Magic Of The Woodwinds
On this CD:
1. Bassoon Concerto in B flat major, K. 186e (K. 191)
Composed by Wolfgang Amadeus Mozart
Performed by Mozart Festival Orchestra
with Kamil Sreter
Conducted by Alberto Lizzio
2. Concerto, for violin, 2 flutes, 2 oboes, 2 horns & bassoon, strings & continuo in F major, RV 571
Composed by Antonio Vivaldi
Performed by Henri Maltz, I Musici de San Marco, Joachim Pressler
Conducted by Alberto Lizzio
3. Brandenburg Concerto No. 4 in G major, BWV 1049
Composed by Johann Sebastian Bach
Performed by Slavonica Philharmonia
Conducted by Karel Brazda
4. Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
Composed by Claude Debussy
Performed by Slavonica Philharmonia
Conducted by Karel Brazda
5. Der Zigeunerbaron (The Gypsy Baron), overture to the operetta
Composed by Johann II Strauss
Performed by London Festival Orchestra
Conducted by Cesare Cantieri
Magic Of The Woodwinds, Music, Kamil Sreter, Johann Sebastian Bach, Claude Debussy, Wolfgang Amadeus Mozart, Johann II Strauss, Antonio Vivaldi, Alberto Lizzio, Cesare Cantieri, Karel Brazda, Musici di San Marco, Henri Maltz, Joachim Pressler, London Festival Orchestra, Mozart Festival Orchestra, Philharmonia Slavonica, Basssoon Concerto, Classical, Concerto, Concerto Grosso, Orchestral, Orchestral Music, Romantic Overture for Orchestra
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Great
- This is great for baby...and good for mom and dad, too!
|
Baby Needs Mozart
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
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- Baby Needs Beethoven
- Baby Needs Bach
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- Baby Needs More Mozart
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ASIN: B000005Z2M
Release Date: 1998-04-21 |
Tracks:
- Eine Kleine Nachtmusick, K. 525: Andante
- Symphony No. 29 In A, K. 201: Andante
- Le Nozze de Figaro: How Delightful To Wander, Fanned by The Breath Of The Evening
- String Quartet No. 22 in B-Flat, K. 589: Larghetto
- Die Zauberflote: A Young Lady Or A Wife
- Quintet for Piano and Winds in E-flat, K.452: Larghetto
- Symphony No. 4 in D, K. 19: Andante
- Clarinet Quintet In A, K. 581: Menuetto
- Sonata in A, K. 331: Theme, Variations 4 And 5
- Sonata in D, K. 448: Andante
- Clarinet Quintet In A, K. 581: Allegro
Customer Reviews:
Great.......2006-02-15
This music is great for both kids and adults. It is much nicer then the baby Einstein version. It is great to listen to and I often play it during my son's nap time.
This is great for baby...and good for mom and dad, too!.......1998-12-10
This selection of Mozart's music is sure to be pleasing to baby whether in or out of the womb. This CD delivers some beautiful peices that are performed at a level that can be appreciated by parents as well as little ones. Do not, however, limit your personal collection of Mozart to this CD. There are many other works and performances to be explored!
Average customer rating:
|
25 Baby Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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ASIN: B0006TPDY8
Release Date: 2004-04-13 |
Average customer rating:
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50 Kids Favorites
Manufacturer: Vox (Classical)
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- 25 Thunderous Classics
ASIN: B000AAF23U
Release Date: 2005-08-02 |
Tracks:
- Rondo in C Major
- Canonic Adagio in F,
- Clarinet Quintet in A/Larghetto
- Divertimento in D, K. 205/Movt. 3
- "Musical Sleigh Ride"/Andante Molto
- Flute Concerto No. 1 in G/Minuet
- Flute Concerto No. 2 in D/Minuet
- Concerto for Flute and Harp/Allegro
- Clarinet Quintet in A/Finale
- Gran Partita/Serenade No. 10 in B
- Magic Flute/Overture
- Piano Concerto No. 23 in A/1. Allegro
- Piano Concerto No. 20 in D Minor/3rd Movt.
