Laudate Dominum - Sacred Choral Music

Track Listings

1. And The Glory Of The Lord

2. Jesus Dulcis Pacem

3. Gloria

4. Denn Alles Fleisch Es Ist Wie Gras

5. Hallelujah

6. Alles Was Odem Hat

7. Lux Aeterna - Cum Sanctis Tuis

8. Gloria

9. Der Heiden Hailand Bwv 659

Editorial Reviews
Album Details
The Roots of Western Music Are to Be Found in Religious Soils. Since the Dawn of Christianity, Singing and Music have Been the Form of the Purest Expressions of the Depths of Man's Belief.

Tracks:

Eine kleine Nachtmusik, K525: Allegro - Academy Of St Martin-In-The-Fields
Piano Concerto No.21 In C Major, K467: Andante - Radu Lupu
Le nozze di Figaro: Voi che sapete - Cecilia Bartoli
Clarinet Quintet In A Major, K581: Largetto - Peter Schmidl
Ave verum Corpus, K618 - James Vivian
Vesperae solennes de confessore in C major: Laudate Dominum - Emma Kirkby
Concerto For Flute And Harp In C Major: Andantino - Lisa Beznosiuk
Le nozze di Figaro: Overture - London Philharmonic Orchestra
Cosi fan tutte: Trio: Soava sia il vento - Renee Fleming
Symphony No.39 in E-flat Major, K495: Andante con moto - Chicago Symphony
Horn Concerto: Rondo - Barry Tuckwell
Don Giovanni: Serenade Deh, vieni alla finestra - Bryn Terfel
Contredanse In C Major, K609 No.1 'Non piu andrai' - Vienna Mozart Ensemble
German Dance, K605 No.3 'Sleigh Ride' - Vienna Mozart Ensemble
Piano Concerto No.23 In A Major, K488: Adagio - Vladimir Ashkenazy
A Musical Joke, K522: Presto - Vienna Mozart Ensemble

Tracks:

Symphony No.40 In G Minor, K550: Molto allegro - Vienna Philharmonic
Piano Sonata No.16 In C Major: Allegro - Andras Schiff
The Magic Flute: Queen Of The Night: Der Holle Rache - Sumi Jo
Clarinet Concerto In A Major, K622: Adagio - Franklin Cohen
Don Giovanni: La ci darem la mano - Cecilia Bartoli
Serenade in Bb Major, K361: Adagio - London Wind Soloists
Der Vogelfanger bin ich ja - Hermann Prey
Le nozze di Figaro: Dove sono - Kiri Te Kanawa
Violin Concerto No.3 in G Major, K216: Adagio - Joshua Bell
Requiem, K626: Lacrimosa - Vienna Philharmonic
Litaniae de venerabili altaris sacramento: Dulcissimum convivium - Margaret Marshall
Piano Sonata No.11 In A Major, K331: Rondo alla turca - Andras Schiff
Don Giovanni: Champagne aria: Fin ch'chan dal vino - Bryn Terfel
Divertimento No.17 in D Major, K334: Minuet & trio - Vienna Mozart Ensemble
Exsultate, jubilat, K165: Alleluja - Leontyne Price
Symphony No.41 In C Major, K551 'Jupiter': Finale: Molto allegro - Vienna Philharmonic

Customer Reviews:

Gorgeous music, bad quality cd........2007-04-13

The music is Mozart's and is fantastic. The last piece on the first disc
stutters halfway through, and seizes up my system. I don't have time to return items to Amazon. On the positive side, most of the time Amazon provides quality products and service. I gave 3 stars because I love the music.

Great music, low quality reproduction.......2007-01-30

this is a great collection of his work... the only problem i have found so far is that my copy has irritating "clicks" over the recording.

A nice introduction.......2006-02-22

This is a good well rounded collection to dip you into the classical world of Mozart.

Mozart is the reference point for good classical music........2005-10-20

A good collection of his best work and I find it helps me focus when I'm writing or contempating life.

"We exposed these animals [rats] in utero and then sixty days after birth to different types of auditory stimulation and then we ran them in a spatial maze. And sure enough, the animals that were exposed to the Mozart completed the maze faster and with fewer errors. And now what we're doing is we're removing their brains so we can slice them and see neuro-anatomically precisely what has changed as a function of this exposure. So it may be that this intense exposure to the music is a type of enrichment that has similar effects on the spatial areas of the hippocampus of the brain." --Dr. Frances Rauscher

Dr. Frances Rausher sums up what I feel happening when I expose myself to this incredible composer (Mozart).

I have yet to grow tired of any of the tracks yet, but I will invest in more of his work soon.

Mozart's music.......2005-10-17

This is a review of Mozart's music, not the cd. Mozart is praised to the skies by all and sundry, including most musicians, including my father, who no doubt has his reasons. But my feeling about Mozart has always been that there is nothing in Mozart's music that is other than music. There is no logical impressionism, there are no events that seem to be transpiring as in, for example, Beethoven. Mozart is just music. Mozart is to music as pure mathematics is to science. It hints of nothing else and has no application. I find some of his music irritatingly trivial, for example, Eine Kleine Nachtmuzic. This is mechanical music that one can imagine being piped in by a totalitarian government that insists everyone be cheerful. If Disneyland was an eighteenth century totalitarian state, Mozart would be its Muzak. The populace would be awakened, like Chinese train passengers, at 6AM by the strains of some allegro. They would arise and busy themselves with their ablutions in a state of thoughtless cheer, never for one moment leaving the surface of things. That being said, the second movement of Mozart's clarinette concerto is the music that one will hear on going into heaven.

