Mozart: Symphonies 32,35,36,39,41

On this CD:

1. Symphony No. 32 in G major, K. 318
Composed by Wolfgang Amadeus Mozart
Performed by Scottish Chamber Orchestra
Conducted by Jukka-Pekka Saraste

2. Symphony No. 35 in D major ("Haffner"), K. 385
Composed by Wolfgang Amadeus Mozart
Performed by Scottish Chamber Orchestra
Conducted by Jukka-Pekka Saraste

3. Symphony No. 36 in C major ("Linz"), K. 425
Composed by Wolfgang Amadeus Mozart
Performed by Scottish Chamber Orchestra
Conducted by Jukka-Pekka Saraste

4. Symphony No. 39 in E flat major, K. 543
Composed by Wolfgang Amadeus Mozart
Performed by Scottish Chamber Orchestra
Conducted by Jukka-Pekka Saraste

5. Symphony No. 41 in C major ("Jupiter"), K. 551
Composed by Wolfgang Amadeus Mozart
Performed by Scottish Chamber Orchestra
Conducted by Jukka-Pekka Saraste

Mozart: Symphonies 32,35,36,39,41, Music, Wolfgang Amadeus Mozart, Jukka-Pekka Saraste, Scottish Chamber Orchestra, Classical, Classical Composers, Classical Music, Classical Period Symphony, Orchestral & Symphonic, Symphonic

Complete Mozart Symphonies / Pinnock, English Concert
Average customer rating:

The best period instrument Mozart symphony cycle around

The best period orchestra Mozart symphonies around!

A Beautiful Time Capsule

Another BBB (basically bland Brit) recording

Pinnock excellent, DG Archiv sound variable

Complete Mozart Symphonies / Pinnock, English Concert
Mozart , Ecc , and Pinnock
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
Similar Items:

Mozart: The Piano Concertos

Bach: Concertos

Haydn: Complete Symphonies (Box Set)

Dvorák: The Symphonies

Vivaldi Concertos

ASIN: B000069KJ3
Release Date: 2002-10-08

Tracks:

Molto Allegro
Andante
Presto
Allegro Assai
Andante
Presto
Allegro
Andante
Presto
Allegro
Andante
Molto Allegro
Allegro Maestoso
Andante
Presto
Allegro
Andante
Menuetto - Trio
Allegro

Tracks:

Molto Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro Maestoso
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Allegro Molto

Tracks:

Allegro
Andante
Menuetto - Trio
Presto
Allegro
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Allegro
Allegro
Andante
Menuetto - Trio
Allegro Molto
Allegro
Andantino
Menuetto - Trio
Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro

Tracks:

Allegro
Andante
Allegro
Allegro
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro Moderato
Andante
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Presto

Tracks:

Allegro Maestoso
Andante Grazioso
Allegro
Allegro
Andante
Allegro
Allegro
Andantino Grazioso
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Allegro
Molto Presto
Andante
Allegro

Tracks:

Allegro
Andante
Menuetto - Trio
(Allegro)
Allegro
Andante
Menuetto - Trio
Allegro
Allegro Assai
Andantino Grazioso
Presto Assai
Allegro Spiritoso
Andantino Grazioso
Presto Assai
Allegro
Andantino Grazioso
Presto

Tracks:

Allegro Spiritoso
Andantino Grazioso
Allegro
Allegro Con Brio
Andante
Menuetto - Trio
Allegro
Molto Allegro
Andantino Con Moto
Menuetto - Trio
Presto
Allegro Assai
Andante
Allegro

Tracks:

Allegro Moderato
Andante
Menuetto - Trio
Allegro Con Spirito
Allegro Spiritoso
Andante
Menuetto: Allegretto - Trio
Presto
Allegro Assai
Andante Moderato
Menuetto - Trio
Allegro Assai

Tracks:

Allegro Spiritoso
Andante
Tempo Primo
Allegro Vivace
Andante Di Molto Piu Tosto Allegretto
Finale: Allegro Vivace
Allegro Con Spirito
Andante
Menuetto - Trio
Presto
Adagio - Allegro Spiritoso
Andante
Menuetto - Trio
Presto

Tracks:

Adagio - Allegro
Andante
Presto
Adagio - Allegro
Andante Con Moto
Menuetto: Allegretto - Trio
Finale: Allegro

Tracks:

Molto Allegro
Andante
Menuetto: Allegretto - Trio
Allegro Assai
Allegro Vivace
Andante Cantabile
Menuetto: Allegretto - Trio
Molto Allegro

Customer Reviews:

The best period instrument Mozart symphony cycle around.......2005-11-24

Trevor Pinnock and the English Concert turn in the best period instrument Mozart Symphony cycle around. With 20-30 players, the English Concert sounds full and rich, and are so well recorded, one could mistake them for a modern instrument chamber orchestra augmented with more players for a bigger sound. The early symphonies employ fewer players, the symphonies from about No. 20 and following call for more players, in some cases trumpets, horns and timpani in addition to the usual strings, harpsichord, flutes, oboes, and bassoon.

Pinnock chooses perfect tempos for the English Concert: allegros are spritely, but not driven and there's never a sense that the musicians are having trouble keeping up at Pinnock's tempos. Andante movements sing with the cantabile quality Mozart is famous for, and are always musical and flowing: very beautiful.

I am not a big fan of period instrument Mozart. I have heard Hogwood and the Academy of Ancient Music (L'Oiseau Lyre) in Mozart Symphonies 34, 38, 39, and 41 and that's enough to give me a sense that Pinnock is superior - more confident, and better recorded - to Hogwood in this music. Haydn's symphonies seem to work better with period instruments than do Mozart's, but Pinnock and the English Concert have a special musical quality which MAKE Mozart work with a period orchestra. Incidentally, both Pinnock and Hogwood have recorded very fine Haydn Symphonies with their respective orchestras.

I have also read, in AMERICAN RECORD GUIDE (July/August 2005 issue) in a review of the Mozart Symphonies with Linden/Mozart Academy of Amsterdam, a period orchestra (Brilliant Classics set) that Pinnock's Mozart cycle is to be preferred. I have not heard Linden myself, but ARG's review states that with the exception of Symphonies 20, 39, 40, and 41, Pinnock "wins across the board." The reviewer cites sour tuning, below standard pitch, sloppy playing, not enough contrasts of dynamic range and pokey allegros, as liabilites which are especially annoying in Linden's cycle, and advises the reader to go with Pinnock if looking for a period cycle of Mozart symphonies.

Other options? Bohm/Berlin Philharmonic (DG); Krips/Concertgebouw (for Symphonies 21-41, Philips); Hans Graf/Mozarteum Orchestra, Salzburg (Capriccio); and Nicholas Ward/Northern Chamber Orchestra, modern instrument chamber orchestra (for early symphonies, Naxos). But unless you really hate period instruments, you will like Pinnock, as I do, and as I stated earlier: I am not a fan of period instrument Mozart.

The best period orchestra Mozart symphonies around!.......2005-08-23

Trevor Pinnock and the English Concert perform Mozart's symphonies with great style, elan, and spirit, making this the best period orchestra Mozart Symphonies around. Pinnock deals alot in contrasts and atmosphere, setting a mood for each movement, within each symphony. The English Concert plays even Mozart's earliest symphonies-written when he was a pre-teen-as great music, and it works, very effectively. Allegros bristle with spirit, Andantes and Adagios emphasize cantabile (singing style) as all Mozart's music has a vocal/singing emphasis (in contrast to Haydn or Beethoven, who tend to build movements arount motives, or rhythmic patterns of notes; Mozart emphasizes melody moreso in many of his works).

I am not a fan of period instruments in music of Haydn, Mozart, and any composers after Bach and Handel, but this cycle is really fine. My favorite Mozart Symphonies have been Karl Bohm/Berlin Philharmonic (complete cycle, DG); 21-41 by Joseph Krips/Concertgebouw Orchestra (Philips, coupled with Marriner/Academy of St. Martin in the fields for 1-20); Bruno Walter/New York Philharmonic for Symphonies 25,28,29,35,36,38-41 (Sony); Otto Klemperer/Philharmonia for Symphonies 36,38-41 (EMI). But, Pinnock's accounts are spirited and the English Concert, at about 20-25 players, doesn't sound scrawny or ineffective at all. If you're used to the sonority of the Berlin Philharmonic or Philharmonia Orchestra, this will take some getting used to, but it is very good.

This could be called "period instrument Mozart for those who don't like period instruments." I have heard Christopher Hogwood/Academy of Ancient Music in Symphonies 34,38,39,41, and they are not as good as Pinnock's accounts. Hogwood's orchestra sounds small, puny compared with Pinnock's more robust group. I am not meaning to degrade Hogwood, as I have a number of fine recordings of his: Beethoven Symphonies 1,2;
Handel's MESSIAH; Haydn Symphonies 94, 96; Boyce Opus 6 Symphonies. But in Mozart Symphonies, I prefer Pinnock.

Pinnock's set is also well recorded, adding to it's high quality. You can't go wrong with these, unless you absolutely hate period instruments.

A Beautiful Time Capsule.......2005-04-08

In comparing this recording, with its use of original instruments, and my favorite recordings with modern instruments, I find I prefer this. It doesn't lose any power, but it gains by the imaginative process of listening to the music as Mozart would have heard it. The collection is also a wonderful way to listen to the progression of Mozart's music throughout his life. As you listen to the first two of the eleven discs, you'll be amazed at the symphonies he wrote when he was only nine years old!

