Handel: Israel in Egypt [Import]

Editorial Reviews
Amazon.com
Andrew Parrott specializes in those perky, small scale Baroque performances on authentic instruments that music lovers either swear by or detest. Granted, you do have to get used to trumpets and drums sounding rather like toy instruments, but in this case the approach pays off. Handel wrote many of the choruses in Israel in Egypt in eight parts, and the clarity of texture Parrott gets with his small group only heightens the impact of the music, making it more rather than less exciting. First-rate. --David Hurwitz

Tracks:

Cantata No. 80: A Mighty Fortress Is Our God
Cantata No. 140: Zion Hears The Watchmen's Voices
Magnificant In D Major, BWV 243: My Soul Doth Magnify The Lord
Cantata No.147: Jesu, Joy Of Man's Desiring
Cantata No. 4: Now Keep We All This Holy Feast
Cantata No. 208: Sheep May Safely Graze
Mass In B Minor, BWV 232: Et Resurrexit
Cantata No. 79: Now Thank We All Our God
Cantata No. 140: Sleepers Awake
Samson: Awake The Trumpet's Lofty Sound
Samson: Let Their Celestial Concerts All Unite
Judas Maccabaeus: See, The Conqu'ring Hero Comes!
Judas Maccabaeus: Sing Unto God
Judas Maccabaeus: Hallelujah, Amen
Saul: Welcome, Welcome Mighty King
Saul: David, His Ten Thousands Slew
Israel In Egypt: But As For His People
Israel In Egypt: Sing Ye To The Lord
Coronation Anthem: Zadok The Priest
Messiah: Hallelujah

Customer Reviews:

Bach and Handel Treats.......2000-08-04

The unfortunate thingÑif anything can be said to the contrary about this collectionÑis that is an older recording. As far as authenticity, what was available in the days of Bach and Handel to perform their music, and what they may have had in mind as the formidable way of presenting it to the publicÑas well as to the heavensÑmay be quite different things. Viewed in this way, authenticity may be an abstraction we are not here priviledged to comment on.

I have marveled for years, even when these were two separate LP's, of the power and dimensionality conveyed by the way these works are performed. I still switch from one to another piece as which is my favorite. In this respect, the experience is a hermenutic delight. Any lover or respecter of Bach or Handel would not go wrong by including this collection in their musical library.

When I use the word "treats" in the title, I mean just that: it is a collection of works that one would be hard pressed to find performed together on any available recording. And so I use the metaphor "treat," as if I were given a morsel and then devoured it; and another, and devoured that one, each with a fullness of pleasure and delight, and with soul filling satisfaction.

These indivdual recordings are for the most part masterpieces in and of themselves, and to be able to listen to them as they are performed flawlessly, and in a manner that invites the Spirit of GodÑby saying they are a "treat"Ñis to merely to treat them minimally.

Fine recording, but doesn't work for me........1999-05-07

I love several of J.S. Bach's cantatas, and enjoy hearing them in a variety of ways--period performances, orchestral arrangements, etc. Therefore I'm not one to insist on authenticity. Nevertheless, the chorus here sounds too big for the Bach. Also, the program needs more variety for straight through listening. Chorus after (massive) chorus doesn't work for me.

rock on!!!!!.......1999-02-09

Jesu joy of man's desiring, holy wisdom love most bright

This song is the best I have ever heard. It rocks!!!!!.......1999-02-09

Jesu joy of man's desiring, holy wisdom love most bright

Average customer rating:

5 Stars Discounting Recording Problems
Perfect for homeschooling.
In Words & Music
Don't blink

The Story Of Handel

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001KCX
Release Date: 1995-04-16

Tracks:

Water Music
Israel In Egupt: 'He Gave Them Hailstones'
Organ Concerto No. 16 In F Major: Larghetto affetuoso
Messiah: I Know That My Redeemer Liveth
The Faithful Shepherd: Overture
Terpsichore: Overture
Julius Caesar: Aria Of Ptolemy
Sonata No. 1 In B Flat Major For Recorder And Harpsichord: Finale
Concerto Grosso In G Minor, Op. 6 No. 6: Fugue
Messiah: Every Valley Shall Be Exalted
Rodelinda: Overure
Ezio: Overture
Organ Concerto No. 13 In Major: Larghetto
Water Music: Hornpipe
Fantasia In C Major
Harmonious Blacksmith
Water Music: Andante
Julius Caesar: Finale
Organ Concerto No. 5 In F Major: Allegro
Alexander's Feast: Oveture
Serse: Largo
Isreal In Egypt: He Spake The Word
Larghetto e staccato
Messiah: Hallelujah Chorus
Israel In Egypt: The Horse And His Rider
Messiah: Why Do The Nations
Judas Maccabeus: Hallelujah Amen
Israel In Egypt: And The Children If Israel Sighed
Messiah: Hallelujah
Water Music: Ouverture
Water Music: III. Allegro
Water Music: IV. Allegro
Water Music: VII. Bourree Hornpipe
Water Music: X.
Water Music: XI
Water Music: XVI
Water Music: XVII
Water Music: XVIII
Water Music: XIX

Customer Reviews:

5 Stars Discounting Recording Problems.......2007-05-14

The content is terrific. This CD is one of a series of classical music masters. The only problem is that tracks 38 and later have a lot of distortion/static. I returned thinking it was a problem with the disc, but the replacement disc had the same problem. If not for that, I would have rated 5 stars.

