Classical Winter
Track Listings
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1. March from the Nutcracker
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2. Dance of the Sugar Plum Fairy from the Nutcracker
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3. Winter from the Four Seasons
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4. Largo from Xerxes
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5. Siegfried Idyll
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6. Skaters' Waltz
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7. Finlandia
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8. Fantasia on Greensleeves
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9. Romance from Eine Kleine Nachtmusik
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10. Russian Trepak Dance from the Nutcracker
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Classical Winter, Music, Various Artists, Chamber Music & Recitals, Classical, Classical Collections-Artist Desc.
Average customer rating:
- Review of Lauridsen: Lux Aeterna/Salamunovich, Los Angeles Master Chorale
- So beautiful that it hurts.
- Excellent
- Great CD
- Glorious, but not Perfection
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Lauridsen: Lux Aeterna, etc. / Salamunovich, Los Angeles Master Chorale
M. Lauridsen
Manufacturer: Rubeda Canis Musica
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Eric Whitacre: The Complete A Cappella Works, 1991-2001
- Morten Lauridsen: Lux aeterna
- O Magnum Mysterium
- Eric Whitacre: Cloudburst and other choral works
- Lauridsen: Northwest Journey
ASIN: B000006OF1
Release Date: 1998-05-19 |
Tracks:
- Introitus - Lux Aeterna
- In Te, Domine, Speravi - Lux Aeterna
- O Nata Lux - Lux Aeterna
- Veni, Sancte Spiritus - Lux Aeterna
- Agnus Dei - Lus Aeterna - Lux Aeterna
- En Une Seule Fleur - Les Chansons Des Roses
- Contre Qui, Rose - Les Chansons Des Roses
- De Ton Reve Trop Plein - Les Chansons Des Roses
- La Rose Complete - Les Chansons Des Roses
- Dirait - On - Les Chansons Des Roses
- Ave Maria - Ave Maria
- MID WINTER SONGS: Lament For Pasiphae - M. LAURIDSEN
- MID WINTER SONGS: Like Snow - M. LAURIDSEN
- MID WINTER SONGS: She Tells Her Love While Half Asleep - M. LAURIDSEN
- MID WINTER SONGS: Mid-Winter Waking - M. LAURIDSEN
- MID WINTER SONGS: Intercession In Late October - M. LAURIDSEN
- O Magnum Mysterium - O Magnum Mysterium
Amazon.com
Modern choral music for amateur singers may be America's biggest musical underground. That's the only explanation of why Grammy-nominated composer Morten Lauridsen can claim that his works are some of the most often-performed new pieces in years, although few among the East Coast intelligentsia have ever heard of him. Like the similarly popular John Rutter, Lauridsen inhabits an extremely conservative style directed simply and single-mindedly at showing off the beauty of choral singing while it illustrates inspiring texts. Unlike many of his fellow neo-Romantic conservatives, Lauridsen displays a brand of conservatism that is completely convincing and sincere. His music also has range, from the spellbindingly rapturous Lux aeterna to his playful settings of Rilke's poems about the beauty and thorniness of roses in Les chansons des roses. There is, moreover, a Coplandesque streak heard in his Mid-Winter Songs, which are settings of poems by Robert Graves. Though the Los Angeles Master Chorale has a suitably red-blooded sound, the music would be better served with more precise diction. --David Patrick Stearns
Customer Reviews:
Review of Lauridsen: Lux Aeterna/Salamunovich, Los Angeles Master Chorale.......2007-05-13
This is a fabulous CD! I have sung at least one of the compositions on the CD in a choral society to which I belong. I am also familiar with the composer and love his music. The Los Angeles Master Chorale is a wonderful music group!
So beautiful that it hurts........2007-04-27
Two days ago I had never heard of Morten Lauridsen (shame on me). Our local PBS station (WITF in Harrisburg, PA) opened its morning show a few days ago at 9 AM with his lovely "Sure on This Shining Night," a segment of a poem by James Agee. I could not work for an hour after hearing it. Students entered my office and left quickly at the sight of my dazed look. I immediately purchased three recordings, and this one, "Lux Aeterna," is my favorite. The music is so beautiful that it hurts.
Buy this album now. The music is truly exquisite. The performance is outstanding. The CD is a masterpiece. After one hearing of Lauridsen's "Lux Aeterna," I tell you the truth: I could not sleep the entire night. The music was with me all night, and it continues to resonate through my soul.
Excellent.......2007-04-06
Excellent recording - Lauridsen music represents the best choral composers of this age. This CD captures as many of his best compositions as one can expect - Great buy.
Great CD.......2007-02-17
I purchased this CD a couple of years ago when my daughter was working up a couple of Lauridsen works for an audition recording she was doing for her college application (she got in). Besides the sentimental association with that time, this CD has remained a treasured part of out listening library. These are truly 20th century masterpieces of choral music. The recording is among the very best of any type that I have heard. Even if you don't normally like choral music this is a CD to treasure.
Glorious, but not Perfection.......2007-01-20
Morten Lauridsen has a style as distinctively recognizable as Mozart or Beethoven--if you have heard or sung a few of his works, an unfamiliar title will still sound like an old friend. I have to admit I love the aural world which Lauridsen creates.
This recording displays Lauridsen at his best--the long-standing working relationship between the Los Angeles Master Chorale and the composer give these performances an authority and credibility which would be the envy of any group. The Chorale voices display a depth and maturity (particularly in the Bass and Alto sections) which I miss in college choirs, yet the control is perfect.
The works are recorded in the Sacred Heart Chapel of Loyola Marymount University--a very live acoustic, which contributes to the wonderful sense of blend and sonic depth in these pieces. This sonorous glory does have a price, however. The wonderful texts are quite frequently muddled a bit. The enunciation and diction are not as clear on this recording as one might have expected from this group. That is a small cavil, however--intonation and interpretation are flawless.
