Chamber Music of Viktor Suslin
On this CD:
1. Midnight Music for violin, harpsichord (with live electronics) & double bass
Composed by Viktor Suslin
Performed by Tatyana Grindenko, Aleksei Lubimov
2. Crossing Beyond for viola, cello & double bass
Composed by Viktor Suslin
Performed by Igor Boguslavsky, Vladimir Tinkha
3. Trio Sonata for flute, guitar & cello
Composed by Viktor Suslin
Performed by Vladimir Tinkha, Oleg Khudiakov
4. Dawn Music for double bass solo
Composed by Viktor Suslin
5. Sonata capricciosa for viola & harpsichord
Composed by Viktor Suslin
Performed by Igor Boguslavsky
6. The White Devil for bass flute, guitar, cello & percussion: In Memoriam Anatoly Vedernikov (1920 - 1993)
Composed by Viktor Suslin
Performed by Mark Pekarsky, Vladimir Tinkha, Oleg Khudiakov
Chamber Music of Viktor Suslin, Music, Suslin, Chamber Music & Recitals, Classical, Classical Composers, Classical Music
Tracks:
- Midnight Music - Tatiana Grindenko/Alexei Lubimov/Alexander Suslin
- Crossing Beyond - Igor Boguslavski/Vladimir Tonkha/Alexander Suslin
- Trio Son - Oleg Khudiakov/Alexander Martynov/Vladimir Tonkha
- Dawn Music - Alexander Suslin
- Son Capricciosa - Igor Boguslavski/Alexei Lubimov
- Le Deuil Blanc - Oleg Khudiakov/Alexander Martynov/Vladimir Tonkha/Mark Pekarsky
Average customer rating:
- Generally minor material, with some strong moments, and best left to collectors
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Lockenhaus Festival 1995
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
Duets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Gubaidulina, Sofia
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
Kremer, Gidon
| ( K )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B0000016OG
Release Date: 1996-07-09 |
Tracks:
- Capriccio Uber Die Abriese - Gidon Kremer/Hanna Weinmiester
- Meditation Of The Bach Chorale 'Vor Deinen Thron Tret Ich Hiermit' - Elisabeth Chojnacka/Hanna Wienmeister/Elvira Bekova/Marius Stravinsky/Alfia Bekova/Alois Posch
- Silenzio, Five Pieces: 1/4nt=96 - Friedrich Lips/Gidon Kremer/Vladimir Tonkha
- Silenzio, Five Pieces: 1 Bar=42 - Friedrich Lips/Gidon Kremer/Vladimir Tonkha
- Silenzio, Five Pieces: 1/4nt=56 - Friedrich Lips/Gidon Kremer/Vladimir Tonkha
- Silenzio, Five Pieces: 1/8nt=152 - Friedrich Lips/Gidon Kremer/Vladimir Tonkha
- Silenzio, Five Pieces: 1/4nt=72 - Friedrich Lips/Gidon Kremer/Vladimir Tonkha
- Free Improvisation 'Astrea' - Sofia Gubidailina/Alexander Sluskin/Viktor Suslin
- Ein Engel... - Maria Kowollik/Alexander Suslin
- Dancer On A Tightrope (Der Seiltanzer) - Gidon Kremer/Vadim Sakhavo
- Three Chors On Poems: The Tiger On The Street - Woman's Voices Of The Moscow Tchaikovsky Conservatory Chm Chor/Boris Tevlin
- Three Chors On Poems: Pussy Cats - Woman's Voices Of The Moscow Tchaikovsky Conservatory Chm Chor/Boris Tevlin
- Three Chors On Poems: Tounge Twister - Woman's Voices Of The Moscow Tchaikovsky Conservatory Chm Chor/Boris Tevlin
Customer Reviews:
Generally minor material, with some strong moments, and best left to collectors.......2007-01-24
This BIS disc contains several performances recorded at the 1995 Lockenhaus Festival where the spotlight was on Sofia Gubaidulina (there are also two Viktor Suslin pieces, but I shall pass over those). Lockenhaus was the creation of violinist Gidon Kremer, who brought Gubaidulina to worldwide attention when he toured with her concerto "Offertorium", and besides performing on violin himself here, he has also gathered a number of world-class musicians. Of note are Friedrich Lips on bayan, the first performer on that instrument to inspire the composer, and the outstanding harpsichordist Elisabeth Chojnacka.
