Chopin: Works for Solo Piano
On this CD:
1. Polonaise for piano in F sharp minor, Op. 44, CT 154
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
2. Nocturne for piano in B flat minor, Op. 9/1, CT 109
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
3. Nocturne for piano in E flat major, Op. 9/2, CT 109
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
4. Waltz for piano in E minor, KK IVa/15, CT 222
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
5. Mazurka for piano in B flat major, Op. 7/1, CT 56
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
6. Polonaise for piano in A major, Op. 40/1, CT 152
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
7. Nocturne for piano in C minor, Op. 48/1, CT 120
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
8. Waltz for piano in E flat major, Op. 18, CT 207
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
9. Mazurka for piano in D major, Op. 33/2, CT 73
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
10. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT 46
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
11. Ballade for piano No. 1 in G minor, Op. 23, CT 2 (Four Ballades)
Composed by Fryderyk Chopin
Performed by Ronan O'Hora
Chopin: Works for Solo Piano, Music, Fryderyk Chopin, Ronan O'Hora, Ballade for Keyboard, Classical, Classical Music, Fantasy/Fantasia for Keyboard, Keyboard, Mazurka for Keyboard, Nocturne for Keyboard, Orchestral & Symphonic, Polonaise for Keyboard, Waltz for Keyboard
Average customer rating:
- My experience of this CD
- Beautiful!
- Well worth the money. Wonderful! Wonderful!
- Best investment to make
- A great pianist interpreting the most inspired composer ever !
|
Chopin: The Piano Works
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Liszt: Piano Works
- Brahms: Works for Solo Piano
- Schubert: The Piano Sonatas
- Works for Solo Piano
- Mozart: The Piano Concertos
ASIN: B0000041KB
Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.
Beautiful!.......2006-08-18
This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!
Best investment to make.......2006-05-21
In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Average customer rating:
- Very Enjoyable for all music fans
- Absolutely Amazing! Two CDs packed with the world's most beautiful classical music...
|
The Classical Album 2005
Manufacturer: Decca
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ASIN: B000A8AXWW
Release Date: 2005-09-13 |
Customer Reviews:
Very Enjoyable for all music fans.......2006-03-02
This is very good collection of music that brings to life a wide variety of music that is both old and contemporary. The selections vary from composers, historical and famous such as Pavarotti and Puccini to today's James Horner (Titanic, A Beauituful Mind) and John Williams (Star Wars, Sabrina, Jaws, Saving Private Ryan).
If you enjoy the sounds of Sarah Brightman, Charlotte Church, Enya, Kate Bush, Andrea Bocelli, and various theatre music (Andrew Lloyd Webber (Evita, Cats), then you will find this collection worthy of your appreciation.
I have often wondered why classical music radio channels do not play modern composers (i.e., Horner, Willams), and am glad that this album gives them credit that they deserve. There is so many good compositions being created every day that only appear to have a voice on the big screen, which is unfortunate.
Track 11, composed by The Doors, and is a nice version, indeed. I also enjoy the Bond players giving a new twist to some old favourites.
Ciao,
Neil
Absolutely Amazing! Two CDs packed with the world's most beautiful classical music..........2005-11-08
First, let me begin by saying that I am by no means an expert in classical music, but have grown to appreciate it immensely in the past year. I can say wholeheartedly that this is the most beautiful compilation of music I have ever had the pleasure of listening to. It's simple irresistible. There are few words to describe how emotional it is to hear Pavarotti sing "II Canto", or Placido Domingo belt out "Questa o quella". You just get numb with joy!! I have NO idea what they are saying but a translation not necessary. The entire collection (TWo jammed-packed CDs) is phenomenal (excluding the selections from "Bond" which I found to be particularly annoying and not at all "classical" in the true sense of the word). There is something here for everyone, regardless of your personal musical tastes or tolerances.
A guaranteed hit -- Don't miss this one.
CD One
Andrea Bocelli "En Aranjuez con tu amor"
Bryn Terfel - "Granada"
Bond - "Viva" ( not my favorite, sounds almost disco-ish)
Hayley Westenra - "Pokarekare Ana"
Luciano Pavarotti - "Una Mattina"
Katherine jenkins - "Time To Say Goodbye" (a heart stopper - so beautiful!)
Duel - "Canon" (lovely!)
