Motets 1

On this CD:

1. Domine non secundum peccata nostra a 6, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Svetlana Fomina, Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Mauro Morini, Paolo Cucci, Roberta Giua

2. Angelus ad pastores ait a 4, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Fabio Furnari

3. Sancta Maria succurre miseris a 3, Mottetti
Composed by Costanzo Festa
Performed by Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Fabio Furnari

4. Ave nobilissima creatura a 5, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Svetlana Fomina, Giuseppe Maletto, Giuseppe Maletto, Mauro Morini, Roberta Giua, Fabio Furnari

5. Lumen ad revelationem gentium a 4, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Svetlana Fomina, Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Mauro Morini, Paolo Cucci, Gianluigi Ghiringhelli, Roberta Giua

6. Surge amica mea a 3, Mottetti
Composed by Costanzo Festa
Performed by Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Roberta Giua

7. In illo tempore a 5, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Mauro Morini, Fabio Furnari

8. O pulcharrima virgo a 4, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Giuseppe Maletto, Giuseppe Maletto, Paolo Cucci, Fabio Furnari

9. Ave regina caelorum a 3, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Paolo Cucci, Roberta Giua, Fabio Furnari

10. Alma redemptoris Mater a 6, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Laura Fabris, Svetlana Fomina, Elisa Franzetti, Giuseppe Maletto, Giuseppe Maletto, Mauro Morini, Roberta Giua

11. Quis dabit oculis nostris a 4, Mottetti
Composed by Costanzo Festa
Performed by Antonio Abete, Giuseppe Maletto, Giuseppe Maletto, Roberta Giua, Fabio Furnari

Tracks:

If Ye Love Me
A New Commandment
O Vos Omnes
O Magnum Mysterium
O Magnum Mysterium
O Magnum Mysterium
Praise The Name Of The Lord
Der Entfernten
Wondrous Love
Amazing Grace
Sometimes I Feel Like Moanin'
Totus Tuus

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The trademark qualities of a Robert Shaw-trained chorus included perfect tonal blend and balance, expressive phrasing, and superb tuning. As an interpreter, Shaw hewed to the middle road, steering clear of eccentricities and honoring the composer's intentions. On this tribute disc, we hear these virtues coalesce in works such as Poulenc's austere Christmas hymn "O magnum mysterium," one of three settings of the text here. Shaw was at his best in works whose fervent spirituality he shared, and the selection from Rachmaninov's Vespers, with its repeated alleluias, is a highlight, both radiant and passionate. But then, virtually everything here is a highlight: the Schubert part song done to a turn with soft singing projected in rounded tones; the curve of "Wondrous Love"'s melody perfectly traced; and "Amazing Grace" in Shaw's arrangement all the more moving for its calm dignity. The longest piece, Górecki's Marian hymn "Totus tuus," is otherworldly in an enthralled reading that never loses focus. Like all of Shaw's Telarc recordings, the sonics are first-class. --Dan Davis

Customer Reviews:

This is an amazing, amazing product.......2007-02-07

The only part of the CD I would quibble with is the selection from Rachmaninov's Vespers, but I'm really lucky and have heard that performed live several times and heard multiple recordings, and decided on one that I liked best early on.

If you aren't blown away by the performance of the Tallis, you'll probably still cry when you hear the Lauridsen later in the CD. One thing about this CD is that after hearing it, my standard for what I could expect in a recording became a lot higher.

a voice teacher and early music fan.......2007-01-17

When Robert Shaw retired in 1988 as Conductor of the Atlanta Symphony Orchestra he returned to the conducting of unaccompanied choral music, that he had been involved with in the Robert Shaw Chorale in the 1950's and early 60's.
The selections on this disc are taken from several different Telarc recordings that were made at summer festivals he directed during the last decade of his life.
The Poulenc "O Magnum Mysterium" is one of the four motets on a Christmas album made in 1989. "Wondrous Love", "Amazing Grace", and "Sometimes I Feel Like a Moanin' Dove" are from the collection of 'American Hymns and Spirituals', performed and recorded in 1992. Gorecki's motet "Totus Tuus" appeared on 'Evocation of the Spirit' recorded in 1994.
In the Summer of 1989, the first year of Shaw's choral festivals in France yielded an impressive array of unaccompanied music which included Rachmaninoff's 'Vespers' or 'All Night Vigil', Op.37, the 2 Thomas Tallis pieces and the two in Latin by Vittoria.
"Der Entfernten" comes from a collection of 'Schubert Songs' for Male Chorus taped in the Summer of 1992. Morton Luridsen's 'O magnum mysterium', the most recent composition on this disc as well as the last recorded (1997), was included on 'A Robert Shaw Christmas'.
It is interesting to note that there are no less than three settings of the anonymous medieval text "O Magnum Mysterium". Shaw, a deeply spiritual man, often lamented about the commercialism that had pervaded the celebraton of the American Christmas. He retained a sincere awe for the miraculous details of the Nativity story, and it was natural that he should return again to music having this text, with its wondrous mixture of the homespun and the mystical, the lowly and the most high.

