Works for Lute 1

On this CD:

1. Partita for lute in C minor, BWV 997
Composed by Johann Sebastian Bach

2. Prelude, Fugue and Allegro for lute (or keyboard) in E flat major, BWV 998
Composed by Johann Sebastian Bach

3. Partita for lute in E major, BWV 1006a
Composed by Johann Sebastian Bach

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

Allegro Giusto
Largo
Allegro
Packington's Pound
Greensleeves
Fantasia 'A Fancy'
Canarios
Sonata In D
Leyenda (Asturias)
The Three Cornered Hat: The Millar's Dance
Recuerdos De La Alhambra
Choros No.1
Andantino Espressivo
Poco Animato
En Los Trigales
Allegro Con Spirito
Adagio
Allegro Con Brio

Tracks:

Mallorca, Op. 202 - Albeniz
Cataluna
Granada
Sevilla
Cadiz
Cordoba
Dedicatoria
La Maja De Goya
Danza Espanola No. 4
Valses Poeticos - Granados
Danza Espanola No. 5 - Granados
Fandango
Passacaglia
Zapateado

Customer Reviews:

Like a rainy day in a good bookstore.......2007-07-10

"Always pleasant, never a false cord." That's what I think each time I listen to this collection. I guess I should be listening more closely, but I find the music and the virtuosity with which it is played to be a springboard to other thoughts and activities. I can read with it in the background, write with it or simply drift into thought. And that is really quite enough for me.

Not "Ultimate", but Wonderful!.......2007-03-29

As good a guitarist as Julian Bream is, one must begin by acknowledging that the title of this 2-CD set containing 32 admittedly seminal pieces written for hand-played strings ( primarily, the lute) is a tad hyperbolistic. An "Ultimate" collection of anything would have to be more complete, by definition, than any two CDs can be and, again, it almost goes without saying that no two people are apt to be in total agreement about what should or should not have been included in any such collection. All caveats considered and aside, this is, indeed, a thoughtfully selected and masterfully performed collection of what is, unarguably, some of the very best classical pieces ever written for the lute. Bream plays some of them on the guitar and others on a renaissance lute - the latter giving a somewhat truer indication of the stylings and musical nuances intended by the various composers. But, even the pieces he plays on the guitar - an instrument that, in it's current form, did not exist when many of the pieces were originally composed - are sensitive and lyrical interpretations that sound as if they MIGHT have been composed for the guitar.

Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.

Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.

The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.

I recommend it highly.

Everyone would love this album!.......2007-01-16

This album is fantastic. Easy to listen to and wonderful background music for working or dinner parties

Incredible.......2005-10-24

This is the leading guitar player of his generation at his best.

He is especially amazing in the second CD, with some of the solo guitar transcriptions of Albeniz. His rendition of Rodrigo's three pieces is also sublime.

I can't imagine anybody buying this cd then regretting it.

One well worth the price of two.......2004-09-25

This two cd set is an odd juxtaposition. The first cd consists of a sampler of Bream's career output - but without (and I believe the omission is disgraceful) any acknowledgement of Bream's significant contribution toward the creation of a truly 20th century concert repertoire for guitar. The second cd is a re-release of his superb early 1980's recording of Albeniz and Granados transcriptions with the added bonus of a sublime interpretation of the "Three Spanish Pieces" by J Rodrigo.

Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. Worse still, the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex. Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.

However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.

The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.

As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.

Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.

The second cd alone is worth twice the compilation's asking price.

Average customer rating:

Outstanding
It's not heavy breathing
Technically good, emotionally bland.
Highly recommended
just a warning...

