Dvorák: Double Bass Quintet; The American Quartet
On this CD:
1. String Quintet for 2 violins, viola, cello, & double bass in G major (once listed as Op. 18), B. 49 (Op. 77)
Composed by Antonin Dvorak
Performed by Julia Adams, Gary Karr, Stephen Kecskemethy, Ronald Lantz, Paul Ross
2. String Quartet No. 12 in F major ("American"), B. 179 (Op. 96)
Composed by Antonin Dvorak
Performed by Julia Adams, Gary Karr, Stephen Kecskemethy, Ronald Lantz, Paul Ross
Dvorák: Double Bass Quintet; The American Quartet, Music, Paul Ross, Antonin Dvorak, Gary Karr, Julia Adams, Ronald Lantz, Stephen Kecskemethy, Chamber, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Quartet for Four String Instruments, Quintet for Five String Instruments
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Story Of Dvorák In Words And Music
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Story Of Verdi In Words And Music
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- The Story Of Brahms
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ASIN: B000001KD7
Release Date: 1995-04-16 |
Tracks:
- Furiant
- Allegro Grazioso
- Allegro Grazioso
- Scherzo
- Opening
- Serbian Dance
- You Ask Why My Songs
- Kolo
- Nature, Life And Love Motive
- Kolo
- Allegro Non Troppo
- Kolo
- Allegro Assai
- Eja, Mater Fons Amoris
- Kolo
- Allegro Molto
- Dumka
- Scherzo Caprccioso, Op. 66
- Allegro Moderato
- Allegro Moderato
- Largo
- Vivace Non Troppo
- Humoresque In G Flat Major, Op. 108 No. 7
- Allegro
- Allegro
- Polka
- Slavonic Dances
- Slavonic Dances
- Slavonic Dances
- Slavonic Dances
Customer Reviews:
Narration with music.......2006-01-07
I ordered this CD because of the price, and quickly found out why it is a cheap one. The narration is fine, but it is spoken over the music, and the music is just excerpts except for the featured selections at the end of the CD, which is all of four pieces. This is a great CD for the car - a little audio learning lesson, and does give a good intro into some of Dvoraks most famous pieces. But, it is no Carl Haas rendition.
Average customer rating:
- breakdown by cd.
- I'm not a music expert
|
Dvorák: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00062FLJW
Release Date: 2004-11-30 |
Customer Reviews:
breakdown by cd........2007-01-14
CD1-7:SYMPHONIES 1-9
CD8:PIANO CONCERTO
CD9:VIOLIN CONCERTO & CELLO CONCERTO
CD10-11:REQUIEM
CD12-13:STABAT MATER
CD14:PIANO TRIOS OP.90 "DUMKY" & 21
CD15:PIANO TRIOS OP.65 & 26
CD16:PIANO QUARTETS
CD17:PIANO QUINTETS
CD18:STRING QUINTETS
CD19-20:MUSIC FOR VIOLIN AND PIANO
C21:SERENADE/HAUSMUSIK
CD22-31:THE COMPLETE STRING QUARTETS
CD32:SLAVONIC DANCES OP.46 & 72
CD33:PIANO DUET SLAVONIC DANCES
CD34:PIANO DUET LEGENDS FROM THE BOHEMIAN FOREST
CD35:PIANO WORKS
CD36-37:RUSALKA
CD38-40:SYMPHONIC POEMS
I'm not a music expert.......2005-08-25
I don't know too much about music. I own over 700 cds, but I don't play music and I don't have much experience with this music. My only point of reference was the ninth symphony, seeing as every other piece in this box set was new to me. It sounds fine, nothing wrong with it as far as I can see.
Now, here's what you'll get in this box set, seeing as Amazon does not give it a description. 40 cds! no joke, you get 40 cds in this box set. It features:
1. Complete symphonies
2. Complete symphonic poems
3. Cello concerto
4. Piano concerto
5. Violin concerto
6. Requiem
7. Stabat Mater
8. Slavonic Dances
9. Complete String quartets
10. Chamber music
11. Piano Works (solo and duet)
12. Rusalka
As far as I can tell, the only things missing are The Spectre's Bride and Jacobin. Seeing as it is 40 cds, i have not had an opportunity to listen to it, however what i have heard i have been quite satisfied with.
