Teresa Stich-Randall

On this CD:

1. Abendempfindung an Laura ("Abend ist's"), song for voice & piano, K. 523
Composed by Wolfgang Amadeus Mozart
Performed by Hans Rosbaud, Teresa Stich-Randall

2. Dans un bois solitaire, song for voice & piano, K. 308 (K. 295b)
Composed by Wolfgang Amadeus Mozart
Performed by Hans Rosbaud, Teresa Stich-Randall

3. Oiseaux, si tous les ans, song for voice & piano, K. 307 (K. 284d)
Composed by Wolfgang Amadeus Mozart
Performed by Hans Rosbaud, Teresa Stich-Randall

4. Der Jüngling und der Tod ("Die Sonne sinkt"), song for voice & piano (two versions), D. 545 second version
Composed by Franz Schubert
Performed by Hans Rosbaud, Teresa Stich-Randall

5. Heimliches Lieben ("O du, wenn deine Lippen..."), song for voice & piano (two versions), D. 922 (Op. 106/1)
Composed by Franz Schubert
Performed by Hans Rosbaud, Teresa Stich-Randall

6. Gesänge aus Wilhelm Meister, songs for voice & piano, D. 877 (Op. 62)
Composed by Franz Schubert
Performed by Hans Rosbaud, Teresa Stich-Randall

7. Seligkeit ("Freuden sonder Zahl"), song for voice & piano ("Minnelied"), D. 433
Composed by Franz Schubert
Performed by Hans Rosbaud, Teresa Stich-Randall

8. Songs (4) for voice & piano, Op. 46 No.4, An die Nachtigall
Composed by Johannes Brahms
Performed by Hans Rosbaud, Teresa Stich-Randall

9. Songs (8) for voice & piano, Op. 57 No.2, Wenn du nur zuweilen lächelst
Composed by Johannes Brahms
Performed by Hans Rosbaud, Teresa Stich-Randall

10. Mondnacht ("Es war als hätt der Himmel"), song for voice & piano, WoO 21
Composed by Johannes Brahms
Performed by Hans Rosbaud, Teresa Stich-Randall

11. Romances (15) from Tieck's "Die schöne Magelone" for voice & piano, Op. 33 No.5, So willst du des Armen
Composed by Johannes Brahms
Performed by Hans Rosbaud, Teresa Stich-Randall

12. Mädchenblumen, 4 songs for voice & piano, Op. 22
Composed by Richard Strauss
Performed by Hans Rosbaud, Teresa Stich-Randall

13. Ariettes oubliées (6), song cycle for voice & piano, L. 60 C'est l'extase langoureuse
Composed by Claude Debussy
Performed by Hans Rosbaud, Teresa Stich-Randall

14. Ariettes oubliées (6), song cycle for voice & piano, L. 60 Il pleure dans mon coeur
Composed by Claude Debussy
Performed by Hans Rosbaud, Teresa Stich-Randall

15. Ariettes oubliées (6), song cycle for voice & piano, L. 60 L'ombre des arbres
Composed by Claude Debussy
Performed by Hans Rosbaud, Teresa Stich-Randall

16. Ariettes oubliées (6), song cycle for voice & piano, L. 60 Green
Composed by Claude Debussy
Performed by Hans Rosbaud, Teresa Stich-Randall

17. Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32)
Composed by Franz Schubert
Performed by Hans Rosbaud, Teresa Stich-Randall

18. Myrthen, 26 songs for voice & piano, Op. 25 No.1, Widmung
Composed by Robert Schumann
Performed by Hans Rosbaud, Teresa Stich-Randall

Teresa Stich-Randall, Music, Johannes Brahms, Claude Debussy, Wolfgang Amadeus Mozart, Franz Schubert, Robert Schumann, Richard Strauss, Hans Rosbaud, Teresa Stich-Randall, Classical, Classical Music, Classical Period Music for Voice and Keyboard, Classical Vocals, Romantic Music for Voice and Keyboard, Song Collection for Solo Voice and Piano, Song Cycle for Solo Voice and Piano, Vocal

Strauss: Der Rosenkavalier
Average customer rating:
Strauss: Der Rosenkavalier

Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music
Ludwig, Christa | Divas | Opera & Vocal | Styles | Music
General | Classical | Styles | Music
ASIN: B000005GS4
Release Date: 2005-03-01

Tracks:

Act One: Da Geht Er Hin...& Closing Scene - Gerhard Unger/Christa Ludwig/Erich Majkut/Eberhard Wachter/Harald Proglhof
Act Two: Mir Ist Die Ehre Widerfahren...Ich Kenn' Ihn Schon Recht Wohl - Christa Ludwig/Teresa Stich-Randall
Act Two: Herr Cavalier - Otto Edelmann/Kerstin Meyer
Act Three: Nein, Nein, Nein, Nein! I Trink' Kein Wein...Ach, Lass Sie Schon...Die Schone Musi! - Christa Ludwig/Otto Edelmann
Act Three: Marie Theres'!...Hab' Mir's Gelobt & Closing Scene - Christa Ludwig/Gerhard Unger/Teresa Stich-Randall/Eberhard Wachter

Average customer rating:

C'est magnifique!
Good, but Solti or Kleiber are Preferable
Historical reference of Der Rosenkavalier
Great interpretation but flawed
Still the best recording of Strauss masterpiece!

