Music Text

On this CD:

1. Drowned Woman of the Sky, song cycle for voice, cellos, percussion, & taped voice(s)
Composed by Shirish Korde
Performed by The New England Conservatory Ensemble
Conducted by John Heiss

2. Second Voyage, for tenor and tape
Composed by James Dashow
Performed by George Shirley

3. "decker" for tape
Composed by Thomas Delio
Performed by Thomas Delio

Tracks:

Caccini/Mercurio: Ave Maria
Mascagni: Sancta Maria
Gounod: Ave Maria
Schubert: Ave Maria
Franck: Panis Angelicus
Rossini: Cuius animam
Verdi: Ingemisco
Mozart: Ave verum
Wagner: Der Engel
Handel: Ombra mai fu
Niedermeyer: Pieta signore
Rossini: Dominus Deus
Schubert/Mercurio: Mille Cherubini in coro
Gruber/Mercurio: Silent Night
Wade: Adeste Fideles
Gloria a te, Cristo Ges

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May

Customer Reviews:

Beautiful music.......2007-01-12

This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.

Andrea Bocelli-Sacred Arias.......2006-08-25

Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.

An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28

I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.

amazing talent.......2006-03-25

worth the price the songs are breathtaking and talent is indescribable

Perfect arias for the perfect voice.......2006-03-04

These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.

I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?

Average customer rating:

Not Thrilling
Good CD
Re-release of Il Solazzo
A good, simple bargain, with a sweet reward

Music for a Medieval Banquet

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A3WX
Release Date: 2001-05-08

Customer Reviews:

Not Thrilling.......2007-01-05

I have been online for 3 hours tonight reading Amazon's reviews of various medieval CD's. I really wanted to find a Waverly Consort CD comparable to their marvelous, magical, exuberant "A Waverly Consort Christmas," but nothing seems to match that one. I have a dial-up modem and for some reason none of Amazon's musical selections will play even though I have no problems with video games and music uploads from other sources. Thus, I have to rely upon written reviews.

Among the many albums for which I read reviews tonight was one for "A Medieval Banquet" by the Newberry Consort. The title & group rang a bell so I checked my collection and found that it was originally called *Il Solazzo" (as others have already noted among these reviews). I bought it in early 1995 but never wrote any comments in the attached booklet, which is unusual for me.

I have now played the CD twice and understand why I made no comments: it was simply not thrilling. I am no musicologist -- just someone who loves early music because it makes my soul sing. This CD is "nice," but my soul goes ho-hum when I hear it. (The one exception is the #9 selection with rebec, vielle & lute -- and no voices.)

The instrumentals have a certain charm but they generally feel more Renaissance than medieval to me. The vocals leave me completely cold. In some of the reviews I read tonight I came across the concept of "operatic" applied to some of this early music. I had no idea what the authors meant since there was no opera at such an early period. But in playing this CD, I understood -- there is indeed a bloated, elaborate vocal quality that really does feel "operatic." It seems entirely unsuited to "Music for a Medieval Banquet."

If your soul wants to sing, this proably isn't the CD for you. Try the Waverly Consort's "Christmas" along with a glass of fine wine

Good CD.......2004-04-30

One of the reasons why I bought this recording is the interesting choice of pieces, which range from the often-recorded instrumental dances to the less-known sung tracks.

When I played it, the first thing that struck me of this CD is the thinness of the sound in the dances. Although the performance is spotless, it lacks the body that other medieval-dance groups add to their sound - notably the older but still great Studio der Fruehen Musik. Is this an unfair statement? Perhaps - but these dances have been recorded so many times that it is only natural to compare versions.

Also, the use of percussion instruments would have been a nice touch, besides being perfectly historical. Then, a more varied instrumental arrangement may have been a good addition, especially in the longer numbers such as Chominciamento di gioia.

The other point that puzzled me is that in the first track (La Badessa), the singer sounds as if she is playing a losing game of catch-up with the instruments, which results in a mediocre performance of that particular piece. It is a pity, because the song is very catchy and the singer's voice is stylistically spot on.

