Bach and the Sea

Track Listings

1. Badinerie from Orchestra Suite, No. 2

2. Air on the G String from Orchestral Suite, No. 3

3. Brandenberg Concerto, No. 3

4. 1st MVT. From Violin Concerto, No. 2

5. Polonaise and Rondo from Orchestral Suite, No. 2

6. Harpsichord Concerto, No. 5 in F Minor

7. Jesus Bleibet Meine Freude from Cantata 147

8. Fugue in G Minor

9. Toccata and Fugue in D Minor

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Oltre La Tempesta
Siempre Adorarla
Odissea
Il Volo
Fantasma D'Amore
Dovunque Sarai
Solo Amore
Maria
Son Gli Occhi Tuoi
Je Crois Entendre Encore
Mia Per Sempre
Viaggio
Vita Mia
Au Fond Du Temple Saint
Beyond The Storm (Oltre La Tempesta)

Amazon.com

The Italian Salvatore Licitra and the Argentinian Marcelo Alvarez are, arguably the two most exciting, promising (they're in their 30s), big-voiced, bread-and-butter (or steak-and-potatoes) "Italian" tenors around. Yhey have proved themselves on the stages of the great opera houses of the world and on recordings. This CD is designed to present them to a wider audience--it is clearly meant to appeal to Three Tenors and Andrea Bocelli fans. And, in fact, it succeeds. These guys have glorious voices: Licitra's is darker and somewhat heavier than Alvarez's, but the latter's shine is irresistible; one might compare them to Domingo and Pavarotti, respectively, to make that point. Neither has any problem throughout his entire range; each has big, secure top notes, and there's an innate musical intelligence at work at all times. Opera fans will relish the fantastic singing--listening to them trade high B naturals in the CD's third song, "Odissea," is thrilling--but will probably be disappointed by the music. It's soupily arranged, sentimental background drivel with catchy melodies (parts of "Salut demeure" from Gounod's Faust show up in something called "Son gli occhi tuoi," complete with a stellar high C from Alvarez), and even the gorgeous duet from Bizet's Les Pêcheurs de Perles (one of two "classical" pieces on the CD, if one doesn't count an instrumental piece by Bach to which trite lyrics have been added) has been re-arranged to include a tinny chorus, when singing it as written would have been a magnificent treat. Their voices are bathed in a phony-pop glow which will please the Bocelli market while continuing to horrify purists. Yet it is impossible not to be bowled over by the singing--a few off-pitch-at-low-volume moments and a mess of a "Je crois entendre encore" aside. In short, two high-power, world-class operatic tenors in their prime, singing, for the most part, music in which the treacle level is obnoxiously--even dangerously--high. --Robert Levine

Customer Reviews:

Great CD and Voices........2005-10-18

I love tenors and Italian music. Groban, Safina, Bocelli, Frangolis. These two men are in their category, and one of them even sounds like Safina. Very pleasant to listen in the car and in my office. I can listen more than once a day. You have to listen more than once. Don't expect to fall in love from the first sound.

Some critisizm:
a)One of the tenors is using to much vibrato, since it's popera... otherwise it's sounds great.
b)Duetto needs to be a Tenor - Soprano. These two guys should make separate CDs with two ladies. Groban does it very well!

The young tenors........2005-09-12

The amazing part of this album is that two young tenors can make as much music as three tenors (Carreras · Domingo · Pavarotti) have in the past. Salvatore Licitra and Marcelo Alvarez are the future - there is a balance in how they sing together, adding strength to rather than competing with one another.

UNEXPECTED.......2005-08-09

I bought this CD on suggestion from Amazon.com...I am thrilled with the music. The songs are emotional, beautiful, and well done. It was a great choice.

Pop Op.......2004-05-15

Their voices blend well and the opera duets are a little out of the ordinary. Unfotunately,they have been orchestrated with a Hollywood flair and sung with synthetic flamboyance. What a pity that it is only nice background music. I had hoped for excitement.

Fabulous!.......2004-02-24

I LOVED this CD. I'm a fan of tenors, but not a serious student of their voices, so I can't attest to the flawlessness of phrasing, etc. However, I found the music to be soulful and stirring, and Licitra and Alvarez's voices full and rich. I have given this CD to everyone I know - my parents, cousins, great aunts and friends, even my massage therapist, and everyone has enjoyed it. I listen to it often, pretending to sing along!

