark! Hark! The Lark!
Tracks:
- Hungarian Rhapsody No. 2 (Abridged)
- Polka In F
- Naila Waltz
- Polonaise No. 6 In A Flat, Op. 53 (Abridged)
- Caprice Espagnol, Op. 37
- Don Juan Seranade
- Widmung
- Liebestraum No. 3 In A Flat
- Waltz No. 5 In A Flat, Op. 42
- Variations On A Theme Of Paganini, Op. 35, Book I
- Variations On A Theme Of Paganini, Op. 35, Book II
- Berceuse In D Flat, Op. 57
- Moment Musical No. 3 In F Minor, Op. 94, No. 3
- Traumeswirren, Op. 12, No. 7
- Scherzo
- Triana, No. 6
- Don Juan Serenade
Amazon.com
Backhaus was among the giants of 20th-century keyboard artists, renowned for his solid--some would say stolid--Beethoven and Brahms interpretations. The younger Backhaus was a more overtly virtuosic pianist with a wide repertory. This invaluable Pearl set covers his British recordings, starting in 1908 when he was only 24, and it includes composers and works he abandoned in later years when he pared his programs down to essential masterworks. So we get his only recordings of Rachmaninoff, whom he admired as the greatest among living piano composers, along with Bach, Scarlatti, and others. Backhaus's dazzling virtuosity can be heard in his abridged Brahms Paganini Variations, the Liszt, La Campanella, with its marvelously even runs, and the Weber, Perpetuum Mobile, with precise articulation at fast speeds, among many other examples. Some of his early electrical recordings fill out disc two, sounding fresher than most of the acoustics. Seth Winner's transfers on both well-filled discs are uniformly fine. Collectors of historical recordings will want these rarities. --Dan Davis
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Grieg: The Complete Piano Music, Vol. 9
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
| ( G )
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ASIN: B00000167W
Release Date: 1994-09-22 |
Tracks:
- Slatter, Op.72: Giboen's Bridal March
- Slatter, Op.72: Jon Vaestafaes Springdance
- Slatter, Op.72: Bridal March From Telemark
- Slatter, Op.72: Halling From The Fairy Hill
- Slatter, Op.72: Springdance From Os
- Slatter, Op.72: Gangar After Myllarguten
- Slatter, Op.72: Rotnams-Knut. Halling
- Slatter, Op.72: Bridal March After My Llarguten
- Slatter, Op.72: Nils Rekves Halling
- Slatter, Op.72: Knut Luransens Halling I
- Slatter, Op.72: Knut Luransens Halling II
- Slatter, Op.72: Springdance After My Llarguten
- Slatter, Op.72: Havar Giboen's Dream At Oterholt Bridge
- Slatter, Op.72: The Bridal Procession Of The Goblins At Voss
- Slatter, Op.72: The Bride From Skuldal
- Slatter, Op.72: The Girls From Kivledal
- Slatter, Op.72: Kivlemoyane. Gangar
- Stemninger (Moods), Op.73: 1. Resignation
- Stemninger (Moods), Op.73: 2. Scherzo-Impromptu
- Stemninger (Moods), Op.73: 3. Night Ride
- Stemninger (Moods), Op.73: 4.Folk Tune
- Stemninger (Moods), Op.73: 5. Hommage A Chopin
- Stemninger (Moods), Op.73: 6. Students' Serenade
- Stemninger (Moods), Op.73: 7. Mountain Tune
- Three Pno Pieces, Op. Posth.: Tempest Clouds
- Three Pno Pieces, Op. Posth.: Procession Of The Gnomes
- Three Pno Pieces, Op. Posth.: In The Whirl Of The Dance
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- Save some $ money! Get the newer January 2006 reissue set instead.
- 6, or Even 7 Stars!