Having said all this, the selections of songs and dances is first-choice, the performance is good and well researched and the CD remains one of the most played in my household.

Re-release of Il Solazzo.......2002-10-10

Just a quick note on this CD: It's a re-release of the Newberry Consort's "Il Solazzo" disc without the texts and with less nice packaging. Since that disc can be hard to find, this CD is welcome, but if you can find the other release cheaper it's a better deal.

A good, simple bargain, with a sweet reward.......2002-06-11

This simple little album reminds me of what it is that I love most about the Italian Renaissance - its barefaced passion and gut level power. So playful and raucous at times that I felt as if I were in a scene from Pasolini's irreverent "Decameron" and at other moments, so serene that I was in a chapter from Chaucer. The music is simple and unpretentious. Not resorting to gimmicks, they allow the music to be expressed in a way that it very probably was in the age when it reigned: unashamed, expressive, brazenly colorful and just a bit flamboyant.

So much for the performers. As for the producers...

On the downside, it is painfully obvious that they made this album on a shoe-string budget. That can be a good thing in forcing the artists to stick to the music's purity instead of hiring a team of sound engineers to make it "sound" better, but there is absolutely no documentation about the songs, other than their titles and playing times. A sickly-thin album insert has a blurb in English and Italian about polyphony, told in allegorical style, with each paragraph in an alternating language instead of one section in each language. Go figure! Maybe the AltaVista translator they used for free had a one-paragraph limit.

Tracks:

A Chloris
Le Rossignol des lilas
L'Enamour
Trois Jours de vendage
Lyde
Tyndaris
Phyllis
Les Fontaines
L'Automne
Infidelit
Dans la nuit
D'une prison
Quand la nuit n'est pas teoilee
Fume
Le Printemps
Je me souviens
Quand je fus pris au pavillion
Paysage
Fetes galantes
Nocturne
Mai
L'Heure exquise
Offrande
Si mes vers avaient des ailes

Amazon.com

Lyric mezzo-soprano Susan Graham stands out from the crowd for her expressive, opulent voice and communicative gifts. Someone at Sony has made the decision to place her in the public mind primarily as a singer of French works, and although it would be a shame to see her limited to that area of the repertoire, she does sing the French repertoire exceptionally. Graham sings sensitively and idiomatically in this group of 24 songs by Reynaldo Hahn (1875-1947), a Venezuelan-born, French-reared composer and conductor who knew how to craft a song like few others. In such lovely songs as "A Chloris," which opens the album, and "Je me souviens," Hahn creates a bevy of beautiful little worlds, which Graham and the outstanding pianist Roger Vignoles present in memorable form. This album belongs in the collection of all lovers of song. --Sarah Bryan Miller

Customer Reviews:

Susan Graham, Songs of Reynaldo Hahn.......2007-01-10

Stunning. The sticker on the front of the CD (New York Times quote) says it all: "breathtaiking and unforgettable!".

Excellent Catalyst for Seduction. Buy It........2006-05-19

'La Belle Epoque, The Songs of Reynaldo Hahn' by mezzo-soprano Susan Graham, accompanied by pianist, Roger Vignoles, is much different from my earlier subject of a Graham Review, some songs from Berlioz. The Berlioz material struck me as a concerto for orchestra and voice. This was excellent material for to wow a mate on a first date. Reynaldo Hahn's chamber songs are for much more intimate venues and objectives. Even more than any other 'Lieder' or 'Chansom' specialist I can think of, these are the sorts of things you want to use when the object is seduction.

The songs are so gentle and so seductive that they are as likely to set the tone for the seducer as well as for the seductee. Even if you are not in a seductive situation, the songs will make you want to be there.

All this means is that while Reynaldo Hahn does not have the great reputation of Berlioz or Shubert or Schuman or Debussy, you really should know his songs, and Ms. Graham does a great interpretation to make this introduction.

Graham's Artistry Makes for Compelling Listening in a Collection of Songs from a 'Minor' Composer.......2006-02-27

This was only Graham's second solo outing, and for many listeners it confirmed the promise of her d?but recording of "Les Nuits d'?t?" -- an unusual accomplishment for a relatively minor project.

