Art of Eugene Ormandy
On this CD:
1. The Golden Cockerel (Zolotoy petushok), opera in 3 acts with a prologue & epilogue Hymn to the Sun
Composed by Nikolay Andreyevich Rimsky-Korsakov
Performed by Eugene Ormandy
2. Sadko, opera in 3 (or 5) acts Song of India
Composed by Nikolay Andreyevich Rimsky-Korsakov
Performed by Eugene Ormandy
3. Mademoiselle Modiste, operetta Kiss Me Again
Composed by Victor Herbert
Performed by Eugene Ormandy
4. Souvenir, for violin & piano, in D major
Composed by Frantisek Drdla
Performed by Eugene Ormandy
5. Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7)
Composed by Antonin Dvorak
Performed by Eugene Ormandy
6. Hungarian Dances (21) for piano, 4 hands (or piano solo or orchestra), WoO 1 No.2 in D minor
Composed by Johannes Brahms
Conducted by Eugene Ormandy
7. Southern Rhapsody for orchestra
Composed by Lucius Hosmer
Conducted by Eugene Ormandy
8. Was It a Dream?
Composed by Sam Coslow
Conducted by Eugene Ormandy
9. Chorale & Fugue for orchestra in D minor, Op.4
Composed by Zemachson
Performed by Minneapolis Symphony Orchestra
Conducted by Eugene Ormandy
10. Hungarian Caprice for orchestra
Composed by Eugene Zador
Performed by Minneapolis Symphony Orchestra
Conducted by Eugene Ormandy
11. Pleasure-Dome of Kubla Kahn, The, for piano (or orchestra), Op. 8
Composed by Charles Tomlinson Griffes
Performed by Minneapolis Symphony Orchestra
Conducted by Eugene Ormandy
12. When Johnny Comes Marching Home, overture for orchestra
Composed by Roy Harris
Performed by Minneapolis Symphony Orchestra
Conducted by Eugene Ormandy
13. Essay for orchestra, Op. 12
Composed by Samuel Barber
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
14. Amelia al ballo (Amelia Goes to the Ball), opera
Composed by Gian Carlo Menotti
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
15. Symphony No.21 in F sharp minor, Op.51
Composed by Nikolay Myaskovsky
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
16. Sinfonia Domestica for orchestra, Op. 53
Composed by Richard Strauss
Performed by Philadelphia Orchestra
Conducted by Eugene Ormandy
17. Symphony No. 8 in E flat major ("Symphony of a Thousand") Part 1 (Hymnus: Veni, Creator Spiritus)
Composed by Gustav Mahler
Performed by Philadelphia Orchestra
with Mack Harrell, Charles Kullmann, George London, Frances Yeend
Conducted by Eugene Ormandy
Art of Eugene Ormandy, Music, Mack Harrell, George London, Samuel Barber, Johannes Brahms, Sam Coslow, Frantisek Drdla, Antonin Dvorak, Charles Tomlinson Griffes, Roy Harris, Victor Herbert, Lucius Hosmer, Gustav Mahler, Gian Carlo Menotti, Nikolay Myaskovsky, Nikolay Andreyevich Rimsky-Korsakov, Richard Strauss, Eugene Zador, Zemachson, Eugene Ormandy, Minneapolis Symphony Orchestra, Philadelphia Orchestra, Frances Yeend, Charles Kullmann, 20th/21st Century Orchestral Work with Formal Description, 20th/21st Century Overture, 20th/21st Century Tone Poem/Symphonic Poem, American 20th/21st Century Opera, Chamber, Chamber Music & Recitals, Classical, Keyboard, Music for Keyboard, Opera, Orchestral, Orchestral Music, Romantic Symphony, Russian Romantic Opera, Solo Voice(s) and Orchestra, Symphonic, Symphony, Violin with Keyboard, Vocal
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Hallelujah Chorus - The Great Handel Choruses
Mormon Tabernacle Choir , George Frideric Handel , Carl Nielsen , Henry Lawes , and Eugene Ormandy
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ASIN: B000002YZ8
Release Date: 1996-03-01 |
Tracks:
- Samson: Awake the Trumpet's Lofty Sound
- Judas Maccabaeus: See, The Conqu'ring Hero Comes!
