Mozart's Last Year
On this CD:
1. Piano Concerto No. 27 in B flat major, K. 595 Allegro
Composed by Wolfgang Amadeus Mozart
Performed by Columbia Symphony Orchestra
with Robert Casadesus
Conducted by George Szell
2. Minuet for orchestra in D major, K. 599/6
Composed by Wolfgang Amadeus Mozart
Performed by London Symphony Orchestra
Conducted by Erich Leinsdorf
3. German dance for orchestra in C major ("Die Schlittenfahrt"), K. 605/3
Composed by Wolfgang Amadeus Mozart
Performed by New York Philharmonic
Conducted by Leonard Bernstein
4. Quintet for 2 violins, 2 violas & cello, No. 6 in E flat major ("String Quintet No. 6"), K. 614 Allegro
Composed by Wolfgang Amadeus Mozart
Performed by Walter Trampler
5. Andante for mechanical organ in F major, K. 616
Composed by Wolfgang Amadeus Mozart
Performed by E. Power Biggs
6. Ave verum Corpus, motet for chorus, strings, & organ, K. 618
Composed by Wolfgang Amadeus Mozart
Performed by Philipp Cieslewicz, European Baroque Soloists, Christian Gunther, Christian M. Immler, Carsten Muller
Conducted by Gerhard Schmidt-Gaden
7. Die Zauberflöte (The Magic Flute), opera, K. 620 Overture
Composed by Wolfgang Amadeus Mozart
Performed by Tafelmusik Baroque Orchestra
Conducted by Bruno Weil
8. Die Zauberflöte (The Magic Flute), opera, K. 620 Dies Bildnis ist bezaubernd schön
Composed by Wolfgang Amadeus Mozart
Performed by Munich Radio Orchestra
with Siegfried Jerusalem
Conducted by Gabriel Chmura
9. Die Zauberflöte (The Magic Flute), opera, K. 620 Der Holle Rache
Composed by Wolfgang Amadeus Mozart
Performed by Lily Pons
Conducted by Bruno Walter
10. Die Zauberflöte (The Magic Flute), opera, K. 620 In diesen heil'gen Hallen
Composed by Wolfgang Amadeus Mozart
Performed by Vienna Symphony Orchestra
Conducted by Ion Marin
11. Die Zauberflöte (The Magic Flute), opera, K. 620 Ach ich fühl's
Composed by Wolfgang Amadeus Mozart
Performed by London Philharmonia Orchestra
with Ileana Cotrubas
Conducted by Sir John Pritchard
12. Die Zauberflöte (The Magic Flute), opera, K. 620 Ein Mädchen oder Weibchen
Composed by Wolfgang Amadeus Mozart
Performed by Vienna Symphony Orchestra
Conducted by Ion Marin
13. La Clemenza di Tito, opera, K. 621 Overture
Composed by Wolfgang Amadeus Mozart
Performed by Tafelmusik Baroque Orchestra
Conducted by Bruno Weil
14. Clarinet Concerto in A major, K. 622 Rondo. Allegro
Composed by Wolfgang Amadeus Mozart
Performed by Cleveland Orchestra
with Robert Marcellus
Conducted by George Szell
15. Horn Concerto No. 1 in D major, K. 412/514 (K. 386b) Rondo. Allegro
Composed by Wolfgang Amadeus Mozart
Performed by Ab Koster, Tafelmusik Baroque Orchestra
Conducted by Bruno Weil
16. Requiem for soloists, chorus, and orchestra, K. 626 Introitus: Requiem
Composed by Wolfgang Amadeus Mozart
Performed by Colette Alliot-Lugaz, Martyn Hill, La Grande Ecurie et la Chambre du Roy, Gregory Reinhart, Dominique Visse, Odile Bailleux
Conducted by Jean-Claude Malgoire
17. Requiem for soloists, chorus, and orchestra, K. 626 Kyrie
Composed by Wolfgang Amadeus Mozart
Performed by Colette Alliot-Lugaz, Martyn Hill, La Grande Ecurie et la Chambre du Roy, Gregory Reinhart, Dominique Visse, Odile Bailleux
Conducted by Jean-Claude Malgoire
18. Requiem for soloists, chorus, and orchestra, K. 626 Dies irae
Composed by Wolfgang Amadeus Mozart
Performed by Colette Alliot-Lugaz, Martyn Hill, La Grande Ecurie et la Chambre du Roy, Gregory Reinhart, Dominique Visse, Odile Bailleux
Conducted by Jean-Claude Malgoire
Mozart's Last Year, Music, Christian M. Immler, Gregory Reinhart, Robert Marcellus, Wolfgang Amadeus Mozart, Bruno Walter, Bruno Weil, Erich Leinsdorf, Gabriel Chmura, George Szell, Gerhard Schmidt-Gaden, Ion Marin, Jean-Claude Malgoire, Leonard Bernstein, Sir John Pritchard, Dominique Visse, European Baroque Soloists, La Grande Écurie et la Chambre du Roy, Tafelmusik Baroque Orchestra, Ab Koster, Christian Gunther, Cleveland Orchestra, Columbia Symphony Orchestra, London Symphony Orchestra, Münchner Rundfunkorchester, New York Philharmonic, Philharmonia Orchestra of London, Wiener Symphoniker, E. Power Biggs, Odile Bailleux, Robert Casadesus, Colette Alliot-Lugaz, Ileana Cotrubas, Lily Pons, Philipp Cieslewicz, Carsten Muller, Martyn Hill, Siegfried Jerusalem, Walter Trampler, Andante for Keyboard, Chamber, Choral, Clarinet Concerto, Classical, Classical Collections-Artist Desc., Classical Music, Concerto, Dance/Single-Movement/Miscellaneous Work for Orchestra