Buy this, put it in your CD player, turn it up, and enjoy it. If you love choral music, you need to own this disc.
Average customer rating:
- Bond Girls Rock!!
- Great Bond
- Millenium Bonds Classical and Pop/Dance
- I am surprised!
- Simply Stunning!
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Born
Manufacturer: Decca
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ASIN: B00004XQK3
Release Date: 2001-03-13 |
Tracks:
- Quixote
- Winter
- Victory
- Oceanic
- Kismet
- Korobushko
- Alexander The Great
- Duel
- Bella Donna
- The 1812
- Dalalai
- Hymn
- Victory (Mike Batt Mix)
Amazon.com
Born, the debut album by four conservatory-trained young women, has little to do with classical music. It's a gimmick, fusing a string quartet of frivolous femmes, spicy girls who all want to be "Posh," with dance beats, a big production mixing their violins, viola, and cello with polished electronics. Taking themselves less than seriously--they played the James Bond theme at their Royal Albert Hall debut--pop "Victory" looks assured. This single bounces along with a dash of Rossini's Barber of Seville and a real sense of pop melodrama, in spirit little different from what guitarist John Williams did with his rather less photogenic band Sky in the late 1970s. What may surprise is that tracks such as the frenetic world-dance "Quixote" are penned by the film composer Magnus Fiennes, brother of the more famous Ralph and Joseph. "Winter" adds Jean Michel Jarre-style synth and voice-over to the ghost of Vivaldi and the infectious beat goes on, and on, and on. Sex sells, and Bond's success seems assured. This is a state-of-the-art product, but with a bonus remix of "Victory" by Mike Batt of Wombles fame, just don't expect it to be art. --Gary S. Dalkin
Album Description
Asian edition of the classical crossover act's 2001 album includes one bonus track, 'Viva!', which is not included on the domestic version. Decca. 2001.
Album Details
Includes the bonus track 'Viva' not on the USA version.
Customer Reviews:
Bond Girls Rock!!.......2007-03-13
The Bond Girls are sensational!!! They capture the audience with their powerful songs. Most songs are in minor keys. Riveting and special, they are wonderfully blessed .
Great Bond.......2006-09-01
I'm new at enjoying instrumental music but I really like this cd. I think I will be buying more like it.
Millenium Bonds Classical and Pop/Dance.......2006-06-11
At the start of the new Millenium a group of professional musicians Classicly trained on violins, a viola, and cello, realized there was only one way to hit it big...
Violinists Haylie Ecker and Eos, violist Tania Davis, and celloist Gay-Yee Westerhoff fused their Classical background to that of Pop/Dance music. With the release of their debut album, Bond hit the Mainstream ears with a vengence all their own. Performing pieces with the basis of Classical music adding Pop/Dance beats, sounds, and feels, it was clear that old music would never be lost; it would simply be updated to present times. Everything from Classical music is here: the sounds, effects, beats, times, counterpoint, choral voices, movenment of musical lines and voices, but with the addition of Pop/Dance instrumentation. The most interesting piece off this album has to be "The 1812", which is Bond's interpretation of The 1812 Overature. This album is a work of art with a great display of how music changes over a vast period of time.
I am surprised!.......2006-04-20
I am the typical teen when it comes to music; I listen to rap, hip hop, pop, rock, and classical. but when I heard Bond's "Victory," I was hooked. As I did some research, I read that these four women played their instruments ever since they were 6! These women have been studying classical music but their music on this album begs to differ. Their beat is very jumpy and you cannot resist to tap your foot along with the music.
"Victory" is a blend of many different styles of music including pop's rythmns and beats, Spanish guitars, Latin dance, Spanish dance, etc. To top that off, "Victory" has a shot of techno in it.
Born is indeed a truly unique and fresh way for people to get introduced into classical music. Listen to the album, you'll know what I mean!
Simply Stunning!.......2005-06-02
I heard this album first, and I liked it. I'm "opening my horizons," so to speak, and this (among others) was the first albums I experienced. What a surprise!
As I listened to them, I ended up liking all of it, though my fave track is "Kismet". Following that was "Victory". The rest of the CD sounded like something I have heard before--from other sources.
If you've ever in your life wanted to listen to classical music, I suggest that you start off with "Born" by Bond.
Average customer rating:
- a great original cast recording........
- A Classic
- A LANDMARK IN THE HISTORY OF MODERN MUSICALS
- The Original "Cabaret"
- Im Cabaret, Au Cabaret, To Cabaret
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Cabaret (Original Broadway Cast)
Fred Ebb
Manufacturer: Sony
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Binding: Audio CD
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Similar Items:
- Cabaret: The New Broadway Cast Recording (1998 Broadway Revival)
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ASIN: B000007OHR
Release Date: 1998-06-02 |
Tracks:
- Willkommen
- So What?
- Don't Tell Mama
- Telephone Song
- Perfectly Marvelous
- Two Ladies
- It Couldn't Please Me More (A Pineapple)
- Tomorrow Belongs To Me
- Why Should I Wake Up?
- The Money Song (Sitting Pretty)
- Married
- Meeskite
- Entr'acte
- If You Could See Her (The Gorilla Song)
- What Would You Do?
- Cabaret
- Finale
- Berlin Songs Intro
- I Don't Care Much
- Roommates Intro
- Roommates
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- It'll All Blow Over
Amazon.com
This original cast recording of Kander & Ebb's Cabaret is tough to beat: Jill Haworth as Sally Bowles, Joel Grey as the Master of Ceremonies, and Lotte Lenya as Fraulein Schneider all turn in classic performances that set a high-water mark for future reinterpretations. Lenya's "So What?" and "It Couldn't Please Me More" hark back to the dark cabaret work composed by her late husband, Kurt Weill, while other tunes ("Telephone Song," "Two Ladies") are much more upbeat. One of the best surprises found on this version--featuring liner notes by author Ken Mandelbaum--are the four previously unreleased (and fascinating) Kander & Ebb demo cuts and four brief intros for songs. The eight rarities are all low-fidelity but highlight the songwriting process of the pair nicely. --Jason Verlinde
Customer Reviews:
a great original cast recording...............2007-05-14
I have never seen the film version of CABARET, nor the stage version. Yet, when I first heard the vinyl version of this original cast recording, I felt like I was in the audience, watching the creepy Master of Ceremonies (the wonderful and understatedly sleezy Joel Grey), beautiful British Sally Bowles (Jill Haworth), and her American boyfriend, Cliff (Bert Convy), from my seat on at mezzanine level, with a pair of field glasses on opening night!