Janine Jansen - "Allegro from 'Spring'"
Andreas Scholl - "Ombra mai fu"
Nigel Kennedy - "The Unknown Soldier"
Kiri Te Kanawa - "Nuns' Chorus"
Nelson Freire - "Chopin Etude No. 1 op. 25
Julian Lloyd Webber - "Flight of the Bumble-bee"
James Horner - "For the Love of a Princess
Hans Zimmer & Lisa Gerrard "Now We Are Free"
Renee Fleming - "Mesicku na nebi hlubokem"
Russell Watson - "Amore e Musica"
CD TWO
Luciano Pavarotti - "II Canto" (I MUST see him sing this in person!!)
Placido Domingo - "Questa o quello" (I never tire of hearing this)
Andrea Bocelli & Bryn Terfel - "the Pearl Fisher's Duet"
Jose Carreras - "Funiculi, funicula
Dominc Miller & Kaori Muraji - "Fragile"
Tavener - "Song for Athene"
Josep Calleja - "La donna e mobile"
Jean-Yves Thibaudet - "Gymopedie No. 1"
Juan Diego Florez - "Una furtiva lagrima"
Kathleen Ferrier - "Blow the Wind Southerly"
Angela Gheorghiu - "Ave Maria"
Janine Jansen - "Schindler's List Main Theme"
Bond - "explosive"
Secret Garden - "You Raise Me Up"
Hayley Westenra - "Never Say Goodbye"
The Three Tenors - "Nessun Dorma"
Enjoy!
Cris Cunningham for Amazon.com
Average customer rating:
- Soul Food
- Absolutely wonderful
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My Favorite Encores
Manufacturer: RCA
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Similar Items:
- The World's Favorite Piano Music
- My Favorite Chopin
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- Van Cliburn: My Favorite Liszt
- Tchaikovsky: Concerto No. 1/Rachmaninoff: Concerto No. 2
ASIN: B000003F3H
Release Date: 1991-05-10 |
Tracks:
- Scherzo No. 2, Op. 31
- Reflections in the Water
- Etude, Op. 4, No. 3
- Etude, Op. 10, No. 12: Revolutionary
- La plus que lente
- The Girl with the Flaxen Hair
- Nocturne, Op. 62, No. 2
- Dedication
- Etude, Op. 8, No. 12
- Clair de lune
- Etude tableau, Op. 39, No. 5
- The Isle of Joy
Customer Reviews:
Soul Food.......2003-10-03
This collection is simply delicious! It is no less than food for the soul. Van Cliburn is my favorite pianist for the sheer fact that he does not get in the way of the performance. Cliburn plays the music as it was intended to be heard. Never too fast or too slow, Cliburn seems to be in tune with the timing of the Gods! Chopin has never been played more beautifully. Chopin's music requires sensitivity to each and every note. So often a pianist will rush through Chopin as if he were a jockey at the Kentucky Derby; not Cliburn. Cliburn caresses each note and brings out the subtle and sublime harmonies that Chopin composed. We are fortunate to have the recordings of Van Cliburn and esspecially his Chopin and Debussy. Treat yourself to this soul satisfying gift!
Absolutely wonderful.......2000-04-12
This features some of the most beautiful songs played by the one of the best pianists in the world. Van Cliburn clearly enjoys and loves playing these pieces. There is a wide spectrum of "classical music" played from Scriabin to Chopin. I definietly recommend this CD to anyone who appreciates fine music and outstanding performances.
Average customer rating:
- Bill Goes 'Symphonic'
- A Gem Among Bill's Recordings
- One for the Ages
- a stunning fusion of classical and jazz
- Thomas Zink
|
Bill Evans Trio with Symphony Orchestra
Manufacturer: Polygram Records
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ASIN: B0000046UD
Release Date: 1990-10-25 |
Tracks:
- Granadas
- Valse
- Prelude
- Time Remembered
- Pavane
- Elegia (Elegy)
- My Bells
- Blue Interlude
Amazon.com
Throughout his career, pianist-composer Bill Evans successfully melded Bud Powell's fiery bop-paced technique with the lyricism and harmonic language of the French impressionists Ravel and Debussy. So it was only natural that he would record a session that combines the jazz and classical traditions.