- Judas Maccabaeus: Sing Unto God
- Messiah: For Unto Us a Child Is Born
- Samson: Let Their Celestial Concerts All Unite
- Saul: Welcome, Welcome Mighty King/David His Ten Thousands Slew
- Zadok the Priest: Coronation Anthem No.1
- Messiah: Hallelujah Chorus
- Xerxes: Largo: Holy Art Thou
- Saul: How Excellent Thy Name
- Judas Maccabaeus: Hallelujah, Amen
- Israel in Egypt: But as for His People
- Israel in Egypt: Sing Ye to the Lord
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Debussy's Greatest Hits
Manufacturer: © 1984 CBS Inc. / CBS Masterworks
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000DS1H
Release Date: 1990-10-25 |
Customer Reviews:
WORKS:.......2006-01-13
Works:
Claude Debussy / Suite bergamasque, for piano, L. 75: Clair de Lune 5:05
Performed by: Eugene Ormandy, Philadelphia Orchestra
Claude Debussy / Children's Corner, suite for piano (or orchestra), L. 113: Golliwog's Cakewalk 2:50
Performed by: Philippe Entremont, Piano
Claude Debussy / Rêverie, for piano, L. 68 6:12
Performed by: Eugene Ormandy, Philadelphia Orchestra
Claude Debussy / Arabesque, for piano No. 1 in E major, L. 66/1 5:41
Performed by: William Smith, Philadelphia Orchestra
Claude Debussy / Préludes (12) for piano, Book I, L. 117: The Girl with the Flaxen Hair 3:00
Performed by: William Smith, Philadelphia Orchestra
Claude Debussy / Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 10:25
Performed by: Leonard Bernstein, New York Philharmonic
Claude Debussy / Fêtes, for orchestra (Nocturne No. 2), L. 91/2 5:54
Performed by: Leonard Bernstein, New York Philharmonic
Claude Debussy / La mer est plus belle, song for voice & piano, L. 81/1: Dialogue of the Wind and the Sea 8:18
Performed by: Leonard Bernstein, New York Philharmonic
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- At last, some REAL Bjorling rarities!
|
Jussi Bjoerling: Rarities
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- Jussi Björling Rediscovered
ASIN: B00004U1BW
Release Date: 2000-06-06 |
Customer Reviews:
At last, some REAL Bjorling rarities!.......2000-12-26
I often go into a record store and see a `new' recording of Jussi Bjorling material, usually on a very small and not terribly reputable label, that proclaims `The Greatest Rarities of Jussi Bjorling!', or something like that, and I grab the CD with great eagerness only to find that this is yet another transfer of the same Bjorling recordings from the late 1930s which have been put on CD hundreds of times already. No doubt the people putting out these records think that everything Jussi did before the LP era began is `rare'. While Bjorling fanatics like me may be perfectly happy to own 20 DIFFERENT versions of this great tenor singing, for example, `Che gelida manina' , we don't want 20 of the exact same recording! So I am delighted to report that this isn't yet another collection of the same old stuff, and indeed contains several songs and sacred arias he never recorded anywhere else.
This collection was put together by Cantor Don Goldberg, probably the foremost Bjorling authority in the United States - and I say `probably' only because Jussi's son Anders lives in Minnesota. In addition to presumably providing the original recordings, he has also written some excellent and perceptive notes on Bjorling's career as a recitalist and radio artist, which actually took up much more of Bjorling's time than his work on the opera stage.
Of the 21 selections on this CD, 5 have never been released in any form, an additional 9 have never been released on CD to the best of my knowledge, and all but one of the rest of the offerings are on CDs that are now out of print. This `not really rare' selection is a `Flower Song' that also appears on the Bluebell CD `Jussi Bjorling Live in Holland and Norway'. All these tracks are originally from radio broadcasts, mostly from the Bell Telephone Hour and the Voice of Firestone. The operatic selections are familiar (i.e `Nessun Dorma', and arias from Manon, Carmen, etc), although occasionally in unfamiliar form, such as a Swedish language `Salut, demeure', and the songs tend to be those `chestnuts' well liked by American radio audiences of the time, such as `A Dream' by James Caroll Bartlett, and `The Rose of Tralee'. He throws in a few Italian songs as well, such as `Funiculi Funicula' and `La Danza', although the last is sung in Swedish as well.