- Symphony No. 25 in G Minor/1st Movt.
- Rondo Alla Turka
- Piano Sonata No. 20 in G/Tempo de Menuetto
- Variations on "God Save the King"
- Variations on a Swiss Air in F
- 6 Eccossaises
- Fur Elise
- Quintet for Piano and Winds/Rondo
- Quintet for French Horn and Strings/3. Allegro
- Eine Kleine Nachtmusik/4. Presto
- Symphony No. 29 in A/1. Allegro
- Symphony No. 34 in C/Finale
Tracks:
- March of the Tin Soldiers
- Variations on "Twinkle Twinkle Little Star"
- Nutcracker/Dance of the Reed Flutes
- Nutcracker/Dance of the Sugar Plum Fairy
- Sorceror's Apprentice
- Peter and the Wolf/(extract)
- Invention No. 8 in F
- Invention No. 11 in G Minor
- Invention No. 13 in a Minor
- Prelude and Fugue No. 21 in BB (Book 1)
- Sonata for 2 Pianos in D, K 448/1st Movement
- Piano Concerto No. 17 in G K. 543/3. Allegretto
- (Kinderszenen)/Of Strange Lands and People
- (Kinderszenen)/Curious Story
- (Kinderszenen)/Entreating Child
- (Kinderszenen)/Perfect Happiness
- Carnival of the Animals/Introduction and Royal March
- Carnival of the Animals/The Elephant
- Carnival of the Animals/Kangaroos
- Carnival of the Animals/The Aquarium
- Carnival of the Animals/Cuckoo in the Woods
- Carnival of the Animals/Birds
- Carnival of the Animals/Fossils
- Carnival of the Animals/The Swan
- Carnival of the Animals/Finale
Average customer rating:
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Magic of the Woodwinds
Manufacturer: Romantic Classics
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Mozart, Wolfgang Amadeus
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| Debussy, Claude
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ASIN: B000005L24
Release Date: 1995-08-01 |
Tracks:
- Bn Con in B, K.191: Allegro - Kamil Sreter
- Bn Con in B, K.191: Andante Ma Adagio - Kamil Sreter
- Bn Con in B, K.191: Rondo: Tempo Di Minuetto - Kamil Sreter
- Con in F RV571: Allegro - Joachim Pressler/Henri Maltz
- Con in F RV571: Largo - Joachim Pressler/Henri Maltz
- Con in F RV571: Allegro - Joachim Pressler/Henri Maltz
- Brandenburg Con No.4 in G, BWV.1049: Allegro - Philharmonia Slavonia/Karel Brazda
- Brandenburg Con No.4 in G, BWV.1049: Andante - Philharmonia Slavonia/Karel Brazda
- Brandenburg Con No.4 in G, BWV.1049: Presto - Philharmonia Slavonia/Karel Brazda
- Prld To The Afternoon Of A Faun - Philharmonia Slavonia/Karel Brazda
- Ov: The Gypsy Baron - London Festival Orch/Cesare Cantieri
Average customer rating:
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The Mozart Collection [Box Set]
Manufacturer: Deutsche Grammophon
ProductGroup: Music
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Similar Items:
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ASIN: B000ASAEQ2
Release Date: 2005-11-08 |
Tracks:
- I. Allegro Con Spirito - Leonard Bernstein
- II. Andante - Leonard Bernstein
- III. Menuetto-Trio - Leonard Bernstein