Average customer rating:
|
Dvorák: String Quintets, Opp. 77 & 97; Intermezzo in B major
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000AP3
Release Date: 1992-10-28 |
Tracks:
- String Quintet In G Major Op. 77: I Allegro con fuoco
- String Quintet In G Major Op. 77: II Scherzo. Allegro vivace - Trio. L'istesso tempo, quasi allegretto
- String Quintet In G Major Op. 77: III Poco andante
- String Quintet In G Major Op. 77: IV Finale. Allegro assai
- Intermezzo In B Major Op. 40: Andante religioso
- String Quintet In E Flat Major Op. 97: I Allegro non tanto
- String Quintet In E Flat Major Op. 97: II Allegro vivo - Un poco meno mosso
- String Quintet In E Flat Major Op. 97: III Larghetto
- String Quintet In E Flat Major Op. 97: IV Finale. Allegro giusto
Average customer rating:
|
Dvorák: Double Bass Quintet; The American Quartet
Manufacturer: Arabesque Recordings
ProductGroup: Music
Binding: Audio CD
Quartets
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ASIN: B000000T6I
Release Date: 1993-08-04 |
Tracks:
- Qnt, B49: I. Allegro Con Fuoco
- Qnt, B49: II. Intermezzo-Nocturno
- Qnt, B49: III. Scherzo/Trio-Allegro Vivace
- Qnt, B49: IV. Poco Andante
- Qnt, B49: V. Finale: Allegro Assai
- Qt in F, B.179 (Op.96) 'American': I. Allegro Ma Non Troppo
- Qt in F, B.179 (Op.96) 'American': II. Lento
- Qt in F, B.179 (Op.96) 'American': III. Molto Vivace/Poco Meno Mosso
- Qt in F, B.179 (Op.96) 'American': IV. Finale: Vivace Ma Non Troppo
Average customer rating:
- Kind of Amazing
- Almost painfully beautiful music/playing
- Absolutely Ravishing!
- Absolutely Ravishing!
- Absolutely Incredible!
|
Fritz Kreisler Complete RCA Recordings
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000003FGN
Release Date: 1995-11-07 |
Tracks:
- No. 2, My Homeland: Bohemian Fantasie
- Old Folks At Home
- Caprice viennois, Op. 2
- Humoresque, Op. 101, No.7, In G-Flat
- Thais: Meditation: (C-8944-2)
- Thais: Meditation: (C-8944-3)
- Tambourin chinois, Op.3
- Liebesleid
- Liebesfreud: (C-8951-1)
- Liebesfreud: (C-8951-2)
- No. 2, My Homeland: Bohemian Fantasie
- Hungarian Dancer No. 5, In G Minor
- Variations On A Theme Of Corelli
- Caprice viennois, Op. 2
- Moment Musical, D.780 - 3
- Les fetes d'Hebe: Tambourin
- Souvenir de Hapsal, Op. 2: Chant sans paroles, No. 3
- Chanson - Meditation
- Partita No. 3, BWV 1006, In E Major: Gavotte
- Orphee et Euridice: Melodie and Andante from 'Dance of the Blessed Spirits'
- Schon Rosmarin
- Andantino
- Chanson Louis XIII And Pavane
Tracks:
- Partita No. 3, BWV 1006, In E: Preludio
- Liebesleid
- Berceuse
- Chanson - Meditation
- Ombra mai fu: Largo
- Aus Wien
- No. 1, Songs Without Words, Op. 62 - Lieder ohne Worte - Romancess sans paroles: May Breezes
- Gott erhalte Franz den Kaiser: Austrian Imperial Hymn
- No. 5 Of 7 Melodies: Angel's Serenade
- Le Nil
- Jocelyn: Lullaby - Berceuse
- Ave Maria, D.839
- Humoresque, Op. 101, No.7, In G Flat
- Standchen, No. 4, Schwanengesang, D957: Serenade
- Cavalleria Rusticana (Adapted From The Intermezzo): Ave Maria
- (Melody Adapted From) Bach's Prelude No. 1, Well-Tempered Clavier, Book. I: Ave Maria
- Larghetto, Sonatina, Op. 100, In G: Indian Lament
- Concerto For Two Violins, BWV 1043, In D Minor: Vivace
- Concerto For Two Violins, BWV 1043, In D Minor: Largo ma non tanto
- Concerto For Two Violins, BWV 1043, In D Minor: Allegro
Tracks:
- Aus Wien
- Songs Without Words, Op.62: May Breezes, No. 1
- Gott erhalte Franz den Kaiser: Austrian Imperial Hymn
- Op.46, No. 2 And Op.72, No.1 In G Minor: Slavonic Dance
- Slavonic Dance, Op.72, No.2, In E Minor
- The Rosary
- Serenade espagnole
- Tambourin chinois, Op.3
- Mazurka, Op.67, No.4, In A Minor
- Mighty Lak' a Rose
- La serenata
- Connais-tu le pays?