Average customer rating:

The Very Best of Janet Baker is simply the very best!
Grace Incarnate
A Rare & Glorious Singer

The Very Best of Janet Baker

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al
Philips and Decca Recordings, 1961-1979 (Limited Edition)
Very Best of
The Very Best of Lucia Popp
The Very Best of Victoria de los Angeles

ASIN: B00005UUOW
Release Date: 2002-04-09

Tracks:

Christmas Oratorio: Bereite Dich, Zion
Messiah: He Was Despised
Elijah: O Rest In The Lord
Alto Rhapsody
Ich Bin Der Welt Abhanden Gekommen
L'Invitation Au Voyage
Pie Jesu (From The Requieum Op.9)
Sea Pictures Op.37: I. Sea Slumber-Song
Sea Pictures Op.37: II. In Haven
Sea Pictures Op.37: III. Sabbath Morning At Sea
Sea Pictures Op.37: IV. Where Corals Lie
Sea Pictures Op.37: V. The Swimmer
The Angel's Farewell - Ambrosian Singers

Tracks:

Linden Lea
A Boy Was Born, Op.3: Corpus Christi Carol
Pretty Ring Time
Prison
Soir
Clair De Lune
Ave Maria (Ellens Gesang III)
Gretchen Am Spinnrade
Wiegenlied (Schlafe, Schlafe)
Die Forelle
Auf Dem Wasser Zu Singen
An Die Musik
An Sylvia
Nacht Und Traume
Heidenroslein
Du Bist Die Ruh'
Auf Flugeln Des Gesanges
Liederkreis, Op.39: Mondnacht
Frauenliebe Und -Leben Op.42: Du Ring An Meinem Finger
Geistliches Wiegenlied
Befreit
Morgen!

Amazon.com

While it is impossible to really squeeze The Very Best of Janet Baker onto just two CDs, this two and a half hour anthology is a fine portrait of the British mezzo-soprano. Central to CD 1 is Elgar's Sea Pictures, a definitive account with the London Symphony Orchestra conducted by Sir John Barbirolli. While other British music is represented by Vaughan Williams's "Linden Lea," Britten's "Corpus Christie Carol," and Warlock's "Pretty Ring Time," CD 2 balances the program with 10 Schubert songs accompanied at the piano by either Gerald Moore or Geoffrey Parsons, which range from "Ave Maria" to Shakespeare. The set lends equal weight to orchestral and more intimate song, as well as to works in English--a very moving reading of Handel's "He was despised" from Messiah--and European landmarks, including Mendelssohn's On Wings of Song and Brahms's Alto Rhapsody, the latter with a superlative London Philharmonic Orchestra under Sir Adrian Boult. In an age of technically dazzling but sometimes bland singers, this release is a reminder of emotionally intense musicianship that retains vocal clarity and commitment to the composer's intentions over superstar ego. The word great is often used all too easily, but it could not be more appropriate for this outstanding collection of a great singer. --Gary S. Dalkin

Customer Reviews:

The Very Best of Janet Baker is simply the very best!.......2005-02-09

This cd and this amazing musician are an absolute must have for any music lover or music snob alike! Her voice is amazing!

Grace Incarnate.......2002-09-02

If there is one singer who has ever truly been able to master the singer's art of interpretation, this is her. She is a gift to music, I truly believe this. A few words, or glowing adjectives could not accurately describe the singing of a woman who epitomizes art. And music. Grace and beauty.
Each track on this cd is a perfect union of poetry, melody and technicality. Dame Janet Baker fully immerses herself into each piece, and delivers highly commited, intelligent & emotional performances.

A Rare & Glorious Singer.......2002-06-10

This is a pretty good cross-section of Dame Janet's output from the prime of her career. There are few if any singers like her around today. There are many mezzos who can sing beautifully, with great articulation and finesse, but they lack the moral and musical integrity Dame Janet always brought to her singing. The voice is ardent, seeking, yearning, finding, exulting. Listen to the excerpt from "Dream of Gerontius" or the third of the "Sea Pictures" to see what I mean.
She does not sing to show off. She sings to enlighten, to illuminate, to reveal, to enter into. Her voice carries us off, near to Heaven.
Dame Janet has been neglected of late. This recording shows us why, in these perilous times, we need her more than ever.

Average customer rating:

Mendelssohn In Words And Music
Felix Mendelssohn , Johann Sebastian Bach , Louis de Froment , Aaron Rosand , and Arthur Hannes
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Octets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Children's Music | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Story of Schubert
Story Of Chopin In Words And Music
The Story Of Brahms
The Story of Tchaikovsky
Stories Of Schumann And Grieg

ASIN: B000001KCR
Release Date: 1995-05-01

Tracks:

Overture To 'A Midsummer Night's Dream.' Op. 21
Concerto For 2 Pianos In A-Flat Major: Allegro vivace; Presto
'A Midsummer Night's Dream,' Op. 61: Scherzo
Song Without Words No. 30 In A-Major, Op. 62 No. 6 'Spring Song'
Octet In E-Flat Major, Op. 20: Scherzo
St. Matthew: Chorale
Hebrides Overture ('Fingal's Cave'), Op. 26
Symphony No. 3 In A Minor, Op. 56 'Scottish': Vivace non troppo
Symphony No. 4 In A Minor, Op. 90 'Scottish': allegro vivace
Symphony No. 4 In A Minor, Op. 90 'Scottish': Con molto moderato
Overture To 'Calm Sea And Prosperous Voyage,' Op. 27
Symphony No. 4 In A Minor, Op. 90 'Scottish': Saltarello-presto
'A Midsummer Night's Dream,' Op. 61: Wedding March
St. Paul, Op. 36: Dir Herr, Dir Will Ich Michs Ergeben
Piano Concerto No. 1 In G Minor, Op. 25: Molto allegro con fuoco
Violin Concerto In E Minor, Op. 64: Allegretto non troppo
Song Without Words No. 23 In C Major, Op. 67 No. 4: 'Spinning Song'
Symphony No. 3 In A Minor, Op. 56 'Scottish': Allegro un poco agitato
Overture To 'Ruy Blas,' Op. 95
'On Wings Of Song,' Op. 95
A Midsummer Night's Dream,' Op. 61: Scherzo
Violin Concerto In E Minor, Op. 64: Allegro molto appassionata
Violin Concerto In E Minor, Op. 64: Andante
Violin Concerto In E Minor, Op. 64: Allegro non troppo; allegro molto vivace

Average customer rating:

Took a nap during labor
Awesome!
Induces great relaxation, pair with noise-cancelling headphones and sleep on plane.
Recommended for first rate relaxation and sleep!
Worth the listen

Brainwave Symphony

Manufacturer: Relaxation
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music
Similar Items:

Brainwave Suite
Theta Meditation System: Let Go of Stress, Renew Your Spirit, Gain Insight, and Intuition
Creative Mind System
Awakened Mind System 2.0
Brainwave Journey

ASIN: B00009L4UI
Release Date: 2003-06-03

Tracks:

Violin Concerto In A Minor, BWV 1041, Andante
Concerto For 2 Violins In D Minor, BWV 1043, Largo Ma Non Tanto
Sinfonia Decima A 7 For 2 Trumpets and Strings, Op. 3, Adagio, Grave, Adagio
Cello Concerto In C, Adagio
Cello Concerto In D, Op. 101, Adagio
String Symphony No. 4, Andante
Capriol Suite Pieds-En-Lair
Violin Concerto No. 4 In D, K. 218 Andante Cantabile
Concerto In F Major, F VII 2, RV. 455, Grave
Concerto In A Minor, F VII 5, RV. 461 Larghetto
Symphony No. 6 In F Major Op. 68, 'Pastoral' Szene Am Bach/Scene By The Brook, Andante Molto Mosso

Tracks:

Concerto In D For 2 Trumpets, Strings, And Continuo
Sonata In D For 2 Trumpets, Strings, And Continuo
Violin Concerto In A Minor, BWV 104 First Movement
Cello Concerto In C, Moderato
Oboe Concerto In B-Flat, Op. 7, No. 6 Allegros I & II
Oboe Concerto In D Major, Op. 7, No. 6 Allegros I & II
Oboe Concerto In D Major, F VII 10 RV. 453 Allegro, Largo, Allegro
Symphony No. 40 In G Minor, K. 550 Andante
Basset Clarinet Concerto In A, K. 622 Allegro

Tracks:

The Planets Suite: Venus, Bringer Of Peace
The Planets Suite, Neptune, The Mystic
Adagio For Strings
Adagio In G Minor
Symphony No. 4 In C Minor, Andante
Symphony No. 5 In B-Flat Major, Andante
Violin Concerto In E Minor, Andante
Lady Radnor's Suite, Slow Minuet
Sospiri, Op. 70
Suite For String Orchestra, Nocturne
Marche Funevre, Lento, Excerpt
Calm Sea & Prosperous Voyage Op. 27

Tracks:

Fantasia On A Theme By Tomas Tallis
Lark Ascending
Eclogue For Piano And Strings
Clair De Lune
Clarinet Concerto, Adagio
Variations On A Theme Of Frank Bridge, Op. 10, Adagio
Variations On A Theme Of Frank Bridge, Op. 10, Chant

Album Description

BRAINWAVE SYMPHONY combines carefully selected music from the baroque, classical, romantic, impressionistic, and twentieth-century eras with breakthrough audio technology to give you the best of classical wisdom and modern science.