I know the songs of Reynaldo Hahn from a number of worthy recordings from other artists -- Rachel Yakar, Martyn Hill, Bruno Laplante, Mady Mespl?, Graham Johnson & Co. (the Hyperion French Song Edition), one-offs on Elly Ameling albums, not to mention vintage recordings by Hahn himself. All the same, this recording was a complete revelation. Her beauty of tone, her ease with the French language (surpassing, I daresay, the much-vaunted Francophony of Felicity Lott), her canny selection of songs, Vignoles's sensitive accompaniment, they all add up. But there's that (ahem) je-ne-sais-quoi that makes something a classic, and this album has it. It captures an era, it creates a time and place that come wafting out of your speakers.

My favorite song on this record is "Si la nuit n'est pas ?toil?e" -- it is a rapturous melody to a quintessential Victor Hugo text. But there is nary a false note on the entire album. I do recommend, if you can find it, the Ameling album "Serenata," which includes two Hahn songs I haven't encountered elsewhere, "L'amiti?" with its faint melancholy and "La vie est belle" with its French ?lan.

As we know, Graham has gone on to much bigger things, but she retains her commitment to the art of song and to breathing fresh life into French rarities (as in her delightful operetta album). In terms of tone, timbre, and intonation, for my money she has the most beautiful voice in opera today. My only hope is that she doesn't go the way of Ren?e Fleming and become The Voice Beautiful ... she veered a bit in that direction with her recent Chausson record, and I hope she gets back to business and gets her vivid personality back in action in her song performances.

The beauty of "La Belle Époque".......2005-09-13

This is one of the most beautiful vocal recordings I have recently experienced. The songs of Reynaldo Hahn are beautiful gems exquisitly presented by the polished voice of Susan Graham. I have gone back to this recording many times.

A very good Hahn collection.......2004-12-05

Venezuelan-born Reynaldo Hahn was taken to Paris at age 3, and became, early enough (his most famous song, Si mes vers avaient des ailes, was composed when he was 12!) a steady feature in the musical life of Paris.

Lover of Marcel Proust, sought-after musical entertainer in the salons of the Highest Society, diarist, composer, singer, renowned conductor, influential music writer in the most powerful daily in France (Le Figaro) finally General Manager of the Opéra Comique before dying of a brain tumor in 1947, Hahn was a multi-faceted musician of the highest probity. His songs are simple, patrician, utterly elegant, and always set to the best poetry. His simplicity and purity of means accomplish in little what many pretentious thunderers fail even to approximate.

Hahn himself had a light little baritone voice, a little croak of a voice, really, with which he became popular in high society drawing rooms before the First World War: a voice that charmed duchesses and made the most reserved princesses smile. He even made some 50 records between 1920 and 1930, which show his unique, expressive musicality, unfailing sense of phrasing, elegance of style, and fine piano-playing (He almost invariably accompanies himself.)

Hahn's own 78s, and a very few others by the likes of Ninon Vallin, give a clear recorded testimony of how his songs ought to be performed: simply, elegantly, with charm.

Graham is a lovely singer and a supple musician. Her French is not exactly top-notch but most people will not care: they will respond to her beautiful sound and endearing manner. The pianist is also good.

Average customer rating:

Thoroughly enjoyable
Disappointed
Gratzi for the Italian Renaissance
refreshing, sprightly and fun

Italian Renaissance Dances

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059WLF
Release Date: 2001-05-08

Tracks:

Galliard III Based on "La Mantoana"
Galliard
Non Ha'l Ciel Cotanti Lumi - David Douglass, Ellen Hargis, Andrew Lawrence-King
Qual Cadavero Spirante - David Douglass, Ellen Hargis, Andrew Lawrence-King
Pavane II
Se Pur Ver
Dances from il Scolaro:Aria del Gran Duca
Dances from il Scolaro:Gagliarda Di Santino Detto la Muzza
Dances from il Scolaro:la Bergamesca
Dances from il Scolaro: Basso Delle Ninfe
Dances from il Scolaro: Bassa Gioiosa
Dances from il Scolaro: Il Ceferino
Gagliarda Falsa
Lagrime d'Erminia - David Douglass, Ellen Hargis, Andrew Lawrence-King
Sonatae Concertate, Book 2:Sonata XVI a 4
O Durezza Di Ferro - David Douglass, Ellen Hargis, Andrew Lawrence-King
Galliard
DSoletto
Galliard I, Known as "The Gallant One"
Consonanze Stravaganti