- A must have for Piano and classical music lovers
- Ah, Rachmaninoff, brilliant star of music, how we adore you
- Review from a spoiled modern listener
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Sergei Rachmaninoff: The Complete Recordings
Manufacturer: RCA
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Binding: Audio CD
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ASIN: B000003FB7
Release Date: 1992-09-15 |
Tracks:
- Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
- Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
- Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
- Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
- Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve
Tracks:
- Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
- Concerto No. 1, Op, 1 In F Sharp Minor: Andante
- Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
- Concerto No. 4, Op. 40 In G Minor: Allegro vivace
- Concerto No. 4, Op. 40 In G Minor: Largo
- Concerto No. 4, Op. 40 In G Minor: Allegro vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
- Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
- Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso
Tracks:
- Isle Of The Dead, Op. 29
- Vocalise, Op. 34, No. 14
- Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
- Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
- Symphony No.3, Op. 44 In A Minor: Allegro
Tracks:
- Sonata, Op. 30, No. 3 In G: Allegro assai
- Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
- Sonata, Op. 30, No. 3 In G: Allegro vivace
- Sonata D. 574 In A: Allegro moderato
- Sonata D. 574 In A: Scherzo: Presto; Trio
- Sonata D. 574 In A: Andantino
- Sonata D. 574 In A: Allegro vivace
- Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
- Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
- Sonata, Op. 45 In C Minor: Allegro animato
Tracks:
- Partita No. 4, BWV 828: Sarabande
- Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
- Sonata, K. 331: III: Turkish March
- 32 Variations, WoO 80 In C Minor: Thema: Allegretto
- 32 Variations, WoO 80 In C Minor: Variation I
- 32 Variations, WoO 80 In C Minor: Variation II
- 32 Variations, WoO 80 In C Minor: Variation III
- 32 Variations, WoO 80 In C Minor: Variation IV
- 32 Variations, WoO 80 In C Minor: Variation V
- 32 Variations, WoO 80 In C Minor: Variation VI
- 32 Variations, WoO 80 In C Minor: Variation VII
- 32 Variations, WoO 80 In C Minor: Variation VIII
- 32 Variations, WoO 80 In C Minor: Variation IX
- 32 Variations, WoO 80 In C Minor: Variation X
- 32 Variations, WoO 80 In C Minor: Variation XI
- 32 Variations, WoO 80 In C Minor: Variation XII
- 32 Variations, WoO 80 In C Minor: Variation XIII
- 32 Variations, WoO 80 In C Minor: Variation XIV
- 32 Variations, WoO 80 In C Minor: Variation XIX
- 32 Variations, WoO 80 In C Minor: Variation XXII
- 32 Variations, WoO 80 In C Minor: Variation XXIII
- 32 Variations, WoO 80 In C Minor: Variation XXIV
- 32 Variations, WoO 80 In C Minor: Variation XXV
- 32 Variations, WoO 80 In C Minor: Variation XXVI
- 32 Variations, WoO 80 In C Minor: Variation XXVII
- 32 Variations, WoO 80 In C Minor: Variation XXVIII
- 32 Variations, WoO 80 In C Minor: Variation XXXI
- 32 Variations, WoO 80 In C Minor: Variation XXXII
- Return Home
- Polish Songs: The Maiden's Wish
- Die schone Mullerin: Das Wandern
- Schwanengesang: Serenade
- Polonaise No. 2 In E
- Songs Without Words, Op. 67: Spinning Song
- Impromptu, Op. 90, No. 4 In A Flat
- Concert Etude No. 2: Gnomenreigen
- Orfeo ed Euridice: Melodie
- Etude, Op. 104b, No. 2 In F
- Etude, Op. 104b, No. 3 In A Minor
- Spanisches Liederspeil: The Smuggler
- Minuet, Op. 14, No. 1 In G
- Liebesfreud
Tracks:
- Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
- Sonata No. 2, Op. 35 'Funeral March': Scherzo
- Sonata No. 2, Op. 35 'Funeral March': Marche funebre
- Sonata No. 2, Op. 35 'Funeral March': Presto
- Carnaval, Op. 9: Preambule
- Carnaval, Op. 9: Pierrot
- Carnaval, Op. 9: Arlequin
- Carnaval, Op. 9: Valse noble
- Carnaval, Op. 9: Eusebius
- Carnaval, Op. 9: Florestan
- Carnaval, Op. 9: Coquette
- Carnaval, Op. 9: Replique
- Carnaval, Op. 9: Sphinxes
- Carnaval, Op. 9: Papillons
- Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
- Carnaval, Op. 9: Chiarina
- Carnaval, Op. 9: Chopin
- Carnaval, Op. 9: Estrella
- Carnaval, Op. 9: Reconnaissance
- Carnaval, Op. 9: Pantalon et Colombine
- Carnaval, Op. 9: Valse allemande
- Carnaval, Op. 9: Pganini (Intermezzo)
- Carnaval, Op. 9: Aveu
- Carnaval, Op. 9: Promenade
- Carnaval, Op. 9: Pause
- Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
- Nocturne, Op. 9, No. 2 In E Flat
- Waltz, Op. 64, No. 2 In C Sharp
- Waltz, Op. 64, No. 3
- Ballade No. 3, Op. 47 In A Flat
- Mazurka, Op. 68, No. 2
- Waltz, Op. Posth. In E Minor
Tracks:
- Partita No. 3, BWV 1006: Preludio
- Partita No. 3, BWV 1006: Gavotte
- Partita No. 3, BWV 1006: Gigue
- A Midsummer Night's Dream: Scherzo
- Liebersfreud
- Die schone Mullerin: The Brooklet
- Polka de V.R.
