Conducts Haydn, Mozart & Brahms
On this CD:
1. Symphony No. 101 in D major ("Clock"), H. 1/101
Composed by Franz Joseph Haydn
Performed by New York Philharmonic Symphony Orchestra
Conducted by Arturo Toscanini
2. Symphony No. 35 in D major ("Haffner"), K. 385
Composed by Wolfgang Amadeus Mozart
Performed by New York Philharmonic Symphony Orchestra
Conducted by Arturo Toscanini
3. Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a
Composed by Johannes Brahms
Performed by New York Philharmonic Symphony Orchestra
Conducted by Arturo Toscanini
Conducts Haydn, Mozart & Brahms, Music, Toscanini, Phil Sym of Ny, Classical
Average customer rating:
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Froment Conducts Haydn, Mozart & Beethoven
Manufacturer: Frequenz
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000RAAMB0 |
Product Description
Frequenz 41.006 (1988)
Average customer rating:
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Koussevitzky conducts Classical Symphonies
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000000WQ3
Release Date: 1995-11-14 |
Tracks:
- I. Adagio Cantabile; Vivace Assai
- II. Andante
- III. Menuetto: Allegro Molto
- IV. Allegro Di Molto (Take 3)
- Alternate Take Of Fourth Movement (Take 1)
- I. Largo; Allegro Vivace
- II. Adagio
- III. Menuetto: Allegro
- IV. Presto
- I. Allegro Moderato
- II. Andante
- III. Menuetto; Trio
- IV. Allegro Con Spiritu
Tracks:
- I. Allegro Vivace
- II. Andante Di Molto
- III. Allegro Vivace
- I. Adagio Molto; Allegro Con Brio
- II. Andante Con Moto
- III. Allegro
- IV. Allegro
- I. Allegro Vivace E Con Brio
- II. Allegretto Scherzando
- III. Tempo Di Menuetto
- IV. Allegro Vivace
Product Description
1-4. Mozart: Symphony N. 36 "Linz"~~~~5-8. Haydn: Symphony N. 94 "Surprise"
Average customer rating:
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Knappertsbusch Conducts Haydn, Mozart, Lortzing, Glinka, & Liszt
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B00000C3QT
Release Date: 2006-10-24 |
Average customer rating:
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Conducts Berlin Philharmonic
Celibidache , Vivaldi , Haydn , and Mozart
Manufacturer: Arkadia: the 78's
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
ASIN: B00008EP24
Release Date: 1995-03-06 |
Average customer rating:
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Stockhausen Conducts Haydn & Mozart
Manufacturer: Pilz
ProductGroup: Music
Binding: Audio CD
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Trumpet
| Brass
| Instruments
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000009I0L
Release Date: 1992-03-09 |
Average customer rating:
- COMPOSER AS INTERPRETER
- BRITTEN CONDUCTS AN INDISPENSABLE HAYDN NO. 95
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Britten Conducts Mozart, Haydn, Mendelssohn and others
Manufacturer: BBC Legends
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B00000JWIM
Release Date: 1999-08-17 |
Tracks:
- Overture ' The Hebrides' ( 'Fingal's Cave') , Op.26
- Symphony No.35 In D Major, K385 ' Haffner': I: Allegro con spirito
- Symphony No.35 In D Major, K385 ' Haffner': II: Andante
- Symphony No.35 In D Major, K385 ' Haffner': III: Menuetto - Trio - Menuetto
- Symphony No.35 In D Major, K385 ' Haffner': IV: Presto
- Symphony In C Minor, Hob.1:95: I: Allegro moderato
- Symphony In C Minor, Hob.1:95: II: Andante
- Symphony In C Minor, Hob.1:95: III: Menuet - Trio
- Symphony In C Minor, Hob.1:95: IV: Finale. Vivace
- Prelude a l'apres-midi d'un faune
- Overture ' Coriolan', Op.62
Customer Reviews:
COMPOSER AS INTERPRETER.......2004-04-23
My own interest in this disc was not to find some hypothetically `best' performances of the interesting variety of masterpieces that it contains. Rather it was to hear one of the most notable composers of the 20th century interpreting his forerunners. I was already familiar with Britten as an accompanist in Lieder and as a piano duettist. As a conductor I was acquainted with him in his own works only.