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Mozart's Last Year
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00003XAH3
Release Date: 2000-01-18 |
Tracks:
- Concerto No. 27 In B-Flat Major For Piano And Orchestra, K. 595: III. Allegro
- Six Minuets, K. 599: No. 6 In D Major
- Three German Dances, K. 605: 'Sleigh Ride'
- Quintet In E-Flat Major For Strings, K. 614: IV. Allegro
- Andante For A Toy Organ, K. 616
- Ave verum corpus For Voices, Organ & Strings, K. 618
- The Magic Flute: Overture, K. 620
- The Magic Flute: 'Dies Bildnis ist bezaubernd schon'
- The Magic Flute: 'Der Holle Rache'
- The Magic Flute: 'In diesen heil'gen Hallen'
- The Magic Flute: 'Ach ich fuhl's'
- The Magic Flute: 'Ein Madchen oder Weibchen'
- La Clemenza di Tito: Overture, K. 621
- Concerto In A Major For Clarinet And Orchestra, K. 622: III. Rondo: Allegro
- Concerto For Horn In D Major, K. 412 - 386b: II. Rondo. Allegro
- Requiem, K. 626: I. Introitus: Requiem
- Requiem, K. 626: II. Kyrie
- Requiem, K. 626: Dies irae
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Adelina Patti
Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Foster, Stephen
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| Gounod, Charles
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| Mozart, Wolfgang Amadeus
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| Thomas, Ambroise
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ASIN: B0002JEPJG
Release Date: 2005-03-29 |
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- A whisper from the past
- Hers is a voice in its final bloom
|
Adelina Patti
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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Foster, Stephen
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| ( G )
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All Works by Moore
| Moore, Thomas
| ( M )
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| Mozart, Wolfgang Amadeus
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Chamber Music
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| Romantic (c.1820-1910)
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General
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Romances
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Romantic (c.1820-1910)
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ASIN: B000000WT0
Release Date: 1992-12-23 |
Tracks:
- Le nozze di Figaro: Voi Che sapete
- Pur dicesti
- 'Swanee river': Old folks at home
- Don Giovanni: Batti, batti o bel Masetto
- Faust: Air des bijioux 'Jewel song'
- Il bacia
- The last rose of summer
- Ave maria
- Robin Adir
- Home Sweet home
- Si vous n' avez rien a me dire
- Comin' thro'mthe rye
- The banks of Allan Water
- On the parting
- 'twas within a mile
- A New Year message to Patti's Husband, baron Rolf Cederstrom.
- Kathleen Mavourneen
- La Serenata
- Norma: Casta diva
- Mignon: Connais-tu le pays?
- La Sonnambula: Ah non credea mirarti
- La Calasera
Customer Reviews:
A whisper from the past.......2003-09-17
I had read about Adelina Patti for years, then one year I was able to find a record set of 2 records containing her recordings. I listened to it with much interest. Out of the mist and dark, the crackles and spits, came forth a wonderful voice beautifully produced even if past its prime. The portamento style was completely strange to me, and at first it sort of sounded sloppy, but on repeated listening, I learned to accept its stylistic relevance.