Little Night Music - Ultimate Mozart Collection [20 CD Set]

Average customer rating:

A Wonderful Collection
Celebrate Mozart's 250th at a Budget Price

Little Night Music - Ultimate Mozart Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012QLTG
Release Date: 2003-12-09

Tracks:

Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

String Quartet in a Major K.464: Allegro - Petersen Quartett
String Quartet in a Major K.464: Menuetto - Petersen Quartett
String Quartet in a Major K.464: Andante - Petersen Quartett
String Quartet in a Major K.464: Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

Ave Verum Corpus, K.618 - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
Exsultate, Jubilate, K.165 - Gabrielle Fuchs
Church Sonata in C, K.328 - Robert Kuppelwieser
Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
Fantasy in F Minor, K.608
Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED

Average customer rating:

I hate to be rude, but . . .
Outstanding
Sacred Songs
My favorite of Fleming's CDs so far
Inspiring and beautiful

Sacred Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Haunted Heart
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ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

Ave Maria
Jesu bleibet meine Freude
Dank sei dir, Herr
Ave Maria, D839
Laudamus te
Panis Angelicus
Air: "He shall feed his Flock"
Simple Song
Pie Jesu
Domine Deus
Laudate Dominum omnes gentes
Air: Rejoice greatly, o daughter of Zion
Abends will ich schlafen gehn
L'Adieu des bergers
Mariiegenlied, Op.76/52
Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.

Average customer rating:

Great collection of sacred music
An Inspiring and Heartening Compilation
making a joyous sound
A correction
I AM A SIMPLE WOMAN

Kiri Te Kanawa - Ave Maria

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Ave Maria
Christmas with Kiri

ASIN: B0000040X1
Release Date: 1990-10-25

Tracks:

O Divine Redeemer
Laudate Dominum
Bist Du Bei Mir
Jesu, Joy Of Man's Desiring
Sanctus
Auf Flugeln Des Gesanges: On Wings Oof Song
Panis Angelicus
Ave Verum K. - KV 618
Ave Maria Op.52-6
Trumpet Tune
Let The Bright Seraphim
Let Their Celestial Concerts

Customer Reviews:

Great collection of sacred music.......2005-12-23

What a great collection, many real sacred classics, all delivered in very heartfelt, but simple way, and Kiri's voice is just so beautiful. And I like the fact that there are many different moods, there are some songs which are very soothing, slow pieces but also different ones, and the the final songs are Let The Bright Seraphim which is so uplifting and bright and Let Their Celestial Concerts. They are both from Samson, it's refreshing to hear these tracks instead of the usual pieces from Messiah.
My favourite songs are Bist du bei mir and especially Mozart's Ave Verum, so perfect when sung by Kiri, I know so many different versions but these are probably the best I have heard.
Mozart's Laudate Dominum is done very nicely, good tempo and such great singing. Kirir has a great trill! Panis Angelicus is good too, I wish Kiri would do something else instead of this worn classic, but her version of Schubert's Ave Marias on this album is actually very good. This is a great, refreshing collection overall, well put together, with very tasteful arrangements. There is also a nice chorus, they only sing in few pieces but they sound really good.
There is a small problem with the sound level on this album, it's true, but Kiri's voice still sounds beautiful, just crank up the volume a little bit, so you can hear her better. Maybe the bright seraphim will hear her too!

An Inspiring and Heartening Compilation.......2004-07-12

Kiri Te Kanawa voice never fails to inspire me and uplift my spirit. Her rendition of "Ave Maria" is just so beautiful and moving that its effect on the listener can not be expressed in mere words. Kiri's voice and intuitive nature of delivering the inner strength and emotion of each selection on this CD is just inspiring.

making a joyous sound.......2003-07-03

Dame Kiri's voice shines in these beautiful sacred pieces, and as her biographer David Fingleton, in his excellent liner notes for this CD points out, that going back to her youth and first voice teacher, who was a Sister of Mercy, church music has always been a part of her repertoire, even though she is mostly noted as an operatic soprano.
Favorites include Gounod's exquisite "O Divine Redeemer" ("Repentir"), the two Mozart pieces, "Laudate Dominum" (from "Vesperae solennes de confessore" KV 339), and "Ave Verum" KV 618, and the luminous performance of Schubert's popular "Ave Maria".

Track # 11, Purcell's "Trumpet Time", is a trumpet solo by Crispian Steele-Perkins, and there is also a good and jolly trumpet on track # 11, Handel's "Let the Bright Seraphim" from "Samson", which is the piece Dame Kiri sang in St. Paul's Cathedral for the Prince and Princess of Wales, at their wedding in 1981, and has become one of her most often requested songs.
This recording was made in 1984, at the All Saints' Church in Tooting, England, and the sound is not great but quite adequate. The boys of the Choir of St. Paul's Cathedral sing like little angels, and the English Chamber Orchestra is led by Barry Rose. Total time is 47:40.
This would make a nice change of pace CD during the Christmas Season, and for fans of this wonderful soprano, hearing her voice is a joy any time of the year.

A correction.......2003-05-28

I don't know where this comment belongs, but I have a correction to make:
Track 2 is Laudate Dominum from Vespearae solennes de confesore (K.337) and not Vespeare de Dominica (K.321) as the listing says.
Both Mozart's arias are beautiful, though.