- Etude-tableau, Op. 39, No. 6 In A Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Sorochintsy Fair: Hopac
- Lullaby, Op. 16, No.1
- Tsar Saltan: Flight of the Bumblebee
- The Ruins Of Athens: Turkish March
- Scherzo In A Flat
- The Seasons: November: Troika
- Prelude No. 8, Op. 11, No. 8 In F Sharp
- One Lives But Once
- Powder and Paint
- Polka italienne (Piano 4 Hands)
Tracks:
- Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
- Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
- Prelude, Op. 23, No. 10 In G Flat
- Prelude, Op. 32, No. 3 In E Major
- Prelude, Op. 32, No. 7 In F Major
- Prelude, Op. 32, No. 6 In F Minor
- Etude-tableau, Op. 33, No. 2 in C Major
- Etude-tableau, Op. 33, No. 7 In E Flat
- Daisies, Op. 38, No. 3
- Oriental Sketch
- Melodie, Op. 3, No. 3 in E
- Serenade, Op. 3, No. 5 In B Flat
- Humoresque, Op. 10, No. 5 In G
- Lilacs, Op. 21, No. 5
- Moment Musical, Op. 16, No. 2 In E Flat
Tracks:
- Mazurka, Op. 63, No. 3 In C Sharp Minor
- Nocturne, Op. 15, No. 2 In F Sharp
- Waltz, Op. 18 'Grande valse brilliante' In E Flat
- Waltz, Op. 34, No. 3 'Valse brilliante' In F
- Waltz, Op. 64, No. 1 'Minute'
- Waltz, Op. 69, No. 2 In B Minor
- Waltz, Op. 70, No. 1 In G Flat
- Scherzo No. 3, Op. 39 In C Sharp Minor
- Waltz, Op. 64, No. 1 'Minute' In D Flat
- Le coucou
- L'Arlesienne Suite No. 1: Minuet
- Carnival Of The Animals: The Swan
- Songs Without Words, Op. 67: Spinning Song
- Waltz
- Lyric Pieces, Op. 12: Elfin Dance
- Etude, Op. 28, No. 6 In F Minor
- If I Were a Bird
- La jongleuse
- Dr. Gradus ad Parnassum
- Children's Corner: Golliwogg's Cakewalk
- The Seasons: November: Troika
- Humoresque, Op. 10, No. 2 In G
- Waltz, Op. 40, No. 8 In A Flat
Tracks:
- Prelude, Op. 23, No. 5 In G Minor
- Prelude, Op. 32, No. 12 In G Sharp Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Prelude, Op. 32, No. 5 In G
- Serenade, Op. 3, No. 5 In B Flat
- Lilacs, Op. 21, No. 5
- Polichinelle, Op. 3, No. 4 In F Sharp Minor
- Polka de V.R.
- Liebesleid
- Hungarian Rhapsody No. 2
- Pastorale In E Minor
- Theme and Variations
- Waltz, Op. 42 'Two - Four' In A Flat
- Waltz, Op. 64, No. 3 In A Flat
- Polka de V.R.