The plot of CABARET is a bit elaborate, so, I won't go into details, here. What's more, giving away too much plot will ruin your experience. This is a musical that you just have to experience for yourself. Set during the height of Nazi occupation, the cabaret is the one venue people go to escape war and pain. The sleezy underworld of the cabaret runs rampant with sexual innuendo, dancing girls and hedonism. The Master of Ceremonies (Grey) presents sexy dancers, a dancing gorilla and welcome everyone to the venue in three languages ("Wilkommen"). Due to fate, he encounters Sally Bowles (Jill Haworth), a free spirited performer who falls in love with Cliff, an American (Burt Convey).
Okay, no more plot. I will tell you this. The music is catchy, wickedly bawdy and full of entendre. Written by John Kander and Fred Ebb, it examines the ins and outs of cultural clash, identity and human violence. The instrumental is deceptively peppy, as if to conceal a reality that the performers are desperately trying to hide. I reccomend this as an engrossing period piece, as well as a great example of the musical theater repertoire.
A Classic.......2006-07-22
If you want to hear Cabaret well sung, get the film soundtrack. Liza Minelli is sublime, and adapting the role of Sally Bowles to suit her talents was a stroke of genius, and part of the reason why so many consider the movie (arguably) a masterpiece.
If you want to hear it performed in the true spirit in which it was written, get the OBC. Not for Jill Hayworth as Sally, or even Joel Grey as the Emcee, both are excellent, but get it for Lotte Lenya as Frau Schneider. Her throaty, raspy, accented singing style is totally captivating. Her duets with Jack Gilford (also perfectly cast in the best role of his long career) are charming and bittersweet. But the real reason, and I think the core to Cabarets story, is the song, What Would You Do? It is gut wrenching, her delivery is full of pain, yearning and bewilderment. She asks the question that I'm sure thousands of Germans asked, pre-WWII, in the event of having to sacrifice or face painful consequences. No easy or pleasant answer, and what Cabaret is really about, the sacrifices each character must make, and the choices they have to choose.
A LANDMARK IN THE HISTORY OF MODERN MUSICALS.......2006-06-29
This is one of those musicals that you may perfectly describe as a landmark in the History of Musicals. It helps to define the transitional period between the Golden Age of the fifties and the musicals that came right after. Impossible to classify it as a musical comedy, since it deals with most dramatic issues, as WEST SIDE STORY did it before. It's rough, dramatic, violent staff but so wonderfully conceived! If you have the movie soundtrack (who doesn't?) and you think that's it, you're wrong. The musical play differs a great deal from the movie, which was "remodelled" to stress Liza Minelli's talent. She certainly did a wonderful job in the excellent movie adaptation, but the musical play contains some songs that were cut out or replaced to fit Miss Minelli's leading performance. Even the story line suffered some changes once translated into the silver screen. Both the movie and the play are excellent, but different. So, if you have the movie soundtrack, get this one as well, and you'll be surprised to find some different material from the movie recording.
The Original "Cabaret".......2005-07-15
While the 1972 movie starring Liza Minnelli is probably the most well-known version of "Cabaret", this 1966 Broadway version is where it all started.
Led by a talented cast, including Jill Haworth (Sally Bowles), Lotte Lenya (Fraulein Schneider), and the incredible Joel Grey (Master Of Ceremonies), this Kander & Ebb musical is excellent and contains a classic score.
Best tracks include:
Wilkommen (Mr. Grey's signature song)
Two Ladies
It Couldn't Please Me More
Tomorrow Belongs To Me
The Money Song
Married
If You Could See Her
Cabaret
One should note, however, that two classic "Sally Bowles" songs were added for the movie: "Mein Herr" & "Maybe This Time".
This is a great cd! ... but if you want a version that includes these songs, try the movie soundtrack or the 1999 Revival Cast (which also includes "I Don't Care Much").
Im Cabaret, Au Cabaret, To Cabaret.......2004-06-06
That chilling introductory drumroll and cymbal crash, followed by the equally chilling sound of Joel Grey's voice singing "Willkommen, bienvenue, welcome," is enough to tell the listener that CABARET is an exceptional show and that its original cast recording is exceptional, too. In CABARET, realistic book scenes are interspersed with floor show-style sequences that comment on the action. The result is a moving, disturbing take on the rise of the Nazis in 1930's Berlin. There is no question that the librettist/composer/ lyricist team of Joe Masteroff, John Kander, and Fred Ebb - aided by the innovative staging of director Harold Prince - created a revolutionary musical in CABARET. The recording is justly dominated by Grey's epicene Master of Ceremonies, while Bert Convy and Jill Haworth are in wonderful voice as the two lovers (just listen to Convy's gloriously sung "Why Should I Wake Up?"). However, the "secondary couple" - the legendary Lotte Lenya as Fraulein Schneider and Jack Gilford as her Jewish suitor, Herr Schultz - are the stars here. Lenya (aided by two character-defining solos, "So What?" and "What Would You Do?") gives a vivid characterization of the aging landlady whose engagement to Schultz is doomed, while Gilford sings his part of the duet "Married" with affecting simplicity and is adorably droll in the comic narrative "Meeskite." The orchestral playing is spectacular and the digitally remastered sound equally so. And included as one of eight bonus tracks on this reissue is Kander and Ebb's haunting rendition of "I Don't Care Much," a song cut from the original production (but restored in the recent revival). This has quickly become one of my favorite original Broadway cast recordings.