We all experience many states of consciousness, from ordinary waking and sleeping states to extraordinary states in which we are more at peace, particularly aware, or unusually creative. Each state has a unique pattern of brainwaves that can be mapped and measured. Brainwave Symphony uses of inaudible pulses of sound, based on these brain maps, to trigger your brain to produce the state you want to experience.

Combining this powerful new recording process with carefully selected works of Mozart, Beethoven, Haydn, Bach, and other masters offers a beautiful and unique listening experience as well as a powerful tool for personal transformation.

Orchestrate Your State of Mind

CD1 Alpha Relax & Let Go Alert Meditation, Tranquillity, and Active Relaxation. Mozart, Bach, Haydn, Mendelssohn, Warlock, Vivaldi, Bononcini, and Beethoven

CD2 Beta Energize & Focus Heightened Focus, Enhanced Energy, and Peak Performance. Mozart, Bach, Alberti, Haydn, Albinoni, and Vivaldi

CD3 Delta Unwind & Sleep Deep Relaxation, Rejuvenation, and Restful Sleep Holst, Barber, Albinoni, Parry, Elgar, Bridge, Mendelssohn, and Chopin

CD4 Theta Meditate & Create Deep Meditation, Heightened Intuition and Enhanced Creativity.

Williams, Finzi, Debussy and Britten

All brainwave frequencies were scored by Dr. Jeffrey Thompson whose innovative work, based on over 20 years of clinical research, is used by healthcare professionals in 26 countries. Dr. Thompson is currently on the faculty of, and has research and clinical offices at, the California Institute for Human Science.

Music was selected and sequenced by Pat Moffitt Cook, M.M., Ph.Dc., AMI Fellow, a pioneer in the use of music in health care. Pat is the founder and director of the Open Ear Center for Music in Healthcare and Education, where she trains professionals, musicians, and laypeople in the use of healing music.

Customer Reviews:

Took a nap during labor.......2007-01-16

I used the first CD in this collection (Alpha) to assist me during the labor and delivery of our daughter. I put it on our ipod and listened to it over and over during the labor process. I actually managed a light nap during active labor and had very little pain throughout the process. It that doesn't tell you that it keeps you relaxed and able to meditate, I don't know whatelse might convince you. The recording is great, the music lovely, and it does what it claims to do. I highly recommend it!

Awesome!.......2006-03-17

These really work! Ever wonder why listening to classical music may make you more up-tight than relaxing you? Here's the reason...

Induces great relaxation, pair with noise-cancelling headphones and sleep on plane........2005-12-30

So far I have only really used the relaxation CD, which works amazingly well. I have been flying more red-eyes lately in part because I know I can sleep on the plane from as soon as I get on. However, I have always slept pretty well on airplanes!

I keep forgetting to try out the rest of the CD collection.

Recommended for first rate relaxation and sleep!.......2005-06-06

These cds sound like simple classical music, but they do indeed assist you to enter different states of mind. For best effect, wear stereo headphones. But even without, you will find it easier to relax, sleep and meditate. If you don't like classical, the Brainwaves Suite has a new age/environmental sound.

Worth the listen.......2004-10-17

My curiousity was well rewarded when I first listened to these four CDs. The symphonic music is seamlessly recorded, accented with tone notations that are easy on the ear and peaceful on the mind. This set is at the office, on the iPod and the home computer, and loaned to others on a regular basis. They have flavored prayer services and supported pastoral conversations. Make good presents, too. Worried about subliminal suggestion? Well, if clearer thinking and thoughtful reflection is subliminal thinking, then you will get the message each time you listen to these recordings. Other recordings by Dr. Thompson deliver just as these do.

Average customer rating:

Best collection of violin playing ever made
I really can't add anything to the other reviews...
An essential item for any classical collection
Michael Rabin was INCREDIBLE
A Fitting Tribute To The 20th Century's Greatest Violinist

Michael Rabin, 1936-1972

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Michael Rabin Collection
Michael Rabin: The Early Years
Michael Rabin: America's Virtuoso Violinist
Paganini: 24 Caprices
The Art of Nathan Milstein

ASIN: B000002S35
Release Date: 2005-10-04

Tracks:

Vn Concerto No.1 in D, Op.6: I. Allegro maestoso
Vn Concerto No.1 in D, Op.6: II. Adagio espressivo
Vn Concerto No.1 in D, Op.6: I. III. Rondo (Allegro spirituoso)
Vn Concerto No.2 in d, Op.22: I. Allegro moderato
Vn Concerto No.2 in d, Op.22: II. Romaze ( Andante non troppo)
Vn Concerto No.2 in d, Op.22:III. Allegro con fuoco- Allegro moderato (a la Zingara)
Vn Concerto No.1 in F sharp minor, Op.14: I. allegro moderato
Vn Concerto No.1 in F sharp minor, Op.14: II. Preghiera (Larghetto)
Vn Concerto No.1 in F sharp minor, Op.14: III. Rondo (Allegro giocoso)