Perfect for homeschooling........2007-01-29

The narratives are short enough to keep your children's attention, the music may be short in some instances but if you're playing it in the background for exposure- it doesn't matter. The price is great and the cheapest you'll find in addition to the 4 for 3 deal. We have all 18 of these cds and don't regret it!

In Words & Music.......2000-07-24

I have found this recording series to be a very helpful introductory teaching device for my young children. It gives a brief history of the composer and samples of the musical style.

Don't blink.......2000-05-03

The music on this CD is all wonderful, and it's a perfect CD toget - if you have the attention span of a soap bubble! Thisis a "sampler" with narrative and very few of thepieces listed are actually played in their entirety. Even pieces which are short to begin with are excerpted. We are given a whole minute of the Hallelujah Chorus and a rousing 45 seconds from the overture from "Ezio". This is a teaching CD which gives some fine examples to support the narration - but they are very short examples. A few bars here and there is all you get.

Handel: Messiah, Israel In Egypt - Andrew Parrott/Taverner Choir & Players (4 CD's)

Average customer rating:

Wonderful oratorios
Wonderful execution and extraordinary value

Handel: Messiah, Israel In Egypt - Andrew Parrott/Taverner Choir & Players (4 CD's)
Joseph Cornwall , George Frideric Handel , Andrew Parrott , and Taverner Choir & Players
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00030FJFI
Release Date: 2004-11-16

Tracks:

Sinfony: Grave - Allegro Moderato - James Bowman
Accompagnato: Comfort Ye My People - James Bowman
Air: Ev'ry Valley Shall Be Exalted - James Bowman
Chorus: And The Glory Of The Lord Shall Be Revealed - James Bowman
Accompagnato: Thus Saith The Lord Of Hosts - James Bowman
Air: But Who May Abide The Day Of His Coming - James Bowman
Chorus: And He Shall Purify - James Bowman
Recitative: Behoold, A Virgin Shall Conceive - James Bowman
Air & Chorus: O Thou That Tellest Good Tidings To Zion - James Bowman
Accompagnato: For Behold, Darkness Shall Cover The Earth - James Bowman
Air: The People That Walked In Darkness - James Bowman
Chorus: For Unto Us A Child Is Born - James Bowman
Pifa: Larghetto E Mezzo Piano - James Bowman
Recitative & Accompagnato: There Were Shepherds/Recitative: And The Angel Said Unto Them/Accompagnato: And Suddenly There Was With The Angel - James Bowman
Chorus: Glory To God In The Highest - James Bowman
Air: Rejoice Greatly, O Daughter Of Zion - James Bowman
Recitative: Then Shall The Eyes Of The Blind Be Open'd - James Bowman
Air: He Shall Fell His Flock Like A Shepherd - James Bowman
Chorus: His Yoke Is Easy, His Burthen Is Light - James Bowman
Chorus: Behold, The Lamb Of God - James Bowman
Air: He Was Despised - James Bowman
Chorus: Surely, He Hath Borne Our Griefs - James Bowman
Chorus: And With His Stripes We Are Healed - James Bowman
Chorus: All We Like Sheep Have Gone Astray - James Bowman

Tracks:

Accompagnato: All They That See Him, Laugh Him To Scorn - James Bowman
Chorus: He Trusted In God - James Bowman
Accompagnato: Thy Rebuke Hath Broken His Heart - James Bowman
Arioso: Behold, And See If There Be Any Sorrow - James Bowman
Accompagnato: He Was Cut Off Out Of The Land Of The Living - James Bowman
Air: But Thou Didst Not Leave His Soul In Hell - James Bowman
Chorus: Lift Up Your Heads, O Ye Gates - James Bowman
Recitative: Unto Which Of The Angels - James Bowman
Chorus: Let All The Angels Of God Worship Him - James Bowman
Air: Thou Art Gone Up On High - James Bowman
Chorus: The Lord Gave The Word - James Bowman
Air: How Beautiful Are The Feet - James Bowman
Chorus: Their Sound Is Gone Out Into All Lands - James Bowman
Air: Why Do The Nations So Furiously Rage Together - James Bowman
Chorus: Let us Break Their Bonds Asunder - James Bowman
Recitative: He That Dwelleth In Heaven - James Bowman
Air: Thou Shalt Break Them - James Bowman
Chorus: Hallelujah! - James Bowman
Air: I Know That My Redeemer Liveth - James Bowman
Chorus: Since By Man Came Death - James Bowman
Accompagnato: Behold, I Tell You A Mystery - James Bowman
Air: The Trumpet Shall Sound - James Bowman
Recitative: Then Shall Be Brought To Pass The Saying - James Bowman
Duet: O Death, Where Is Thy Sting - James Bowman
Chorus: But Thanks Be To God - James Bowman
Air: If God Be For Us - James Bowman
Chorus: Worthy Is The Lamb That Was Slain...Amen - James Bowman