Dowland: Complete Lute Works, Vol.1-5

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Dowland - The Collected Works / The Consort of Musicke, Rooley

ASIN: B0000007HU
Release Date: 1997-11-11

Tracks:

A Piece Without Title - Dowland
Pavana - Dowland
Mr Knights Galliard - Dowland
My lord willobies wellcome home - Dowland
The frogg galliard - Dowland
A Fancy - Dowland
My Ladie Riches galyerd - Dowland
The Lady Laitons Almone - Dowland
A Dream (Lady Leighton's Paven) - Dowland
Galliard - Dowland
Orlando sleepeth - Dowland
What if a Day - Dowland
Mrs Winters Jumpp - Dowland
Galliard - Dowland
M. Giles Hobies Galiard - Dowland
Dr Cases Pauen - Dowland
Mellancoly Galliard - Dowland
Galliard - Dowland
Mistris Whittes thinge - Dowland
Go from my windowe - Dowland
Almain - Dowland
Mrs Whites Nothing - Dowland
Pavan - Dowland
Galliard - Dowland
Farewell - Dowland

Tracks:

My lady hunnsdons puffe
Solus cum sola
Suzanna Galliard
Sir John Smith his Almain
Sweet Robyne
Dowlands first galliard
Master Pypers Pavyn
Captain Digorie Piper his Galliard
As I wen to Walsingham
Monsieur's Almaine
Mrs Brigide fleetwoods paven alias Solus sine sola
Dowlands Galliard
Farwell (As
Captain Candishe his Galyard
Aloe
Can she excuse
A Coye Joye
Mrs vauxes Gigge
Mrs vaux Galliarde
Sir Henry Guilforde his Almaine
Mignarda
Lachrimae
Sir John Souch his galliard
Fantasia

Tracks:

The most high and mightie Christianus, the fourth King of Denmark, his Galliard
Sir John Langton his Pavin
Mr. Langtons galliard
A Fancy
A Pavan
The most sacred Queene Elizabeth, her Galliard
Mrs. Cliftons Allmaine
The Right Honourable the Lady Cliftons Spirit
tarletones riserrectione
Tarletons Willy
fortune my foe
The Queenes galliard
Wallsingham
A Galliard (on Walsingham)
Dowlands Adew for Master Oliver Cromwell
The Right Honourable Ferdinando Earle of Darby, his Galliard
Lord Strangs March
Mistresse Nichols Almand
forlone Hope fancye
Mr. Dowlands Midnight
Semper Dowland semper dolens

Tracks:

Preludium
A Fancy
Lachrimae
Galliard to Lachrimae
A Fantasia
An Almand
Pavana
The Right Honourable Robert, Earl of Essex, his Galliard
A Galliard (on a galliard by Daniel Bachelar)
My Lord Wilobies Welcom Home
The Shoemakers Wife. A Toy
The Right Hounourable The Lord Viscount Lisle, his Galliard
Coranto
A Galliard
The Lady Russells Paven
Galliard (on Awake sweet love, set by Fr. Cutting)
The Frog Galliard
Come Away
La mia Barbara
Loth to Departe

Tracks:

A Fancy
Pavana Dowlandi Angli (Mylius #2)
Doulands rounde battell galyarde
Pavin
The Erle of Darbies Galiard
Mistris Norrishis Delight
A Jig
The Erle of Essex Galliard
Galliard
Une Jeune Fillette
Gagliarda
Pavana Lachrimae
Squires Galliard
A Fancy
Hasellwoods Galliard
Sir Thomas Monson, his Pavin
Sir Thomas Monson, his Galliard
Almande
Sir Henry Umptons Funerall
Captayne Pipers Galliard
A fantasie

Amazon.com

Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th centuries--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David Hurwitz

Customer Reviews:

Outstanding.......2007-03-31

If you are a fan of the music of John Dowland, you must own this CD. The playing is outstanding to say the least.

It's not heavy breathing.......2006-08-22

It's great that O'Dette gives us the complete solo works, of course. I have the common reaction to O'Dette: his technique is flawless, his performance unengaging.

Others have remarked on the "heavy breathing" noticeable on the recordings -- it's not heavy breathing, but the movement of his fingers on the gut strings making that sound.

Technically good, emotionally bland. .......2006-04-11

Considering the extreme paucity of (especially solo) lute recordings currently available worldwide,
but especially in the US, this set becomes an essential "must have" for all lovers of the lute.
Yet it somehow disappoints.
I am sure that Paul O'Dette is brimming over with virtuousity and a technical expertise
that I am hardly one to pass sound judgement upon.
But the recordings have a flatness and monotony;
the songs are rendered with precision, but seem to lack feeling, empathy, or enthusiasm throughout the offering.
It is an impressive compendium, and I'm glad I purchased it.
There are very few lutenists out there producing any music at all, so Mr. O'Dette should certainly be praised
for delivering such a substantial feast to our ears.
It just should have had more flavor.
Where is Konrad Ragossnig when you need him?