Well, now those same recordings (even if not quite complete as the former set I had) are out there to listen to again. The remastering is a revelation. Yes, there is surface noise, so those who can't hear past that, I would NOT recommend you buy this recording. You are NOT going to hear any flights of coloratura to take your breath away (such singing Adelina was noted for, and did well); remember, the woman was OLD when these recordings were made, and had been retired a while. Yet, even making them thrilled her, for at first hearing she screamed out "Now I know why I am Patti."
Patti was of a long ago generation that now is nothing more than a mention in the ancient history books. However, she was one singer who not only reflected the tastes of her time, but actually knew most of the composers of the music she sang. When listening to this set, one wonders, "Was that how Gounod taught her to sing the role?" The composers she sang approved of the portamento, the extremely smooth legato, and the mellow quality of her voice. We can never know for sure, but we are led to wonder just what in her singing style is a reflection of the composer's intent.
Even with age, and with a less than perfect support, Patti is able to captivate us with her charm, her personality, and yes, her singing. People have commented on how she sounds more mezzo than soprano, and that is a reflection of the way singers sang at that time. Voices were trained with a strong full lower and middle register; high notes as we are used to hearing them were not considered appealing, though at the time of these recordings they were becoming more and more acceptable. High notes were not necessarily weak, but the volume we associate with them today simply was seen as tasteless. The voice was full at the bottom, and gradually lightened, yet still very penitrating. Thus, the rich sound we hear in Patti's singing (for alas, we hear no high notes at all) was probably the natural heart of her voice throughout her career. The caressing sweet high notes she was praised for would most likely have had that same richness along with a more brilliant focus.
This is all technical, and maybe not too interesting, but it helps the buyer have an idea of what they are going to listen to. One thing I have to comment on, and that is Patti's trill. In all recording I doubt there has been a more beautiful trill recorded. It is even, warm, and so perfect. Sutherland's comes close in mellow beauty, but most sopranos, though perfectly executed, seem to have none of Patti's warmth in their trills (Melba's was technically perfect, but compared to Patti is cold and lifeless). Even Ponselle's, in all its stunning volume and briliance, has nothing on Patti.
This is not a recording for everyone, and to some hearing things like "Old folks at home" may see like a cheap shot considering Patti's greatness in an era of super great singers. Again, the woman was old, and she recorded what she could (and even a few things she couldn't do) and left us with a glimpse, even if ever so clouded, of the wonderful joys of singing audiences of the past basked in regularly.
Hers is a voice in its final bloom.......2003-08-17
I heard that Adelina Patti's voice was a delight to hear. If only the gramphone would have been invented earlier than 1888 so I could have heard her voice in its prime. The charm and fullness of her vocal technique seems to have survived alright into the time of the recording, though she sounds more mezzo than soprano. She tends to slide a bit in Lotti's "Pur de cesti". The Mozart aria "Voi che sapete" had a little too much pace in the "Sospiro gemo" part, which kind of threw her off count. But I give her credit for the work she did in recording these songs. They can also paint pictures of Victorian and Romantic delights and transport the listener to the garden of past singers where Patti's voice was in its final flowing.
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The Complete Adelina Patti & Victor Maurel
Manufacturer: Marston
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Flotow
| Flotow, Friedrich von
| ( F )
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| Music
Foster, Stephen
| ( F )
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All Works by Gluck
| Gluck, Christoph W.
| ( G )
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All Works by Gounod
| Gounod, Charles
| ( G )
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All Works by Massenet
| Massenet, Jules
| ( M )
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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All Works by Thomas
| Thomas, Ambroise
| ( T )
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
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| Classical
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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| Music
General
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| Historical Periods
| Classical
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| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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| Music
General Contemporary
| Modern, 20th, & 21st Century
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| Classical
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| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
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| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
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| Music
General
| Classical
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Romances
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| Opera & Vocal
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Romantic (c.1820-1910)
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German
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ASIN: B00000AE0K
Release Date: 1998-08-11 |
Customer Reviews:
SIMPLY SUPERB!!!!.......2002-06-07
The very best compilation of the complete Adelina Patti recordings ever issued, and certainly a reference work that will be very difficult to imitate or surpass.
Music Track:
- Mozart: Requiem & Eine kleine Nachtmusik
- Mozart: Sonate Palatine
- Mozart: Symphonies 35, 36, 38
- Mozart: Symphonies 38, 39, 41
- Mozart: Symphony Nos.39, 40 & 41
- Music of Irwin Bazelon
- Musica Polonica
- Nino Rota: Chamber Musis
- O Isis und Osiris: Ensemble 11 Plays Mozart
- On Fire: 20th Century Retrospective
Music Track
music track
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