Released in 1965, this date features Evans's trio with drummer Larry Bunker, who, three decades later, guest-starred on Diana Krall's When I Look in Your Eyes, and the sensitive bassist Larry Bunker. They're augmented by the azure-tinged arrangements by the famed conductor Claus Ogerman, who worked his magic with artists from Antonio Carlos Jobim to Frank Sinatra. The result of this union is a swinging and seamless interplay in which improvisation becomes spontaneous composition, and vice versa. The linearity and logic of Evans's lines erase centuries of musical distance from the works of Bach, Chopin, Granados, Fauré, and Scriabin, with the trio's trademark telepathy expressed in 4/4 and 3/4 time signatures and light Latin tinges. Evans's haunting compositions, "My Bells" and "Time Remembered," imbued by Ogerman's ethereal strings, are the jewels of this delightful recording, whose brilliance has increased with time. --Eugene Holley Jr.
Customer Reviews:
Bill Goes 'Symphonic'.......2004-06-10
This is an unusual Bill Evans recording, as it combines his trio with a "symphony orchestra" playing arrangements by Claus Ogerman of several "classical" themes along with two of Evans's most haunting originals: "Time Remembered" and "My Bells". Not that there's much of a classical feel to the orchestrations: apart from the Vaughan Williams/Shostakovich overtones of Ogerman's "Elegy", the orchestral music is more reminiscent of a glossy 1960s/70s film score. There's some attractive woodwind and french horn, but on some of the tracks the large string section might be a bit too lush for some tastes. Fortunately, on most tracks the orchestra confines itself to stating the theme at the opening and in a few places playing a fairly discreet accompanying role, but generally keeping out of the way of Evans's improvisations. So the main "fusion" interest lies in what Evans does with the themes in his solos.
One of the minor oddnesses of the album is the way in which, on some tracks, the beginning of Evans's solo launches into a very different tempo and mood from the one just established in the orchestra's theme statement. Sometimes - as on Faure's Pavane - this creates a musically effective contrast; elsewhere - as on "Granados" - it leaves you feeling too sharply aware of the incongruity rather than empathy between the different musical worlds being brought together. Maybe that's partly why the most satisfying of the "classical" tracks are the Bach Sicilienne and "Blue Interlude" (on Chopin's C minor Prelude): each solo seems to grow organically out of its theme and both themes inspire Evans to some excellent improvisation. Listen, for example, to the way in which he exploits the "bluesy" aspect of the Chopin as his solo builds to its climax. Evans's own "My Bells" is another high spot of the album - an attractively nostalgic modal theme tastefully arranged for the orchestra, leading to a gently swinging solo and a rubato restatement of the theme by Evans before a wistful coda.
There's certainly a lot of absorbing, beautiful playing from the Evans trio here, including a high level of melodic invention and incomparable rhythmic subtlety from the pianist. But the appeal of the album will largely depend on what you think of the orchestra's part in the proceedings. It's probably one to try before you buy.
A Gem Among Bill's Recordings.......2002-06-25
This recording is a gem of Bill's playing. Simple, clean lines, and a beautiful background by Claus Ogerman. I listen to this recording over and over. I was a fan of Bill Evans and Claus Ogerman before I listened to this CD. But this exceeded my expectations of the two artists.
One for the Ages.......2001-08-09
"The Bill Evans Trio with Symphony Orchestra" was one of the first recordings I ever heard...EVER. My Mon used to play the LP while she was carrying me so I really do mean first. With that in mind it has never been far from my CD player for as long as I can remember. From all reports this was a troubled recording session with the arranger and conductor of record, Claus Ogerman having trouble controlling all the elements specifically the pick up orchestra and vocal soloist. Sometimes great things come out of great conflict to paraphrase an old saying. Because, despite all of this this is one of the most glorious recordings ever produced. The Ogerman arrangements are lush and beautiful to the point of distraction. Evans chose the perfect composers to compliment his style and that of his trio. Listen to his rendition of Faure's Pavane or Granados' Granadas. And Ogerman and Evans have also composed two of the tracks themselves. Gorgeous. Lie back on your sofa, turn the volume up, open a bottle of Pinot Noir and let this music take you away.
a stunning fusion of classical and jazz.......2001-05-03
There's nothing like having your expectations completely blown away - this recording is a revelation. I've set my cd player to repeat and listened to this cd for hours at a time. If you're looking for a fresh interpretation of jazz, look no further.