Highly recommended.......2005-10-23

I bought Volume 1 of this set a couple of years ago. It has become one of my favorite CDs, so I thought I would enjoy the full set. I have not been disappointed. I find the sound quality excellent, the playing superb. The included booklet has a lot of interesting background material. The music is great as background for a dinner party or intimate conversation, but has depth aplenty for concentrated listening. I often listen to it while working at the computer where I swear it improves concentration and productivity!

A few tunes appear more than once as Dowland reused some work, but the arrangements are sufficiently different to be interesting. It is his complete lute works, after all. Some might criticise the set for sounding too much in the same style. It is the work of one composer, and if you happen to like the style, as I do, this is a pro rather than a con.

Another reviewer mentioned obtrusive breathing on the recording. I had listened to Volume 1 for two years before reading the review and had not noticed this. On listening carefully, there is breathing audible, but I do not find it a problem. Perhaps it depends whether one listens to the music or the background.

just a warning..........2005-10-14

Beautiful music, but... you can hear Paul's heavy breathing throughout. Apparently a lot of other reviewers either don't hear the heavy breathing, or aren't bothered by it, but for me, it's a near deal-breaker. Go ahead and mark my review as unhelpful, but I had to put the warning out there.

Average customer rating:

Guitar music
Great CD all around!
Wonderfully relaxing!
Very Relaxing, Highly Recommended!
Has hard-to-find pieces by Bream

Guitar for Relaxation

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

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Cello for Relaxation
Flute For Relaxation
Violin for Relaxation
Piano for Relaxation
Chopin For Relaxation

ASIN: B00004SSEF
Release Date: 2000-05-16

Tracks:

Dedicatoria
Larghetto
Sempre Expressive
Pavane For A Dead Princess
The Master
The Son Of The Virgin
Pavanas
Prelude No.5 In D
Adagio, Op. 2 No.1
Cuna
Air
Adagio
Granada
You Beutiful Stream
Andante
Sarabande
Adante Sostentuo
Prelude

Customer Reviews:

Guitar music.......2007-02-12

This is an amazing CD. I recommend it highly for reading on a rainy day, relaxing, or just reading the paper on a Sunday morning. It's one of my top 10 relaxation CDs.

Great CD all around!.......2005-08-30

I got this CD because I am a massage therapist,and refuse to buy
those cheesey new agey relaxation CD's.I was finally getting a little tired of the bach cello concertos and a couple of other classical recordings that had been deemed "relaxing",and decided to try this one.It is great!I never seem to get tired of it!I have not had a client that didn't love it.Most even ask what it is because they like it so much.Based on the success of this CD,I am going to try the Cello For Relaxation CD in the same series.I hope that it is just as much of a hit!

Wonderfully relaxing!.......2005-05-09

This CD definitely lives up to it's name. Julian Bream's guitar playing is ethereal and leaves your mind in a state of blissful relaxation...A wonderful collection! Well worth the investment!

Very Relaxing, Highly Recommended!.......2005-05-03

I find myself choosing this CD whenever I want to unwind. It is absolutely exquisite. I have bought quite a few different "relaxation" CD's, and this is my favorite.

Has hard-to-find pieces by Bream.......2003-02-20

Despite a title sure to embarrass any self-respecting music snob, this is no less than a full disc of nicely mastered solo guitar recordings by the great Julian Bream (a string quartet joins Bream on one track). If these pieces could be easily found elsewhere, on albums with more continuity, then this disc wouldn't be worth buying. But probably 40% of the material on this cd can't be found in print, to my knowledge. In particular, the Mompou, Mozart, Llobet, Aguado, Henze, and Diabelli tracks aren't readily available elsewhere as of early 2003. Several of these tracks are nice hefty 6-7 minute pieces. In particular, the beautiful Andante from Diabelli's Sonata, arranged by Bream himself, is worth the purchase price by itself. If you're a Bream fan trying to get beyond his half-dozen easily available cds, add this to your collection.