- IV. Finale. Presto - Leonard Bernstein
- I. Adagio-Allegro Spiritoso - Leonard Bernstein
- II. Andante - Leonard Bernstein
- III. Menuetto-Trio - Leonard Bernstein
- IV. Presto - Leonard Bernstein
- I. Molto Allegro - Leonard Bernstein
- II. Andante - Leonard Bernstein
- III. Menuetto: Allegretto-Trio - Leonard Bernstein
- IV. Allegro Assai - Leonard Bernstein
Tracks:
- I. Adagio-Allegro - Berliner Philharmoniker
- II. Andante - Berliner Philharmoniker
- III. Finale: Presto - Berliner Philharmoniker
- I. Adagio-Allegro - Berliner Philharmoniker
- II. Andante Con Moto - Berliner Philharmoniker
- III. Menuetto: Allegretto-Trio - Berliner Philharmoniker
- IV. Finale: Allegro - Berliner Philharmoniker
- I. Allegro Vivace - Berliner Philharmoniker
- II. Andante Cantabile - Berliner Philharmoniker
- III. Menuetto: Allegretto-Trio - Berliner Philharmoniker
- IV. Molto Allegro - Berliner Philharmoniker
Tracks:
- I. Allegro - Alfred Brendel
- II. Romance - Alfred Brendel
- III. Rondo (Allegro Assai) - Alfred Brendel
- I. Allegro - Alfred Brendel
- II. Adagio - Alfred Brendel
- III. Allegro Assai - Alfred Brendel
- Allegretto Grazioso - Alfred Brendel
- Adagio - Alfred Brendel
- Allegro - Alfred Brendel
- Concert Rondo In A Major, K. 386 - Alfred Brendel
Tracks:
- I. Allegro Vivace - Maria Joao Pires
- II. Andantino - Maria Joao Pires
- III. Allegro Ma Non Troppo - Maria Joao Pires
- I. Allegro - Maria Joao Pires
- II. Andante - Maria Joao Pires
- III. Allegretto - Maria Joao Pires
- I. Allegro - Maria Joao Pires
- II. Andante - Maria Joao Pires
- III. Allegro Vivace Assai - Maria Joao Pires
Tracks:
- I. Allegro - Gidon Kremer
- II. Adagio - Gidon Kremer
- III. Rondeau: Allegro - Gidon Kremer
- I. Allegro - Gidon Kremer
- II. Andante Cantabile - Gidon Kremer
- III. Rondeau: Andante Grazioso - Gidon Kremer
- I. Allegro Aperto - Gidon Kremer
- II. Adagio - Gidon Kremer
- III. Rondeau: Tempo Di Menuetto - Gidon Kremer
Tracks:
- I. Allegro Maestoso - Itzhak Perlman
- II. Andante - Itzhak Perlman
- III. Presto - Itzhak Perlman
- I. Allegro Spiritoso - Itzhak Perlman
- II. Andante Grazioso - Itzhak Perlman
- III. Tempo Di Menuetto: Vivace - Itzhak Perlman
Tracks:
- I. Allegro - English Chamber Orchestra
- II. Rondo: Allegro - English Chamber Orchestra
- I. Allegro Maestoso - English Chamber Orchestra
- II. Andante - English Chamber Orchestra
- III. Rondo - English Chamber Orchestra
- I. Allegro - English Chamber Orchestra
- II. Romance: Larghetto - English Chamber Orchestra
- III. Allegro - English Chamber Orchestra
- I. Allegro Moderato - English Chamber Orchestra
- II. Romanza: Andante - English Chamber Orchestra
- III. Rondo: Allegro Vivace - English Chamber Orchestra
- Fragment In E Flat Major, K.370b - English Chamber Orchestra
- Rondo In E Flat Major, K. 371 - English Chamber Orchestra
- Rondo In D Major, K. 514 - English Chamber Orchestra