I AM A SIMPLE WOMAN.......2003-02-08

I LEARNED TO PLAY CHOPSTIX AND THE RIGHT HAND PART OF BLUE MOON FROM MY FATHER WHEN I WAS LITTLE. I LEARNED TO SING FRERE JAQUES FROM HIM TOO AND WE SANG IT TOGETHER IN ROUNDS. I KNOW WHERE MIDDLE C IS ON THE PIANO AND THIS IS THE EXTENT OF WHAT I KNOW ABOUT MUSIC. SO YOU EXPERTS CAN JUST GO TO THE NEXT REVIEW IF YOU LIKE AND I WONT BE OFFENDED. I AM A KNUCKLEHEAD BY YOUR STANDARDS AND I WOULDN'T PAY ATTENTION TO ME EITHER IF I WERE YOU. BUT FOR THE REST OF YOU, LET ME SAY THAT THIS WOMAN'S VOICE IS LIKE NOTHING YOU HAVE EVER HEARD. THE MUSIC SHE CHOSE TO SING FIRST OF ALL, IS BEATUIFUL, JUST BEAUTIFUL. YOU'LL GET GOOSEBUMPS. BUT HER VOICE IS THE THING. IT'S LIKE GOOD COLD SPRING WATER. IT'S CLEAN AND CONFIDENT, NO FUZZY EDGES OR BIG SHOWY SWOOPS. IT'S SOFT AND STRONG AND BIG AND TINY JUST WHEN IT SHOULD BE, I THINK. YOU WILL JUST FIND YOURSELF LISTENING AND SOMETIMES YOU WILL JUST BE HOLDING YOUR BREATH, HARDLY BELIEVING YOUR GOOD LUCK THAT YOU ARE HEARING THIS. I ACTUALLY SHUSHED MY HUSBAND AND TOLD HIM TO STOP TRYING TO TALK TO ME WHEN I FIRST HEARD IT BECAUSE I WAS AFRAID I WOULD MISS SOMETHING. I LOVE A GOOD VOICE AND/OR A GOOD SINGER. THEY AREN'T ALWAYS THE SAME THING. SO I WILL ADD THIS WOMAN AND HER MUSIC TO MY COLLECTION OF FAVORITES THAT INCLUDE THE MUSIC OF JANIS JOPLIN, NINA SIMONE, JONI MITCHELL, CECILIA BARTOLI, MARIAH CAREY, MR. PAVOROTI AND SOME OTHER GOOD GIRLS AND GUYS. AND POUR YOURSELF A GLASS OF WINE THE FIRST GO AROUND...

Average customer rating:

One of Parkening's Finest
Music that perfectly touches the soul ...
The end of a Search
Simple, yet delightful, Gifts!
Exquisite & Divine

Simple Gifts: Christopher Parkening
Christopher Parkening , Johann Sebastian Bach , Wolfgang Amadeus Mozart , Engelbert Humperdinck , traditional , Gordon Young , John Rowland , Ronald Ravenscroft , and John Hughes
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Jubilation

ASIN: B000002SJJ
Release Date: 1990-10-25

Tracks:

Cantata No. 29: Praludium
Our Great Savior
God of Grace and God of Glory
Bretheren, We Have Met To Worship
Deep River
Jesus, We Want To Meet
Hanel & Gretel: Evening Prayer
Hymn of Christian Joy
Simple Gifts
Fairest Lord Jesus
Stir Thy Church, O God Our Father
All Creatures of Our God and King
Quartet, Op. 79 No. 3: Variations On 'Glorious Things Of Thee Are Spoken'
Solemn Vespers, K. 339: Praise Ye The Lord

Customer Reviews:

One of Parkening's Finest.......2007-01-16

A beautiful and contemplative solo guitar recording of hymns, spirituals and other sacred works such as Mozart's Laudate Dominum and Humperdinck's Evening Prayer. Parkening is in exceptional form, the transcriptions are superb, and the recording itself is of the highest quality. Little wonder this has been an enduring classic since its release in the early 1980s.

Music that perfectly touches the soul ..........2005-10-24

Christopher Parkening is the most musically inventive person playing the classical guitar today; you must purchase this CD if you haven't already. It contains exquisitely beautiful hymns & sacred music (arranged perfectly for guitar, I might add) along with Mr. Parkenings masterful transcriptions of works by Bach, Haydn, Mozart and Humperdinck.

Above all, this is music that glorifies God and that was the ultimate purpose of creating this CD.

The end of a Search.......2005-09-23

Classsical guitar is among the top forms of music and Christopher Parkeniong is one of the greatestartists in this genre, if not the best. I had despaired at ever findinding the CD "Simple Pleasures" and was so very pleased to locate it . I am so enjoying it now. I will be back for more as funds permit.

Simple, yet delightful, Gifts!.......2005-02-21

This was one of the first CD's I purchased back in 1988, and I bought it on a whim. Of the hundreds of CD's I now own, including many genres, this one remains in my list of top 10 favorites for a number of reasons.

1. Mr. Parkening plays every song on it with remarkable technical excellence and clearly discernible passion.
2. It includes classical, folksy, and reflective material, which could create a rough flow, but Mr. Parkening moves deftly from mood to mood leaving the listener with a sense of seamless transitions.
3. Although the songs on it are all religious classics they are played without pretense, which makes it accessible to any listener and uplifting for those seeking spiritual refreshment.

In closing, the is one thing "wrong" with this CD is it's too short!

Exquisite & Divine.......2001-02-17

This treasure chest holds such jewels! The cd rushes in with the joyous energy of Bach's Praludium, allows you to reflect and catch your breath on Pritchard's Hyfrydol and Variation, and flows forward with the grace and underlying passion that makes this a precious favorite.

The Mystery Of Santo Domingo De Silos Gregorian Chant From Spain

Average customer rating:

mystery and fact
Gregorian Chant as it should always be!
The best Chant CD on the market.
Un magnífico cd
A RARE EXPERIENCE!