- Serenata
- Carme
- Ballgerfluster, Lieder, Op.73: Flirtation, No.2
- No.27, Lieder, Op.326: Calm As The Night
- No.3, Souvenir de Hapsal, Op.2: Chant sans paroles
- Partita, No.3, BWV 1006, In E Major: Gavotte
- Wienerisch (Impression No. 12)
- (Based On 'Du alter Stefansturm' From 'Der liebe Augustin' By Johan Brandl: The Old Refrain
- Andaluza, Op.37, No.5: Spanish Dance
- Berceuse romantique, Op.9
- Songs My Mother Taught Me, Op.55, No.4
- Thais: Meditation
Tracks:
- Liebesfreud
- Aubade provencale (In The Style Of Couperin)
- OId Folks At Home
- Hungarian Dance No.5 In G Minor
- No.2 from My Homeland: Bohemian Fantasie
- Serenade
- Les contes d'Hoffman: Barcarolle
- Quartet, Op.11: Andante cantabile
- Quintet, B. 11, No.5 In E Major: Minuet
- Rondino On A Theme By Beethoven
- L'Arlesienne: Adagietto
- Underneath The Stars
- The Big Show: Poor Butterfly
- Rosamunde: Ballet Music No.2
- Dream Of Youth
- Minuet, Op.14, No.1 (Paraphrase By Kreisler)
- Polichinelle
- Moment misical, D.780-3
- Les fetes d'Hebe: Tambourin
- Beautiful Ohio
- Paradise
- La gitana
- Gypsy Serenade
- Sadko: Song Of India
Tracks:
- Forsaken
- No.1, Bandana Sketches, Op.12: Nobody Knows de Trouble I've Seen
- Homoresque, Op.101, No.7 In G-Flat
- When Night Descends, Op.4, No.3
- O Cease Thy Singing, Maiden Fair, Op.4, No.4
- The Last Hour, Op.34, No.6
- Since You Went Away
- Apple Blossoms: Who Can Tell?
- Mary: The Love Nest
- On Miami Shore
- No.6, Lyric Pieces, Op.43: To Spring
- Waltz, Op.39, No.15 In A Major
- Melody In A Major
- Toy Soldiers' March
- Aucassin And Nicolette
- Souvinir
- Le Coq d'Or: Hymn To The Sun
- Scheherazade, Mvt.III (adapted By Kreisler): Chanson arabe
- Lotus Land, Op.47, No.1
- Pale Moon (Indian Love Song)
- Scheherazade, Mvt. IV (Adapted By Kreisler): Danse orientale
- Cherry Ripe
- Entr'acte, Op.46, No.2
- Mazurka, Op.33, No.2 In A Major
Tracks:
- Melodie, Op.16, No.2
- Der Opernball: Im Chambre separee: Midnight Bells
- Love Sends A Little Gift Of Roses
- The World Is Waiting For The Sunrise
- Concerto, Op.35 In D Major: II. Canzonetta
- Elegie slave, Morceaux, Op.53: Slavonic Lament, No.1
- Symphony No. 96, 'Miracle': Menuet
- Old French Gavotte
- Poupee valsante
- Molly On The Shore
- Pierrot's Dance Song
- Thais: Meditation
- Slavonic Dance, Op.72, No.2 In E Minor
- Dirge Of The North
- The Old Refrain
- Minuet, Op.14, No.1
- Melody In A Major
- Orange Blossoms: A Kiss In The Dark
- Ombra mai fu: Largo
- Caprice viennois, Op.2
- Chansonette
- Souvenir de Hapsal, Op.2: Chant sans paroles No.3
- Symphonie espagnole, Op.21: Scherzando
- Caprice antique
- Legend Of The Canyon
Tracks:
- Two Russian Folk Songs
- Aloha Oe
- American Indian Songs, Op.45: From The Land Of The Sky-Blue Water, No.1
- 'New World' Symphony (Adapted By Kreisler): Negro Spiritual Melody
- Menuets BWV Anh 114 & 115, Anna Magdalena Notebook: Menuet
- La ritrovata figlia di Ottone II: Gavotte, No.22
- The Student Prince: Deep In My Heart, Dear
- Rose Marie: Indian Love Call
- Andantino
- At Dawning
- Kreisler Serenade
- Invocation
- The Rose And The Nightingale, No.2, Songs, Op.2: Oriental Romance
- Pieces, Op.10: Humoresque, No.2
- Daisies, Op.38, No.3: Albumblatt
- Frasquita: Hab' ein blaues Himmelbett: Serenade
- Caprice viennois, Op.2
- Liebesfreud
- Liebesleid: (CVE-8950-6)
- Liebesleid: (CVE-8950-7)
- Blue Skies
- Dance Of The Maidens, Op.48
- Shepherd's Madrigal
Tracks:
- Gypsy Caprice
- Schon Rosmarin
- Siete Canciones populares espanolas: Cancion, No.6
- Espana, Op.165: Malaguena, No.3
- Humoresque, Op.101, No.7 In G-Flat
- Petite Suite: En bateau, No.2
- Ruralia hungerica, Op.32c: Presto