Average customer rating:
- Another 5 star outing from the Excellent Solo Pianist
- Winter into Spring
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Winter into Spring
George Winston
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006313U
Release Date: 2002-04-09 |
Tracks:
- January Stars
- February Sea
- Ocean Waves (O Mar)
- Reflection
- Rain
- Blossom/Meadow
- The Venice Dreamer: Part One-Introduction
- The Venice Dreamer: Part Two
- (Love Echoes In The) Pine Hills (bonus track)
Amazon.com essential recording
More like poems for piano than traditional, structured songs, the music of George Winston plays like a lyrical soundtrack to the natural world's rhythms, and nowhere is this more brilliantly enacted than on his third album, Winter into Spring. There are wondrous, beautiful melodies here, but what's amazing is Winston's intense inspiration that spills from his spirit and flows straight to the keys. He uses simple techniques that would hardly impress the most intellectual of music critics but can bring any listener with an artist's heart to tears. Tense and full of motion, his Steinway urgently rolls through songs like aspen leaves fluttering in the wind. From the first sparse, tinkling notes of "January Stars," Winston pulls you into his solitary dreamscape and doesn't let you go until the CD's end. During "January Stars" it's hard not to imagine standing in crunchy snow while staring up at stars glittering in a black, expansive sky. Another standout, the 10-minute "Rain," may be the most archetypal of Winston pieces. Beginning with serene, deliberate melodies, the piece jumps into a chiming complexity that grows until the listener is drenched in streams of urgent, rushing-watery notes. It's fitting Winston named this album after a transition because the music couldn't take you to lovelier places. A masterpiece. --Karen Karleski
Customer Reviews:
Another 5 star outing from the Excellent Solo Pianist.......2007-06-10
Winter Into Spring, by George Winston, is another fine offering from this gifted pianist. IF you are new to Mr. Winston, welcome, you are in for a treat. If Mr. Winston is old hat to yopu, enjoy the opportunity to own these once fantastic albums of now even greater CDs. Simply another 5 star CD from Mr. Winston. This is a CD to put on in the background and play all day.
Winter into Spring.......2007-03-09
I love Gerorge Winston. This is not my all-time favorite album of his, but it's very good. (Just my personal taste) I think December is one of his best.
Average customer rating:
- Great Movies have Great Soundtracks!
- Only Disc 1 Is Worth Anything
- More of a propaganda CD
- Great selection of Film Hits!
- Older recordings, main themes only
|
Paramount 90th Anniversary Collection: Scores
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B000068TN9
Release Date: 2002-07-02 |
Tracks:
- Saving Private Ryan 'Hymn To The Fallen' - John Williams
- Double Indemnity 'Prelude' - Miklos Rozsa
- The Lost Weekend 'Finale' - Miklos Rozsa
- The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
- Sunset Boulevard 'Prelude' - Franz Waxman
- The Ten Commandments 'Prelude' - Elmer Bernstein
- Breakfast At Tiffany's 'Moon River' - Henry Mancini
- Hatari! 'Baby Elephant Walk' - Henry Mancini
- Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
- Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
- Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
- Love Story 'Theme From Love Story' - Francis Lai
- The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
- The Godfather 'Love Theme From The Godfather' - Nino Rota
- Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
- The Godfather - Part II 'End Title' - Nino Rota
- Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
- Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
- Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
- Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
- Beverly Hills Cop 'Axel F' - Harold Faltermeyer
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- Children Of A Lesser God 'Main Title' - Michael Convertino
- The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
- Fatal Attraction 'Fatal Attraction' - Maurice Jarre
- The Addams Family 'Main Title' - Marc Shaiman
- Dead Again 'Winter 1948' - Patrick Doyle
- Indecent Proposal 'Flashback & Photos' - John Barry
- The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
- Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
- Braveheart 'For The Love Of A Princess' - James Horner
- Primal Fear 'Courtroom Montage' - James Newton Howard
- Mission: Impossible 'Zoom B' - Danny Elfman
- Star Trek: First Contact 'End Credits' - Jerry Goldsmith
- Titanic 'Hard To Starboard' - James Horner
- The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
- The Talented Mr. Ripley 'Italia' - Gabriel Yared
- Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
- Mission: Impossible 2 'The Bait' - Hans Zimmer
- Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
- Vanilla Sky 'To The Roof' - Nancy Wilson
- The Sum Of All Fears 'The Mission' - Jerry Goldsmith
- Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri
Amazon.com
Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley
Customer Reviews:
Great Movies have Great Soundtracks!.......2007-05-10
If you love movies and movie music, you can't go wrong with this two cd Paramount Anniversary set.
Only Disc 1 Is Worth Anything.......2006-07-19
Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.
And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.
I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.
More of a propaganda CD.......2002-10-30
There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.
It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).
This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.
There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.
Great selection of Film Hits!.......2002-09-25
This one was a pleasant surprise! I thought- how could any CD that had "Baby Elephant Walk" be all that good? This one is. Lots of great scores- classics and a few hidden treasures. After hearing the beautiful title score for "Children of a Lesser God", I had to buy the entire soundtrack - very soothing. There are a few that may seem too overplayed ("Love Story", "Raiders of the Lost Ark",), but most are a welcome addition to any compilation. Try NOT loving "Building the Barn" from "Witness" or the "Hymn to the Fallen" from "Saving Private Ryan". Hours of great listening.
Older recordings, main themes only.......2002-08-27
This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.
I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.
Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.
Average customer rating:
- Music ALIVE!
- Full Circle With Kremer's Eight Seasons
- Rapturous
- "Eight wonders"
- From the River Plate (Rio de la Plata).