Thomas Zink.......2000-06-23
Easily one of the most daring ventures in crossover jazz, this recording was always one of Bill's favorites. Though not without is failings, it is nontheless a brilliant meeting of the minds between Claus Ogerman and Bill Evans, with Ogerman's orchestral arrangements alone being worth the price of the C.D. The trio is swinging and interacting well, although (probably due to the nature of recording with a whole orchestra in a large studio) not at the level of say "The Village Vangard" sessions. Actually one of the greatest drawbacks of the CD is the recorded sound of the trio - the piano in particular. This was probably due to the nature of recording a jazz trio live alongside an orchestra. Once past these minor distractions, however, the CD is a beautiful interweaving of the classical and Jazz traditions taking some of the best elements of each and creating a new blend. Of course to purists of either tradition such an attempt is almost bound to elicit disapointment, but to those with an open mind there is so much in the way of beautiful music that the CD is a constant joy. Although not extremely well know, Evan's knowlege of the classical tradition was deep and broad, as evidenced by his (and Ogerman's) choice of material. The selections range from Bach and Chopin to Faure and Scriabin with the addition of 3 original compositions - all of which are notable for their beautiful melodies and sensative arrangements. There is not a long list of succesful or well recieved attemps to modify the classics into contemporary arrangements, but this is not to say the idea is without legitimacy. Certainly Broadway show tunes (which are the consistent staple for jazz musicians) in their modified version as recorded by say Miles Davis or John Coltrane have about as much (or perhaps even less) similarity to the original version as do these arrangenments to the classics from which they were taken. In either case, the resulting music in the hands of the masters, be they Miles, Evans, or Orgeman is a pleasure to listen to.
Average customer rating:
- Mr. Gould: the Genius of Recorded Music!
- The definitive interpretation of Schoenberg piano works
- Keep listening
- The "least dry" Schoenberg ever
- A Master Pianist Plays His Favorites
|
Schoenberg: Piano Works
Manufacturer: Sony
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ASIN: B0000028O6
Release Date: 1995-02-07 |
Tracks:
- Three Piano Pieces, Op. 11: Massige
- Three Piano Pieces, Op. 11: Massige
- Three Piano Pieces, Op. 11: Bewegte
- Five Piano Pieces, Op. 23: Sehr langsam
- Five Piano Pieces, Op. 23: Sehr rasch
- Five Piano Pieces, Op. 23: Langsam
- Five Piano Pieces, Op. 23: Schwungvoll. Massige
- Five Piano Pieces, Op. 23: Wlazer
- Six Little Piano Pieces, Op. 19: Leicht, zart
- Six Little Piano Pieces, Op. 19: Langsam
- Six Little Piano Pieces, Op. 19: Sehr langsame
- Six Little Piano Pieces, Op. 19: Rasch, aber leicht
- Six Little Piano Pieces, Op. 19: Etwas rasch
- Six Little Piano Pieces, Op. 19: Sehr langsam
- Suite for Piano, Op. 25: Praludium. Rasch
- Suite for Piano, Op. 25: Gavotte. Etwas langsam. nicht hastig - Musette. Rascher - Gavotte da capo
- Suite for Piano, Op. 25: Intermezzo
- Suite for Piano, Op. 25: Menuett. Moderato - Trio - Menuette da capo
- Suite for Piano, Op. 25: Gigue. Rasch
- Two Piano Pieces, Op. 33- A & B: Massige
- Two Piano Pieces, Op. 33- A & B: Massig langsam
Tracks:
- Concerto For Piano And Orchestra, Op. 42: Andante -
- Concerto For Piano And Orchestra, Op. 42: Molto allegro
- Concerto For Piano And Orchestra, Op. 42: Adagio
- Concerto For Piano And Orchestra, Op. 42: Giocoso
- Phantasy For Violin And Piano Accompaniment, Op. 47: Grave - Piu mosso - Meno mosso - Lento - Grazioso - Tempo I - Piu mosso -
- Phantasy For Violin And Piano Accompaniment, Op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I
- Ode To Napoleon Buonaparte, Op. 41
- Pierrot Lunaire, Op. 21: Mondestrunken
- Pierrot Lunaire, Op. 21: Colombine
- Pierrot Lunaire, Op. 21: Der Dandy
- Pierrot Lunaire, Op. 21: Eine blasse Wascherin
- Pierrot Lunaire, Op. 21: Valse de Chopin
- Pierrot Lunaire, Op. 21: Madonna
- Pierrot Lunaire, Op. 21: Der kranke Mond
Customer Reviews:
Mr. Gould: the Genius of Recorded Music!.......2005-01-31
Gould was playing Schoenberg in the 1950s--just shortly after the composer's death. He realizes the Op. 11 pieces in a very late-Brahmsian manner, in keeping with his gestalt of turn-of-the-century Modern music, viz., Brahms, Strauss, Scriabin, Schoenberg, Hindemith, et al.
