On this CD:
1. Locations
Composed by Jonas Broberg
Performed by Jonas Broberg
2. Minutes between seconds
Composed by Jonas Broberg
Performed by Jonas Broberg
3. Conversation in Cadaqués
Composed by Jonas Broberg
Performed by Jonas Broberg
4. Her scent
Composed by Jonas Broberg
Performed by Jonas Broberg
5. Epitaphe pour Iqbal Masih
Composed by Erik Mikael Karlsson
Performed by Erik Mikael Karlsson
6. Hôtel d'un Collectionneur
Composed by Erik Mikael Karlsson
Performed by Erik Mikael Karlsson
7. Concordes and Consequences
Composed by Erik Mikael Karlsson
Performed by Erik Mikael Karlsson
8. La lune commence où avec le citron finit la cerise
Composed by Erik Mikael Karlsson
Performed by Erik Mikael Karlsson
Electroacoustic, Music, Broberg, Karlsson, Chamber Music & Recitals, Classical
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CCMIX: New Electroacoustic Music From Paris
Manufacturer: Mode ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NG62 Release Date: 2001-09-11 |
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Wow!.......2007-05-27
Wonderfull !!!.......2003-10-16
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Travels of the Spider-Electroacoustic Music from Argentina
Manufacturer: Pogus ProductGroup: Music Binding: Audio CD ASIN: B00000IB27 Release Date: 1999-03-23 |
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Album Description
Seven electroacoustic works by five young Argentinian composers: Daniel Schachter, Tiempo Quebrado (1993); Ricardo Dal Farra, Due Giorni Dopo (1988) and Ashram (1991), with Joseph Celli on mukha veena; Martín Alejandro Fumarola, Callejuelas (1996) and El peregrinar de la araña (1995); Alejandro Iglesias-Rossi: Ascención (1998); and Teodoro Cromberg, Marimbágenes (1996), with Angel Frette, marimba.
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Hyperrealism
Manufacturer: Mutable Music ProductGroup: Music Binding: Audio CD ASIN: B000162N3A Release Date: 2003-12-08 |
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Hyperrealism is an electroacoustic musical language constructed from sounds that are found in our shared environment ("realism"), handled in ways that are somehow exaggerated or excessive ("hyper").Fundamental to hyperrealism is the expansion of the sound palettes from which music is made. Developments in technology and transformations in social and economic realities have made it possible for composers to incorporate the sounds of the entire world into their music. Essential to the concept of hyperrealism is that its sounds are generally of natural origin, and that they remain sufficiently unprocessed so that their origin is perceived by the listener as being "natural." Since the sounds of our environment vary from year to year, generation to generation, and culture to culture, it is impossible to isolate a definitive encyclopedia of "natural" sounds, but there are a great many sounds that are familiar to nearly all of us. These are the most basic building blocks in the formation of a shared (if temporary) collective sonic reality. Hyperrealism celebrates bounty, either by the extravagant treatment of limited sound palettes or by assembling and manipulating substantially extended palettes.
Trained in composition by Nadia Boulanger in Paris and Luciano Berio at Juilliard, Noah Creshevsky (b. 1945) is the former director of the Center for Computer Music and Professor Emeritus at Brooklyn College of the City University of New York. His musical vocabulary consists largely of familiar bits of words, songs, and instrumental music that are edited but rarely subjected to electronic processing. The result is a music that obscures the boundaries of real and imaginary ensembles though the fusion of opposites: music and noise, comprehensible and incomprehensible vocal sources, human and superhuman vocal and instrumental capacities. Creshevsky's most recent compositions explore the fragmentation and reconstruction of pre-existing music in combination with original synthetic and acoustic materials. Moments suggest musical environments of indeterminate ethnicity--simultaneously Western and non-Western, ancient and modern, familiar and unfamiliar
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CMCD: 6 Classic Concrete Electroacoustic & Electronic Works 1970-1990
Manufacturer: Rer ProductGroup: Music Binding: Audio CD ASIN: B000253VFO Release Date: 2005-02-08 |
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The Banjo of Death Sleeping
Manufacturer: Artco ProductGroup: Music Binding: Audio CD ASIN: B00006AG3U Release Date: 2002-06-15 |
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It seems like it's jumping around by centuries - no, eons - hillbilly banjo to medieval Arab song to cut-up 21st century computer music to 5,000 year old clan chant that is made out of cut-up 21st century computer music that becomes the background for "if I had the wings . . " so nice. Gerald Shapiro, Chair of Music Department, Brown UniversityCustomer Reviews:
This cd is a wondeful musical journey.......2002-10-18
The Banjo of Death Sleeping is grand........2002-10-08
Marvelous!.......2002-10-08
Amazing CyberGrace.......2002-10-07
Amazing CyberGrace.......2002-10-07
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From The Kitchen Archives - New Music New York 1979
Manufacturer: Orange Mountain Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002251DM Release Date: 2004-04-13 |
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Founded in 1971 by video artists Woody and Steina Vasulka, The Kitchen is internationally known as a leading center for video, music, dance, performance, new media and literature. The first institution to focus exclusively on cutting-edge, multidisciplinary works, it has been a powerful force in shaping the cultural landscape of this country. Over the last thirty years The Kitchen has documented every one of its performances with video and/or audiotape. However, in recent years much of this documentation, primarily recorded on what are now obsolete formats, began deteriorating. In 1999, under the leadership of Executive Director Elise Bernhardt, and with the dedication of The Kitchen9s Board of Directors and the help of numerous donors, The Kitchen began an initiative to catalog and re-master its extensive collection of 3600 videotapes. In the fall of 2001, an additional trove of audio recordings from the 1970s was discovered. While these tapes promised rare and exciting music by such