Two Choral Works with Orchestra

Track Listings

1. When Lilacs Last in the Dooryard Bloomd (10:04)

2. Through Day and Night (7:16)

3. Sing On, You Grey-brown Bird (4:49)

4. Come, Lovely and Soothing Death (3:42)

5. Passing the Visions, Passing the Night (12:18)

6. Getting With It (4:04)

7. Contextual Dynamics (3:17)

8. Winning Hearts and Minds (4:24)

Album Description

Mozart Edition: The Complete Works will make a great gift this Holiday season for the music lover in your life or someone who is hard to buy for. This collection contains 170 discs of completed works by Mozart in one beautiful package. Also included is a cd-rom containing essays on his works, artist bio's, text and libretti's. At this super low price all music lovers will enjoy the Symphonies - Concertos - Serenades - Divertimenti - Dances - Chamber Music - Church Sonatas - String Ensembles - Violin Sonatas - Keyboard Works - Sacred Works - Concert Arias - Songs - Canons and Operas in this collection.

Customer Reviews:

a surprising offer.......2007-07-05

Complete works of Mozart for such a price is a surprising offer. We are pleased of the good quality, and the availability of otherwise difficult to find works of Mozart

Welcome to Perfection.......2007-06-28

Dispite what anyone else says, if god ever tried to talk to humanity it was through Wolfgang because his music is absolute perfection.It is the most beautiful music i've ever heard in my life( and this is coming from a 21 year old metal-head ).If one has second thoughts about buying this collection dispell them right now because this is probably the first item i've bought in a long time that i have not regreted.

Buy this as an encyclopedia of Mozart, then add other recordings..........2007-06-22

Brilliant Classics Complete Mozart edition, released for the 250th anniversary year of Mozart's birth (he was born in 1756), has much to recommend it. It contains almost all the works of Mozart, and has many fine performances: the piano sonatas by Klara Wurtz, Piano Concertos by Derek Han, Paul Freeman/Philharmonia, The Magic Flute, conducted by Charles Mackerras (licensed from Telarc), String Quartets by the Franz Schubert Quartet (Licensed from Nimbus) each stand out. The Symphonies, by the Amsterdam Mozart Academy/ Jaap ter Linden, are "So-so": I don't like the small period ensemble, but Symphonies 20, 40 (both versions: one with clarinets and the other without), 23, 24, and 34 are pretty good. Symphonies 1:I, 25 and 41 are sub-par: scrappy playing and weak violins make for a pretty rough experience. I would supplement this with the complete Mozart Symphonies by Karl Bohm/Berlin Philharmonic (DG), among the best recordings of these works, and the best complete set of Mozart's Symphonies, completed in 1968.

The Requiem, conducted by Nicol Matt (2001 recording) has had better performances, and for this I would recommend Bohm/Vienna Philharmonic (DG) and Colin Davis/London Symphony (Philips), which use a larger choir and orchestra, and have more drama where it is needed. The other choral works conducted by Nicol Matt are better, especially "Exsultate Jubilate" motet, the short Masses, and "Ave Verum".

Also worthy of mention are the "Posthorn" and "Haffner" Serenades, by Colin Davis/Bavarian Radio Symphony Orchestra, licensed from Novalis for this release.

This is a great overview, and Brilliant Classics are to be commended for making it available at a low price, to get Mozart's music out to the mass public. It's a great buy, but I would get the Bohm Symphonies, and also Piano Concertos by either Ashkenazy/Philharmonia (Decca), Perahia/English Chamber Orchestra (Sony) or Anda/Mozarteum Orchestra of Salzburg (DG) for supplements. Also, Karl Bohm's recordings of the operas: The Magic Flute, the Marriage of Figaro, Idomeneo, and La Clemenza di Tito (all DG) are required listening, too. Recommended, but not as the only recording of Mozart's works.

Great value..Cant beat this deal at all!!!.......2007-06-13

As others have reviewed the product and highlighted that there are a few poor pieces... But who cares when there is 170 discs.. if you had have 10 cds that are poor quality and had a 160 disc set of good cd's and you paid $90 for the set.. would you be happy? I would think so... So don't get frustrated and just buy the set.. Enjoy the music for the price.. I am not going to go into details like others did but just buy the set!

