Caruso Sings Donizetti & Rossini
On this CD:
1. L'elisir d'amore, opera Venti scudi
Composed by Gaetano Donizetti
Performed by Enrico Caruso
2. L'elisir d'amore, opera Una furtiva lagrima
Composed by Gaetano Donizetti
Performed by Enrico Caruso
3. L'elisir d'amore, opera Una furtiva lagrima
Composed by Gaetano Donizetti
Performed by Enrico Caruso
4. L'elisir d'amore, opera Una furtiva lagrima... Un solo instante
Composed by Gaetano Donizetti
Performed by Enrico Caruso
5. Lucia di Lammermoor, opera Chi mi frena in tal momento
Composed by Gaetano Donizetti
Performed by Enrico Caruso, Francesco Daddi, Antonio Scotti, Marcella Sembrich, Gina Severina
6. Lucia di Lammermoor, opera Chi mi frena in tal momento
Composed by Gaetano Donizetti
Performed by Enrico Caruso, Pasquale Amato, Angelo Bada, Josephine Jacoby, Marcel Journet, Luisa Tetrazzini
7. Lucia di Lammermoor, opera Chi mi frena in tal momento
Composed by Gaetano Donizetti
Performed by Enrico Caruso, Angelo Bada, Minnie Egener, Amelita Galli-Curci, Marcel Journet, Giuseppe LeLuca
8. Lucia di Lammermoor, opera Chi mi frena in tal momento
Composed by Gaetano Donizetti
Performed by Enrico Caruso, Angelo Bada, Minnie Egener, Amelita Galli-Curci, Marcel Journet, Giuseppe LeLuca
9. La favorita, opera Spirto gentil
Composed by Gaetano Donizetti
Performed by Enrico Caruso
10. Don Pasquale, opera Com'è gentil
Composed by Gaetano Donizetti
Performed by Enrico Caruso
11. Dom Sébastien, roi du Portugal, opera Deserto in terra
Composed by Gaetano Donizetti
Performed by Enrico Caruso
12. Dom Sébastien, roi du Portugal, opera Deserto in terra
Composed by Gaetano Donizetti
Performed by Enrico Caruso
13. Stabat mater for 2 sopranos, tenor, bass, chorus, & orchestra Cujus animam gementem
Composed by Gioachino Rossini
Performed by Enrico Caruso
14. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir Domine Deus
Composed by Gioachino Rossini
Performed by Enrico Caruso
15. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir Crucifixus
Composed by Gioachino Rossini
Performed by Enrico Caruso
16. La danza. Tarantella Napolitana ("Già la luna è in mezzo al mare"), for voice & piano (Soirées musicales)
Composed by Gioachino Rossini
Performed by Enrico Caruso
Caruso Sings Donizetti & Rossini, Music, Donizetti, Rossini, Caruso, Classical, Classical Artists, Classical Vocals
Average customer rating:
- The Great Lanza Shows he that he was "The American Caruso"
- A voice is a person
- Love Lanza, not my favoirte collection
- Wonderful voice, disputable arrangements, lack of texts
- The best work of Lanza's life.
|
The Great Caruso/Sings Caruso Favorites
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Similar Items:
- Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
- Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
- O Sole Mio: Italian Songs & Arias
- Mario Lanza: At His Best!
- Christmas with Mario Lanza
ASIN: B000003EV1
Release Date: 1989-08-25 |
Tracks:
- Rigoletto: Questa o quella
- Rigoletto: La donna e mobile
- Rigoletto: Parmi veder le lagrime
- TOSCA: Recondita armonia
- TOSCA: E lucevan le stelle
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar
- Pagliacci: Vesti la giubba
- Vieni sul mar
- Senza nisciuno
- Musica proibita
- Vaghissima sembianza
- Serenata
- Lolita
- Luna d'estate
- L'alba separa dalla luse l'ombra
- Pour un baiser
- La mia canzone
- Ideale
- Santa Lucia
Customer Reviews:
The Great Lanza Shows he that he was "The American Caruso".......2007-03-13
Some of Mario Lanza's best classical opera work is in this album. It shows the richness of his operatic voice and why he was the greatest tenor of all time. One who has listened to other great tenors needs to compare with Lanza for the depth and breath of his operatic talent. They will see that he was second to none as this set of recordings shows. It also proves that if he had taken the route to the stage he would have been among the greatest performers of opera of his generation and even ours. That he chose the silver screen, recordings and concerts is a benefit to us who can still enjoy his vast talent. I recommend this for Lanza lovers and those who want to hear the best.