Richard Strauss: Der Rosenkavalier

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Ludwig, Christa | Divas | Opera & Vocal | Styles | Music
ASIN: B000002RXI
Release Date: 1997-09-23

Tracks:

Der Rosenkavalier: Act One: Introduction
Der Rosenkavalier: Act One: Wie du warst!; Wie du bist!
Der Rosenkavalier: Act One: Du bist mein Bub, du bist mein Schatz!
Der Rosenkavalier: Act One: Der Feldmarschall sitzt im krowatischen Wald
Der Rosenkavalier: Act One: Quinquin, es ist ein Besuch
Der Rosenkavalier: Act One: Selbstverstandlich empfaengt mich Ihro Gnaden
Der Rosenkavalier: Act One: Hat Sie schon einmal
Der Rosenkavalier: Act One: Macht das einen lahmen Esel aus mir?
Der Rosenkavalier: Act One: Geben mir Euer Gnaden den Grasaff' da
Der Rosenkavalier: Act One: Wollen Euer Gnaden leicht den Jungen Herrn da
Der Rosenkavalier: Act One: I komm' glei...Drei Arme adelige Waisen
Der Rosenkavalier: Act One: Di rigori armato il seno
Der Rosenkavalier: Act One: Als Morgengabe
Der Rosenkavalier: Act One: Mein lieber Hippolyte
Der Rosenkavalier: Act One: Da geht er hin, der aufgeblasene schlechte Kerl
Der Rosenkavalier: Act One: Ach, du bist wieder da!
Der Rosenkavalier: Act One: Die Zeit, die ist ein sonderbar Ding
Der Rosenkavalier: Act One: Mein schoener Schatz
Der Rosenkavalier: Act One: Ich werd' jetzt in die Kirchen geh'n

Tracks:

Der Rosenkavalier: Act Two: Introduction
Der Rosenkavalier: Act Two: Ein erster Tag, ein grosser Tag
Der Rosenkavalier: Act Two: In dieser feierlichen Stunde der Prufung
Der Rosenkavalier: Act Two: Mir ist die Ehre widerfahren
Der Rosenkavalier: Act Two: Ich kenn' ihn schon recht wohl
Der Rosenkavalier: Act Two: Jetzt aber kommt mein Herr Zukunftiger
Der Rosenkavalier: Act Two: Brav, Faninal, er weiss, was sich gehort
Der Rosenkavalier: Act Two: Wird kommen uber Nacht
Der Rosenkavalier: Act Two: Hab' nichts dawider
Der Rosenkavalier: Act Two: Was sie ist...Mit Ihren Augen voll Tranen
Der Rosenkavalier: Act Two: Herr Baron von Lerchenau!
Der Rosenkavalier: Act Two: Er muss mich pardonieren
Der Rosenkavalier: Act Two: Da lieg' ich
Der Rosenkavalier: Act Two: Da!...Herr Cavalier!

Tracks:

Der Rosenkavalier: Act Three: Introduction & Pantomime
Der Rosenkavalier: Act Three: Hab'n Euer Gnaden noch weitre Befehle?
Der Rosenkavalier: Act Three: Nein, nein, nein, nein! I trink' kein Wein
Der Rosenkavalier: Act Three: Ach, lass Sie schon einmal das fade Wort!
Der Rosenkavalier: Act Three: Die schoen Musi!
Der Rosenkavalier: Act Three: Wie die Stund' hingeht
Der Rosenkavalier: Act Three: Oh weh, was maken wir?...Halt! Keiner ruhrt sich!
Der Rosenkavalier: Act Three: Sind desto eher im Klaren
Der Rosenkavalier: Act Three: Mus jetzt partout zu ihr!
Der Rosenkavalier: Act Three: Ist halt vorbei
Der Rosenkavalier: Act Three: Mein Gott, es war nicht mehr als eine Farce
Der Rosenkavalier: Act Three: Heut oder morgen oder den ubernachsten Tag
Der Rosenkavalier: Act Three: Marie Theres'! ...Hab' mir's gelobt
Der Rosenkavalier: Act Three: Ist ein Traum, kann nicht wirklich sein
Der Rosenkavalier: Act Three: Ist ein Traum...Spur nur dich

Amazon.com essential recording

An opera that seems to bring the best out of performers, Rosenkavalier inspired these perf ormers to make a recording for the ages. With a superb Ochs and glorious singing from its three leading l adies, and with Herbert von Karajan keeping the Philharmonia on the edge of its seat, this enticing portr ait of love from three angles emerges in all its bittersweet perfection. EMI recorded the opera with sepa rate engineering teams in stereo and mono; this remastering of the stereo version is preferable to the ve ry fine special-issue monaural remastering [EMI Classics 56113] brought out in 1996 as an 80th-birthday tribute to Dame Elisabeth Schwarzkopf. --Ted Libbey