Tracks:

Vn Concerto No.1 in D, Op.6: I. Allegro maestoso (Kadenz/Cadenza:Flesch)
Vn Concerto No.1 in D, Op.6:II. Adagio espressivo
Vn Concerto No.1 in D, Op.6: III. Rondo (Allegro Spirituoso)
Vn Con in D, Op. 35: I. Allegro moderato
Vn Con in D, Op. 35: II. Cazonette (Andante)
Vn Con in D, Op. 35:III. Finale (Allegro vivacissimo)

Tracks:

Vn Con in e, Op. 64: I. Allegro molto appassionato
VnCon in e, Op. 64: II. Andante
Vn Con in e, Op. 64: III. allegretto non troppo-allegro molto vivace
Scottish Fantasy Op.46 for vn with orch and hp:I. Adagio
Scottish Fantasy Op.46 for vn with orch and hp:II. allegro-Tanz-Animato-Adagio-Tempo I...
Scottish Fantasy Op.46 for vn with orch and hp:III. Andante sostenuto-Piu animato
Scottish Fantasy Op.46 for vn with orch and hp:IV. Finale (Allegro Guerriero) ...
Vn Con in a, Op.82: I. Moderato
Vn Con in a, Op.82: II. Andante sostenuto
Vn Con in a, Op.82: III. Allegro - Michael Rabin M

Tracks:

Capricen Nos.1-24,Op.1 For solo vn: No.1 E-dur/in E
Capricen Nos.1-24,Op.1 For solo vn: No.2 h-moll/in b
Capricen Nos.1-24,Op.1 For solo vn: No.3 e-moll/in e
Capricen Nos.1-24,Op.1 For solo vn: No.4 c-moll/in c
Capricen Nos.1-24,Op.1 For solo vn: No.5 a-moll/in a
Capricen Nos.1-24,Op.1 For solo vn: No.6 g-moll/in g
Capricen Nos.1-24,Op.1 For solo vn: No.7 A-dur/in A
Capricen Nos.1-24,Op.1 For solo vn: No.8 Es-dur/in E flat
Capricen Nos.1-24,Op.1 For solo vn: No.9 E-dur/in E
Capricen Nos.1-24,Op.1 For solo vn: No.10 g-moll/in g
Capricen Nos.1-24,Op.1 For solo vn: No.11 C-dur/in C
Capricen Nos.1-24,Op.1 For solo vn: No.12 As-dur/in A Flat
Capricen Nos.1-24,Op.1 For solo vn: No.13 B-dur/in B flat
Capricen Nos.1-24,Op.1 For solo vn: No.14 Es-dur/in E flat
Capricen Nos.1-24,Op.1 For solo vn: No.15 e-moll/in e
Capricen Nos.1-24,Op.1 For solo vn: No.16 g-moll/in g
Capricen Nos.1-24,Op.1 For solo vn: No.17 Es-dur/in E flat
Capricen Nos.1-24,Op.1 For solo vn: No.18 C-dur/in C
Capricen Nos.1-24,Op.1 For solo vn: No.19 Es-dur/in E flat
Capricen Nos.1-24,Op.1 For solo vn: No.20 D-dur/in D
Capricen Nos.1-24,Op.1 For solo vn: No.21 A-dur/in A
Capricen Nos.1-24,Op.1 For solo vn: No.22 F-dur/in F
Capricen Nos.1-24,Op.1 For solo vn: No.23 Es-dur/in E flat
Capricen Nos.1-24,Op.1 For solo vn: No.24 a-moll/in a

Tracks:

sonate No.3,BWV 1005 in C, for solo vn: I. Adagio - Michael RabinMichael Rabin
Sonate No.3,BWV 1005 in C, for solo vn: II. Fuga (Alla breve)
Sonate No.3,BWV 1005 in C, for solo vn: III. Largo
Sonate No.3,BWV 1005 in C, for solo vn: IV. Allegro assai
Sonate Op.27 No.4 in c, for solo vn: I. Allemanda
Sonate Op.27 No.4 in c, for solo vn: I. Allemanda
Sonate Op.27 No.4 in c, for solo vn: II. Sarabande
Sonate Op.27 No.3 in d, for solo vn: in one movement
Etude-Caprice, Op.18 No.4 for vn and pno - Michael Rabin/Leon Pommers
La plus que lente for vn and pno - Michael Rabin/Leon Pommers
Piece en forme d'Habanere for vn and pno - Michael Rabin/Leon Pommers
Tzigane: Rhapsody for vn and orch
Meditation: for vn and orch
Caprice Viennois, Op.2: for vn and orch
Into & Rondo capriccioso,Op.28 for vn and orch

