Lady
Track Listings
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1. Heav'n, Heav'n!
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2. Deep River
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3. I Don't Feel No-Ways Tired
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4. Carry Me Back to Old Virginny
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5. Ave Maria
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6. Plaisir d'Amour
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7. Samson & Delilah: O Death, From Thy Powers
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8. Samson & Delilah: Softly Awakens My Heart
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9. Let Us Break Bread Together
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10. Sometimes I Feel Like a Motherless Child
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11. Oh. What a Beautiful City
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12. My Old Kentucky Home
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13. Adieu, Forets
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14. L'Enfant Prodigue: Air de Lia
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15. Favorita: O Mio Fernando
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Lady, Music, Anonymous, James A. Bland, Harry T. (Henry) Burleigh, Claude Debussy, Gaetano Donizetti, Stephen Foster, Johann Paul Aegidius Martini, Camille Saint-Saens, Franz Schubert, Pyotr Il'yich Tchaikovsky, Spiritual Traditional, Lawrence Collingswood, Franz Rupp, Marian Anderson, Cantata, Choral, French Romantic Opera, Italian Romantic Opera, Miscellaneous, Miscellaneous Music, Miscellaneous Vocal Music, Opera, Romantic Music for Voice and Keyboard, Solo Voice(s) and Orchestra, Traditional Folk, Vocal, Vocal Music
Average customer rating:
- This is good, but I love Ella more than the folks trying to sing her
- Great CD, especially for someone new to trad jazz
- Should Be A Grammy Winner In 2008!
- A fitting tribute to a true Lady of Song.
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We All Love Ella: Celebrating the First Lady of Song
Various Artists
Manufacturer: Verve
ProductGroup: Music
Binding: Audio CD
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ASIN: B000PA9Q3M
Release Date: 2007-06-05 |
Tracks:
- A Tisket a Tasket - Natalie Cole
- Lullaby Of Birdland - Chaka Khan
- The Lady Is a Tramp - Queen Latifah
- Dream a Little Dream Of Me - Diana Krall
- (You'll Have To Swing It) Mr. Paganini - Natalie Cole
- Oh Lady Be Good! - Dianne Reeves
- Reaching For the Moon - Lizz Wright
- Blues In the Night - Ledisi
- Miss Otis Regrets - Linda Ronstadt
- Someone To Watch Over Me - Gladys Knight
- Do Nothin' Till You Hear From Me - Etta James
- Angel Eyes - K.D. Lang
- Too Close For Comfort - Michael Buble
- You Are the Sunshine Of My Life - Stevie Wonder
- Airmail Special - Nikki Yanofsky
Amazon.com
Covering songs made famous by Ella Fitzgerald is a daunting endeavor, since only Billie Holiday and Sarah Vaughan challenge her place as the premier female jazz vocalist in history. But the late Fitzgerald inspired and influenced a wide array of talented acolytes--from Natalie Cole to k.d. lang to Dianne Reeves--many of whom gather on this spirited, Phil Ramone-produced tribute to partially benefit the Ella Fitzgerald Charitable Foundation. Cole, backed by an eager gaggle of call-and-response male worshippers, breathes fun new life into the swingy "A-Tisket, A-Tasket," while Chaka Khan, showcasing the breadth of her range, delivers a transporting rendition of the enchanting jazz blues "Lullaby of Birdland." (The two also team up for a delicious scat-fest on "Mr. Paganini.") If lang is equally transfixing on the ballad "Angel Eyes," it's newcomer Ledisi who steals the show with "Blues in the Night," her expansive soprano often mimicking a muted or full-tilt trumpet, one of Fitzgerald's hallmarks. Performances from Etta James and Nikki Yanofsky also rivet, even if Diana Krall and Hank Jones's "Dream a Little Dream of Me" comes across as a little too sleepy, and Gladys Knight is probably not the best singer for "Someone to Watch Over Me." The album surprises with a live duet ("You Are the Sunshine of My Life") between Fitzgerald and Stevie Wonder, recorded at the 1977 New Orleans Jazz and Heritage Festival. Although it seems tacked on, it doesn't grate nearly as much as Michael Bublé's "Too Close for Comfort," so slick it would put an eel to shame. Skip over that transgression, and turn to the antidote of Lizz Wright's sultry take on the melancholy "Reaching for the Moon," which plumbs emotional depths not even the ever-joyous Great Lady managed to attain. --Alanna Nash
Album Description
A star-studded album from legendary producer Phil Ramone pays tribute to one of the most celebrated female vocalists of all time, Ella Fitzgerald.
This CD includes performers such as Stevie Wonder, Diana Krall, Michael Buble, Natalie Cole, Chaka Khan, Ledisi, Lizz Wright, Queen Latifah, Etta James, Gladys Knight, Linda Ronstadt, Dianne Reeves and more.
Customer Reviews:
This is good, but I love Ella more than the folks trying to sing her.......2007-07-03
My favorite part of this collection was Ella and Stevie Wonder singing "Sunshine of my Life." The blend of their voices was amazing. If it possibly could have been done, I'd love to have seen the video of this performance.
Of the tributes, Ledisi's "Blues in the Night" blew me away. Her vocalese imitation of a trumpet was one of the best impressions I have ever heard.
I also liked hearing Natalie Cole and Chaka Khan in duet on "If you can't sing it, you'll have to swing it." Etta James' alto was definitely refreshing on "Wait til you hear from me." She's the only woman on the CD with a voice in the lower registers and definitely different from the other vocalists.