Customer Reviews:

Thoroughly enjoyable.......2005-01-28

I have listened to this CD a great deal and I love it. I just want to answer vvic's point below: it's true that not all the tracks on this disc are rumbustious romps, but Renaissance dance had many different forms, genres and functions. It was an important means of personal expression and social interaction - you only need to think of the formal and ritualised minefield that surrounded love and courtship (especially in the higher strata of society) to be able to see dance's potency as an emotional outlet. In fact, dancing quickly was the one thing that would have been difficult because costume was often bulky and ungainly, especially for ladies.

So give these performances a chance, because this disc is bursting with life and musicianship: The King's Noyse play like a group of old friends together; Andrew Lawrence-King's harp playing is enchanting, and Ellen Hargis produces richly nuanced, beautifully coloured and poignant performances of the laments. The whole mixture is delighful.

It's also superbly engineered: the sound is detailed, rich, vibrant and delicate. (It's set in a fairly warm acoustic, which may partly account for vvic's feeling of 'churchiness'.) A pity there are no sound samples here on Amazon.

I presume this is a re-release of an earlier disc. The budget savings come from corners cut in packaging - the booklet is fairly perfunctory, but as my Dad says, 'you pays your money. you takes your choice'!

ps. I'm a really terrible dancer!

Disappointed.......2003-05-04

I am a big fan of renaissance instrumental music, and since these are dances, I was expecting some pleasant, spirited melodies, like on the excellent English Country Dances. Although there are several tracks like this on this CD, many are slow and dirgy. These, combined with the tracks with soprano vocals, make one feel as if they were in church, which is not a bad thing, if that's what you're looking for.

Gratzi for the Italian Renaissance.......2002-03-24

The sounds of the Italian Renaissance are very uplifting, beautiful and rational. The songs have structure and melody and flow very naturally. This collection is a pleasing variety of instrumental and vocal music with period instruments and authentic arrangements. The performances and sound quality are extremely good.

I don't know if I should feel guilty for having spent so little on this CD or irritated that more CDs of this quality are not available at this price. The other releases I have heard from the Classical Express label have been as good. (e.g. Mozart Horn Concertos, French Love Songs)

refreshing, sprightly and fun.......2001-07-12

THis is a sprightly and thoroughly well performed arrangement of Renaisaaance music. If you think there is no place for such period music think again. I snuck this on while entertaining and everyone began complimenting it. They loved the joyful upbeat quality it posseses and as I, were delighted with the quality of musicianship and recording. Give that next dinner party a historical twist or just give yourself this wonderful CD

Early Music Festival / David Munrow, Early Music Consort

Average customer rating:

Ahh, Florence!!
Best Italian Renaissance disc available.
Munrow is magnificent
boccacio would be proud

Early Music Festival / David Munrow, Early Music Consort
Antonio Zaccara da Teramo , Giovanni Da Firenze , Lorenzo da Firenze , Jacopo da Bologna , Claudio Monteverdi , Luca Marenzio , Cristofano Malvezzi , Emilio de' Cavalieri , Costanzo Festa , Bartolomeo Tromboncino , Giovanni Domenico del Giovane da Nola , Marchetto Cara , David Munrow , John Beckett , James Bowman , Nigel Rogers , Martin Hill , John Frost , Janita Noorman , and Grayston Burgess
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Codex Faenza: Instrumental Music of the Early 15th Century

ASIN: B000009DFX
Release Date: 1998-07-14

Tracks:

Ecca la primavera
Lamento di Tristano
Giuinta vaga bilta
Questa fanciull'amor
Trotto
De! dinmi tu
Con dolce brama
Due saltarelli
Rosetta
Quan ye voy le duc
Cara mie donna
La bionda trecca
La Manfredina
Donna 'l tuo partimento
Chon bracchi assai
Istampita Ghaetta
Da, da, a chi avaregia
Fenice fu' e vissi
Biance flour

Tracks:

Music For Ferdinando de' Medici: Toccata ('Orfeo')
Secondo intermedio: Sinfonia
Secondo intermedio: Belle ne fe' natura
Secondo intermedio: Chi dal delfino
Secondo intermedio: Se nelle voci nostre
Secondo intermedio: O figlie di Piero
Sesto intermedio: Dal vago e bel sereno
Sesto intermedio: O qual risplende nube
Sesto intermedio: Godi turba mortal
Sesto intermedio: O fortunato giorno
Sesto intermedio: O che nuovo miracolo
Quando ritrova
Allemana-ripresa: Quando ritrova
Io son l'occello
Pavana 'La cornetta'
Gagliarda 'Giorgio'
Tri ciechi siamo
Io non compro
Ahime sospiri
Pavana 'Forze d'Ercole'
Orsu, orsu, car' Signori
Pavana 'El colognese'
Dance Songs: Era di Maggio
Dance Songs: El marchese di Salluzzo
Dance Songs: In questo ballo
Dance Songs: Noi ci vogliam' partire
Dance Songs: Bussa la porta
Dance Songs: La pastorella
Dance Songs: E su quel monte
Dance Songs: Maggio valente
Dance Songs: Sorella mia piacente

Customer Reviews:

Ahh, Florence!!.......2002-10-14

Italian culture during the period from the 14th to the 16th centuries was a whirlwind of developing literature and art, and during this period of history Florence was a political and cultural center to rival Milan or Verona.
I love medieval and renaissance music. They are the "roots" of the great classics centuries later. One does not cultivate a complete education of art by studying only such Masters as Van Gogh, Renoir, Picasso, Dali etc. So it is with fine music.
These CD's contain examples of Florentine musical composition from the 1300's and 1500's. The first CD, performed by David Munrow and the Early Music Consort, covers compositions from the 1300's, with many of the works of Francesco Landini, the most prolific Florentine composer of this period. The second covers music from the 1500's and is performed by John Beckett and the Musica Reservata. Here we can see the early development of both symphonic structure and opera.
Both discs are wonderful examples of different periods in the history of musical development, and performed by different conductors and artists. Therefore a comparison between the two is unfair and misplaced. David Munrow and the Early Music Consort are superb, as I have always found them to be, and John Beckett and the Musica Reservata are equally enjoyable.
If you appreciate early music you will find this recording to be a fantastic addition to your collection, and perhaps the definitive collection of early Italian music. If you are unfamiliar with early music or with Italian Renaissance music then these CD's would be a wonderful introduction.

Best Italian Renaissance disc available........2002-06-28

This re-issue of recordings from the early 70's by the Early Music Consort Of London is,in my opinion,the best recordings of Italian Renaissance works.It is the favorite of my eary music discs,and includes music treasures from 14th and 16th century Florence. Great listening on both discs,and worth the money!

Munrow is magnificent.......2001-11-20

The first disc in this collection is delightful. David Munrow's recorder is a genuine treat. The vocal parts blend well and create a festive atmosphere. The Early Music Consort of London offer a splendid performance. By contrast, the second disc, which features Musica Reservata, is a bit disappointing. Two of the solo voices on disc two are harsh, detracting from an otherwise pleasant recording. They may fairly represent the performing style of sixteenth century Florence, but that is small consolation for the twentieth century ear. Nonetheless, the virtues of the first disc are sufficient to warrant purchasing this collection. Munrow is magnificent.

boccacio would be proud.......2000-04-23

this is a superb recording of early music it is well performed and played. the first cd is all music from the 1300,s and the second is from the 1500,s if you like the kind of music this is the cd to get well worth it.