A voice is a person.......2006-09-10
This recording makes it clear that rumours at the time of Mario Lanza's death of his `deteriorating voice' were gossip. The Caruso-album reveals on the whole a large, strong and gifted voice that responds duly to Sir Peter Pears' saying `A violin is a violin, and a piano is a piano, but a voice is a person'. Lanza's egality is unstressed from top to almost bottom, and he appears so humble towards his material - no overextended pitch notes -, that one may wonder whether he should not have committed himself fully to the opera. The arias from the Caruso-film carry his fresh, lively personal trade mark which hyper-aesthetics may call bad taste as much as they like, but which in fact reveals the personality. The Caruso Favourites, however, recorded just shortly before his death vary notably in quality with some Morricone's arrangement of especially Tosti's and Gabriele d'Annunzio's `L'alba separa dalla luce l'ombra' (The dawn separates shade from light) as the bottom. This song which is perhaps the best, Tosti ever wrote, is disgracefully sweetened by violinistic candy-floss that makes one long fiercely for the interpretations by Jussi Björling (see below) or Carlo Bergonzi (Sony 01 060785-10). On top is Gastaldon's `Musica Proibita' which Lanza sings with so much warmth and genuine sweetness that it reminds one of Björling's lovely `Visa kring slånblom och månskära' (Ballad of blackthorn and moonlight) recorded in 1953 (EMI 7243 5 66306 2 8). Mario Lanza renders us himself purely and entirely, and it is RCAVictor who is to blame for the lack of texts in the cover and the unsuitabe arrangement mentioned above
***(*)
Love Lanza, not my favoirte collection.......2001-07-24
Lanza is my favorite tenor and certainly he there is nothing on this CD that diminishes my opinion of him in that regard. The CD is a classic of course because of the classic movie. Nonetheless, this particular array of music is not my favorite demonstration of Lanza's talent. I'd recommend the 1949-1959 Historical Recordings CD most of all for the best of Lanza.
Wonderful voice, disputable arrangements, lack of texts.......1999-08-30
This recording makes it clear that rumours at the time of Mario Lanza's death of his `deteriorating voice' were gossip. The Caruso-album reveals on the whole a large, strong and gifted voice that responds duly to Sir Peter Pears' saying `A violin is a violin, and a piano is a piano, but a voice is a person'. Lanza's egality is unstressed from top to almost bottom, and he appears so humble towards his material - no overextended pitch notes -, that one may wonder whether he should not have committed himself fully to the opera. The arias from the Caruso-film carry his fresh, lively personal trade mark which hyper-aesthetics may call bad taste as much as they like, but which in fact reveals the personality. The Caruso Favourites, however, recorded just shortly before his death vary notably in quality with some Morricone's arrangement of especially Tosti's and Gabriele d'Annunzio's `L'alba separa dalla luce l'ombra' (The dawn separates shade from light) as the bottom. This song which is perhaps the best, Tosti ever wrote, is disgracefully sweetened by violinistic candy-floss that makes one long fiercely for the interpretations by Jussi Björling (see below) or Carlo Bergonzi (Sony 01 060785-10). On top is Gastaldon's `Musica Proibita' which Lanza sings with so much warmth and genuine sweetness that it reminds one of Björling's lovely `Visa kring slånblom och månskära' (Ballad of blackthorn and moonlight) recorded in 1953 (EMI 7243 5 66306 2 8). Mario Lanza renders us himself purely and entirely, and it is RCAVictor who is to blame for the lack of texts in the cover and the unsuitabe arrangement mentioned above.
The best work of Lanza's life........1998-10-08
This piece is unquestionably the best work of Lanza's life. The CD, which takes its title from the movie of the same name, amply demonstrates the power for which Lanza is so famous. It is this CD, more than any other, to which you should refer when comparing the strengths of Caruso, Lanza and Pavarotti. It is a joy from beginning to end.