This is a truly interesting variety of compositions featuring a diversified group of fine composers!!!!.Any choral group that Shaw conducted always sang with much emotion and always great skill. There is never a 'ragged' entrance OR exit; there is never poor balance between the voices; the diction is crisp and clear and never 'muddied'; and the sound is ethereally beautiful. I would have liked to know who the personnel were in each of his 2 groups on this disc, but they were not listed, so I guess I never will know. Just a fabulous recording!!!!!

Incredible.......2005-08-02

Who can listen to this without being humbled, yet enriched, as if walking through the courts of sacred and simple places?

Very inspiring for this Christian (Catholic).......2004-07-22

I'd swear that Robert Shaw must have visited heaven and come back to write his rendition of O Magnum Mysterium (particularly track #5 with the chamber singers). It's my favorite classical piece, especially among choral works. I'd love to be in a great gothic cathedral like Notre Dame or Cologne and hear this piece. Even though you'll likely only be hearing this recording through your headphones in your room, it'll take you to the cathedrals and heaven itself.

I read somewhere that Robert Shaw was deeply religious/spiritual. I have no reason to doubt this...his faith shines through on this disk. I couldn't recommend it highly enough.

"Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband; and I heard a loud voice from the throne saying, "Behold, the dwelling of God is with men. He will dwell with them, and they shall be his people, and God himself will be with them; he will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain any more, for the former things have passed away." - Revelation 21

Amazing!.......2004-02-10

In my choir at school, we are singing O Magnum Mysterium; I can't help from sinking into its soft harmonies. How to describe this feeling?--each bar more poignant than the last; dynamically profound; crystal clear tone; that clash between tenors in the chorus...it makes me believe in love and god all at once! Spectacular, this CD is--how lucky I am to have found it. Recommended to anyone with hearing.

Dunstable: Sweet Harmony - Masses and Motets

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The harmonic building blocks of Renaissance music
THE GREAT LEAP FORWARD

Dunstable: Sweet Harmony - Masses and Motets

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Das Gänsebuch (The Geese Book): German Medieval Chant

ASIN: B000B6N67M
Release Date: 2005-10-18

Tracks:

Quam Pulchra Es
Kyrie
Gloria A 4
Credo A 4
Gloria: Jesu Christe Fili Dei
Credo: Jesu Christe Fili Dei
Sanctus
Credo: Da Gaudiorum Premia
Sanctus: Da Gaudiorum Premia
Agnus Dei
Veni Sancte Spiritus-Veni Creator
Gloria In Canon

Customer Reviews:

The harmonic building blocks of Renaissance music.......2006-06-07

Take a journey back to early 15th century Europe with Tonus Peregrinus' recording of the works of English composer John Dunstable (c. 1390-1453). Dunstable worked in English-occupied France during the early 1400s, and his sweet English harmonies influenced French composers such as Dufay and Binchois. The incorporation of English harmonic technique into the Continental style was a major factor in the development of Renaissance counterpoint.

Dunstable was a master of isorhythm, a technique that involved repetition of lengthy melodic and harmonic figures (sometimes in sync and sometimes in overlapping fashion). While isorhythm contributes to the compositional integrity of Dunstable's music, it's not readily discernible by modern ears. What's most apparent in the music of John Dunstable is the forceful delivery of a new style: the sweet harmony resulting from the use of parallel 3rd and 6th intervals. Dunstable's harmonic writing is not particularly disciplined: unprepared dissonances occur, sometimes in jarring fashion. But overall, a spirit of jubilation pervades Dunstable's work, which should impress modern listeners just as it did the European composers who heard it nearly six centuries ago.

Tonus Peregrinus, a vocal consort named for an ancient chant that Christ might have sung at the Last Supper, delivers an evocative performance of Dunstable's works. The group performs Dunstable's motets "Quam pulchra es" and "Veni Sancte Spiritus - Veni Creator", sandwiched around a collection of Mass movements. "Quam pulchra es" exhibits a stately, graceful quality later found in the works of Binchois, while the first "Sanctus" achieves an otherworldly beauty that may have influenced the motets of Dufay. The acoustics of this recording, captured in an echo-filled French abbey, create a sense of time and place that enhances the authenticity of the performance.

In 1476, music theorist Johannes Tinctoris remarked, "There is no composition written over forty years ago which is thought by the learned as worth of performance." Tinctoris' dismissal presumably included the works of Dunstable. Fortunately, Dunstable's music has survived Tinctoris' sentiment, and now awaits your discovery, courtesy of this fine recording.

THE GREAT LEAP FORWARD.......2005-11-29

Goodness me, how many superlative groups of ancient music specialists can there be? Here is yet another, predictably brought to us by Naxos. There are 8 singers directed by Anthony Pitts, and the group photograph also shows us Jeremy Summerly himself in a daft-looking hat as producer, and also, most properly, the engineer Geoff Miles whose work I would call absolutely outstanding.

England was not always `the land without music'. In particular, it seems that a sudden and spectacular leap in musical development occurred precisely there in the early 15th century, and, if we are to believe the musical historian of the time Tinctoris (cited by Pitts in his liner-note), the main driving-force behind this revolution was John Dunstable, whose innovations were picked up promptly by his contemporary Dufay and thereafter by Europe in general. My own knowledge of this period is deplorably patchy, but it is quite clear that by the 12th century the ecclesiastical tradition of monodic plainsong, believed to date from the 8th century, had not changed much, even at the hands of the frumious Hildegard of Bingen. There was a parallel secular tradition, probably more than one, but if the music of the troubadours during this same period is anything to go by it had primitive instrumental accompaniment for the voices, but nothing by way of genuine `harmony' much less polyphony or counterpoint.

Enter the English, Dunstable in the lead. Not a lot seems to be known about him except that he appears to have been associated with St Albans in Hertfordshire, where his name survives in the name of a town not far away, as does that of the author of Dunstable's epitaph and Abbot of St Albans Abbey John Wheathampstead. All this information is conveyed with admirable brevity in Pitts's notes, and I take it on faith entirely. Faith of another kind shows through his phraseology here and there, as in his dedication of the recording to `a God-fearing man' (not the kind of terminology one encounters much in England these days) and in his sniffy comment in his resume that he left the BBC in protest over its screening of `a blasphemous musical'. I would only remark that the BBC never actually broadcast anything by such a description, nor did the public in general realise that they were listening to such. At the musical level by and large the liner-note is awesomely learned but slightly heavy going. It is worth absorbing slowly, but the most significant thing it says is really its naïve proclamation of how marvellous the music is. This is the dawn of the elaborate harmonisation that makes European music, so far as I know, unique, and the thrill and sense of awe that go with that are enormous for one kind of listener at least.

If I understand Pitts aright, the various sections of the mass here - including 2 glorias, 3 credos and 2 settings of the sanctus - don't incorporate one specific `mass' although they approximately follow the order of the parts normally set to music: indeed if there were a single coherent mass in it what would be the point of such duplications? The way they have sequenced it all is appropriate to isolated settings, sensibly programmed so as to avoid having the same text in successive tracks. The recital starts with one motet and ends with another, followed by a gloria that `we' have completed from the restored but deficient MS. `We' have done just brilliantly if I may say so - this is what music-making is all about, but it needs the right level of talent. The performing artists consist of 2 sopranos, 1 female and 1 male alto, 3 tenors and a single bass. I have to take the historical authenticity of this, just as I have to take the tempi adopted, on faith once again. I believe the phrase is `It works for me'. What is beyond much question is the sheer quality of the singing, and what I want to sing my own praises of is the recording, which has a perfect sense of spaciousness together with perfect clarity.

I hope I will be believed when I say that I have no link of any kind with Naxos. I collect their discs because of what these are and because of what my tastes and standards in good music are. This particular disc is from this very year 2005, and the recording was done in Chancelade Abbey in the Dordogne. Over and above the learned inputs of Mr Pitts we are given brief resumes of all the performers, and all texts are provided with English translations. These latter are a great deal better than many I have seen in the last year or two. My suspicions having relaxed, I have been less hawk-eyed than sometimes, and I don't believe that there are any serious misrenderings. In the Veni Creator if the text is right at lines 11-12 the meaning must be `Thou duly enriching our mouths with the promised utterance of the Father'; 4 lines later `perpetim' is a simple misprint for `perpeti', but as usual the translator thinks `perpeti' is some kind of adjective. It is a prolative infinitive, and lines 15-16 therefore mean `Strengthening what in our bodies is weak so as to be steadfast through virtue'.

Go forth in droves at the Christmas season and acquire this disc.

Copland: Old American Songs/Canticle Of Freedom/Four Motets

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"Such serenity and harmony"
Copland: Old American Songs, 4 Motets, etc / Tilson Thomas

Copland: Old American Songs/Canticle Of Freedom/Four Motets

Manufacturer: Sony
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Binding: Audio CD

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ASIN: B0000026EQ
Release Date: 1990-10-25

Tracks:

Old American Songs: The Boatmen's Dance
Old American Songs: The Dodger
Old American Songs: Long Time Ago
Old American Songs: Simple Gifts
Old American Songs: I Bought Me A Cat
Old American Songs: The Little Horses
Old American Songs: Zion's Walls
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Four Motets: Thou, O Jehovah, Abideth Forever
Four Motets: Have Mercy On Us, O My Lord
Four Motets: Sing Ye Praises To Our King

Customer Reviews:

"Such serenity and harmony".......2001-01-06

This CD has so much beautiful music on it. The choir was wonderful and had such a gorgeous touch to it. Even the songs meant to be up beat were still very nice and soothing of teh Old American Songs and the Four Motets. Now the Canticle of Freedom was so very powerful. The music in the beginning leading up to the reciting, rather singing, of the poem filled me with a great passion and patriotism. Copland conveyed his intentions very very well. This piece should be compared with Lincoln Portrait it is so moving. The words reflect the music perfectly. Copland was truely a genius in writing this piece. The recording on this CD was a good balance between chorus and orchestra. I definetley recommend this performance by the Mormon Tabernacle. It's nice to also get a baritone solo on another CD to sing this, namely Thomas Hampson singing it. That CD also has 8 of the 12 Emily Dickinson Poems.

Copland: Old American Songs, 4 Motets, etc / Tilson Thomas.......2000-12-12

Truly a masterful example of the great American Songs. The choir as no instrument bring the simple melodies and words alive. This music is a grand celebration of America, Aaron Copeland's magic touch and the voices of angels on high.

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The "Clinker" of the bunch

Brahms: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
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ASIN: B00062FLIS
Release Date: 2004-11-30

Customer Reviews:

The "Clinker" of the bunch.......2006-12-19

Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.

Allegri: Miserere; Palestrina / Willcocks, Kings College Choir

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religious and content
I'm not religious,or anything,but this choir's AMAZING!!!
Definitive Recording of the Allegri Miserere
A brilliantly clear recording - you can hear the echos.
likely the best recording

Allegri: Miserere; Palestrina / Willcocks, Kings College Choir

Manufacturer: Decca
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Binding: Audio CD

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ASIN: B00001IVQY
Release Date: 1999-09-14

Tracks:

Miserere
Stabat Mater
Hodie Beata Virgo Maria
Senex puerum portabat
Magnificat a 8
Litaniae de Beata virgine Maria

Customer Reviews:

religious and content.......2004-10-06

In a brief retort to the reviewer from Bakersfield, I do rather wish that you might refrain from refering to matters of religion, litergy, and "ritual" as being "stupid." Obviously, it meant something to Allegri. I'm not angry, but I am a bit vexed that you might say such things about something that is the very center of my life. I dare say others might have been similarly hurt by your remarks.

Regarding the Misere, I've heard some say that this is one of the greatest choral pieces ever written and others say that it was only at the level of something that Mozart could have written at the age of 5, pointing to the repeating stanzas,etc. In point of fact, there is that rumor that it was he who transcribed the composition as an adolecent. As a musican, I can tell you that everything that is written is always based on what already exists. Music is a progression. I would say it is more likely that this piece stuck with Mozart as inspiration. Mozart is known for pieces with simple but beautiful melodic lines, which the Miserere's is quite gorgeous and simple in it's own right--but fantastic enough to raise the hair on the back of your neck. To those who fault the repetition, Allegri was quite right to follow it. When Psalms are sung--which the Miserere is Psalm 51--it is usual for a particular line to be chosen as a refrain of sorts and repeated intermitently every verse or every other verse. This tradition is maintained in churches of various traditions to this day--and, I'm guessing, in synagogues as well. (Psalms are understood to be songs attributed to King David.)

As for the relative simplicity of this piece, one must remember that at the time it was written, this was the cutting edge. It sounds simple to us, but that's because we live in a post Wagner and Stravinski age. Keep in mind that it wasn't so long before this piece was written that they only had the tenor and duplum lines. But really, none of that even matters. This piece was written as a sacrifice of work to God, and "God is the simplest of all." Further, I think that the piece compliments the subject matter of the Psalm beautifully. This Psalm is about sin and feeling repentence. It's a simple subject that is filled with very complex emotions and grace. I think that the grace comes through very clearly here.

As for the quality of the recording, I don't think that anybody can argue that King's College Choir isn't pretty hard to beat. I have heard of a recording that might rival this one where well trained male and female singers are used. Maybe one day, I'll know enough to comment on that recording.

I'm not religious,or anything,but this choir's AMAZING!!!.......2004-01-18

Okay I'll break it down for you.I don't believe in religion,and that mean's any of them,but it seem's like the only time you can enjoy an amazing choir like this one,that just happens to be my personal favorite,is when it has to do with religion.I mean,can't people just like choir's for the sake of liking choir's,without it having to be religious,and stuff.For example if anyone ever see's me at King's college,I'm not there for any stupid rituals or anything,keep in mind that's only if they even do that kind of stuff.I'm there for the sole purpose of hearing this choir.I mean they have so many layer's when they sing,that it's just amazing.With beautiful female high's,that are pretty much the best that I've ever heard,plus equally amazing male vocal's,singing the lower notes,but still,I'd have to say their biggest strength is when they seemingly go off in totally different direction's vocally,with both group's of males,and females,and still manage to weave it together into like a very tight quilt.I highly recommend this choir,over all the rest of them,and also,if you just like choir's without the religious stuff,then maybe you'd like something simular,but heavier,with speed,and distorted guitar's,and not to mention great musical talent,you should probably try something like Epic power metal band's,like Therion,Rhapsody,Blind Guardian,and maybe even the group's Dargaard,and Nightwish...

Definitive Recording of the Allegri Miserere.......2002-05-16

This recording of the Allegri Misere is one of the most beautiful that I've ever heard, or indeed hope to hear. It is absolutely amazing.

A brilliantly clear recording - you can hear the echos........2001-10-27

I love Palestrina, but most of all I love the Allegri Miserere.

I bought the CD to replace an earlier version (performed by the St.John's College Choir)and I was really quite delighted.

The first surprise was to hear the Allegri piece in English. It's good; very good. Not as good as it is in Latin, but still fits the music well. The quality of this recording is breathtaking. You can genuinely sense the atmosphere of the recording space ... the voices simply fade away to nothing in the heights of the building. And the voices you hear seem like the voices of angels.

Similarly, the Palestrina pieces are exceptionally well performed and produce.

However, the real gem (and it's a diamond) is the Allegri. If ever there was a piece of music that can soothe ruffled brows it's this. Let the boys' voices life you to heaven like the soft, gentle wings of angels. Come home stressed, make a cup of hot chocolate, close the curtains, dim the lights and let the sound soothe you.

likely the best recording.......2001-04-22

The story of Allegri's "Miserere" Mass has been told time and again, but warrants one more telling. Allegri was commissioned by then Pope Urban VIII to write this piece to be sung exclusively in the Sistine Shapel during Holy Week. This has been the case every year since 1638. The piece itself was written between 1630-38. On Wednesday and Good Friday during Holy Week, this Mass would be sung after 26 candles were extinguished, leaving a solitary one burning. This tradition holds true to this day.

The Mass was to be performed only in the Sistine Chapel, and up until Mozart's famous visit to the Chapel in 1770, only 3 written copies of the Mass were known to exist. Anyone else who copied it was either excommunicated, killed, or both. Mozart heard the Mass on that Wednesday, would write the Mass from momory that evening, then hear it again on Good Friday to correct a few errors. He was done at that point, and the piece was returned to Vienna, where it could be shared with the world. (This is a very abbreviated version of a fascinating story)

Thanks to Mozart, we can relish in the brilliance of Allegri's Mass, and this 1963 version is arguably the finest recording of it. The solo is maturely handled by treble Roy Goodman, and is central to the success of the recording. The re-mastering of this classic recording only enhances its beauty, wonderfully bringing out its delicate intricaces.

Tracks:

Messe solennelle In C Sharp Minor Op. 16: Kyrie
Messe solennelle In C Sharp Minor Op. 16: Gloria
Messe solennelle In C Sharp Minor Op. 16: Sanctus
Messe solennelle In C Sharp Minor Op. 16: Benedictus
Messe solennelle In C Sharp Minor Op. 16: Angus Dei
Tantum ergo
Ave Maria
Quatre Motets Op. 9: O salutaris hostia
Quatre Motets Op. 9: Tantum ergo
Quatre Motets Op. 9: Ave Maria
Quatre Motets Op. 9: Laudate Dominum
Messe a deux choeurs et deux orgues Op. 36: Kyrie
Messe a deux choeurs et deux orgues Op. 36: Gloria
Messe a deux choeurs et deux orgues Op. 36: Sanctus
Messe a deux choeurs et deux orgues Op. 36: Benedictus
Messe a deux choeurs et deux orgues Op. 36: Angus Dei
Tu es Petrus Op 23 No 2
Tantum ergo Op 18 No 1
Surrexit a mortuis Op 23 No 3

Customer Reviews:

Wow!.......2003-08-13

Having sung the Widor Mass and enjoyed it thoroughly, I decided to buy a recording to prolong the good memories! And this cd certainly does not disappoint... I have to confess to having been somewhat sceptical about Westminster Cathedral Choir's reputation, but this cd really does confirm that they are Britain's premier cathedral choir, Anglican or Roman Catholic. The 24 trebles on this highly acclaimed recording far surpass any sound I've heard St Paul's produce - and the three altos (three! in a double-choir line-up of over fifty singers!) are prominant, clear and rich in tone in a way that I've not come across before. The Widor Mass and motets are, of course, sung with gusto and grandeur, as is the astoundingly moving Vierne Mass - both backed by two fine organs that blend perfectly for a delicious French colour. It's also nice to see the rarely-performed Dupre motets given an outing, and they are a real joy to listen to. All in all a wonderful recording which presents the music exactly as it is - grand, impressive, but always highly moving - exactly what we've come to expect from the Hyperion label. Buy it, buy it, buy it. I cannot say enough good things about it. Definitely the highlight of my summer!