My first suggestion to anyone wishing to sample this disc is - don't start with the Mendelssohn or the Mozart that occupy the first five tracks. These are in fact the most recent recordings here, from Britten's own concert-house The Maltings at Snape in Suffolk, made during the 70's. I must report that I am not very comfortable with some aspects of the engineering. The orchestral sound is in general rather too close for comfort, and there is too much focus on whatever instruments happen to have the melody at any given point. The effect on the Hebrides overture, for me Mendelssohn's very greatest composition and the work that most seems to me to support Schumann's claim that Mendelssohn was the Mozart of the 19th century, is particularly serious. There is no magic at all in that celestial start, the great second subject is shoved in our faces by an overly forward balance of the cellos and violins with the wonderful background effect correspondingly forced into obscurity, and there is a general sense that the work is being demonstrated rather than simply played. The opening of the Mozart gives me a problem too, with the rather oppressive timpani sound. It is a beautiful and sensitive account and as it progressed I was getting over my initial dismay until right at the end the timpani boomed out like an approaching balrog again.
These days we are very spoiled as regards the kind of recorded sound we may expect, and at least I now have the Haffner symphony, which I know by heart and could have sworn I already owned, in my surpassingly unmethodical collection. I knew I was missing the Haydn C minor symphony, and to my great pleasure things improved enormously from this point on. Britten's tempi are steady throughout, and for me rightly so. There is a high and deep seriousness about this work, even the major-mode finale, that does not benefit from rush. The very striking trio to the minuet, with its interplay of solo instruments, is something that should make a big impression on most hearers. When the second subject of the first movement reappears in the recapitulation, Misha Donat in his helpful and sensitive note draws attention to a couple of little ascending scale passages for a solo violin as if they were some new discovery. Unless I am greatly mistaken, Tovey beat him to this find in his analytical piece in the Essays in Musical Analysis vol 1, published in the 1920's or so. However, the really significant thing to mention is that this recording, made together with the other two pieces on the disc in Blythburgh church in the 60's, is much better and more natural than on the foregoing tracks.
Donat's liner-note is slightly apologetic about this Coriolanus, but unnecessarily so I should say, and Donat rightly draws attention to the outstanding beauty of the second subject from Britten. What this performance lacks is stature. On a disc of the violin concerto with Roehn made in Berlin during WWII, Fuertwaengler shows how the thing should be done, and the recording is surprisingly good. The mighty opening phrases represent the lowering hero himself, and after an awe-inspiring rallentando Fuertwaengler's second theme conveys not just feminine beauty but the imposing figures of the wife and the mother of Coriolanus, great matronae laris in long white robes intervening to prevent the invasion of Rome. From Britten I sense more a piece of sonata form with a first subject and second subject rather than the tone-poem it should be.
Along with the Haydn, the best thing here is the Debussy. This is thoroughly recommendable, but by way of a comparison I also played my Beecham recording, and to compare Britten with the greatest orchestral wizard of the 20th century is not a fair thing to do to any conductor. It was given to Mahler to be great both as composer and as conductor, and to a lesser degree it was also given to Bernstein. It's not something we should expect too often. Fuertwaengler thought of himself as a composer who conducted, but who these days knows or cares the first thing about his compositions? This is a disc I'm glad to have found as a sidelight on a many-faceted genius.
BRITTEN CONDUCTS AN INDISPENSABLE HAYDN NO. 95.......1999-10-01
Not only was Benjamin Britten one of the great composers of the twentieth century, he was a great conductor too. I thorougly enjoyed all of the items on the disc, but the recording of Haydn's Symphony No. 95 is absolutely extraordinary. Most other conductors (Klemperer being a rare exception) gloss over the gaunt power and solemnity that make this symphony unique (the only one in a minor key amongst the last 12). Britten, by contrast, accentuates these features, in a performance of remarkable muscularity, transparency, and power. Anyone who loves No. 95 should have this performance.