Average customer rating:

more wonderous with each passing year
Pinnacle
The Perfect Storm
Parkening Play Bach and Plays Him Stunningly!
Masterpiece

Christopher Parkening plays Bach

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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General | Chamber Music | Classical | Styles | Music

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Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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ASIN: B000002RNJ
Release Date: 1990-10-25

Tracks:

Canata 147: Jesu, Joy Of Man's Desiring
Sonata VI For Violin, E Major Partita: Gavotte
The Well-Tempered Clavier: Prelude I
The Well-Tempered Clavier: Prelude VI
The Well-Tempered Clavier: Prelude IX
Cantata 208: Sheep May Safely Graze
Prelude, Fugue And Allegro In E Flat Major For Clavier, Original For Lute): Prelude and Allegro
Cello Suite V: Gavotte I And II
Cello Suite VI: Gavotte I And II
Cantata 140: Sleepers, Awake
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Sarabande And Variations
Samson: Minuet in D
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Giga
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Passacaglia
Ordres, Book II: Les Barricades mysterieuses
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Preambulo And Allegro vivo

Customer Reviews:

more wonderous with each passing year.......2006-11-13

Most of the reviewers have said (and better than I can) what makes this album so special. I remember having this on cassette and wearing it out. People who have no interest (and sometimes I can't blame them...) in classical music might grow fond of this if they give it a try. You don't need any kind of background or knowledge, just a willingness to open your heart and ears to something so sublime it is beyond words. Bach is our true musical spiritual leader!

Pinnacle.......2005-10-24

I can't over-exaggerate the impact this album had on me when my Dad played it for me when I was about 6. It encouraged me to become a guitarist, and hearing it was my first truly profound musical experience that I can remember.

I love all kinds of music, but nothing has touched me like this album in the 19 years since then. Parkening's reading of Bach arranged for the classical guitar is flawless on this recording; no one, not even his mentor has matched it.

"Jesu, Joy of Man's Desiring", "Sheep May Safely Graze" and especially "Sleepers Awake" are the best renditions of these songs that I've heard, regardless of the arrangement. His control and dynamics are just staggering.

I can't explain where this album or music came from. It's my absolute favourite album. It's part of human evolution and the continually unfolding Great Work.

The Perfect Storm.......2005-04-07

The are times when the musician, the composer, and the instrument just match perfectly; this disc is an example of that.

Nevermind that Bach never wrote a single note for the guitar, many of his pieces actually work better on the guitar than they would the clavier. The guitar provides much more opportunity for the musician to impart emotion by varying volume and tone. And Parkening capitalizes on that opportunity beautifully.

His playing is clean, thoughtful, and competent. This is, in my opinion, clearly Parkening's best recording. I highly recommend it. (I also recommend his In the Spanish Style, another of my favorites).

Parkening Play Bach and Plays Him Stunningly!.......2005-02-18

I have loved this recording for over 20 years. I had it on vinyl and was thrilled when it was released in 1985 onto CD along with 6 extra cuts. Originally a Bach interpretive LP of 10 tracks, the CD release added 6 compositions from Couperin, Handel, Weiss, Scarlatti and Visee.

This is now a rare recording, so get it while you can. It's peaceful, highly skilled and simply Christopher Parkening, playing bare and alone, and shining like the sterling musician he is!

Masterpiece.......2003-09-24

The music of J. S. Bach seems to bring out the best in Christopher Parkening. Mr. Parkening understands Bach, and plays his music with grace, intelligence and sensitivity. He displays those qualities magnificently on this collection.

The selections here represent a wide variety of Bach pieces: portions of cantatas, solo cello works, and pieces from the Well-Tempered Clavier. All of the pieces are transcribed skillfully for solo guitar, and every track flows naturally into the next. Standouts among the Bach pieces include "Sheep May Safely Graze" and "Sleepers Awake"--two meditative cantata selections which were so brilliantly arranged and performed that you'd almost think they were originally written for guitar.