"Silenzio" (1991) is a set of five pieces for bayan, violin, and cello. As one can imagine from the title, this is a piece of very restrained writing. For Gubaidulina, silence is evocative of God and the religious experience, and is found often in her work (see its greatest exposition in the "conductor's solo" of her symphony "Stimmen ...Verstummen", the second string quartet is an example as well). The most active piece is the fourth, where pizzicato playing on the strings manages to overwhelm the accordion, which plays short tremolo bursts under the surface. Some of the sonorities here are very exotic and exciting, though this is one of Gubaidulina's least popularly accessible works.
"Meditation on the Bach Chorale 'Vor deinen Thron tret ich hiermit'" for harpsichord and string quartet (1993) is a tribute to the composer who, along with Webern, Gubaidulina venerates above all. The music consists of four sections which each work toward presenting a piece of Bach's chorale, with the full chorale finally heard in its entirety at the end. The piece, like much of later Gubaidulina, makes use of special rhythmic forms based on the Fibonacci sequence and its variants, and even if the listener can't consciously do the math, the profundity and elegance of the structure is immediately likeable. This piece hasn't been performed very much, and besides this recording I only know of one from by the Deutsche Kammerphilharmonie on Berlin Classics, but I like it very much.
"Dancer on a Tightrope (Der Seiltaenzer)" for violin and piano was written in 1993. Kremer performs on violin, while Vadim Sakharov accompanies him well on piano. Here the violin represents a tightrope walker attempting to keep his balance, while the piano, first played on the strings with a glass tumbler, is a symbol of risk. It's an interesting experiment, though not as successful as most of Gubaidulina's work. Ditto for "Ein Engel..." for alto and double-bass (1994), a brief setting of a poem by Else Lasker-Schüler. Neither the poem nor the scoring are particularly engaging.
There's also an eleven-minute free improvisation by Astraea, the ensemble Gubaidulina founded with Suslin in the 1970s for experiments with traditional Central Asia instruments. This improvisation ranges from extrovert rhythms to sparse textures reminiscent of Takemitsu's pieces for Japanese instruments, to the sort of bubbling pizzicato often found in Gubaidulina's compositions. A different side of the composer that I wish were more visible.
The liner notes are quite fine, giving information on the piece--even details of the obscure numerical mysticism in "Meditation", the text of the vocal works, and biographies of the performers.
While Gubaidulina collectors will want to pick this disc up, especially for the Astraea improvisation (the easiest Astrea material to find), this is somewhat minor Gubaidulina. Neophytes are encouraged to check out her symphony "Stimmen... Verstumen..." (Chandos) or "Offertorium" (in DG's "20/21" series).
Average customer rating:
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White Music: Contemporary Organ Music from Russia & Estonia / Various
White Music
Manufacturer: Olympia
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B00004Y6ZH
Release Date: 2000-09-26 |
Tracks:
- Passacaglia Fur Orgel
- Prelude And Fugue
- Pari Intervallo
- Vox Humana
- Lamento
- Weisse Musik
- Passacaglia
Tracks:
- Son for Vc & Pno: I. Largo/II. Presto/III. Largo
- In Croce, for Vc & Org
- Son for Vc & Perc
- Spiegel im Spiegel, for Vc & Pno
Music Track:
- Circular Dreams [CD-single]
- Conducts Mozart
- Dmitri Shostakovich: Symponies Nos. 1 & 9
- Dream: Western Poets in Russian Music, Vol. 1
- Dvorák:Piano Trio No.3 In F Minor, Op.65
- Electronic Dance Music
- Emergency Music - Evan Ziporyn: Animal Act
- English Quartets
- Flute Music of Keith Gates
- Fragments
Music Track
music track
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