Average customer rating:
- The Schumann Second is rare (and fairly strange) from Stokowski
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Stokowski Conducts Schumann, Haydn, Strauss, Humperdinck, Mozart
Manufacturer: Cala Records
ProductGroup: Music
Binding: Audio CD
Waltzes
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Humperdinck, Engelbert
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Leopold Mozart
| Mozart, Leopold
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Strauss Jr., Johann
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
| Cantatas
| Romances
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B000067DOW
Release Date: 2002-06-11 |
Tracks:
- Hansel And Gretel: Prelude
- Symphony No.53 In D, The Imperial: I. Largo Maestoso; Allegro Vivace
- Symphony No.53 In D, The Imperial: II. Andante (Theme And Variations)
- Symphony No.53 In D, The Imperial: III. Allegro (Minuet And Trio)
- Symphony No.53 In D, The Imperial: IV. Presto
- German Dance No.3: The Sleigh Ride
- Symphony No.2 In C, Op.61: I. Sostenuto Assai; Allegro, Ma Non Troppo
- Symphony No.2 In C, Op.61: II. Scherzo: Allegro Vivace
- Symphony No.2 In C, Op.61: III. Adagio Espressivo
- Symphony No.2 In C, Op.61: IV. Allegro Molto Vivace
- On The Beautiful Blue Danube
- Tales From The Vienna Woods
Customer Reviews:
The Schumann Second is rare (and fairly strange) from Stokowski .......2006-02-06
This CD consists of nicely remastered 78s from 1949-50 that feature Stokowski in two composers rare for him: Haydn and Schumann. The Haydn Sym. 53 ("Imperial") is a lovely, underplayed work that Stokowski chose over many more familiar works. His reading is energetic and angular, with almost no romantic touches. "His Symphony Orchestra," a NY pickup group, play well, but the recording is flat. This performance is mostly interesting for occasional moments.
It's strange that Stokowski and Schumann, two arch-romantics, never crossed paths more often. This well-recorded Sym. #2 has a glorious slow movement (one of Schumann's greatest), which comes off as intense and ultra-lush in Stokowski's hands. Literlists will cringe, but the effect is emotionally rich and, to me, entrancing. The other movements are full of swoops, pauses, glides, and other Stokowski moves; the general effect isn't as convincing as in the slow movement, but the performance is all of a piece. The 78 sides vary in sound quality--the best ones deserve considerable praise.
The fillers are a Humperdinck Prelude to Hansel and Gretel (a bit dull, surprisingly), Mozart "Sleigh Ride" (heavy-handed), and two Strauss waltzes, The Blue Danube and Tales form the Vienna Woods, each truncated to 4 min. and performed with swish and elan in Stokowski's most glib style.
In all, if you love Stokowski to pieces, this CD hits the mark, as always with Cala's reissues, but if you aren't converted yet, there may be too many eccentricities to excite admiration.
Average customer rating:
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Conducts Haydn/Mozart-Vol.3
Eduard Van Beinum
Manufacturer: Dante Records Lys
ProductGroup: Music
Binding: Audio CD
General
| Classical
| Styles
| Music
ASIN: B00000IJBG
Release Date: 1999-03-16 |
Product Description
Haydn: Symphony No. 96, "The Miracle"; Mozart: Symphony No. 4, KV 19; Bizet: Jeux D'Enfants, Op. 22; Tschaikowsky: Cappricio Italien, Op. 45.
Music Track:
- Conducts Ravel & Schubert
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- Contemporary Works for Viola from Russia
- Dagma Pecková
- Daniel Barenboim: The Maestro
- Daniel Goiti
- Das literarische Quintett
- Duette für Klarinette & Holzbläser (Duets for clarinet and other woodwinds)
- Eisler: Elegien No1&2; Die Hollywood-Elegien
Music Track
music track
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