Tracks:

Havanaise, Op.83 for vn and orch
Intro & Rondo capriccioso, Op.28 for vn and orch
Zapateado (No.2 aud/from Spanische Tanz Op.23) for vn and orch - Michael Rabin/Leon Pommers
Habanera for vn and pno - Michael Rabin/Leon Pommers
Ziegunerweisen, Op.20 No.1 for vn and orch
Hora staccato for vn and orch
Moto perpetuo, Op.11 for vn and orch
La Capricieuse, Op.17 for vn and orch - Michael Rabin/Leon Pommers
Du alter Stephansturm for vn and orch
Der Hummelflu for vn and orch
Nocturne No.8 Op.27 No.2 in D flat, for vn and pno - Michael Rabin/Leon Pommers
Jeunes filles au jardin for vn and pno - Michael Rabin/Leon Pommers
Etude Op.8 No.10 for vn and pno - Michael Rabin/Leon Pommers
Sea-Shell for vn and pno - Michael Rabin/Leon Pommers
Marsch for vn and pno - Michael Rabin/Leon Pommers
Burleska for vn and pno - Michael Rabin/Leon Pommers

Customer Reviews:

Best collection of violin playing ever made.......2007-04-12

I am a professional violinist and have long been an admirer of Michael Rabin. His technic is beyond concern. I am familiar with people involved in these recordings. Amazingly, many were single, unedited takes. If you ever buy a violin recording, these are the ones to get.

I really can't add anything to the other reviews..........2007-01-07

...this collection is an absolute necessity to anyone enjoys violin music and a near necessity to anyone who enjoys classical music...what astounds me is the quality of many of the recordings...more often than not violin recordings seem to produce a sound that leaves the impression that you're listening from the back row in a large hall...most of Rabin's recordings, on the other hand, give the impression either he's right in the room with you or else you're in the front row at the concert.

An essential item for any classical collection.......2006-04-20

Rabin is spectacular!!! Just listen to his rendition of Zigeunerwiesen, he has no equal for this piece - not even close! I have been waiting for the re-release of this set for over 5 years, asking EMI if they would ever consider it. My thanks to EMI for listening. This is a re-release they wont regret. I have a collection of classical violin by many artists, but there is something very special about these recordings by Michael Rabin. His interpretations and the gusto of his playing take your breath away.

I cannot imagine any collection of classical music without this set of CDs.

Michael Rabin was INCREDIBLE.......2006-04-14

I have to second Scott68. Rabin was one incredible violinist. I agree, the Paganini Caprices (age 15!) Wieniawski and others were never topped by anyone! This set is guaranteed to drop your jaw.

A Fitting Tribute To The 20th Century's Greatest Violinist.......2006-04-01

If you don't have these CD's get them, you won't be disappointed, especially if you love the violin as I do. If you're a Rabin fan too then this small investment is money well spent. A better set of recordings of violin classics couldn't be found anywhere. Rabin quite simply was the greatest violinist of the 20th century, rivalling, and in some ways surpassing the venerable Heifetz. He was also known for his phenomenal virtuosity and 'voluptuos' tone somewhat reminiscent of Perlman.

This boxed set includes many of the virtuoso pieces that made him famous as well as more reflective pieces like Bach. Listen to these and judge for yourselves what a truly great violinist was Rabin.

Average customer rating:

Understand this album for what it is, and what it is not.
Opera Geeks, get a life
Distasteful....
Not really opera, but fun anyway
Ummmm....

Filippa Giordano
Georges Bizet , Camille Saint-Saëns , Giacomo Puccini , Charles Gounod , Giuseppe Verdi , Ennio Morricone , Francesco Sartori , and Filippa Giordano
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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Primadonna
Il Rosso Amore
Etterna
Sarah Brightman Classics

ASIN: B00002DDXF
Release Date: 2000-07-11

Tracks:

Norma: Casta Diva (Short Version)
Samson & Dalila: S'apre Per Te Il Mio Cuor
Tosca: Vissi D'arte
Carmen: Habanera
Gianni Schicchi: O Mio Babbino Caro
Ave Maria
La Traviata: Addio Del Passato
Lost Boys Calling
You Are The One (Sotto Le Stelle)
Dissonanze (Mondo Trash)
Maria (By The Sea)
Casta Diva (Extended Version)