Average customer rating:

excellent entertainment
The Christmas I Love
A Christmas Collection That Is Just Plain Fun
Wonderful; marvellous
ABSOLUTELY WONDERFUL

The Christmas I Love
Andre Rieu , and Johann Strauss Orchestra
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000041OB
Release Date: 1997-10-21

Tracks:

O Daughter Of Zion
White Christmas
Sleigh Ride
From Heaven High I Come To You: Tomorrow's The Day Children/Gloria In Excelsis Deo...
Ave Maria
Transeamus
Softly Falls The Snow: Ring Out Little Bell/O Come Al Ye Faithful
Evening Prayer (From Hansel & Gretel)
Jingle Bells
Lullaby: O Sweet Child Jesus/Let Us Be Happy And Jolly
Mille Cherubini In Coro (Lullaby)
Christmas Rose
The Four Seasons: Winter: Largo
O Christmas Tree: The Little Drummer Boy/Lullaby
Every Year A New: Oh, How Joyfully/Never Have The Bells Sung More Sweetly
Dearest Believe Me
Come Little Children
The Christmas Concert: Pastorale
The Holy City
Silent Night

Customer Reviews:

excellent entertainment.......2007-01-20

I thoroughly enjoyed this Christmas DVD . I want to buy more of Andre Rieu.

The Christmas I Love.......2007-01-10

I was very pleased with the CD and would recommend it to everyone.

All of Andre Rieu's music is very enjoyable to listen to.

A Christmas Collection That Is Just Plain Fun.......2005-11-19

Sometimes I think the only person who is happy that Public television is financially challenged, other that certain legislators who believe that it is too liberal and the culmination of all that is evil, is Andre Rieu. Now don't get me wrong, this happy Dutch musician who models himself after Johan Straus is not a cruel or vindictive person. At least from what I can tell he's not, but let's face it. If PBS did not have financial woes, Andre Rieu, one of its favorite stars, would not have received the exposure he has, and his sales in the United States would probably be next to nothing. Of course for anyone who has ever seen one of his extravaganzas, we would be missing something enjoyable. He's musically sound and he knows how to entertain, and quiet frankly, though some classical purists may cringe at his name, I don't believe the composers whose music he uses are rolling in their graves because it's become popular once again.

Of all his concerts and CDs, I enjoy THE CHRISTMAS I LOVE the most. The jitterbug version of "Jingle Bells" shows that an old tune can produce new tricks. His arrangement of "The Holy City" (a.k.a. "Jerusalem") is almost as moving as when it is performed with a vocalist. The recording has a number of medleys that include favorites from all over Europe show how Christmas has such an international flair. For me, however, this album provides true variety. Many of the carols are not familiar to Americans, so we hear something different yet also authentic to the holiday season.

I'm surprised that there have not been other Rieu Christmas discs. He's an original musician and a consummate showman, so I'm sure there's more he could do with holiday music, but maybe he knows he has a classic with this collection and it will stand the test of time.

Wonderful; marvellous.......2000-09-30

Andre Rieu proves again he is the best of the best! I bought this CD in october 1997, a few weeks before Andre's concert In Quebec city. In this CD, you'll find all the classics of Christmas. They are well played because Andre and his orchestra know how to bring us the atmosphere of Christmas. The desing of the CD is well done. If you,re looking for good music, please try this CD You'll enjoy it. If you have the occasion to see his Christmas concert on TV, watch it. It's very beautiful.

This his not the first CD made by Andre. In 1992, he released "Spielt Die Schonten Weihnachtslieder".

ABSOLUTELY WONDERFUL.......1999-08-18

Another wonderful Andre Rieu CD. All the Rieu recordings and videos are a breath of fresh air - a joy to the soul.

Average customer rating:

Heartfelt Bach
A Very Unique Experience
This recording saved my life
opened the door....
Beautiful

Morimur

Manufacturer: ECM Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005ND3J
Release Date: 2001-09-25

Tracks:

Auf meinen lieben Gott
Den Tod...
Allemanda
Christ lag in Tobesbanden
Corrente
Den Tod niemand zwingen kunnt
Sarabanda
Wo soll ich fliehen hin
Den Tod...
Ciaccona
Christ lag in Tobesbanden
Dein Will gescheh'
Befiehl Du Deine Wege
Jesu meine Freude
Auf meinen lieben Gott
Jesu Deine Passion
In meines Herzens Grunde
Nun lob', mein Seel', den Herren
Den Tod...
Ciaccona fur Violine solo und vier Stimmen nach einer Analyse von Helga Thoene
Den Tod...