Customer Reviews:

C'est magnifique!.......2001-04-24

Looking through other reviews of this recording, you may read that this is too dated a recording, or of the inferiority of the Karajan interpretation. Therein lies the crux of my review...this is an older recording; though remastered, it does not sound entirely modern...nor, perhaps, should it. Karajan's interpretation of the "Rosenkavalier" certainly differs from Solti's. Karajan's sense of style again pervades here; if you dislike the imprint that Karajan, like all great conductors, leaves upon the work that he conducts, skip this. If, on the other hand, you are both a lover of Strauss operas, and an admirer of Karajan's work, this is an unbeatable recording, showcasing beautiful performances. Highly recommended.

Good, but Solti or Kleiber are Preferable.......2001-01-14

There are many things right with this recording--so many that it has attained classic status. But I also think there are enough things wrong with it to make it less than a first choice. First of all, Karajan makes all the traditional cuts in the score, the worst being the truncation of the Baron's amusing Act 1 monologue. This alone makes the uncut sets by Solti (on Decca) and Erich Kleiber (also on Decca) preferable. Second, the 1956 stereo sound is only acceptable; Schwartzkopf thought the mono version sounded better, and she may well be right. Third, I find problems with some of the singing: Stitch-Randall is an intelligent Sophie, but her voice is rather "white" and not particularly attractive, and Ludwig, who of course sings beautifully, doesn't sound very boyish.

This is a very good recording, of course. But two recordings are preferable, both for having no cuts and for all-around performances. Erich Kleiber's 1954 recording, while in mono, has adequate sound, along with great conducting and fine singing. The first choice for this opera, though, is Georg Solti's recording on Decca, blessed with superb stereo sound and perhaps the best cast of all: Regine Crespin's moving and charming Marschallin (a bit past her best but still great), Yvonne Minton's eager, ardent Octavian, and the unmatched Sophie of Helen Donath. Solti is at his best, and the only real flaws in the recording are a few audible tape splices that briefly break the mood. The Solti recording is not available from amazon.com, but, strangely enough, it is available from amazon's British branch, www.amazon.co.uk!

Historical reference of Der Rosenkavalier.......2000-11-13

Going through the other reviewing you will read that this version is exceptional or is too old technically for listeners that can only bear digital recordings. The point is, this version is a reference definitely but has been so for nearly half a century and maybe you would like to get something new for your ears. However I would probably recommend this version as a first purchasing if you have no idea of which to choose. Recorded in 1956 by EMI, the sound is in stereo but was only intended to be in mono. The producer Legge (Schwarzkopf's husband) was not convinced by that technology and only the engineer Parker was clever enough to make some attempts during the recording sessions. Therefore the whole set does not sound as a continuous unit with the orchestra sounding a little foggy. Voices are well caught but do not transmit all emotions as they should. Schwarzkopf cannot be replaced as the Marschallin and fortunately we have a good and complete portrayal from her in studio. But if you ever have the chance to see the movie made in 1960 at Salzburg, you will understand how in only 4 years, she has made this part definetly hers. Ludwig is vibrant and ardent as Oktavian (she was only 28) but sounds too mezzo. Jurinac was preferable but she had just recorded the part for Decca. Emi should then have chosen Grümmer! Stich-Randall is "silver-made" and you will never find a purer voice anywhere. But again, she also was 28 and lacks some determination in the character (I prefer her recording of the BW51 Cantate from Bach!). Ochs is from Vienna and one can hear his typical accent clearly but he does not really have the lower notes or the darker tone demanded by this role (see Weber, Böhme, Moll or Ridderbusch). Karajan gives a superb interpretation without underlining the legato too much as he later did in 1983 for DG. As a conclusion, do not hesitate to buy this set. If you already have it (even in older mastering, sound is not really improved and is even cooler here), try the fabulous live recording from Myto with Kleiber JR. conducting which I've given 5 stars!

Great interpretation but flawed.......2000-04-18

Enjoyed the interpretation and the casting of the voices. It's too bad that Karajan wasn't in his prime when our recording technology had advanced.

I'm an aspiring opera composer who bought the score, and agree with one reviewer that this is probably not the best choice to study by since substantial sections have been seriously slashed (Act I and Act III especially). (You may begin to doubt your score reading abilities, but don't worry, there are substantial cuts.)

Students will also probably notice the intended "meshed" orchestral sound (popular in recordings in the 50's) which doesn't allow individual instruments to sing out except during obvious solo parts. This can be especially frustrating when trying to understand Strauss' use of instruments and his genius behind the orchestration.

Two final criticisms I have concern diction and remastering.

I know the singers are supposed to be using "Weiner" accents, but I think some of the German diction is even more atrocious than the librettist intended. (Karajan, where were you to advise?)

And concerning the remastering, there are noticeable skips in recording levels and quality.

Overall, for a historical performer/conductor experience, this CD is a must, but for a nuts and bolts study, I'd suggest spending the extra bucks on a more recent recording.