Incredible Bargain.......2007-06-10

This offer is an incredible bargain at just over 50 cents a CD. The price jumps around often - you can sometimes get it for $4 or $5 less. but still at 50 cents. Mine arrived in excellent shape - it's hard for them to do otherwise. The way they are packaged they are either in good shape or some major disaster has happened destroying a whole bunch. Those I have played sound great. It will probably take a life time to play them all. Meanwhile we can just revel in our riches and feel all warm and fuzzy.
I also own the Bach set and am wildly happy with that as well.

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Mstislav Rostropovich: Cello Concertos

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000M05VMK
Release Date: 2007-04-10

Tracks:

Allegro Non Troppo
Allegretto Con Moto
Tempo Primo
I. Nicht Zu Schnell
II. Langsam
III. Sehr Lebhaft
Song Of The Troubadour Op.71

Tracks:

Introduction And Polonaise Brillante Op.3
Intermezzo
Chorus Of The Polovtsian Maidens/Dance Of The Polovtsian Maidens
Adagio
Elfentanz Op.39
An Einsamer Quelle
IV. Nicht Zu Rasch
I. Mit Humor ('Vanitas, Vanitatum')
III. Nicht Schnell, Mit Viel Ton Zu Spielen
Aria 'Vouchsafe, O Lord'
Moto Perpetuo Op.11

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Average customer rating:

Aaron Copland: Populist and Conductor
Tribute to Lincoln
A great way to get your dose of Copland....
Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Copland Collection: Orchestral Works, 1948-1971
A Copland Celebration Vol. 3
Copland: Music for Films
A Copland Celebration Vol. 1
Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

The Music of Elliott Carter, Vol. 1: Vocal Works (1975-1981)

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One of the most important collections of modern vocal music.

The Music of Elliott Carter, Vol. 1: Vocal Works (1975-1981)

Manufacturer: Bridge
ProductGroup: Music
Binding: Audio CD

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The Music of Elliott Carter, Volume Five - Nine Compositions (1994-2002)

ASIN: B000003GI9
Release Date: 1993-02-19

Tracks:

Dust of Snow
The Rose Family
The Line Gang
Anaphora
Argument
Sandpiper
Insomnia
View of the Capitol from the Library of Congress
O Breath
Syringa
Dolphin
La Ignota
Harriet
Dies Irae
Careless Night
In Genesis

Amazon.com essential recording

This reading of In Sleep, In Thunder has tenor Jon Garrison singing Carter's musical setting of six Robert Lowell poems. Speculum Musicae grasps the piece's broad-based low-end sweeps expertly, flanging when Garrison's voice seems to unlock and bellow. The music shudders as the tenor considers Lowell's lines, emphasizing the conflicted poetics with interjections that interrupt each other shatteringly. While the Lowell poems allow Carter a fairly costly emotional investigation of personality and conflict, A Mirror on Which to Dwell peeks in on the development of sonic characters, again taken on with snappy know-it-allness of musical directions this side of World War II. The music chases itself, with woodwind blurts shadowing fast-moving string slashes and percussive piano washes, all occasionally wafting into dusty quiet--a recessive sonic area that works wonderfully in relation to Elizabeth Bishop's texts. Very little in these pieces resolves itself, and the music's sum effect is a multiplicity of tonal characters that create their own space, all the while in uneasy proximity to the other spaces. With the Three Poems of Robert Frost (composed in 1942) moving with Patrick Mason's baritone bellow and Syringa sung by mezzo-soprano Katherine Ciesinski (texts by John Ashberry), the palette of tonal ranges and dynamic changes is extremely wide on this set. --Andrew Bartlett

Album Description

Between 1975 and 1981, Elliot Carter produced his remarkable vocal trilogy: A Mirror on Which to Dwell, Syringa, and In Sleep, in Thunder. Bridge's CD marks the first integral recording of the three works, and also includes the premiere recording of Carter's 1980 orchestration, Three Poems of Robert Frost. These recordings were made under the composer's supervision, and feature Speculum Musicae, with whom Carter has worked closely during the past twenty years.