- Ruralia hungerica, Op.32c: Gypsy Andante (Andante rubato, alla zingaresca)
- Ruralia hungerica, Op.32c: Molto vivace
- Preludes, Book I, No.8: The Girl With The Flaxen Hair
- Souvenir
- Thais: Meditation: (CVE-8944-8)
- Thais: Meditation: (CVE-8944-9)
- Mighty Lak' A Rose
- The Rosary
- Old Folks At Home
- La Vida breve: Danza espagnola
- Espana, Op.165: Tango, No.2
- Tambourin chinois, Op.3
- Dance Of The Marionette
- Rapsodie espagnole: Habanera
- Nocturnal Tangier
- Rondino On A Theme By Beethoven
Tracks:
- Sonata, Op. 30, No.3 In G Major: Allegro assai
- Sonata, Op. 30, No.3 In G Major: Tempo di minuetto, ma molto moderato e grazioso
- Sonata, Op. 30, No.3 In G Major: Allegro vivace
- Sonata, Op.45, In C Minor: Allegro molto ed appassionato
- Sonata, Op.45, In C Minor: Allegretto espressivo alla Romanza
- Sonata, Op.45, In C Minor: Allegro animato
- Sonata, D.574, In A Major: Allegro moderato
- Sonata, D.574, In A Major: Scherzo: Presto; Trio
- Sonata, D.574, In A Major: Andantino
- Sonata, D.574, In A Major: Allegro vivace
Tracks:
- Op.46, No.2 And Op.72, No.1: Slavonic Dance (In G Minor)
- Slavonic Dance, Op. 72, No.8 In G Major
- Der Oppernball: Im Chambre separee: Midnight Bells
- Sonatina, Op.100 In G Major: Indian Lament
- Songs My Mother Taught Me, Op.55, No.4
- Piece en forme de habenera
- Londonerrry Air
- Chanson Louis XIII And Pavane (In The Style Of Couperin)
- Schon Rosmarin
- (Based On) 'Du alter Stefansturm' From 'Die Liebe Augustin' By Johann Brandl: The Old Refrain
- Siete canciones populares spanolas: Jota, No.4
- Orphee et Euridice (Andante From 'Dance Of The Blessed Spirits'): Melodie
- Polichinelle
- La Precieuse (In The Style Of Couperin)
- Rosamunde: Ballet Music No.2
- Mvt. I, Concerto No.1 In D Major (Arranged By Kreisler): Concerto In One Movement
Tracks:
- Caprice viennois, Op.2
- Tambourin chinois
- Liebesfreud
- Liebesleid
- La gitana
- Schon Rosmarin
- Concerto In C Major (In The Style Of Vivaldi): Allegro energico ma non troppo
- Concerto In C Major (In The Style Of Vivaldi): Andante doloroso
- Concerto In C Major (In The Style Of Vivaldi): Allegro molto
- Rondino On A Theme By Beethoven
- The Old Refrain
- Londonderry Air
- Der Opernball: Im Chambre separee: Midnight Bells
- Marche miniature viennoise
- Rondo all'ongarese, Trio H.XV, No.25: Hungarian Rondo
- Chanson Louis XIII And Pavane (In The Style Of Couperin)
- The Rosary
- The King Steps Out: Stars In My Eyes
- RCA Victor Orchestra: Viennese Rhapsodic Fantsietta
Amazon.com
A Fritz Kreisler recording can always be recognized by the violinist's beefy, baritonal sonority, inimitable portamento, and communicative warmth. Most of the repertoire here consists of the short, encore pieces that prevailed in the era of 78rpm records, many penned or arranged by Kreisler, who was always on the lookout for memorable tunes. Familiar classics like the duets with John McCormack, and Schubert, Beethoven, and Grieg sonata collaborations with Rachmaninoff turn up alongside rare alternate takes and Kreisler's lone recording as a piano soloist in Dvořak's Humoresque. One should savor these musical sweetmeats in small portions, rather than wolfing down each disc in chronological gulps. Ward Marston's transfers are beyond praise. -- Jed Distler
Customer Reviews:
Kind of Amazing.......2005-12-08
First thing I be wondering is where RCA (BMG--now probably Wal-Mart) got the idea that a $120 set of Kreisler faves--most short 78-era items--would be marketable? I'd love to check the Homeland Security records and see just who bought this set. I would never have sprung for it but now that I was given one I have to comment on it. Amazing!