- Fragment In E Major K. Anh. 98a - English Chamber Orchestra
Tracks:
- I. Allegro - Nicanor Zabaleta
- II. Andantino - Nicanor Zabaleta
- III. Rondeau: Allegro - Nicanor Zabaleta
- I. Allegro Maestoso - Werner Tripp
- II. Adagio Ma Non Troppo - Werner Tripp
- III. Rondeau: Temop Di Menuetto - Werner Tripp
- I. Allegro - Dietmar Zemen
- II. Andante Ma Adagio - Dietmar Zemen
- III. Rondo: Tempo Di Menuetto - Dietmar Zemen
Tracks:
- I. Allegro - Jack Brymer
- II. Adagio - Jack Brymer
- III. Rondo: Allegro - Jack Brymer
- I. Allegro - Jack Brymer
- II. Larghetto - Jack Brymer
- III. Menuetto - Jack Brymer
- IV. Allegretto Con Variazioni - Jack Brymer
Tracks:
- I. Allegro - Sir Neville Marriner
- II. Romance: Andante - Sir Neville Marriner
- III. Menuetto: Allegretto - Sir Neville Marriner
- IV. Rondo: Allegro - Sir Neville Marriner
- I. Adagio Maestoso-Allegro Con Spirito - Sir Neville Marriner
- II. Menuetto: Allegretto - Sir Neville Marriner
- III. Concertante: Andante Grazioso - Sir Neville Marriner
- IV. Rondeau: Allegro Ma Non Troppo - Sir Neville Marriner
- V. Andantino - Sir Neville Marriner
- VI. Menuetto - Sir Neville Marriner
- VII. Finale: Presto - Sir Neville Marriner
- I. Marcia: Maestoso - Sir Neville Marriner
- II. Menuetto - Sir Neville Marriner
- III. Rondeau: Allegretto - Sir Neville Marriner
Tracks:
- I. Largo-Molto Allegro - Orpheus Chamber Orchestra
- II. Menuetto-Trio I-Trio II - Orpheus Chamber Orchestra
- III. Adagio - Orpheus Chamber Orchestra
- IV. Menuetto: Allegretto-Trio I-Trio II - Orpheus Chamber Orchestra
- V. Romance: Adagio-Allegretto-Adagio - Orpheus Chamber Orchestra
- VI. Tema Con Variazioni: Andante - Orpheus Chamber Orchestra
- Var. I - Orpheus Chamber Orchestra
- Var. II - Orpheus Chamber Orchestra
- Var. III - Orpheus Chamber Orchestra
- Var. IV - Orpheus Chamber Orchestra
- Var. V: Adagio - Orpheus Chamber Orchestra
- Var. VI: Allegro - Orpheus Chamber Orchestra
- VII. Finale: Molto Allegro - Orpheus Chamber Orchestra
- I. Allegro Maestoso - Orpheus Chamber Orchestra
- II. Menuetto I-Trio - Orpheus Chamber Orchestra
- III. Adagio - Orpheus Chamber Orchestra
- IV. Menuetto II-Trio - Orpheus Chamber Orchestra
- V. Finale: Allegro - Orpheus Chamber Orchestra
Tracks:
- I. Largo-Allegro Moderato - Vladimir Ashkenazy
- II. Larghetto - Vladimir Ashkenazy
- III. Rondo: Allegretto - Vladimir Ashkenazy
- I. Allegro - Sir Georg Solti
- II. Andante - Sir Georg Solti
- III. Rondo: Allegro - Sir Georg Solti
- I. Allegro Con Spirito - Vladimir Ashkenazy
- II. Andante - Vladimir Ashkenazy
- III. Molto Allegro - Vladimir Ashkenazy
Tracks:
- I. Allegro Moderato - Emerson String Quartet
- II. Andante - Emerson String Quartet
- III. Menuetto: Allegretto - Emerson String Quartet
- IV. Allegretto Ma Non Troppo-Piu Allegro - Emerson String Quartet
- I. Allegro Vivace Assai - Emerson String Quartet
- II. Menuetto: Moderato - Emerson String Quartet