- Bacarolle, Op. 10, No. 3 In G Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
Amazon.com
We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie Gerber
Customer Reviews:
Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17
At the time of this review, whenever you search for a phrase such as "Rachmaninoff Complete", amazon's search engine always lands on this out-of-print recording (ASIN: B000003FB7) . It's also no fun to see that it costs more than a hundred bucks! But if you type "B000A2AD2S" in the search box, you'll see the new reissued set for half the price. It's the exact same 10 CDs. Just the cover art is different.
Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.
For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.
To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.
(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)
6, or Even 7 Stars!.......2005-06-04
Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.
While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.
Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.
Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...
His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!
The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!
A must have for Piano and classical music lovers.......2005-04-04
To respond to a review about the sound quality-for those people who have no experience with historical performances i.e cortot-hofmann-etc these discs are for the most part much better recorded. There are the inevitable pops and hisses but if these things disturb you, or you cant get past them, then you shouldnt be listening to this kind of thing anyway. the importance here is in the playing, and the playing is extra ordinary. I you want to buy a disc for the reperatoire then i can think of hundreds of performances that will satisfy, but only people with a true interest to hear and study these pieces will be beyond satisfied. I know that may not sound like a lot of fun, but these discs are fun, great, and for me, almost too good to be true. Again, if sound disturbs you, then you may be listening to the music for the wrong reasons. Take from it the playing, the revelations that Rach provides to his pieces, and how fortunate we are that it sounds as good as it does.
Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14
The music of Rachmaninoff is beyond words, furthermore, beyond imagination. He was a genius, no doubt, and nobody will ever understand how incredibly lucky we are to be blessed with his compositions. Furthermore, it is truly astonishing to hear Rachmaninoff play his own work. There is nothing so beautiful on this earth and there never will be.
Review from a spoiled modern listener.......2003-07-13
I'll admit that I'm a spoiled modern listener, accustomed to having the bang and hiss edited out of a recording, and it took me a while to warm to these. Rachmaninoff's performances are splendid, but if you can hardly hear them over the cacophony of background noise, what's the use? His performance of his own, often overlooked Concerto No. 4 finally made me sit up and listen, even though I've owned two versions of this piece for a number of years (Ashkenazy & Wild).
Average customer rating:
- Which Hofmann?
- Josef Hofmann: Wonderful performances, lots of surface noise
|
The Complete Josef Hofmann, Vol. 3
Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD
Dances
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Similar Items:
- Josef Hofmann, Vol. 4
- The Complete Josef Hofmann, Vol. 2
- The Chopin Concertos
ASIN: B000003LJ8
Release Date: 1994-09-01 |
Tracks:
- Valse In A Flat, Op. 34, No. 1
- Valse C Sharp Minor, Op. 64, No. 2
- Valse In E Minor, Op. Post
- Polonaise In A Minor, Op. 40, No. 1
- Impromptu No. 1, A Flat, Op. 29
- Fantasie-Impromptu, C Sharp Minor, Op. 66
- Berceuse In D Flat, Op. 57
- Chant Polonaise, 'The Maiden's Wish'
- Liebestraum No. 3 In A Flat
- Conccert Etude No. 1, 'Waldesrauschen'
- Venezia E Napoli - 'Tarantella' (Abridged)
- Marche Militaire
- Der Erlkonig
- Gavotte
- 'Moonlight Sonata In C Sharp, Op. 27 No. 2 First Movement
- Fantasiestucke, Op. 12, No. 3 'Warum?'
- Papillon, Op. 43, No. 1
- Spinning Song, Op. 67, No. 14
- Rondo Capriccioso, Op. 14 (Abridged)
- Spring Song, Op. 62, No. 6
- Hunting Song, Op. 19, No. 3
- La Jongleuse
Tracks:
- Caprice Espagnole, Op. 37 (Abridged)
- Minuet In G
- Valse-Caprice
- Miniatures, Book. 9 No. 7, 'El Dachtarawan'
- The Sanctuary
- Prelude In C Sharp Minor, Op. 3, No. 2
- Prelude In G Minor, Op. 23, No. 5
- Valse Gracile
- Birds At Dawn, Op. 20, No. 2
- Third Etude In C Minor, Op. 120
- Polonaise In A Major, Op. 40, No. 1
- Hunting Song, Op. 19, No. 3
- Spring Song, Op. 62, No. 6
- Marche Militaire
- Der Erlkonig
- Nocturne In E Flat, Op. 9, No. 1
- Valse In E Minor, Op. Post.
