Mozart: Clarinet Quintet; Trio

On this CD:

1. Clarinet Quintet in A major ("Stadler") K. 581
Composed by Wolfgang Amadeus Mozart
Performed by Michel Portal

2. Trio for clarinet (or violin), viola & piano in E flat major ("Kegelstatt"), K. 498
Composed by Wolfgang Amadeus Mozart
Performed by Michel Portal, Gerard Causse, Jean-Philippe Collard

Tracks:

Eine kleine Nachtmusik, K525: Allegro - Academy Of St Martin-In-The-Fields
Piano Concerto No.21 In C Major, K467: Andante - Radu Lupu
Le nozze di Figaro: Voi che sapete - Cecilia Bartoli
Clarinet Quintet In A Major, K581: Largetto - Peter Schmidl
Ave verum Corpus, K618 - James Vivian
Vesperae solennes de confessore in C major: Laudate Dominum - Emma Kirkby
Concerto For Flute And Harp In C Major: Andantino - Lisa Beznosiuk
Le nozze di Figaro: Overture - London Philharmonic Orchestra
Cosi fan tutte: Trio: Soava sia il vento - Renee Fleming
Symphony No.39 in E-flat Major, K495: Andante con moto - Chicago Symphony
Horn Concerto: Rondo - Barry Tuckwell
Don Giovanni: Serenade Deh, vieni alla finestra - Bryn Terfel
Contredanse In C Major, K609 No.1 'Non piu andrai' - Vienna Mozart Ensemble
German Dance, K605 No.3 'Sleigh Ride' - Vienna Mozart Ensemble
Piano Concerto No.23 In A Major, K488: Adagio - Vladimir Ashkenazy
A Musical Joke, K522: Presto - Vienna Mozart Ensemble

Tracks:

Symphony No.40 In G Minor, K550: Molto allegro - Vienna Philharmonic
Piano Sonata No.16 In C Major: Allegro - Andras Schiff
The Magic Flute: Queen Of The Night: Der Holle Rache - Sumi Jo
Clarinet Concerto In A Major, K622: Adagio - Franklin Cohen
Don Giovanni: La ci darem la mano - Cecilia Bartoli
Serenade in Bb Major, K361: Adagio - London Wind Soloists
Der Vogelfanger bin ich ja - Hermann Prey
Le nozze di Figaro: Dove sono - Kiri Te Kanawa
Violin Concerto No.3 in G Major, K216: Adagio - Joshua Bell
Requiem, K626: Lacrimosa - Vienna Philharmonic
Litaniae de venerabili altaris sacramento: Dulcissimum convivium - Margaret Marshall
Piano Sonata No.11 In A Major, K331: Rondo alla turca - Andras Schiff
Don Giovanni: Champagne aria: Fin ch'chan dal vino - Bryn Terfel
Divertimento No.17 in D Major, K334: Minuet & trio - Vienna Mozart Ensemble
Exsultate, jubilat, K165: Alleluja - Leontyne Price
Symphony No.41 In C Major, K551 'Jupiter': Finale: Molto allegro - Vienna Philharmonic

Customer Reviews:

Gorgeous music, bad quality cd........2007-04-13

The music is Mozart's and is fantastic. The last piece on the first disc
stutters halfway through, and seizes up my system. I don't have time to return items to Amazon. On the positive side, most of the time Amazon provides quality products and service. I gave 3 stars because I love the music.

Great music, low quality reproduction.......2007-01-30

this is a great collection of his work... the only problem i have found so far is that my copy has irritating "clicks" over the recording.

A nice introduction.......2006-02-22

This is a good well rounded collection to dip you into the classical world of Mozart.

Mozart is the reference point for good classical music........2005-10-20

A good collection of his best work and I find it helps me focus when I'm writing or contempating life.

"We exposed these animals [rats] in utero and then sixty days after birth to different types of auditory stimulation and then we ran them in a spatial maze. And sure enough, the animals that were exposed to the Mozart completed the maze faster and with fewer errors. And now what we're doing is we're removing their brains so we can slice them and see neuro-anatomically precisely what has changed as a function of this exposure. So it may be that this intense exposure to the music is a type of enrichment that has similar effects on the spatial areas of the hippocampus of the brain." --Dr. Frances Rauscher

Dr. Frances Rausher sums up what I feel happening when I expose myself to this incredible composer (Mozart).

I have yet to grow tired of any of the tracks yet, but I will invest in more of his work soon.

Mozart's music.......2005-10-17

This is a review of Mozart's music, not the cd. Mozart is praised to the skies by all and sundry, including most musicians, including my father, who no doubt has his reasons. But my feeling about Mozart has always been that there is nothing in Mozart's music that is other than music. There is no logical impressionism, there are no events that seem to be transpiring as in, for example, Beethoven. Mozart is just music. Mozart is to music as pure mathematics is to science. It hints of nothing else and has no application. I find some of his music irritatingly trivial, for example, Eine Kleine Nachtmuzic. This is mechanical music that one can imagine being piped in by a totalitarian government that insists everyone be cheerful. If Disneyland was an eighteenth century totalitarian state, Mozart would be its Muzak. The populace would be awakened, like Chinese train passengers, at 6AM by the strains of some allegro. They would arise and busy themselves with their ablutions in a state of thoughtless cheer, never for one moment leaving the surface of things. That being said, the second movement of Mozart's clarinette concerto is the music that one will hear on going into heaven.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Customer Reviews:

Dennis Brain is superb.......2005-10-03

My mother bought this CD for me because I play the French Horn. Listening to a legendary horn player like Dennis Brain is a wonderful experience. I rate this product so highly because of the fine quality of the songs on the CD. I highly recommend this product for any brass player.

As Good As It Gets!.......2004-11-15

This album and Brain's other recordings are a must for any French Horn player. His performance on this album is stunning.

The Best Recording of the Best Horn Player Ever Born.......2003-06-08

This CD is - Thank God! - a re-release of a BBC Records Recording from 1974 Titled simply, "Dennis Brain (1921-1957)". When I was a horn student in Highschool back in the 80's, my parents brought it back for me from Europe. I have been looking for this recording on CD ever since then because I completely wore the record out. It is absolutely the best horn playing you will EVER hear. I used to play the record at least ten times a day - it inspired me to practice four hours a day and to despair that I would never play half as well as this genius. It brought tears to my eyes to hear it again and to remember what it was like to fall in love with Horn music and to spend so many happy hours rejoicing in the sound this man made with this wonderful instrument. The music is completely miraculous. What a tremendous loss he was, God rest his soul.

Once again an unforgettable cd!.......2002-02-25

As with all of Brain's performances, satisfaction is guaranteed! Not to dwell on a point brought up by the other reviewers, but the Villanelle is exceptionally spectacular. Forget the fact that he missed the high C at the end, it only spotlights the fact that this was a live performance, and unedited as such. It also shows us that we are all human, and even a missed note does not detract from the glory of his musicianship and virtuosity! This album (like others) really captures the magnificence of Brain's musiciality, from his seemingly unplayable pianissimos to his flawless and perfectly clean articulations. Nothing will help you to appreciate horn music better than this cd (and the Mozart cd) and few others will have you running to the practice room quicker. A must buy for any horn student or anyone that just appreciates horn playing at its finest.

Horn's fans BUY this cd!.......2001-09-18

I think this should be an essential recording for all the horn's players or fans.
Here we have some of the most important and beautiful chamber music for horn (Beethoven, Mozart and Brahms) and one of the most exciting solo piece for horn (Dukas's Villanelle).
The star of the cd is (of course) Dennis Brain, who in my humble opinion IS the best horn player ever.
Since the legendary recording of Mozart's concerti (that every serious horn's fan should own) you can hear how the technique and the musicianship in Dennis's playing are both wonderful.
Here we have something more to prove this (if it was necessary...)
The Villanelle is outstanding, as said. The finale is rushed so fast that is almost unbelievable. The only little complaint (?) is that if I remember, he first bars are written for "hand-horn" that means to be played without using the valves but using instead the right hand in the horn's bell to perform the notes that are otherwise not possible to obtain using the lips only.
Here it seems not to be the case, but as I said it's a very little remark.
But the piece I like the most is the Mozart's quintet, that is the most difficult and virtuoso piece for horn written by the great composer. Especially in the last movement the horn has to compete in technique and articulation with the first violin, but never forgetting the elegance and grace characteristics of Mozart's music.
The second movement is, for this point of view, exemplary; each phrase is played with extraordinary musicianship and beauty.
The Beethoven quintet is maybe better here than in the other recording with Walter Gieseking and the Philarmonia winds (another essential cd for Dennis's fans) and the Brahms's trio (a wonderful piece of music) shows as Dennis was perfectly suited even with a romantic piece like this (he was somehow "accused" to be without nerves...).
In conclusion, I think that after purchasing the Mozart's concerti, this should be your next horn's cd.

Pablo Casals: Festivals at Prades Vol. 1

Average customer rating:

Bravo Maestro
They don't make 'em like this any more...
Treasure!

Pablo Casals: Festivals at Prades Vol. 1
Menuhin
Manufacturer: Music & Arts Program
ProductGroup: Music
Binding: Audio CD

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ASIN: B000086EMD
Release Date: 2003-02-25

Tracks:

I. Allegro
II. Larghetto
III. Allegretto
I. Bewegt, Doch Nicht Zu Rasch
II. Ziemlich Langsam
III. Rasch
IV. Kraftig, Mit Humor

Tracks:

I. Allegro Con Brio
II. Andante Con Variazioni
III. Menuetto. Quasi Allegro
IV. Finale. Prestissimo
I. Allegro Vivace Con Brio
II. Largo Assai, Ed Espressivo
III. Presto

Tracks:

I. Allegro Energico
II. Presto Non Assai
III. Andante Grazioso
IV. Allegro Molto
I. Poco Sostenuto/Allegro, Ma Non Troppo
II. Allegretto
III. Allegretto, Ma Non Troppo
IV. Finale. Allegro

Tracks:

I. Prelude. Allegro
II. Allemande. Quasi Maestoso
III. Courante. Allegro Non Troppo
IV. Sarabande. Lento
V. Bourree I. Allegro Moderato
VI. Gigue. Vivace
I. Allegro Con Brio
II. Adagio Con Molto Sentimento D'Affeto/III.Allegro-Allegro Fugato
I. Op.121a (Not Divided Into Movements)

Tracks:

I. Adagio
II. Allegro Ma Non Tanto
III. Andante
IV. Allegro Moderato
I. Allegro Con Brio
II. Scherzo. Allegro Molto
III. Adagio
IV. Allegro
I. Allegro
II. Adagio
III. Andante Grazioso
IV. Allegro

Tracks:

I. Sehr Lebhaft
II. Mitinnigem Ausdruck
III. In Massiger Bewegung
IV. Nicht Zu Rasch
I. Allegro - Arthur Grumiaux
II. Larghetto - Arthur Grumiaux
III. Allegretto - Arthur Grumiaux

Tracks:

Prelude & Fugue In D Major - Mieczyslaw Horszowski
Prelude & Fugue In F-sharp Minor - Mieczyslaw Horszowski
Prelude & Fugue In G Major - Mieczyslaw Horszowski
Prelude & Fugue In B Minor - Mieczyslaw Horszowski
I. Allegro Con Brio - Arthur Grumiaux
II. Tema Con Variazioni - Arthur Grumiaux
III. Rondo (Allegro) - Arthur Grumiaux
I. Allegro - Paul Tortelier
II. Adagio - Paul Tortelier
III. Allegro Ma Non Troppo - Paul Tortelier
Aria - Victoria De Los Angeles

Tracks:

I. Allegro
II. Andante Con Moto
III. Scherzo. Presto
IV. Finale. Allegro Giocoso
I. Mit Energie Und Leidenschaft - Mieczyslaw Horszowski
II. Lebhaft, Doch Nicht Ru Rasch - Mieczyslaw Horszowski
III. Langsam, Mit Inniger Empfindung - Mieczyslaw Horszowski
IV. Mit Feuer - Mieczyslaw Horszowski

Tracks:

I. Adagio Sostenuto/Allegro/Presto
II. Allegro Vivace/Adagio
I. Adagio Sostenuto Ed Espressivo/Allegro Molto Piu Tosto Presto
II. Rondo. Allegro
I. Allegro Moderato
II. Poco Adagio
III. Rondo. Allegro Moderato/Allegro Molto

Tracks:

I. Allegro, Ma Non Tanto
II. Scherzo. Allegro Molto
III. Adagio Cantabile/Allegro Vivace
I. Andante/Allegro Vivace
II. Adagio/Tempo D'Andante/Allegro Vivace
I. Allegro Con Brio
II. Adagio Con Molto Sentimento D'Affetto
III. Allegro

Tracks:

Seven Variations On The Duet 'Bei Mannern, Welche Liebe...' From Die Zauberflote By Mozart, For Cello And Piano
I. Allegro - Mieczyslaw Horszowski
II. Adagio Molto Espressivo - Mieczyslaw Horszowski
III. Allegro Con Variazioni - Mieczyslaw Horszowski
I. Allegro - Jose Gonzales
II. Larghetto - Jose Gonzales
III. Menuetto/Trio I/Trio II - Jose Gonzales
IV. Allegro Con Variazioni - Jose Gonzales

Tracks:

I. Allegro Ma Non Troppo - Karen Tuttle
II. Adagio (Segue) - Karen Tuttle
III. Scherzo. Persto (Segue) - Karen Tuttle
IV. Allegretto/Piu Allegro - Karen Tuttle
I. Molto Allegro Ed Agitato
II. Andante Con Moto Tranquillo
III. Scherzo. Leggiero E Vivace
IV. Finale. Allegro Assai Appassionato

Tracks:

Adagio And Allegro For Piano And Horn In A Flat Major, Op.70
I. Introduzione. Andante Espressivo/Allegro - Vegh Quartet
II. Scherzo. Presto/Intermezzo - Vegh Quartet
III. Adagio - Vegh Quartet
IV. Presto - Vegh Quartet
I. Allegro Brillante - Rudolph Serkin
II. In Modo D'Una Marcia. Un Poco Largamente/Agitato - Rudolph Serkin
III. Scherzo. Molto Vivace/Trio I/Trio II. L'Istesso Tempo - Rudolph Serkin
IV. Allegro Ma Non Troppo - Rudolph Serkin

Customer Reviews:

Bravo Maestro.......2007-01-03

I consider myself fortunate to have found this gem. I have always admired Casals not only for his extraordinary musicianship but also for his political courage. The story of Prades is heart warming and the music is a rare treasure. If you are a Casals fan, you might also want to hear Casals conducting Beethoven's 7th Symphony...a masterpiece.

They don't make 'em like this any more..........2006-11-28

The quality of the MUSIC here is remarkable. Many of the world's elite classical artists of the post-World War II generation are here - and the result is magic! A few of the highlights for me are the Mozart Piano Quartet No. 2 (disc 1), Beethoven Cello Sonata in A Major (disc 10), Mozart Oboe Quartet (disc 7), and many more...

You might wonder, however, how these live 50's recordings compare to recordings made in the digital era? Well... in a word, very good, very good indeed considering. Occasionally there is audience coughing (primarily just during the breaks between sections) - after all this was recorded live and you can also sometimes hear music pages turning on the stage if you listen closely. However, the sound is about as full range as you could ask for and the hiss and noise levels are very acceptable and not ever intrusive - I did note that the string instruments generally sound very good while the piano does not always fair quite as well, sometimes sounding slightly boxy - the piano is just far more difficult to record in any live setting because it is more dependent upon the room acoustics. Still, overall, the restoration is very good and trust me, you will become engaged in the MUSIC very quickly and forget all about any limitations of the recordings.

To summarize, as other reviewers have also noted, the sound quality, while not perfect by digital standards, is indeed very good - the important thing is to be assured that sound quality considerations never get in the way of the fantastic, wonderful performances. They really don't make music like this anymore.... well maybe they do sometimes, but not on thirteen discs in a row! Of course, I'm now going to purchase the second box set.

Treasure!.......2003-06-19

When I first heard this set, I thought to myself: now I know how Howard Carter felt when he looked for the first time into Tutankhamen's newly-excavated tomb. Maybe you know the story: As his colleagues broke the seal on the long-undiscovered tomb's final door, Carter peered into a completely dark treasure room, illuminated fitfully by the beam of his flashlight. Someone asked, "What do you see?" and he answered, "Wonderful things!" Well, this set of Casals & Friends performances from early 1950s Prades Festivals also offers an unbelievable wealth of long-unheard, wonderful things. It is impossible to overpraise this production, or find the words to adequately thank Music and Arts for issuing such extravagance in these days of penny-pinching from what we used to call the major record companies. Thirteen (!) CDs of live performances, most featuring Pablo Casals working with front-rank collaborators, and all worth hearing many times over. Highlights? Casals, Rudolf Serkin, Alfred Cortot and Eugene Istomin survey all the Beethoven cello sonatas; Casals and Menuhin treat us to all the Brahms trios; the great, lamented William Kapell plays glorious Mozart and Beethoven with a young Arthur Grumiaux; the Vegh Quartet offer marvelous Schumann ..... and many, many more. Yes, you learn that even Willy Kapell could smudge a note now and then when performing 'live.' But, overall, the mistakes are few, and the musical insights so numerous as to defy listing. Note that these performances are completely different from those other, "official" live Prades recordings issued by Sony/Columbia/CBS over the past 30 years, so if you own the Sony CDs (and you should!), rest assured that while there is some overlap of repertory, you will not be duplicating performances. (On the other hand, 9 of the 13 discs were previously issued a few years back by Music and Arts.) Sound quality is mono and variable, but never less than completely acceptable. In fact, the sound quality (as realized by ace M&A engineer Maggi Payne) is surprisingly good considering that many of the performances apparently originated in the naves of ancient stone churches, not exactly a recording engineer's dream soundstage! Packaging is spartan, but well-designed and attractive: paper envelopes contain the CDs which are held together in a space-efficient soft box. Full liner notes helpfully discuss the origins of the Prades Festivals, and provide a limited discussion of participating artists other than Casals. (The fabulous Kapell performances -- of music he recorded nowhere else -- represent the pianist's only appearance at Prades, just a month or two before his tragic death in a plane crash.) Final word: In this set you get some of the greatest performing artists of all time playing some of the greatest chamber music ever written ..... and for an unbelievably low price. Unless you are completely averse to live music-making or have no tolerance at all for fallible sound, you need to own and hear these discs, over and over again!

Schubert: Piano Quintet, Op. 114 "Trout"; Mozart: Clarinet Quintet, K481

Average customer rating:

Schubert: Piano Quintet, Op. 114 "Trout"; Mozart: Clarinet Quintet, K481

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

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ASIN: B0002J58YM
Release Date: 2004-07-27

The Mozart Effect: Music For Children, Vol. 4: Mozart To Go

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The Mozart Effect: Music For Children, Vol. 4: Mozart To Go

Manufacturer: Children's Group
ProductGroup: Music
Binding: Audio CD

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The Mozart Effect: Music For Babies: Nighty Night

Product Features:

THE MOZART EFFECT VOL. 4: MOZ ART TO GO CD

ASIN: B00004X0Q8
Release Date: 2000-09-05

Tracks:

Don Giovanni, K.527: I. Finale - Netherlands Wind Ens
Pno Con No.6 in B flat, K.238: III. Rondo Allegro - Jeno Jando
Str Qt in G, K.156: I. Presto - Eder Qt
Ser, K.185: IV. Menuetto - Trio - Salzburg CO/Harald Nerat
Cl Qnt in A, K.581: IV. Allegretto Con Var - Danubius Qt
Str Qt in F, K.370: II. Rondo: Allegro - Kodaly Qt
Cl Qnt in E flat, K.374: III. Rondo Allegretto - Danubius Qt
Ser, K.203: III. Menuetto - Trio - Salzburg CO/Harald Nerat
Divert in B flat, K.287: V. Menuetto - Capella Istropolitana/Harald Nerat
Pno Son in A , K.331: III. Rondo A La Turk - Jeno Jando
Str Qt in B flat, K.159: III. Rondo: Allegro Grazioso - Eder Qt

Product Description

Based on Don Campbell's new book The Mozart Effect for Children, each recording has been carefully selected to provide a rich listening and learning experience for every member of the family-now from conception all the way through to grand parenting years.

Average customer rating:

Mozart: Quintets, Quartets, Trios, etc.

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Mozart: Piano Music

ASIN: B00004YSBG
Release Date: 2006-02-14

Mozart: Clarinet Quintet; Kegelstatt Trio

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Two of Music's Earliest and Greatest Chamber Masterworks with Clarinet

Mozart: Clarinet Quintet; Kegelstatt Trio

Manufacturer: Naive
ProductGroup: Music
Binding: Audio CD

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Haydn: String Quartets Op. 76

ASIN: B000F6YVZY
Release Date: 2006-08-29

Tracks:

Allegro
Larghetto
Menuetto
Allegretto Con Variazioni
Andante
Menuetto
Rondeaux

Customer Reviews:

Two of Music's Earliest and Greatest Chamber Masterworks with Clarinet.......2006-09-05

Mozart's Kegelstatt* Trio for clarinet, viola and piano (and sometimes played by clarinet, violin and piano, or even violin, viola and piano) was one of the earliest true masterpieces featuring a clarinet. The instrument itself had been invented about eighty years earlier and as late as 1750 was described in an encyclopedia as 'a kind of oboe'! Although there had been some earlier pieces featuring clarinet, none came anywhere near the two pieces featured here. And here we have marvelous performances by one of my favorite string quartets, Quatuor Mosaïques, an original instruments group who are the crème de la crème of such groups. And the clarinetist with them is Wolfgang Meyer who plays a basset clarinet, that instrument that allows the clarinetist to play a third lower than the usual instrument; Mozart made use of this range in both these works as well as in his Clarinet Concerto. I'm not terribly fond of the sound of the Hammerflügel that Patrick Cohen plays in the Trio, but that's my idiosyncratic response to most instruments of that period. He's an excellent player, though, and is of one mind with his colleagues.

*'Kegelstatt' is German for 'skittles,' an early form of bowling. Legend has it that Mozart composed the Trio during a game of skittles.

The performances here are, to quote Linda Richman, 'like buttah.' I honestly cannot think of a single criticism of the level of playing here, either technically, sonically or, most important, musically. The Quatuor Mosaïques has recorded all of Mozart's string quartets in a universally acclaimed set and they obviously have his style in their bones.

A striking feature in the Quintet is that it can sometimes seem to be a double concerto for violin and clarinet with string accompaniment, and to take advantage of that the stereo soundstage places the first violin predominantly in the left channel, the clarinet in the right. This is a very nice effect sonically.

Fun fact: it was the Clarinet Quintet that Major Charles Emerson Winchester taught the Chinese prisoners of war to play in an episode of M*A*S*H. I've actually had someone tell me that they were 'turned on to classical music' by that episode. (Winchester also mauled the opening measures of the Ravel Left Hand Piano Concerto in another episode. I doubt that converted anyone!)

I believe these excellent 1993 performance were previously released on Auvidis but it appears to be no longer available and I'm glad Naïve has made it available again. Note that the CD comes at what appears these days to be mid-price.

Scott Morrison

Mozart on the Menu: A Delightful Little Dinner Music

Average customer rating:

Truly Delightful
A superb collection of Mozart's elegant music
Enjoyable, bright, sunny-morning-at-the-cafe selections

Mozart on the Menu: A Delightful Little Dinner Music

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day
Bach for Breakfast
Mozart for Meditation
Mozart for Your Mind
Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away

ASIN: B0000041DQ
Release Date: 1995-08-15

Tracks:

Eine kleine Nachtmusik Menuetto (Allegretto)
Flute Quartet in A Menuetto
Flute Quartet in A Rondeau
Quartet in F - Rondeau
Divertimento No 17 in D - Menuetto
Flute Quartet in D Adagio
Flute Quartet in D Rondeau
Devertimento in D Allegretto
Clarinet Quintet in A Menuetto
Horn Concerto in D allegro
Oboe Concerto in C rondo (allegretto)
Bassoon Concerto in B-flat rondo
Country Dance #1 in C (non piu andrai from the Marriage of Figaro)
String Quintet in E-flat menuetto:aleegretto
Divertimento No. 11 in D andantino
Serenade in D ('Posthorn')

Customer Reviews:

Truly Delightful.......2006-07-17

This is a perfect, relaxing, soothing and cheerful, unobtrusive music CD you can play in the background whether you're dining, working, studying or relaxing with a book.

A superb collection of Mozart's elegant music.......2005-01-26

Philips' "Set your Life to Music" series was designed for the average person who knows little about classical music but is interested to explore and enjoy it. For the average listener, the more soothing and elegant sounds of Mozart or Bach that this series features will be more appealing than the harsher tones and loudness of a Beethoven or modern symphony. This CD is a most lush collection of some of Mozart's finest music he composed for special festivities during the era of Dukes and Princes and Royal Courts (called "divertimenti"). So, the title "A Delightful Little Dinner Music" really is not far from the intent of the music Mozart wrote here - it was designed to be light, elegant and most of all to set a warm mood for the event. All pieces here are of a similar, non-invasive tone and temperament with no dramatic or loud sections that can disrupt special moments. The selections featuring the silky-smooth sounds of the oboe or clarinet are most delightful as Mozart had a special talent for writing for those highly-expressive instruments. Not a harsh note is heard on the entire CD.