The Op. 25 Suite is an exquisite refraction of a Bach French Suite--but done in Schoenberg's 12-tone form. Here Gould plays Schoenberg as he does Bach!
Gould's realization of Schoenberg's Piano Concerto is very secco (dry), and intentionally miked very closely: i.e., the recording was made with microphones placed close to the performers, rather than way back out in the audience area of a hall. This was Gould's idea, and the results are outstanding: the best Schoenberg Piano Concerto available--pace, Uchida and Brendel, et al.
Gould's Pierrot is his first attempt at conducting, and one wishes he had completed it and done more. In the end, Gould conducted Wagner's Siegfried Idyll with outstanding results.
This is a great set.
The definitive interpretation of Schoenberg piano works.......2003-12-27
While other pianists dabbled at these fine pieces, none other than Glenn Gould provides the definitive interpretation of Schoenberg's piano works. Thoroughly studied, Gould presents the serialism clearly and presents the dimensions of the revolutionary works.
By detaching yourself from the tonality of traditional tonal music, and immersing in the world of Schoenberg, the shape and lines of the music will gradually become clear. Gould is perhaps the greatest advocate and messenger of Schoenberg's distinct language.
Keep listening.......2000-09-13
These are difficult pieces for me. They require concentrated listening, and challenge my understanding of music. Sometimes, I don't like what I hear, and other times, it's just too much work to listen to very much of this. However, when I am able to devote some time to listening with an understanding mind, I am amply rewarded. I have listened to this CD for several years and I will probably never understand this music. I do enjoy listening and learning from it, though. I am thankful that someone as talented as Glenn Gould has interpreted these pieces. If you are interested in one of the most important composers of the twentieth century, or one of the greatest legends of the keyboard, this CD will interest you. To paraphrase what Moby wrote on his CD, Animal Rights, "Please listen to this CD completely at least once."
The "least dry" Schoenberg ever.......1999-11-10
I believe wholeheartedly that, for the uninitiated, this disc is difficult to truly appreciate without having heard other pianists attempt these pieces (e.g., Pollini). To enjoy listening to Schoenberg necessitates a certain familiarity with prolonged "dissonance", just like strong coffee or unfiltered beer--it takes some getting used to. If you're already there, it's not "dissonant", it's "music" (just like other alternate melodic conceptions-raga, gamelan, mbira, partch, etc.), and Gould's passionate readings here display his love for and understanding of the music's heart. Go Glenn.
A Master Pianist Plays His Favorites.......1999-04-08
Schoenberg's rigid mathematics, his triads, his serialism, his tonal abilities, when demonstated through his piano pieces (especially through these piano pieces) allow a pianist with the mechanical ability and inspired play of Glenn Gould the chance to demonstrate how to hear, feel and convey a music that, to many listeners, often reflects, upon fist listen, chaos. But the music on this 2 CD set is not to be listened to merely once. Glenn Gould, master pianist, is playing his favorite works by one of his favorite composers. The Schoenberg basher will hear more chaos than in other recordings of these piano pieces, merely because Gould's sure fingers, his hands, are as revolutionary as the music he is playing.
Average customer rating:
|
Piano Classics: Popular Works for Solo Piano
Manufacturer: Telarc
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ASIN: B000003CYP
Release Date: 1992-11-17 |
Tracks:
- Fur Elise
- La Fileuse (The Spinner)
- Nocturne
- Nocturne
- Prelude (Raindrop Prelude)
- Waltz
- Nocturne
- To A Wild Rose
- Romance
- Scherzo
- Melodie
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- Gymnopedie
- Traumerei
- Waltz
- Rondo Alla Turca
- Clair De Lune
- Arabesque
Amazon.com
How many times have you heard a child in the other room playing--or attempting to play--Beethoven's "Für Elise" or Edward MacDowell's "To a wild rose"? Well, here you get these and 16 more all-time favorite little gems, performed to unaffected, unpretentious perfection--a real treat for anyone who's ever labored over piano lessons, and anyone, child or adult, who loves piano music.