Of course, the singing is uniformly marvelous. Few would deny that Bjorling was, if not the greatest tenor of the twentieth century, at least in the top 5, and I, of course, would put him at number 1. Some highlights are `Nessun Dorma' sung by someone who actually understands that it's not a soccer anthem but the dreamy rapture of a man in love, a gorgeous rendition of `The Rose of Tralee' with superb feeling and legato, his marvelous English diction and facility with runs in `Clorinda', a superb `La Reve' from Manon, and, no great surprise from this master of Gounod's Romeo et Juliette and Faust, a deeply moving `O Divine Redeemer' by the same composer. There is a marvelous moment in the aforementioned `Funiculi Funicula' while the chorus is singing the words where he sings 4 notes ascending the scale of such beauty and power it makes one shiver. He also has marvelous soprano partners Grace Moore and Eleanor Steber in scenes from `Faust' and `Il Trovatore', and a very decent baritone partner, Donald Dickson, in a scene from `La Forza Del Destino', a pre-echo of the same duet recorded 12 years later with Robert Merrill.
Why, then, only 4 stars, or more accurately, 3 1/2? Either I have better sounding LP originals than Cantor Goldberg does, which I think is highly unlikely, or the remastering had some problems. Some of the selections, notably `Funiculi Funicula' and `O Divine Redeemer', simply do not sound as good as they do on my LPs. It is possible this is due to my hearing the LPs and this CD on different systems, and also I have not listened to the LPs in some time and may be remembering incorrectly. In general, I get the impression that the process used was something similar to the Ambisonic Process used by Nimbus Records - both give Bjorling a faraway sound, sometimes almost like he is underwater. One thing I think was a very bad idea was that in virtually every case applause was cut off, making the ends of songs seem very abrupt and in some cases taking away from the impact of Bjorling's final (occasionally high) notes. To be even more picky, I think I would have also preferred the French language Gounod `Sanctus' he sang on the same broadcast as `O divine redeemer', because I don't think it's a terribly good English translation and it sounds better in Latin anyway. Still, I understand that Cantor Goldberg wanted to give us the rarest items possible.
Though Jussi Bjorling impresses under almost any circumstances, I think this is a CD less for people who are comparatively new to his voice than for committed collectors, for whom this disc will be essential. And of course, I hope for Volume II and III and IV, or even more, even if they might need to change engineers. There's still quite a few more Bjorling rarities out there...
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Russian Music and Revolution
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- Greatest Hits: The Tsar (Russian Orchestral Favorites)
ASIN: B00000J2QM
Release Date: 1999-05-25 |
Tracks:
- Khovanshchina: Dawn On The Moskva River - Cleveland Orchestra
- Prince Igor: Polovstian Dance No. 2 - Toronto Mendelssohn Choir
- The Statue Of Tsarskoye Selo - Cesar Cui
- Under The Mysterious Mask - Jennie Tourel
- The Tale Of The Tsar Saltan: Flight Of The Bumblebee - Arcadi Volodos
- Le Coq d'Or: Bridal Procession And Lamentable Death Of King Dodon - Philadelphia Orchestra
- Mlada: Procession Of The Nobles - Philadelphia Orchestra
- Caucasian Sketches For Orchestra: Procession Of The Sadar - Philadelphia Orchestra
- The Seasons For Orchestra: Autumn - Andre Kostelanetz & His Orchestra
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- Sonata For Piano No. 1 In F Minor Op.1 - Yefim Bronfman
- Classical: Gavotta: Non Troppo Allegro - New York Philharmonic