Average customer rating:
- Placido Domingo: Heir To Enrico Caruso's Legacy
|
Placido Domingo Sings Caruso
Manufacturer: RCA
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Binding: Audio CD
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Similar Items:
- Gold & Silver Gala
- Placido Domingo, Vol. 2: Live Recordings 1967 - 1969
- At the Roman Amphitheatre of Verona
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ASIN: B000003FC0
Release Date: 1992-10-09 |
Tracks:
- La Boheme: Testa adorata
- L'elisir d'amore: Una Furtiva lagrima
- Pagliacci: Vesti la guibba
- Manon: Ah fuyez, douce image
- L'arlesiana: Lamento di Frederico
- Marta: M'appari
- La Fanciulla del West: Ch'ella mi creda liberro
- Rigoletto: La donne e mobile
- Le Cid: O Souverain
- L'africana: O Paradiso
- Aida: Celeste Aida
- La Boheme: Che gelida manina
- Faust: Salut: Demeure chaste et pure
- La Juive: Rachel, quand du Seigneur
- Cavalleria rusticana: Brindisi
Customer Reviews:
Placido Domingo: Heir To Enrico Caruso's Legacy.......2005-11-12
RCA Gold Seal, its highest quality seal, released this album of Placido Domingo singing arias from Enrico Caruso's career. These arias are the staple of Italian tenor reperotoire and sung by a most virtuosic tenor, can make that tenor famous the world over. Placido Domingo filled Enric Caruso's shoes and is without question his worthy successor. The first aria is "Testa Adorata" from La Boheme, simply stunning in Domingo's hands. He masters Puccini's lines and breathes life to the text. The same applies to the following aria, the melancholy Una Furtiva Lagrima from Donizetti's L'Elisir D'Amore. The high point of this CD has to be Domingo's rendition of "Vesti La Giubba", Caruso's signature aria. Domingo was at one time able to imitate Caruso's technique but in the opera business one cannot be a copycat. Domingo's unique, individualized rendition is a different animal than the Pagliacci's of Giuseppe Di Stefano, Franco Corelli and Luciano Pavarotti. He favors a rich, dark and personally moving tone of singing, as if the attraction is not the beautiful and big voice but the emotional impact of the aria. Pagliacci, having learned that his beloved Nedda has been unfaithful, is of course crushed but he must nevertheless perform that night for the public. "The show must go on". Domingo's portrayal is second only to Caruso's. Des Grieux's aria from Manon's Act 3, Je Suis Seul is yet another introspective aria. Des Grieux has discarded Manon and joined the priesthood at St. Sulpice, foresaking his former life and former love. But he is still haunted by her beauty and fond memories of Manon. Placido Domingo sings French as beautifully or perhaps more beautifully than his Italian. He once again excells in such arias that require melancholy and thinking inward- the same style is used in moments of Aida and Tosca - "Celeste Aida" and "E Lucevan La Stelle". Celeste Aida is on here, and is another treasure in Domingo's vocal chords. He sings Dick Johnson from La Finciulla Del West in a heroic, and thrilling and romantic manner. The same applies for La Dona E Mobile, which is a more deceptive aria because Domingo makes the wicked Duke sound like a good guy. Domingo's voice was always suited to heroic and romantic leads. It is no wonder he was also considered the successor to Franco Corelli, whose own career was experiencing decline when Domingo's was on the rise. Often Domingo had to replace an ill or indisposed Corelli. The aria from Le Cid is thrilling. I'm not surprised that the extremely challenging aria "O Paradiso" from L'Africaine is on this album. Domingo studied difficult arias to sing as if it meant his life. He has no difficulty reaching for the high notes and tessitura in this aria. This is why he was able to sing harder roles like Calaf in Turandot (unfortunately Nessun Dorma is not on here) and Wagner heroes- Lohengrin, Tannhauser, Tristan and Isolde, Parsifal, Siegfried. The aria from Cavalleria Rusticana is a fine example of Domingo's verisimo style and is also beautifully rendered. Caruso sang terrific Don Joses in his career and it's sad that "La Fleur" is not on here. Domingo sang outstanding Don Joses in his own career. But this is a great album to get you hooked into Domingo's style and will definately entice you to seek out full-length recordings of the operas credited on this album.
Average customer rating:
|
Caruso SINGS Italian Opera
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
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Caruso, Enrico
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ASIN: B000000WNF
Release Date: 1995-02-03 |
Tracks:
- L'Elisir D'Amore: Act II: Una Furtiva Lagrima
- L'Elisir D'Amore: Una Furtiva Lagrima
- La Favorita: Act IV: Romanza: Spirito Gentil, Ne' Sogni Miei
- Lucia Di Lammermoor: Act II: Chi Mi Frena In Tal Momento?
- Mefistofele: Giunto Sul Passo Estremo (Epilogue)
- La Gioconda: Cielo E Mar!