Still the best recording of Strauss masterpiece!.......2000-01-27

If you like this opera, you have found the complete recording. There are no weak points, in every detail, Karajan has succeded. When T. Stich-Randall and C. Ludwig sing the duet in the beginning of act 2, it can be said in just one word, sensational!

Average customer rating:

Der Rosenkavalier: The Premiere Recording

Richard Strauss: Der Rosenkavalier

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Ludwig, Christa | Divas | Opera & Vocal | Styles | Music
ASIN: B000002S1R
Release Date: 1990-05-15

Tracks:

Act One: Da Geht Er Hin...& Closing Scene - Gerhard Unger/Christa Ludwig/Erich Majkut/Eberhard Wachter/Harald Proglhof
Act Two: Mir Ist Die Ehre Widerfahren...Ich Kenn' Ihn Schon Recht Wohl - Christa Ludwig/Teresa Stich-Randall
Act Two: Herr Cavalier - Otto Edelmann/Kerstin Meyer
Act Three: Nein, Nein, Nein, Nein! I Trink' Kein Wein...Ach, Lass Sie Schon...Die Schone Musi! - Christa Ludwig/Otto Edelmann
Act Three: Marie Theres'!...Hab' Mir's Gelobt & Closing Scene - Christa Ludwig/Gerhard Unger/Teresa Stich-Randall/Eberhard Wachter

Customer Reviews:

Der Rosenkavalier: The Premiere Recording.......2006-01-24

This early 60's recording of Strauss' Der Rosenvalier has long been regarded as the finest interpretation of the work on record, even in light of modern recording advantages such as better sound quality. Because Elisabeth Schwarzkopf is forever associated with the epitome of a Straussian/German soprano, and especially for her signature role as the Marschallin, this recording has never slipped into obscurity and remains a hot item. Herbert Von Karajan conducts the Strauss score with utmost brilliance, though at a slow and stately pace. The waltzes are simultaneously dizzying and sleep-inducing, Karajan suffuses the music with theatricality and comedy, the arias are virtuosic and the Final Trio/Presentation of the Rose scene is unbelievable, ethereal and magical. Through it all, there is a sort of old school charm.

The singers: Other than the unbeatable performance of Elisabeth Schwarzkopf, we have here the grand mezzo soprano Christa Ludwig as Octavian. Ludwig's artistry is well known and well documented in many recordings. Capable of singing in the mezzo range, she was also able to reach high notes with agility and with ease. She is noted especially for her Leonore in Fidelio, but her Adalgisas, Susukis and Lieder repertoire are terrific. Ludwig shades her voice so that she fully immerses herself in the role of the dashing young man in love with the more experienced Marschallin. There is no fault to be found in her singing, and she is the equal of Schwarzkopf in this recording as far as great voice. The light lyric soprano Teresa Stich-Randall was a renowned Mozart soprano in her time, but her voice is too chirpy and light for my taste. But in the role of the pretty ingenue Sophie in this opera, it suits her well. The baritone Otto Edelman has fun with his role as the Baron. He sings in a basso-buffo style but has enough power in the high register to essay the florid music. And it is florid when one considers the extended scene between the Baron and Sophie which features the long waltz. Without a doubt, this recording will never go out of print. Other than this recording, there are other editions both on Mono and on Stereo. For excellent sound from the orchestra courtesy of Mr. Karajan, the stereo sounds great. But if you prefer to wrap yourself in the voice alone, the Mono sound is for you.

Average customer rating:

La Veuve Joyeuse

Manufacturer: Studio Sm
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B000004A7R
Release Date: 1996-02-20

Tracks:

Introduction
Duo
Entree De Missia Et Choeurs
Entree Et Danilo Melodrame Musique De Bal
Duo
Final
Chanson De Vylia

Tracks:

Duo Des Cavaliers
Septuor
Scene Et Duo De Danse
Chant
Duo (Viens Dans Mon Joli Pavillon)
Final
Chanson Des Petites Femmes
Duo (Heure Exquise)
Finale

Average customer rating:

Richard Strauss: Der Rosenkavalier

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
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ASIN: B000J20W6G
Release Date: 2007-01-16

Tracks:

Einleitung
Wie Du Warst! Wie Du Bist!
Lachst Du Mich Aus?...Lach' Ich Dich Aus?
Der Feldmarschall Sitz Im Krowatischen Wald
Quinquin, Es Ist Ein Besuch
Selbstverstandlich Empfangt Mich Ihro Gnaden
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Hat Sie Schon Enimal Mit Einem Kavalier
Geben Mir Euer Gnaden Den Grasaff' Da
I Komm' Glei'...Frei Arme, Adelige Waisen
Di Rigori Armato Il Seno
Als Morgengabe, Ganz Separatim Jedoch
Mein Lieber Hippolyte
Da GEht Er Hin, Der Aufgeblasene Schlechte Kerl
Ach, Du Bist Wieder Da?
Oh, Sei Er Gut, Quinquin
Die Zeit Im Grunde, Quinquin
Mein Schoner Schatz
Quinquin, Er Soll Jetz Geh'n
Ich Hab' Ihn Nicht Einmal Gekusst!