And the additional baroque works presented here are not just "filler." Mr. Parkening gives stunning performances of great pieces composed by baroque giants like Handel, and he closes the recording in great style, with a passionate performance of Scarlatti.

Tracks:

Bourrie alla Polacca
Sonata in E Major L.23
Sonata in D Minor L.108
Sonata in A Major L.485
Chaconne (From Violin Partita No. 2)
Les Barricades mystirieuses
Les Moissonneurs
Sonata in A Minor L.429
Sonata in D Major L.104
Passacaglia
Fantaisie
Tombeau (sur la mort) de M. Cajetan
Passacaglia

Amazon.com

The great guitarist John Williams has been around the block several times with much of this music, and some of his performances sound as though he's getting a little tired of it. He plays the guitar extremely well, as always; you will never hear a better-executed performance of the Bach Chaconne, and the difficulties of the Scarlatti Sonatas hardly seem to exist for him. Some of the pieces new to his recorded repertory--Telemann, Roncalli, Couperin--are played with all the expression I want to hear. While this is a good disc, though, it's not the best of John Williams. --Leslie Gerber

Customer Reviews:

Look no further. . ........2000-07-10

I would buy this album again for John Williams' arrangement of the Bach Chaconne alone! I've heard several guitarists play this piece and play it well. However, Mr. Williams' performance gave me goose bumps! All of the other pieces are wonderfully played as well. I particulary liked the Scarlatti and Telemann pieces.

Average customer rating:

Such a magnificent touch on the fretboard.
great playing
Bach at its best
An Instant Classic in the Segovia Tradition
An indispensible CD to any music collection

Artistry of Christopher Parkening
Christopher Parkening , Johann Sebastian Bach , and Andres Segovia
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

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ASIN: B000002RTK
Release Date: 1993-05-11

Tracks:

Prelude For Lute
Fugue From Violin Sonata No. 1
Prelude From Cello Suite No. 1
Courante From Cello Suite No. 3
Chaconne From Violin Partita No. 2
Saltarello: Two Renaissance Pieces For Lute
Preludio
Scherzino From Cavatina
Danza Pomposa From Cavatina
Estudio No. 3 In A Major
Melancolia
Andante Cantabile
Cuna
Gymnopedie No. 1
Gymnopedie No. 2
Gymnopedie No. 3
The Girl With The Flaxen Hair
Pastourelle
Pavane Of The Sleeping Beauty
Empress Of The Pagaodas
Afro - Cuban Lullaby

Customer Reviews:

Such a magnificent touch on the fretboard........2006-10-12

Parkening has such a sensitive touch. He can make the softest song come alive into a world of its own with simple picking techniques. Or, on faster pieces, his brilliant interpretation and dexterity are truly amazing. You'll experience a wide range of emotions when listening to this CD, and you'll be in awe of Parkening's mastery of the classical guitar.

great playing.......2005-09-17

this is one of the best recordings on any instrument. Parkening is a truly great artist.

Bach at its best.......2003-04-24

The best part of this CD is the Bach recordings. I could listen to the Fugue from Violin Sonata No. 1 over and over without let up--it's astounding. The Chaconne is one of the best recordings of that most exalted work by Bach. The main reason I didn't give this CD a 5-star rating are the non-Bach selections, which although played brilliantly, are not among my favorite compositions. The exceptions are the charming Renaissance pieces for lute and the impressively transcribed and skillfully performed "Empress of the Pagodas." To be sure, there are some beautiful and dazzling passages within many of the other pieces, which makes this CD definitely worth it. However, the best Parkening release is "The Great Recordings," which is a double-CD set with a greater variety of music and includes the Fugue and a few other recordings from this CD.

An Instant Classic in the Segovia Tradition.......2000-02-18

Christopher Parkening's work has always been nothing less than stellar. This particular collection of works is drawn from four previous releases (and also includes unreleased recordings), and is exemplary of his artistry and talent. The recordings are as crisp and clear as the day they were set down on tape. His expression and tone are without comparison. The selection of works on this particular CD show his ability to perform classics in the broadest range imaginable, and does so with ease.

The liner notes give great detail on each piece, including a brief history on Parkening himself. If nothing else, this brings the listener even closer to the performer, something I find rare in the classical music genre.

I once attended a concert given by local artists in a small church in Germany many years ago, and whenever I listen to this CD, it brings to mind memories of that afternoon. Parkening makes you feel as though you are in the room with him, listening in awe; you are never aware that he is playing in a studio at all.

Overall, this is a great example of one of the world's greatest classical guitarists (he's number one on my list).

An indispensible CD to any music collection.......1999-08-26

This cd is a fine collection of some of the works released on Parkening's first four recordings, "In The Classic Style", "In The Spanish Style", "Romanza", and "Parkening And The Guitar". The music itself spans more than three centuries and effectivly demonstrates what the guitar is capable of in the hands of a great master. The disc begins with some of the better known transcriptions of Bach,and then moves on to some rarly heared guitar transcriptions of Mompou, Satie, Poulenc and Ravel. The entire album is wounderfully played, technically flawless and very expressive. As always Parkening plays with a beautiflly warm tone and a poetry reminiscent of Segovia's playing. I give this cd my highest recomendation.

The Art of Pepe Romero: Guitar Favorites

Average customer rating:

Maestro Fantastico!
As usual a Romero delivers
Not so good for the car
The Music Evokes Feelings of Joy and Comfort
Great CD!

The Art of Pepe Romero: Guitar Favorites

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Los Romeros: The Rodrigo Collection

ASIN: B00076YNGO
Release Date: 2005-03-08

Tracks:

I. Allegro Con Spirito
II. Adagio
III. Allegro Gentile
Etude No.1 In E Minor
Prelude No.2 In E Major
II. Schottisch-Choro
V. Chorinho
Choro No.1
Romance
Fantasy On Themes From Verdi's La Traviata
Variations On A Theme By Handel, Op.107
I. Allegro Maestoso
II. Andantino: Siciliano
III. Polonaise: Allegretto

Tracks:

I. (Allegro Giusto)
II. Largo
III. Allegro
I. Ya Se Van Los Pastores
II. Por Caminos De Santiago
III. Pequena Sevillana
I. Allegretto Vivace - Allegro - Allegro Molto
II. Andante - Allegretto - Allegro - Allegretto
III. Tangos Y Tientos: Allegretto - Largo - Allegro
Tango No.2
Recuerdos De La Alhambra
I. Allegro Deciso
II. Andante Calmo
III. Allegro Moderato

Customer Reviews:

Maestro Fantastico!.......2007-04-28

Each note is a jewel that he performs with such life that you feel your heart beating to his rhythm. His left hand is amazingly clean but the stregnth and dynamics of his right hand could perform CPR without placing his hand on you. Gracias Dios para Celedonio haciendo Pepe !

As usual a Romero delivers.......2007-03-23

I love this album but then again I love almost everything from the Romeros. I can't wait to see Corazon Espanol up on Amazon though. The sound quality is amazing. I got a copy at one of Pepe's performances and fell in love. I want to send get more of them to send as gifts for my friends and family.

Not so good for the car.......2007-03-17

While on the highway when only the guitar is playing I have to turn up the volume to hear the music. Then suddenly the entire orchestra joins in and the windows rattle from the blast of sound. I could not find a volume level that worked for this disk. The music was lovely but the sound engineering was disappointing.

The Music Evokes Feelings of Joy and Comfort.......2007-01-02

Listening to this album gives me the feeling of being three years old and starting to fall asleep after dinner and my father picking me up and carrying me to bed. I cannot describe how his music envelopes me-- I do not know why but every time I hear it I start to tear up. On this CD he is backed by an orchestra and hearing him play and them back him so perfectly is a delight to the ears. I play this CD for everything-- but I like it when I am lying down after a workout with candles lit and I can just close my eyes and melt into the music. I am not a music person-- I know very little and only know what I like but cannot explain it, but this CD is very, very wonderful. If you like guitar music of the classic genre, you will love this CD.

Great CD!.......2006-08-10

I put it on and press repeat. Very beautiful music and the orchestra is wonderful.

John Williams: The Seville Concert from the Royal Alcázar Palace

Average customer rating:

Satisfactory, though not great.
My song-by-song review of the master guitarist John Williams

John Williams: The Seville Concert from the Royal Alcázar Palace

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001ENYEO
Release Date: 2004-02-24

Tracks:

Sevilla (Sevillanas)
Prelude
Andante
I. Allegro Giusto
II. Largo
III. Allegro
Sakura Variations
Usher Waltz, Op.29 (After Edgar Allan Poe)
Asturias (Leyenda)
Sueno En La Floresta
Adagio
Torre Bermeja
Granada
Cadiz
Cordoba

Customer Reviews:

Satisfactory, though not great........2007-04-07

The previous reviewer complains about Williams' lack of expressiveness, though acknowledging the artist's accurate playing. Well, I kind of feel that way about Williams in general. His skill highlights accuracy, in my opinion. Where I like Williams most is on the couple of CD's on which he and Julian Bream play together. Never-the-less, the cd under review has its merits and I enjoy some its pieces.

My song-by-song review of the master guitarist John Williams.......2005-07-08

1. Sevilla (Sevillanas)
--This popular guitar piece is usually played slow and without a strong direct rhythm, such as Williams plays here. While Segovia was responsible for taking the quite mediocre flamenco song and making it more expressive as a classical guitar piece, Williams improved on all those extra notes Segovia put in, by restoring the original dance rhythym (sevilla means dance).

2. Prelude to the Fourth Lute Suite.
--This piece is extremely complex, full of notes and usually satisfies the average listener because it doesn't repeat phrases as much as the other songs in this set. Beginning classical guitarists will hear this and immediately go get the sheet music or tablature for it to start learning it. They are doomed too. The piece is far too advanced. Williams' version here is popular because of how utterly note-for-note flawless it is, in spite of being so complex and difficult that Segovia even said it was impossible to play on guitar!

3. Andante
--I think Amazon.com has mistitled this piece. It is the exact same song as "Sonata in D minor" on the regular CD. But anyway, again, Williams plays flawlessly a difficult piece, but this one is more mellow than the Prelude.

4. I. Allegro Giusto
5. II. Largo
6. III. Allegro
--I personally thought these three movements sounded slightly "rushed", especially the slower second movement "Largo".

7. Sakura Variations
--Williams plays this traditional popular Japanese song several times, each being a different style of the same tune. Nice way to keep things interesting.

8. Usher Waltz, Op.29 (After Edgar Allan Poe)
--This song appears to be nothing but "smart noise", as I like to say. It requires technical feats of skill, but it seems to just spin it's wheels, and would do little more than draw comical smiles if played at a restaurant or club for an audience.

9. Asturias (Leyenda)
--This is a popular piece that just says "spanish pride" all over it. Those who never heard it before would swear this is a soundtrack to a film about wars in old Mexico. While this version is tight, Williams recorded this song back in the 80's on an album called "Spanish Guitar Music", and this earlier version I feel has more power and gusto, while the version on this Seville Concert Album doesn't quite have that earliers gustoin spite of it's own praiseworthy traits.

10. Sueno En La Floresta
--I am a true dedicated fan of John Williams, and I don't like seeing people say he doesn't play with soul, etc. However, while this advanced virtuosic tremelo piece composed by Barrios is technically perfect, it sounds "rushed"; and those small pauses and breaks that give a piece "soul" are all but absent here. He should have slowed it down just a bit. Did Williams ever play this piece with soul? Yes. In 1978, found on his album "John Williams plays barrios".

11. Adagio
--Otherwise titled "Concerto de Arajaunez", guitar + symphony piece composed by Joquin Rodrigo, and intended to highlight the guitar, by giving it most of the limelight. This is very different from the orchestra concertos in songs 4, 5 and 6 on this same album. Williams gives the guitar true color and expression in each of the solo spots.