Amazon.com's Best of 2001

In 1994, explains the booklet that accompanies Morimur, Professor Helga Thoene made the surprising discovery that the monumental "Ciaccona" from Bach's Partita in D minor for solo violin was built around various chorale themes hidden in the music. From the texts of these "secret" chorales and other symbolic musical devices, she deduced that the "Ciaccona" was an epitaph for Bach's wife, Maria Barbara. The revelation might have remained an intriguing (and touching) footnote to Bach scholarship if baroque violinist Christoph Poppen hadn't had the bright idea of taking Professor Thoene's discovery off the library shelves and placing it triumphantly in the concert hall. On this disc, his performance of all five movements of the whole Partita (BWV 1004) is interspersed with the various chorales hidden inside the "Ciaccona," sung with breathtaking precision by the Hilliard Ensemble. The double whammy comes at the end when the "Ciaccona" is performed again, this time with the singers bringing out the secret melodies. Poppen's playing is excellent, both sweet-toned and vibrant, while the Hilliards have never sounded better: the combination of the two is spine-tingling. It is as if Maria Barbara's proper epitaph has finally been realized, and a moving and wonderfully stimulating recording created in the process. --Warwick Thompson

Customer Reviews:

Heartfelt Bach.......2005-07-09

Beautiful performances, convincing thesis that Bach wrote the Chaconne in tribute to his recently deceased wife. Are there chorales with meaning connecting through text to Bach's music? Listen to this and decide for yourself--have a box of tissues handy. An underground best seller in classical music.

A Very Unique Experience.......2004-09-13

"Morimur," as you can read (ad nauseum) on the rest of the page, is the product of an astonishing amount of Bach scholarship on the part of Professor Helga Thoene, a noted Bach scholar. It is important to note two things: 1) Thoene's research applies ONLY to the Partita II D Minor, not to the Six Solos from which it comes as a whole, and 2) The CD contains ONLY the Partita and associated chorales, NOT any of the other Six Solos. Morimur is a truly intriguing experience, quite unlike anything else in all of Bach's music. Thoene has reconstructed a number of "chorale fragments" within the monumental "Ciaccona" movement of the Partita, making the claim that the presence of these fragments in the music validates the belief that the Ciaccona was originally meant as a musical epitaph for Bach's first wife, Maria Barbara, who died suddenly and was buried while Bach was away. Thoene provides a number of musical examples from the score to the Ciaccona that demonstrate her theory in action, and these examples are critical for a layperson (such as myself) to come to an understanding of her theory (which can only be proven by studying the WRITTEN music, not listening to the Ciaccona itself). The disc contains the entire D Minor Partita, played wonderfully by Baroque violinist Christoph Poppen, as well as the associated chorales whose fragments appear in the Ciaccona, sung by the Hilliard Ensemble. The disc concludes with a magical second performance of the Ciaccona by Poppen (a completely different performance, not just a simple copy of his earlier, unaccompanied performance on the disc). As he plays this most difficult and monumental of string works, the Hilliards sing the chorale fragments atop his melody, putting Helga Thoene's research into practical use. The effect is dazzling and moving, opening new horizons for this piece that listeners will never forget. The Hilliards balance perfectly with the violin, never overwhelming it, but always making themselves heard. As for Poppen, he is wilfully expressive and brings a unique voice to the Ciaccona and to the Partita D Minor as a whole, and it is a shame that he has not recorded the remainder of the Six Solos. This is certainly a unique disc, one that will challenge the way many people view the Ciaccona and the omnipresence of symbolism in Bach's music.