Amazon.com

This eponymous album from the Italian singer Filippa Giordano confounds expectations. Released on the classical label Erato, Giordano mixes arias with contemporary songs such as the Ennio Morricone-Roger Waters "Lost Boys Calling" from the 1999 Golden Globe-winning movie The Legend of 1900. Using a conventional orchestra sometimes supplemented by electronic keyboards and occasional drums, the production achieves a slick and glossy chart-friendly sound that will find favor with fans of Whitney Houston and Céline Dion. Key to the album are two versions of "Casta Diva" from Bellini's Norma, between which arias from Samson and Dalila, Tosca, Carmen, and La Traviata sit rather uncomfortably alongside several pop anthems. With the vocal flavor of Broadway and a hint of Andrew Lloyd Webber, the intention seems to be to add contemporary crossover appeal to opera in much the same way that Andrea Bocelli has done with such conspicuous success. It's doubtful that serious opera aficionados will care much for Filippa Giordano, though music lovers in general may well find the album an attractive entry into the sometimes-forbidding world of the classical diva. --Gary S. Dalkin

Customer Reviews:

Understand this album for what it is, and what it is not........2007-02-02

Opera aficianados take note - she is not an opera singer. It is pointless to consider her as one. You might as well snipe at a nasturtium for not being a rose. She is a pop singer. If you are looking for nuanced interpretations of classic bel canto opera, why the heck did you pick this album up in the first place? You know where to look already.

I completely disagree with the opera buffs who say that it is a travesty that she recorded these albums and besmirched the great masters. She did not record this for *you*. She recorded this for listeners of pop music. Have you heard what passes for pop music? Evidently not, or you would realize her albums far surpass everything currently in play... and if that is damning to pop music, well, so it is.

If one person... a single soul... listens to this album and is inspired enough to go out and listen to "the real thing" then Filippa Giordano has done them a great service and made the world a richer place. Opera aficionados are not born knowing and appreciating opera. One must be exposed to the music in the first place. Many people grow up having NEVER heard opera. This sort of album has a chance at being played in venues where Callas and Fleming couldn't get feet in the door. To the uninitiated, opera can seem bewildering and unintelligible, full of unfamiliar conventions. Filippa Giordano uses pop conventions to put these arias in musical terms that pop music lovers can grasp. Melodic familiarity goes miles toward connecting people to the emotional core of an operatic performance. Before you spew venom, consider that you are potentially thwarting a pathway that may lead to genuine appreciation of "real" opera down the pike. Bite your tongue. Go listen to your own recordings of the masters. You are right. They are infinitely more sophisticated. But this album has considerable value despite its flaws, and it wasn't created for you.

Opera Geeks, get a life.......2006-05-05

This is an album by a gifted pop singer singing some beautiful classical arias. Now, opera geeks are going apoplectic that this woman has the temerity to do so. I listen to opera, and I am occasionally relieved to hear CDs like this. It's nice not to hear a singer sounding like several people are tightening her Wagnerian corset so hard that she is expelling air through every orifice in her body. It is not the music that keeps opera unaccessible to everyone except pretentious pseudo-intellectuals (you don't need a Ph.D. to appreciate it). No, what has kept opera out of the mainstream is the constipated sounds too many opera singers make. If you like beautiful music sung well, if not brilliantly, you will like this CD. And for the record, I loathe C?line Dion's and Whitney Houston's music passionately, so don't let the first reviewer's comments dissuade you from this CD.

Distasteful...........2006-03-07

Do Banshees really exist ?. Yes they do.....and this abomination of musical history is proof of this....I cannot believe that a record company actually thought that they would even remotely break even on the sales of this grievous, flavorless, repellent and not to mention nauseous anathema of a recording. Shame on you young lady for destroying what were once, beautiful arias. A sad and unpassionate insult to great musical workmanship....

Not really opera, but fun anyway.......2006-02-03

As previous reviewers have said, "purist" opera fans would probably not consider this album to be opera, but it's still very enjoyable. Filippa Giordano will not likely be cast in a Wagnerian role anytime soon; she has a beautiful voice, but it does sound rather thin at times (she's no Maria Callas or Renee Fleming, in other words). It would be very easy to compare her to those other "(p)opera" divas, Sarah Brightman and Charlotte Church, but Filippa's sound is considerably more playful than Sarah's, and more sophisticated than Charlotte's. The highlights of this album are her renditions of "Casta Diva" and "Habanera," and I would recommend it for those two songs alone, but the rest of the album is also very good. This would be a great way to introduce a young person to the genre, as many of the songs could pass for pop songs.

Ummmm...........2005-11-29

Thousand pardons and all, but what on earth is she doing? If she wants to sing like this, fine and well, but why take perfectly fine operatic pieces that are special to some people and absolutely desecrate them by singing them like they are pop?
People who want to sing pop music should not go about advertising themselves as operatic singers, Giordano has the capacity to sing contemp. if she wants, but she obviously has not an operatic voice. If you like people being wormy and stealing from other genres, you will love this cd. If you like opera, you will not.