12. Torre Bermeja
--Some songs just have a very thick authentic "Mexican" sound to them more so than others, and this would be such one. It was Segovia who popularized the notion that no classical guitarist should play one song the same way all the time. I personally feel that the earlier version Williams recorded back in 1958 when he was 17, despite the lessor quality clarity in the recording, is much more expressive. That was when Williams was fresh out of Segovia school.

13. Granada
--A soft and moving Spanish piece, the one you'd want to have playing when your girlfriend walks in the door to eat the gourmet dinner with you under soft lights. This is the stuff I listen to when everybody is out of the house and I can just sit back with nothing but this album and a six-pack of beer and just *V E G* for a precious 3 minutes. Or I'll put the CD player on repeat and turn it into an hour.

14. Cadiz
--A rather lively swashbuckling piece that didn't do a damn thing for me personally. I am a classical guitarist, and this one will never be in my repetoire.

15. Cordoba
--A very expressive piece with a slow beautiful yet haunting beginning, evoking images of the Mosk in Spain. The main body of the song requires some of the most impossible guitar fingering, and yet Williams brings it out without buzzing strings or squeaks. In the video "The Seville Concert", Williams introduces this piece by saying that Cordoba is his personal favorite.

--

Overall, while the extra songs on this special edition CD are interesting, they are not sufficient to justify the extra price, and IMO it is only Cordoba which justifies the increased price. The average person, whether amatuer guitarist or not should be satisfied with what amounts to a culmination of Williams' unbelievably accurate playing. This album however will not satisfy guitar enthusiasts who prioritize feeling and soul more than technical perfection. He simply just doesn't "take his time" often enough for that crowd of listeners.

If I had produced this album, I would have shelved "Cadiz", and put William's latest recording of "Recuerdos de la Alhambra" on it instead; the famous tremelo piece by Tarrega which is the "most" Spanish sounding piece in all the guitar literature in guitarist majority opinion. Cadiz is simply awful. I never thought any noise could be worse than "Usher Waltz". Boy was i wrong!

Mozart, Telemann, Reicha, J. C. Bach: Chamber Works

Average customer rating:

Mozart, Telemann, Reicha, J. C. Bach: Chamber Works

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B0000026O4
Release Date: 1990-03-30

Tracks:

Three Trios For Flute, Violin And Cello - Trio No. 1: I. Allegro (Divertimento No. 1, 1st Movement)
Three Trios For Flute, Violin And Cello - Trio No. 1: II. Adagio (Divertimento No. 1, 3rd Movement)
Three Trios For Flute, Violin And Cello - Trio No. 1: III. Menuetto (Divertimento No. 1, 4th Movement)
Three Trios For Flute, Violin And Cello - Trio No. 1: IV. Rondo: Allegro (Divertimento No. 1, 5th Movement)
Three Trios For Flute, Violin And Cello - Trio No. 2: I. Allegro (Divertimento No. 2, 1st Movement)
Three Trios For Flute, Violin And Cello - Trio No. 2: II. Larghetto (Divertimento No. 4, 2nd Movement)
Three Trios For Flute, Violin And Cello - Trio No. 2: III. Menuetto (Divertimento No. 2, 4th Movement)
Three Trios For Flute, Violin And Cello - Trio No. 2: IV. Allegro (Divertimento No. 4, 5th Movement)
Three Trios For Flute, Violin And Cello - Trio No. 3: I. Allegro (Divertimento No. 3, 1st Movement)
Three Trios For Flute, Violin And Cello - Trio No. 3: II. Larghetto (Divertimento No. 2, 3rd Movement)
Three Trios For Flute, Violin And Cello - Trio No. 3: III. Polonaise (Divertimento No. 5, 5th Movement)
Quartet For Flute, Violin, Cello And Lute: I. Adagio
Quartet For Flute, Violin, Cello And Lute: II. Allegro
Quartet For Flute, Violin, Cello And Lute: III. Dolce
Quartet For Flute, Violin, Cello And Lute: IV. Allegro
Trio For Flute, Violin And Cello: I. Allegretto
II. Adagio
III. Allegro
18 Variations And Une Fantaisie: Variations
18 Variations And Une Fantaisie: Fantaisie

Music Track:

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