- Papillon, Op. 43, No. 1
- Spinning Song, Op. 67, No. 4
- Prelude In C Sharp Minor, Op. 3, No. 2
Amazon.com
Volume 3 gathers Hofmann's complete acoustic Columbia 78s, including seven previously unissued sides. While Hofmann allowed a lot of leeway in live performance, he took recording seriously, both from an artistic and technical standpoint. The myriad subtleties of touch, pedaling, and articulation in Hofmann's playing come through loud and clear in these vintage 1912-1918 recordings. Each selection reveals the pianist's singing tone, extremely even fingerwork, aristocratic poise, and taste. There's a sense of purpose and proportion to the playing that belies the notion that all Romantic pianists took insane liberties. --Jed Distler
Customer Reviews:
Which Hofmann?.......2004-09-06
Hofmann - particularly late Hofmann - may be an acquired taste.
Despite having been the protégé of Anton Rubinstein, "the wonderful boy" was recognized from quite an early age as the exemplar of a modern style of playing - textually faithful, eschewing swooning or bombast. (See, for example, the references to Hofmann in Henry Lahee's wonderful survey from 1900, Famous Pianists of Today and Yesterday.)
Still, a number of younger colleagues expressed ambivalence. Horowitz was floored by Hofmann's keyboard command - everyone was - but he, Artur Rubinstein and Arrau, to name just three - seem not to have been terribly moved by Hofmann's musicianship.
But which Hofmann are we considering? His playing for the gramophone - as early as 1903 and as late as 1935 - was as disciplined as it was imaginative and dazzling. The late Harold Schonberg called it "perfection plus."
However, as Gregor Benko makes clear in his essays for the Marston reissues, Hofmann switched on what the pianist called a "spectacular" style for many public performances. This may sound cynical. Often it sounds terribly cynical. Hofmann was not speaking merely of the need to project in a large concert hall. In public performance - at least those performances we have from the late `30s and early `40s - the aristocrat often becomes a mountebank, lurching from the softest pianissimos to explosive fortissimos, rattling off passages or entire pieces even faster than Simon Barere boasted he could do.
Schonberg - and Hofmann's friend and admirer Rachmaninoff - reminded us that during this period Hofmann had many personal troubles, including a severe drinking problem. We must believe that at his greatest Hofmann played as scrupulously and with as much refined feeling in public as he did on many of his studio recordings, though his manner may have differed somewhat. And there are some marvelous live performances. The Rubinstein 4th from his Golden Jubilee concert beggars description.
So where does that leave us? As an introduction to Hofmann, I would recommend the early Columbia recordings, those he made somewhat later for Brunswick, and the American and British test pressings from 1935 - perhaps his greatest recorded playing. These are Volumes 3, 4 and 5 of the complete Hofmann series. Serious listeners will also want the ups and downs of the Golden Jubilee (Volume 2). The Chopin concertos in Volume 1 have some splendid moments, but the superlative (not spectacular; superlative) performance there is a fragment of the first movement of the E minor concerto performed in London -- far more poised and committed than its counterpart from New York. (I wonder if Hofmann played differently in America than he did in Europe? Some musicians - for instance, Mahler, Toscanini, Bernstein - for varying reasons apparently did.)
Having said all this, the entire Hofmann series is priceless. Heartfelt thanks to Gregor Benko and Ward Marston for making it available in superb transfers with fascinating notes.