Average customer rating:
- INCREDIBLE TECHNIQUE, PHRASING,TONE
- Very good technique....tone...no
- Wow
|
Amanda
Isaac Albeniz , Fryderyk Chopin , Manuel de Falla , Enrique Granados , Ernesto Lecuona , Franz Lehar , Thelonious Monk , Gioachino Rossini , Cyril Scott , Carl Maria von Weber , and Amanda Pepping
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD
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ASIN: B000AMPZL2
Release Date: 2005-09-13 |
Tracks:
- Asturias Leyenda De La Suite Espanola
- Cordoba
- Andalucia
- Gitaneras
- Malagunea
- Lotus Land
- Andaluza, Spanish Dance No.5
- Scherzo
- Muzurka
- Frasquita
- Malaguena
- El Pano Moruno
- Seguidilla
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- The Willow Song
- Danse Espagnol
- Round Midnight
Album Description
Amanda Pepping, one of the rare company of female trumpet virtuosi, enjoys a diverse career as an active soloist, ensemble musician, and music teacher. She has had dozens of solo engagements in the last few years. This CD is a collection of many of Pepping's favorite pieces.
Customer Reviews:
INCREDIBLE TECHNIQUE, PHRASING,TONE.......2007-06-28
I don't know what music the first comment was referring to when he said she doesn't have good tone. Amanda Pepping is superb in every aspect of her playing. Fast, articulate, great phrasing, technique, and tonal quality. He needs to get his trumpet out and match what she does. (If he even plays at all). I think he can probably play "Twinkle, twinkle, little star".
T.A.
Very good technique....tone...no.......2005-10-21
She's got some very impressive technique, especially from what you hear on the first track...all that rapid firing! wow
But when you talk about tone, which I believe is the essence of trumpet playing, she does not produce a rich enough tone
If you want to listen to INSANE technique while still retaining a beautiful tone, listen to Maurice Andre, his Carnival of Venice was quite impressive
Wow.......2005-09-20
Amanda Pepping is most definitely in the elite company of the small sorority of female trumpet virtuosi. Brava!
Average customer rating:
- Simply Beautiful
- Listened to every night for 6 years
- lovely, peaceful music beautifully played
|
Quietude
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005B7KA
Release Date: 2001-04-24 |
Tracks:
- Introspection - Carlos Salzedo
- Reverie - Calude Debussy
- Gymnopedie No. 1 - Erik Sate
- Quietude - Salzedo
- Meditation from Songs Without Words, Op. 67, No. 1 - Felix Mendelssohn
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- Gnossienne No. 2 - Satie
- Gnossienne No. 3 - Satie
- Sarabande - Debussy
- Prelude in A major, Op. 28, No. 7 - Frederic Chopin
- Prelude in E minor, Op. 28, No. 4 - Chopin
- Prelude in C minor, Op. 28, No. 20 - Chopin
- Berceuse from Pensees lyriques, Op. 40, No. 5 - Jean Sibelius
- Tenderly Emoted - Salzedo
- Dreamingly - Salzedo
- Profoundly Peaceful - Salzedo
Customer Reviews:
Simply Beautiful.......2005-11-18
This album has some of the most relaxing things on it I've ever listened to. Put it on before bed, and you'll go to sleep in no time. I especially love how Kondanassis chose some songs written originally for piano, and played them on the harp (e.g. Satie and Chopin's pieces on here).
A great buy!
Listened to every night for 6 years.......2005-07-16
The CD gets turned on the minute I get in bed...whether I then just listen,or read..or even have news on TV...this is my relax to sleep in peace personal system
lovely, peaceful music beautifully played.......2004-04-17
I have always loved harp music, and this collection performed by Yolanda Kondonassis is very beautiful. The pieces chosen are all mellow and quiet; they are very good to listen to while meditating or trying to wind down. Kondonassis plays beautifully, and her style brings a sensuous tranquility to the music. The transcriptions from orchestral to harp music are quite good, in that they don't sound like transcriptions, but as if the music were originally written for harp.