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Vivaldi and Piazzolla: Eight Seasons
Manufacturer: Nonesuch
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Binding: Audio CD
Piazzolla, Astor
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- Tracing Astor
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ASIN: B0000206A4
Release Date: 2000-02-29 |
Tracks:
- 'La Primavera' - Concerto In E Major, Op. 8 No. 1: Allegro
- 'La Primavera' - Concerto In E Major, Op. 8 No. 1: Largo
- 'La Primavera' - Concerto In E Major, Op. 8 No. 1: Allegro
- Verano Porteno: Summer In Buenos Aires
- 'L'Estate' - Concerto In G Minor, Op. 8 No. 2: Allegro Non Molto
- 'L'Estate' - Concerto In G Minor, Op. 8 No. 2: Adagio
- 'L'Estate' - Concerto In G Minor, Op. 8 No. 2: Presto
- Otono Porteno: Autumn In Buenos Aires
- 'L'Autunno' - Concerto In F Major, Op. 8 No. 3: Allegro
- 'L'Autunno' - Concerto In F Major, Op. 8 No. 3: Adagio Molto
- 'L'Autunno' - Concerto In F Major, Op. 8 No. 3: Allegro
- Invierno Porteno: Winter In Buenos Aires
- 'L'Invierno' - Concerto In F Minor, Op. 8 No. 4: Allegro Non Molto
- 'L'Invierno' - Concerto In F Minor, Op. 8 No. 4: Largo
- 'L'Invierno' - Concerto In F Minor, Op. 8 No. 4: Allegro
- Primavera Portena: Spring In Buenos Aires
Amazon.com
Despite global warming, Vivaldi's The Four Seasons is more popular than ever. But it still seems strange that Gidon Kremer and his Kremerata Baltica ensemble--a group that continues to stun us with riveting performances of lesser-heard works--would tackle the tried-and-true baroque masterpiece. Luckily, Kremer inventively separates each Vivaldi season with a corresponding composition from Astor Piazzolla's Four Seasons Suite, making for fascinating comparisons. Kremer's performances of the Vivaldi are remarkable, sounding solid and fresh. And like an infectious Broadway musical, Piazzolla's seasons always seem on the verge of a giddy dance number. Kremer really gets to show off on these tango-inspired pieces, but he's charming throughout. The programming probably won't make this your reference Four Seasons, but for those who love their Vivaldi in small doses or fans of Kremer's Tango Ballet disc, this is a must-have. --Jason Verlinde
Customer Reviews:
Music ALIVE!.......2006-03-12
I really know hardly anything about Argentinan music or Kremer, but I bought this album after I became enraptured with the spring and summer suites at a ballet. My local company created a piece inspired by the works of expatriate artist Amaranth Ehrenhalt and set to alternating Vivaldi and Piazzola selections. I was amazed by how Vivaldi's Seasons took on new life. Everything was vivid and fluid and meshed perfectly with the dance. I recommend this--you can truely feel the seasons alive in all of their glory.
BTW: Rio de la Plata means River of Silver.
Full Circle With Kremer's Eight Seasons.......2005-10-19
Gidon Kremer has been building himself quite the reputation as an interpreter of the music of the late and great Argentine musical polymath, Astor Piazzolla. Here he takes the very well-known Four Seasons of Vivaldi and stands them up to the Four Seasons of Piazzolla and the result is an aural delight.
Most who are reading this are probably curious about this CD for one of two reasons: either they are Vivaldi fans, or they are Piazzolla fans. But who says that being a fan of one has to exclude the other? After you listen to this, you are likely to become a fan of the music of both composers and of Gidon Kremer as well if you were not already.
Being a huge Piazzolla fan,I never tire of hearing different interpretations of one of his most important works. The Four Seasons of Buenos Aires may be born of tango, but it is much more than that. It is a masterful marriage of classical elements with those of tango. Piazzolla could do many things with music and what he has created with his Four Seasons is an electrifying blend that will stand the test of time.
And so here is Gidon Kremer with yet another skillful and faithful interpretation of the both the spirit and the letter of Astor Piazzolla's music, cleverly juxtaposed with that of one of the Old Masters. Kremer brings us full circle with his presentation of the Four Seasons sequences of both composers, beginning with Vivaldi's La Primavera (Spring) and after a musical journey through the year, ending with Primavera Portena (Buenos Aires Spring) so that we finish where we began.
Kremer and his Kremerata Baltica do a virtuoso job throughout. Though I am a partisan of the music of Piazzolla, I enjoy Kremer's interpretation of Vivaldi as well. If you know and love this music as I do, then Eight Seasons merits an esteemed slot in your CD collection.
Rapturous.......2004-07-21
Parts of this recording are so beautiful that when I listen while working, I have to pause what I am doing and close my eyes. I don't remember how I ended up buying this CD (it certainly wasn't planned), but I am so grateful.
My rabbit hates it though. When I listen to it at home, he stamps his feet. So I can only listen to it at work. :(
"Eight wonders".......2003-02-24
Gidon Kremer's musical explorations were very famous from the beginning and during the last few years he is gaining almost a "classical superstar" status. I was a little suspicious about those beautifully packaged CDs with sort of "trendy" and almost too interesting sounding titles for serious classical achievements. BUT!! I couldn't be more wrong. "After Mozart" or "Eight Seasons" seem to be some of the most inspiring recordings I've heard. While listening to "Eight Seasons" at "concert" levels in a privacy of my room, I felt "goose bumps" for several times and I had to laugh out of pleasure, thinking: this is SOOO good. Gidon Kremer and his "baltic fresh" Kremerata Baltica are pursuing and tacking the pure essence of music. Programming the mix of Piazzola and Vivaldi doesn't seem extraordinary anymore. It is pure music, pure joy. Technical bravura and excellent sound are only side things. Tango nuevo - widely popularized music form and one of the most (ab)used baroque masterpieces join as one in a fresh and artistically meaningful entity. What more can we wish for ?