- III. Adagio - Emerson String Quartet
- IV. Allegro Assai - Emerson String Quartet
- I. Adagio-Allegro - Emerson String Quartet
- II. Andante Cantabile - Emerson String Quartet
- III. Menuetto: Allegro - Emerson String Quartet
- IV. Allegro Molto - Emerson String Quartet
Tracks:
- I. Allegro Con Spirito - Daniel Barenboim
- II. Allegro - Daniel Barenboim
- II. Allegro - Daniel Barenboim
- II. Tempo Di Menuetto - Daniel Barenboim
- I. Allegro Moderato - Daniel Barenboim
- II. Andantino Sostenuto E Cantabile - Daniel Barenboim
- III. Rondeau: Allegro - Daniel Barenboim
- I. Molto Allegro - Daniel Barenboim
- II. Andante - Daniel Barenboim
- III. Presto - Daniel Barenboim
Tracks:
- I. Tema: Andante Grazioso-Var. I-VI - Mitsuko Uchida
- II. Menuetto-Trio - Mitsuko Uchida
- III. Alla Turca: Allegretto - Mitsuko Uchida
- I. Allegro - Mitsuko Uchida
- II. Adagio - Mitsuko Uchida
- III. Allegro Assai - Mitsuko Uchida
- Andante-Adagio-Presto-Tempo Primo-Allegretto - Mitsuko Uchida
- I. Allegro Maestoso - Mitsuko Uchida
- II. Andante Cantabile Con Espressione - Mitsuko Uchida
- III. Presto - Mitsuko Uchida
Tracks:
- No.3 Aria: 'Ruhe Sanft, Mein Holdes Leben' - Kiri Te Kanawa
- Recitative And No.1 Aria: 'Quando Avran Fine Omai-Padre, Germani, Addio!' - Anna Netrebko
- Recitative: 'Qual Mi Conturba I Sensi' - Placido Domingo
- No.12b Aria: 'Fuor Del Mar' - Placido Domingo
- No.29 Recitative And Aria: 'Oh Smania! Oh Furie!-D'Oreste, D'Aiace' - Edita Gruberova
- No.30 Reciotative: 'Popoli, A Voi L'Ultima Legge' - Edita Gruberova
- No.30a Aria: 'Torna La Pace Al Core' - Edita Gruberova
- No.4 Recitative And Aria: Konstanze, Dich Wiederzusehen-O Wie Angstlich, O Wie Feurig' - Fritz Wunderlich
- No.8 Aria: 'Durch Zartlichkeit Und Schmeicheln' - Kathleen Battle
- No.11 Aria: 'Martern Aller Arten' - Kathleen Battle
- No.14 Duet: 'Vivat Bacchus! Bacchus Lebe!' - Kathleen Battle
- No.19 Aria: 'Ha! Wie Will Ich Triumphieren' - Kathleen Battle
- No.2 Aria: 'Der Vogelfanger Bin ich Ja' - Hermann Prey
- No.3 Aria: 'Dies Bildnis Ist Bezaubernd Schon' - Fritz Wunderlich
- No.4 Recitative And Aria: 'O Zittre Nicht, Mein Lieber Sohn!-Zuym Leiden Bin Ich Auserkoren' - Sumi Jo
- No.10 Aria: 'O Isis Und Osiris' - Sumi Jo
- No.14 Aria: 'Der Holle Rache...' - Sumi Jo
- No.21 Finale (Excerpt): 'Pa-Pa-Papagena!' - Cecilia Bartoli
Tracks:
- No.1 Aria: 'Al Destin, Che La Minaccia' - Natalie Dessay
- No.23 Aria: 'Se Di Regnar Sei Vago' - Juan Diego Florez
- No.9 Aria: 'Non Piu Andrai, Farfallone Amoroso' - Anne Sofie Von Otter
- No.6 Aria: 'Se Di Regnar Sei Vago' - Anne Sofie Von Otter
- No.11 Cavatina: 'Porgi, Amor, Qualche Ristoro' - Gundula Janowitz
- No.12 Aria: 'Voi Che Sapete Che Cosa E Amor' - Annie Sofie Von Otter
- No.20 Aria: 'Dove Sono I Bei Momenti' - Gundula Janowitz
- No.28 Recitative And Aria: 'Giunse Alfin Il Momento-Deh Vieni, Non Tardar' - Dawn Upshaw