Average customer rating:
- The essence of a great entertainer catpured.
|
At The Hollywood Bowl + Encore
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005Y8VW
Release Date: 2001-01-30 |
Tracks:
- I'll Be Right Back
- Alouette - Liberace, George Liberace, Los Angeles Philharmonic
- Theme and Welcome Back
- Gershwin Medley: Rhapsody in Blue/Embraceable You/Love Walked ...
- Hillbilly Music
- Hey Liberace
- Intro
- Liberace Boogie
- Intro
- Rosary
- George and His Hot Fiddle
- Sweet Sue, Just You
- How About Another One?
- Tea for Two
- Sometimes I'm Ashamed to Take the Money
- Alexander's Ragtime Band/Old Folks at Home
- Taking Requests
- Hollywood Bowl Concerto: Jalousie (Jealousy)/Star Dust/Walkin' My Baby
- Closing Theme and Good Night
Album Description
2 CD set includes-At The Hollywood Bowl & Hollywood Bowl Encore. These two albums comprise a memorable 1954 performance including, for the first time, the entire concert, complete with Liberace's colorful monologues. Highlights include 'Beer Barrel Polka (Roll Out The Barrel)', 'Bumble Boogie' and 'Twelfth Street Rag'. 2002.
Customer Reviews:
The essence of a great entertainer catpured........2004-05-03
Liberace was a great showman and entertainer. This double CD is the best record of his classic act and demonstrates what Liberace was all about. Although recorded in 1954 the sound quality is fine and many of the elements from that period remained part of Liberace's act over more than 30 years. Interestingly - he was not yet using "I'll Be Seeing You" as his exit music. If there is anything you like about Liberace - get this CD.
NB Amazon (on 2/5/04) was only listing the tracks on the second CD.
Average customer rating:
- Beautiful solo piano
- Beautiful Music, Beautifully Played
|
Autumn Songs: Popular Works For Solo Piano
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003D0U
Release Date: 2002-10-22 |
Tracks:
- Traumerei, Op. 9, No. 4
- Romance In F-Sharp Major, Op. 28, No. 2
- La Fille Aux Cheveux de Lin
- The Little Shepherd
- Prelude In C Major
- Nocturne In C-Sharp Minor, Op. 27, No. 1
- Warum?
- Allegro From Sonata In C Major, K. 545
- Andante Molto From Sonata In G Minor, Op . 7
- Melodie In F Major, Op. 3, No. 1
- Autumn Song
- Duetto
- Song Without Words In G Major, Op. 62, No. 1
- Le Coucou
- 'Minute' Waltz In D-Flat Major, Op. 64, No. 1
- The Bee's Wedding
- The Flight Of The Bumblebee
- Valse In E-Flat Major
- Prelude In C-Sharp Minor, Op. 3, No. 2
- Consolation No 3 In D-Flat Major
- Prelude No 2
Customer Reviews:
Beautiful solo piano.......2001-01-14
Irish pianist John O'Conor has eloquent phrasing, and impeccable technique. And this album is proof of that...21 beautiful songs, played as only a pianist of the highest caliber can play them. This album is very highly recommended. You don't have to be a classical connossieur to enjoy it...I most certainly am not. A lot of the pieces are very familiar, and as you hear them, you may find yourself saying "Oh, I know that song". This is the album that opened me up to more classical works, and since aquiring this, I have purchased more works by the composers on this album.
Beautiful Music, Beautifully Played.......2000-06-18
I have been a fan of the wonderful pianist John O'Conor since I first heard him live here in St. Louis. It was an unforgettable recital and I bought as many CD's of his that he had out at the time and have continued to add to my collection. Mr. O'Conor has a marvelously lyrical way of phrasing which seems to be almost like singing at times. This CD, Autumn Songs, is a great favorite of mine and I've given it as a present to several of my friends. I am a piano teacher and often play pieces from Mr. O'Conor's oeuvre to show a student how a great pianist would perform. This CD has such beautiful selections, and I especially love Mr. O'Conor's interpretation of "Duetto" from Mendelssohn's Song Without Words and "Warum?" and "Romance in F-sharp" by Schumann. Any music lover will enjoy this gorgeous CD. Give yourself a great gift and buy it.
Music Track:
- Chorwerke
- Christ the King: Collection of the Two Feasts
- Concerto for Harpsichord / Valses / Sonata
- Conducts Rome Symphony Orchestra
- Easter Collection
- Elegant Days
- Frescobaldi: Arie Musicali Book 2, 1630
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Music Track
music track
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