This recording saved my life.......2004-08-19

The poetry of Christ lag in Todesbanden speaks for itself. If Bach's transmission through pure music does not reach you through this recording, then you are either tone-deaf or have no soul. I can add nothing of great value to the wonderful comments that have prefaced mine, although I have been meaning to write a review of this for some time. It must suffice to say that as a violinist well-acquainted with the unaccompanied sonatas, this recording came as a veritable revelation- giving me the strength to put my life back together while I studied deeper into all the sonatas and partitas. I had always wondered why it was called a chaccone! Now I know....thank you.

opened the door...........2004-07-15

What is extraordinary on this CD is Christoph Poppen's exposition of Bach. Profoundly "beautiful" yes, but more than that, it opened the door for me to Bach. Now, many Bach pieces later, by so many gifted people, I return to this site to recommend this work to others and to thank Mr. Poppen (and ECM).
It would be wonderful if he were to record ALL of Bach's sonatas/partitas for violin - with ECM. The quality of what he has achieved here calls out for that.

Beautiful.......2004-04-10

I find the interplay of the voices and violin on this recording to be stunningly beautiful and strongly recommend it. It is one of my most listened to recordings and also one of my most recommened.

The theory concerning the hidden choral lines put forth in the CD jacket is interesting, though its somewhat pretensious tone is somewhat off putting in places. While I am an avid listener of the choral music of Bach and others, I am certainly not musically qualified to make any judgement regarding the reality of the hidden coral lines. However, I can say definitely that it "works" for me, whether by original design or indirectly through the brilliance of Bach and the skill of these performers.

Sonic Text
Average customer rating:

Joe's Best!

Unbelievable

A true fusion legend.

Sonic Text
Joe Farrell
Manufacturer: Ojc
ProductGroup: Music
Binding: Audio CD

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Cables' Vision

ASIN: B000000YZ6
Release Date: 1993-03-21

Tracks:

Sonic Text
When You're Awake
The Jazz Crunch
If I Knew Where You're At
Sweet Rita Suite (Part I): Her Spirit
Malibu

Customer Reviews:

Joe's Best!.......2002-11-20

In my opinion this is legendary Joe Farrell's finest recording. Freddie Hubbard is in fine form as well, cutting loose with some awesome solos. You don't hear about this as much as "Moon Germs" and other CTI albums he made but don't know why. He's a classic unsung hero.

Unbelievable.......2000-09-06

This definitley has to be one of the best jazz cd's I have in my collection. Joe Farrell and Freddie Hubbart come together in perfect unison as they blow away listeners with great heads and explosive solos. A must have

A true fusion legend........1999-06-28

If ever there was an underrated musician, it was Joe Farrell. His technical abilities on tenor and soprano saxes were exceptional. His flute playing abilities were equally as good. Funny thing is Joe could have easily been a great classical flute player as well. This album presents a more straight-ahead Farrell with a great contribution from the legendary trumpeter Freddie Hubbard and another underrated great, George Cables. Listening to Joe's ballad "When You're Awake", sadly reminds us of the loss of this great musician at such an early age. For those of you who enjoy Farrell's straight-ahead dates such as this one, you should check out "Skateboard Park" and the dates with Art Pepper. Joe was a jazz giant. A true Italian stallion of the saxophone.

Average customer rating:

A waltz lovers delight:

Wiener Musik

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009U55QK
Release Date: 2005-09-06

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A waltz lovers delight:.......2007-02-11

If you love to listen to Viennese waltz music, you'll find this 12 disc set a wonderful experience. Highly recommended.

Choral Works : Copland, Durufle, Taverner, Vaughan Williams, Messiaen/Tallis

Average customer rating:

Choral Works : Copland, Durufle, Taverner, Vaughan Williams, Messiaen/Tallis
Norman MacKenzie , Branda Pruitt , Atlanta Symphony Orchestra Chamber Chorus , Donna Carter , Pam Elrod , Gerard Sundberg , Timothy W. Gunter , Aaron Copland , Maurice Durufle , Olivier Messiaen , Thomas Tallis , John Tavener , Ralph Vaughan Williams , Anne-Marie Spalinger , Arietha Lockhart , Rachel Stewart , Jeffrey Baxter [text translation] , Atlanta Symphony Orchestra , and Atlanta Symphony Chorus
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD