Piano Concerto 26 in D Coronation
On this CD:
1. Piano Concerto No. 26 in D major ("Coronation") K. 537
Composed by Wolfgang Amadeus Mozart
Performed by L'Orchestre de la Suisse Romande
with Robert Casadesus
Conducted by Ernest Ansermet
2. Piano Concerto No. 2, for piano & orchestra in A major, S. 125 (LW H6)
Composed by Franz Liszt
Performed by L'Orchestre de la Suisse Romande
with Robert Casadesus
Conducted by Ernest Ansermet
3. Nights in the Gardens of Spain, for piano & orchestra, G. 49
Composed by Manuel de Falla
Performed by L'Orchestre de la Suisse Romande
with Robert Casadesus
Conducted by Ernest Ansermet
Piano Concerto 26 in D Coronation, Music, Robert Casadesus, Ansermet, Chamber Music & Recitals, Classical, Classical Music
Average customer rating:
- What is all the hype about?
- great cd
- My girls listen to this every night
- I would give it more than 5 stars....
- Great CD: soothing music by best performers. Worth every penny.
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Baby Sleep
Manufacturer: Erato
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Binding: Audio CD
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ASIN: B000005E5H
Release Date: 1997-04-22 |
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- Scenes Form Childhood: Foreign Lands And People
- Scenes Form Childhood: Dreaming
- Scenes Form Childhood: Child Falling Asleep
- Dream Of Children: Andante
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Amazon.com
I think this music is intended for adults, though the photo on the cover is of a sleeping baby. In any event, Schumann's work, Scenes From Childhood, Op. 15, featured here is more likely to bolt you out of bed than put you to sleep, as the mike is far too close to the piano being played by Cyprien Katsaris. Purcell's Adagio from The Indian Queen is magnificent, performed by John Elliott Gardiner and the English Baroque Soloists. The Weird Award goes to triple harpist Tim Hobrough and lutenist Stephen Barber for their bizarre, spiky rendition of Minuets Nos. 4 and 5 from the Notebook of Anna Magdalena Bach. I would like to meet Bill Holland, producer of all these Atlantic Records classical compilations. He's programmed Satie's Gymnopedie No. 1 on three different CDs, billed alternately as sensuous, romantic, and now here: good for a long snooze. --Gwendolyn Freed
Customer Reviews:
What is all the hype about?.......2007-07-09
I purchased this CD on the basis of the reviews written on Amazon. I have to say I am terribly disappointed. My son hates the CD, I listened to it and I am not all that impressed either. It is ok but nothing like described by other users.
great cd.......2007-06-26
We play this cd every night at bedtime. It not only helps my baby stay asleep, but helps me fall asleep. The only issue I have is that one of the tracks near the end of the cd is a little louder than the tracks before it, so I just make sure I keep it on very quiet and it's wonderful.
My girls listen to this every night.......2006-11-10
My girls (ages 3 & 5) have a hard time winding down at night. We have a regular bedtime routine (bath, snack, teeth brushing, books, hugs), but they still take forever to settle down and sleep. Adding this CD to the bedtime routine has really helped.
I would give it more than 5 stars...........2005-11-18
I had this CD when my daughter was born 5 years ago, and it gave us such a soothing environment in which to bond during quiet times. We also put it on shortly before we'd put her down to sleep, and by 6 weeks she was sleeping through the night in her own crib. I think it was her sanctuary, and the music helped her feel comforted. We've since then completely worn out the CD (she listened to it through her 3rd year), and will have to buy a new one for our next little addition (coming soon!). I found it on this site and just listened to the samples from each track. Aahhh... very soothing for Mommy, too!
I also plan to get it as a baby gift for a friend. :)
Great CD: soothing music by best performers. Worth every penny........2005-08-05
I listened to this CD countless times ever since I first bought it from BMG music service back in 1997. Compositions of this CD are popular classical hits. That is, you will likely recognize at least some of them if you listen to the sampler.
What sets this CD apart is supreme music performance. Every composition is performed flawlessly, with real feeling and passion. There is a good reason why this CD that was released in 1997 is still around and costs over ten dollars. This reason is called quality.
Average customer rating:
- Didn't even like classical music until now!
- Truly relaxing music
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Music For The Mozart Effect, Volume 5, Relax & Unwind
Manufacturer: Spring Hill
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ASIN: B000050GA4
Release Date: 2000-10-24 |
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Customer Reviews:
Didn't even like classical music until now!.......2006-05-15
When I read an article about how listening to baroque music composed with a 60 BPM rhythm could actually raise your IQ, relieve stress, and improve focus, I was intrigued. I did a search on Mozart, Handel and Bach - all were mentioned in the article, and then I came across The Mozart Effect series here on Amazon. I bought this CD as well as Volume 1:Strengthen Your Mind and let me tell you, it has changed my outlook on life. I feel absolutely healthier and happier after listening to only these two albums for a week, haven't tired of them yet! I plan on buying the rest of the series and enjoying their benefits for a long, long time.
Truly relaxing music.......2002-01-28
This CD was the start of my collection of Mozart music compiled by Don Campbell. I can listen to it day in and day out, before I go to sleep. The special frequency of the compositions is soothing and extremely relaxing. This is one of the most special albums I have ever purchased. If you want beautiful music for a massage; if you have trouble sleeping; if you just want to unwind, listen to this CD. You'll feel why.
Average customer rating:
- Sound quality poor
- Warmth and humour of Mozart
- A genius in his invaluable youth!
- Barenboim
- Great performances of inspired music
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Mozart: The Complete Piano Concertos
Manufacturer: EMI Classics
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Release Date: 1998-10-20 |
Tracks:
- Piano Concerto No. 1 In F Major, K 37: I. Allegro
- Piano Concerto No. 1 In F Major, K 37: II. Andante - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 1 In F Major, K 37: III. Rondo - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 2 In B Flat Major, K 39: I. Allegro spiritoso - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 2 In B Flat Major, K 39: II. Andante
- Piano Concerto No. 2 In B Flat Major, K 39: III. Molto allegro
- Piano Concerto No. 3 In D Major, K 40: I. Allegro maestoso - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 3 In D Major, K 40: II. Andante
- Piano Concerto No. 3 In D Major, K 40: III. Presto
- Piano Concerto No. 4 In G Major, K41: I. Allegro - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 4 In G Major, K41: II. Andante
- Piano Concerto No. 4 In G Major, K41: III. Molto allegro - Cadenza (Barenboim) - Tempo I
Tracks:
- Piano Concerto No. 5 In D Major, K 175: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 5 In D Major, K 175: II. Andante ma un poco adagio - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 5 In D Major, K 175: III. Allegro - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 6 In B Flat Major, K 238: I. Allegro aperto - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 6 In B Flat Major, K 238: II. Andante un poco adagio - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 6 In B Flat Major, K 238: III. Rondeau (Allegro) - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 8 In C Major, K 246 'Lutzow': I. Allegro aperto - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 8 In C Major, K 246 'Lutzow': II. Andante - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 8 In C Major, K 246 'Lutzow': III. Rondeau- Tempo di menuetto
Tracks:
- Piano Concerto No. 9 In E Flat Major, K 271: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 9 In E Flat Major, K 271: II. Andantino - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 9 In E Flat Major, K 271: III. Rondeau: Presto - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 25 In C Major, K 503: I. Allegro meastoso - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 25 In C Major, K 503: II. Andante
- Piano Concerto No. 25 In C Major, K 503: I. Allegretto
- Concert Rondo For Piano And Orchestra No. 1 In D Major, K 382
Tracks:
- Piano Concerto No. 11 in F Major, K 413: I. Allegretto - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 11 in F Major, K 413: II. Largetto - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 11 in F Major, K 413: III. Tempo di Menuetto
- Piano Concerto No. 12 In A Major, K 414: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 12 In A Major, K 414: II. Andante - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 12 In A Major, K 414: III. Allegretto - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 13 In C Major, K 415: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 13 In C Major, K 415: II. Andante
- Piano Concerto No. 13 In C Major, K 415: III. Allegro - Adagio - Allegro
Tracks:
- Piano Concert No. 14 In E Flat Major, K 449: I. Allegro vivace - Cadenza (Mozart) - Tempo I
- Piano Concert No. 14 In E Flat Major, K 449: II. Andantino
- Piano Concert No. 14 In E Flat Major, K 449: III. Allegro ma non troppo
- Piano Concerto No. 15 In B Flat Major, K 450: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 15 In B Flat Major, K 450: II. Andante
- Piano Concerto No. 15 In B Flat Major, K 450: III. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 16 In D Major, K 451: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 16 In D Major, K 451: II. Andante
- Piano Concerto No. 16 In D Major, K 451: III. Allegro di molto - Cadenza (Mozart) - Tempo I
Tracks:
- Piano Concerto No. 17 In G Major, K453: I. Allegro - Cadenza (Mozart, arr. Barenboim) - Tempo I
- Piano Concerto No. 17 In G Major, K453: II. Andante - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 17 In G Major, K453: III. Allegretto
- Piano Concerto No. 26 In D Major, K 537 'Coronation': I. Allegro - Cadenza (Wanda Landowska) - Tempo I
- Piano Concerto No. 26 In D Major, K 537 'Coronation': II. Larghetto
- Piano Concerto No. 26 In D Major, K 537 'Coronation': III. Allegretto
Tracks:
- Piano Concerto No. 18 In B Flat Major, K 456: I. Allegro vivace - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 18 In B Flat Major, K 456: II. Andante un poco sostenuto
- Piano Concerto No. 18 In B Flat Major, K 456: III. Allegro vivace - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 19 In F Major, K 459: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 19 In F Major, K 459: II. Allegretto
- Piano Concerto No. 19 In F Major, K 459: III. Allegro assai - Cadenza (Mozart) - Tempo I
Tracks:
- Piano Concerto No. 20 In D Minor, K 466: I. Allegro - Cadenza - Tempo I
- Piano Concerto No. 20 In D Minor, K 466: II. Romanze
- Piano Concerto No. 20 In D Minor, K 466: III. Rondeau: Allegro assai - Cadenza - Tempo I
- Piano Concerto No. 24 In C Minor, K 491: I. Allegro spiritoso - Cadenza - Tempo I
- Piano Concerto No. 24 In C Minor, K 491: II. Larghetto
- Piano Concerto No. 24 In C Minor, K 491: III. Allegretto
Tracks:
- Piano Concerto No. 21 In C Major, K 467: I. Allegro maestoso - Cadenza - Tempo I
- Piano Concerto No. 21 In C Major, K 467: II. Andante
- Piano Concerto No. 21 In C Major, K 467: III. Allegro vivace assai - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 27 In B Flat Major, K 595: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 27 In B Flat Major, K 595: II. Larghetto
- Piano Concerto No. 27 In B Flat Major, K 595: III. Allegro - Cadenza (Mozart) - Tempo I
Tracks:
- Piano Concerto No. 22 In E Flat Major, K 482: I. Allegro - Cadenza (Barenboim) - Tempo I
- Piano Concerto No. 22 In E Flat Major, K 482: II. Andante
- Piano Concerto No. 22 In E Flat Major, K 482: III. Rondo: Allegro - Cadenza (Edwin Fischer) - Tempo I
- Piano Concerto No. 23 In A Major, K 488: I. Allegro - Cadenza (Mozart) - Tempo I
- Piano Concerto No. 23 In A Major, K 488: II. Adagio
- Piano Concerto No. 23 In A Major, K 488: III. Allegro assai
Customer Reviews:
Sound quality poor.......2006-04-26
The sound quality is poor and the balance no good.
Disappointing from a major company such as EMI and major performer such as Barenboim.
Their similar set of Beethoven sonatas with Barenboim (70s) is much more acceptable.
Warmth and humour of Mozart.......2006-03-23
We bought this as a gift for a friend, as we already own it, and think it is the best thing in our CD library. Barenboim brings out the humour and the warmth in the concertos without being over-romantic, and brings emotional richness to his performance - in great contrast to the rather mechanical and cold renditions by other performers who are supposed to be Mozartian 'experts'. We think Amadeus would approve whole-heartedly of these performances.
A genius in his invaluable youth!.......2005-03-30
When Daniel Barenboim decided to face the huge challenge of playing the Complete Set of Piano Concerts he was making (without knowing at this moment)one of his multiple artistic triumphs.
The first impressive detail to remark is the convincent maturity and silent self discipline self impossed by himself. But the genius of Barenboim's playing is the absolute conviction he always sounds so natural. And hardly you will find the minimum sensation of effort as you just can feel it with Brendel for instance.
I still have these recordings in vynil format and from time to time I compare both formats. Go for these records and you will not only enjoy to Mozart's genius but the grandness of a real Keyboard Giant in his twenties.
After the wise decision to perform and conduct the orchestra from the piano, the interpretations acquired a major enrichment and enlightment, and somehow these recordings constitute the previous step for that decision.
To make a major disection of Concert by Concert would be extremely interseting but it would be equally long. There are some higlights performances and in my opinion these are: The 24th, 23th, 19th,12th, 25th, 14th, 15th and the first six.
In honor to the truth there are unbeatable major versions in other performances.
The 9th I find to Geza Anda, the 18 th Andras Schiff, 20th Myra Hess with Walter in last fifties, 21 th Casadesus and Munch in the last forties not available in CD format, 22th Fisher and Serkin, 26 th Gulda Harnoncourt, 27th Haskill and Curzon.
Absolutely recommended for every real Mozart's admirer.
Barenboim.......2005-03-17
Daniel Barenboim is one of the best pianists around. He DOES NOT play Mozart too Beethoven-like. I love these recordings, and as a pianist myself, I know that Barenboim delivers very good performances of these beautiful pieces. This set is also probably just as good as the $150 Marriner/Brendel set, and at a fraction of the price. The sound quality is very good. HIGHLY recommended.
Great performances of inspired music.......2004-11-06
This set is beautifully performed and is also priced competitively. I am very satisfied with my purchase, though I'm sorry it doesn't include the concertos for 2 and 3 pianos.
Barenboim's own cadenzas are enjoyable. I don't notice any lack of maturity in the playing, but this may be my inexperience!
Some prefer Ashkenazy, but it is quite a bit more expensive [though it does include those works just mentioned].
I am confident most readers will be very happy with this set.
Highly recommended
Average customer rating:
- Great Collection
- A remarkable anthology
- High-quality, marvelously varied intro to baroque music
|
Essential Baroque
Manufacturer: Decca
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Binding: Audio CD
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ASIN: B00006L3IL
Release Date: 2002-10-08 |
Customer Reviews:
Great Collection.......2007-01-19
Essential Baroque is a great collection, especially for the price. It has two CDs packd full of the best Baroque music. Like most Baroque collections, it has the best of some of the better known artists like Handel, Bach, and Vivaldi. However, unlike most other collections, it excels in adding some good pieces from lesser known artists from the period.
A remarkable anthology.......2005-09-08
A fine selection of pieces excerpted from the chamber ensemble, solo and opera repertory. Some recordings, though from paramount artists, are elderly; yet, performers are anyway flawless. It may be objected that a few of Vivaldi's masterpieces were disregarded.
High-quality, marvelously varied intro to baroque music.......2003-12-13
I am buying this as the perfect gift for Russian and Chinese scientist friends. They have knowledge of classical music but perhaps not much about baroque music, which achieved special popularity in the U.S. during the 1970's and 1980's. Russians seem to have more familiarity with romantic classical music, while the more recently arrived Asian classical buffs have special affinity to the "Classical" classical period and the great 19th Century romantics. How can a baroque sampler be better than with a span of music ranging from solo harpsichord to full orchestra and chorus, and from the very familiar (Pachelbel Canon and Hallelujah Chorus from Handel's Messiah) to a trio sonata by Zelenka and the Dardanus Overture by Rameau. Not only that, but both the period instrument and living tradition baroque styles are represented by noted performers (e.g. Trevor Pinnock and Christopher Hogwood; and Henryk Szeryng, Andras Schiff, Pepe Romero, and Alicia de Larrocha, respectively). The producers were careful enough to state that the "Albinoni Adagio in g minor" was actually composed by Remo Giazotto - though in fact Giazotto did use a fragment of Albinoni. This is definitely not a supermarket special, but a box of choice musical bonbons.
Average customer rating:
- Mozart's Adagios By Outstanding Musicians and Conductors
- Very Nice
- music to tame the cacophonous beast
- serene timeless music
- Good - somewhat awkward
|
Mozart: Adagios
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000IIZZ
Release Date: 1999-04-13 |
Tracks:
- Eine kleine Nachtmusik K525
- Piano Concerto No. 21 in C major K467 ('Elvira Madigan')
- Serenade in B flat major K361
- Clarinet Concerto in A major K622
- Concerto for Flute & Harp in C major K299
- Piano Concerto No. 23 in A major K488
- Adagio for Violin in E major K261
- Symphony No. 40 in G minor K550
- Divertimento in B flat major K137
- Piano Concerto No. 26 in D major 'Coronation' K537
- Horn Concerto No. 3 in E flat major K447
Tracks:
- Piano Concerto No. 27 in B flat major K595
- Horn Concerto No. 2 in E flat major K417
- Violin Concerto No. 3 in G major K216
- Piano Sonata in F major K332
- Symphony No. 41 in C major 'Jupiter' K551
- Piano Concerto No. 20 in D minor K466
- Adagio in B minor for Piano K540
- Sinfonia concertante in E flat major K364
- Clarinet Quintet in A major K581
- Serenade in C minor K388
- Piano Sonata in C major K545
Customer Reviews:
Mozart's Adagios By Outstanding Musicians and Conductors.......2005-11-28
This 2-CD reasonably priced compilation has a number of the greatest adagios Mozart composed, performed by some of the greatest conductors and musicians in the world. Mozart was such a prolific composer of incredibly beautiful music in his short 35 years that one can easily imagine a second 2-CD set of his adagios in this series. The quality of the performances and the sound quality of the recordings on both CDs are outstanding.
The selections of adagios are a representative sampling of many of Mozart's most well-known and greatest compositions. Although the selections come from a large variety of works, they flow smoothly from one to the other. The adagios from the piano concertos performed by Vladimir Ashkenazy, the other piano selections, performed by Andras Schiff, the violin adagio performed by Joshua Bell, and the adagio from the Clarinet Concerto performed by Gervase de Peyer, are absolute musical heaven. Then again, all of the selections are outstanding.
This is wonderful music to listen to either casually or seriously, either while doing something else, or while focusing only on the music and its beauty. If you are looking for other excellent CD compilations of Mozart adagios in addition to this one, I also highly recommend "Mozart for Relaxation" on RCA, and "Mozart for Meditation," on Naxos.
Very Nice.......2004-06-12
This is a very nice CD, it has a good selection of music, and it's very relaxing. The only problem I have with it is some of the recordings are so-so. I also noticed a small little mistake in one of the recordings, not of the song itself, but of some bad timing of whoever recorded it or edited the recording. At the end of the Horn Concerto on the first CD, which is the last one of that CD, if you listen very very carefully, you can hear the first split-second of the next movement in that concerto. It is very small and hard to notice, so it does not reduce the value of the CD; I thought I'd just point out that little "easter egg" mistake.
music to tame the cacophonous beast.......2004-01-18
Though this is not a CD set to "seriously listen to Mozart", it is perfect to put on while doing anything from housework to sitting around watching the grass grow. With one glorious melody after another, one is flooded with its beauty; there are few melodies that can top track # 2, the Andante from Piano Concerto 21, the "Elvira Madigan" theme, except for many of the other twentyone excerpts that for the most part, are well performed, with some that are exceptional.
Vladimir Ashkenzy is the pianist in four pieces, and is wonderful in all of them, as is clarinetist Gervase de Peyer in the K622 concerto and the excepts from Horn Concertos # 2 and # 3, with Barry Tuckwell as soloist.
The Concerto for Flute and Harp K299 might sound a little thin to some, but this is perhaps because of the antique instrumentation. The Academy of Ancient Music, under the baton of Christopher Hogwood, have been pioneers in recording with period instruments.
I'm particularly fond of Mozart's solo piano pieces, and three selections are included, played by award-winning Hungarian pianist/conductor Andras Schiff.
The packaging for these 2 discs is minimal, but the music is a nice bargain. You get miles of Mozart (playing time for Disc One is 74'25, Disc Two 71'30), with many great artists performing these soft and exquisite pieces; it makes me think of a box of assorted musical truffles, a delicacy for the ears, and a balm for the soul in the noisy world most of us live in.
serene timeless music.......2001-10-29
great collection for a super price. the selection is a compilation of the nicest music Mozart has composed. I have hundreds of CD and this will be one of my favorite.
Good - somewhat awkward.......2001-08-09
This CD includes some of Mozart's most sublime work. Like most compilations, each piece on the CD exists out of context, which sometimes feels awkward. Also, some of the performances are not up-to-snuff. In particular, the flute and harp concerto (K.299) is clunky and strangely juxtiposed with an outstanding performance of the K.622 clarinet concerto. I was also a bit disappointed with the metronomic performance of the K.361 adagio, which is among my favorite pieces of music. This CD is outstanding as background music - it's simply lovely, but it's not particularly good listening for the serious Mozart fan.
Average customer rating:
- Dated
- My favorite Mozart Piano concerts
- Luminous...
- Remarkable performances!
- Still among the best Mozart piano concerto cycles
|
Mozart: The Piano Concertos
Manufacturer: Deutsche Grammophon
ProductGroup: Music
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All Works by Wolfgang Amadeus Mozart
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Similar Items:
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ASIN: B00004YZ36
Release Date: 2002-05-14 |
Tracks:
- Con No.6 in B flat, K.238: 1. Allegro Aperto
- Con No.6 in B flat, K.238: 2. (Andante Un Poco Adagio)
- Con No.6 in B flat, K.238: 3. Rondeau: Allegro
- Con No.8 in C, K.246: 1. Allegro Aperto
- Con No.8 in C, K.246: 2. Andante
- Con No.8 in C, K.246: 3. Rondeau: Tempo Di Menutto
- Con No.9 in E flat, K.271: 1. Allegro
- Con No.9 in E flat, K.271: 2. Andantino
- Con No.9 in E flat, K.271: 3. Rondeau: Presto - Menuetto: Cantabile - Tempo Primo
Tracks:
- Con No.11 in F, K.413: 1. Allegro
- Con No.11 in F, K.413: 2. Larghetto
- Con No.11 in F, K.413: 3. Tempo Di Menuetto
- Con No.12 in A, K.414: 1. Allegro
- Con No.12 in A, K.414: 2. Andante
- Con No.12 in A, K.414: 3. Allegretto
- Con No.14 in E flat, K.449: 1. Allegro Vivace
- Con No.14 in E flat, K.449: 2. Andantino
- Con No.14 in E flat, K.449: 3. Allegro, Ma Non Troppo
- Con No.2 in B flat, K.39: 1. Allegro Spiritoso
- Con No.2 in B flat, K.39: 2. Andante
- Con No.2 in B flat, K.39: 3. Molto Allegro
Tracks:
- Con No.13 in C, K.415: 1. Allegro
- Con No.13 in C, K.415: 2. Andante
- Con No.13 in C, K.415: 3. Allegro
- Con No.15 in B flat, K.450: 1. Allegro
- Con No.15 in B flat, K.450: 2. (Andante)
- Con No.15 in B flat, K.450: 3. Allegro
- Con No.17 in G, K.453: 1. Allegro
- Con No.17 in G, K.453: 2. Andante
- Con No.17 in G, K.453: 3. Allegretto
Tracks:
- Con No.16 in D, K.451: 1. Allegro
- Con No.16 in D, K.451: 2. (Andante)
- Con No.16 in D, K.451: 3. Allegro Di Molto
- Con No.18 in B flat, K.456: 1. Allegro Vivace
- Con No.18 in B flat, K.456: 2. Andante Un Poco Sostenuto
- Con No.18 in B flat, K.456: 3. Allegro Vivace
- Con No.19 in F, K.459 'Coronation': 1. Allegro Vivace
- Con No.19 in F, K.459 'Coronation': 2. Allegretto
- Con No.19 in F, K.459 'Coronation': 3. Allegro Assai
Tracks:
- Con No.20 in d, K.466: 1. Allegro
- Con No.20 in d, K.466: 2. Romance
- Con No.20 in d, K.466: 3. (Allegro Assai)
- Con No.21 in C, K.467: 1. Allegro
- Con No.21 in C, K.467: 2. Andante
- Con No.21 in C, K.467: 3. Allegro Vivace Assai
- Con No.1 in F, K.37: 1. Allegro
- Con No.1 in F, K.37: 2. Andante
- Con No.1 in F, K.37: 3. (Allegro)
Tracks:
- Con No.22 in E flat, K.482: 1. Allegro
- Con No.22 in E flat, K.482: 2. Andante
- Con No.22 in E flat, K.482: 3. Allegro
- Con No.23 in A, K.488: 1. Allegro
- Con No.23 in A, K.488: 2. Adagio
- Con No.23 in A, K.488: 3. Allegro Assai
- Con No.3 in D, K.40: 1. Allegro Maestoso
- Con No.3 in D, K.40: 2. Andante
- Con No.3 in D, K.40: 3. Presto
Tracks:
- Con No.24 in c, K.491: 1. Allegro
- Con No.24 in c, K.491: 2. Larghetto
- Con No.24 in c, K.491: 3. (Allegretto)
- Con No.25 in C, K.503: 1. Allegro Maestoso
- Con No.25 in C, K.503: 2. Andante
- Con No.25 in C, K.503: 3. (Allegretto)
- Con No.5 in D, K.175: 1. Allegro
- Con No.5 in D, K.175: 2. Andante, Ma Un Poco Adagio
- Con No.5 in D, K.175: 3. Allegro
Tracks:
- Con No.26 in D, K.537 'Coronation': 1. Allegro
- Con No.26 in D, K.537 'Coronation': 2. (Larghetto)
- Con No.26 in D, K.537 'Coronation': 3. (Allegretto)
- Con No.27 in B flat, K.595: 1. Allegro
- Con No.27 in B flat, K.595: 2. Larghetto
- Con No.27 in B flat, K.595: 3. Allegro
- Con No.4 in G, K.41: 1. Allegro
- Con No.4 in G, K.41: 2. Andante
- Con No.4 in G, K.41: 3. Molto Allegro
Customer Reviews:
Dated.......2007-05-31
In its time, this cycle of concertos was state-of-the art.
Even today, some of the performances hold up fairly well. But overall, the sound and performance are quite dated.
The orchestral playing in this set was never the greatest, too-often a bit ragged, and intonation in the strings is occasionally hit-and-miss. The winds were quite good for the time, being a bunch of big-time soloists of that era (including people like flutist Aurele Nicolet)...but even they sound a little out at times.
Anda's playing was reasonably stylish for the time. Certainly better than that of many pianists who came later. But given the evolution of Mozart-style in the last 40 years, his playing now sounds a little too plain-jane. Nothing wrong with just playing the music, but Anda is a bit too uninflected to be interesting. And, like nearly every other pianist who should know better, he plays the inferior publisher's solo part for #26...an unforgiveable act even then.
Still, all-in-all, hard to beat for the money, and an adequate introduction to some of Mozart's greatest music, but only adequate. Barely. Anda is eclipsed almost completely by Bilson and Gardiner. By Immerseel and Anima Aeterna, and would have been totally eclipsed by Levin and Hogwood, had they completed that much-lamented incomplete cycle.
Barenboim, Ashkenazy, Uchida and Perahia are all tastelessly un-stylish. To my ears, those recordings are just about unlistenable, in their day, and now. Anda beats these handily. But they are not the standard these days. They never were.
For the record, Andreas Staier and Concerto Koln are the new standard in this repertoire..it is truly tragic that Staier has not recorded any more Mozart concertos, beyond the four he did some seven years ago now.
Too bad Ivan Moravec never recorded all the Mozart concertos. That would have been something to hear. The ones he did record are right at the top of the heap, for sure.
I'd probably go with Brendel if you want a complete cycle with modern piano. Hard to beat Brendel in anything, although the ASMIF is a mediocre band at best, and you can only wish Brendel had recorded with someone else.
In short, finding top-flight Mozart piano concerto recordings, even now, with the enormous number of them out there, is still a hit/miss proposition. And finding a complete cycle on modern piano that really *gets* Mozartean style, is damned near impossible. That would be a real milestone in recording history: a cycle of Mozart piano concertos, with modern instruments, that truly delivers stylistically, and the pianist plays with the kind of freedom Mozart would have, not following the score so slavishly as nearly all recordings do, including, especially, Anda, who should have known better.
No-one's done it yet. But, maybe someone will, someday.
My favorite Mozart Piano concerts.......2007-01-11
The delivery time from Amazone was shorter than I expected.
And I have been very satisfied with the CDs.
Thanks.
Luminous... .......2006-09-27
This is an outstanding set of music, of any variety/vintage. The interpretations of all the concerti are luminous and iridescent. They bring to mind Liszt's observation about Mozart being "music's genius of light and love". I prefer them, without reservation, to the Perahia set which I also possess. All the concerti are lively and with such splendid insights, that it would appear that one is hearing several of the movements for the first time.
I heard them sequentially from #1 to #27, and cannot find words to do justice to the last concerto, which is one of my favorites. Rather than merely being slower than normal, or melancholy, it is so suspended between the earth and the sky, that one feels lifted into some alternate sphere of existence. The outcome of this magic is that when the 6/8 time of the finale is first heard, one is left gasping for air. This is the finest and most satisfying interpretation of #27 I have ever heard. My only complaint is with #24, in that it does not aspire to the symphonic reaches it attains with Wilhelm Kempff at the pianoforte, but then that I hold true for every other interpretation of that concerto as well.
All in all, a genuinely beautiful and lovely set for anyone who loves the Mozart piano concerti and hears them as frequently as do I. Recommended without reservation!
Remarkable performances!.......2006-01-02
Geza Anda possesed an unique and enviable (in the best sense of the word)rapport with Mozart. There are versions that must be underlined among the most pyramidal ever done. His First, Fifth, Sixth, Ninth, 12th,the 15th, the 19th,23th and 27th justify by far its acquisition.
Geza Anda received an invaluable influence of thwo superb musicians; the unforgettable Clara Haskil and the hyper talented Hungarian conductor, Ferenc Fricsay.
Playing and conducting from the Piano he played regularly in Salzburg Festivals, being his sound pristine and crystalline. His excellent approach and above all, his formidable pianism, conform one of the most indispensable sets of these Piano Concertos.
Specially recomended in this special year 2006 in which all of us will commemorate the 250th anniversary of this sublime composer.
Still among the best Mozart piano concerto cycles.......2004-12-06
During his lifetime Geza Anda was acknowledged as among the foremost interpreters of Mozart's piano scores, perfoming annually at the Salzburg Festival towards the end of his life. His Mozart piano concerto cycle was the first to be recorded almost in its entirety by one soloist and orchestra. It was also the first to have the orchestra under the soloist's direction. Recorded over the span of several years, these performances still sound quite vividly clear and crisp. The sound quality on these recordings is absolutely first rate. Credit is due to Deutsche Grammophon's recording engineers; these are some of the label's best recordings from the 1960's. As a soloist, Anda gives introspective, yet passionate, readings of Mozart's scores which lack the exuberance of Daniel Barenboim's performances with the English Chamber Orchestra, but are as polished as Alfred Brendel's with the Academy of Saint Martin in the Fields under Sir Neville Marriner's direction. Most noteworthy are his performances of the 14th, 17th, 20th, 21st, 24th, 26th and 27th concerti, but the others sound fine too. Fans of Mozart's piano concerti will not be disappointed with this inexpensive CD set, which still holds its own against its more recent, better recorded competition from the likes of Perahia and Uchida, to name but a few.
Average customer rating:
|
Only Mozart Album You Will Ever Need
Manufacturer: Compendia
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All Works by Wolfgang Amadeus Mozart
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ASIN: B0001IN0FS
Release Date: 2004-04-27 |
Tracks:
- Eine Kleine Nachtmusik, K. 525 - Allegro
- Eine Kleine Nachtmusik, K. 525 - Romanza
- Eine Kleine Nachtmusik, K. 525 - Menuetto
- Eine Kleine Nachtmusik, K. 525 - Rondo
- Piano Concerto No. 21 in C Major, "Elvira Madigan" - Andante
- Piano Concerto No. 26, "Coronation" - Allegretto
- Overture to The Abduction from The Seraglio
- Symphony No. 40 - Molto allegro
- Cosi Fan Tutti Overture
- Symphony No. 35, Haffner - Menuetto
- Symphony No. 35, Haffner - Finale: presto
Tracks:
- Symphony No. 31, "Paris" - Allegro assai
- Overture to The Marriage of Figaro
- Piano Concerto No. 20 - Romance
- Violin Concerto No. 3 in G, Adagio
- Sonata in A Major, Alla Turca - Allegretto
- Overture to The Magic Flute
- Symphony No. 39 - Finale: Allegro
- Piano Concerto No. 23 in A Major, Allegro
Average customer rating:
- Just right with a flourish
- Music 5 Stars/Ashkenazy 3 Stars
- A marriage made in heaven
- Simply the best set of Mozart Piano Concertos
- THE PINNACLE OF WESTERN MUSIC . . .
|
Mozart: The Piano Concertos
Vladimir Ashkenazy , Wolfgang Amadeus Mozart , Istvan Kertesz , English Chamber Orchestra , London Symphony Orchestra , Philharmonia Orchestra of London , Daniel Barenboim , and Fou Ts'ong
Manufacturer: Decca
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ASIN: B0000041KA
Release Date: 1997-06-24 |
Tracks:
- Piano Concerto No. 5 In D Major, K175: I Allegro
- Piano Concerto No. 5 In D Major, K175: II Andante ma un poco adagio
- Piano Concerto No. 5 In D Major, K175: III Allegro
- Piano Concerto No. 6 In B Flat Major, K238: I Allegro aperto
- Piano Concerto No. 6 In B Flat Major, K238: II (Andante un poco adagio)
- Piano Concerto No. 6 In B Flat Major, K238: III Rondeau: Allegro
- Concerto For Three Painos In F Major, K242: I Allegro
- Concerto For Three Painos In F Major, K242: II Adagio
- Concerto For Three Painos In F Major, K242: III Rondeau: Tempo di menuetto
Tracks:
- Piano Concerto No. 8 In C Major, K246: I Allegro aperto
- Piano Concerto No. 8 In C Major, K246: II Andante
- Piano Concerto No. 8 In C Major, K246: III Rondeau: Tempo di menuetto
- Piano Concerto No. 9 In E Flat Major, K271 'Jeunehomme': I Allegro
- Piano Concerto No. 9 In E Flat Major, K271 'Jeunehomme': II Andantino
- Piano Concerto No. 9 In E Flat Major, K271 'Jeunehomme': III Rondeau: Presto - Menuetto - Presto
- Piano Concerto No. 1In F Major, K37: I Allegro
- Piano Concerto No. 1In F Major, K37: II Andante
- Piano Concerto No. 1In F Major, K37: III (Allegro)
Tracks:
- Piano Concerto No. 11 In F Major, K413-387a: I Allegro
- Piano Concerto No. 11 In F Major, K413-387a: II Larghetto
- Piano Concerto No. 11 In F Major, K413-387a: III Tempo di menuetto
- Piano Concerto No. 12 In A Major, K414-385p: I Allegro
- Piano Concerto No. 12 In A Major, K414-385p: II Andante
- Piano Concerto No. 12 In A Major, K414-385p: III Allegretto
- Concerto For Two Pianos In E Flat Major, K365-316a: I Allegro
- Concerto For Two Pianos In E Flat Major, K365-316a: II Andante
- Concerto For Two Pianos In E Flat Major, K365-316a: III Rondeau: Allegro
Tracks:
- Piano Concerto No. 13 In C Major, K415-387b: I Allegro
- Piano Concerto No. 13 In C Major, K415-387b: II Andante
- Piano Concerto No. 13 In C Major, K415-387b: III Allegro
- Piano Concerto No. 14 In E Flat Major, K449: I Allegro vivace
- Piano Concerto No. 14 In E Flat Major, K449: II Andante
- Piano Concerto No. 14 In E Flat Major, K449: III Allegro ma non troppo
- Piano Concerto No. 15 In B Flat Major, K450: I Allegro vivace
- Piano Concerto No. 15 In B Flat Major, K450: II Andante
- Piano Concerto No. 15 In B Flat Major, K450: III Allegro
Tracks:
- Piano Concerto No. 16 In D Major, K451: I Allegro
- Piano Concerto No. 16 In D Major, K451: II Andante
- Piano Concerto No. 16 In D Major, K451: III Allegro di molto
- Piano Concerto No. 17 In G Major, K453: I Allegro
- Piano Concerto No. 17 In G Major, K453: II Andante
- Piano Concerto No. 17 In G Major, K453: III Allegretto
- Piano Concerto No. 2 In B Flat Major, K39: I Allegro spiritoso
- Piano Concerto No. 2 In B Flat Major, K39: II Andante
- Piano Concerto No. 2 In B Flat Major, K39: III Molto allegro
Tracks:
- Piano Concerto No. 18 In B Flat Major, K456: I Allegro vivace
- Piano Concerto No. 18 In B Flat Major, K456: II Andante un poco sostenuto
- Piano Concerto No. 18 In B Flat Major, K456: III Allegro vivace
- Piano Concerto No. 19 in F Major, K459: I Allegro
- Piano Concerto No. 19 in F Major, K459: II Allegretto
- Piano Concerto No. 19 in F Major, K459: III Allegro assai
- Piano Concerto No. 3 In D Major, K40: I Allegro maestoso
- Piano Concerto No. 3 In D Major, K40: II Andante
- Piano Concerto No. 3 In D Major, K40: III Presto
Tracks:
- Piano Concerto No. 20 In D Minor, K466: I Allegro
- Piano Concerto No. 20 In D Minor, K466: II Romance
- Piano Concerto No. 20 In D Minor, K466: III Rondo: Allegro assai
- Piano Concerto No. 22 In E Flat Major, K482: I Allegro
- Piano Concerto No. 22 In E Flat Major, K482: II Andante
- Piano Concerto No. 22 In E Flat Major, K482: III Allegro
Tracks:
- Piano Concerto No. 21 in C major, K467: I Allegro maestoso
- Piano Concerto No. 21 in C major, K467: II Andante
- Piano Concerto No. 21 in C major, K467: III Allegro vivace assai
- Piano Concerto No. 23 In A Major, K488: I Allegro
- Piano Concerto No. 23 In A Major, K488: II Adagio
- Piano Concerto No. 23 In A Major, K488: III Presto
- Piano Concerto No. 4 In G Major, K41: I Allegro
- Piano Concerto No. 4 In G Major, K41: II Andante
- Piano Concerto No. 4 In G Major, K41: III Allegro
Tracks:
- Piano Concerto No. 24 In C Minor, K491: I Allegro
- Piano Concerto No. 24 In C Minor, K491: II Larghetto
- Piano Concerto No. 24 In C Minor, K491: III Allegretto
- Piano Concerto No. 25 In C Major, K503: I Allegro maestoso
- Piano Concerto No. 25 In C Major, K503: II Andante
- Piano Concerto No. 25 In C Major, K503: III Allegretto
- Rondo In D Major, K382
Tracks:
- Piano Concerto No. 26 In D Major, K537 - 'Coronation': I Allegro
- II Larghetto
- Piano Concerto No. 26 In D Major, K537 - 'Coronation': III Allegretto
- Piano Concerto No. 27 In B Flat Major, K595: I Allegro
- Piano Concerto No. 27 In B Flat Major, K595: II Larghetto
- Piano Concerto No. 27 In B Flat Major, K595: III Allegro
- Rondo In A Major, K386
Customer Reviews:
Just right with a flourish.......2007-01-12
Requires the least possible effort beyond the normal exertion of attention
reserved for listening to simple background pleasantries. Lovely in other words, not pretentious at all, nothing else is required anywhere on a daily basis, still I suspect that most of you wouldn't mind a change now and again.
Music 5 Stars/Ashkenazy 3 Stars.......2006-04-25
Sorry but from listening to the 1 minute clip of the final movement pc 21, I have to go with Uchida, who in my opinion is the master of Mozart's last 8 pc;s.
I do not care for uchida's recordings of the 1-19, too thick handed for the style of those concertos.
Quick, nimble, playful was not present in Uchida of the 1-19.
Ashkenazy here is too busy with conducting to get the piano down with perfect nuances, which Mozart demands.
EDIT, I've just added to more clip r4eviews , opening move 21 and opening from the 24th pc. Reconfirms my opinuion that Uchida is much better articulated. And though Tate is aweful in the syms , in the pc's he's much more on to of things concentrating in conducting. Ashkenazy is juggling both, successful at times I'll admit. At other times sloppy. Its impossible for any performer to both conduct and play paino. Impossible as this set shows.
Nice Day
A marriage made in heaven.......2004-12-24
Rarely do soloists and orchestras create such an amazing musical experience. Even more rare is that this experience is duplicated over two dozen times. Vladimir Ashkenazy and the Philharmonia Orchestra create what is truly one of the crowning achievements of audiophile history.
I have owned this set now for nearly half a decade and I am still surprised by Ashkenazy's level of musicianship. Not that I have ever doubted his skill, rather, I am still amazed that this master of Rachmaninoff and the romantics approaches these pieces so perfectly. Ashkenazy plays these concertos as they should be played. His typical sense of drama is somewhat subdued, replaced with a sublime sense of delicacy and classical phrasing. He brings out the beautiful chromaticism, the magical melodies, and the pure beauty of Mozart effortlessly.
What is even more wonderful is that the orchestral accompaniment is top notch. Although these are not period performances, the Philharmonia plays with a classical grace and level of perfection that push these performances over the top. The orchestra's sound is full, accompanying Ashkenazy's "full" sound quite well. As mentioned above, Ashkenazy (who conducts these performances from the piano) instills in the orchestra the perfect balance of classical grace and dramatic flair.
Finally, the recorded sound is flawless. This set is so appealing to me because Ashkenazy approaches these performances in an organized, coherent fashion. Unlike his set of the Beethoven concertos (where Ashkenazy's technique, phrasing, and ultimate interpretation is dramatically different in each concerto), Ashkenazy maintains a sense of classical style throughout the cycle. And not only are the interpretations so consistent, but the sound is as well. It almost seems as if all the concertos were recorded in one session.
Moments like this are rare in music. There are certainly individual performances of the concertos that may be more appealing here or there, but all in all Ashkenazy's cycle delivers the most consistently fresh, powerful, and beautiful interpretations. For those that are not sure they want to invest so much for this set, look into Decca's CD of the "Big Six" concertos (20-25) on two CDs. But you would be missing out. Ashkenazy does not "run through" the earlier concertos but actually plays them all as if they were all equally masterful. I highly recommend this set. It is a wonderful musical investment.
Simply the best set of Mozart Piano Concertos.......2004-12-09
Ashkenazy's style is a very good fit with Mozart's piano works: light, articulate and playful. I could never part with this set. Those who only listen to the most popular concertos are missing out on some of the earlier works, which are just stunningly beautiful. The numerous scales in Mozart's scores represent a huge technical challenge, and Ashkenazy's natural fluidity makes the music very smooth and moving.
The orchestra is well balanced and remarkably well recorded. Overall, this is by far the best complete set of concertos out there. Warmly recommended.
THE PINNACLE OF WESTERN MUSIC . . ........2004-04-17
___________________________________________________________________________________________
. . . indeed, the pinnacle of musical achievement on Planet Earth - that's what I consider the piano concertos of Wolfgang Amadeus Mozart. And what better way to hear these concertos than in this superb cycle by Vladimir Ashkenazy. Though you may find an occasional performance that you prefer outside of this set, it is still, in my opinion, the only complete and best overall cycle of Mozart piano concertos - sure to provide you with hours of pleasure.
Ray Hoole's spotlight review above is very good and correct in calling attention to the recording concerns with Concerto No. 17 (K. 453) in this set. Still, only one flawed recording out of twenty-nine isn't bad. If No. 17 is a favorite of yours, as it certainly is of mine, may I suggest you augment this set with "MOZART: Piano Concertos (The Rubinstein Collection Vol. 61)" - RCA label, a small 2 CD album which contains concertos 17, 20, 21, 23 & 24. Not only is Arthur Rubinstein's 1961 performance of No. 17 superior to this one by Ashkenazy (in my opinion), the piano/orchestral balance is perfect in this beautifully remastered recording (and you're sure to like the other Rubinstein concerto performances as well).
Though the reviews for this set are overwhelmingly positive, you'll note an occasional preference for another artist's performances. This is only normal and amounts to purely subjective personal opinion. I've found that often times the first performance one hears of a particular classical piece (particularly if it's good) stays with that person for quite a while, sometimes indefinitely, and flavors the impression of all other performances heard thereafter. Personal preferences of tempo, artistic expression - such as cadenzas used, and orchestration will then be conciously, and subconciously, compared to that first exposure. I say this to make a point. The quality of the performances in this set by Vladimir Ashkenazy are definitely of the caliber needed to make first-time listeners feel certain they are hearing the best, while making more experienced listeners sure they are hearing first rate performances that, if not the absolute best, are certainly among the best they've ever heard. No two ways about it, MOZART: THE PIANO CONCERTOS by Vladimir Ashkenzy and the Philharmonia Orchestra is a 5 star cycle . . . Enjoy!