Tracks:

Ein Ernster Tag, Ein Grosser Tag
In Dieser Feierlichen Stunde Der Prufung
Mir Ist Die Ehre Widerfahren
Hat Einen Starken Geruch Wie Rosen
Wo War Ich Schon Einmal Und War So Selig?
Ich Kenn' Ihn Doch Recht Wohl
Jetzt Aber Kommt Mein Herr Zukunftiger
Belieben Jetzt Vielleicht...Ist Ein Alter Tokaier
Mocht' Wissen, Was Ihm Dunkt Von Mir Und Ihm
Wird Sie Das Mannsbild Da Heiraten
Mit Ihren Augen Voll Tranen
Herr Baron Von Lerchenau!
Ich Hoff, Er Kommt Vielmehr Jetzt
Er Muss Mich Pardonieren
Heirat' Den Hern Dort Nicht Lebendig Und Nicht Tot!
Da Lieg' Ich!
Und Doch, Muss Lachen, Wie Sich So Ein Luder
Ohne Mich, Ohne Mich Jeder Tag Dir Zu Bang
Ganz Zu Befehl, Herr Kavalier

Tracks:

Einleitung
Pantomime
Hab'n Euer Gnaden Noch Weitre Befehle?
Nein, Nein, Nein, Nein! I Trink' Kein Wein
Die Schone Musi!
Macht Sie Der Wein Leicht Immer So?
Er Ist Es! Es Ist Mein Mann!
Halt! Keiner Ruhrt Sich!
Zur Stelle! Was Wird Von Mir Gewunscht?
Die Braut! Oh Was Fur Ein Skandal!
Sind Desto Eher Im Klaren!
Bin Glucklich Uber Massen
Er Sieht, Herr Kommissar, Das Ganze War Halt Eine Farce
Bin Von So Viel Finesse Charmiert
Leupold, Wir Geh'n
Mein Gott, Es War Nicht Mehr Als Eine Farce
Heut Oder Morgen Oder Den Ubermachsten Tag
So Schnell Hat Sie Ihn Gar So Lieb?
Marie Theres!...Hab' Mir's Gelobt
Ist Ein Traum, Kann Nicht Wirklich Sein...Spur Nur Dich Allein
Sind Halt Aso, Die Jungen Leut'!
Ist Ein Traum, Kann Nicht Wirklich Sein...

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R. Strauss: Der Rosenkavalier

Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Verdi - Falstaff / Gobbi · Schwarzkopf · Moffo · Karajan

ASIN: B00004R8ME
Release Date: 2000-04-18

Tracks:

Falstaff: Act I, Scene 1: Falstaff!
Falstaff: Act I, Scene 1: Ssss. Sei polli: sei scellini
Falstaff: Act I, Scene 1: So che se andiam
Falstaff: Act I, Scene 1: V'e noto un tal
Falstaff: Act I, Scene 1: L'Onore! Ladri!
Falstaff: Act I, Scene 1: Ma, per tornare a voi
Falstaff: Act I, Scene 2: Alice - Meg
Falstaff: Act I, Scene 2: Fulgida Alice! Amor t'offro
Falstaff: Act I, Scene 2: Quell'otre! quel tino!
Falstaff: Act I, Scene 2: E un ribaldo, un furbo, un ladro
Falstaff: Act I, Scene 2: Pst, pst, Nannetta
Falstaff: Act I, Scene 2: Falstaff m'ha canzonetta
Falstaff: Act I, Scene 2: Torno all'assalto
Falstaff: Act I, Scene 2: Udrai quanta egli sfoggia
Falstaff: Act I, Scene 2: Del tuo barbaro diagnostico
Falstaff: Act I, Scene 2: Qui piu non si vagoli
Falstaff: Act II, Scene 1: Siam pentiti e contriti
Falstaff: Act II, Scene 1: Alice e mia!
Falstaff: Act II, Scene 1: Padron; si la c'e un certo Mastro Fontana
Falstaff: Act II, Scene 1: Signore, v'assista il cielo!
Falstaff: Act II, Scene 1: Io l'amo e lei non m'ama
Falstaff: Act II, Scene 1: Il diavolo se lo porti all'inferno
Falstaff: Act II, Scene 1: E sogno? o realta?
Falstaff: Act II, Scene 1: Eccomi qua

Tracks:

Falstaff: Act II, Scene 2: Presenteremo un bill, per una tassa
Falstaff: Act II, Scene 2: Giunta all'Albergo della Giarrettiera
Falstaff: Act II, Scene 2: Nannetta, e tu non ridi?
Falstaff: Act II, Scene 2: Gaie comari di Windsor!
Falstaff: Act II, Scene 2: Alfin t'ho colto
Falstaff: Act II, Scene 2: Quand'ero paggio
Falstaff: Act II, Scene 2: Mia signora!
Falstaff: Act II, Scene 2: Il diavolo cavalca
Falstaff: Act II, Scene 2: Vien qua
Falstaff: Act II, Scene 2: Al ladro!
Falstaff: Act II, Scene 2: Se t'agguanto!
Falstaff: Act II, Scene 2: Ned! Will! Tom! Isaac!
Falstaff: Act III, Scene 1: Ehi! Taverniere!
Falstaff: Act III, Scene 1: Reverenza
Falstaff: Act III, Scene 1: Legge
Falstaff: Act III, Scene 1: Quando il rintocco
Falstaff: Act III, Scene 1: Provvedi le lanterne
Falstaff: Act III, Scene 2: Dal labbro il canto
Falstaff: Act III, Scene 2: Nossignore!
Falstaff: Act III, Scene 2: Una, due, tre, quattro
Falstaff: Act III, Scene 2: Odo un soave passo!
Falstaff: Act III, Scene 2: Ninfe! Elfi! Silfi!
Falstaff: Act III, Scene 2: Sul fil d'un soffio etesio
Falstaff: Act III, Scene 2: Alto la! - Ci va la?
Falstaff: Act III, Scene 2: Ruzzola, ruzzola
Falstaff: Act III, Scene 2: Naso vermiglio!
Falstaff: Act III, Scene 2: Cavaliero - Reverenza
Falstaff: Act III, Scene 2: Ogni sorta di gente dozzinale
Falstaff: Act III, Scene 2: Ah! Ah! Ah! Ah!
Falstaff: Act III, Scene 2: Tutto nel mondo e burla

Amazon.com essential recording

According to Toscanini's biographer Harvey Sachs, the Maestro viewed Falstaff as the most successful marriage of words and music in the history of the lyric theater. The same can be said about his 1950 NBC broadcast performance of Verdi's final opera. Karajan's EMI traversal from the '50s has the advantage of stereo and stronger solo singers, yet Toscanini achieves a remarkable synergy among pit, stage, and text that honors the composer's ensemble values with heartfelt brilliance at every turn. The orchestra not only sings: it talks, weaving incisive yet never obtrusive commentary around the vocalists, while sailing effortlessly through a maze of mood and tempo changes. By all accounts, Toscanini coached his cast to the extreme, and it shows. The excellent mono recording is well-balanced and still vivid after all these years. If I had to choose but one recording to demonstrate Toscanini's unique artistry, it would be this. --Jed Distler

Customer Reviews:

A bouquet to Valdengo.......2005-12-05

The other revieewers have already praised the revitalized sound of this 1950 Falstaff, which brings the performance into a soft, warm, human dimension. Toscanini conducts without a trace of the hardness and hectic tempos associated with his old age. He paces the opera with utmost flexibility, bending every phrase to Verdi's mercurial imagination. We find ourselves in a world as sparkling as that of Midsummer Night's Dream.

But above eall this opera needs a great vocal actor to protray Falstaff himself. From the first words he utters, Giuseppe Valdengo makes some things abundantly clear: Sir John is fat and gross, but still proud. He is sly and degraded, hot-headed and witty. Valdengo makes us believe that the higher morality is to flout convention and sail through the world a free spirit, but always with the melancholy awareness that flights come to earth with crashing shards of self-delusion. Jack Falstaff is a world unto himself, so both Shakespeare and Verdi intended, and both see him with worldly compassion. Valdengo manages to hold the center of gravity every moment, something that Tito Gobbi, for all his artistry, had to strain to achieve, and then only partially. Togeehter, Valdengo and Toscanini inspire everyone else. For two hours the magic spell holds, from a slovenly tavern hangover to a fairy night's enchantment. Bravo!

Brilliant performance by a true master........2005-08-28

This is a magnificent performance of one of the greatest of all operas.

Regarding the previous comments on sound quality, I weep for those whose ears are acute but whose souls are deaf.

Can't get past the sound quality..........2003-08-31

It's just terrible. The vocalists sound great - up front, clear, the works. But the orchestra! It's just one big lump of sound hiding behind the vocals. And tape hiss. Can't forget that.

If you're familiar with this work, and are looking to add another copy of it to your collection - then this may not be a bad idea at all. You know the music already - so you'll be able to appreciate stylistic differences, etc. in the performance. However if you're not familiar with Falstaff, you may find yourself putting this on the shelf due to the poor sound.

I found it very difficult to approach this opera for the first time listening to this recording. As I said, the vocals were great - lots of emotion and life. But every time the orchestra plays a note it just sounds like this big lump of dull sound in the background. It's impossible to pick up on the intracacies in the music, and I find that because of this I can't concentrate on the good aspects of the recording, I only focus on the bad.

Honestly, it just sounds dated - like you're listening to it on a stereo in the 30's or something to that effect. So I'd say if you're a fan of Falstaff you may be able to fill in enough of the blanks to really enjoy this. And of course if you like historical recordings, there's no reason to avoid this - I'm not complaining about the quality of the playing. But if this is your first time around you can surely find a recording that will help you gain a greater appreciation of the music. Don't start here.