- No.7 Duettino: 'La Ci Darem La Mano' - Cecilia Bartoli
- No.10 Aria: 'Or Sai Chi L'Onore' - Bryn Terfel
- No.11 Aria: 'Fin Ch'Han Dal Vino' - Bryn Terfel
- No.12 Aria: 'Batti, Batti, O Bel Masetto' - Cecilia Bartoli
- No.21b Recitative And Aria: 'In Quali Eccessi, O Numi-Mi Tradi Quell'Alma Ingrata' - Renee Fleming
- No.23 Recitative And Aria: 'Crudele?-Ah No, Mio Bene!-Non Mi Dir Bell'Idol Mio' - Anna Netrebko
- No.24 Finale II (Excerpt): 'Gia La Mensa E Preparata' - Michele Pertusi
- No.10 Terzettino: 'Soave Sia Il Vento' - Rolando Panerai
- No.11 Aria: 'Smanie Implacabili Che M'Agitate' - Rolando Panerai
- No.14 Aria: 'Come Scoglio Immoto Resta' - Rolando Panerai
Tracks:
- Requiem Aeternam - Barbara Bonney
- II. Kyrie - Barbara Bonney
- I. Dies Irae - Barbara Bonney
- II. Tuba Mirum - Barbara Bonney
- III. Rex Temendae - Barbara Bonney
- IV. Recordare - Barbara Bonney
- V. Confutatis - Barbara Bonney
- VI. Lacrimosa - Barbara Bonney
- I. Domine Jesu - Barbara Bonney
- II. Hostias - Barbara Bonney
- V. Sanctus - Barbara Bonney
- VI. Benedictus - Barbara Bonney
- VII. Agnus Dei - Barbara Bonney
- Lux Aeterna - Barbara Bonney
Tracks:
- I. Kyrie (Andante Moderato) - Peter Schreier
- Gloria In Excelsis Deo (Allegro Vivace) - Peter Schreier
- Laudamus Te (Allegro Aperto) - Peter Schreier
- Gratias Agimus Tibi (Adagio) - Peter Schreier
- Domine Deus (Allegro Moderato) - Peter Schreier
- Qui Tollis Peccata Mundi (Largo) - Peter Schreier
- Quoniam Tu Solus Sanctus (Allegro) - Peter Schreier
- Jesu Christe (Adagio) - Peter Schreier
- Cum Sancto Spiritu - Peter Schreier
- Credo In Unum Deum (Allegro Maestoso) - Peter Schreier
- Et Incarnatus Est (Andante) - Peter Schreier
- IV. Sanctus (Largo) - Peter Schreier
- V. Benedictus (Allegro Comodo) - Peter Schreier
- Adagio And Fugue For Strings In C Minor, K. 546 - Berliner Philharmoniker
Tracks:
- Dixit Dominus - London Symphony Chorus
- Confitebor - London Symphony Chorus
- Beatus Vir - London Symphony Chorus
- Laudate Pueri - London Symphony Chorus
- Laudate Dominum - London Symphony Chorus
- Magnificat - London Symphony Chorus
- Kyrie In D Minor, K. 341 - London Symphony Chorus
- Ave Verum Corpus, K. 618 - London Symphony Chorus
- Exsultate, Jubilate, K. 165 - London Symphony Chorus
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Best of Mozart, Vol. 2
Manufacturer: Golden Classics
ProductGroup: Music
Binding: Audio CD
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| ( L )
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| Classical
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| Historical Periods
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ASIN: B00013NDB4
Release Date: 2004-02-10 |
Tracks:
- Serenade No. 13 in G Major, K. 525 "A Little Night Music": I. Allegro - Slovak Philharmonic Orchestra
- Serenade No. 13 in G Major, K. 525 "A Little Night Music": II. ... - Slovak Philharmonic Orchestra