- Classical: Finale: Molto Vivace - New York Philharmonic
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Art of Eugene Ormandy - Orchestral works including: Myaskovsky: Symphony No. 21 in F sharp minor, Op. 51 / R. Strauss: Sinfonia Domestica / Mahler: Symphony No. 8 in E flat major - Part 1 (2 CDs)
Manufacturer: Biddulph Records
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ASIN: B00003XAV6
Release Date: 2000-01-25 |
Tracks:
- Le Coq D'or: Hymn To The Sun - Eugene Ormandy/William Axt
- Sadko: Song Of India - Eugene Ormandy/William Axt
- Mlle. Modiste: Kiss Me Again - Eugene Ormandy/William Axt
- Souvenir - Eugene Ormandy/Stephanie Goldner
- Humoresque - Eugene Ormandy/Stephanie Goldner
- Hungarian Dance No.2 in d - Eugene Ormandy And His Salon Orch
- Southern Rhap - Eugene Ormandy And His Salon Orch
- Was It A Dream? - Smith Ballew/Hal Kemp/Nye Mayhew/Saxy Dowell/Skinny Ennis
- Chor And Fugue in d, Op.4 - Eugene Ormandy/Minneapolis SO
- Hungarian Caprice - Ray Fitch
- The Pleasure Dome Of Kubla Khan, Op.8 - Eugene Ormandy/Minneapolis SO
- When Johnny Comes Marching Home (An American Ov) - Eugene Ormandy/Minneapolis SO
- Essay No.1 For Orch, Op.12 - Eugene Ormandy/Philadelphia Orch
- Amelia Goes To The Ball: Ov - Eugene Ormandy/Philadelphia Orch
Tracks:
- Sym No.21 in f#, Op.51 - Eugene Ormandy/Philadelphia Orch
- Sinf Domestica, Op.53: I. Bewegt - Eugene Ormandy/Philadelphia Orch
- Sinf Domestica, Op.53: II. Scherzo - Eugene Ormandy/Philadelphia Orch
- Sinf Domestica, Op.53: III. Wiegenlied - Eugene Ormandy/Philadelphia Orch
- Sinf Domestica, Op.53: IV. Adagio - Eugene Ormandy/Philadelphia Orch
- Sinf Domestica, Op.53: V. Finale - Eugene Ormandy/Philadelphia Orch
- Sym No.8, Part I (Hymnus: Veni, Creator Spiritus): Veni, Creator Spiritus - Greater Los Angeles Chor/Hugo Strelitzer
- Sym No.8, Part I (Hymnus: Veni, Creator Spiritus): Imple Superna Gratia - Frances Yeend/Charles Kullman/Olive Mae Beech/Eula Beal/Suzanne Coray/Mack Harrell/George London...
- Sym No.8, Part I (Hymnus: Veni, Creator Spiritus): Infirma Nostri Corporis - Greater Los Angeles Chor/Hugo Strelitzer/Frances Yeend/Olive Mae Beech/Eula Beal/Suzanne Coray...
- Sym No.8, Part I (Hymnus: Veni, Creator Spiritus): Accende Lumen Sensibus - Frances Yeend/Olive Mae Beech/Eula Beal/Suzanne Coray/Charles Kullman/Mack Harrell/George London...
- Sym No.8, Part I (Hymnus: Veni, Creator Spiritus): (Veni, Creator Spiritus) - Olive Mae Beech/Eula Beal/Suzanne Coray/Charles Kullman/Mack Harrell/George London/Boys Chor...
- Sym No.8, Part I (Hymnus: Veni, Creator Spiritus): Gloria Patri Domino - Boys Chor/Roger Wagner/Frances Yeend/Olive Mae Beech/Eula Beal/Suzanne Coray/Charles Kullman...
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Marian Anderson: Brahms Alto Rhapsody & Lieder
Manufacturer: Pearl
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Similar Items:
- Marian Anderson Rare and Unpublished Recordings, 1936 - 1952
- Spirituals
ASIN: B000000WUW
Release Date: 1993-01-04 |
Tracks:
- Alto Rhapsody, Op.53
- Dein blaues Auge 59.8
- Der Schmied, Op.19-4
- Immer leiser wird mein Schlummer, Op.105-2
- La Favorita: O mio Fernando caro
- Samson et Dalila: Amour, viens aider
- Flickan ko, ifran sin, Op.37-5
- Sav, sav, susa, Op.36-4
- Come Away, Death
- Aus banger Brust, Op.50-4
- Langsamt som Kvallasskyn, Op.61-1
- Go Sown, Moses
- My Soul's Been Anchored In The Lord
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The Art of Nathan Milstein
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- Milstein (4CD Set)
ASIN: B0009YA3VS
Release Date: 2006-01-01 |
Product Description
"The Art of Pablo Casals" with songs by Schumann, Bach, and Beethoven. 2 CDs.
Average customer rating:
- WRONG ITEM
- Fast.