artists as John Cage, Philip Glass, Laurie Anderson, and David Tudor (in the first box alone!), none of this material could be accessed without proper cleaning and re-formatting and the funds and facilities to do so. A recent collaborative partnership with The Looking Glass Studios and Philip Glass9 label, Orange Mountain Music, has allowed for the restoration of a number of audio reels. This work has been done with the goal of producing a series of CDs, From The Kitchen Archives, with New Music, New York 1979 as the first release. This 2-disc set offers re-mastered recordings from the landmark New Music, New York: A Festival of Composers and their Music, held at the Kitchen9s 484 Broome Street space in SoHo from June 8-16, 1979. The festival, which set a standard for new and contemporary music, paved the way for New Music America, the annual event that emerged the following year in Minneapolis and ran in various cities until 1990. Now 25 years later, these recordings are an invaluable time-capsule, a privileged view/listen into a historic event, initially heard by only a few hundred people. Beyond their historic value they offer brilliant and exciting music by composers now considered masters of the genre, as well as remarkable performances by figures nearly forgotten. While many recordings from the festival could be restored, several gaps remain: concerts that were either not recorded or whose tapes vanished into the ether of the last 25 years. That said, we feel extremely fortunate to be able to release New Music, New York 1979 as our first CD in a series that promises to make available more lost treasures from The Kitchen Archives, uncovering the origins of new music today.
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Electroacoustic Music, Vol. 6
Manufacturer: Neuma ProductGroup: Music Binding: Audio CD ASIN: B00000JLF9 Release Date: 1999-07-27 |
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Music from the Once Festival 1961-1966
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD ASIN: B0000C7PVT Release Date: 2003-09-23 |
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Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformist West Coast. Yet during the 1960s Ann Arbor played host to one of the most extraordinary adventures in American music history: the annual ONCE Festival and its nexus of related activities.The primary aim of ONCE's founders--Robert Ashley, Gordon Mumma, George Cacioppo, Roger Reynolds, and Donald Scavarda--was to create a forum for the presentation of cutting-edge music. To this end they were phenomenally successful. Performers and composers--whether little-known or renowned--embraced the endeavor, demanding almost nothing in return. Perhaps most important, however, ONCE acted as a creative stimulus for its organizers. Scavarda describes the adventure as an explosion of pent-up energy: "Suddenly we could write anything we wanted and have it heard." And they did. The ONCE composers--and many guest artists--wrote a host of new works, some experimental, others more traditional.
What united the ONCE composers was their exploration of sound, whether through the medium of extended techniques on traditional instruments, electronic (or electronically modified) timbres, or the intersection of musical sounds with those of the environment.
A major slice of ONCE's rich musical legacy--35 works constituting six hours of music--is presented here, almost all for the first time. These pieces are as diverse in style as they are compelling in expression. This landmark set, the most comprehensive document ever released of this legendary event, is an opportunity for anyone interested in contemporary music to hear history in the making. Included in the set is a 140-page booklet with a lengthy scholarly essay by musicologist and biographer Leta Miller and numerous rare photos of ONCE personages and performances.
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Ars Vivende
Manufacturer: Pax Recordings/Edgetone Records ProductGroup: Music Binding: Audio CD ASIN: B000BYE82Q Release Date: 2003-07-08 |
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Four Electroacoustic Compositions
Manufacturer: Pogus ProductGroup: Music Binding: Audio CD ASIN: B00006IIOV Release Date: 2002-08-05 |
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Composer and sound artist David Dunn was born in 1953 in San Diego, California. From 1970 to 1974 he was assistant to the American composer Harry Partch and remained active as a performer in the Harry Partch Ensemble for over a decade. He has worked in a wide variety of audio media inclusive of traditional and experimental music, installations for public exhibitions, video and film soundtracks, radio broadcasts, and bioacoustic research.2"...with zitterings of flight released,"(in memoriam Kenneth Gaburo) was composed over an intense and continuous five-day period (including nights). While working on the piece I had in mind various images and metaphors for the drama of the spirit's separation from the body as described by a variety of shamanic and spiritual traditions. It is a memorial for my teacher Kenneth Gaburology" led him to state that he preferred knobs to terminals. Simulation 1: (Sonic Mirror) was an attempt to model a utopian project yet to be built. The original concept was conceived as a stationary cybernetic sound sculpture capable of processing acoustic data within an outdoor environment. Eventually the sculpture might function as an autonomous system structurally coupled to its surrounding environment in a manner that might allow for "learning" between components. This initial modeling was generated from a soundscape recording of the Cuyamaca Mountains of California. Wildflowers is a bit of nostalgia for the 20th century composer's search for the unique sonic and expressive attributes of electronic technology, an ideal mostly out of fashion. I wanted to compose a reclamation of the sounds of circuitry as material substance, those "sci-fi" clichés and glissandi now banished to the video game parlors. Ennoia 2 is a computer-generated composition that explores the time-domain synthesis algorithms created by Arun Chandra's Wigout program. These algorithms generate continuously changing waveforms with unique structural behaviors over time. The resulting sounds have continuously changing interdependent parameters that are controlled by very few variables.
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