- Serenade No. 13 in G Major, K. 525 "A Little Night Music": IV. ... - Slovak Philharmonic Orchestra
- Sonata No. 16 in C Major for Piano, K. 545 (Sonata Facile): I. Allegro - Peter Schmalfuss
- Divertimento No. 3 in F Major, K. 138 "No. 3 Salisbourg Symphony": ... - Peter Schmalfuss
- Divertimento No. 3 in F Major, K. 138 "No. 3 Salisbourg Symphony": II. - Slovak Philharmonic Orchestra
- Divertimento No. 3 in F Major, K. 138 "No. 3 Salisbourg Symphony": ... - Slovak Philharmonic Orchestra
- Rondo No. 1 in D Major, K. 546 - Peter Schmalfuss
- Adagio and Fugue in C Minor. K. 546: I. Adagio - Conrad Von Der Goltz
- Quintet in E Flat Major, K. 451: Rondo: Allegretto - Dennis Russell Davies, Stuttgart Wind Quintet
- Piano Sonata in C Major, K. 330: III. Allegretto - Friedemann Rieger
- Concerto for Clarinet and Orchestra in a Major, K. 622: II. Adagio - Mozart Festival Orchestra, Joze Ostranc
- Vesperae Solennes de Confessore, K. 339: Laudate Dominum - Motet Choir & Windwood Ensemble Stuttgart, Southwest German Chamber Orchestra
- Ave Verum Corpus, K. 618 - Motet Choir & Windwood Ensemble Stuttgart, Southwest German Chamber Orchestra
- Overture from "The Magic Flute", K. 620 - London Philharmonic Orchestra
Tracks:
- Marriage of Figaro, K. 492: Overture - London Philharmonic Orchestra
- Divertimento No. 17 in D Major, K. 334: III. Minuetto - Stuttgart Chamber Orchestra
- Violin Concerto No. 5 in a Major, K. 219: Rondeau: Tempo Di Minuetto - Capella Istropolitana, Juraj Cizmarovic
- Andante for Flute and Orchestra in C Major, K. 316 - Mozarteum Orchester Salzburg,
- Adagio for Glassharp, K. 617A - Bruno Hoffmann
- Waltz in G Major, K. 586 - Isabel Mourao
- Quartet No. 1 in G Minor, K. 478: II. Andante - Nora Chastai, Paul Coletti, Francis Couton, Menuhin Festival Piano Quartet, Friedemann Rieger
- Benedictus Sit Deus, K. 117: I. Coro - Allegro - Motet Choir & Windwood Ensemble Stuttgart, Southwest German Chamber Orchestra
- Benedictus Sit Deus, K. 117: II. Aria - Andante - Motet Choir & Windwood Ensemble Stuttgart, Southwest German Chamber Orchestra
- Benedictus Sit Deus, K. 117: III. Coro - Allegro - Motet Choir & Windwood Ensemble Stuttgart, Southwest German Chamber Orchestra
- Piano Sonata in a Major, K. 331: I. Andante Grazioso - Peter Schmalfuss
- Piano Sonata in a Major, K. 331: III. Alla Turca: Alegretto - Peter Schmalfuss
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Best of Classical Masterpieces
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- 25 Classical Favorites
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ASIN: B000023VSJ
Release Date: 1999-09-28 |
Average customer rating:
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The Compactothèque [Book + CD]
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Mozart: Missae; Requiem; Organ Sonatas & Solos
- Mozart: Quintets, Quartets, Trios, etc.