Tracks:

Orchestra: Largo Assai - David Thomas
The Sons Of Israel Do Mourn - David Thomas
How Is The Mighty Fall'n! - David Thomas
He Put On Righteousness - David Thomas
When The Ear Heard Him - David Thomas
How Is The Mighty Fall'n! - David Thomas
He Deliver'd The Poor That Dried! - David Thomas
How Is The Mighty Fall'n! - David Thomas
The Righteous Shall Be Had In Everlasting Remembrance - David Thomas
Their Bodies Are Buried In Peace - David Thomas
The People Will Tell Of Their Wisdom - David Thomas
They Shall Recieve A Glorious Kingdom - David Thomas
The Merciful Goodness Of The Lord Endureth For Ever - David Thomas
Recitative: Now There Arose A New King Over Egypt - David Thomas
Chorus: And The Children Os Israel Sighed - David Thomas
Recitative: Then Sent He Moses, His Servant - David Thomas
Chorus: They Loathed To Drink Of The River - David Thomas
Air: Their Land Brought Forth Frogs - David Thomas
Chorus: He Spake The Word - David Thomas
Chorus: He Gave Them Hailstones For Rain - David Thomas
Chorus: He Sent A Thick Darkness Over All The Land - David Thomas
Chorus: He Smote All The First-Born Of Egypt - David Thomas

Tracks:

Chorus: But As For His People, He Led Them Forth Like Sheep - David Thomas
Chorus: Egypt Was Glad When They Departed - David Thomas
Chorus: He Rebuked The Red Sea, And It Was Dried Up - David Thomas
He Led Through The Deep - David Thomas
But The Waters Overwhelmed Their Enemies - David Thomas
Chorus: And Israel Saw That Great Work - David Thomas
And Believed The Lord And His Servant Moses - David Thomas
Introitus (Chorus): Moses And The Children Of Israel Sung This Song - David Thomas
I Will Sing Unto The Lord - David Thomas
Duet: The Lord Is My Strengh And My Song - David Thomas
Chorus: He Is My God - David Thomas
And I Will Exalt Him - David Thomas
Duet: The Lord Is A Man Of War - David Thomas
Chorus: The Depths Have Covered Them - David Thomas
Chorus: Thy Right hand, O Lord, Is Become Glorious - David Thomas
And In The Greatness Of Thine Excellency - David Thomas
Thou Sentest Forth Thy Wrath - David Thomas
Chorus: And With The Blast Of Thy Nostrils - David Thomas
Air: The Enemy Said, I Will Pursue - David Thomas
Air: Thou Didst Blow With The Wind - David Thomas
Chorus: Who Is Like Unto Thee - David Thomas
The Earth Swallowed Them - David Thomas
Duet: Thou In Thy Mercy Hast Led Forth Thy People - David Thomas
Chorus: The People Shall Hear, And Be Afraid - David Thomas
Air: Thou Shalt Bring Them In - David Thomas
Chorus: The Lord Shall Reign For Ever And Ever - David Thomas
Recitative: For The Horse Of Pharaoh Went In - David Thomas
Chorus: The Lord Shall Reign For Ever And Ever - David Thomas
Recitative: And Miriam The Prophetess - David Thomas
Solo: Sing Ye To The Lord - David Thomas

Customer Reviews:

Wonderful oratorios.......2005-09-28

I own the two oratorios separately. I bought first Messiah because I needed a reference recording for our choir performance on Christmas 2000, and my then choir director recommended the Tavener Choir and Players. I followed his suggestion and I must say that to this day I haven't regretted it. It's very balanced in tempi, never too quick neither too slow as other recordings I have heard like the Gardiner or Sawallisch ones. Every time we schedule Messiah for a concert I keep coming back to it to get into the proper mood for singing. The cast of singers is really excellent - there is a counter-tenor sharing the mezzo/alto role with a mezzo (which is quite unusual but refreshing anyway) as well as two soprans sharing role too, which usually other recordings don't have. But everyone of them is magnificent, though I tend to have a partiality towards the bass, David Thomas, specially regarding the arias "The trumpet shall sound" and "Why do the nations". Such a booming voice, and such a homogeneous sound in all of his fach.

Having such good opinion of the ensemble, I went for the Israel in Egypt, which was a discovery. Some of the singers are the same
as in the Messiah cast, and includes Anthony Rolfe Johnson and Nancy Argenta...which are an added plus. Unfortunately, there is no mezzo/alto in this recording but a counter-tenor...sigh... There are two soprans and two basses sharing roles as well. Tenor and alto are just one singer each. I have been said that it is quite rare to find a whole recording of this score, since its excerpts are usually used to "make up" for a complete recording together with other pieces by Handel. The work in itself is very much like Handel, full of sensitivity and the exact amount of sadness - "The ways of Zion do mourn" makes my hairs stand on end, thrills me so! - and weird humor, like when telling about the 7 plagues Yahwe send to Egypt in order to make the Pharaoh free the Israelites... "Their land brought forth frogs" starts with the violins sounding like leaping frogs! And I have named just a few of the pieces. It is really an adquisition worth your money.