The Mystery Of Santo Domingo De Silos Gregorian Chant From Spain

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Chant

ASIN: B000001GMY
Release Date: 1994-05-10

Tracks:

Gregorian Chant From Spain: Prolegendum: Dominus regnavit
Gregorian Chant From Spain: Tractus: Vide, Domine et considera
Gregorian Chant From Spain: Lauda: Laudate Dominum, quoniam bonus est psalmus
Gregorian Chant From Spain: Preces: Ecclesiam sanctam catholicam
Gregorian Chant From Spain: Nomina offerentium: Per misericordiam tuam, Deus noster Deus noster
Gregorian Chant From Spain: Antiphona: Pacem meam do vobis
Gregorian Chant From Spain: Illatio: Introibo ad altare Dei mei
Gregorian Chant From Spain: Sanctus
Gregorian Chant From Spain: Post Sanctus: Vere sanctus, vere benedictus
Gregorian Chant From Spain: Credo
Gregorian Chant From Spain: Pater noster
Gregorian Chant From Spain: Ad confractionem panis: Gustate et videte
Gregorian Chant From Spain: Kyrie I
Gregorian Chant From Spain: Kyrie II
Gregorian Chant From Spain: Kyrie III
Gregorian Chant From Spain: Gloria
Gregorian Chant From Spain: Sacrificium: Offerte Domino
Gregorian Chant From Spain: Sanctus
Gregorian Chant From Spain: Agnus Dei I
Gregorian Chant From Spain: Agnus Dei II
Gregorian Chant From Spain: Antiphona: Statuit Dominus
Gregorian Chant From Spain: Lamentatio Ieremiae Prophetae: Ego vir videns

Customer Reviews:

mystery and fact.......2006-05-07

While I agree with the other reviewers that this is a fine recording, two precisions are necessary for the sake of accuracy. The disc is titled "Gregorian Chant" but in fact it is Mozarabic or Old Spanish Chant. The reviewer who wrote that the monks observe this rite is mistaken. The monks observe the same monastic rite as the monks of Solesmes and other Benedictine abbeys. The choir director at the time (1968), however, is a musicologist who prepared a special program of Old Spanish Chant for the historically based Archiv Produktion of Deutsche Grammophon.

Gregorian Chant as it should always be!.......2005-02-15

The monks of Santo Domingo de silos follow the rites and traditions of the ancient Mozarabic period of Hispania (modern day Spain). This period stemmed from the Visigothic period of control over the former Roman protectorate. And from this period throughout the generations this form of pure, magical and yet authentic chant has been saved and will continue to be saved. I brought this CD initially for my stepdad but I decided to keep it with me after listening to it. I fell in love with the sound, the atmosphere and it made me great when I listened to it.
I hope to one day visit the abbey and listen to these chants in person and live. 22 tracks of solid gold chants and the voices are so in sync with each other that the real mystery is why there is not more monasteries like this one.

The best Chant CD on the market........2004-04-14

By happy coincidence, this CD was my introduction to Gregorian Chant and while I have since listened to many more, this disc is clearly the best. Right from the opening Dominus Regnavit and Laudate Dominum, the listener is caught up in what seems to be a swelling wave of deeply felt emotion, all the more impactful for the pure voices. Follows in due course the majestic old Credo and lastly for the moving finale, the Lamentation of the Prophet Jeremiah. Sung with tremendous control and feeling by the monks of the Abbey of Santo Domingo, the sound quality and the depth of the individual voices is amazing. Listening with your eyes closed, you can picture cowled monks singing in an echoing hall, yet the acoustics are so good that while giving the listener a feeling of resonance in space, there isn't the faintest of ghost echoes. I learn from the inset that the Abbey of Santo Domingo in the village of Silos is one of the oldest surviving Benedictine monasteries in Spain and an earlier reviewer on this page, Jason Anderson, has written some very informative historical notes. The inset also has a nice piece on the abbey and the history of the chant, as well as the full text of the lyrics in Latin plus an English translation. I cannot recommend this CD too highly: whether you love Gregorian Chant or you just want a soothing listen for a quiet evening or a long drive, I guarantee you will not go wrong with this one.

Un magnífico cd.......2001-11-18

Este es un maravilloso cd para cualquier persona a la que le guste el canto gregoriano o esté interesada en escuchar algo de este tipo de música. Al principio puede parecer que todas las canciones son muy similares, pero una escucha atenta hace que esa sensación se despeje por completo. La calidad de sonido es muy buena y uno se siente casi dentro del propio monasterio de Silos cuando pone este cd, da una ambientación totalmente medieval y transporta en el tiempo y en el espacio al oyente. Además el precio es muy bueno para un cd de estas características.

A RARE EXPERIENCE!.......2000-09-12

The stylistic and indeed musical perfection of the recorded legacy of the Abbey of Saint-Pierre de Solesmes aside (and what a legacy that is - and how impossible to set it aside!), this remains, in my view, the ultimate recording of liturgical chant. There is so much to recommend the recordings of Solesmes -the exceeding quality of their beautiful art, the exquisite singing -especially of that one anonymous tenor voice that seems not only to color but to create the 'sound' for which their choir is justly famed!- the aristocratic liturgical taste of Dom Gajard, and now of Dom Jean Claire, even the genuine poverty of the monastic life at Solesmes (I've been there and seen it) - yet, in this recording of the choir of monks of the Spanish Abbey of Santo Domingo de Silos, there is an abiding aura so mingled of sorrow and joy that its effect cannot merely be audaciously touted, but must be absorbed like a holy ether in order to be justly experienced. While Solesmes has explored that vast body of prayer we know as Gregorian chant, the monks of Santo Domingo here offer chant from an earlier age, so-called Visigothic (Mozarabic) chant, rarely heard in our time before the liturgical relaxations subsequent to the Second Vatican Council. To listen to these monodic melodies so redolent of Spain's ancient Arabic past leaves us marked not only with their own intrinsic beauty, but allows us, I think, to hear Roman chant itself again in a fresh light. While the Kyriale included in this recording is perhaps more exactly called neo-Mozarabic chant, the main body of selections indeed come from the period prior to the Roman codification under Gregory, Spanish in heart, and universal in beauty; the remarkable 'Introibo ad altare Dei mei', the various Antiphons and Prayers intrinsic to an older national liturgical ideal usurped by Gregorian legislation, culminating in the astonishing 'Lamentation of Jeremiah' which, once heard, will never leave your heart. Recorded in the great Romanesque church of the Abbey, the acoustic ambience is perfectly suited to the sung prayer of these glad monks. If you enjoy listening to liturgical chant and have never heard this recording, you are unfinished and impoverished in your enjoyment. Get this recording and enter on the rich path of a rare experience indeed.

Average customer rating:

Inspirational!
hymns we sang in church

Abide With Me

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Best Loved Hymns

ASIN: B000024236
Release Date: 1996-06-10

Tracks:

Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
Day of Resurrection - Choir of King's College, Stephen Cleobury
O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
Praise to the Lord - Choir of King's College, Stephen Cleobury
Church's One Foundation - Choir of King's College, Stephen Cleobury
Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
Now Thank We All Our God - Choir of King's College, Stephen Cleobury
Abide with Me - Choir of King's College, Stephen Cleobury
O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
Glory Be to Jesus - Choir of King's College, Sir David Willcocks
There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Rock of Ages - Choir of King's College, Maurice Vinden
Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
Be Thou My Vision - Choir of Paisley Abbey, George McPhee
Be Still, My Soul - Choir of Paisley Abbey, George McPhee
King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
For All the Saints - Choir of Paisley Abbey, George McPhee
O Worship the King - Choir of Paisley Abbey, George McPhee
Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
Jesu, Lover of My Soul - Choir of King's College, George Guest
Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.

Customer Reviews:

Inspirational!.......2004-10-08

Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.

hymns we sang in church.......2003-02-16

i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.

Average customer rating:

My favourite collection of sacred music
Battle at her glorious best
The music soars
Heavenly
Goddess in decline

Grace

Manufacturer: Sony
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ASIN: B0000029OC
Release Date: 1997-03-18

Tracks:

Rejoice Greatly - Handel
Schlafendes Jesuskind
Laudate Dominum - Mozart
O Had I Jubal's Lyre - Handel
Seufzer, Tranen, Kummer, Not - Bach
Schafe Konnen - Bach
Ave Maria
Laudamus Te - Rossini
Bist Du Bei Mir
Mein Glaubiges Herze - Bach
Pie Jesu
Were You There When They Crucified My Lord?
Flobt, Mein Heiland
Ave Maria

Customer Reviews:

My favourite collection of sacred music.......2006-03-31

For anyone who loves Kathleen Battle's voice, this is a real treasure, she never sounded better and more radiant.
This is a selection of well known sacred songs but they sound fresh and lovely when sung by Kathleen. She performs two Ave Marias, one very famous, by Bach, and another which is rarely performed, written by Mascagni, and this one is really stunning. Mozart's Laudate Dominum and Pie Jesu from Faure's Requiem are also oustanding. The spiritual "Were you there when they crucified my Lord?" is another highlight. There are several movements from Bach cantatas, including the famous Bist du bei mir, and Handel's "O Had I Jubal's Lyre" and "Rejoice greatly", they will remind you of how incredible Battle is when she sings virtuosic Baroque music.
And isn't the cover just beautiful? But get this album for the music, and you will rejoice greatly.

Battle at her glorious best.......2005-03-14

While I agree with an earlier reviewer who recommends her Levine disk, I must disagree with the claim that this "Rejoice Greatly" is inferior to her two other recordings of it. Her conception is identical in all three performances, but to my ear this is by far the best. In her full Messiah with Andrew Davis, the recording has her so recessed there is no feeling of intimacy. In her Handel recital disk, she is better placed and in better voice, but her rhythm is insecure in the sixteenth-notes; she seems to be nervously pushing ahead of the beat. But on "Grace" she gets it just right. For whatever it may be worth, a fellow fan once had the chance to ask Battle herself about this, and as I understand it her response was, "Yeah, I don't know why, but I haven't been able to do Rejoice before or since as well as it went on Grace."

The music soars.......2004-07-23

Kathleen Battle's voice is exquisite and is suited for most of the pieces on the CD. Her rendition of Mascagni's Ave Maria is perhaps the best track, with the Schafe Konnen from Bach's Cantata No. 208 coming in a close second. Another highlight is the Laudate Dominum, delivered with so much skill and feeling.

Less successful was Rossini's Laudamus Te. Battle has a flexible, clear and delicate voice, but not one that's full-bodied enough to accommodate the style of music found in a piece as grand and strident as the Laudamus Te. There is a sense of strain when she sings it, though it is by no means entirely unsuccessful.

Heavenly.......2004-07-13

Kathleen Battle is one of the people whose lovely voice first turned me on to opera, a rather unaccessible art to the common American. It is true that you can hear her breathe, and that she tempers her notes so they are sometimes gentle, sometimes strong, but that is not a weakness. The racks are rife with stereotypical fat ladies with fat voices, bellowing with nothing but technique, but there records languish while Kathleen's sell.

The songs are all fairly main stream and include a dramatic range from happy to sad. Nothing outlandish here.

Ms. Battle has been called the most beautiful soprano voice and I would heartily agree. The clarity, the roundness, the beauty of her sound is pure femininity and grace. I studied opera and no one in school or anywhere else, has ever been on her level. Some are close, but she is magnificent. I recommend this to anyone, opera snob or first timer. You will be moved!

Goddess in decline.......2004-01-24

In her late forties when this CD was recorded, Kathleen Battle can't be expected to emit the meltingly beautiful sounds she made during her rise to international stardom in the 1980s. Yet, she still sometimes does. Her final ringing note in Mascagni's "Ave Maria" is nothing short of sublime, and her "Were You There..." is emotionally sung, particularly the repeat of the phrase, "Were you there when they laid him in the tomb?"

But several of the tracks on this CD have been recorded by Kathleen Battle before, and to much better effect. The opening track, "Rejoice Greatly," is impressive, but not compared to Battle's performance on her Handel album with John Nelson in which she sounds much fresher, or to her performance on the complete Messiah recording with Andrew Davis. On Grace, Battle uses the exact same ornamentation she's used on every other one of her renditions of "Rejoice," but without the accuracy and jubilation of past performances. I wonder what the point of recording a third version was, when it has nothing new to offer. The tempo feels rushed, yet the singer drags the ends of phrases ("O daughter of Zion." There's also an "h" in the first occurance of the word "Zion" - it comes out "Zi-huh-yon"). And there are some splat notes that could have been easily fixed with a bit of editing: the word "and" is dreadfully flat in the phrase, "And shout, shout!"

"Jubal's Lyre" was stunning on Kathleen's 1985 recording, "Saltzburg Recital." Grace's rendition again sounds too fast, too thin, and, dare I say, too cutesy (the ornamentation is a bit much). And the word "tuneful" is incomprehensible. Is she saying "Shhteeyoonful" or "tuneful?"

"Bist du bei mir" begins under pitch.

Battle races through Mozart's "Laudate Dominum" and annoyingly scoops many phrases. I wish you would linger, Kathleen! Let us hear you caress that ascending "Amen" instead of carelessly flitting up the scale.

There's also the issue of her gaspy, nearly shrieking breaths, which other reviewers have mentioned. Oddly, it sounds as though the microphone is pressed to her mouth when she breathes, yet that it is miles away when she sings: there is an oddly distant quality to the recording.

I love Kathleen Battle and own more than 50 of her recordings. This is a beautifully packaged disc (ignore the idiotic comment in the liner notes by the pastor at the Riverside Church: "When Kathleen Battle releases a grace note into the air, it lingers over your head..." Grace notes aren't released into air, they lead into other notes. The ridiculous assertion is printed in large type in a laughable attempt to highlight the "Grace" theme) and has some wonderful photos of the diva. As far as I'm concerned, anything Battle records is worth owning. This CD, though, does not do the singer justice. For a more satisfying (indeed, spellbinding) representation of her gorgeous voice, I recommend "Kathleen Battle Sings Mozart" with Previn, "Kathleen Battle in Concert" with Levine, or the stunning "Baroque Duet" with Wynton Marsalis.

Utopia Triumphans
Average customer rating:

Well-balanced choral work

Utopia very much Triumphans

One of the few essential recordings of Renassance polyphony

intellectual exercise (yawn)

Great for meditation

Utopia Triumphans
Huelgas Ensemble , Paul Van Nevel , Thomas Tallis , Costanzo Porta , Josquin Desprez , Johannes Ockeghem , Pierre de Manchicourt , Giovanni Gabrieli , and Allesandro Striggio
Manufacturer: Sony
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Binding: Audio CD

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The Tallis Scholars Sing Thomas Tallis

ASIN: B000002APL
Release Date: 1995-10-17

Tracks:

Spem in alium - Thomas Tallis
Sanctus, Agnus Dei - (from the `Missa Ducalis`)
Qui habitat (Psalm 90) - Josquin Desprez
Deo gratias
Laudate Dominum
Exaudi me Domine - Giovanni Gabrieli
Ecce beatam lucem

Amazon.com

A greatly expanded Huelgas Ensemble performs here a collection of multivoice works--pieces that are often referred to but, for logistical reasons, rarely performed. Tallis's famous Spem in alium non habui for 40 voices is here, of course; so is the piece that inspired it, Striggio's 40-voice Ecce beatam lucem. Also included are two extraordinary canons: Ockeghem's 36-voice Deo gratias and Josquin's 24-voice Qui habitat--as well as relatively modest pieces for 13 to 16 voices by Porta and Gabrieli. Spem has had livelier performances (try the Tallis Scholars on Gimell), but none of the others have been recorded elsewhere at all, let alone as well as this. You're not likely to hear them in concert, either, so check this disc out. --Matthew Westphal

Customer Reviews:

Well-balanced choral work .......2007-05-28

I admit I bought two versions of Spem In Alium performed by Huelgas Ensemble and the Tallis Scholars. There are strong and weak points in both of the recordings but what strike me most about the Huelgas' interpretation, like other reviewers covered in this review portion (and I completely agree), is its balanced performance of the piece. I could actually hear the forty voices without "drowning" and outdoing each other, unlike the Tallis Scholars' recording. However, some parts of the choral (I'm referring to Spem only) are kind a bit sloppy and technically inferior as compared to the Tallis Scholars' version. Example of this is in the portion of "ET OMNIA PECCATA HOMINUM" followed by a pause and "IN TRIBULATIONE" where the Tallis Scholars captured it best. The portion "RESPICE" is almost a whisper in the Huelgas' recording while the Scholars' interpretation of it is like Tchaikovsky's cannons in his 1819 (is the date right?) Overture, which in my opinion, is the proper interpretation (it is one of the high points of the piece, by the way) and Huelga misses this one. All in all I will rate the Scholars' performance 4 stars for its technicality and 4 stars to Huelgas' for its balanced performance. I'm just wondering if Alessandro Striggios' 60 part choral "Sanctus" survived will give these fine performers something to look forward to recording. I bet it will make Handel look like a first grader in music!!!

Utopia very much Triumphans.......2007-01-23

This magnificent recording is sure to delight all lovers of Renaissance a capella performance. The voices come over clearly and brightly with the interplay of parts easily heard in every piece. The information provided with the CD is sufficiently detailed to more than adequately place the pieces within both historical and musical context. Several of the works (Porta's 'Sanctus', Manchicourt's 'Laudate Dominum') are, I think rarely heard but hold their own well with the more frequently heard works Desprez, Ockeghem and Gabrieli. Of particular interest to me is the performance of Striggio's rarely heard forty part motet Ecce beatam lucem. The opportunity to compare and contrast this fine work with Tallis' own (and much performed) forty part motet Spem in alium is greatly enhanced by the performance notes.

One of the few essential recordings of Renassance polyphony.......2005-05-28

Paul van Nevel and the Heulgas Ensemble convey an intensely intimate yet ultimately powerful impression with this collection of gigantuan polyphonic works of mind boggling contrapunctal complexity. If you thought that some of Bach's four part counterpoint was exceedingly complex then try to get your mind around the fact that here you will find 12 voice, 24 voice - all the way up to 40 voice counterpoint! The audacity of such complexity is infinitely fascinating and utterly hypnotic. Though the mind may boggle in trying to follow the kaleidoscopic display of infinitely complex part writing, these are yet works of just enormous immediacy of emotional and spiritual appeal that makes them a far cry from the academic works they might seem to appear. These works are a testimony to the fact the composers of the Renaissance are every bit the equal of their peers in other arts such as painting and architecture, for in turns of the sheer phenomenal complexity of that these rich works display, the world has never since seen their equal.

The richer sounds of this continental European ensemble in comparison to the relentless purity of English groups is also highly welcome. As usual Paul van Nevel encourages a vocal sound that comes more from the chest giving a darker hued color that also has great expressive warmth. There is no attempt to artificially brighten up the upper registrars by doubling the soprano parts for example. In an age dominated by Cambridge style English cathedral style singing from groups which can sometimes start to sound all the same, it is wonderful to hear a group that dares to occupy so unique and distinctive a sound world as theirs.

The Spem in Alium is a good case in point for the performance here is wonderful and quite unique. As for the claim that this performance of the 'Spem in Alium' is somehow weak, you can safely ignore that. Yes, the Tallis Scholars are still excellent too but there is a place for a less ostentatious and relaxed-intimate 'chamber' approach to this music. The performers even stood forming a circle in church to record these works. Warm and understated poetic intimacy are wonderful virtues that the Huelgas Ensemble always convey in abundance.

In all this is one of the absolutely essential recordings of Renaissance polyphony. It is a must have for anyone who loves fine music and it you only own one recording of Renaissance polyphony this might well be it. It certainly has a firm place on my desert island collection.

intellectual exercise (yawn).......2004-04-12

Kudos to this group for recording these works. However I can't remember a duller performance of Spem in alium. I have performed the work three times and own several recordings of it. Whether or not you buy this CD depends on your reason for wanting it. If you want to own one recording of Spem in alium, this is not the CD you want. Get the Tallis Scholars' recording instead. If you love polyphony and are looking for a good listening experience, depending on your taste, this one might do, especially if you are looking for something relaxing (i.e., something to put you to sleep). If you are a musicologist with an intellectual interest in multichoral polyphony, and just want to hear the works, and want a performance that is correct, and don't need it to be exciting, this recording is worth the purchase.

Great for meditation.......2003-11-27

Originally having acquired this album shortly after its release in the mid-1990s after having read a magazine review, I must say that over the years this piece has stood the test of time as part of my music collection. The following is the original review I read, which was written by Barbara Eisner Bayer: "Imagine yourself in an enchanted forest where, from every direction, above and below, you're surrounded by voices - 40 in all - attacking your senses, each with an independent line. From the 40-voice motets by Tallis and Striggio to the simpler(!) 36-, 24-, and 14-voice pieces, this one-of-a-kind recording shakes your body and induces ecstatic revelry. The sound is luxuriously top-heavy, occasionally too bell-like, and small movements become lost. Because of the massive swelling when all voices sing simultaneously, individual lines tend to dive into the pool of sound, unable to claim a personal identity. This dizzying compilation of Winnebago-sized choral pieces will be exhilerating to some, a bad trip to others, but a must hear for all." Very accurately said. And, in addition to this album being an extremely high quality recording, and an excellent reading and meditation companion, I was surprised to find that the lyrics, in a language I have not read much since junior high school (Latin), are actually beautiful prayers. For example, this piece opens up with "Spem in alium": "I have never had hope in anyone but Thee, God of Israel, Thou who grow angry and will hear prayer. Thou eliminate all the sins of men in tribulation. Lord God, Creator of heaven and earth, look down upon our humility." If you enjoy choral or polyphony, this is an album you will not want to dismiss.

Average customer rating:

Eh...
The vocal phenomenon that is Kathleen Battle
Bravissima Diva!!!!
Battle shows her true colors yet again
Praiseworthy, but a limited perspective

Classic Battle: A Portrait

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ASIN: B0000639A4
Release Date: 2002-04-02

Tracks:

Puccini: O Mio babbino caro (new recording)
Handel: Let the Bright Seraphim
Traditional Chilean: Dormi, Jesu
Traditional: Cancion de Cuna
Vangelis: Mythodea-Movement IX
Mozart: Laudate Dominum
Handel: Rejoice Greatly
Traditional Fix Me Jesus (new recording)
Faure: Pie Jesu
Traditional Catalan: El Noi de la Mare
Traditional Catalan: El Desembre Congelat
Ellington:L Prelude to a Kiss (new recording)
Handel: Eternal Source of Light Divine
Mozart: Alleluja
Traditional: Angels Watching Over Me (new recording)
Mahler: Sehr Behaglich (from Symphony No. 4
J.S. Bach: Jauchzet Gott in allen Landen
Dvorak: Going Home ("Largo" from New World Symphony)

Amazon.com

This compilation of previous releases is clearly intended to include something for everybody and to offer an overview of Kathleen Battle's wide, varied repertoire. The result is a motley assortment of music sacred and profane, Baroque, classical and romantic, Spanish and American folksongs, and jazz. It is Battle's radiant, impeccably produced voice, which sheds a glow over every note she sings, and her effortless coloratura and serene expressiveness that provide the unifying, and most rewarding, element.

Four new recordings sound just as glorious as those she made years ago. One is the famous aria from Puccini's Gianni Schicchi performed with piano--a strange misfit among all the arias with orchestra. Wynton Marsalis plays Bach and Handel brilliantly, but sounds too loud and prominent. And despite some baroque ornamentation, he plays in a style so different from hers that the two hardly seem to be performing the same piece. The Orchestra of St. Luke's plays beautifully; an anonymous orchestra under Robert Sadin is competent but too matter-of-fact. A mournful, repetitive duet with Jessye Norman against a background of unearthly noises from Vangelis's Mythodea sounds like an angelic plea for mercy.

In the finale of Mahler's Fourth Symphony with the Vienna Philharmonic under Lorin Maazel, Battle captures just the right blend of childlike wonder and heavenly bliss. Of the jazz numbers, one by Duke Ellington is lovely, but Dvorák would have been quite surprised by the arrangement of the Largo from his "New World" Symphony. However, the tonality is right, and Battle sings the melody so beautifully that she almost redeems it. --Edith Eisler

Customer Reviews:

Eh..........2006-12-10

Kathleen Battle is admirable, with her many recordings and her many performances across the country. But, I cannot say that I adore her voice. Yes, she may be a soprano, but her voice is not top of my list. Her technique is flawed, and her voice lacks any depth or richness. When I listen to her voice, it sounds so empty. Singers like Sumi Jo (my favorite of all) or Renee Fleming are a much better choice when it comes to rich tone and beautiful technique.

The vocal phenomenon that is Kathleen Battle.......2003-11-18

An excellent compilation of some of Miss Battle's greatest work. Of course, it would have been great if more of her operatic literature was included, but to have the opportunity to hear anything from Miss Battle is heaven.

Bravissima Diva!!!!.......2002-07-03

I must comment on the preceeding review which has nothing to do with the calibur of this CD nor of the artist. And just a touch on that whole Brevard "incident", there were two performances one of which came off without a fault...but I too digress. This CD is a plethera of what endures Kathleen Battle to us all...her diversity. It is true that none of her signature operatic roles appear in this mini compilation but what is given more than accomodates. In 18 selections she covers Spirituals, Oratorio, Jazz, Afro-Cuban/Brazilian influenced melodies, cantata's and a symphony all with miraculous ease. It is also true that this is in many ways a best of...and chances are you'll already have most of these pieces, but Classic Kathleen Battle is Worth Buying simply for the four new selections and accompanying art of the set. The pictorial art included in this CD is worthy of gallery display! A standing testament of her vocal beauty and artist superlatives...this is a CD that you don't want to pass up!

Battle shows her true colors yet again.......2002-06-27

I have followed Ms. Battle's career for a number of years and have always loved the clarity and purity of her voice--no doubt she is a tremendous talent. Several years ago I saw her give a stunning concert at UNC-Chapel Hill and was blown away at the thrill of finally experiencing her voice live. I always thought it unfortunate that so many negative stories about her flourished and subsequently found myself coming to her defense in conversation with others. Last summer I had tickets to see her sing at Brevard Music Center in the mountains of North Carolina. Several nights prior to this performance, my 20-year-old nephew was killed in a car accident. I decided to go ahead with my plans and attend the concert, thinking it would be a sort of balm for my soul after living through this terrible experience of losing someone I loved. Immediately after my nephew's funeral I left my family behind and drove the five hours to the concert venue. Needless to say I had incredibly high hopes for this concert and its potential to help heal my wounds. Long story short, Ms. Battle behaved in the most unprofessional manner I have ever witnessed and refused to perform the program as planned. What little she did offer to the audience was mediocre at best. A packed house of patrons was left stunned and dismayed at what they'd just witnessed. So, Ms. Battle, you proved to me in a very personal way that all the stories are true and you have serious issues. I will not be buying your recordings in the future and I currently have about 20 that are now worthless to me.

Praiseworthy, but a limited perspective.......2002-06-04

CLASSIC KATHLEEN BATTLE: A PORTRAIT is limited in its perspective in the sense that this is a compilation of only SONY Classical recordings from their catalog. There are no Deutsche Grammophon or Angel/EMI performances represented here. A "portrait" of Miss Battle would have rightly included some of these wonderful and musical interpretations of Mozart, Schubert, Villa-Lobos, Gounod, and Bach among others. Of course paying the license fees from the other 2 labels wouldn't be cost-efficient from a record company's standpoint. How wonderful this would've been if they'd all cooperated on a box set of her recordings, which would show Miss Battle's superlative musicality in not only Italian and French, but also her great wit and charm in the English language (her Purcell and Dowland are not to be missed!)

In any case there are several magical performances to be found here:

Puccini's "O Mio Babbino Caro" w/piano; Dormi, Jesu; Cancion de Cuna, Fix Me Jesus, Ellington's "Prelude to a Kiss"; Angels Watching Over Me; and the enchanting song (the German title is too long for me to remember--it's from the Das Knaben Wunderhorn cycle) from Mahler's 4th Symphony.

For any Kathleen Battle fan, this is a nice selection of her works, but only a 2-dimensional portrait at best. Certainly not Miss Battle's fault, as she graces the listener with no less than FOUR new recordings on this album.

Once again her silvery tones and superb musicality are a wonderful gift to us!

Thank you, and Bravo many times over....

Music Track:

Music Track

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Recommended Music:

Shutdown the Sun/From the Ashes of Electric Elves

Beethoven: Complete Piano Concertos [Box set]

Bluesology

Music: Johann Christian Bach: Symphonies Concertantes, Vol.

Black Rain [CD-single] [Import]

Dreaming with the Dead

Ba'eed Annak [IMPORT]

Brothers of the Castle

Diamondhead

Mozart: Symphonies/Clarinet Concerto

Back at the Chicken Shack [Import] [Limited Edition] [Original recording remastered]

1. And The Glory Of The Lord
2. Jesus Dulcis Pacem
3. Gloria
4. Denn Alles Fleisch Es Ist Wie Gras
5. Hallelujah
6. Alles Was Odem Hat
7. Lux Aeterna - Cum Sanctis Tuis
8. Gloria
9. Der Heiden Hailand Bwv 659