On this CD:
1. Aria 14, Ein ieglich Ding hat seine Zeit
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Jeremy Ovenden, Gerd Turk, Pablo Valetti
Conducted by Rene Jacobs
2. Aria 8, Ihr schwarzen Augen, ihr
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Bernarda Fink, Pablo Valetti
Conducted by Rene Jacobs
3. Aria 17, Als ich nechst war ausspazieret
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Jeremy Ovenden, Gerd Turk, Pablo Valetti
Conducted by Rene Jacobs
4. Aria 3, Coridon, der gieng betrübet
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Bernarda Fink, Pablo Valetti
Conducted by Rene Jacobs
5. Aria 23, Oime Amor, wie schnell hast' mich
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Bernarda Fink, Jeremy Ovenden, Gerd Turk, Pablo Valetti
Conducted by Rene Jacobs
6. Aria 6, Gleich wie zur Sommerszeit
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Bernarda Fink, Pablo Valetti
Conducted by Rene Jacobs
7. Aria 12, Geht, meine Seufzer, hin
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Jeremy Ovenden, Gerd Turk, Pablo Valetti
Conducted by Rene Jacobs
8. Aria 1, Mein Lieb, wie schöne bist doch du
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Pablo Valetti
Conducted by Rene Jacobs
9. Aria 20, O du Gott der süssen Schmerzen
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Bernarda Fink, Gerd Turk, Pablo Valetti
Conducted by Rene Jacobs
10. Aria 4, Wie schöne Füß
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Jeremy Ovenden, Pablo Valetti
Conducted by Rene Jacobs
11. Aria 11, letzund kömbt die Nacht herbei
Composed by Caspar Kittel
Performed by Guido Balestracci, Attilio Cremonesi, Attilio Cremonesi, Jeremy Ovenden, Gerd Turk, Pablo Valetti
Conducted by Rene Jacobs
Editorial Reviews
Amazon.com
Caspar Kittel (1603-1639) was a German musician who trained in Italy and returned to work at the Dresden Court, deputizing for his colleague Heinrich Schütz when the latter spent a period in Denmark. His sole publication, the 1638 collection of arias and cantatas, apparently was conceived as exercises for the choirboys whose musical education he superintended. There is nothing scholastic about the selection heard here, however, and the pieces are sung by a group of skilled adult singers. Countertenor-turned-conductor René Jacobs directs them and the small accompanying instrumental group with flair, ensuring that these delightful pastoral settings come over to the best possible effect. Most of the texts are by the German poet Martin Opitz, their mood ranging from the amorous to the spiritual. In terms of style, they're not so far from contemporary works by Monteverdi or Schütz, and anyone seeking something vocal and unusual from the Baroque period would find them rewarding. --George Hall
Kittel: Arias and Cantatas, Music, Caspar Kittel, René Jacobs, Bernarda Fink, Jeremy Ovenden, Guido Balestracci, Attilio Cremonesi, Gerd Türk, Pablo Valetti, Johanna Stojkovic, Martin Snell, Classical, Classical Composers, Classical Music, Classical Vocals, Vocal, Vocal Music
Average customer rating:
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Kittel: Arias and Cantatas
Caspar Kittel , René Jacobs , Bernarda Fink , Jeremy Ovenden , Guido Balestracci , Attilio Cremonesi , Gerd Türk , Pablo Valetti , Johanna Stojkovic , and Martin Snell Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD ASIN: B00004TQPI Release Date: 2000-06-13 |
Amazon.com
Caspar Kittel (1603-1639) was a German musician who trained in Italy and returned to work at the Dresden Court, deputizing for his colleague Heinrich Schütz when the latter spent a period in Denmark. His sole publication, the 1638 collection of arias and cantatas, apparently was conceived as exercises for the choirboys whose musical education he superintended. There is nothing scholastic about the selection heard here, however, and the pieces are sung by a group of skilled adult singers. Countertenor-turned-conductor René Jacobs directs them and the small accompanying instrumental group with flair, ensuring that these delightful pastoral settings come over to the best possible effect. Most of the texts are by the German poet Martin Opitz, their mood ranging from the amorous to the spiritual. In terms of style, they're not so far from contemporary works by Monteverdi or Schütz, and anyone seeking something vocal and unusual from the Baroque period would find them rewarding. --George HallCustomer Reviews:
a voice teacher and early music fan.......2006-10-20
Music Track:
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