Great CD, especially for someone new to trad jazz.......2007-06-27
This is the second CD I've purchased of music from Ella Fitzgerald's era. I have one CD of Dave Grusin pays Homage to Duke Ellington and I didn't like it at all. But this CD is great! It has a variety of vocalists who are tops in their field, mostly jazz but some rock (Linda Ronstadt and K.D. Laing). The orchestration and vocal stylings are all excellent with great variety. The selection of artists is about as good as good gets. Practically no one great was left out that I know of who sings in this genre. Buy it as a great introduction to this era.
Should Be A Grammy Winner In 2008!.......2007-06-11
'We All Love Ella' is a first rate tribute to the First Lady Of Song, Ella Fitzgerald. While I agree with the previous reviewer on many points, I'll try to focus on the project as a whole. Verve must be commended for asembling such a formidible list of singers & musicians on this CD, and you can't help but feel good while listening to the various interpretations, which are all top rate. The one track which caught my attention from the start was the LONG OVERDUE DUET between Natalie Cole & Chaka Khan! The two divas' voices blend SO WELL on '(If You Can't Sing It) You'll Have To Swing It (A.K.A. Mr.Paganini)', and I also love the arrangement of the song, which is long enough for Chaka & Natalie to sing & scat up a storm.
There are so many other highlights on 'We All Love Ella', BUT the failure to include songs by TWO prominent Ella disciples (Patti Austin & Dee Dee Bridgewater), was questionable (IMO). Both of these legendary singers recorded Ella tribute projects in the past ('Dear Ella' & 'For Ella' respectively!), and they could've shined on this new CD singing 'Our Love Is Here To Stay' & 'How High The Moon ?'. Both of these songs are Ella classics without question, but are absent on 'We All Love Ella'. Oh well, maybe Verve will cook up Volume 2 ?
All in all 'We Love Ella - Celebrating The First Lady Of Song' is a first rate tribute to an American Icon, and I applaud everyone involved for the great music...which is one of the finest 'tribute' projects in recent memory. I'd also like to thank Phil Ramone for NOT releasing a shabby collection of songs (most of those countless 'remake' CDs on Shanachie Records comes to mind!!). Obviously a lot of thought & time was invested in producing 'We All Love Ella', so I'd recommend it to jazz lovers everywhere.
Peace, SD
(of 'Chakasworld')
A fitting tribute to a true Lady of Song........2007-06-05
Wikipendia: "Ella Fitzgerald (April 25, 1917 - June 15, 1996), also known as Lady Ella and the First Lady of Song, is considered one of the most influential jazz vocalists of the 20th Century.
With a vocal range spanning three octaves, she was noted for her purity of tone, near faultless phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. She is widely considered to have been one of the supreme interpreters of the Great American Songbook...."
This is a heartfelt, loving tribute to the great singer for which Verve Records has gathered a top-notch group of genre-spanning artists and a legendary producer to create an album that genuinely pays tribute to its original subject.
"We All Love Ella" is produced by hit maker Phil Ramone and filled with passionate performances of classics made famous by Ella and sung by world-renowned singers and break-out stars Michael Bublé, Natalie Cole, Chaka Khan, Gladys Knight, Diana Krall, k.d. lang, Queen Latifah, Ledisi, Dianne Reeves, Linda Ronstadt and Lizz Wright.
Most of them are part of the so-called SERIAL COLLABORATORS, a new generation of musicians, who have all but abandoned their own musical endeavours in favour of hitching a ride in this kind of music projects, call them DUET or TRIBUTE albums.
Whether it's Diana Krall's tender "Dream A Little Dream", Natalie Cole's swingin' "A-Tisket, A-Tasket", k.d. lang's sultry "Angel Eyes" or the extraordinarily sassy and powerful "Blues in the Night" by newcomer Ledesi, the performances on "We All Love Ella" keenly display Fitzgerald's expansive musical range and show how her style influenced generations of musicians from all backgrounds
The woman herself, Ella, appears on the album.
In 1977, Stevie Wonder sat in with Ella during her performance at the New Orleans Jazz and Heritage Festival. This impromptu collaboration yielded a charming duet on Stevie's classic "You are the Sunshine of my Life". This recording is released for the first time over on this tribute album!
Many are the guest musicians :Gerald Clayton (Piano), Billy Childs Trio (piano, arranger), Regina Carter (violin), Alan Broadbent(Piano), Christian McBride (bass), Dean Parks (Guitar), Tom Scott (Saxophone), Anthony Wilson (Guitar), just to name a few.
Genius Loves Company
A Tribute To Joni Mitchell
Duets: An American Classic
So Amazing...An All-Star Tribute to Luther Vandross
DuetsDuets II
All in one world, a great homage to the Great Lady of Song.
Enjoy
Average customer rating:
- Excellent Sound Track
- Great gift!
- Good, but not for the Family
- fantastic......
- "A" for Andrews
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My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner
Manufacturer: Sony
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Binding: Audio CD
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ASIN: B0000024PL
Release Date: 1990-10-25 |
Tracks:
- Overture; Why Can't The English?
- Wouldn't It Be Loverly?