Brings Back Memories.......2002-01-29

While not a knee-jerk Toscanini fan, I am a great fan of this recording. It reminds me of my childhood, hearing Met broadcasts on a good radio -- AM, yes; mono, yes; but with a firm tone and just enough warmth to invite one to stick around for the broadcast. This recording is my benchmark for Falstaff.

Toscanini triumphs.......2001-04-27

I inserted the first CD into my player and found myself transformed into the world Verdi's greatest masterpiece of lyrics and music. Certainly the glory must go to Toscanini for making this complex work such a joy to listen to. He produces some of the most beautiful tones from the orchestra that perfectly matches with the glorious singing of Valdengo, Nelli, Merriman, Elmo, Guarrera and the others. I can't think of a single negative thing about this recording.

Giuseppe Valdengo was in such firm tone and his acting is just right on the money. All the women of the piece are also excellent. And some recognition must also go to the chorus.

Tracks:

I. Introitus, Requiem
II. Kyrie
III. Sequenz. No. 1. Dies Irae
III. Sequenz. No. 2. Tuba Mirum
III. Sequenz. No. 3. Rex Tremendae
III. Sequenz. No. 4. Recordare
III. Sequenz. No. 5. Confutatis
III. Sequenz. No. 6. Lacrimosa
IV. Offertorium. No. 1. Domine Jesu
IV. Offertorium. No. 2. Hostias
V. Sanctus
VI. Benedictus
VII. Agnus Dei
VIII. Communio. Lux Aeterna
1. Molto Presto
2. Andante
3. Allegro
1. Allegro Spiritoso
2. Andante
3. Tempo Primo

Tracks:

1. Allegro Vivace
2. Andante Di Molto Pito Allegretto
3. Menuett (K. 409)
4. Finale: Allegro Vivace
1. Adagio - Allegro Spiritoso
2. Andante
3. Menuetto - Trio
4. Presto
1. Adagio - Allegro
2. Andante
3. Presto

Tracks:

1. Adagio - Allegro
2. Andante Con Moto
3. Menuetto: Allegretto - Trio
4. Finale: Allegro
1. Molto allegro
2. Andante
3. Menuetto: Allegretto - Trio
4. Allegro Assai
1. Allegro Vivace
2. Andante Cantabile
3. Menuetto: Allegretto - Trio
4. Molto Allegro

Tracks:

1. Allegro
2. Romance: Andante Con Moto
3. Menuetto. Allegretto - Trio
4. Finale. Allegro
1. Marcia: Maestoso
2. Menuetto
3. Rondeau
Euryanthe
Oberon
Preciosa, Op. 78
Peter Schmoll Und Seine Nachbarn

Tracks:

Don Juan, Op. 20
Till Eulenspiegels lustige Streiche
The Hero
The Hero's Adversaries
The Hero's Companion
The Hero's Battlefield
The Hero's Works of Peace
The Hero's Retirement From The World Of Fulfilment

Tracks:

Night - Sunrise
The Ascent
Entering The Wood
Wandering By The Brook
Flowery Meadows
Summit
The Sun Gradually Dims
Calm Before The Storm
Thunderstorm, Descent
Sunset
Epilogue - Night
Tone Poem For Large Orchestra

Tracks:

Main Title - Berliner Philharmoniker
Introduction - Berliner Philharmoniker
Of The Backworldsmen - Berliner Philharmoniker
Of The Great Longing - Berliner Philharmoniker
Of Joys And Passions - Berliner Philharmoniker
The Song Of The Grave - Berliner Philharmoniker
The Convalescent - Berliner Philharmoniker
The Dance-Song - Berliner Philharmoniker
Song Of The Night Wanderer - Berliner Philharmoniker
I. Beim Schlafengehen - Lisa Della Casa
II. September - Lisa Della Casa
III. Fruhling - Lisa Della Casa
IV. Im Abendrot - Lisa Della Casa

Tracks:

Early Years In Graz - Karl Bohm
First Conducting Experiences - Karl Bohm
Munich, Darmstadt And Alban Berg - Karl Bohm
Dresden, Richard Strauss And Mozart - Karl Bohm
Strauss As Conductor And Composer - Karl Bohm
Interlude In Vienna - Karl Bohm
Mozart's Genius - Karl Bohm
The Vienna State Opera Destroyed And Rebuilt - Karl Bohm

Customer Reviews:

I can't say enough good about this release.......2005-10-23

I can't say enough good about this release! DG/Universal have released some great mono recordings from the 1950s + some later Stereo issues of Karl Bohm (1894-1981) with the Vienna Philharmonic, Dresden State Orchestra, and Berlin Philharmonic, some which have never been on CD, or have been out of the catalog for years.

The Richard Strauss discs: about 50% of this set, have been released recently in a 3 CD Strauss box of Bohm/Dresden State Orchestra, and Berlin Philharmonic (DG, budget priced), but discs 1-4: Mozart and Weber, have not.