Wonderful execution and extraordinary value.......2005-04-20

Andrew Parrott's recordings of Handel's "Messiah" and "Israel in Egypt" are reintroduced in this budget box that has so much going for it that no version extant can really compare in terms of musical value, execution of the score and dollar value. At a list price of $17 -- and usually available for less than that -- this four-disk set presents a tremendous value to lovers of this music.

Parrott's rendition of the less often recorded "Isreal in Egypt" Passover story is still considered by most critics to sit at or near the pinnacle with Gardiner's two versions. I have owned the second Gardiner recording along with those lead by Christophers, Cleobury and Preston and none exceeds the singing and musical performance of this one.

His "Messiah" is every bit its counterpart and ranks ahead of other versions I've owned in recent years including the beautifully sung but controversial recording of Marriner, Academy & Chorus of St. Martin-in-the-Fields with Elly Ameling, Anna Reynolds, Philip Langridge, Gwynne Howell; the energetic period performance on DG with Pinnock leading the English Concert & Choir, Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook & John Tomlinson; and the noisy old version by Beecham that big band lovers still cling to.

Parrott's recordings include some of the best early music singers in Europe including the clarion voice of Emma Kirkby, Nancy Argenta, tenor Anthony Rolfe Johnson and bass David Thomas. The inclusion of parts for countertenor James Bowman to sing bass arias in "Messiah" is more controversial but does little to diminish the positive overall effect.

What I enjoy most about these performances is that, even though they are period performances, Parrott romanticizes the music and allows his singers to use vibrato. A complete absence of rapid fire speeds in the two performances allows the music to bloom and breathe. Indeed, his "Hallelujah" chorus in "Messiah" in a massive performance more befitting the old days of 200 member choirs than the lean and mean approach by most pedantics!

Parrott's approach remians authentic by including the original score of "Israel in Egypt" including the first part "Lamentation of the Isrealties for the Death of Joseph". Listeners that, like me, do not particularly care for this section can skip ahead to track 14 of disk 3 and begin at the more conventional "Exodus" section. In either case the performance is a stunning winner.

It's not often I come across a CD where I don't find something objectionable but this set is about as good as it gets. The performances both rank in the top drawer of currently available CDs. While the recordings, made in 1989 and 1990, are not the quality of today's best digital remakes and may take a little treble taming at the beginning of "Isreal: Exodus", they are more than adequate.

The one noticeable downside is the lack of a vocal score and only skimpy notes given in a couple languages. Complete track listings are included, however, and the English is so good throughout this set that you won't need the score to understand what's going on, whether you're listening to it at home, at work or in the car.

With extremely lucid direction by Parrott and the engineers, matched with some of the best singing I've heard in these scores, this is a set you can listen to repeatedly. I can't imagine another set that is better than this one, especially for $17 or less.

Average customer rating:

Handel: Israel in Egypt

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000LP4OT2
Release Date: 2007-02-27

Tracks:

Nr.1 Symphony, Largo Assai
Nr.2 Chorus, Larghetto E Staccato 'The Sons Of Israel Mourn'
Nr.3 Chorus, 'How Is The Mighty Fall'n'
Nr.4 Chorus, 'He Put On Righteousness'
Nr.5 Chorus (Soli), Andante Larghetto 'When The Ear Heard Him'
Nr.6 Chorus, Adagio 'How Is The Mighty Fall'n'
Nr.9 Chorus (Soli), Larghetto E Staccato 'The Righteous Shall Be Had In Everlasting Remembrance'
Nr.10 Chorus, Grave 'Their Bodies Are Buried In Peace'
Nr.11 In Chorus, Grave 'The People Will Tell Of Their Wisdom'
Nr.12 Chorus (Soli), Larghetto 'They Shall Receive A Glorious Kingdom'
Nr.13 Chorus, Largo 'The Merciful Goodness Of The Lord'
Rez + Nr.14 Solo And Chorus 'And The Children Of Israel Sigh'd'
Rez & Nr.15 Chorus, Largo Assai 'They Loathed To Drink Of The River'
Nr.16 Air, Andante, 'Their Land Brought Forth Frogs'
Nr.17 Chorus, Andante Larghetto 'He Spake The Word'
Nr.18 Chorus, Allegro 'He Have Them Hailstones For Rain'
Nr.19 Chorus, Largo 'He Sent A Thick Darkness'
Nr.20 Chorus, A Tempo Giusto E Staccato 'He Smote All The Firstborn Of Egypt'
Nr.21 Chorus, Andante 'But As For His People'
Nr.23 Chorus, Grave E Staccato 'He Rebuked The Red Sea'
Nr.24 Chorus, Grave 'And Israel Saw That Great Work'

Tracks:

Nr.25 Chorus, Introitus, A Tempo Giusto 'Moses And The Children Of Israel'
Nr.26 Duet, Larghetto 'The Lord Is My Strength An My Song'
Nr.27 Chorus, Grave 'He Is My God'
Nr.28 Duet, Andante Allegro 'The Lord Is A Man Of War'
Nr.29 Chorus, Largo 'The Depths Have Cover'd Them'
Nr.30 Chorus, Andante 'Tha Right Hand, O Lord'
Nr.31 Chorus, 'And With The Blast Of Thy Nostrils'
Nr.32 Air, Andante 'The Enemy Said'
Nr.33 Air, Andante Larghetto 'Though Didst Blow With The Wind'
Nr.34 Chorus, Grave 'Who Is Like Unto Thee, O Lord, Among The Gods?'
Nr.35 Duet, Larghetto 'Though In Thy Mercy'
Nr.36 Chorus, Largo E Staccato 'The People Shall Hear'
Nr.37 Air, Largo 'Thou Shalt Bring Them In'
Nr.38 Chorus, A Tempo Giusto 'The Lord Shall Reign Forever And Ever'
Rez & Nr.39 Solo And Chorus, A Tempo Giusto 'Sing Ye To The Lord'

Handel - Israel in Egypt / Bostridge, Chance, Gritton, Varcoe, King's College Choir, The Brandenburg Consort, Cleobury

Average customer rating:

a voice teacher and early music
Israel in Egypt - Baroque Recording
Superb recording of one of Handel's great oratorios
A Magnificent Performance of One of Handel's Finest Oratorios
Passionate Reconstruction of First Version on Period Instr's

Handel - Israel in Egypt / Bostridge, Chance, Gritton, Varcoe, King's College Choir, The Brandenburg Consort, Cleobury
King's College Choir - Cambridge , and The Brandenburg Consort
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SDRE
Release Date: 2000-06-13

Tracks:

The Ways Of Zion Do Mourn: Prelude
The Ways Of Zion Do Mourn: The Sons Of Israel Do Mourn
The Ways Of Zion Do Mourn: He Put On Righteousness
The Ways Of Zion Do Mourn: When The Ear Heard Him Soprano
The Ways Of Zion Do Mourn: How Is The Mighty Fall'n
The Ways Of Zion Do Mourn: He Deliver'd The Poor
The Ways Of Zion Do Mourn: How Is The Mighty Fall'n
The Ways Of Zion Do Mourn: The Righteous Shall Be Had
The Ways Of Zion Do Mourn: Their Bodies Are Buried In Peace
The Ways Of Zion Do Mourn: The People Will Tell Of Their Wisdom
The Ways Of Zion Do Mourn: They Shall Recieve A Glorious Kingdom
The Ways Of Zion Do Mourn: The Merciful Goodness Of The Lord
The Ways Of Zion Do Mourn: Now There Arose A New King Over Egypt
The Ways Of Zion Do Mourn: And The Children Of Israel Sighed
The Ways Of Zion Do Mourn: Then Sent He Moses
The Ways Of Zion Do Mourn: They Loathed To Drink Of The River
The Ways Of Zion Do Mourn: Their Land Brought Forth Frogs
The Ways Of Zion Do Mourn: He Spake The Word
The Ways Of Zion Do Mourn: He Gave Them Hailstones For Rain
The Ways Of Zion Do Mourn: He Sent A Thick Darkness
The Ways Of Zion Do Mourn: He Smote All The First-Born Of Egypt
The Ways Of Zion Do Mourn: But As For His People
The Ways Of Zion Do Mourn: Egypt Was Glad
The Ways Of Zion Do Mourn: He Rebuked The Red Sea
The Ways Of Zion Do Mourn: He Led Them Through The Deep
The Ways Of Zion Do Mourn: But The Waters Overwhelmed Their Enemies
The Ways Of Zion Do Mourn: And Israel Saw That Great Work
The Ways Of Zion Do Mourn: And Believed The Lord

Tracks:

Part III: Moses' Song: Moses And The Children Of Israel
Part III: Moses' Song: I Will Sing Unto The Lord
Part III: Moses' Song: The Lord Is My Strength
Part III: Moses' Song: He Is My God And I Will Exalt Him
Part III: Moses' Song: The Lord Is A Man Of War
Part III: Moses' Song: The Depths Have Covered Them
Part III: Moses' Song: Thy Right Hand O Lord, And In The Greatness
Part III: Moses' Song: Thou Sentest Forth Thy Wrath
Part III: Moses' Song: And With The Blast Of Thy Nostrils
Part III: Moses' Song: The Enemy Said
Part III: Moses' Song: Thou Didst Blow With The Wind
Part III: Moses' Song: Who Is Like Unto Thee, O Lord, The Earth Swallowed Them
Part III: Moses' Song: Thou In Thy Mercy
Part III: Moses' Song: The People Shall Hear
Part III: Moses' Song: Thou Shalt Bring Them In
Part III: Moses' Song: The Lord Shall Reign For Ever And Ever
Part III: Moses' Song: For The Horse Of Pharoah
Part III: Moses' Song: The Lord Shall Reign For Ever And Ever
Part III: Moses' Song: And Miriam The Prophetess
Part III: Moses' Song: Sing Ye To The Lord

Amazon.com

Israel in Egypt is by far the most choral of all of Handel's oratorios. Indeed, Part II (which describes the plagues of Egypt with extraordinary vividness) is all chorus, apart from one short alto aria. For the most part, the King's College Choir, Cambridge, does a splendid job here. There's something unutterably beguiling about the freshness of children's voices in this context, especially when they are warmed with the delicate touch of vibrato which the "King's sound" requires. If the young singers do not have the sophistication of the adult female voices of, say, the Monteverdi Choir, they certainly have an unmistakable bloom. Cleobury keeps things very clear in the contrapuntal and fugal sections, but is less inspired in the passages that need more drama and orchestral color: the plagues of flies, lice, and locusts are woefully restrained, for example. The soloists, however, do their best to inject some theatricality during their arias. Ian Bostridge is in particularly fine form, and Susan Gritton sounds gorgeous. An attractive interpretation. --Warwick Thompson

Customer Reviews:

a voice teacher and early music.......2006-03-21

When Handel began the writing of this composition he did not intend to write a gigantic epic, but simply an anthem (which is now the 2nd part headed 'Moses' Song,Exodus, chapter XV'. But the subject fascinated him and when he had finished the 2nd part,he wrote the first part as a kind of prelude. This tale of the salvation of the chosen people is told almost entirely in a chain of gigantic choruses,illustrating the sufferings of Israel in the land of bondage, the plagues inflicted by Jehovah upon the Egyptians,the escape of the Israelites, the passage of the Red Sea, and the final song of victory. As a combination of massive grandeur of style and picturesque force, it stands alone.The first performance took place at the King's Theatre on April 4,1739.I actually purchased this recording because it included the Original part l:The Lamentations of Jeremiah. Also because of the superior line-up of soloists which included 4 of my personal favorites: Chance, Varcoe, Bostridge and Gritton. This is just an excellent interpretation of this dramatic oratorio and I do agree with one of the previous reviewers that the boy sopranos as opposed to women sopranos lend a fresh new sound to this great work. The whole rendition is so dramatic that it is very easy to get into the bible story as told in Exodus. The Quartets sung by Gritton, Chance, Bostridge and Varcoe are glorious; it's very satisfying when the ear doesn't have to struggle to get the message; the diction in the chorus is just as refined and understandable. I have the Robert Shaw recording from several years before this one and while it is excellent, this one has the dramatic edge over it. In addition Shaw parceled out his solos to various people; for example Chance only sang one of the 4 main alto solos and I was "let down" by the others. Anyway, this is a great listening experience.

Israel in Egypt - Baroque Recording.......2006-02-01

A wonderful recording of Handel's fifth oratorio. Ian Bostridge is fantastic, as are the other soloists. The King's College Choir is exemplary. I purchased this recording to use as preparation for singing the piece myself. I did not realize when I ordered it that it was recorded on baroque instruments (and therefore in a lower key), and would have prefered a recording on modern instruments for practicing.

Superb recording of one of Handel's great oratorios.......2005-10-18

Handel made is fame in England as a brilliant composer of Italian Opera. When the crown endorsed a second opera company it was soon apparent that even London could not and would not support both. When Handel could no longer recruit the top singers for his operas, he turned to another great English vocal composition style, the Anthem. Out of this grew his Oratorio style, which allowed brilliant singing, popular choruses, musical drama without onstage action or expensive sets, and works that were sung in English and therefore more widely appreciated.

His "Israel in Egypt" dates from 1738 as he was winding down his composition of operas. In its original form the first part reused the mournful funeral anthem he had composed for the funeral of his patron Queen Caroline. While included in this recording, it has usually not been performed in concert over the centuries. Why? It may be that opening a dramatic work with so many choruses of a sad affect may wear an audience out before the quite different second and third parts even begin. Its texts are drawn from Lamentations, Psalms, Ecclesiastes, and others representing Israel mourning the death of Joseph.

The second part is the Exodus from Egypt. These texts are drawn from Exodus and Psalms and the music is full of text painting during the plagues and the escape through the Red Sea. Part III is the most operatic in character and probably the part the audiences love the most. It is a setting of Moses' Song drawn from Exodus 15. It has the most work of soloists, ensembles and choruses.

The work did not please its first audiences and Handel adapted it over the years to find an audience for it. However, nineteenth century audiences loved it and performed it more than any other of Handel's oratorios save, of course, "Messiah".

Handel was a composer who often borrowed and reused music. He did that with his own works and the works of others. It is not straight plagiarism by today's standards, because he reworked, extended, and transformed the music. However, it surely would have gotten him on the wrong side of copyright laws, if any had existed. But they didn't and many other composers over the centuries also used borrowed material. Handel's genius improved the music and made it immortal.