First, there's the playing. This is a professionally ebullient fiddler. Technically astounding, but with the communicative warmth the other reviewers seem to uniformly note. I find violin tiring to the ear sometimes, but not this guy's violin. A joy to listen to.
Second, the selection. Fairly much 11 discs of solid "pop" music--a kind of Fiedlerian dream world where every piece catches the attention usually because of potent melodic pungency. I found myself looking forward to each cut, knowing I would be well-rewarded. Kreisler chose his repertoire well.
Third, oh yeah sure, nostalgia. Everything here is an echo of a world that passed largely by 1914 and was already deep nostalgia for many by the time these last recordings were made in the 1940s. I'm not sure there's anything wrong with that, it's a kind of longing not for an idealized past but for aspects of that past that are clearly missing in the world today (or even back in 1948 when the last tracks were set down). Heck, I listen to Beethoven and find myself getting nostalgic for an era when my local department store music department would make a big deal out of a new Bernstein release and a major network would actually give Lennie time to talk about classical music to the masses.
Anyway, I never intended to own the collection, now I do and I'd replace it in the blink of an eye. Charming and entertaining from disc one to disc eleven.
Almost painfully beautiful music/playing.......2005-05-08
It is one of the real advatages of modern life that we can still hear and be moved by artists from the early 20th century. As listners, there are probably psychological factors that predispose us to be touched by the original rather than someone imitating a style from the past. Part of the psychological impact for me is the nostalgia element and connections this music has to memories of my ancestors who where alive when this music was being played and recorded. But beyond the listener's psychological factor(s) the artists from the early 20th century had a completely different set of musical and non-musical experiences from our contempory artists. A contemporary artist trying to duplicate the style from another era often sounds false and affected. Regardless, ultimately performances have to stand on their own musical merit. These most definately do.
Absolutely Ravishing!.......2001-03-24
Ever since he first toured The U.S as a child in 1888 with pianist Moritz Rosenthal Fritz Kreisler's musical talents have left us spellbound. His playing combines a searching intelligence with intense and delightful musicality, his mellow honey-like tone appeals to the heartstrings, and awakens enthusiasm in his listeners. He was a great violinist who at the same time could touch and charm his audience. I highly reccomend this set to all lovers of the violin!
Absolutely Ravishing!.......2001-03-24
Ever since he first toured The U.S as a child in 1888 with pianist Moritz Rosenthal Fritz Kreisler's musical talents have left us spellbound. His playing combines a searching intelligence with intense and delightful musicality, his mellow honey-like tone appeals to the heartstrings, and awakens enthusiasm in his listeners. He was a great violinist who at the same time could touch and charm his audience. I highly reccomend this set to all lovers of the violin!
Absolutely Incredible!.......1999-12-10
I would give this set a 10 stars, if I were allowed to. Kreisler has been my favorite violinist as far as I can remember, and have never gotten tired of his playing (and never will be either!) His playing has deceptive ease and elegance that makes people forget how phenominal his technique was(just listen to his crystalline trills and amazing articulation of fast runs). And even at his sweetest moments, his performance always had strong backbone and never sank into tasteless sentimentality. Kreisler's playing was really one of the kind and anyone who loves violin should listen to his recordings. I cannot recommend this set highly enough! The CD transfer is excellent.
Music Track:
- Dvorák: Symphony No. 9/String Quartet Op.96
- Dvorak: Complete Slavonic Dances
- Edwin Fischer plays Bach, Vol. 1
- First & Second Sonatas for Viola & Piano
- Gershwin: Rhapsody in Blue (Earl Wild, piano); An American In Paris; Piano Concerto in F (Oscar Levant, piano) - recorded by Arturo Toscanini & the NBC Symphony Orchestra
- Goldmann: Piano Concerto/Symphony No.4
- Grieg & Tchaikovsky: Piano Concertos
- Hallelujah Handel
- Handel: Music for the Royal Fireworks HWV351; Water Music Suite No1 HWV348
- Haydn: Lord Nelson Mass
Music Track
music track
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