- Mozart: Piano Music
- Mozart: Divertimenti for Strings and Winds; Divertimenti & Serenades for Winds
- Mozart: Serenades, Dances, Marches
ASIN: B000055ZQR
Release Date: 2006-01-10 |
Tracks:
- Ouverture - BBC Symphony Orchestra
- Andante - Academy Of St. Martin In The Fields
- Der Holle Rache - Staatskapelle Dresden
- Allegro En Si Bemol Majeur K.A. 91 - Academy Of St. Martin In The Fields Chamber Ensemble
- Laudate Dominum - London Symphony Chorus
- Allegretto - Holliger
- Di Scrivermi Ogni Giorno - Baker
- Rondeau - Black
- Wlche Wonne, Welche Lust - Burrowes
- Alla Turca: Allegretto - Uchida
- Andro Ramingo E Solo - Alexander
- Adagio - Members Of The Academy Of St. Martin In The Fields
- Liebes Mandel, Wo Is's Bandel? - Kaufmann
- Non So Piu Cosa Son, Cosa Faccio - Minton
- Rondeau - Brown
- Das Veilchen K. 476 - Baldwin
- Menuetto - Academy Of St. Martin In The Fields
- La Ci Darem La Mano - Freni
- Ave Verum Corpus K. 618 - London Symphony Chorus
Average customer rating:
- poorly produced compilation CD
- A treat for Mozart lovers
|
The Magic Of Mozart
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000058H4
Release Date: 1995-05-23 |
Tracks:
- Overture To 'The Impresario' - Wolfgang Amadeus Mozart
- Second Mvt.: Andante: 'Elvira Madigan' (Excerpt) - Walter Klien
- Third Mvt.: Menuetto (Excerpt) - Wolfgang Amadeus Mozart
- Alla Turca - Walter Klien
- First Mvt.: Largo-Allegro Moderato - Alfred Brendel
- Andante In C Major For Flute & Orchestra, K. 315 - Renee Siebert
- First Mvt.: Allegro (Excerpt) - George Zukerman
- Finale: Allegro Assai - Wolfgang Amadeus Mozart
- 'Coronation': Kyrie - Robert White
- Third Mvt.: Rondo-Allegro (Excerpt) - Alfred Brendel
- 'The Hunt': First Mvt.: Allegro Vivace Assai - Zoltan Szekely
- 'Jupiter': First Mvt.: Allegro Vivace (Excerpt) - Wolfgang Amadeus Mozart
- First Mvt.: Allegro (Excerpt) - Fritz Ruf
- 'Posthorn': Sixth Mvt.: Menuetto Trio I, Trio II 'Posthorn' - Gerald Schwarz
- Finale: 'Alleluja' - Marguerita Lavergne
Customer Reviews:
poorly produced compilation CD.......2006-05-17
If you are looking for Mozart's Bassoon Concerto, don't buy this recording. (1) It is only the third movement, not all three movements. (2) It is listed and advertised as the "First Movement: Allegro." (3) It's not all of the third movement - the entire third solo episode is cut. (4) The soloist, George Zukerman can be heard playing ALL of the concerto elsewhere.
A treat for Mozart lovers.......2002-10-06
I have had this recording on cassette for many years and wore it out a long time ago from listening to it repeatedly. I'm just getting around to replacing it on CD now. This is a great representation of Mozart's works, truly showcasing the scope of his talent. Each selection is conducted in a spirited manner to breath life and energy into the piece as I believe Mozart had intended. You will not be disappointed with this selection.
Music Track:
- Massenet: Manon (Highlights)
- Messiaen: Quatuor pour la Fin du Temps
- Moeran: Violin Concerto/Cello Concerto
- Moon Rise
- Mozart: Concerto for clarinet in A; Concerto for flute & harp in C
- Narcis Casanoves (1747-1799): Un Noël Catalan (A Catalan Christmas) - François Espinasse / Maîtrise de Radio France / La Simphonie du Marais / Toni Ramon
- New American Scene II
- New Year's Concert 2000
- Norbert Burgmüller: Chamber Music
- Original 20th Century Works for Three Guitars
Music Track
music track
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