- With A Little Bit Of Luck
- I'm An Ordinary Man
- Just You Wait
- The Rain in Spain
- I Could Have Danced All Night
- Ascot Gavotte
- On The Street Where You Live
- You Did it
- Show Me
- Get Me To The Church On Time
- A Hymn to Him
- Without You
- I've Grown Accustomed To Her Face
Amazon.com
This recording was produced more than 40 years ago, only in mono, but from the day it was released it was a deserved phenomenon. It out-grossed the mega-hit show for months, and it still holds the record for the most weeks as a Billboard Top 40 album: 292. The reasons are many. Start with the 20-year-old Julie Andrews in peak voice, singing no fewer than eight sensational Lerner and Loewe songs, soaring most memorably to high C in "I Could Have Danced All Night." Rex Harrison perfected the art of talk-singing in a clutch of equally captivating numbers written especially for his voice, of which the most indelibly delivered is "I've Grown Accustomed to Her Face." And Stanley Holloway brought the best English music-hall style to an eager American audience with "A Little Bit of Luck" and "Get Me to the Church on Time." There were no scene-changers in Frederick Loewe's best score, and Alan Jay Lerner managed to fashion his libretto and lyrics so close to the language of George Bernard Shaw (on whose play Pygmalion the musical was based) that experts couldn't tell where Shaw left off and Lerner took over. Every song created character and advanced the plot. My Fair Lady was a show you "got"--and still get--on first listening--without having seen it. The London cast album (with the same leads) can give you stereo; the movie version, a fuller orchestra, Harrison and Holloway in full sail, and Marni Nixon dubbing Audrey Hepburn. But the Broadway cast album is still the one to have, and the one absolute must in any musical collector's CD library. --Robert Windeler
Customer Reviews:
Excellent Sound Track.......2007-06-27
I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.
Great gift!.......2007-06-01
Bought this as a gift for a friend.Received it quickly and she was delighted.
Good, but not for the Family.......2007-05-29
I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.
fantastic.............2007-05-16
MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!
The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!
"A" for Andrews.......2007-04-15
For years I had only the movie soundtrack and I was perfectly content with it, it was after all one of the best shows ever to hit the boards and I think Marie Nixon did a wonderful in the role of Liza Doolittle - she matched Hepburns voice closely plus she's a professional singer who soars with good material.
It's amazing listening to Ms. Nixon in The King & I; she is much closer to Deborah Kerr's voice and they sounded more natural between speaking and singing but that was the clinker for me. I realized the distance between Ms. Hepburn and Ms. Nixon in the movie version - so I went back to square one and GOT THE ORIGINAL.
You have to hand it to Goddard Leiberman (head of Columbia years ago and protege of Fanny Brice) for starting the tradition of recording Original Broadway Cast 'albums' at the time they opened.
Finally listening to Julie Andrews sing the most popular songs from one of the best shows ever penned almost made me cry. You can tell she's riding the crest of the wave - she literally soars, defying gravity. Her diction, as always, is perfect but she's perfect as the brash cockney flower girl, a young girl on an adventure and a refinded lady. I will always be grateful to Marnie Nixon for the work she did for the film but once you listen to original Eliza Doolittle you will realize there is only ONE and that ONE is JULIE ANDREWS.
Yes, her leading man is also good. One surprise however was Stanley Holloway - it was a shock to realizae that it was about ten years between the show and the film and he does sound ten years younger. The man is a delight at any age, it's not important, it just adds to the fun.
If you really like the show, and the songs, treat yourself and get the Original Broadway Cast - the cast hit the studio at the peak of their form with a solid hit under their belt and that confidence sets this recording light years ahead of any other recording.
Now if it were in stero that would make it a 5 star review.
Average customer rating:
- Absolutely the best of Billie Holiday
- Lady Day: The Best of Billie Holiday
- The tragedy of a lonely woman!
- Billie's Best - Accept No Substitutes
- A serious and great artist's best work, you need these sides
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Lady Day: The Best of Billie Holiday
Billie Holiday
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005Q45Y
Release Date: 2001-10-02 |
Tracks:
- What A Little Moonlight Can Do - Billie Holiday
- These Foolish Things - Billie Holiday
- I Cried For You - Billie Holiday
- Summertime - Billie Holiday & Her Orchestra
- Billie's Blues - Billie Holiday & Her Orchestra
- If You Were Mine - Billie Holiday
- A Fine Romance - Billie Holiday & Her Orchestra
- Easy To Love - Billie Holiday
- I've Got My Love To Keep Me Warm - Billie Holiday & Her Orchestra
- I Must Have That Man - Billie Holiday
- Me, Myself And I - Billie Holiday & Her Orchestra
- They Can't Take Away From Me - Billie Holiday & Her Orchestra
- Easy Living - Billie Holiday
- A Sailboat In The Moonlight - Billie Holiday & Her Orchestra
- Travelin' All Alone - Billie Holiday & Her Orchestra
- When A Woman Loves A Man - Billie Holiday & Her Orchestra
- You Go To My Head - Billie Holiday & Her Orchestra
- My Man - Billie Holiday
Tracks:
- I Can't Believe That You're In Love With Me - Billie Holiday
- The Very Thought Of You - Billie Holiday & Her Orchestra
- I Can't Get Started - Billie Holiday & Her Orchestra
- Long Gone Blues - Billie Holiday & Her Orchestra
- Sugar - Billie Holiday
- Some Other Spring - Billie Holiday & Her Orchestra
- Them There Eyes - Billie Holiday & Her Orchestra
- The Man I Love - Billie Holiday & Her Orchestra
- Body And Soul - Billie Holiday & Her Orchestra
- Swing, Brothers, Swing - Billie Holiday & Her Orchestra
- Night And Day - Billie Holiday & Her Orchestra
- Let's Do It - Billie Holiday
- God Bless The Child - Billie Holiday & Her Orchestra
- Solitude - Billie Holiday & Her Orchestra
- I Cover The Waterfront - Billie Holiday
- Gloomy Sunday - Billie Holiday
- Until The Real Thing Comes Along - Billie Holiday
- All Of Me - Billie Holiday & Her Orchestra
Album Description
Lady Day: The Best Of Billie Holiday is an ideal introduction to the Voice of Jazz in all its enduring glory. This incomparable collection draws on the 10-CD boxed set Lady Day: The Complete Billie Holiday on Columbia (1933-1944) (CXK 85470), representing not only her finest work, but American jazz and pop singing at its zenith. Accompanied sublimely by a Who's Who of the Swing Era (including her soulmate Lester Young, Benny Goodman, Artie Shaw, Buck Clayton, Roy Eldridge, Ben Webster, Johnny Hodges, Harry Carney, Jo Jones, and pianist-arranger Teddy Wilson, who was often at the helm when Holiday entered the studio), Billie Holiday masterfully renders a host of mostly-classic pop tunes. Fans are drawn to her musical triumphs and personal tragedies. She is a mysterious icon in the same vein as Miles Davis. Columbia possesses the first and finest recordings of her entire career! This material has never sounded clearer and more intimate!