- Pagliacci: Vesti La Giubba
- Pagliacci: Act II: No! Pagliaccio Non Son
- La Boheme: Act II: Io Non Ho Che Una Povera Stanzetta
- La Boheme: Act III: Musette! O Gioia Della Mia Dimora!; Testa Adorata
- Cavalleria Rusticana: Addio Alla Madre
- Iris: Apri La Tua Finestra (Serenata)
- Adriana Lecouvreur: No, Piu Nobile
- Andrea Chenier: Act I: Un Di All'Azzurro Spazio
- La Boheme: Act I: O Soave Fanciulla, Nellie Melba, Sop
- Tosca: Recondita Armonia
- Madama Butterfly: Act III: Non Ve L'Avevo Detto?
- Lo Schiavo: Act II: L'Importuna Insistenza; Quando Nascesti Tu
- Martha: Act II: M'Appari Tutt'Amor
- Serse: Act I: Ombra Mai Fu
Average customer rating:
- The Mantle Is Passed: Domingo Is The New Caruso
|
Domingo Sings Caruso
Manufacturer: RCA
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ASIN: B0001TSWIM
Release Date: 2004-04-20 |
Tracks:
- Musette! O Giola Della Mia Dimora; Testa Adorata
- Una Furtiva Lagrima
- Recitar! Mentre Preso; Vesti la Giubba
- Je Suis Seul!; Ah! Fuyez, Douce Image
- Lamento Di Federico: la Solita Storia
- M'Appari
- Ch'ella Mi Creda Libero
- Donna Mobile
- Ah! Tout Est Bien Fini!; Souverain, Juge, P
- Mi Battle il Cor; O Paradiso; Deh! Chg'io Ritorni
- Se Quel Guerrier Io Fossi; Celeste Aida
- Che Gelida Manina - Pldo Domingo, London Philharmonic Orchestra
- Quel Trouble; Inconnu; Salut! Demeure Chaste et Pure - Pldo Domingo, New Philharmonia Orchestra
- Rachel, Quand du Seigneur - Pldo Domingo, Royal Philharmonic Orchestra
- Brindisi: Intanto, Amici, Qua; Viva il Vivo Spumeggiante - Pldo Domingo, New Philharmonia Orchestra
Customer Reviews:
The Mantle Is Passed: Domingo Is The New Caruso.......2005-07-27
Enrico Caruso will forever be the greatest tenor of all time, and this is even treated as fact by all opera lovers. But when we discuss who succeeded him or what tenor of the 20th century most effectively took on his legacy, it becomes a matter of personal opinion and taste. For me, there is no doubt that Placido Domingo is the successor of Enrico Caruso. This newly released, digitally remastered album from the RCA Label showcases Domingo in fresh young voice singing arias that Caruso sang famously in his own career. It's a great buy at a bargain price. All fans of Domingo should own this recording. The arias are all in Italian, as that was the staple opera dialect that Caruso sang, though there is one aria from Meyerbeer's L'Africaine - O Paradise, which Domingo sings with amazing strength. The other arias include gorgeous renditions of "Una Furtiva Lagrima" from Donizetti's Elixir D'Amor - a melancholy, heartwrenching song which Domingo sings passionately, an aria from Gounod's Romeo et Juliette (also in French) the signature tenor songs Nessun Dorma from Turandot and of course "Vesti La Giubba" from I Pagliacci. Domingo owned the role of Pagliacci, and recordings and a Zefferelli film attest to his fine interpretation. What tenor can do what Domingo has done ? In the 20th century and in recent years, he has proven his versatility and his artistic integrity and incredible stamina. Even in his older years, he has sung (and successfully) Mozart's Idomeneo, Wagner's Parsifal and Alfano's Cyrano De Bergerac.
Music Track:
- Classic Schubert [Enhanced]
- Classical Guitar Masterpieces
- Classics In Steel
- Copland: Appalachian Spring, El Salon Mexico, Rodeo, etc. [Import]
- Corelli: Concerti Grossi Op. 6 Nos. 1-12 (Box Set) [Box set]
- Danses à l'orgue autour de Bernardo Storace
- Edgard Varèse: Offrandes; Intégrales; Octandre; Ecuatorial
- Elgar: Pomp and Circumstance Marches Op39; Symphony No1
- Elisso Wirssaladze plays Chopin
- Felix Gottlieb plays Schumann & Brahms
Music Track
music track
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