But, don't misread the cute, contemporary art cover to mean substandard classical music. The quality of the performances, compilations and recordings are all surprizingly quite good. Even the "serious" classical listener should enjoy the variety of such compilations once in a while as hearing the fifteenth violin sonata in a row can start to become monotonous. Sometimes a little diversity is what is needed and the wonderful selections on this high-quality CD offers this. I have many CD's in this series and find this one my favorite. It is Mozart at his most elegant and wonderfully lyrical. It is music that never demands to be heard but only seeks to delight. Highly recommended.

Enjoyable, bright, sunny-morning-at-the-cafe selections.......1998-11-20

I like this CD so much, I'm buying it again so I can have a second copy for home. I'm a high school science teacher and I wanted an unobtrusive, but not bland, collection of Mozart to play in the background as my students worked. I found that this CD more than satisfied my meager demands by being invigorating without being overpowering, and varied enough so as to not get stale, even when on continuous play. My students have enjoyed it as well, quickly becoming comfortable with what, for most of them, was a new type of music, even asking me to play it if I forget to cue it up before class. I can't comment on the technical virtuosity of the performances, but they are certainly adequate, and the quality of the recording is very good. The music is presented in a menu style, with 'appetizers', 'main course', and 'dessert'. All in all, just the music for times when you need a pleasant, easily palatable, uplift for your day.

Beethoven: Chamber Music for Winds (box Set)

Average customer rating:

Beethoven's complete music for wind ensemble
Best available

Beethoven: Chamber Music for Winds (box Set)

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Septets | Chamber Music | Classical | Styles | Music

Sextets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Complete Beethoven Edition, Vol. 14: Misc. Chamber Works
Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim
Complete Beethoven Edition, Vol. 2: Concertos
Beethoven: Complete Chamber Music for Flute
Grieg: Complete Music with Orchestra

ASIN: B00000JMZ0
Release Date: 1999-07-20

Customer Reviews:

Beethoven's complete music for wind ensemble.......2006-01-13

It might be hard to believe that the same composer who wrote such monumental and daunting works as the Fifth Symphony, the Hammerklavier piano sonata or the late string quartets also wrote such light and airy tunes like the duet for two flutes (WoO 26) featured in this 4-CD collection. Indeed, such light, galante music was written early in Beethoven's career in Bonn or his early years in Vienna (1794-1800) where he established himself as a serious new composer to watch. In fact, the wind Octet (Op. 103) was composed as "pleasant dinner music" for the Elector of Bonn who had a prized wind ensemble (high opus number but early work). But, after composing many of these delightful pieces, Beethoven never returned to them and focused on more substantial compositions for symphony, string trio and quartet and, of course, the latest, most fashionable instrument to arrive in Vienna - the pianoforte. The rest is history.

The influence of Mozart is clearly evident in these works for wind ensemble with their charm and untroubled qualities. Yet, with these well-crafted works, even the great Beethoven could not quite achieve the wonderous sonorities, transcendent sublimity and luminescent beauty of Mozart's wind serenades (such as #10 'Grand Partita'). But, Beethoven's early wind compositions clearly reveal a talented, young composer who could easily model the style and form of his peers (Haydn and Mozart) and produce music of universal appeal.

If you are looking for a complete set of Beethoven's early (divertimento) music for wind ensemble (wind only, no strings), then this is a fine set and reasonably priced. Both Penguin and Third Ear guides gave high ratings to this recommended set. Highlights would include the Sextet Op. 71 and the Octet Op. 103 along with Beethoven's most famous work of the era - the Septet Op. 20 (but here transcribed for wind ensemble). Other "fillers" include lovely duos and trios for bassoon, horn, oboe, clarinet or flute which are played with much love and care by the German Consortium Classicum. Not so special perhaps are the transcriptions to winds of the opera, Fidelio. Regardless, all of which make for ideal, non-intrusive music for quiet moments like dinner, entertaining or late night reading. After all, the purpose of such divertimento music was "pleasant background music." Overall, the playing is rich and attractively musical while the sound quality full and clear. While the box set is comprised of four, individual CD cases in one large, outer box (not space saving), one very nice bonus are the wonderfully detailed notes with each CD, covering the history and musical form - along with chronological timelines of each work's composition in the overall scheme. This set can be heartliy recommended for collectors wanting a complete set of Beethoven's wind music. 4.5 stars.

Best available.......2001-07-26

Klocker and his fine team give us a refreshing rendition of these negleted gems. Recommended without reservation.

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