Customer Reviews:
Absolutely the best of Billie Holiday.......2007-02-24
Anybody who likes Billie Holiday even part time needs this CD. Even great for those people who only know a few songs just by chance. Love the CD. Even got another as a gift for a friend.
Lady Day: The Best of Billie Holiday.......2007-01-10
Bought this for my granddaughter. She's a Billie Holiday fan. She loved the CD.
The tragedy of a lonely woman!.......2006-11-21
The stature of this emblematic singer of the jazz is absolutely undeniable. Her powerful, sensitive and expressive voice made of her, one of the most tragic icons in the jazz. She sung as she lived. In this sense she reminds too much to the legendary Edith Piaff in the other side of the Atlantic.
What else might I add for cataloguing this cult artist that it has not been said just before? She is part of the history jazz and her memory will transcend and surmount the next years to come.
Billie's Best - Accept No Substitutes.......2006-06-12
Billie Holiday is the quintessential jazz singer; despite a limited vocal range she set the standard by which all others are measured. It's all about the quality of her voice, the lush tone, and her marvelously idiosyncratic phrasing. Though her career was short and troubled, she recorded a lot, which means novice collectors must avoid innumerable bear traps. In general, her later work should be ignored, by then she was wearing her emotional problems like an ugly hat, despair manifested itself in performances so lackluster they're depressing at best, frequently downright tragic.
For the best of Billie you need to go back to the glory days, 1933-1944, precisely the time period covered by this reasonably priced and beautifully produced 2-CD set. (If you're a player with money to burn go for the 10-CD comprehensive retrospective, The Complete Billie Holiday on Columbia, 1933-1944.) All the songs providing the foundation of her reputation are here, as well as many pleasant surprises. The booklet, though not lavish, provides photos, background, and a complete list of personnel for each track. This detail is significant because the players on these selections, in addition to being the finest who ever backed Ms. Holiday, were also the absolute elite of their generation, each worthy of individual exploration. (Names like Lester Young, Roy Eldridge, Ben Webster, Johnny Hodges, and Teddy Wilson enjoy legendary status.)
Perhaps most amazing is the sound quality, considering the recordings are WWII vintage they're clear and smooth. About Ms. Holiday's personal life, the less said the better. What is remarkable is that, despite her personal troubles, she managed to create a canon of work that is truly timeless, just as sweet and powerful today as it was then. Not only is this the best Billie Holiday anthology available, it makes a formidable addition any jazz collection. (Dig that cover photo, wow!)
A serious and great artist's best work, you need these sides.......2005-03-11
If there were some way to award music 200 stars, I am sure all of us would have done so for this set!
Like others here, I have it all, but I think her work from the 30s and early 1940s from Columbia and its ancestors is not just her greatest works, but among the great works of world musical culture. Everyone with a set of ears should be more or less required to have this music and enjoy it.
Strange Fruit was not recorded for Columbia but for the Indy label Commodore. Thus, you will not find it on this or any of the Columbia collections like this that capture her work in the period BEFORE Strange Fruit. It was recorded in the 1940s, whereas this collection contains work from Billie in the 1930s and perhaps 1940 and 1941. No doubt Sony wishes it had the rights to that side and everything else Commodore recorded, but they don't.
The truth is, Strange Fruit is not one of Billie's Greatest works. There are about 15 tunes on this CD that have better singing, better musicians backing her, and were more important pieces of Billie's work. Strange Fruit is well known to the people who know about Billie as a person, but don't know much about Billie as a Jazz musician. Her recording, while powerful, was not very nuanced, not very jazzy, and not as good as much of the work here. Indeed, the weakness of her mid-1940s Commodore work as opposed to these recordings is that Billie was persuaded to move away from Jazz and swing to attempt to become a cabarat chanteuse of "serious" songs, a move that some also relate to the inception of heroin and the decline of her voice, a move that brought about a decline in her art.
If you want to hear a better version of "Strange Fruit," listen to Josh White's recording which is so much more powerful, if not as well known. I am not downing the song or its politics, far from it, but Billie's Strange Fruit is more important as a political statement than as a work of Jazz art.
One of the greatest things about these records are the many master musicians of swing and jazz that join her on these recordings. Very shortly after she started recording, the greatest names in Jazz would flock to her sessions and play on her recordings for litte because of the innovation and creativity Billie showed as a jazz creator in her own right. These recordings were a chance for them to jam together in loose arrangements and be more innovative and creative than they were with the orchestras they played with.
These masters of Jazz viewed Billie as a serious artist of Jazz. They delighted in her knowledge of the musical aspects of swing jazz which was unique for such a young singer (she was in her twenties when these records were made) and delighted in her ability to sense what they were doing in their accompaniments and solos and to respond to them in her vocals.