Widor Mass - AWESOME.......2003-02-24

I got this CD having never heard any of the works on it. I was immediately impressed with everything on here. If you buy one choral or organ CD make it THIS ONE! The organ comes through clearly, as does the choir. The accoustics, of course, are superb. It exceeded my expectations and more. The Widor mass is all you need to hear on this CD. I have one complaint, and that is in the intro to the Gloria in the Widor, the organ emits a shrill noise on the last note. However this isn't at all noticeable and I still very much recommend it!

A stupendous choral recording.......1999-08-25

The Widor, "Tu es Petrus," is worth the price of the entire recording. Lasting less than three minutes, it has some of the most moving and beautiful choral work with organ that I have ever heard. What a discovery to find that the rest of the album is also terrific. For those with a subwoofer, the organ pedal notes are particularly well rendered. This CD is must for choral music lovers and audiophiles alike!

If you don't own this CD, order it now!.......1999-01-31

James O'Donnell and the choir of Westminster Cathedral have produced yet another magnificent recording. While there are several recordings of the Vierne, finding the Dupre motets and the Widor mass are much more difficult. The Widor mass, in particular, is splendidly done. Although an English choir, the men and boys of Westminster Cathedral are well known for their "continental" style of singing, thus it's far more forward in tone and is appropriate for all of the works performed on this recording. The organ thunders behind an energetic and flawless choral sound. With any luck, this CD will result in more performances of the Dupre and Widor, and more respectable performances of the Vierne.

Average customer rating:

Uneven quality but great value
A superb collection of Mendelssohn

Mendelssohn: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Octets | Chamber Music | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music

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ASIN: B00062FLJ2
Release Date: 2004-11-30

Customer Reviews:

Uneven quality but great value.......2007-04-30

Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

A superb collection of Mendelssohn.......2007-03-24

Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.

Aaron Copland and Virgil Thompson Sacred & Secular Choral Music

Average customer rating:

Aaron Copland and Virgil Thompson Sacred & Secular Choral Music

Manufacturer: Gloria Dei Cantores
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

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The Queen

ASIN: B000062UT0
Release Date: 1998-11-01

Tracks:

In The Beginning - Luretta Bybee
Simple Gifts
The Boatmen's Dance
At The River
Zion's Walls
Ching-A-Ring-Chaw
Help Us, O Lord
Thou, O Jehovah, Abideth Forever
Have Mercy On Us, O My Lord
Sing Ye Praises To Our King
My Shepherd Will Supply My Need
The Morning Star
Green Fields
Death 'Tis A Melancholy Day
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Tribulationes Civitatum
De Profundis
When I Survey The Bright Celestial Sphere

Album Description

Celebrating the centenary of Aaron Copland's birth, Gloriae Dei Cantores presents a broad spectrum of choral music by Aaron Copland and Virgil Thomson. These two musical giants exemplified the ideals of American culture and established a truly American style for music. The centerpiece for this recording is the first American recording in many years of Copland's choral masterpiece In the Beginning, featuring American mezzo-soprano Luretta Bybee.

Tracks:

Te Deum: Te Deum: Allegro
Te Deum: Te ergo quaesumus: Moderato
Te Deum: Aeterna fac: Allegro moderato. Feirelich mit Kraft
Te Deum: Salvum fac populum tuum: Moderato - Allegro moderato
Te Deum: In te, Domine, speravi: Massig bewegt - Allegro moderato - Alla breve
Locus iste - Graduale: 'Locus iste' - Graduale
Ave Maria: 'Ave Maria'
Tota pulchra es, Maria: 'Tota pulchra es, Maria'
Virga Jesse: Alleluja-Vers: 'Virga Jesse' Alleluja-Vers
Ecce sacerdos Magnus - Graduale: 'Ecce sacerdos Magnus' - Graduale
Afferentur regi - Offertorium: 'Afferentur regi' - Offertorium
Pange, lingua - (phrygisch): 'Pange, lingua' - (phrygisch)
Os justi - Gradual: 'Os justi' - Gradual
Vexilla regis - Hymnus: 'Vexilla regis' - Hymnus
Christus factus est pro nobis - Graduale: 'Christus factus est pro nobis' - Graduale
150. Psalm

Customer Reviews:

THE OTHER SIDE OF BRUCKNER.......2005-10-04

Jochum was a prominent advocate of Bruckner, and whether or not there are other available versions of this sacred music I imagine he and his Berlin choir and orchestra will be the first port of call both for committed Brucknerians and for the rest of us. 7 of the 15 pieces here were recorded between 1966 and 1971. The dates of the others, including the final Psalm 150 in which the recording shows a few signs of strain, we are not told.