Josef Hofmann: Wonderful performances, lots of surface noise.......2000-03-15
For Hofmann lovers and devoted students of piano performance, this collection is priceless! For others, the surface noise will be a serious drawback. My assumption is that anyone interested in Hofmann will start by getting Volumes 1 & 2 -- the Chopin Concertos and the 1937 Golden Jubilee Recital. Beyond that, in choosing among Volumes 3 through 6, Volume 3 offers a wide range of Hofmann's repertoire in shorter pieces -- 42 tracks on two CD's. These are Josef Hofmann in his prime and the performances are marvelous. Unfortunately, they were recorded in 1912-18 (with six tracks from way back in 1903!) and the surface noise is pretty severe. Listening to them is an effort, but the effort is well worth while!
Average customer rating:
- He'll delight and annoy you!
|
Friedmann: Complete Recordings, Vol. 2
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006L3VY
Release Date: 2003-01-21 |
Customer Reviews:
He'll delight and annoy you!.......2003-02-14
This is the second in an ongoing series of Friedman recordings; I missed the first one. Friedman can be a maddening pianist. His impulsive style of playing can be off-putting, but it can also be incredibly exciting. And one is never in doubt about his ability to get exactly the effect he is after; he was a master technician. All of the performances date from the late 1920s and are early electrical recordings.
This CD contains his only extant concerto recording - a merely OK performance of the Grieg with an unidentified French orchestra conducted by Philippe Gaubert. The second movement is both more limpid and dramatic than most other versions. He also recorded the Beethoven 'Emperor' with Henry Wood, but that was never issued and probably no longer exists, alas.
Some impressions: The 'Moonlight' Sonata appears _without_ its famous first movement. The second movement is simply wayward, with odd agogic accents and a mixture of staccato and legato. But the Presto is a windstorm and quite effective. The Chopin B-flat minor sonata is missing its first two movements. The sonata's funeral march is faster than usual but effective. The last movement, usually 'the wind whispering over a graveyard,' is more of a gale; it's exciting and I kept thinking 'well, why not?'
The A-flat Polonaise of Chopin is one of the most exciting I know and those impossibly fleet left-hand octave scales are simply amazing. Whew!
There is no question Ignaz Friedman was a force of nature and for those of us who love getting to know pianists from the so-called Golden Age, he's indispensible.
As always the recorded sound is about as good as it can get with recordings that are more than seventy years old. Ward Marston, that miracle of a producer, gets enormous credit for the work he keeps putting out for Naxos in their series of historical recordings. And then there's the budget price!
Average customer rating:
- Treasured song cycle; exalting tenor performance
|
Complete Aksel Schiøtz Recordings, Vol. 2: Schubert's "Die schöne Mullerin"
Manufacturer: Danacord Records
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
| ( G )
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All Works by Schubert
| Schubert, Franz
| ( S )
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ASIN: B000003LOO
Release Date: 1996-11-19 |
Tracks:
- Die Schone Mullerin, Op. 25, D. 797: Das Wandern
- Die Schone Mullerin, Op. 25, D. 797: Wohin?
- Die Schone Mullerin, Op. 25, D. 797: Halt!
- Die Schone Mullerin, Op. 25, D. 797: Danksagung an den Bach
- Die Schone Mullerin, Op. 25, D. 797: Am Feierabend
- Die Schone Mullerin, Op. 25, D. 797: Der Neugierige
- Die Schone Mullerin, Op. 25, D. 797: Ungeduld
- Die Schone Mullerin, Op. 25, D. 797: Morgengruss
- Die Schone Mullerin, Op. 25, D. 797: Des Mullers Blumen
- Die Schone Mullerin, Op. 25, D. 797: Tranenregen
- Die Schone Mullerin, Op. 25, D. 797: Mein!
- Die Schone Mullerin, Op. 25, D. 797: Pause
- Die Schone Mullerin, Op. 25, D. 797: Mit dem grunen Lautenbande
- Die Schone Mullerin, Op. 25, D. 797: Der Jager
- Die Schone Mullerin, Op. 25, D. 797: Eifersucht und Stolz
- Die Schone Mullerin, Op. 25, D. 797: Die Liebe Farbe
- Die Schone Mullerin, Op. 25, D. 797: Die bose Farbe
- Die Schone Mullerin, Op. 25, D. 797: Trockne Blumen
- Die Schone Mullerin, Op. 25, D. 797: Der Muller und der Bach
- Die Schone Mullerin, Op. 25, D. 797: Des Baches Wiegenlied
- To brune ojne, Op. 5, No. 1
- Jeg elsker dig, Op. 5, No. 3
- Ved Ronderne, Op. 33, No. 9
- Varen, Op. 33, No. 2
- Udfarten, Op. 9, No. 4
Customer Reviews:
Treasured song cycle; exalting tenor performance.......1998-12-19
Legendary Danish tenor, Aksel Schiotz sings Schubert's treasured Schone Mullerin song cycle with a grace and sensitivity to rival any performance I've heard, even Fischer-Dieskau's. And Schiotz's velvety and bright tenor voice gives the music a special luminance.
