Evening with Ravel

On this CD:

1. Pavane pour une infante défunte, for piano (or orchestra)
Composed by Maurice Ravel
Performed by Denver Symphony Orchestra

2. Miroirs, for piano (or orchestra) Alborada del gracioso
Composed by Maurice Ravel
Performed by Denver Symphony Orchestra

3. Rhapsodie espagnole for orchestra (or 2 pianos) Fria: Assez amime
Composed by Maurice Ravel
Performed by Denver Symphony Orchestra

4. La valse, poème choréographique for orchestra (or piano)
Composed by Maurice Ravel
Performed by Slavonic Philharmonic Orchestra

5. Piano Concerto in D major (for the left hand)
Composed by Maurice Ravel
Performed by Stuttgart Radio Symhony Orchestra with Kun Woo Paik

6. Boléro, ballet for orchestra (or piano)
Composed by Maurice Ravel
Performed by Radio Symphony Orchestra

7. Piano Concerto in G major
Composed by Maurice Ravel
Performed by London Festival Orchestra with Sylvia Capova

8. Daphnis et Chloé, suite No. 2 for orchestra
Composed by Maurice Ravel
Performed by Slovak Philharmonic Orchestra

Tracks:

Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
Estudio brillante
Etude No. 1 In E Minor
Recuerdos de la Alhambra
Leyenda
Romance
Rumores de la Caleta
Capricho Arabe
Cantata 147: Jesu, Joy Of Man's Desiring
Well-Tempered Clavier: Prelude No. 1
Well-Tempered Clavier: Prelude No. 6
Cantata 140: Sleepers Awake
Prelude, Fugue, And Allegro: Allegro
Cantata 208: Sheep May Safely Graze
Les Barricades mysterieuses
Preambulo & Allegro vivo: Preambulo And Allegro vivo
Passacaglia
The Girl With The Flaxen Hair
Gymnopedie No. 1
Empress Of The Pagodas
Afro-Cuban Lullaby

Tracks:

Fourth Lute Suite: Praludium
Fairest Lord Jesus
Praise Ye The Lord, K. 339
Simple Gifts
Hymn Of Christian Joy
Cantata 29: We Thank Thee, Lord
Cantata 156: Arioso
Cantata 99: What God Hath Done
Canon
Dolly Suite: Berceuse
La Vida breve: Spanish Dance No. 1
Terezinha De Jesus
Prelude (In The Baroque Style)
Goyescas: Intermezzo
Prelude & Fugue No. 4 In E: Fugue
Evening Dance
Variations On A Theme Of Mozart
Canarlos
La Maja de Goya
El Noi de la Mare
Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Douze Etudes, Book I, No. 5: Etude In Octaves
Douze Preludes, Book II, No. 7: The Terrace For Moonlight Audiences
Suite Bergamasque, No. 3: Clair de lune
La plus que lente
Estampes, No. 3: Gardens In The Rain
Reverie
Images, Set I, No. 1: Reflections In The Water
Douze Preludes, Book II, No. 12: Fireworks
Douze Preludes, Book I, No. 8: The Girl With The Flaxen Hair
Estampes, No. 2: Evening In Grenada
The Isle Of Joy
Pavane For A Dead Princess
Le Tombeau de Couperin, No. 6: Toccata

Customer Reviews:

rather dry and unevocative playing.......2006-10-04

I feel that Debussy's music requires a very sensitive and free (lots of "rubato") approach that I do not find in Van Cliburn's performances. Unfortunately, I rarely hear a Debussy performance that really sounds "Impressionistic," so perhaps I am expecting too much. But, I can listen to this entire CD and feel that I have not yet heard a single note of Debussy. It is not mysterious, sensitive, and evocative enough for my taste.

Van Cliburn at his best........2006-03-17

As a lover of Debussy's music, I've had a hard time finding recordings that I liked, or that I thought did justice to his work. This album, for me, stands above the rest. Mr. Cliburn gives the best performance of "Clair de Lune" I've ever heard (which is the piece most people will recognize). Others that stood out for me were "Reverie" and "Reflections In the Water." This is a first-class album. It sounds wonderful, with breathtaking performances by a true virtuosic genius.