I found this a fascinating selection. The Te Deum is, I suppose, fairly familiar, the remaining pieces may be familiar to some. If you have good enough French, I recommend strongly reading the original text of the liner-note in that language. What startled me sufficiently to read it for myself was the statement in the English version regarding the motets that 'Their very structure places them all firmly in the tradition of Palestrina'. In fact all that the author says is that they tend towards the Palestrina model, which is a perfectly reasonable thing to say. He emphatically does not say 'all', he does not place anything firmly anywhere, and he does not commit himself to the belief that Palestrina wrote for the trombone. His point is simply that these motets are traditional rather than contemporary and romantic in inspiration, looking back to the unaccompanied polyphonic style of the 16th and 15th centuries via the ecclesiastical style of a later generation in which the voices were accompanied by trombones and by the organ. Bruckner's motets have little or nothing in common with Brahms's. In Bruckner's motets the Catholic in him gets the better of the German in him, whereas in his symphonies he is as exclusively German in manner as Brahms himself is, the Bach-inspired motets very much included. Bruckner's are smaller efforts, intended for actual performance in church I would feel sure, although I wish the liner had had something to say about this. The Berlin Phil is there in all its magnificence in the 150th Psalm (although the recorded sound here is rather less magnificent) and in the Te Deum itself. This is not a large-scale setting like Berlioz's or like Handel's terrific Dettingen Te Deum. It is about as long as Verdi's, although not in my opinion anywhere near as good. The parts for the vocal soloists are fairly small, and they acquit themselves perfectly, the choir is predictably first class, and my only real complaint is about a rather meagre-sounding solo violin in the Psalm, this being of course quite possibly the fault of the recording.

I did not check the translations systematically, and the only misprint I noticed in the Latin was 'et' for 'est' in the fourth line of the Vexilla Regis. Bruckner does not set the full text of the Pange lingua, but he does set the final two stanzas, the dreaded Tantum ergo familiar from some of our schooldays, set at times to some of the worst music in the entire cosmos. What I don't understand is what is wrong with a literal translation of 'cernui'. This is not 'on our knees' nor is it 'le front courbe', but literally 'prostrate'. Nor do I understand why the poet's metaphor of 'patibulo' in the Vexilla Regis has to be given as 'Cross' in English. That is what is referred to of course, but why not keep the metaphor in the English translation as in the German and French?

This sort of music appeals to me, partly from curiosity of course. It doesn't tempt the composer to excessive length, and I have to say that that appeals to me too. I recommend it to enthusiasts for his symphonies who may not know it, because it shows a side of him that is as true a part of his personality as those are. The recording is in general very good, despite some reservations about the last item, and the performances are authenticity itself.

One of the most beautiful sacred music recordings!.......2003-02-22

Bruckner's sacred music is some of the music I hold closest to my heart, including the grandiose TE DEUM and the gorgeous motes. Jochum's interpretations are among the best- the TE DEUM is especially extraordinary, as is...well, everything on this CD. Every true Bruckner fan MUST own this CD...Marvelous!

Fantastic!....mostly.......2003-02-02

These choral works are, in my opinion, some of the most beautiful pieces ever written. Bar none. They represent, to me, all that a choir can ever hope to be, magnificently displayed.

I have only two criticisms:

First, the trombones which accompany two of the motets are truly pitiful. They are inconsistent in their entrances, use WAY too much, and too wide, vibrato, and (under the circumstances, fortunately) are usually either drowned out by the organ or the choir.

Second, the orchestra is a little bit bombastic. I would prefer a more subtle and graceful interpretation. This may be in conflict with current accepted Bruckneran performance conventions, but I would remind those who set, agree with, or practice these conventions that Bruckner was a deeply religious, thoughtful, and subtle man. His Ave Maria (which I firmly believe to be the single most beautiful, holy, and perfect piece of choral music in existence, and which is proof of God's existence if anything is [however, that's a big if]) proves that much.

The Choir is GREAT, the soloists are great, the music's great. Great Disc, but not perfect. (What is?)

Go on. Get it. You know you want to.