Average customer rating:
|
Grieg: The Complete Piano Music, Vol. 3
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
| ( G )
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Similar Items:
- Grieg: The Complete Piano Music, Vol. 2
- Grieg: The Complete Piano Music, Vol. 1
ASIN: B00000167Q
Release Date: 1994-09-22 |
Tracks:
- From Early Years -
- Peasant's Song -
- Melancholy -
- Salon -
- Ballad -
- Wedding-Day At Troldhaugen
- 1. Sailor's Song -
- 2. Grandmother's Minuet -
- 3. At Your Feet -
- 4. Evening In The Mountains -
- 5. At The Cradle -
- 6. Valse Melancolique
- 1. Once Upon A Time -
- 2. Summer Eve -
- 3. Puck -
- 4. Peace Of The Woods -
- 5. Halling -
- 6. Gone -
- 7. Remembrances
Customer Reviews:
Bravo!.......2004-03-01
Eva Knardahl captures the heart of Grieg! Her interpretation of Lyric Pieces is as artful and dynamic as the composer. This is not kids stuff!
Average customer rating:
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Romantic Piano Favourites, Vol. 1 (Box Set)
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Pavanes
| Ballets & Dances
| Classical
| Styles
| Music
Polkas
| Ballets & Dances
| Classical
| Styles
| Music
Waltzes
| Ballets & Dances
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Bartók, Béla
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Boccherini
| Boccherini, Luigi
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dohnányi, Ernö von
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Kreisler
| Kreisler, Fritz
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Lehár, Franz
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Liszt
| Liszt, Franz
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rubinstein
| Rubinstein, Anton
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Weber
| Weber, Carl Maria von
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Fantasies
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Rondos
| Forms & Genres
| Classical
| Styles
| Music
Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
| Divertimentos
Bagatelles
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Impromptus
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Nocturnes
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Renaissance (c.1450-1600)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
Caprices
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
ASIN: B0000013IP
Release Date: 1999-03-09 |
Customer Reviews:
A Great Collections.......2000-07-02
Let me first explain a few quick things. Unforunately, Naxos makes it slightly confusing, by releasing ten CDs under the title "Romantic Piano Favorites" (Volume 1-10) and also two box sets (each containing 5 of the 10 CDs) labelled Volume 1 and 2. So be carefull what you buy. I advise you to get the box sets, because they're very inexpensive.
Also Naxos should not have calles the collection "Romantic Piano Favorites," since the piano pieces are not all from the Romantic Era (although some are) and they're not romantic in nature (some are dark, others just dance pieces). Rather this collection should be called "Piano Favorites."
Also just because it's an inexpensive Box Set, it doesn't mean the quality is mediocre. In fact, it's great. It was well recorded and the pianists are very talented.
Box set Vol. 1 contains so many great pieces that I wouldn't be able to list them all. Instead I advise you to see the track listings and hear them by looking up the single CDs rather than the box set. But really this is a great collection, I advise you to buy it!
Music Review:
- Haydn: Piano Concertos, Vol. 2
- Hvoslef: Sextet; Double Concerto for flute & guitar
- Lars-Erik Larsson: Förklädd Gud; Symphony No. 3
- Listen, Lord
- Marco Enrico Bossi: Various Works
- Max Lorenz Opera Arias of Wagner
- Mendelssohn & Smetana Piano Trios
- MMC Chamber Music Series, Vol.II
- MMC New Century, Vol. 2
- MMC New Century, Vol. 5
Music Review
music review
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