Customer Reviews:

One of the most important collections of modern vocal music........1999-07-04

I like Andrew Bartlett's descriptions of "In Sleep, In Thunder" and "Mirror on Which to Dwell." As with every other musical form Carter has chosen to work in, the vocal works are among the most important in their genre for the second half-century. Bartlett doesn't talk much about "Syringa," though. In fact, it's the most original and striking work of the disc. Imagine a sort of film with a narrator calmly telling us the story of Orpheus in sort of hip modern jargon, but superimposed on the real thing--Orpheus passionately declaiming or agonizingly wailing, and all the while a little chamber orchestra is making wickedly flickering music. Everything happens simultaneously, as if we were in two or three worlds, eons apart, at the same time. This is Carter's chamber opera (in the sense that Kurtag's great "Samuel Becket: What is the Word" can be thought of as an opera), and until his new opera (composed last year at the age of 89)is released on disc, it's all we've got for a Carter opera.

Leonard Bernstein: A Jewish Legacy [Milken Archive of American Jewish Music]

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Leonard Bernstein: A Jewish Legacy [Milken Archive of American Jewish Music]

Manufacturer: Milken Archive
ProductGroup: Music
Binding: Audio CD

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Ellstein: Great Songs of the Yiddish Stage 1 [Milken Archive of American Jewish Music]

ASIN: B0000DD77Y
Release Date: 2003-10-21

Tracks:

Israelite Chorus - Rochester Singers
Invocation And Trance (From Dybbuk) - Barry Snyder
Psalm 148 - Angelina Reaux
Reenah - Rochester Singers
The First Waltz (Canon) - Barry Snyder
Cha-cha-cha - Barry Snyder
Hora - Barry Snyder
Yevarechecha - Aaron Miller
Halil - Bonita Boyd
Simchu Na - Rochester Singers
Oif Mayn Khas'ne - Jean Barr
Vayomer Elohim - Barry Snyder
Yigdal - Rochester Singers
Ilana, The Dreamer - Jack Gottlieb
Idele, The Chassedele - Jack Gottlieb
Yosi, The Jokester - Jack Gottlieb
Dina, The Tomboy Who Weeps Alone - Jack Gottlieb
Silhouette (Galilee) - Angelina Reaux
Hashkiveinu - Hans Peter Blochwitz

Amazon.com

Leonard Bernstein occupies a unique position in the music world for his protean, multi-faceted talents. His ability to draw on and absorb every cultural influence made him the ultimate eclectic, yet he eventually forged a style that was unmistakably his own. This record, which includes vocal, choral and instrumental pieces, some never recorded, performed or published, demonstrates that his Jewish heritage played a formative, lasting, decisive role in this process. The earliest, Psalm 148 (sung in English), written when he was 17, is steeped in an ultra-romantics style, especially Wagner's; it hardly contains a hint of the later Bernstein, but its innocent sweetness is infinitely touching. The longest, Halil, is a virtuoso piece for flute with piano and percussion, written 1981 in memory of a 19-year-old Israeli flutist killed 1973 in the Yom Kippur War. Also written for specific occasions and friends are Silhouette for Jennie Tourel's birthday and Three Wedding Dances for the marriage of Adolph Greene and Phyllis Newman. Excerpts from longer works include At My Wedding from Arias and Barcarolles, a description of a young fiddler playing for a wedding that is both funny and affecting, sung in Yiddish, a chorus from the ballet The Dybbuk, a section of Concerto for Orchestra. These, like several sacred selections--prayers, invocations, hymns of thanks and praise for various parts of the Service--are sung in Hebrew. The most substantial is Hashkiveinu, a prayer for peace, commissioned by the Cantor of a New York synagogue, for tenor solo, chorus and organ, featuring call and response, cantorial chanting and very daring harmonies and tonal juxtapositions. Bernstein later recycled some of this material for other, very different compositions, like films and musicals, perhaps indicating that he considered this style the connecting thread of his creative life. The performances are uniformly excellent; Réaux, Blochwitz and the pianists stand out. --Edith Eisler

Album Description

"What are the Jewish roots I long for?" wrote Leonard Bernstein as he pondered one of his many Jewish-inspired compositions. This unique collection of rarely heard works—including several world-premiere recordings—reveals many possible answers to Bernstein's question. Triumphal processions, mysterious invocations, intimate Jewish character portraits, rousing dances; all of these musical offerings present the great eclectic imagination of one of America's foremost 20th century composers.

