Arnold Bax: The Piano Music of Arnold Bax Volume Two
On this CD:
1. Piano Sonata No. 3
Composed by Arnold (Sir) Bax
Performed by Eric Parkin
2. Water Music for piano
Composed by Arnold (Sir) Bax
Performed by Eric Parkin
3. Hill Tune, for piano
Composed by Arnold (Sir) Bax
Performed by Eric Parkin
4. In a Vodka Shop, for piano
Composed by Arnold (Sir) Bax
Performed by Eric Parkin
5. Piano Sonata No. 4
Composed by Arnold (Sir) Bax
Arnold Bax: The Piano Music of Arnold Bax Volume Two, Music, Arnold Bax, Eric Parkin, 20th/21st Century Sonata/Sonatina for Keyboard, Chamber Music & Recitals, Classical, Keyboard, Keyboard Work with Descriptive or Unclassified Title
Average customer rating:
- Carter continues to impress
- Fantastic from the first piece
- Vive le Carter!
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The Music of Elliott Carter, Volume Five - Nine Compositions (1994-2002)
Manufacturer: Bridge
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Music of Elliott Carter, Volume Four
- The Music of Elliott Carter, Vol. 6
- The Music of Elliott Carter Vol. 7; Boston Concerto, Cello Concerto, ASKO Concerto, Dialogues
- Elliott Carter: The Complete music for Piano
- The Music of Elliott Carter, Vol. 1: Vocal Works (1975-1981)
ASIN: B00009OLTI
Release Date: 2002-06-01 |
Tracks:
- Steep Steps
- Two Diversions
- Two Diversions
- Oboe Quartet
- Figment No. 2 (Remembering Mr. Ives)
- Au Quai
- Of Challenge and of Love
- Of Challenge and of Love
- Of Challenge and of Love
- Of Challenge and of Love
- Of Challenge and of Love
- Figment No. 1
- Retrouvailles
- Hiyoku
Album Description
Steep Steps* (2001) Virgil Blackwell, bass clarinet; Two Diversions (1999) Charles Rosen, piano; Oboe Quartet* (2001) Speculum Musicae; Figment No. 2 "Remembering Mr. Ives"* (2001) Fred Sherry, cello; Au Quai* (2002) Maureen Gallagher, viola, Peter Kolkay, bassoon; Of Challenge and of Love (1994) Tony Arnold, soprano; Jacob Greenberg, piano; Figment No. 1 (1994) Fred Sherry, cello; Retrouvailles (2000) Charles Rosen, piano; Hiyoku* (2001) Charles Neidich and Ayako Oshima, clarinets
*Premiere recording
Volume Five of Bridge's ongoing Elliott Carter series contains five premiere recordings, including Carter's bracing Oboe Quartet of 2001. Performed by many of the leading Carter advocates of our time, this recording is a must for those interested in keeping up with the undimmed imagination and constant creative impulse of this American master, now well into his tenth decade. Also featured on this CD is a new recording of Carter's song cycle Of Challenge and of Love, performed by the brilliant young American soprano Tony Arnold, the recent first prize winner of the Gaudeamus International competition for interpreters of contemporary music. Rounding out this CD are a series of instrumental miniatures played by dedicatees Virgil Blackwell, Charles Neidich, Ayako Oshima and Fred Sherry. In addition, the pianist Charles Rosen adds on to his earlier (almost) "Complete Piano Music of Carter" CD (BRIDGE 9090) with the Two Diversions, and Retrouvailles.
Volume one: BRIDGE 9014
Volume two: BRIDGE 9044
Volume three: BRIDGE 9090 (Grammy nomination)
Volume four: BRIDGE 9111 (Grammy nomination)
Customer Reviews:
Carter continues to impress.......2006-06-27
This disc, containing seven short works and two longer ones dating from Carter's late eighties and early nineties, continues Bridge's invaluable series of recordings of works by this modern American master. As with all Bridge's recordings, the performers are almost always musicians with a long history of performing Carter's music (here including the group Speculum Musicae, the cellist Fred Sherry and the pianist Charles Rosen), and this certainly helps to give the performances an authoritative air.
The disc starts with a bang--Carter's bass clarinet solo Steep Steps (so titled because of the importance of leaps of a twelfth in the composition). This is a vigorous and highly enjoyable work that provides an ideal disc opener. More dry are the Two Diversions, two pieces for the advanced piano student. These two works complement each other well; the first simpler, the second rhythmically complex.