Average customer rating:
- Staggering Clarity and Articulation
|
Mozart: Piano Concertos Nos. 26 & 27
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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| Mozart, Wolfgang Amadeus
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Similar Items:
- Mozart: Piano Concertos Nos. 24 & 25
- Mozart: Piano Concertos Nos. 20 & 21
- Mozart: Piano Concertos Nos. 22 & 23
- Mozart: Sonata In A/Sonata In F/Fantasia In D
- Mozart: Piano Sonatas
ASIN: B0000040ZH
Release Date: 1990-10-25 |
Tracks:
- Piano Concerto No.26 in D, K.537 (Coronation): 1. Allegro
- Piano Concerto No.26 in D, K.537 (Coronation): 2. Larghetto
- Piano Concerto No.26 in D, K.537 (Coronation): 3. Allegretto
- Piano Concerto No. 27 in B flat, K. 595: 1. Allegro
- Piano Concerto No. 27 in B flat, K. 595: 2. Larghetto
- Piano Concerto No. 27 in B flat, K. 595: 3. Allegro
Customer Reviews:
Staggering Clarity and Articulation.......2000-02-04
Uchida's success in divining the manifold subtleties of Mozart's piano sonatas, and showing the listener how much expression was really embedded in them all, was one of the all time great achievements of twentieth century pianism. For me, this tradition continues into the more plainly evident delights of these two concertos. Critics say that 26 is the dud among the glories of concertos 20-27, but you wouldn't know it listening to Uchida's interpretation. Mozart never wrote out the piano part for 26 in its entirety, and Uchida offers a few interesting and successful variations on the "official" score. The gentle melancholy of 27 seems made for Uchida's spiritualized reading of Mozart, and the slow movement will just break your heart. Absolutely stunning. Tate does a fine job with the ECO, and although the sense of dialogue that often shines through in the interpretations of pianist/conductors such as Perahia, Barenboim and Ashkenazy seems missing, it doesn't seem as important with these two concertos as it does with some of the others. There are so many fine recordings of these concertos out there (I especially like Ashkenazy) that you have to expect perfection, and this Uchida/Tate collaboration comes as close as I can imagine to that elusive state.
Average customer rating:
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Great Orchestral Melodies
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ASIN: B000003QWK
Release Date: 1995-06-27 |
Tracks:
- 'Solomon': Arrival Of The Queen Of Sheba
- 'The Four Seasons': The Spring: Allegro
- Canon In D
- Orchestra Suite No.2: Minuet And Badinerie
- Bach: Allegro
- Symphony No.104: Adagio; Allegro
- Divertimento For Strings, No.1: Allegro
- Piano Concerto No.5: Adagio un poco mosso
- 'The Ruins Of Athens': Turkish March
- Eine kleine Nachtmusik: Romanze: Andante
- Marche Militaire No.1
- 'The Hebrides' ('Fingla's Cave'): Overture
- 'The Valkyrie': Ride Of The Valkyries
Tracks:
- Slavonic Dances: No. 1: Presto
- Slavonic Dances: No. 3: Poco Allegro
- Slavonic Dances: No. 7: Allegro Assai
- Slavonic Dances: No. 8: Presto
- Coronation March
- Entry Of The Gladiators
- Serenade For Strings: Waltz
- Samson And Delilah: Bacchanale
- Piano Concerto No. 2: Adagio sostenuto
- Russian And Ludmilla: Overture
- Also sprach Zarathustra: Introduction
- Symphonie Fantastique: March To The Scaffold
- On The Beautiful, Blue Danube
- The Firebird: The Palace Of Kashchei And His Enchantments Vanish - Dallas Symphony Orchestra
Tracks:
- 'Pictures at an Exhibition': Promenade
- 'Pictures at an Exhibition': Gnomes
- 'Pictures at an Exhibition': The Hut On Fowl's Legs (Baba Yaga)
- 'Pictures at an Exhibition': The Great Gate Of Kiev
- A Night On Bald Mountain
- 'The Planets': Mars: The Bringer Of War
- 'The Pines Of Rome': The Pines Of The Appian Way
- Pavan For A Dead Princess
- The Sorcerer's Apprentice
- 'The Three-Cornered Hat': Dance Of The Miller's Wife
- Scheherazade: Festival At Baghda; The Sea; The Ship Goes To Pieces Against A Rock Surmounted By A Bronze Warrior
Tracks:
- Fanfare For The Common Man
- 'Appalachian Spring': Variations On A Shaker Melody
- 'Candide': Overture
- 'West Side Story': Suite: I Feel Pretty; Maria; Something's Coming; Tonight; One Hand, One Heart; Cool; America
- Rhapsody In Blue
- Adagio For Strings
- 'America': Variations
- 'Rodeo': Hoe-down
- Pomp And Circumstance: March No. 1
- 'Gayane': Sabre Dance
- 'Lieutenant Kije': Troika
- 'The Love Of Three Oranges': March
- 'Hary Janos': The Viennese Musical Clock
Music Track:
- Plays Rachmaninoff
- Portuguese Keyboard Music Vol. 2
- Réflexiones
- Rite of Spring
- Schnittke: Trio; Reger: Trio No1
- Schubert: String Quartet in Dm No14, D810, D810; Schoenberg: Verklärte Nacht Op4
- Seven Last Words
- Somei Satoh: Mandara Trilogy
- Somewhere Between the Bars and Home
- Stravinsky: Petrushka; Song of the Nightingale
Music Track
music track
Recommended Music:
Nagoya, JPN 04-18-04: On The Road [Live]
Serenata: Vocal Music from the Americas
Songs for a Wise King
Music: Country Superstar Christmas 4
Feel Good Lost [Import]
The Cajun Way
The Definitive Tom Jones 1964-2002 [Box set] [Import]
Shostakovich: The New Babylon, film score; Suite from Five Days - Five Nights
Something in the Air [CD-single] [Import]
Saint-Saens: Cello Concertos / Bruch: Kol Nidrei / Lalo: Concerto for Violoncello and Orchestra in D Minor
The Definitive Thad Jones, Vol. 2 [Live]
The Best of Louis Armstrong and His All Stars
Por Siempre Tu y Yo [Import]
Man Behind the Music
In the House: The West Coast Sessions