Average customer rating:

One Of His Best
Complete list of Tomita's classical albums...
electronic instruments, very good selections,

Kosmos

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Tomita Planets
Debussy: Snowflakes Are Dancing, Prelude, etc / Tomita
Mussorgsky: Pictures at an Exhibition
Different Dimensions: Anthology
Tomita's Greatest Hits CD

ASIN: B000002W42
Release Date: 1991-07-09

Tracks:

Star Wars - Main Title
Space Fantasy
Pacific 231
The Unanswered Question
Aranjuez
Peer Gynt: Solveig's Song
Hora Staccato
The Sea Named Solaris

Customer Reviews:

One Of His Best.......2003-06-07

If one can get past the laughably bad Star Wars opening track, this album is a stunner. Though lacking the fluid continuity of his previous efforts, Tomita manages to select darker, more beautiful, and more moody pieces than before, creating an incredible dream-like atmosphere without resorting to the usual space-ship and "alien" sounds that tarnished The Planets and The Bermuda Triangle. His sound became larger, more ambient, and denser. The final Bach medley "The Sea Named Solaris" is Tomita's finest hour, and this album is a must for any fan or Tomita's work, or of electronic music. A flawed but still great work.

Complete list of Tomita's classical albums..........2002-03-05

This CD is fantastic, but a big box set of every classical Tomita album would be even better. Most of the CDs out of print for years are absolutely fantastic. Four of his albums would fit two on one CD. Here's the complete list...

Snowflakes Are Dancing 1974 (11 Debussy pieces) The newly remastered CD is an audiophile recording, adds Prelude To The Afternoon of a Faun and is available for a good price.

Pictures At An Exhibition 1975 (Mussorgsky)

Firebird 1976 (Stravinsky: Firebird. Debussy: Prelude To The Afternoon of A Faun. Mussorgsky: Night On Bald Mountain)

The Planets 1976 (Holst)

Kosmos 1978 (Star Wars Title. Space Fantasy- R. Strauss: 2001 Title, Wagner: Ride of The Valkyries and Tannhauser Overture. Honnegar: Pacific 231. Ives: Unanswered Question. Rodrigo: Aranjuez. Grieg: Solveig's Song. Dinicu-Heifetz: Hora Staccato. Bach-Tomita: The Sea Named Solaris)

The Bermuda Triangle 1979 (Sibelius: Valse Triste. And excerpts from... Williams: Close Encounters. Prokofiev: Romeo and Juliet, Scythian Suite, Symphonies 5 and 6, Violin Concerto 1. My favorite electronic CD.)

Bolero 1980 (Ravel: Daphis and Chloe. Pavane for A Dead Princess. Bolero. Mother Goose Suite)

The Grand Canyon 1982 (Grofe)

Canon of The Three Stars 1984 (Pachelbel: Canon. Rachmaninoff: Vocalise. Albinoni: Adagio. Bach: Jesu Joy of Man's Desiring. 4 pieces from Villa Lobos: Bachianis Brasileiras 2, 4, and 7)

Live At Linz, Austria 1985 (With speakers on both sides of the Danube River and live soloists. Includes 7 pieces from previous albums plus Stravinsky: The Rite of Spring. Japanese Traditional: Cranes In Their Nest. Vaughn Williams: The Lark Ascending. Wagner: Tristan Und Isolde-Liebestod. Beethoven: Ode To Joy with full Choir.)

Live In New York 1988 (Includes 7 pieces from previous albums plus Dukas: Fanfare. Mahler: Symphony 3 in D Minor - 5th Movement. Traditional: Chinese War Lord Going Home. Gershwin: Rhapsody In Blue. Fisher-Dvorak: Goin' Home. My favorite live concert CDs.)

electronic instruments, very good selections,.......1999-05-29

I have this album in vinyl, should be better without background hiss. Star Wars theme is quite interesting, lovers of "the force" should be impressed. Worth every dime.

Gentle Dreams: The Best of Julian Lloyd Webber

Average customer rating:

Cello Music

Gentle Dreams: The Best of Julian Lloyd Webber

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Saint-Sa&eum

1. Badinerie from Orchestra Suite, No. 2
2. Air on the G String from Orchestral Suite, No. 3
3. Brandenberg Concerto, No. 3
4. 1st MVT. From Violin Concerto, No. 2
5. Polonaise and Rondo from Orchestral Suite, No. 2
6. Harpsichord Concerto, No. 5 in F Minor
7. Jesus Bleibet Meine Freude from Cantata 147
8. Fugue in G Minor
9. Toccata and Fugue in D Minor