The Mozart "Requiem" with the Vienna Symphony, is from 1956 and is superb: taut, muscular, dramatic, and in very fine mono sound. Tempos are faster and more exciting than in Bohm's 1970 remake with the Vienna Philharmonic (DG). The 1956 "Requiem" was originally released on Philips LP, and for a short time, on Philips CD. The accompanying Symphonies 26 and 32 are very well played, with the Concertgebouw Orchestra.

The Mozart Symphonies are all excellent: 34 (with the added Minuet movement many conductors leave out), 35 and 38, all with the Vienna Philharmonic, originally Decca recordings, in mid 1950s mono sound. They share the same high marks and good qualities I give to Bohm's DG stereo Berlin Philharmonic Mozart cycle from the 1960s. The playing is warm and affectionate, tempos never too fast or slow: everything is just right. Karl Bohm was one excellent Mozart conductor, and the same can be said for Symphonies 39, 40, and 41 with the Concertgebouw Orchestra.

While the Berlin Philharmonic "Eine Kleine Nachtmusik" might not sound as good as Bohm's 1976 Vienna Philharmonic recording (DG, in several different reissues), it is very good, and affectionate. And I enjoyed the four Weber Overtures, including the rarely heard "Abu Hassan", "Euryanthe" and "Oberon" immensely - recorded in 1951 with the Dresden State Orchestra (Bohm's own orchestra from 1934-43) in very good mono sound.

Nothing need be said in detail about the Strauss works. You may know Bohm and Richard Strauss (1864-1949) became close friends in the early 1930s, and Strauss thought very highly of his younger colleague. Strauss's 1944 opera "Daphne" is dedicated to Karl Bohm. Bohm recorded much of Strauss's music: both orchestral (here) and opera, for DG, Decca, and other labels later on in his career.

Disc 8 is narration by Bohm, in German, recorded in 1960, "A Life re-told" and it is very interesting. There is a rough English translation in the accompanying text booklet, of Bohm's words telling about his life up to 1960 and career as a conductor. I highly recommend this set to anyone interested in great conducting, or in Karl Bohm's recordings.

Average customer rating:

Absolutely the top performance

Gluck: Orfeo ed Euridice

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
ASIN: B0000023D4
Release Date: 1993-05-10

Tracks:

Orfeo ed Euridice: Act I - Scene I - Overture
Orfeo ed Euridice: Act I - Scene I - Ah, se intorno (Chorus)
Orfeo ed Euridice: Act I - Scene I - Basta, o compagni! (Orfeo)
Orfeo ed Euridice: Act I - Scene I - Dance
Orfeo ed Euridice: Act I - Scene I - Ah, se intorno (Chorus)
Orfeo ed Euridice: Act I - Scene I - Chiamo il mio ben cosi (Orfeo)
Orfeo ed Euridice: Act I - Scene II - T'assiste Amore! (Amore)
Orfeo ed Euridice: Act I - Scene II - Gli sguardi trattieni (Amore)
Orfeo ed Euridice: Act I - Scene II - Che disse? (Orfeo)
Orfeo ed Euridice: Act II - Scene I - Chi mai dell'Erebo (Chorus)
Orfeo ed Euridice: Act II - Scene I - Deh placatevi con me (Orfeo)
Orfeo ed Euridice: Act II - Scene I - Dance Of The Furies
Orfeo ed Euridice: Act II - Scene I - Dance Of The Blessed Spirits
Orfeo ed Euridice: Act II - Scene I - E' quest'asilo (Euridice)(Chorus)

Tracks:

Orfeo ed Euridice: Act II - Scene II - Che puro ciel (Orfeo)
Orfeo ed Euridice: Act II - Scene II - Vieni a' regni del riposo (Chorus)
Orfeo ed Euridice: Act II - Scene II - Dance
Orfeo ed Euridice: Act II - Scene II - Anime avventurose (Orfeo)
Orfeo ed Euridice: Act III - Scene I - Vieni, segui i miei passi (Orfeo)
Orfeo ed Euridice: Act III - Scene I - Vieni, appaga il tuo (Orfeo)
Orfeo ed Euridice: Act III - Scene I - Qual vita e questa? (Euridice)
Orfeo ed Euridice: Act III - Scene I - Che fiero momento (Euridice)
Orfeo ed Euridice: Act III - Scene I - Ecco un nuovo tormento! (Orfeo)
Orfeo ed Euridice: Act III - Scene I - Che faro senza Euridice? (Orfeo)
Orfeo ed Euridice: Act III - Scene I - Ah finisca (Orfeo)
Orfeo ed Euridice: Act III - Scene II - Orfeo, che fai? (Amore)
Orfeo ed Euridice: Act III - Scene III - Ballet
Orfeo ed Euridice: Act III - Scene III - Trionfi, Amore (Soli)

Customer Reviews:

Absolutely the top performance.......2002-04-28

I had this recording taped already for 7 years, and tried to get the CD. I ordered it now and , really this one outperforms everything what is now currently on the market.
Its not available anymore trough the normal channels, but hope that it will be distributed soon again.

Music Track:

Music Track

music track

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