Excellent performance but start with Bruckner's masses.......2000-06-14

The mystical and original sacred music of Anton Bruckner is best conveyed by bruckner authority Eugen Jochum. While the Te deum and 150.psalm are almost as good as his three masses (available as an outstanding two CD in DG's series the originals - legendary recordings, again conducted by Jochum), the motets are much less powerful and less imaginative. I omitted the star for the quality of the music and not the performance. If you want to listen to Bruckner's sacred works, start with the mentioned CD of masses which like this CD features the great soprano Maria Stader.

Average customer rating:

Heavenly
The Holy Grail of Choral Recordings
One Small Correction
Gorgeous music, gorgeous performances
Stunning collection suitable for music nuts or newbies alike

Choral Moods

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Agnus Dei: Music of Inner Harmony
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Tears from Heaven

ASIN: B00000DFKO
Release Date: 1998-10-13

Tracks:

Miserere Mei, Deus
Deutsche Messe D.872: Sanctus
Hear My Prayer, Oh Lord
Timor Et Tremor
Videntes Stellam
Psalm 13, OP.27
O Salutaris Hostia
Salvette Flores
Evening Hymn
L'enfance du Christ: Shepherd's Farewell
Ave Maria
Advent Responsory
Ave Maria OP.93
Edi Beo Thu, Hevene Quene
Missa Cum Iubilo (Gregorian Chant): Kyrie
Missa Cum Iubilo (Gregorian Chant): Gloria
Missa Cum Iubilo (Gregorian Chant): Sanctus & Benedictus
Missa Cum Iubilo (Gregorian Chant): Agnus Dei
Requiem: In Paradisum
Agnus Dei

Tracks:

Nunc Dimittis
Mass In G: Agnus Dei
Ave Verum Corpus Op. 65 No. 1
O Ignis Spiritus Paracliti
Hear My Prayer
Ave Maria
Panis Angelicus
Eternal Father
Vom Himmel Hoch
Ave Maria
Messe basse: Kyrie
Messe basse: Sanctus
Messe basse: Benedictus
Messe basse: Agnus Dei
Rejoice, Rejoice
Salve Regina, Op. 67 No. 1
Ave, Verum Corpus
Laudi Alla Vergine Maria
Tenebrae Facta Sunt
O Sacrum Convivium

Customer Reviews:

Heavenly.......2007-03-29

This is the most uplifting music I have encountered. The angelic sounds of this choral group help me stay sane on California highways!

The Holy Grail of Choral Recordings.......2006-07-03

This was the first choral CD I've ever purchased when I started becomming involved with choir during my senior year of high school five years ago. My director was telling the choir that he had finally found his copy at a music store and referred to it as the "Holy Grail" of choral recordings. So, I went out to find my own copy and I'm still blown away by it today. I've even given copies as gifts. The music is certainly relaxing and such, but what I most value from it is the spiritual magic. The Choir of Trinity College, Cambridge (then and now my favorite choir in the world) brings every composition to life in such a way that's pure, elegant, and deep. Listening to this music and enjoying this choir has allowed me to set my own standard of singing and compositional excellence.

One Small Correction.......2004-03-06

I keep finding new things to love on this CD, including the fact that it has the first recording I found of Gabriel Faure's beautiful Soprano (or Soprano/Alto) duet Ave Maria., Opus 93. The same recording appears on another CD where the singers are named. The above description of this selection unaccountably adds a baritone. Incidentally, Faure also composed a shorter SATB Ave Maria, which John Rutter has recorded.

I only wish the recording included the complete text of Psalm 50/51 from Gregorio Allegri's Miserere Mei Deus. This might come from John Rutter's recently edited score, published by Oxford Press, if I'm not mistaken. I, for one, do not find this selection (or indeed the entire recording) too long and I believe that the embellishments at the end (mentioned in another review) are probably correct when considering performance conventions of the time of its composition.

Gorgeous music, gorgeous performances.......2003-06-19

I am a semi-professional singer with a BA in Music, and I bought this CD with some trepidation because it looked like one of those dreadful "pop classical" compilations that are everywhere lately. But it had lots of great repertoire all in on place, so I decided to risk it, and I was not disappointed! In fact, this is now one of my favorite choral CDs.

As usual, the Choir of Trinity College delivers stunning performances, and the music itself is just gorgeous. Lots of "church" favorites from a wide range of musical periods. The mood of the CD is definitely on the mellow side, but it's perfect for those quiet moods. I love this CD -- highly recommended!

Stunning collection suitable for music nuts or newbies alike.......2002-03-18

Even as an avid fan of classical music with very picky tastes, there was just so much good music packed on these two (cheap!) discs for me to take in at once!
The perfectly balanced and locked chords can really give you chills.

I gave this CD as a present to a good friend of mine who was not so familiar with the genre, with tremendous results. I think this would make a great gift to anyone with the slightest inclination towards classical music.

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