Cliburn's Debussy and Ravel.......2001-08-20

This beautiful and transporting CD is a "rainy day" favorite of mine. Van Cliburn has created a gorgeous, shimmering watercolor for his listeners' ears. In May of 1998, I heard Maestro Cliburn play many of these works in recital. The two hour recital was sold out and I don't recall hearing a single cough, a rustle of paper or squeak of a chair - we were all completely riveted, completely absorbed in the mood and the music. Maestro Cliburn's gossamer arpeggios in "Reflets dan l'eau" are so liquid, so seamless, one envisions water rippling on a stream; and his sensitive and melancholy "Girl with the Flaxen Hair" is the most beautiful and heart-felt interpretation of this piece that I have heard. Mr. Cliburn makes these pieces look absolutely effortless, yet they are among the most difficult in piano repertoire. I look upon each of these tracks as a mini-masterpiece. No one plays the Impressionists with the sensitivity, the poetry of Van Cliburn. Although the overall mood is one of melancholy, Cliburn never lets the music become too sweet. In fact, just as Maestro Cliburn's beautiful music lulls one into a sleepy reverie, his powerful and spine-chilling keyboard run in Debussy's "Fireworks" catapults one right of it - a playful "Gotcha!" from one of the truly Great Pianists.

Romantic Impressions.......2000-08-01

When one thinks of Van Cliburn one usually thinks of the power of Rachmaninoff or Tchaikovsky. Fortunately, this beautifully remasterd collection of impressionistic pieces from Debussy and Ravel done in the 1970's gives us a look at a different side of his virtuosity. The power is there but tempered in a beautiful way. The dynamics are more sensitive than I have heard before and so I'm hearing new views of this music. I purchased this out of curiosity, and the music is not my favorite, but it is wonderfully executed and not cloying as these pieces are sometimes played. I would highly recommend this recording.

Average customer rating:

Stunning Goldberg Aria
Great CD
Piano Perfection!
A Classic in Every Sense!
How disappointing

50 Most Loved Piano Classics

Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
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More Than 50 Most Loved Hymns
Piano Favorites
The Most Relaxing Piano Album in the World...Ever!
Piano Classics: Popular Works for Solo Piano
25 Piano Favorites

ASIN: B000AHJ7SY
Release Date: 2005-08-30

Tracks:

'Aria' - 50 Most Loved Piano Classics
'Jesu, Joy Of Man's Desiring' - 50 Most Loved Piano Classics
Prelude No.1 In C Major, BWV 846 - 50 Most Loved Piano Classics
Minuet In G Major From Anna Magdalena Notebook - 50 Most Loved Piano Classics
Prelude No.22 In B-Flat Minor, BWV 891 - 50 Most Loved Piano Classics
'Siciliano' - 50 Most Loved Piano Classics
III. 'Rondo Alla Turca' - 50 Most Loved Piano Classics
I. Allegro - 50 Most Loved Piano Classics
Fantasy In D Minor - 50 Most Loved Piano Classics
II. Adagio Cantabile - 50 Most Loved Piano Classics
I. Adagio Sostenuto - 50 Most Loved Piano Classics
Fur Elise - 50 Most Loved Piano Classics
II. Minuet - 50 Most Loved Piano Classics
Impromptu Op.90 No.3 In G-Flat Major - 50 Most Loved Piano Classics
Moment Musicaux No.3 In F Minor - 50 Most Loved Piano Classics
Fruhlingslied (Spring Song) - 50 Most Loved Piano Classics
Venetian Gondola - 50 Most Loved Piano Classics

Tracks:

Waltz Op.64 No.1 In D-Flat Major Minute Waltz - 50 Most Loved Piano Classics
Prelude Op.28 No.15 Raindrop Prelude In D-Flat Major - 50 Most Loved Piano Classics
Nocturne Op.9 No.1 In B-Flat Minor - 50 Most Loved Piano Classics
Etude Op.10 No.12 Revolutionary - 50 Most Loved Piano Classics
Nocturne Op.27 No.2 In D-Flat Major - 50 Most Loved Piano Classics
GRand Valse Brilliante Op.18 In E-Flat Major - 50 Most Loved Piano Classics
Nocturne Op.9 No.2 In E-Flat Major - 50 Most Loved Piano Classics
Etude Op.10 No.3 In E Major - 50 Most Loved Piano Classics
Prelude Op.28 No.20 In C Minor - 50 Most Loved Piano Classics
Prelude Op.28 No.4 In E Minor - 50 Most Loved Piano Classics
Waltz Op.69 No.1 In A-Flat Major Farewell Waltz - 50 Most Loved Piano Classics
Kindererszenen (Scenes From Childhood) Op.15 No.7: Traumerei (Dreaming) - 50 Most Loved Piano Classics
Fantasiestucke (Fantasy Pieces) Op.12 No.1: Des Abends (In The Evening) - 50 Most Loved Piano Classics
Widmung (Dedication) - 50 Most Loved Piano Classics
Consolation No.3 In D-Flat Major - 50 Most Loved Piano Classics
Aria - 50 Most Loved Piano Classics

