Stravinsky: Petrushka; Song of the Nightingale

On this CD:

1. Petrushka, ballet (burlesque) in 4 scenes for orchestra (1947 version)
Composed by Igor Stravinsky
Performed by London Philharmonia Orchestra with Mark David, Michael Round
Conducted by Robert Craft

2. Le Rossignol, opera (lyric tale) in 3 acts
Composed by Igor Stravinsky
Performed by London Philharmonia Orchestra with Sally Burgess, Peter Hall, Simon Preece, Stephen Richardson, Robert Tear, Paul Whelan, Andrew Greenan, Philippa Longworth-Dames
Conducted by Robert Craft

Editorial Reviews
BBC Magazine
As Craft's melismatically melancholic little songbird, Olga Trifonova is both accurate and mellifluous ... this is a winning alternative to Stravinsky's own version.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Piano-Rag-Music
Tango
Circus Polka
Valse Pour Les Enfants
Sonate: I.
Sonate: II. Adagietto
Sonate: III.
Rag Time
Quatre Etudes, Op.7: Con Moto
Quatre Etudes, Op.7: Allegro Brilliante
Quatre Etudes, Op.7: Andantino
Quatre Etudes, Op.7: Vivo
Scherzo
Son in f #: Allegro
Son in f #: Vivo
Son in f #: Andante
Son in f #: Allegro

Tracks:

Chant Du Rossignol: La Fete Au Palais De L'empereur De Chine
Chant Du Rossignol: Les Deux Rossignols
Chant Du Rossignol: Maladie Et Guerison De l'empereur De Chine
Ser En La: Hymne
Ser En La: Romanza
Ser En La: Rondoletto
Ser En La: Cadenza Finale
L'oiseau De Feu: Danse Infernal Deu Roi Kastchei
L'oiseau De Feu: Berceuse
L'oiseau De Feu: Finale
Syms D'instruments A Vent
Trois Movts: Danse Russe
Trois Movts: Chez Petrouchaka
Trois Movts: La Semaine Grasse

Average customer rating:

A great companion to the book

Orchestral Excerpts for Flute

Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

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Orchestral Excerpts for Flute
Emmanuel Pahud - Paris
Bach: Flute Sonatas
James Galway ~ Flute Sonatas - Franck · Prokofiev · Reinecke / with M. Argerich · P. Moll
Orchestral Excerpts for Clarinet

ASIN: B0000038JW
Release Date: 1996-04-09

Tracks:

Opening Remarks
'Aus Liebe'- St. Mathew Passion
'Domine Deus'- Mass In b
Sym No.3
Sym No.4
Leonore No.3
Entr'acte From Carmen
Menuet From L'Arlesienne
Sym No.1
Sym No.4
Afternoon Of A Faun
Sym No.8
Menuet & Dance From Orpheus
Sym Metamorphoses
Midsummer Night's Dream
Classical Sym
Peter And The Wolf
Bolero
Daphnis Et Chloe'
Russian Easter Ov
Capriccio Espagnol
William Tell Ov
Carnival Of The Animals
Salome
Petrouchka
Chant Du Rossignol
Sym No.4
Closing Remarks

Customer Reviews:

A great companion to the book.......2000-10-28

I own the book of the same title of excerpts, though expensive it was worth it. I was considering not buying this CD since I have recording of the pieces anyway but I am glad I did. Not only is it convienient to have all the excerpts on once CD but Jeanne has a wonderful clear sound makes this a joy to listen to. Having it isolated to better hear what she is talking about is immensely helpful. It's not a fun to listen to recording, it is meant for study, but if you are a flutist learning your major orchestral solos it is just as good as having your teacher walk you through the piece. Perhaps more helpful as a second view is always good to know.

Stravinsky: Ballets; Stage Works; Orchestral Works

Average customer rating:

Hours and hours of fun!
Prodigious performances!
Ansermet & Stravinsky - A Perfect Pair

Stravinsky: Ballets; Stage Works; Orchestral Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Debussy, Ravel: Orchestral Works
Strauss: Orchestral Works
Beethoven - The Complete String Quartets / Alban Berg Quartet
Liszt: Works for Piano and Orchestra
Grieg: Complete Music with Orchestra

ASIN: B00005ND3M
Release Date: 2002-05-14

Tracks:

The Firebird: Intro
The Firebird: Tableau 1: Kashchei's Magic Garden
The Firebird: Tableau 1: Appearance Of The Firebird Pursued By Prince Ivan
The Firebird: Tableau 1: The Firebird's Dance
The Firebird: Tableau 1: Prince Ivan Captures The Firebird
The Firebird: Tableau 1: Supplications Of The Firebird/Appearance Of The Thirteen Enchanted...
The Firebird: Tableau 1: The Princesses' Game With The Golden Apples
The Firebird: Tableau 1: Sudden Appearance Of Prince Ivan
The Firebird: Tableau 1: The Princesses' Round-Dance
The Firebird: Tableau 1: Daybreak
The Firebird: Tableau 1: Magic Carillon/Appearance Of Kashchei's Guardian Monsters/Capture Of...
The Firebird: Tableau 1: Dance Of Kashcheis Retinue Under The Firebird's Spell
The Firebird: Tableau 1: Infernal Dance Of All Kashchei's Subjects
The Firebird: Tableau 1: Lullaby (The Firebird)/Kashchei Awakes/Death Of Kashchei/Darkness
The Firebird: Tableau 2: Dissolution Of The Palace And Kashchei's Spells/Animation Of The...
The Song Of The Nightingale: Feast In The Emperor's Palace
The Song Of The Nightingale: The Two Nightingales
The Song Of The Nightingale: Illness And Recovery Of The Emperor Of China

Tracks:

Petrouchka: Tableau 1: The Shrovetide Fair
Petrouchka: Tableau 2: In Petrushka's Room
Petrouchka: Tableau 3: In The Moor's Room
Petrouchka: Tableau 4: The Shrovetide Fair, Evening
The Rite Of Spring: The Adoration Of The Earth: Intro
The Rite Of Spring: The Adoration Of The Earth: Augurs Of Spring/Dances Of The Young Girls
The Rite Of Spring: The Adoration Of The Earth: Ritual Of Abduction
The Rite Of Spring: The Adoration Of The Earth: Spring Rounds
The Rite Of Spring: The Adoration Of The Earth: Ritual Of The Rival Tribes
The Rite Of Spring: The Adoration Of The Earth: Procession Of The Sage
The Rite Of Spring: The Adoration Of The Earth: The Sage
The Rite Of Spring: The Adoration Of The Earth: Dance Of The Earth
The Rite Of Spring: The Sacrifice: Intro
The Rite Of Spring: The Sacrifice: Mystic Circles Of The Young Girls
The Rite Of Spring: The Sacrifice: Glorification Of The Chosen One
The Rite Of Spring: The Sacrifice: Evocation Of The Ancestors
The Rite Of Spring: The Sacrifice: Ritual Action Of The Ancestors
The Rite Of Spring: The Sacrifice: Sacrificial Dance: The Chosen One

Tracks:

Pulcinella: Ov: Allegro Moderato
Pulcinella: Serenata: Larghetto 'Mentre L'Erbetta' - Carlo Franzini
Pulcinella: Scherzino: Allegro
Pulcinella: Allegro
Pulcinella: Andantino
Pulcinella: Allegro
Pulcinella: Ancora Poco Meno 'Contento Forse Vivere' - Marilyn Tyler
Pulcinella: Allegro Assai
Pulcinella: Allegro - Alla Breve 'Con Queste Paroline' - Boris Carmeli
Pulcinella: Largo 'Sento Dire No'nce Pace' - Marilyn Tyler/Carlo Franzini/Boris Carmeli
Pulcinella: Allegro - Alla Breve
Pulcinella: Tarantella
Pulcinella: Andantino 'Se Tu M'Ami' - Marilyn Tyler
Pulcinella: Allegro
Pulcinella: Allegro
Pulcinella: Gavotta Con Due Vars
Pulcinella: Tempo Di Minuetto 'Pupilette, Fiammette D'Amore' - Marilyn Tyler/Carlo Franzini/Boris Carmeli
Pulcinella: Allegro Assai
Apollo: Prologue: Naissance D'Apollon
Apollo: Var D'Apollon: Apollon Et Les Muses
Apollo: Pas D'Action
Apollo: Var De Calliope
Apollo: Var De Polymnie
Apollo: Var De Terpsichore
Apollo: Var D'Apollon
Apollo: Pas De Deux
Apollo: Coda: Apollon Et Les Muses
Apollo: Apotheose

Tracks:

The Fairy's Kiss: Scene 1: Prologue
The Fairy's Kiss: Scene 2: A Village Fete
The Fairy's Kiss: Scene 3: By The Mill
The Fairy's Kiss: Scene 4. Epilogue: Lullaby Of The Land Beyond Time And Place
Renard (A Burlesque Story To Be Sung And Played) - Gerald English/John Mitchinson/Peter Glossop/Joseph Rouleau/John Leach

Tracks:

The Soldier's Tale: Marche Du Soldat - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Musique Pour Scene 1 - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Musique Pour Scene 2 - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Marche Royale - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Petit Conc - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Tango - Waltz - Ragtime - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Danse Du Diable - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Chorale - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
The Soldier's Tale: Marche Triomphale Du Diable - Michael Schwalbe/Hans Fryba/Leon Hoogstoal/Henri Helaerts/Paolo Longinotti/Pierre Aubapan...
Pulcinella: Sinf
Pulcinella: Serenata
Pulcinella: Scherzino
Pulcinella: Allegro
Pulcinella: Andantino
Pulcinella: Tarantella
Pulcinella: Toccata
Pulcinella: Gavotta Con Due Vars
Pulcinella: Vivo
Pulcinella: Minuetto
Pulcinella: Finale

Tracks:

Sym in C: I. Moderato Alla Breve
Sym in C: II. Larghetto Conc
Sym in C: III. Allegretto
Sym in C: IV: Largo - Tempo Giusto Alla Breve
Sym in Three Movts: I. 1/2nt = 160
Sym in Three Movts: II. Andante
Sym in Three Movts: III. Con Moto
Syms Of Wind Instruments

Tracks:

Con: Largo - Allegro - Nikita Magaloff
Con: Largo - Nikita Magaloff
Con: Allegro - Nikita Magaloff
Capriccio: Presto - Nikita Magaloff
Capriccio: Andante Rapsodico - Nikita Magaloff
Capriccio: Allegro Capriccioso Ma Tempo Giusto - Nikita Magaloff
Ste No.1: Andante
Ste No.1: Napolitana - L'Orch De La Suisse Romande/Ernest Ansermet L
Ste No.1: Espanola
Ste No.1: Balalaika
Ste No.2: Marche
Ste No.2: Valse
Ste No.2: Polka
Ste No.2: Galop
4 Etudes: Danse
4 Etudes: Excentrique
4 Etudes: Cantique
4 Etudes: Madrid
Scherzo A La Russe

Tracks:

Sym Of Psalms: I. Psaume XXXIX - Choeur De Radio Lausanne/Andre Charlet
Sym Of Psalms: II. Psaume XL - Choeur De Radio Lausanne/Andre Charlet
Sym Of Psalms: III. Psaume CL - Choeur De Radio Lausanne/Andre Charlet
The Wedding: Tableau 1: At The Bride's - Basia Retchitzka/Lucienne Devallier/Hugues Cuenod/Heinz Rehfuss/Vladimir Diakoff/Motet De Geneve...
The Wedding: Tableau 2: At The Bridegroom's - Basia Retchitzka/Lucienne Devallier/Hugues Cuenod/Heinz Rehfuss/Vladimir Diakoff/Motet De Geneve...
The Wedding: Tableau 3: The Bride's Departure - Basia Retchitzka/Lucienne Devallier/Hugues Cuenod/Heinz Rehfuss/Vladimir Diakoff/Motet De Geneve...
The Wedding: Tableau 4: The Wedding Feast - Basia Retchitzka/Lucienne Devallier/Hugues Cuenod/Heinz Rehfuss/Vladimir Diakoff/Motet De Geneve...
Mavra: Ov
Mavra: Air - Joan Carlyle
Mavra: Gypsy Song - Kenneth Macdonald/Joan Carlyle
Mavra: Dialogue - Helen Watts/Joan Carlyle
Mavra: Air - Helen Watts
Mavra: Dialogue - Helen Watts/Monica Sinclair
Mavra: Duet - Helen Watts/Monica Sinclair
Mavra: Dialogue - Helen Watts/Monica Sinclair/Joan Carlyle/Kenneth Macdonald
Mavra: Qt - Helen Watts/Monica Sinclair/Joan Carlyle/Kenneth Macdonald
Mavra: Dialogue - Helen Watts/Monica Sinclair
Mavra: Duet - Joan Carlyle/Kenneth Macdonald
Mavra: Dialogue - Kenneth Macdonald/Joan Carlyle/Helen Watts
Mavra: Air - Kenneth Macdonald
Mavra: Coda - Kenneth Macdonald/Joan Carlyle/Helen Watts/Monica Sinclair

Customer Reviews:

Hours and hours of fun!.......2007-01-24

Renard alone makes this set worthwhile. No other recorded performance (including Stravinsky's own) brings out the humor and basic "enjoyability" of this piece.

Prodigious performances!.......2006-10-17

Ernest Ansermet' s refined style was always supported by an admirable incisiveness around all what he conducted. And his Stravinsky still stands as one of the most perfect, idiomatic and extraordinary readings ever made; hovered with that deep vision and knower of the Stravinsky' s aesthetic; Ansermet always to blend power, febrile imagination and musculature, among his best achievements I should remark his Fairy' s kiss, The game of cards, Petrouchka, and the thundering Le Sacre are played with the right balance between abstraction and finesse; expression and sumptuous lyricism.

So you should not hesitate just for a second at the moment to decide to go for this special compilation.

Absolutely recommended.

Ansermet & Stravinsky - A Perfect Pair.......2003-05-19

This 8 CD collection of Stravinsky's Ballets, Stage Works and Orchestral Works is nothing short of magical. Conducted in its entirety by Ernest Ansermet leading the orchestra he founded, L'Orchestre de la Suisse Romande, this box set, while not complete, features all the great Stravinsky compositions -- "Firebird," "Rite of Spring," "Petrouchka," "Pulcinella," and all the Symphonies among others. Unlike most of history's great composers, Stravinsky himself was able to conduct and record his own music in stereo, so why not just get those discs? Well you should, but the Ansermet recordings generally offer superior sound and clarity. In fact, Ansermet was Stravinsky's personal choice to conduct the world premieres of many of his recordings, and Ansermet was selected by the composer to introduce the three famous ballets to U.S. audiences. A mathematician prior to his life as a conductor, Ansermet had his critics as he was virtually self-taught, though he did study music as a youth. But that mathematics background served him well in the studio as his early stereo recordings of everything from Tchaikovsky and Prokofiev to Falla and Chausson are engineered to perfection, and often sound better than the recordings by so-called more famous conductors. But don't take my word for it, buy some Ansermet for yourself and see. If you are not prepared to get this Stravinsky Box right away, then ease in with the new Ernest Ansermet "Great Conductors of the Century" compilation (see my review). You won't be disappointed.

Stravinsky: Feu d'artifice Op4; Song of the Nightingale

Average customer rating:

It's a staccato! Not a tenuto! Stravinsky would have cried if he heard this CD.
Outstandingly Beautiful

Stravinsky: Feu d'artifice Op4; Song of the Nightingale

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000046Q8M
Release Date: 2000-03-07

Tracks:

Premier Tableau (Original Version): Burlesque In Four Scenes: Fete Populaire De La Semaine Grasse...
Premier Tableau (Original Version): Burlesque In Four Scenes: Deuxieme Tableau: Chez Petrouchka
Premier Tableau (Original Version): Burlesque In Four Scenes: Troisieme Tableau: Chez Le Maure...
Premier Tableau (Original Version): Burlesque In Four Scenes: Quatrieme Tableau: Fete Populaire...
Le Chant Du Rossignol: Presto
Le Chant Du Rossignol: Marche Chinoise
Le Chant Du Rossignol: Chant Du Rossignol
Le Chant Du Rossignol: Jeu Du Rossignol Mecanique
Feu D'artifice

Customer Reviews:

It's a staccato! Not a tenuto! Stravinsky would have cried if he heard this CD........2005-07-04

This is the most frustrating CD of Stravinsky recordings I have ever heard! I own the score to all of these pieces. The only good recording on this CD is the one of Fireworks. I think Maazel needs to take a course in music theory. In the first scene of Petrushka, there is a solo note on the contrabassoon. It has a staccato and a fermata. The note is an eighth note. In the recording the instrumentalist holds it to the length of a half note! Stravinsky wouldn't have put a staccato on the note if he wanted it to be held that long! Also, the ending pizzicato in the strings aren't together at all.
In the song of the Nightingale, several of the orchestra hits aren't together. Also, the chinese march is conducted way to slow.
The only thing good on this CD is Fireworks.
So if you want to listen to the most retarded recording of Petrushka or the worst recording of song of the nightingale OR you just want an extra coaster around the house, Buy, BUY, BUY! But if you want a good recording, look elsewhere. Any recording is better than this.

Outstandingly Beautiful.......2002-05-22

Is there a better example of recorded orchestral sound anywhere? Probably not. Maazel's Vienna Philharmonic pulls out all the stops and the RCA recording team catches it all in wrap-around silk.

Petroushka is really amazing; using the original scoring, Maazel conjures sublime balances and manages the very rhythmic score without over-emphasizing its difficulty. The whole thing comes off very much like a Punch and Judy routine, which is what it's supposed to be. The first theme in the last movement is something especially special. The tonal opulence here is nearly overwhelming as the melody goes from oboe to horn to full orchestra with its whirlwind revolving counterpoint.

In Le chant du rossingol, Maazel duplicates the intensity of his never-bettered Berlin Philharmonic recording from the sixties. But here, with the Vienna Philharmonic and RCA, the sound is again outrageous. The opening lines burst into flame; the brass tuttis and woodwind runs are fluorescent. The fisherman's song is particularly haunting and lyrical.

Fireworks is, well, fireworks. An early colorist piece, not really up to the standards of the other two here.

Tracks:

Petrouchka: First Tableau - The Shrove-Tide Fair
Petrouchka: Second Tableau - Petrouchka's Room
Petrouchka: Third Tableau - The Moor's Room
Petrouchka: Fourth Tableau - The Shrove-Tide Fair (Towards Evening)
The Rite Of Spring: Part One - The Adoration Of The Earth: Introduction
The Rite Of Spring: Part One - The Adoration Of The Earth: The Augurs Of Spring
The Rite Of Spring: Part One - The Adoration Of The Earth: Ritual Of Abduction
The Rite Of Spring: Part One - The Adoration Of The Earth: Spring Rounds
The Rite Of Spring: Part One - The Adoration Of The Earth: Ritual Of The Rival Tribes
The Rite Of Spring: Part One - The Adoration Of The Earth: Procession Of The Sage
The Rite Of Spring: Part One - The Adoration Of The Earth: The Sage
The Rite Of Spring: Part One - The Adoration Of The Earth: Dance Of The Earth
The Rite Of Spring: Tart Two - The Sacrifice: Introduction
The Rite Of Spring: Tart Two - The Sacrifice: Mystic Circles Of The Young Girls
The Rite Of Spring: Tart Two - The Sacrifice: Glorification Of The Chosen One
The Rite Of Spring: Tart Two - The Sacrifice: Evocation Of The Ancestors
The Rite Of Spring: Tart Two - The Sacrifice: Ritual Action Of The Ancestors
The Rite Of Spring: Tart Two - The Sacrifice: Sacrificial Dance: The Chosen One

Tracks:

The Firebird: Introduction
The Firebird: Kashchei's Magic Garden
The Firebird: Appearance Of The Firebird, Pursued By Ivan Tsarevitch
The Firebird: Dance Of The Firebird
The Firebird: Capture Of The Firebird By Ivan Tsarevitch
The Firebird: The Firebird's Entreaties - Appearance Of The 13 Enchanted Princesses
The Firebird: The Princesses' Game With The Golden Apples (Scherzo) - Sudden Appearance Of Ivan Tsarevitch
The Firebird: Princesses' Khorovod (Round Dance)
The Firebird: Suprise - Ivan Tsarevitch Enters Kashchei's Palace
The Firebird: Magic Carillon, Appearance Of Kashchei's Guardian Monsters And The Capture Of Ivan Tsarevitch - Arrival Of The Immortal Kashchei - Kashchei's Dialogue With Ivan Tsarevitch - Princesses' Intercession - Appearance Of The Firebird
The Firebird: Dance Of Kashchei's Enchanted Retinue
The Firebird: Infernal Dance Of Kashchei's Subjects
The Firebird: Lullaby (The Firebird) - Awakening Of Kashchei - Death Of Kashchei - Deep Darkness
The Firebird: Disappearance Of The Palace And Of Kashchei's Spells - Animation Of The Petrified Warriors, General Thanksgiving
Song Of The Nightingale: Introduction
Song Of The Nightingale: Chinese March
Song Of The Nightingale
Song Of The Nightingale: Game Of The Mechanical Nightingale

Stravinsky: Pétrouchka; Le Chant du rossignol

Average customer rating:

Admirable Performances, an Interesting Program

Stravinsky: Pétrouchka; Le Chant du rossignol

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Stravinsky: L'Oiseau De Feu Ballet (Firebird); Feu d'artifice (Fireworks)
Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta
Stravinsky: Rite of Spring / Symphony Wind (Le Sacre du Printemps)
Holst: The Planets, Op.32
Rimsky-Korsakov: Scheherazade; Stravinsky: Song of the Nightingale [Hybrid SACD]

ASIN: B00000E3AD
Release Date: 1990-10-25

Customer Reviews:

Admirable Performances, an Interesting Program.......2005-11-17

Well received critically when released almost twenty years ago, this disc has held up well, even if this much-recorded music has received fine recordings since. The "best French orchestra in the world" play Stravinsky's Paris-debuted masterwork with great fervor and feeling; and Dutoit, at the height of his abilities when he made this recording, gives a nuanced performance. Just listen to the "In the Moor's Room" section: he holds back the horns' strange repeated asides just a touch, adding an especially sinister quality to the piece. The "Shrovetide Fair" music sails along, all its multitudinous episodes given individual shape and dimension.

"Song of the Nightingale" is here played in its incarnation as extended tone poem. Again, this is a performance that projects the fantastic program and the Rimskyesque coloration of this dazzling piece.

Right on target, too, is the performance of the astringent little orchestral Etudes. They seem to inhabit so different a sound world that you doubt, especially in the final "Madrid," that they're from the same composer's pen. Dutoit and the Montrealers aren't caught off guard, though; they mold themselves perfectly to Stravinsky's new post-Great War style.

The Decca engineers always did themselves proud in Montreal, and the recording they provide--wide ranging, beautifully detailed, bright without glare--is among their best. Top-notch all around.

Average customer rating:

Shaky technically, but a good budget colleciton

Essential Stravinsky
Stravinsky , Jarvi , and Osr
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Stravinsky: Firebird, Rite Of Spring, Persephone / Tilson Thomas, San Francisco SO

ASIN: B00006ANZS
Release Date: 2002-08-27

Customer Reviews:

Shaky technically, but a good budget colleciton.......2005-09-04

I don't admire Jarvi as a conductor, so it surprised me that I mostly enjoyed this colleciton of somewhat ragged but spirited performances. The Oedipus Rex in particular woke me up in spots, and all the other performances showed dramatic interest. The orchestra isns't up to a good American orchestra like cincinnati or Pittsburgh, but you can sitll hear an echo of its glory days under Ansermet--it wasn't very good technically then, either, but there was a heap of style to make up for that.

Average customer rating:

Stravinsky: Petrushka; Apollon musagète

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music
ASIN: B000000ATS
Release Date: 2000-10-24

Stravinsky: Petrushka; Song of the Nightingale

Average customer rating:

Review by Lee E.

Stravinsky: Petrushka; Song of the Nightingale

Manufacturer: Music Masters Jazz
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music
ASIN: B000005ZC0
Release Date: 1998-04-07

Tracks:

Petrushka: The Shrove-Tide Fair - Olga Trifonova/Mark David/Michael Round
Petrushka: First Tableau: The Charlatan - Olga Trifonova/Mark David/Michael Round
Petrushka: First Tableau: Russian Dance - Olga Trifonova/Mark David/Michael Round
Petrushka: Second Tableau: In Petrushka's Cell. Impetuoso - Olga Trifonova/Mark David/Michael Round
Petrushka: Third Tableau: The Blackamoor - Olga Trifonova/Mark David/Michael Round
Petrushka: Third Tableau: The Ballerina - Olga Trifonova/Mark David/Michael Round
Petrushka: Third Tableau: Valse: Ballerina And Blackamoor. Lento Cantabile - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: The Shrove-Tide Fair - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: The Dance Of The Wet-Nurses - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Peasant With Bear - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Gypsies And A Rake Vendor - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Dance Of The Coachmen - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Masqueraders - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: The Scuffle: Blackamoor And Petrushka - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Death Of Petrushka - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Police And The Juggler - Olga Trifonova/Mark David/Michael Round
Petrushka: Fourth Tableau: Vociferation Of Petrushka's Ghost - Olga Trifonova/Mark David/Michael Round
Solovei-The Nightingale: Act I: Intro - The Philharmonia/Robert Craft
Solovei-The Nightingale: Act I: Fisherman - Robert Tear/Olga Trifonova
Solovei-The Nightingale: Act I: Nightingale's Aria - Olga Trifonova
Solovei-The Nightingale: Act I: Chamberlain, Bonze, Cook, Courtiers - Philippa Dames-Longsworth/London Voices/Simon Joy/Stephen Richardson/Andrew Greenan
Solovei-The Nightingale: Act I: Second Entrance Of The Nightingale - Philippa Dames-Longsworth/Stephen Richardson/Andrew Greenan/London Voices/Simon Joy
Solovei-The Nightingale: Act I: Chamberlain And Bonze - Stephen Richardson/Andrew Greenan
Solovei-The Nightingale: Act I: Nightingale's Second Aria - Olga Trifonova
Solovei-The Nightingale: Act I: Chamberlain And Bonze - London Voices/Simon Joy/Andrew Greenan/Stephen Richardson
Solovei-The Nightingale: Act I: Fisherman - Robert Tear
Solovei-The Nightingale: Act II: Prelude - The Philharmonia/Robert Craft
Solovei-The Nightingale: Act II: Cook - Philippa Dames-Longsworth
Solovei-The Nightingale: Act II: Reprise Of The Prelude - Stephen Richardson
Solovei-The Nightingale: Act II: Chinese March - The Philharmonia/Robert Craft
Solovei-The Nightingale: Act II: Chamberlain - Stephen Richardson
Solovei-The Nightingale: Act II: Song Of The Nightingale - Olga Trifonova/Paul Whelan/London Voices/Simon Joy/Stephen Richardson
Solovei-The Nightingale: Act II: The Japanese Envoys - Peter Hall/Simon Preece
Solovei-The Nightingale: Act II:The Mechanical Nightingale - The Philharmonia/Robert Craft
Solovei-The Nightingale: Act II: The Emperor, Chamberlain, Courtiers - London Voices/Simon Joy/Paul Whelan/Stephen Richardson
Solovei-The Nightingale: Act II: Reprise Of The Chinese March - The Philharmonia/Robert Craft
Solovei-The Nightingale: Act II: Fisherman - Robert Tear
Solovei-The Nightingale: Act III: Prelude - The Philharmonia/Robert Craft
Solovei-The Nightingale: Act III: Chorus Of Ghosts, Emperor - Paul Whelan
Solovei-The Nightingale: Act III: Nightingale - Olga Trifonova/Paul Whelan
Solovei-The Nightingale: Act III: Death And The Nightingale - Sally Burgess/Olga Trifonova
Solovei-The Nightingale: Act III: The Nightingale's Aria - Olga Trifonova
Solovei-The Nightingale: Act III: Emperor And Nightingale - Paul Whelan
Solovei-The Nightingale: Act III: Funeral Procession - Paul Whelan
Solovei-The Nightingale: Act III: Fisherman - Robert Tear

Tracks:

Sym in Three Movementts - Robert Craft
Sym in C: First Movt - Robert Craft
Octet [9] - Robert Craft
Greeting Prld - Robert Craft
Ste I - Robert Craft
Ste I - Robert Craft
Ste I - Robert Craft
Ste I - Robert Craft
The Rake's Progress: Act III, Scene III - Robert Craft
Historie De Soldat: Three Dances (Tango, Waltz, And Ragtime) - Robert Craft
In Memoriam: Dylan Thomas - Robert Craft
Firebird: The Firebird's Lullaby - Robert Craft

Customer Reviews:

Review by Lee E........2003-07-07

A 2-CD set, this is vol. X in the laudable Stravinsky the Composer series cond. by Stravinsky's long-time collaborator R. Craft. CD 1 pairs Stravinsky's 1947 revision of his 1911 burlesque ballet Petroushka (the complete 4-part ballet, not the suite drawn from it) with the 1914 version of The Nightingale, his opera (in Russian, based on a tale by Hans C. Andersen) begun 1908, set aside 1909, finished 1913-14, rev. 1962. In 1917, Stravinsky wrote The Song of the Nightingale, a tone poem based on and much better known than the opera. This CD contains the complete opera (NOT the tone poem); the booklet has the libretto in Russian and English only. CD 2 is a bonus CD of excerpts from other CD's in the series. The works on CD 2 are nowhere listed with the CD itself: see above for Amazon.com's listing of these works.

Music Track:

Music Track

music track

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Oxford Series, Vol. 8

Live at the Royal Festival Hall 2004