Despite the exaggerated picture of her life as a prostitute that was part of the marketing of the 1950's work of ghost-written fiction called "Lady Sings the Blues," that a drug addled Billie claimed was her autobiography, Billie Holiday grew up around Jazz with her father being a big band guitar player who complained Billie hired every NY guitarist but him for these sessions. Billie's mother specialized in boarding Jazz musicians and catering parties for musicians and singers, parties where the young Billie would often help serve the food. So when she met Lester young in 1937 for these sessions, she had already known the man she named 'Prez in 1934 when he boarded with her mother while he was in the Fletcher Henderson band.
These sides contain most of the great collaboration between Lester Young and Billie. They were great musical friends and personal friends until Billie became a heroin addict, at which point Lester didn't much want to be around her.
However, as much as I am a Lester Young man to the death (his framed picture hangs in my home), too little is said of the other musicians who grace these recordings. Billie's collaboration with pianist Teddy Wilson who plays on and directed most of these recordings (many were recorded as Teddy Wilson Orchestra sides)needs to be explored. Likewise, her work with the great bassists and rhythm players on these records needs to be appreciated. My favorite sides are the ones in which she has the benefit of Basieites like her dear friend Freddy Green on guitar and the great Walter Page on bass. Likewise, Billie's musical closeness with the great Buck Clayton and his role on these sides is also underestimated.
Yet, it doesn't matter if Billie had recorded these sides with some high school band members from Winslow, Arizona. This is good music to listen to, good music to smile to, music to fall in love to, and music to dance too. Contrary to the tendency to get maudlin and milk her image as a tragedy that Holiday developed in the 1950s as her life and her musical skill declined , even the songs on these recordings with the sadest lyrics possess a great joy, swing, and spirit of the wonders of Jazz.
Average customer rating:
- pure genius
- Another great Yo-Yo Disc
- first disc great- second a flop
- Encore
- The Versatile Yo-Yo Ma
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The Essential Yo-Yo Ma
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- Appassionato
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- Classic Yo-Yo
- Silk Road Journeys: Beyond the Horizon
ASIN: B000A7Q29G
Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine
Customer Reviews:
pure genius.......2007-05-21
No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
The set-up with the classical pieces on the first disc and the other on the second is excellent.
first disc great- second a flop.......2007-04-12
the first disc is awesome. the second disc is weird and boring.
Encore.......2007-03-31
Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.
The Versatile Yo-Yo Ma.......2007-03-29
I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.
Average customer rating:
- Excellent Sound Track
- Great gift!
- Good, but not for the Family
- fantastic......
- "A" for Andrews
|
My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner , Rex Harrison , Julie Andrews , and Frederick Loewe
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- Fiddler on the Roof (1964 Original Broadway Cast)
ASIN: B000067AS1
Release Date: 2002-05-28 |
Tracks:
- Overture
- Why Can't The English?
- Wouldn't It Be Loverly
- With An Ordinary Man
- I'm An Ordinary Man
- Just you Wait
- The Rain In Spain
- I Could Have Danced All Night
- Ascot Gavotte
- On The Street Where You Live
- You Did It
- Show Me
- Get Me To The Church On Time
- A Hymn To Him
- Without You
- I've Grown Accustomed To Her Face
- A Post-Recording Conversation (bonus track)
- Playback: Alan Jay Lerner & Frederick Loewe (bonus track)
Amazon.com
The 2,700 performances of Lerner and Loewe's musical adaptation of George Bernard Shaw's Pygmalion gracefully spanned the Eisenhower and Camelot eras, then begat a wildly popular film version, whose 1965 Best Picture Oscar capped the show's decade of prominence. The crowning achievement of Lerner and Loewe's rich body of work began its recording life on this 1956 cast recording, a collection of performances that long ago became a ubiquitous and indispensable fixture of American musical theater. Indeed, it's hard to imagine anyone else but Julie Andrews and Rex Harrison in the roles of the cockney Eliza Doolittle and her long-suffering mentor, Henry Higgins, delivering definitive versions of the show's embarrassment of riches: "Why Can't the English?," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," and "I've Grown Accustomed to Her Face." This new edition offers a digitally burnished take of the already glorious recording, now supplemented with a post-recording conversation track featuring Harrison, Andrews, Lerner, conductor Franz Allers, and original producer Goddard Lieberson, as well as a 1961 audio interview with Lerner and Loewe. --Jerry McCulley
Customer Reviews:
Excellent Sound Track.......2007-06-27
I found My Fair Lady full of beautiful arrangements and excellent vocals. Can't get better then the sound of Julie Andrews!!!! Although Julie did not get the movie roll this makes me appreciate the movie even more.
Great gift!.......2007-06-01
Bought this as a gift for a friend.Received it quickly and she was delighted.
Good, but not for the Family.......2007-05-29
I initially really enjoyed the movie my fair lady and wanted a sound track so I could continue to enjoy the music. However, upon recieving the cd, I was especially disappointed with one aspect - the language. I knew Professor Higgins and others had used profanity on the film, and was ok with it. You hear it once and move on. However, I don't want a cd playing around my family that my kids are learning to dance, sing, and act out a song that has rather obvious swear words. After 1 listen I picked out at least three instances of swearing, the worst being I've Grown Accustomed to Her Face (my otherwise favorite song!) The song starts out d--n, d--n, d--n! It's shouted.
fantastic.............2007-05-16
MY FAIR LADY, one of the most well-loved and beautifully made musicals, was a definitive vehicle for the career of (then) twenty year old Julie Andrews, as the "loverly" Cockney flower girl, Eliza Doolittle. Between Andrews' soaring soprano (which is especially poignant to hear, today, considering that she can no longer sing as she once did) and the great supporting cast, lead by Rex Harrison, as Dr. Henry Higgins, the bored professor who takes her under his wing as a special project to mold into a dignified lady, this is a five star show!