This recording is of all three parts, done with the superb and historic King College Chorus of Cambridge with its thirty voices. This choir uses only boys for the trebles and provides a wonderful sound for this music. The soloists are all superb and the orchestral playing is spot on and supports the voices perfectly.

If you want to hear works by Handel and enjoy choruses, this is a great choice. Just don't expect another "Messiah". It is not the same kind of use of soloists and chorus. There are two disks and a small booklet with some history and the libretto.

A Magnificent Performance of One of Handel's Finest Oratorios.......2005-08-07

ISRAEL IN EGYPT is an important step in Handel's career, a time when he took a breath from his Italian Operas and turned to the English libretti of his mighty oratorios. ISRAEL IN EGYPT is one of the more dramatic of his choral works, somehow capturing the drama of opera through the exciting role the chorus plays. Stephen Cleobury conducts what is certainly one of the most exciting and beautiful performances on record and he does so in the quintessential style of the Baroque era.

The soloists are all superb interpreters of the style and music of Handel and while tenor Ian Bostridge, countertenor Michael Chance and soprano Susan Gritton contribute the strongest roles, the work of Libby Crabtree, Angela East, Stephen Varcoe, and Henry Herford are also consistently excellent. The 'major role' in this opus is divided between the chorus and the orchestra and here is where the recording is the most radiant of any. The King's College Choir and the Brandenburg Consort are as fine as ensembles come for this music and Cleobury knows how to coax the beauty of line and energy of text from the entire ensemble.

For those unfamiliar with Handel's oratorios this recording is a fine start. And for those lovers of baroque music (and Handel in particular), this is a superlative example of how Handel's oratorios should be sung and played. Highly Recommended. Grady Harp, August 05

Passionate Reconstruction of First Version on Period Instr's.......2004-10-24

This is magnificent reconstruction of Handel's first composition on this oratorio, with Lamentations of the Israelites for the Death of Joseph included. Israel in Egypt is known to be the departure point for Handel from Italian opera to English oratoiro.

Here in wonderful fashion on period instruments with solid soloists and great baroque orchestra, this all comes together in a solid performance. Harpsichord and organ accompaniment are awesome, and strings do substantial job as well.

Great two CD set!

Average customer rating:

Israel in Egypt, oratorio, HWV 54

Manufacturer: Coro
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B00008OP0N
Release Date: 2002-03-25

Album Description

Of all Handel's great oratorios, Israel in Egypt is second only to Messiah in drama. It is dominated by massive virtuosic choruses, making it the perfect piece for The Sixteen, acknowledged by audiences and critics alike as "one of the great choirs of our day" (Gramophone).

It's not surprising that Israel in Egypt is much-performed. Hailstones and lightning, buzzing flies and leaping frogs, are all brilliantly evoked for choir and orchestra in a series of incisive choruses leading us excitedly through the plagues of Egypt and the crossing of the Red Sea as we follow Moses and the Children of Israel through the story of the Exodus. The epic nature of the story could not be more suited to Handel's genius for story-telling and drama.

Tracks:

Samson: Awake the Trumpet's Lofty Sound
Judas Maccabaeus: See, The Conqu'ring Hero Comes!
Judas Maccabaeus: Sing Unto God
Messiah: For Unto Us a Child Is Born
Samson: Let Their Celestial Concerts All Unite
Saul: Welcome, Welcome Mighty King/David His Ten Thousands Slew
Zadok the Priest: Coronation Anthem No.1
Messiah: Hallelujah Chorus
Xerxes: Largo: Holy Art Thou
Saul: How Excellent Thy Name
Judas Maccabaeus: Hallelujah, Amen
Israel in Egypt: But as for His People
Israel in Egypt: Sing Ye to the Lord

Average customer rating:

Blissful music
Great music--poor quality recording!

Beecham Conducts Handel

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Natalie Dessay ~ Delirio (Handel Italian Cantatas)
Manfredini: CONCERTI GROSSI OP. 3 Nos. 1-12

ASIN: B000003LJG
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Tracks:

Sinfonia From 'Solomon': Arrival Of The Queen Of Sheba
Suite: The Gods Go A-Begging: Menuet, From Alcina
Suite: The Gods Go A-Begging: Hornpipe, From Concerto grosso Op. 6, No. 7
Suite: The Gods Go A-Begging: Musette, From 'Il Pastor Fido'
Suite: The Gods Go A-Begging: Sarabande, From 'Terpsichore'
Suite: The Gods Go A-Begging: Tambourine, From 'Alcina'
Suite: The Origin Of Design: Bourree (Gavotte), From 'Ariodante'
Suite: The Origin Of Design: Rondeau, From 'Ariodante'
Suite: The Origin Of Design: Gigue, From Terpischore
Suite: The Origin Of Design: Minuet, From 'Il Pastor Fido'
Suite: The Origin Of Design: Musette, From Ariodante
Suite: The Origin Of Design: Battle (Sinfonia Bellica, From 'Giulio Cesare'; Or la Tromba And Battaglia, From 'Rinaldo'); Finale: Andante allegro, From 'Ariodante'
'Israel In Egypt': Moses And The Children Of Israel
Concerto Grosso No. 3 in E Minor: Op. 6: Larghetto And Polonaise
'Israel In Egypt': But As For His People
'The Messiah': Pastoral Symphony
'Israel In Egypt': The Lord Is A Man Of War
Suite: The Faithful Shepherd From 'Il Pastor Fido': Introduction And Fugue (Overture)
Suite: The Faithful Shepherd From 'Il Pastor Fido': Adagio
Suite: The Faithful Shepherd From 'Il Pastor Fido': Gavotte
Suite: The Faithful Shepherd From 'Il Pastor Fido': Musette (Minuet)
Suite: The Faithful Shepherd From 'Il Pastor Fido': Bourree
'Triumph Of Time': Pastorale (Dryads, Sylvans)
Allegro Vivace (Ballo And March)

Customer Reviews:

Blissful music.......2006-04-12

Handel's "The Gods Go A-Begging" is one of my favorites. I have heard this conducted by Gardiner which is slightly different, but I dont believe it is available. This piece of music was unavailable for purchase for so many years, and I only could hear it when I requested it on my local classical radio station. So worth having. It absolutley speaks to my heart - as does most Bach music.

Great music--poor quality recording!.......2005-01-25

These orchestral suites by Handel are hard to find. I have a cassette tape of them conducted by Yo Yo Mah but I can't find any CD of this recording. I feel a little abashed about liking this music so much because it employs a larger orchestra than Handel ever dreamed of--they're a bit over the top. But I really like them, especially "Gods Go A'Begging." This recording, however, is very old and sounds like a 78rpm record. I give it 4 stars simply because this music is hard to find.

Handel: Israel in Egypt, Coronation Anthems

Average customer rating:

Handel: Israel in Egypt, Coronation Anthems
Robertson , Collin , Salmon , Gardiner , and English Baroque Soloists
Manufacturer: Philips/Universal
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B00007JGOS
Release Date: 2003-02-10

Tracks:

(1) Overture
(2-12) Parti: Exodus Lexodus Der Auszug
(1-14) Part Ii: Moses Song Le Cantique De Moise Moses Gesang
(15) Zadok The Priest, Hwv 258
(16) King Shall Rejoice, Hwv 260

Average customer rating:

Shows Breath & Depth of This Composer

Handel's Largos

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

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ASIN: B000026B4F
Release Date: 2001-05-01

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Xerxes: Largo - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con Grosso in B flat, Op.3 No.2: Largo - Alice Pierot/Nicolas Mazzoleni/Christian Moreaux/Jean Philippe Thiebaut/Marion Middenway...
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Con, Op.4 No.6: Larghetto - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
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Con Grosso in B flat, Op.3 No.1: Largo - Alice Pierot/Christian Moreaux
Con Grosso in e, Op.6 No.3: Larghetto - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Son in b, Op.1 No.9: Largo - Jean-Pierre Rampal/Robert Veyron Lacroix
Con in a, Op.6 No.4: Largo - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Son in a, Op.1 No.1: Adagio - Jean Pierre Rampal/Robert Veyron Lacroix
Con Grosso in d, Op.6 No.5: Menuet: Un Poco Larghetto - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con Grosso in g, Op.6 No.6: Musette: Larghetto - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
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Tracks:

Israel In Egypt: Ov - Monteverdi Chor
Con Grosso in c, Op.6 No.8: Siciliana - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con Grosso in F, Op.3 No.4b: Largo - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Son in b, Op.1 No.9: Adagio - Jean Pierre Rampal/Robert Veyron Lacroix
Con Grosso in d, Op.6 No.5: Largo - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Son in F, Op.1 No.11: Larghetto - Jean Pierre Rampal/Robert Veyron Lacroix
Con Grosso in g, Op.6 No.6: Largo Affettuoso - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con No.13 in F 'The Cuckoo And The Nightingale': Larghetto - The Amsterdam Baroque Orch/Ton Koopman
Con Grosso in B, Op.6 No.7: Largo - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con: Siciliano, Largo - Concentus Musicus Wien/Nikolaus Harnoncourt
Con Grosso in c, Op.6 No.8: Adagio - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con in C: Largo - Concentus Musicus Wien/Nikolaus Harnoncourt
Con Grosso in F, Op.6 No.9: Larghetto - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con in d, Op.6 No.10: Aria: Lent - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
Con Grosso in b, Op.6 No.12: Aria: Larghetto E Pno - Orch De Chm Jean-Francois Paillard/Jean-Francois Paillard
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Con Grosso in b, Op.3 No.5: Largo - The Monteverdi Orch/John Eliot Gardiner
Con in F, Op.4 No.3: Adagio - The Amsterdam Baroque Orch/Ton Koopman
Xerxes: Ombra Mai Fu - I Solisti Veneti Claudio Scimone/Marilyn Horne