Tracks:

Hungarian Dance No.5 In F-Sharp Minor - 50 Most Loved Piano Songs
Intermezzo Op.118 No.2 In A Major - 50 Most Loved Piano Songs
Waltz Op.39 No.15 In A-Flat Major - 50 Most Loved Piano Songs
June - 50 Most Loved Piano Songs
Berceuse - 50 Most Loved Piano Songs
Tango - 50 Most Loved Piano Songs
Granada - 50 Most Loved Piano Songs
To A Wild Rose - 50 Most Loved Piano Songs
Clair DE Lune - 50 Most Loved Piano Songs
The Girl With The Flaxen Hair - 50 Most Loved Piano Songs
Golliwogg's Cake Walk - 50 Most Loved Piano Songs
Arabesque No.I - 50 Most Loved Piano Songs
Gymnopedie No.I - 50 Most Loved Piano Songs
The Maiden And The Nightengale - 50 Most Loved Piano Songs
Prelude Op.3 No.2 In C-Sharp Minor - 50 Most Loved Piano Songs
Prelude Op.23 No.5 Ini G Minor - 50 Most Loved Piano Songs
I. Pavane - 50 Most Loved Piano Songs

Customer Reviews:

Stunning Goldberg Aria.......2006-02-21

Who is the performer of that amazing recording of the Goldberg Aria??!?! It must be Gould.

Great CD.......2006-01-29

Nice set of songs. I enjoyed it a lot, I see no reason why anyone wouldn't like this CD set.

Piano Perfection!.......2005-10-16

Saw it on TV and thought the music was beautiful, but forgot to write the information down... but managed to buy it online (now I see it frequently at the music stores)and I absolutely love this album -- all my favorite pieces! (I'm not big on writing comments or reviews, but was compelled by the artistry and passion I heard throughout this CD!)

A Classic in Every Sense!.......2005-10-12

I overheard some people at the record store talking about this album - one guy was actually a piano teacher and couldn't stop raving about it. I bought the album on his recommendation and couldn't be happier - it's stunningly beautiful. Beethoven's "Moonlight" sonata is haunting and Chopin's "Minute Waltz" is spectacular in its precision and speed! This will make a great stocking stuffer at Christmas for my friends (... I'm getting them now cause I've gone to a couple places and they're out of stock). If you're into piano, this is truly a classic!

How disappointing.......2005-10-08

I was watching t.v. one Saturday and saw the ad for this CD. It promised that all pieces were "presented in their entirety." Hmmm, well sure if by "entirety" you mean only one movement of a particular piece. But if you are expecting, oh say, all three movements of Moonlight Sonata, then you'll be disappointed.

As for the pieces themselves, I was not impressed with the quality. I don't know whether that is a problem with the production process or the particular performers used. I was not moved by the performance of a single piece--and with 50 of the most loved piano classics, I epxected at least one to make me go "wow." I'm still waiting.

Finally, anytime you produce a CD and call it "The 50 Most Loved" anything, you are opening yourself up for criticism of the works selected. Where's the Rach 3? Mozart gets short shiff. I loved that Chopin's "Raindrops" was included but where was the "Heroic Polanaise"? The "Libestraume"? "Rhapsody in Blue"?

So, incomplete works, poor tone/lack of richness and depth in sound and questionable selection of "most loved" pieces. I'd save my money if I were you.