The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!
"A" for Andrews.......2007-04-15
For years I had only the movie soundtrack and I was perfectly content with it, it was after all one of the best shows ever to hit the boards and I think Marie Nixon did a wonderful in the role of Liza Doolittle - she matched Hepburns voice closely plus she's a professional singer who soars with good material.
It's amazing listening to Ms. Nixon in The King & I; she is much closer to Deborah Kerr's voice and they sounded more natural between speaking and singing but that was the clinker for me. I realized the distance between Ms. Hepburn and Ms. Nixon in the movie version - so I went back to square one and GOT THE ORIGINAL.
You have to hand it to Goddard Leiberman (head of Columbia years ago and protege of Fanny Brice) for starting the tradition of recording Original Broadway Cast 'albums' at the time they opened.
Finally listening to Julie Andrews sing the most popular songs from one of the best shows ever penned almost made me cry. You can tell she's riding the crest of the wave - she literally soars, defying gravity. Her diction, as always, is perfect but she's perfect as the brash cockney flower girl, a young girl on an adventure and a refinded lady. I will always be grateful to Marnie Nixon for the work she did for the film but once you listen to original Eliza Doolittle you will realize there is only ONE and that ONE is JULIE ANDREWS.
Yes, her leading man is also good. One surprise however was Stanley Holloway - it was a shock to realizae that it was about ten years between the show and the film and he does sound ten years younger. The man is a delight at any age, it's not important, it just adds to the fun.
If you really like the show, and the songs, treat yourself and get the Original Broadway Cast - the cast hit the studio at the peak of their form with a solid hit under their belt and that confidence sets this recording light years ahead of any other recording.
Now if it were in stero that would make it a 5 star review.
Average customer rating:
- Disney's greatest hits, volum 3
- Timeless Disney Music
- Disney songs are the best
- Great Disney Music
- Not as good as Vol 1 and Vol 2
|
Disney's Greatest 3
Various Artists
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ASIN: B00006EXKT
Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce
Customer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
This is one of the better volums for kids and for those who are
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.
Disney songs are the best.......2006-03-18
I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.
Great Disney Music.......2006-02-21
I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!
Not as good as Vol 1 and Vol 2.......2005-09-11
This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.
Average customer rating:
- My Fair Lady (1964 Film Soundtrack)
- Fair Lady all the way
- Nice CD and quick delivery
- My Fair Lady
- My Fair Lady Isn't So Fair
|
My Fair Lady (1964 Film Soundtrack)
Alan Jay Lerner
Manufacturer: Sony
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- Oklahoma! (1955 Film Soundtrack)
- The King and I (1956 Film Soundtrack)
- South Pacific (1958 Film Soundtrack)
- The Music Man (1962 Film Soundtrack)
- The Sound of Music (1965 Film Soundtrack - 40th Anniversary Special Edition)
ASIN: B000002AW2
Release Date: 1994-10-18 |
Tracks:
- Overture
- Why Can't The English?n
- Wouldn't It Be Loverly
- The Flower Marketn
- I'm An Ordinary Man
- With A Little Bit Of Luck
- Just You Wait
- Servants' Chorus
- The Rain In Spain
- I Could Have Danced All Night
- Ascot Gavotte
- Ascot Gavotte (Reprise)
- On The Street Where You Live
- Intermission
- The Transylvanian March
- The Embassy Waltz
- You Did It
- Just You Wait (Reprise)
- On The Street Where You Live (Reprise)
- Show Me
- The Flowermarket
- Get Me To The Church On Time
- A Hymn To Him
- Without You
- I've Grown Accustomed To Her Face
- End Titles
- Exit Music
Amazon.com
My Fair Lady is--deservedly--one of the most famous musicals of all time. Its popular 1964 film version, directed by George Cukor, has ensured that for most people Audrey Hepburn is Eliza Doolittle, while Broadway-heads swear by Julie Andrews's stage performance, immortalized on the 1956 cast album. Of course, for the purposes of a CD review it's more accurate to compare the performances of Andrews and Marni Nixon, who sang the songs lip-synched by Hepburn in the movie. While Andrews usually comes out on top (especially on "I Could Have Danced All Night"), Nixon is no slouch (after all, she also dubbed Natalie Wood in West Side Story and Deborah Kerr in The King & I). Rex Harrison, of course, does his own vocals, but then he doesn't so much sing his songs as talk them. While Nixon and Harrison are tops, the truth is that Lerner and Loewe's songs are so good as to endure almost anybody's interpretation: "Wouldn't It Be Loverly," "With a Little Bit of Luck," "On the Street Where You Live," "Get Me to the Church on Time," and so on--not many shows can boast as many classics. The movie version's real bonus is Andre Previn's swellegant orchestration. --Elisabeth Vincentelli
Customer Reviews:
My Fair Lady (1964 Film Soundtrack).......2007-05-18
This Cd is as clare as a bell.
Fair Lady all the way.......2007-05-13
I have seen this production as a movie, a television presentation, and on stage. All were great and all used the music with different voices. While I have many albums with different singers, this album remains my favorite. The music is precise. The singing is excellent. I thoroughly enjoy it every time I listen.
Nice CD and quick delivery.......2007-02-02
I knew I was going to like it, so the good thing has been the quick and safe delivery (very well packed).
My Fair Lady.......2007-01-15
Received it when I expected to. It was in tip top condition. Very happy.