Piazzola sounds energetic and powerful and Vivaldi the freshest out of numerous interpretetions. Mixed in an interesting sequence they form a new "Opus".
I also strongly recommend "After Mozart" with its mixture of contemporary music and timeless, for many "godlike" Mozart. A recording that makes him human and even more divine at the same time.
From the River Plate (Rio de la Plata)........2002-11-10
The River Plate, an akward translation from the spanish "Rio de la Plata", is the widest river on the world. It both separates and bonds Buenos Aires with Montevideo, capitals cities of Argentina and Uruguay respectively. If I could ask Billy Joel how would he name this river, I think that much alike his excellent album "River of Dreams", he would call it "River of Tango".
Yesterday night I attended Mr. Kremer and the Baltic Kamerata's performance, where in addition to Mahler's 10th Adaggio, they played these "eight seasons". I think that for Mr. Kremer and his ensemble, coming to play to South America and precisely to the birthplace of tango, could be a "tour the force".
Well, he & the Kamerata were magnificient, classy. He kept us on our feet, applauding, for more than fifteen minutes.
This CD has capture the thrilling of his live performances.It is the kind of recording that becomes a milestone in our "audio memory", as Mr. Karajan liked to say. Enjoy it.
Average customer rating:
- Mountain Dulcimer and the Orchestra!
- Beautifully Moving and Imaginative
- Get the best fast
- wow!
- Fresh & American!!
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Ellisor: Conversations In Silence; Blackberry Winter; Barber: Canzonetta; Scearce: Endymion's Sleep; Mock: The Stone;
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Barber
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ASIN: B000002NHW
Release Date: 1997-09-23 |
Tracks:
- Conversations in Silence - I
- II: Conversations in Silence - II
- III: Conversations in Silence - III
- IV: Conversations in Silence - IV
- Canzonetta
- Endymion's Sleep
- The Stone
- Adagio
- Blackberry Winter - I
- Blackberry Winter - II
- Blackberry Winter - III
Customer Reviews:
Mountain Dulcimer and the Orchestra!.......2006-11-06
I bought this album because of the dulcimer concerto on it, and it didn't disappoint. Teh liner notes were outstanding and I am so glad to have this piece in my collection!
Beautifully Moving and Imaginative.......2006-05-27
I got to see "Blackberry Winter" performed live in Nashville a few years ago and it was awesome. I took violin lessons from one of the violinists in the orchestra for a long time, so it was a little extra exciting. I got to meet the conductor, Paul Gambill about a year later and he was a really nice guy. He also conducted us in a big youth-orchestra gathering where we played the soundtrack to "Lord of the Rings."
"The Stone" is by far my favorite track on the CD. The mysterious Scottish and Irish themes entwined with each other are simply fantastic. It pretty much just transports you to another world.
"Blackberry Winter" is awesome, too. There's not many great recordings of a mountain dulcimer with an orchestra to back it up. Plus, the melodies and themes in that itself are really uniquely beautiful.
Overall, it's great quiet time and thinking music. It's definetely worth it!
Get the best fast.......2006-02-19
I heard this recording on NPR radio and loved it. While it was out of the mainstream usually stocked at music stores, I found it on Amazon, ordered it, and received in a matter of days! The recording is a lovely collection of Tennessee / Celtic pieces with wonderful solo work. Ellisor is a Nashville musician and composer and her "Blackberry Winter" for Tennessee music box is a real delight. Other pieces on the CD are by Barber, Kodaly, Mock, and Scearce.
wow!.......2005-04-28
I absolutely 'love' this CD. INNOVATIVE modern music. One of my favorites indeed.
Fresh & American!!.......2002-01-13
This is one exciting CD for several reasons. For those looking for orchestral sound that is uniquely American, Conni Ellisor provides the sound that has been missing since the end of Aaron Copland's career. In addition to Ellisor's compositions, the other tracks on this CD are an unusual and beautiful fit that compliments the other pieces. As is frequently the case in music, artists (Nashville Chamber Orchestra) and composers (Ellisor) off the beaten path are a national treasure. I use this CD for inspiration, relaxation, and restoration. One of the top 3 in my collection.
Average customer rating:
- Perfectly Williams
- Inspiring soundtrack that is vintage John Williams
- Very impressive stuff
- Essential for the John Williams lover
- Really makes you feel proud
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American Journey - Winter Olympics 2002
John Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Williams, John [guitar]
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- Summon the Heroes
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ASIN: B00005UN9G
Release Date: 2002-01-15 |
Tracks:
- Call Of The Champions (The Official Theme Of The 2002 Olympic Winter Games)
- American Journey: Immigration and Building
- American Journey: The Country at War
- American Journey: Popular Entertainment
- American Journey: Sports and Celebrities
- American Journey: Civil Rights and The Woman's Movement
- American Journey: Technology and Flight
- Song for World Peace
- Jubilee 350
- The Mission Theme (Theme for NBC News)
- For New York (Variations on Themes of Leonard Bernstein)
- Sound The Bells!
- Hymn To New England
- Celebrate Discovery
- Summon The Heroes
Amazon.com
Anchored by his Mormon Tabernacle-charged "Call of Champions" (theme of the 2002 Olympic Winter Games) and the sweeping, emotionally rich six-part title suite (originally written for Washington, D.C.'s millennium celebrations and appearing here for the first time as a complete concert piece), this rousing, unabashedly patriotic collection from John Williams seems doubly timely, given America's hunger for comforting affirmation. Those who criticize the scale of Williams's music for its lack of irony will find little here to dissuade them, save perhaps "For New York," his deft, surprisingly low-key arrangement of appropriate Leonard Bernstein themes, and the comparatively subdued harmonic/melodic sophistication of "Song for World Peace." But this is largely music of ceremony and celebration--its scale and frequently martial rhythms are a direct function of purpose and intent. The collection's notes foster the notion of Williams as America's contemporary Sousa, but that's a comparison that sells the composer woefully short. Even "Sound the Bells," a piece written for the Japanese royal wedding, eschews any efforts at ethnic "authenticity," paying its tribute in distinctly American terms. "The Mission Theme" (from NBC News) and the Coplandesque bonus track "Summon the Heroes" (from the 1996 Olympics) further underscore the iconic intent of Williams's work. Chiding this collection for lack of subtlety is like complaining that fireworks are too spectacular. --Jerry McCulley
Customer Reviews:
Perfectly Williams.......2006-02-25
If you want a combination of John Williams at his best and the original olympic spirit, this is a must! The album starts off with the olympic theme from the Salt Lake Winter Olympic Games and continues with the opening ceremony music. It's wonderful how Williams composes the music to describe the American evolution and history.