Nature of Music, Vol. 2: Evening Music After Hours

Average customer rating:

Nature of Music, Vol. 2: Evening Music After Hours

Manufacturer: Spring Hill
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music

Meditation Music | New Age | Indie Music | Stores | Music
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Nature of Music, Vol. 1: Morning Music Dawn to Day
Nature of Music: Beauty, Sound and Healing

ASIN: B0000589UW
Release Date: 2001-02-13

Tracks:

Gtr Con in D, RV93: Largo - Dagoberto Linhares
Children's Corner Ste: Dr. Gradus Ad Parnassum - Francois-Joel Thiollier
Vn Con No.3 in G, K216: Adagio - Takako Mishizaki
Pno Son in A, Op.120 D664: Andante - Jeno Jandos
Prlds: The Maiden With The Flaxen Hair - Gerald Garcia
Six Bagatelles, Op.126: Quasi Allegretto - Jeno Jando
Pno Con in G: Adagio Assai - Francois-Joel Thioller
Gianni Schicchi: O, Mio Babbino Caro - Miriam Gauci
Intermezzo in b, Op.119 No.1 - Idil Biret
Str Qt No.13 in B flat, Op.130: Cavatina - Kodaly Qt
The Requiem, Op.48: In Paradisum - Schola Cantorum Of Oxford

Average customer rating:

Reverie: Carol Rosenberger

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Perchance to Dream
Water Music Of The Impressionists
Night Moods
Such Stuff As Dreams
Singing on the Water

ASIN: B0000006Y0
Release Date: 2002-01-08

Tracks:

Debussy: Arabesque No. 1
Chopin: Mazurka Op. 17, No. 4 in a Minor
Liszt: Au lac de Wallenstadt (By the Lake at Wallenstadt)
Heather: Debussy: Bruyeres (Heather)
Cradle Song: Chopin: Berceuse (Cradle Song), Op. 57
Faure: Nocturne No. 8 in D Flat, Op. 84
Liszt: Sancta Dorothea (1877)
Ravel: Pavane pour une Infante defunte
Schumann: Romance in F#, Op. 28, No. 2
Haydn: Andante from Sonata in A, Hov. XVI:12
Bach: Sarabande from French Suite No. 5 in G
Le tombeau de Couperin: Ravel: Menuet from 'Le Tombeau de Couperin'
Kinderszenen: Schumann: Traumerei from 'Kinderszenen, Op. 15
Griffes: The Lake at Evening, Op. 5, No. 1
Liszt: Consolation III in D Flat

Product Description

Solo Piano

Piano by the Sea: Classical Water Masterpieces

Average customer rating:

Piano by the Sea: Classical Water Masterpieces

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Environmental | New Age | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music

Environmental | New Age | Indie Music | Stores | Music
ASIN: B00000I04E
Release Date: 1999-01-26

Tracks:

A Boat On The Ocean
Reflections In The Water
Undine
Boat Song
Goldfish
Undine
By The Lake At Wallenstadt
The Fountains Of The Villa D'Este
The Fountains Of The Acqua Paola
Fountains
The Lake At Evening
Barcarolle
Baracolle No.6
The Engulfed Cathedral

Average customer rating:

Serene Journeys Through Classical Music
Durufle, Maurice , Holst, Gustav , Gounod, Charles , Victoria, Tomas Luis de , Brahms, Johannes , Barber, Samuel , and Harris, William H.
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Tracks:

Symphony No. 6, 'Pastorale', Scene By The Brook - Carol Rosenberger
Sleeping Beauty, Panorama - Carol Rosenberger
Clarinet Concerto, K. 622: Allegro - Carol Rosenberger
The Carmen Ballet, Second Intermezzo - Carol Rosenberger
Intermezzo From String Quintet, Op. 77: Notturno - Carol Rosenberger
Symphony No. 40: Andante - Carol Rosenberger
Lyric Suite, Op. 54: Nocturne - Carol Rosenberger
Piano Concerto No. 2 In D Major: Un poco adagio - Carol Rosenberger
Bagatelle, Op. 30 No. 1 - Carol Rosenberger
Traditional Scottish: Wild Mountain Thyme - Carol Rosenberger
Symphony No. 3: Andante tranquillo - Carol Rosenberger
Cello Concerto In D Major: Adagio - Carol Rosenberger

Tracks:

Arabesque No.1
Mazurka Op.17, No.4 In A Minor
Au lac de Wllenstadt ( By The Lake At Wallenstadt )
Bruyeres ( Heather )
Berceuse ( Cradle Song ) , Op.57
Nocturne No.8 In D Flat, Op.84
Sancta Dorothea
Pavane pour une Infante defunte
Romance In F Sharp, Op.28, No.2
Sonata In A , Hob. XVI:12: Andante
French Suite No.5 In G: Sarabande
Le tombeau de Couperin: Menuet
Kinderszenen: Traumerei
The Lake At Evening, Op.5, No.1
Consolation III In D Flat

Tracks:

Invitation to Prayer
Jesus, Wonderful King
Cantata No. 147: Jesu, Joy of Man's Desiring
Requiem, Op. 9: Sanctus
Ave Maria
Ave Maria
Ave Maria
Deck Thyself, My Soul, With Gladness
Adagio, Op. 11: Agnus Dei
Stabat Mater, Op. 58: Of Your Wounded Son
Prelude In E flat
Lord, For Thy Tender Mercy's Sake
Rejoice, Rejoice
Suite in D: Air On The G String
Requiem, Op. 9: Kyrie
The Month Of The Righteous
Blessed Are Ye Faithful Souls
He Shall Feed His Flock
The Souls Of The Righteous
Let My Prayer Come Up As The Incense

Average customer rating:

Brilliant...
And the accompanist?
My Favorite Jessye Norman

An Evening With Jessye Norman
Jessye Norman , Henry Purcell , Richard Wagner , Gustav Mahler , Maurice Ravel , Anonymous , Traditional , Hugo Wolf , and Claude Debussy
Manufacturer: Opera D'oro
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Norman, Jessye | Divas | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
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Jessye Norman Classics
Amazing Grace: Jessye Norman
Spirituals in Concert
Brava, Jessye!: The Very Best Of Jessye Norman
In Concert

ASIN: B00001YVDB
Release Date: 1999-10-12

Tracks:

Dido and Aeneas: Dido's Lament
5 Wesendonk Lieder: Der Engel
5 Wesendonk Lieder: Stehe still!
5 Wesendonk Lieder: Im Treibhaus
5 Wesendonk Lieder: Schmerzen
5 Wesendonk Lieder: Traume
3 Ruckert Lieder: Ich atmet' einen Lindenduft
3 Ruckert Lieder: Liebst du um Schonheit
3 Ruckert Lieder: Ich bin der Welt abhanden gekommen
Sainte
Deux melodies hebraiques: L'enigme eternelle
Deux melodies hebraiques: Kaddisch
Sometimes I feel like a motherless child
My Lord, what a morning
Oh what a beautiful city
There is a balm in Gilead
Every time I feel the Spirit
Er ist's
Beau soir

Customer Reviews:

Brilliant..........2007-02-14

A beautiful symphony of sounds and harmonies, as expected of this melodious diva!!! Loved it... HES

And the accompanist?.......2003-11-19

The accompanist for this spectacular evening was Irwin Gage, whose masterful artistry catapults this recital into the "A"-class. This recording reveals a young Jessye Norman in superb form. It is a pity that the recording firm neglected to honor Mr. Gage's contribution.

My Favorite Jessye Norman.......2001-08-27

This is my favorite record by Jessye Norman -- and only SIX BUCKS! Some people are afraid of this series on sonic grounds, but this one (and most I have heard) is excellent. It's live and you will note a splutter or two but the concert is mostly well balanced and Jessye is well accompanied.The programme in particular knocks me out, the pieces contrasting enough to make repeated listening easy. Standouts are the Ravel songs and There is a Balm in Gilead, but when she opens with When I Am Laid in Earth you aren't going anywhere for the next hour. When Jessye came along I liked the big voice but felt there was a lack of artistry -- an unsophisticated judgment it would now seem. But roles like Belle Helene and Penelope gave her more variety of tone and when I finally saw her in concert I was unprepared for the spectrum of songs and arias she can sing. I wish I was at this concert though, here is a rare case of a CD exceeding even my memory of the real thing! PS I also recommend Von Stade in this series, though not Franco Corelli: he sounds like he is singing from the bottom of an elevator shaft.

Average customer rating:

AWESOME
Calming and Soothing for your little love

Guess How Much I Love You

Manufacturer: Baby Genius
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music