My Fair Lady Isn't So Fair.......2006-09-26
I am a die-hard Julie Andrews fan, so that already brings it down a notch. I also really like Audrey Hepburn and the fact that she didnt do her own singing makes it seem fake.
I ABSOULUTLEY HATE Marni Nixions voice on this album. her voice sounds flat and too american. Her cockney isnt the best , but i'll lay off of that because it is hard to do a good cockney if your are american.
I love Rex Harrison on both albums, he is so funny! I would have loved to see Julie Andrews and Rex together to witness the chemistry between them on the OBC, it would have been marvelous! GO BUY THE ORIGINAL BROADWAY CAST ALBUM!
Average customer rating:
- Some of the reviewers sound like haters
- Same Ole Thing!!
- Kim Waters!!!!
- Kim Waters simply does it with this CD
- Would somebody please get this guy a live band?
|
You Are My Lady
Kim Waters
Manufacturer: Shanachie
ProductGroup: Music
Binding: Audio CD
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ASIN: B000MM1F96
Release Date: 2007-03-27 |
Tracks:
- So Sick
- Got To Give It Up
- The Closer I Get To You
- Flying High
- Two Keys To My Heart
- Secret Romance
- You Are My Lady
- East Coast Strollin'
- Inseparable
- I Want You Tonight
Customer Reviews:
Some of the reviewers sound like haters.......2007-06-26
It's a very nice album complete with vocals and very smooth jazz in the form of a saxophone. Probably someone from his competitors cooked up some dumb idea to slam his music. He should be getting a lot of solid five stars.
Same Ole Thing!!.......2007-06-18
I'M A JAZZ LOVER FROM BACK IN THE DAY. I'VE SEEN ARTIST COME AND GO. SOME HAS THE REAL TALENT OF LONGEVITY. IN MY OPINION IF KIM WATERS WOULD USE LIVE STUDIO PERSONELL HIS MUSIC WOULD SOUND BETTER. I GUESS ME BEING FROM THE OLD SCHOOL ALL THESE ELECTRONIC MACHINES JUST DON'T GET IT WITH ME.
Kim Waters!!!!.......2007-05-13
I have to always give it to Kim Waters. Everything he does is always over the top.
Kim Waters simply does it with this CD.......2007-04-11
I feel this is one of his best CD's. The tracks and his saxophone are crisp, discreet, and moving. The funky opening tune will get you in the grooves and his remakes of "The Closer I Get to You", "Inseparable", and "You are My Lady" will make you want to break out that bottle of wine with someone special. Trust me on this one. The minute I played it for the Mrs. it was on and I just wish we had a fireplace. Mello, Mello, Mello, with great sax. Don't miss this one.
Would somebody please get this guy a live band?.......2007-04-03
Well, well...another lame CD from the "King of Drum Machines". KW is a great sax player, but I wish that he would hire a back up band instead of relying on drum machines and other electronics to produce music. This stuff sounds like karaoke music or something that my 4-year-old plays on her toy keyboard. I do, however, like his rendition of Marvin Gaye's "Got To Give It Up", but still it would sound so much funkier if the song were performed by a live band instead of a computer. Anyway, if you like poorly produced "electonica", then you may enjoy this CD. Ohterwise, try some Sanborn, Najee, Kirk Whalum or Boney James for your "saxual" pleasure.
Average customer rating:
- Irish at it's best.
- Irish Magic
- Just got your Kleenex
- Wonderful!
- The Very Best of the Irish Tenors is just that!
|
The Very Best of The Irish Tenors
The Irish Tenors
Manufacturer: Music Matters
ProductGroup: Music
Binding: Audio CD
All Works by Moore
| Moore, Thomas
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Irish Tenors
| ( I )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General
| International
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Tenors
| Voices
| Opera & Vocal
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- Ellis Island
- The Irish Tenors / McNamara, McDermott, Kearns, Tynan
- Home for Christmas
- Sacred
- We Three Kings
ASIN: B000069JJ6
Release Date: 2007-01-08 |
Tracks:
- Toora Loora Looral
- Will Ye Go Lassie Go
- Spanish Lady
- When Irish Eyes Are Smiling
- Percy French Medley: Phil The Fluther's Ball, Come Back Paddy Reilly, The Lay Of The West Clare Reailway, Are Ye Right There Michael?
- Amazing Grace
- Nearer My God To Thee
- Danny Boy
- Fields of Athenry
- Only The River Runs Free
- Molly Malone
- Last Rose of Summer
- She Moved Through the Fair
- Maggie
- New Medley (combination of the 2 medleys
Product Description
1. Toora Loora Looral
2. Will Ye Go Lassie Go
3. Spanish Lady
4. When Irish Eyes Are Smiling
5. Percy French Medley: Phil The Fluther's Ball, Come Back Paddy Reilly, The Lay Of The West Clare Railway - Are Ye Right There Michael?
6. Amazing Grace
7. Nearer My God To Thee
8. Danny Boy
9. Fields Of Athenry
10. Only The River Runs Free
11. Molly Malone
12. Last Rose Of Summer
13. She Moved Through The Fair
14. Maggie
15. New Medley (Combination of the 2 medleys)
Format: CD
Amazon.com
In the short time since they grouped together a few years ago to form their sensationally successful trio, the Irish Tenors have already put out an impressive array of recordings and DVDs, including some bona fide gooseflesh-inducing live concert performances. So, if you still have the enviable pleasure of discovering these amazing vocalists--or want to turn a friend on to their musical charms--this compilation CD will do the trick nicely. It brings together such classics as "Danny Boy," "Toora Loora Looral," "Last Rose of Summer," and "When Irish Eyes Are Smiling" (featuring John McDermott)--all rendered with the kind of passionate, heartfelt, and harmonious crooning that is their signature style, whether they're singing as an ensemble or as highlighted soloists. And even if you have the complete Irish Tenors, this anthology includes several numbers not found on their previously released CDs. Hard to think of a sweeter treat for a fan of singing too good to ever go out of fashion. --Sarah Chin
Customer Reviews:
Irish at it's best........2007-05-07
This album is really the number two album from this trio. It is very good and well worth the investment. The five star album by The Irish Tenors would have to be Heritage. Both albums rate high in my book.