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Music of William Grant Still

Manufacturer: Centaur
ProductGroup: Music
Binding: Audio CD

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ASIN: B000BUEGHC
Release Date: 2005-11-29

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Masters of the French Piano Tradition

Manufacturer: Arbiter
ProductGroup: Music
Binding: Audio CD

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The Adventures of Sherlock Holmes (Boxed Set Collection)

ASIN: B000J10JX8
Release Date: 2006-10-31

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The Trumpet Shall Sound

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Maurice André, Trumpet

ASIN: B00008ZPE9
Release Date: 2003-05-13

Tracks:

1. Andante
2. Allegro
3. Largo
4. Allegro
1. Allegro Ma Non Troppo
2. Adagio
3. Allegro
1. Adagio
2. Allegro
3. Siciliano: Largo
4. Vivace
1. Vivace
2. Fuga: Allegro
3. Andante
4. Allegro
1. Grave
2. Allegro
3. Sarabande: Largo
4. Allegro
1. Grave
2. Allegro
3. Andante
4. Vivace
1. Allegro
2. Andante
3. Allegro
1. Adagio
2. Allegro

Tracks:

1. Allegro Moderato
2. Andante
3. Allegro
1. Spirituoso
2. Adagio
3. Allegro
4. Adagio
5. Presto
1. Allegro
2. Largo
3. (Allegro)
1. (Andante)
2. (Allegro)
3. (Presto)
4. (Allegro)
5. (Adagio)
1. Allegro
2. Adagio - Presto - Adagio
3. Allegro
1. Allegro
2. Andante
3. Allegro
1. Moderato E Grazioso
2. Largo
3. Vivace
Aria 'Sie Schallt, Die Posaun' ('The Trumpet Shall Sound' From 'Messiah')

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The Life and Works of Joseph Haydn

Manufacturer: Naxos
ProductGroup: Music
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Grainger: Works for Chorus and Orchestra 2

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Grainger: Works for Chorus and Orchestra 2

Manufacturer: Chandos
ProductGroup: Music
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Grainger: Works for Chamber Ensemble 2
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ASIN: B000000B1H
Release Date: 1997-09-16

Tracks:

The Widow's Party
The Sea-Wife
The Running Of Shindand
We Have Fed Our Sea For A Thousands Years
Tiger-Tiger
The Love Song Of Har Dyal
Country Gardens
The Immovable Do
Mock Morris
Colleen Dhas
Scotch Strathspey And Reel
Dreamery
Colonial Song
My Robin Is To The Greenwood Gone
Harvest Hymn
Handel In The Strand
Lord Maxwell's Goodnight
The Lost Lady Found

Music Track:

Music Track

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Recommended Music:

The Morells

Bach: Violin Sonatas, Vol. 1

Bizet: L'Arlésienne; Carmen Suite

Music: Talk Back Trembling Lips/The Tillotson Touch

Hybrid [Import]

at The Parting Glass

At Mister Kelly's [Live]

Bartók: Four Pieces; Rhapsodies for Violin & Orchestra; Viola Concerto

A Tribute to Jimmy Shand MBE

Barry Harris at the Jazz Workshop [Live]

Another Day on Earth

3/4 For Peace [Import]

30 de Coleccion

Ultimate Collection

Spin

1. When Lilacs Last in the Dooryard Bloomd (10:04)
2. Through Day and Night (7:16)
3. Sing On, You Grey-brown Bird (4:49)
4. Come, Lovely and Soothing Death (3:42)
5. Passing the Visions, Passing the Night (12:18)
6. Getting With It (4:04)
7. Contextual Dynamics (3:17)
8. Winning Hearts and Minds (4:24)