- The Ultimate Violinistic Reference for All of Us!
|
Heifetz Collection, Volume 5 (1939-1946)
Manufacturer: RCA
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ASIN: B000003FII
Release Date: 1997-06-17 |
Tracks:
- Concerto For Violin And Cello, Op. 102: Allegro
- Concerto For Violin And Cello, Op. 102: Andante
- Concerto For Violin And Cello, Op. 102: Vivace non troppo
- Concerto, Op. 61: Allegro, ma non troppo
- Concerto, Op. 61: Larghetto
- Concerto, Op. 61: Rondo: Allegro
Tracks:
- Concerto in B Minor: Andante tranquillo
- Concerto in B Minor: Presto capriccioso alla napolitana
- Concerto in B Minor: Vivace
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Decide; Calme; Anime
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Sicilienne: Pas vite
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Grave
- Concerto For Violin, Piano, & String Quartet, Op.21 In D: Tres anime
- Gavotte, Op.32, No.3
- March, Op.12,No.1 In F Minor
- Etude-tableau, Op.39, No.2 In A Minor
- Daisies, Op.38, No.3
- Oriental Sketch, Op.2, No.2
Customer Reviews:
WRONG ITEM.......2002-08-01
It's marked wrong volume.On the picture you have vol.5,not vol.4
Fast........2001-06-29
Yes. He did play fast. Yes, he played every note. Yes, he is in tune. But as the previous reviewer notes (with 5 stars nonetheless), the Beethoven has to be the most emotionally detached ever recorded. Is this following "the composer's intentions"? Given the other works Beethoven wrote during the same period, it seems extremely unlikely.
This is a "radical, off-the-wall" rendering, rather than a traditionalist one. No amount of technique can cover up for that fact. And the reality is it is not even very musical. Listen to the divinity of the Menuhin/Furtwangler recording, or that of Kreisler, or even, much more recently, Hilary Hahn's, and one easily sees that Heifetz is way off base. Yes, I admire his technique, greatly, but it is technique used for no discernible or serviceable purpose. It is a waste of talent, or not worth listening to more than once.
The Ultimate Violinistic Reference for All of Us!.......1998-09-18
My comments will emphasize the value of the concerto recordings:
1. BEETHOVEN Concerto in D. The old Victor 78 set (which sounded harsh and tinny) had a large diamond on the cover, and this reissue is indeed a gemstone, since its sound quality has been immeasurably improved! But the interpretation is one of the more severe and emotionally detached on records. I understand that 2 years ago, Seth Winner, the Toscanini archivist, discovered alternate takes of the first movement that may well be slower and more expressive than the approved sides used for this recording: watch the skies for them! Until then, be sure to acquire this set and not a cheezy bootleg fake-stereo from an unofficial source. I found this transfer, in a careful A-B comparison, to be identical to that contained in Vol 41 of the Toscanini Collection on RCA / BMG.
I must note that Josef Krips played the concerto once with Heifetz, and came backstage afterwards in a state of awe and astonishment. "He played EVERY NOTE...every single one!" said the amazed conductor, who was used to the usual violinistic tactic of skittering around in the fast passagework to cover up uneven playing. Here, too, every note is played -- honestly and with perfect judgment for values and dynamics -- and it is a glorious experience.
2. BRAHMS Double Concerto. Heifetz and Feuermann are of one mind in this classic and highly controlled interpretation, the antithesis of the heart-on-sleeve Walter / Francescatti Sony CD recording from 1959. Yet Ormandy and his Philadelphians are a shade stolid compared to other versions with Toscanini, Reiner, Fricsay, or Furtwaengler.
3. WALTON: Violin Concerto. This 1942 premiere recording of the great concerto commissioned by Heifetz features the Cincinnati Symphony led by the esteemed and highly- talented British conductor Eugene Goossens. This excellent- sounding record has always been my all-time FAVORITE version of the piece, dating back to my own copy on 78s. It surpasses Heifetz' 1950 remake, and just about every other of the dozens of alternative interpretations I have audited.
4. CHAUSSON: Concerto. This chamber work is a unique item in the repertoire, and has been recorded many times in memorable versions. The Heifetz sounds clear and clean, but is typical of his small ensemble performances: a bit fleet and unfeeling, sailing along with surface perfection in place, but lacking in more reflective qualities. Yet this was a phonographic classic, and has been well transferred in this all- mono honest restoration.
Music Track:
- Bach: Weihnachtsoratorium Arien & Chöre
- Beethoven: Piano Concerto No.5/Piano Concerto No.2
- Beethoven - Piano Trios Volume 4 - Piano Trio in B flat major ("Archduke") Op. 97; Piano Trio in E flat major ("14 Variations on an Original Theme") Op. 44; Piano Trio in E flat major
- Beethoven: String Quartet Nos. 15 & 16
- Boccherini: Strings Trios Op.47/1 - 6
- Carlo Bergonzi - Canzoni Napolitane
- Chopin's Greatest
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Music Track
music track
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