If you like the more fanfare-like Williams type of music and want to listen to a great album with great compositions I recommend this album to you! It really deserves 5 out of 5 stars!
Inspiring soundtrack that is vintage John Williams.......2006-01-15
I really enjoyed American Journey, as well as the other pieces John Williams composed for the 2002 Winter Olympics. When listened to all the way through, American Journey is a powerful tribute to the pioneers and explorers of America. Of the other pieces, my favorite was the Mission Theme, which features the well-known theme from NBC news with some excellent variations. The two main fanfares (Call of the Champions - 2002 Olympics, Summon the Heroes - 2000 Olympics) are the highlights of the CD, and unlike most people I actually thought Call of the Champions was better. I especially liked Williams' use of the choir and timpani in this piece.
I would recommend this CD to anyone whether they are a fan of John Williams or not.
Very impressive stuff.......2005-04-28
This really was one of William's best compositions and the performance by the Mormon Tabernacle Choir was inspired as well. I think when people recall these Olympics, the sounds of "Call of the Champions" provides a very memorable musical image of the games. The Boston Pops Orchestra does an impressive job as well in this very attractive CD. Wonderful music from a memorable Olympic experience.
Essential for the John Williams lover.......2003-05-11
This is not my favorite John Williams CD, because I love his film scores, and the way they are arranged and built. However, this is John Williams performing his classical and ceremonial music, and with that in mind, this is an excellent CD. The "American Journey" suite is the strongest new material on the album - I say "new material" because the last track, Summon the Heroes (1996 Olympics) is one of John Williams's greatest, most energetic pieces. "American Journey" is filled with American patriotism, feeling, and excitement (my personal favorite is the Arts & Entertainment movement). With this CD and John Williams's other Olympic music, I believe he has redefined what American classical music is.
Really makes you feel proud.......2003-02-02
John Williams scores again, proving he can do more than compose music for Superman and Star Wars. This disk is filled with simply wonderful patriotic music, upbeat, small-scale at times, always suited to the title.
It's a wonderful listen for anyone...just as fun to listen to as any other John Williams tunes like Superman and Star Wars; and this time it isn't specifically related to a movie!
Average customer rating:
- beautiful patriotic music
- All new recordings, with a strong patriotric theme
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Spirit of America
Manufacturer: Mormon Tabernacle
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ASIN: B0000A4G6H
Release Date: 2003-06-24 |
Tracks:
- America the Beautiful
- Bound for the Promised Land
- This Land Is Your Land
- Shenandoah
- Battle Hymn of the Republic
- Distant Land
- They, The Builders of the Nation
- House I Live In
- America, The Dream Goes On
- Give Me Your Tired, Your Poor
- God of Our Fathers, Whose Almighty Hand
- Hymn for America
- Pledge of Allegiance
- Cohan's Big Three: Yankee Doodle Dandy/Give My Regards to Broadway
- Goin' Home
- God Bless America - Craig Jessop, Mormon Tabernacle Choir, The Orchestra
- Star-Spangled Banner
- Call of the Champions
Customer Reviews:
beautiful patriotic music.......2003-08-28
This is an excellent CD. The music, both voices and orchestra, is superb. The content of the lyrics is inspiring. It reminds me of so many reasons I'm proud to be American.
All new recordings, with a strong patriotric theme.......2003-07-16
Surprised that no one has reviewed this yet. Amazon.com doesn't give much info on this release, so I thought I'd rectify that. This is the second brand-new release on the "Mormon Tabernacle Choir" label, following their April 2003 release of "Consider the Lilies." Again, several of the arrangements are by Mack Wilberg, with direction by Craig Jessop and accompianment by the Orchestra at Temple Square. The track list is as follows:
1 America the Beautiful
Music: Samuel A. Ward
Text: Katherine Lee Bates
Arrangement: Mack Wilberg (Oxford University Press) 4:30
2 Bound for the Promised Land
Music: American folk hymn.
Arrangement: Mack Wilberg (Oxford University Press) 2:35
3 This Land is Your Land
Music: Woody Guthrie
Text: Woody Guthrie
Arrangement: Percy Faith & Michael Davis 2:40
4 Shenandoah
Music: American folk song.