The Oboe Quartet is one of Carter's more important recent scores. Written in a single multi-section movement, it alternates between tutti passages and duets for pairs of instruments, and demonstrates (as does much of Carter's recent music) that a strictly atonal style need not reduce a composer's capacity for lyricism. If I'm not sure that Speculum Musicae's performance here quite matches the intensity of Holliger and friends on ECM, this is still a fine reading of a significant work.
The disc then returns to a couple of miniatures. Figment No 2 for solo cello is one of a series of works in which Carter pays homage to musical figures important to him when he was younger, and though there are no obvious stylistic references to Ives, the work does include fragmentary quotations and hints of hymnic writing. Au Quai, by contrast, is a tribute to a composer and conductor who has done so much for Carter's own music--Oliver Knussen, on his 50th birthday. Written for the unusual combination of viola and bassoon, this is a delightful, charming miniature with a wonderfully sense of timing.
Returning to major works, once again, Of Challenge and of Love is one of Carter's many recent song cycles (though the only mature work of his for voice and piano). A setting of five poems by John Hollander, this builds to an expressive climax in the lengthy fourth poem, Quatrains from Harp Lake, before the almost anticlimactic close, End of a Chapter. Having only heard this work though Lucy Shelton's premiere recording on Koch, I found much more warmth in it in this reading, with the fine Tony Arnold the soprano soloist, though I don't think it will ever rank amongst my favourite late Carter works.
The disc ends with three more miniatures. Figment No 1 for solo cello is one of Carter's finest short works, ranging over the whole expressive gamut despite being based entirely on one short idea. Retrouvailles is a brief and comparatively simple (for Carter, at least) study for piano, written for Pierre Boulez's 75th birthday, while Hiyoku, a duet for two clarinets, effectively explores the contrast between the two instruments playing similar and different material.
This is another impressive release in Bridge's Carter series. Lovers of the composer's music will not hesitate to snap it up.
Fantastic from the first piece.......2006-01-22
Carter lets the bass clarinet show off every bit of its range in Steep Steps, from soulful low bass lines, through a smoky lower-midrange area, to an almost sax-like upper register.
All the cellos pieces are great, and the oboe quartet? The other reviewer nailed it; it's like the oboe is playing the lead violin line.
Vive le Carter!.......2003-07-07
The fifth offering in Bridge's indispensible series of the music of Elliott Carter contains nine compositions written from 1994 to 2002, when the composer, incredibly, was between the ages of 85 and 93. There are the usual short gems for various instruments that Carter has made a specialty in recent years. The disk begins with the fascinating "Steep Steps" for solo bass clarinet, an instrument Carter has exploited to great effect in his Piano Concerto and Triple Duo. Fred Sherry delivers a haunting rendition of "Figment No. 2" for solo cello. Subtitled "Remembering Mr. Ives" (Carter first met Ives as a teenager), the piece conveys a nostalgia rare in Carter's work, with short phrases evoking, though not quoting, the kind of hymns Ives used in his music. The Two Diversions for Piano are more transparent than some of Carter's other piano pieces, and rightfully so, since they were written for the Millenium Piano Book for pianists of intermediate skills. Charles Rosen, a long-time Carter champion, provides tender and beautiful readings. Soprano Tony Arnold's rendition of the song cycle "Of Challenge and of Love" seems softer and less forced than Lucy Shelton's premiere recording, which is all to the good, but for me the highlight of the disk is the Oboe Quartet, a major 14-minute work that shows Carter at the top of his instrumental game. Despite its unrepentant modernist idiom, this composition has a classical elegance, a romantic sensuousness, and a Baroque richness of counterpoint that doesn't showcase the soloist as much as make him a first among equals. It is as though the composer had written a new string quartet with the oboe subbing for the first violin. I could not wish for a better performance.
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Average customer rating:
- Too beautiful for words
- Guitar History
- Best deal there is!