Irish Magic.......2006-08-21
This is my first CD of the Irish Tenors. And what a joy! I played it as soon as it arrived. I like the blend of their voices,the passion and enthusiasm they bring to this CD. What I find is a real treat is the words to all the songs are in the booklet.I love this CD.
Just got your Kleenex.......2005-12-25
I suggest a box of Kleenex for each person in the room when you play this CD or VHS recording. Mom won't let me play it anymore because she...well, you know what I mean.
Wonderful!.......2005-12-12
When it's cold and frightful here, I play The BOYZ!
So wonderful. So much fun.
Up here in backwash Maine, there ain't much, believe me. But these guys are great. Sincere, care about what they're doing, true artists.
Ah, to go to Ireland again. Well, not unless the price of natural gas recedes!
The Very Best of the Irish Tenors is just that!.......2005-01-22
This recording is wonderful. Ronan's "last Rose of summer" is unique, the Percy French medley shows all three in great voice, Finbar's Maggie is wonderful and the laurels have to go to Anthony for his magnificent rendition of "She moved through the fair", wow!!!!
Well worth buying.
Isaac Chute
Average customer rating:
- ugh
- unbelievable
- It's ok
- Sounds Okay To Me
- LOVE IT
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Public Warning
Lady Sovereign
Manufacturer: Def Jam
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
Pop Rap
| Rap & Hip-Hop
| Styles
| Music
Similar Items:
- Alright, Still
- The Sweet Escape
- The Dutchess
- Back to Black
- Alright, Still
ASIN: B000IFRQAY
Release Date: 2006-10-31 |
Tracks:
- 9 to 5
- Gatheration
- Random
- Public Warning
- Love Me Or Hate Me
- My England
- Tango
- A Little Bit Of Shhh
- Hoodie
- Those Were The Days
- Blah Blah
- Fiddle With The Volume
- Love Me Or Hate Me Remix - Missy Elliot
Amazon.com
More Eminem than Missy Elliot, this diminutive U.K. rapper shows exactly how threatening a small woman with a big mouth can be. Her spiky collision of punk rock attitude and pop appeal is a revelation and her self-awareness is oddly shocking, but rather endearing, as the 5-foot-1 rapper asserts, "I'm the biggest midget in the fame." Wicked, irreverent, smart, and full of self-depreciating humor, this queen of grime rap pillages her autobiography on "Those Were the Days," deconstructs nationalism on "My England," raids Mother Goose on "Public Warning," and then drops a gauntlet with a loud clattering sound, making listeners laugh out loud with the snotty, but laughable challenge of "Love Me or Hate Me." But mostly she keeps things moving, throwing off sparks and bon mots with her mad, furious, in-your-face flow, while adding a bit of glam and new wave to the electro hip-hop beats. She might be small, but her future as the voice of the fashionably disaffected is huge. --Jaan Uhelszki
Customer Reviews:
ugh.......2007-06-14
I liked the single, so got the CD. Oops.
unbelievable.......2007-06-12
I just went to the Gwen stefani and akon concert with sov opening. all i can say is that being a huge fan of gwen and really enjoying akon's work i really wasn't thrilled to see that sov was opening beings that i had never really heard any of her music, but by the end of her show i knew there was no way akon nor gwen had a chance of grabbing my attention as much as sov. if you get a chance see her live you won't regret it.
It's ok.......2007-06-03
She is good, but she must emprove herself... Eminem's level is still too far
Sounds Okay To Me.......2007-06-02
It's hard to find someone in the rap/hip hop world today I like. MIA is good and I've heard a few of her offerings and like it, and there's Lady Sovereign as far as the females. I've heard her compared to Eminem or a female version, but I really don't like Eminem, so I guess I'll take those peoples word for it on that one. I'm normally into old school rap and hip hop from the 80's, all the genre's of it from the beginnings of the late 70's early 80's through the Gangsta Rap of the late 80's into early 90's. Snoop Dogg and Dr. Dre might have been the last ones I really got into let's put it that way.
This is a really fun CD to listen to, it's bratty, witty, and has some good beats I think, it may not be ground breaking; but it's for lack of a better term a Party CD in my opinion, she's very direct and has some fight in her, I don't know where she goes from here, but this is a nice start. I find myself listening to the first 4 or 5 songs at least once a day and they always make me smile and bob my head, so that's good enough for me, since there's not much out there that does that these days.
LOVE IT.......2007-05-08
I love love LOVE this CD. I thought I was partaking in something different and interesting, but I really didn't expect to be this smitten with a rap sound. Lady Sov is absolutely wonderful, and I adore the remix with Missy Elliot, who I don't normally like. Very good buy.
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- Mischa Elman Jubilee Album
- Movie Hits [Soundtrack]
- Mozart: Divertimento No. 17 / Eine kleine Nachtmusik, K525
- Mozart: Symphony No.34/Posthorn Serenade
- Neapolitan Songs [Import]
- Nielsen: Songs
Music Track
music track
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