Arrangement: Mack Wilberg (Oxford University Press) 4:48
5 Battle Hymn of the Republic
Music: William Steffe
Text: Julia Ward Howe
Arrangement: Peter J. Wilhousky (Carl Fischer, Inc.) 5:19
6 Distant Land
Music: John Rutter
Text: John Rutter
Arrangement: John Rutter (Hinshaw Music, Inc - ASCAP) 4:41
7 They, the Builders of the Nation
Music: Alfred M. Durham
Text: Ida R. Alldredge
Arrangement: Mack Wilberg (Deseret Book Co.) 3:28
8 The House I Live In
Music: Earl Robinson
Text: Lewis Allen
Arrangement: Michael Davis 3:26
9 America, the Dream Goes On
Music: John Williams
Text: Alan and Marilyn Bergman 3:18
10 Give My Your Tired, Your Poor
Music: Irving Berlin
Text: Emma Lazarus
Arrangement: Roy Ringwald (Shawnee Press, Inc. - ASCAP)
Orchestration: Michael Davis 3:01
11 God of Our Fathers, Whose Almighty Hand
Music: George W. Warren
Text: Daniel C. Roberts
Arrangement: Mack Wilberg (Oxford University Press) 4:12
12 Hymn for America
Music: Stephen Paulus (Paulus Publications)
Text: Michael Dennis Browne 3:08
13 The Pledge of Allegiance
Music: Charles Osgood
Text: Francis Bellamy
Arrangement: Michael Davis 2:39
14 Cohan's Big Three (Yankee Doodle Dandy, +below)
Music: George M. Cohan
Text: George M. Cohan
Arrangement: Floyd E. Werle
+Give My Regards/Brdway, You're a Grand Old Flag 3:53
15 Goin' Home
Music: Antonin Dvorak
Text: William Arms Fischer
Arrangement: Jay Welch 4:36
16 God Bless America
Music: Irving Berlin
Text: Irving Berlin
Arrangement: Roy Ringwald (Shawnee Press, Inc. - ASCAP)
Orchestration: Michael Davis 3:44
17 The Star-Spangled Banner
Music: John Stafford Smith
Text: Francis Scott Key
Arrangement: Robert Russell Bennett 2:21
18 Call of the Champions
Music: John Williams
Text: Olympic Motto 4:47
The sound on this release is, if anything, even cleaner than the previous release, with the Choir and orchestra very evenly balanced. The programming includes a mix of both traditional and brand new songs, a couple of which (Stephen Paulus's "Hymn For America," and Charles Osgood's "The Pledge of Allegiance") were commissioned especially for this recording. Additional note: several of these songs were included on the Choir's 2003 Northeastern States tour, which was a huge success. I highly recommend this recording!
Average customer rating:
- Ideal for late night listening...
- Strings are nice
- If you like muzak this is for you
- Timeless melodies as only the Boston Pops could do them!
- If you love beautiful orchestra music, this cd is for you
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Unforgettable
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- It Don't Mean a Thing If It Ain't Got That Swing
- That's Entertainment: Pops on Broadway
ASIN: B0000028ZA
Release Date: 1993-05-04 |
Tracks:
- UNFORGETABLE: Unforgettable
- UNFORGETABLE: My Funny Valentine
- UNFORGETABLE: Lover
- UNFORGETABLE: The Way We Were
- UNFORGETABLE: The Song Is You
- UNFORGETABLE: Long Ago And Far Away
- UNFORGETABLE: Satin Doll
- UNFORGETABLE: Sophisticated Lady
- UNFORGETABLE: Begin The Beguine
- UNFORGETABLE: Stella By Starlight
- UNFORGETABLE: Laura
- UNFORGETABLE: Moonlight Serenade
- UNFORGETABLE: 'S Wonderful
- UNFORGETABLE: Evergreen
- UNFORGETABLE: Through The Eyes Of Love
- UNFORGETABLE: Smoke Gets In Your Eyes
- UNFORGETABLE: Star Dust
Customer Reviews:
Ideal for late night listening..........2007-05-25
This is one of my favorite Boston Pops albums from any era. The songs chosen span the 20th Century. John Williams conducts each with the affection of one of his own compositions. The arrangements are fleshed out creating a miniature tone poem for each selection. Take "Smoke Gets in Your Eyes", Richard Strauss's unexpected influence is evident and in "Star Dust" you get a Debussy/Ravel feel in the orchestration. Just my opinion! Throughout delicate to powerful classical overtones are apparent. There are various interjections of sweeping strings, violin solos, triumphant brass. Bob Winter provides a light tickling of the ivory on most of the selections, this nicely balancing out with the power of the orchestra. The hi-def cinematic sound recording technique is ideal for a late night cocktail and a fantasy bath of sound. Watch your sound levels or heavy percussion will blow you out of your seat!
Strings are nice.......2003-12-13
Strings are ok, if you have a creative soloist that the strings are backing up, in thsi case we don't have acreative soloist, just a boring soloist. B-O-R-I-N-G. The strings sound sticky and too sugary sweet like cotton candy... yucky
If you like muzak this is for you.......2003-11-29
Next time your in Nordsroms Department store look at the pianist it's probably John Willaims, he's a cheezy lounge pianoist who doesn't swing, and this is a bad cd(it's really stiff), you can't even dance to it, wait until your 100 years old and in a retirment home before you buy it
Timeless melodies as only the Boston Pops could do them!.......2001-12-23
Seventeen of this country's greatest pop hits are featured on this exceptional album. When a group of the status of the Boston Pops, under the skillful baton of conductor John Williams, takes on these recognizable standards, one is indeed in for a treat. The "appetite" for great music can only be satisfied with this collection of the finest compositions by the likes of Duke Ellington, Cole Porter, Glen Miller, George Gershwin, Hoagie Carmichael, Jerome Kern, and Marvin Hamlisch.
If you love beautiful orchestra music, this cd is for you.......2000-08-28
This cd has turned out to be one of favorite cds. It seems to keep me in a good mood. Most the songs performed here are the reliable standards that we have come to love. There a few of fairly new songs included, but they are wonderful additons to the old tunes that we never get tired of.
The orchestra did a marvelous job of bringing out the best in these songs. The arrangements were above average. The orchestra played like it was on a mission. I fall in love, all over again, everytime I hear this cd.
I Would Like To Recommend This Cd
Music Track:
- Debussy: Piano Pieces [Enhanced]
- Dreamscapes: Relaxation For The Mind
- Dvorak: Serenade, Op. 22; Terzetto in C [Enhanced]
- Ein Musik / Symphony 94 & 101
- Famous Overtures [Enhanced]
- Ferencz Liszt: Piano Works [Enhanced]
- Global Classics
- Haydn & Boccherini: Cello Concertos & Divertimento [Enhanced]
- Haydn: London Symphonies Nos. 93-104
- Indulgence: A Relaxing Party For The Soul
Music Track
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