- Most excellent
- Julian Bream, The Genius
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Julian Bream Edition, Volume 1: The Golden Age of English Lute Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FFV
Release Date: 1993-08-10 |
Tracks:
- Two Almaines
- Fant
- Walsingham
- Mignarda
- Almaine
- Galliard
- Greensleeves
- Galliard Upon A Galliard Of Daniel Bachelar
- Pavan
- Carman's Whistle
- Pavan
- Monsieur's Almaine
- Pavan
- Batell Galliard
- Galliard
- Pavana Bray
- Galliard
- Pavan
- My Lord Willoughby's Welcome Home
- Captain Piper's Galliard
- Queen Elizabeth's Galliard
- Sir John Langton's Pavan
- Tarleton's Ressurection
- Lady Clifton's Spirit
Tracks:
- Landgrave Of Hesse: Pavan
- Saltarello
- Ballo Detto Il Conte Orlando
- Saltarello
- Fant
- Chromatic Pavan And Galliard: Pavan
- Chromatic Pavan And Galliard: Galliard
- Fant
- Queen Elizabeth's Galliard
- Fant
- Fant
- Finale
- Villanella No.1
- Villanella No.2
- Finale 2
- Pavan
- Mein Herz Hat Sich Mit Lieb' Verpflicht
- Hie' Folget Ein Welscher Tanz
- Ich Klag' Den Tag
- Der Juden Tanz
- Fant
- Air De Cour
- Branle
- Guillemette
- Volte
- Forlorn Hope Fancy
- My Lord Willoughby's Welcome Home (For Two Lts)
Tracks:
- The Earl Of Essex Galliard
- Lachrimae Antiquae
- Galliard To Lachrimae
- My Lady Hunsdon's Puffe
- Lord De L'Isle's Galliard
- The Frog Galliard
- Lachrimae Verae
- The Shoemaker's Wife
- Lady Rich, Her Galliard
- Unnamed Piece (Almaine)
- Sir John Smith's Almaine
- Melancholy Galliard
- Sir Henry Gifford's Almaine
- Dowland's First Galliard
- Mrs Vaux's Gigge
- The Earl Of Derby, His Galliard
- Semper Dowland, Semper Dolens
- Captain Digorie Piper's Galliard
- My Lord Chamberlain, His Galliard
- Mr Langton's Galliard
- Sir John Souche's Galliard
- Piper's Pavan
- Resolution
Tracks:
- The Woods So Wild
- Fant I in c
- Packington's Pound
- Fant II in F
- Walsingham
- Fant III in g
- The Fairy Round
- Heigh Ho Holiday
- Fant IV (La Campagna)
- Go From My Window
- Fant V in C
- Greensleeves
- Fant VI in F
- Bonny Sweet Robin
- Fant VII in F
- Heart's Ease
- Fant VIII in G
- Loth To Depart
- A Fancy
- A Fancy
- Farewell
Tracks:
- Con in D, RV 93: Allegro Giusto - Juliam Bream
- Con in D, RV 93: Largo - Juliam Bream
- Con in D, RV 93: Allegro - Juliam Bream
- Con in F: Allegro - Juliam Bream
- Con in F: Adagio - Juliam Bream
- Con in F: Tempo Di Menuetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro - Juliam Bream
- Con in B flat, Op.4 No.6: Larghetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro Moderato - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Con in G, RV 532: Andante - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Son in C, RV 82: Allegro Non Molto - Julian Bream/George Malcom
- Son in C, RV 82: Larghetto - Julian Bream/George Malcom
- Son in C, RV 82: Allegro - Julian Bream/George Malcom
- Son in g, RV 85: Andante Molto - Julian Bream/George Malcom
- Son in g, RV 85: Larghetto - Julian Bream/George Malcom
- Son in g, RV 85: Allegro - Julian Bream/George Malcom
Tracks:
- Monsieur's Almaine - The Julian Bream Consort
- Pavin - The Julian Bream Consort
- My Lord Of Oxenford's Maske - The Julian Bream Consort
- The Flatt Pavin - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- Kemp's Jig - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- O Mistress Mine - The Julian Bream Consort
- Fant: La Rondinella - The Julian Bream Consort
- Joyne Hands - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Fant - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- It Fell On A Summer's Day - The Julian Bream Consort
- Dowland's Adew - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- La Rosignol - The Julian Bream Consort
- Tarleton's Resurrection - The Julian Bream Consort
- Galliard-Can She Excuse - The Julian Bream Consort
- Gloriana-Courtly Dances: March - The Julian Bream Consort
- Gloriana-Courtly Dances: Corante - The Julian Bream Consort
- Gloriana-Courtly Dances: Pavan - The Julian Bream Consort
- Gloriana-Courtly Dances: Morris Dance - The Julian Bream Consort
- Gloriana-Courtly Dances: Galliard - The Julian Bream Consort
- Gloriana-Courtly Dances: La Volta - The Julian Bream Consort
- Gloriana-Courtly Dances: March (Finale) - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
- Con in D, RV 93: Largo - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
Tracks:
- Joyne Hands - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- The Jew's Dance - The Julian Bream Consort
- Fant - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Pavin - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Galliard - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- Thirsis And Milla - The Julian Bream Consort
- Alison's Knell - The Julian Bream Consort
- Grimstock - The Julian Bream Consort
- Go From My Window - The Julian Bream Consort
- Go Nightly Cares - The Julian Bream Consort
- Daniel's Almain - The Julian Bream Consort
- In Nomine Pavin - The Julian Bream Consort
- Come Again - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Can She Excuse - The Julian Bream Consort
Tracks:
- Chor No.1 - Juilian Bream
- Etude in e - Juilian Bream
- Etude in c# - Juilian Bream
- Prld in e - Juilian Bream
- Schottische-Choro (From Ste Popolar Brasileira) - Juilian Bream
- Madronos - Juilian Bream
- Homenaje, Pour Le Tombeau De Debussy - Juilian Bream J
- The Miller's Dance (From The Three-Cornered Hat) - Juilian Bream
- Fandanguillo - Juilian Bream J
- El Testament D'Amelia - Juilian Bream
- Canarios - Juilian Bream
- Son - Juilian Bream
- En Los Trigales - Juilian Bream
- Larghetto - Juilian Bream
- Allegro, K.Anh.229 - Juilian Bream
- Son in C, Op.15, Allegro - Juilian Bream
- Rossiniana No.1, Op.119 - Juilian Bream
Tracks:
- Pavanas
- Galliardas
- Passacalles
- Canarios
- Villano
- Canario
- Prld in d, BWV 999
- Fugue in a, BWV 1000
- Passacaille
- Fant
- Tombeau Sur La Mort De M. Comte De Logy
- Ste in d: Prld
- Ste in d: Allemande
- Ste in d: Courante
- Ste in d: Sarabande
- Ste in d: Gavotte
- Ste in d: Menuets I And II
- Ste in d: Bourree
- Ste in d: Gigue
- Aria Con Var Detta La Frescobalda
- Son in e, K.11
- Son in e, K.87
- Son in c#
- Son in A
Tracks:
- Grand Ov, Op.61
- Grand Solo, Op.14: Intro
- Grand Solo, Op.14: Allegro
- Son in A: Allegro Moderato
- Son in A: Andante Sostenuto
- Son in A: Menuet-Scherzo
- Son in A: Rondo (Allegretto)
- Rossiniana No.3, Op.121
- Son in C, Op.25: Andante Largo; Allegro Non Troppo
- Son in C, Op.25: Andantino Grazioso
- Son in C, Op.25: Minuetto & Trio/Allegro
Tracks:
- Grand Son in A: Allegro Risoluto
- Grand Son in A: Romanze
- Grand Son in A: Andantino Variato
- Son in G, Op.78, D.894, Menuetto
- Song Without Words, Op.19, No.6 ('Venetian Boating Song')
- Str Qt, Op.12: Conzanetta
- Homenaje, Pour Le Tombeau De Debussy
- Pavane Pour Une Infante Defunte
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Leyenda (Asturias)
- Lagrima (Prld)
- Three Mazurkas: Adelita
- Three Mazurkas: Mazurka in G
- Three Mazurkas: Marieta
Tracks:
- Sonatina, Op. 52, No.1: Allegretto
- Sonatina, Op. 52, No.1: Lento
- Sonatina, Op. 52, No.1: Rondo
- Segovia, Op.29
- El Polifemo De Oro (Four Fragments): Ben Adagio
- El Polifemo De Oro (Four Fragments): Allegretto
- El Polifemo De Oro (Four Fragments): Largo
- El Polifemo De Oro (Four Fragments): Ritmico E Vivo
- Quatre Pieces Breves: Prld
- Quatre Pieces Breves: Air
- Quatre Pieces Breves: Plainte
- Quatre Pieces Breves: Comme Une Gigue
- Drei Tentos (From 'Kammermusik'): 'Du Schones Bachlein' (Tranquilmente)
- Drei Tentos (From 'Kammermusik'): 'Es Findet Das Aug' Oft' (Allegro Rubato)
- Drei Tentos (From 'Kammermusik'): 'Sohn Laios' (Lento)
- Elegy
- Five Bagatelles: Allegro
- Five Bagatelles: Lento/Tempo Di Valse
- Five Bagatelles: Alla Cubana
- Five Bagatelles: Sempre Espressivo
- Five Bagatelles: Con Slancio
- Theme And Vars, Op.77
Tracks:
- Ste Compostellana: Prd
- Ste Compostellana: Coral
- Ste Compostellana: Cuna
- Ste Compostellana: Recitativo
- Ste Compostellana: Cancion
- Ste Compostellana: Muneira
- Tiento
- Son: Allegretto
- Son: Andante
- Son: Allegro
- Fant
- Ste Populaire Bresilienne: Mazurka-Choro
- Ste Populaire Bresilienne: Schottisch-Choro
- Ste Populaire Bresilienne: Valse-Choro
- Ste Populaire Bresilienne: Gavotte-Choro
- Etude No.5 in C
- Etude No.7 in E
Tracks:
- Five Impromptus: Recitative
- Five Impromptus: Agitato
- Five Impromptus: Elegiaco
- Five Impromptus: Con Fuoco
- Five Impromptus: Arioso
- Five Bagetelles: Allegro
- Five Bagetelles: Lento
- Five Bagetelles: Alla Cubana
- Five Bagetelles: Sempre Espressivo
- Five Bagetelles: Con Slancio
- Hill Runes
- Son No.1, Royal Winter Music: Gloucester (Majestically)
- Son No.1, Royal Winter Music: Romeo And Juliet (Singing Slowly, With Tenderness)
- Son No.1, Royal Winter Music: Ariel (Swiftly, Gently, Mysteriously)
- Son No.1, Royal Winter Music: Ophelia (Slowly)
- Son No.1, Royal Winter Music: Touchstone, Audrey And William (With Humor)
- Son No.1, Royal Winter Music: Oberon (Majestically)
Tracks:
- Gtr Con, Op.67: Allegro
- Gtr Con, Op.67: Lento
- Gtr Con, Op.67: Con Brio
- Con: Lento E Rubato/Vivo
- Con: Andante Lento
- Con: Con Brio
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
Tracks:
- Gtr Qnt in e, G.451: Allegro Moderato
- Gtr Qnt in e, G.451: Adagio
- Gtr Qnt in e, G.451: Menuetto
- Gtr Qnt in e, G.451: Allegretto
- Gtr Qnt in D, G.448: Intro And Fandango - Julian Bream/George Malcolm
- Qt in E, Op.2 No.2: Allegro
- Qt in E, Op.2 No.2: Adagio
- Qt in E, Op.2 No.2: Menuetteo E Trio
- Qt in E, Op.2 No.2: Finale: Presto
- Gtr Con in A, Op.30: Allegro Maestoso
- Gtr Con in A, Op.30: Andantino Siciliano
- Gtr Con in A, Op.30: Alla Polacca
Tracks:
- My Lady Hundson's Puffe - Dame Peggy Ashcroft/Julian Bream
- 'If Music And Sweey Poetry Agree' (Sonnet From The Passionate Pilgrim) - Dame Peggy Ashcroft/Julian Bream
- The King Of Denmark's Galliard - Dame Peggy Ashcroft/Julian Bream
- Envoi To The Phoenix And The Turtle - Dame Peggy Ashcroft/Julian Bream
- Mignarda - Dame Peggy Ashcroft/Julian Bream
- 'The Courser And The Genet' (From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
- Queen Elizabeth's Galliard - Dame Peggy Ashcroft/Julian Bream
- Loth To Depart - Dame Peggy Ashcroft/Julian Bream
- 'She Looks Upon His Lips' (Death of Adaonis From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
- The Earl Of Derby's Galliard - Dame Peggy Ashcroft/Julian Bream
- 'Orpheous With His Lute' (From King Henry VIII, Act III, Scene 1) - Dame Peggy Ashcroft/Julian Bream
- Lachrimae Pavin - Dame Peggy Ashcroft/Julian Bream
- 'Weary With Toil' (Sonnet No.27) - Dame Peggy Ashcroft/Julian Bream
- 'Is It Thy Will?' (Sonnet No.61) - Dame Peggy Ashcroft/Julian Bream
- 'O, Never Say That I Was False Of Heart' (Sonnet No.109) - Dame Peggy Ashcroft/Julian Bream
- Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
- 'My Mother Had A Maid Call'd Barbara' (From Othello, Act IV, Scene 3) - Dame Peggy Ashcroft/Julian Bream
- Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
- 'Come Away, Come Away, Death' (From Twelfth Night, Act II, Scene 4) - Dame Peggy Ashcroft/Julian Bream
- A Fancy - Dame Peggy Ashcroft/Julian Bream
- 'Two Loves I Have' (Sonnet No.144) - Dame Peggy Ashcroft/Julian Bream
- 'The Expense Of Spirit' (Sonnet No.129) - Dame Peggy Ashcroft/Julian Bream
- Melancholy Galliard - Dame Peggy Ashcroft/Julian Bream
- 'But She Hath Lost A Dearer Thing Than Life' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
- 'Ev'n In This Thought' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
- Semper Dowland, Semper Dolens - Dame Peggy Ashcroft/Julian Bream
- 'What Potions Have I Drunk' (Sonnet No.119) - Dame Peggy Ashcroft/Julian Bream
- 'When To The Sessions' (Sonnet No.30) - Dame Peggy Ashcroft/Julian Bream
- Orlando Sleepeth - Dame Peggy Ashcroft/Julian Bream
- 'Fear No More' (Dirge For Fidele From Cymbeline, Act IV, Scene 2) - Dame Peggy Ashcroft/Julian Bream
Tracks:
- Songs From The Chinese, Op.58: The Big Chariot - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Old Lute - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Autumn Wind - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Herd-Boy - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: Depression - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: Dance Song - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: Master Kilby - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: The Shooting Of His Dear - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: Sailor-Boy - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: I Will Give My Love An Apple - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: The Soldier And The Sailor - Julian Bream/Sir Peter Pears
- Gloriana: The Second Lt Song Of The Earl Of Essex - Julian Bream/Sir Peter Pears
- Anon In Love: Fain Would I Change That Note - Julian Bream/Sir Peter Pears
- Anon In Love: O Stay, Sweet Love - Julian Bream/Sir Peter Pears
- Anon In Love: Lady, When I Behold The Roses - Julian Bream/Sir Peter Pears
- Anon In Love: My Love In Her Attire - Julian Bream/Sir Peter Pears
- Anon In Love: I Gave Her Cakes And I Gave Her Ale - Julian Bream/Sir Peter Pears
- Anon In Love: To Couple Is A Custom - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Reveillez-Vous - Julian Bream/Sir Peter Pears
- Four French Folk Songs: J'Ai Descendu - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Le Rossignol - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Marguerite, Elle Est Malade - Julian Bream/Sir Peter Pears
- O Mistress Mine - Julian Bream/Sir Peter Pears
- Nocturnal, Op.70 - Julian Bream/Sir Peter Pears
Tracks:
- Absence - Julian Bream/Sir Peter Pears
- What Then Is Love? - Julian Bream/Sir Peter Pears
- I Saw My Lady Weep - Julian Bream/Sir Peter Pears
- If She Forsake Me - Julian Bream/Sir Peter Pears
- Dear, If You Change - Julian Bream/Sir Peter Pears
- Come, Phyllis - Julian Bream/Sir Peter Pears
- Stay, Time - Julian Bream/Sir Peter Pears
- It Was A Lover And His Lass - Julian Bream/Sir Peter Pears
- Weep You No More - Julian Bream/Sir Peter Pears
- When Laura Smiles - Julian Bream/Sir Peter Pears
- Fair, Sweet, Cruel - Julian Bream/Sir Peter Pears
- Shall I Sue? - Julian Bream/Sir Peter Pears
- Sweet, Stay Awhile - Julian Bream/Sir Peter Pears
- Who Is It? - Julian Bream/Sir Peter Pears
- Can She Excuse? - Julian Bream/Sir Peter Pears
- Come, Heavy Sleep - Julian Bream/Sir Peter Pears
- Wilt Thou Unkind, Thus Leave Me? - Julian Bream/Sir Peter Pears
- Sorrow, Stay - Julian Bream/Sir Peter Pears
- The Lowest Trees Have Tops - Julian Bream/Sir Peter Pears
- Time's Eldest Son, Old Age - Julian Bream/Sir Peter Pears
- In Darkness Let Me Dwell - Julian Bream/Sir Peter Pears
- Say, Love, If Ever Thou Did'st Find - Julian Bream/Sir Peter Pears
Tracks:
- Lt Ste No.1, BWV 996: Prld
- Lt Ste No.1, BWV 996: Allemande
- Lt Ste No.1, BWV 996: Courante
- Lt Ste No.1, BWV 996: Sarabande
- Lt Ste No.1, BWV 996: Bourree
- Lt Ste No.1, BWV 996: Gigue
- Lt Ste No.2, BWV 997: Prld
- Lt Ste No.2, BWV 997: Fugue
- Lt Ste No.2, BWV 997: Sarabande
- Lt Ste No.2, BWV 997: Gigue
- Trio Son No.1 in E flat, BWV 525: Allegro Moderato - Julian Bream/George Malcolm
- Trio Son No.1 in E flat, BWV 525: Adagio - Julian Bream/George Malcolm
- Trio Son No.1 in E flat, BWV 525: Allegro - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Largo - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
Tracks:
- Con: Allegro Preciso
- Con: Andantino E Andante/Cadenza
- Con: Allegretto Non Troppo
- Five Prlds: No.1 in e: Andantino Espressivo
- Five Prlds: No.5 in E: Andantino
- Five Prlds:No.3 in a: Andante/Molto Adagio/Andante
- Five Prlds: No.4 in e: Lento/Animato/Moderato/Lento
- Five Prlds: No.2 in D: Poco Animato
- Twelve Etudes: No.1: Allegro Non Troppo/Lento
- Twelve Etudes: No.2: Allegro
- Twelve Etudes: No.3: Allegro Moderato
- Twelve Etudes: No.4: Poco Moderato/A Tempo/Grandioso
- Twelve Etudes: No.5: Andantino
- Twelve Etudes: No.6: Poco Allegro
- Twelve Etudes: No.7: Tres Anime/Piu Mosso
- Twelve Etudes: No.8: Moderato
- Twelve Etudes: No.9: Tres Peu Anime
- Twelve Etudes: No.10: Tres Anime/Vif/Un Peu Anime/Vif
- Twelve Etudes: No.11: Lent/Anime
- Twelve Etudes: No.12: Anime
Tracks:
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
- Gtr Con: Andantino; Allegretto
- Gtr Con: Lento
- Gtr Con: Allegro Con Brio
- Gtr Con No.3, Con Elegiaco: Tranquillo
- Gtr Con No.3, Con Elegiaco: Interlude
- Gtr Con No.3, Con Elegiaco: Finale: Toccata
Tracks:
- El Maestro: Pavana I
- El Maestro: Pavana V
- El Maestro: Pavana VI
- El Maestro: Fant XII
- El Maestro: Fant VIII
- El Maestro: Fant IX
- El Maestro: Tento I
- El Maestro: Pavana IV
- El Maestro: Fant XVI
- Los Seys Libros Del Delphin De Musica: Book I: Fant V
- Los Seys Libros Del Delphin De Musica: Book II: Fant V
- Los Seys Libros Del Delphin De Musica: Book III: La Cancion Del Emperador
- Los Seys Libros Del Delphin De Musica: Fant VI
- Los Seys Libros Del Delphin De Musica: Book V: Arde Coracon Arde
- Los Seys Libros Del Delphin De Musica: Book V: Ya Se Asiente El Rey Ramiro
- Los Seys Libros Del Delphin De Musica: Book IV: O Gloriosa Domina (Seys Diferencias)
- Los Seys Libros Del Delphin De Musica: Book VI: Conde Claros
- Los Seys Libros Del Delphin De Musica: Book VI: Guardame Las Vacas
- Los Seys Libros Del Delphin De Musica: Book VI: Tres Diferencias Por Otra Parte
- Los Seys Libros Del Delphin De Musica: Book VI: Baxa De Contrapunto
- Fant
Tracks:
- Fant, Op.30: Intro: Lentemente
- Fant, Op.30: Theme: Allegretto
- Fant, Op.30: Vars 1 To 5
- Fant, Op.7: Largo Non Tanto
- Fant, Op.7: Theme: Andante
- Fant, Op.7: Vars 1 To 7
- Vars On A Theme By Mozart, Op.9: Intro: Andante Largo
- Vars On A Theme By Mozart, Op.9: Theme: Andante Moderato
- Vars On A Theme By Mozart, Op.9: Vars 1 To 5
- Adagio, Op.2, No.1
- Polonaise, Op.2, No.2
- Intro And Rondo, Op.2, No.3: Andante/Allegro Moderato
Tracks:
- Cuentos Para La Juventud: Dedicatoria
- La Maja De Goya (Tonadilla)
- Danza Espanola No.4 (Villanesca)
- Valses Poeticos
- Danza Espanola No.5
- Mallorca, Op.202
- Ste Espanola, Op.47: Cataluna
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Sevilla
- Ste Espanola, Op.47: Cadiz
- Cantos De Espana, Op.232 No.4: Cordoba
Tracks:
- Mazurka in G
- Etude in A
- Marieta
- Capricho Arabe
- Prld in a
- Recuerdos De La Alhambra
- Serenata
- Tango Espagnol
- Guajira
- Popular Catalan Songs: The Night Of Christmas
- Popular Catalan Songs: The Nightingale
- Popular Catalan Songs: The Master
- Popular Catalan Songs: The Girl At The Spinning Wheel
- Popular Catalan Songs: Amelia's Will
- Popular Catalan Songs: The Thief's Song
- Popular Catalan Songs: Lament
- Popular Catalan Songs: The Son Of The Virgin
- Popular Catalan Songs: Riera's Heir
- Fandanguillo, Op.36
- Sevillana, Op.29
- Homenaje A Tarrega, Op.69: Soleares
- Homenaje A Tarrega, Op.69: Garrotin
Tracks:
- Fant XIV
- Fant XXII
- La Cancion Del Emperador
- Conde Claros
- Fant X
- Prld And Allegro
- Gtr Qnt in D, G.448: Fandango
- Grand Solo, Op.14: Fernando Sor
- Rondo in a, Op.2 No.3
Customer Reviews:
Too beautiful for words.......2004-05-25
If Julian Bream's recordings were letters, his would all be hand written rather than typed.
Guitar History.......2004-02-15
Julian Bream not only plays the guitar, and the lute
(although purists and I suspect Bream himself would say rather unconventionally), but most of all, Bream plays MUSIC. This is very, very important. There are many fine guitarists around today, but I doubt any could match Bream's sheer musicality when these recordings were made.
This 28 CD box set is a lesson in music making, regardless of what instrument is being played. The recordings are the complete RCA Bream catalogue from 1959 to 1989. If you can find the complete box set or even any of the individual volumes, I suggest you make the purchase. (Shame on RCA and BMG for not keeping this box set and "all" the individual volumes in print.)
Some of the higlights of Breams remarkable talent are his
interpretations of Britten's "Nocturnal", Walton's "Five Bagatelles", the instrumental and vocal works (with tenor Peter Pears) of Dowland, the "first" complete guitar works of Villa-Lobos, a thorough history of the guitar in Spain from the Renaissance to the Present on period instruments, plus all the works that have become classical guitar standards by Bach, Sor, Giuliani, Albeniz, Rodrigo, plus the "new" standards by Brouwer, Arnold, Berkeley, Britten, Walton, etc.
Music making of this caliber is rare indeed. Buy it if you can find it. Good Luck !
Best deal there is!.......2002-05-06
If you can find this set buy it fast. There are not to many of these left out there. This has it all. Plus Julian Bream is the greatest guitarist of all time.
Most excellent.......2001-08-18
This a an wonderful collection of Julian Bream. He is the master of master . I always admire his talent as a genius of this centure.
Julian Bream, The Genius.......1999-01-09
Who don't want to have a wonderful classical guitar collection? Well, this pack consists in 28 CDs, more than 1.000 minutes of music, distribuited by different titles as Baroque Guitar, Spanish Guitar, etc. Some highlights are here, like Asturias, Fernando Sor variations on Mozart's Magic Flute, Paganini Grand Sonata, all Preludes and Etudes of Villa-Lobos, and, well, lots of really good things. Also, there are some cds Julian Bream plays Guitar with Orchestra, or with Harpsichords. Ah, he plays lute in some too. Unfortunately, there are 2 or 3 cds where a tenor sings and another which a woman says some poems, and those, in my opinion, are not very nice. So, it's a good collection, and if you can, buy it!!
Music Track:
- Ars Melancholiae - Sylvius Leopold Weiss: Music for Lute - José Miguel Moreno
- Ausgewählte Werke der Strauß-Dynstie und Josef Lanner
- Bach: Six Cello Suites, BWV1007-1012
- Bach: Viola da Gamba Sonatas
- Bach: Violin Sonatas BWV 1014-1019
- Bax: Symphony No. 2; Nympholept
- Bazzini: Works for violin and piano Vol. 2
- Beethoven: String Quartets, Op. 18 [Box set]
- Beethoven: Triple Concerto in C Major, Op. 56
- Biber: Sonatae à Violino solo of 1681
Music Track
music track
Recommended Music:
Voices [Extra tracks] [Original recording remastered]
DONALD ISLER Plays Piano Works of SCHNABEL and BEETHOVEN
Debussy: Children's Corner L. 113; Ravel: Jeux d'eau
Music: Friendly Voice of Smokey Greene
Into the Sun
Days of Horses
Flashes: Solo 7-String Guitar, Vol. 3
Chadwick: String Quartets Nos. 1 & 2
Bloom - Everything Is Everything - Volume I
Closer to the Source
By the Way
Continental [Live]
Boleros de Amor
The Strangest Day
Quango Space Jazz