Another BBB (basically bland Brit) recording.......2005-04-06

This is a short review because when you've heard one of these you've heard them all. They're all played in the same starched, stiff mannor, with brisk tempi, little feeling, no shaping of phrase, and no color. The Mozart symphonies--the latter ones, anyway--have their own style and merit different approaches (No. 31, the "Paris," is almost curtain-raiser music for an opera buffa, for example, while No. 39 is in some ways proto-Beethoven, harmonically sharing a good deal with the "Eroica," and No. 40 shows Mozart heading into a realm of a basically Romantic chromaticism that would have led to much fascinating music if he'd lived longer and written more in that style). Yet here all the works are played interchangably. These are performances that could have been generated on a computer.

The sound is excellent, but that's about all there is to recommend this set. Hogwood's traversal on period instruments has more personality, believe it or not. And to really show what can be done with works like these on HIP instruments, try Franz Bruggen's remarkable recordings of the Haydn symphonies on Philips. I can't recommend this set, and I got it for considerably less than the Amazon price, too.

Pinnock excellent, DG Archiv sound variable.......2005-02-18

I greatly admire Pinnock's style, directing skill and harpsichord playing, but I don't understand the variability of sound balance achieved on his many recordings by DG. Most are recorded in Henry Wood Hall and have the same "tonmeister" and producers. For example his recording of the Bach Violin Concertos is vibrant, full bodied and has a great "presence", whereas on the other end of the spectrum, the last disc of the symphonies, 40 and 41, is really anemic, with pratically no bass. I gave them a +12db bass boost to try and compensate for the lack of bass, but there was hardly any difference in the low end response. In order to listen to this disc, and to some extent the prior two as well, I have reverted to my volume expander used with vinyl records from the 70's.

My system has very clean and deep bass response and handles Telarc organ recordings with great effect, so I do not believe it is that. And, as I stated the violin concertos have a great presence, to the point where I can visualize the bass and cello players bowing their instruments. It may be do to different microphone placement for the larger ensemble of the latter symphonies, without compensating for the different acoustic.

When it comes to Archiv's 4D recordings of the English Concert, I do not like them at all. The choir from the Mozart Coronation Mass sounds like it is being piped down from outer space, detached and way to ethereal. The Telemann suites do not fare any better, thin and anemic. Don't think the extended dynamic range and lower threshold noise level helped in any way.

I should also add that I have about every recording of Pinnock and the English Concert, really the best "Original Instruments Group" out there. In my humble opinion, Pinnock should have a "Sir" in front of his name.

Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood

Average customer rating:

The original, original instrument take
The most complete set of Mozart symphonies ever recorded
Indispensable
Ok, but....
A milestone set, and worthy of all praise

Mozart: The Symphonies (Nos 1-41, plus 27 other symphonic works) /AAM * Schroder * Hogwood
Wolfgang Amadeus Mozart , The Academy of Ancient Music , Christopher Hogwood , and Jaap Schroder
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYS
Release Date: 1997-06-24

Tracks:

Symphony No. 1 In E Flat Major, K.16: I. Allegro molto
Symphony No. 1 In E Flat Major, K.16: II. Andante
Symphony No. 1 In E Flat Major, K.16: III. Presto
Symphony No. 4 In D Major, K.19: I. Allegro
Symphony No. 4 In D Major, K.19: II. Andante
Symphony No. 4 In D Major, K.19: III. Presto
Symphony In F Major, K.19a-Anh.223: I. Allegro assai
Symphony In F Major, K.19a-Anh.223: II. Andante
Symphony In F Major, K.19a-Anh.223: III. Presto
Symphony No. 5 In B Flat Major, K.22: I. Allegro
Symphony No. 5 In B Flat Major, K.22: II. Andante
Symphony No. 5 In B Flat Major, K.22: III. Allegro molto
Symphony In D Major, K.32: I. Molto allegro
Symphony In D Major, K.32: II. Andante
Symphony In D Major, K.32: III. Menuetto & Trio
Symphony In D Major, K.32: IV. Finale
Symphony In D Major, K.81-K.783l: I. Allegro
Symphony In D Major, K.81-K.783l: II. Andante
Symphony In D Major, K.81-K.783l: III. Allegro molto
Symphony In D Major, K.97-K73m: I. Allegro
Symphony In D Major, K.97-K73m: II. Andante
Symphony In D Major, K.97-K73m: III. Menuetto & Trio
Symphony In D Major, K.97-K73m: IV. Presto

Tracks:

Symphony In D Major, K.95-K73n: I. Allegro
Symphony In D Major, K.95-K73n: II. Andante
Symphony In D Major, K.95-K73n: III. Menuetto & Trio
IV. Presto
Symphony No. 11 In D Major, K.84-K73q: I. Allegro
Symphony No. 11 In D Major, K.84-K73q: II. Andante
III. Allegro
Symphony No. 10 In G Major, K.74: I. Allegro - Andante
Symphony No. 10 In G Major, K.74: II. Rondo (Allegro)
Symphony In D Major, K.87-K74a: I. Allegro
Symphony In D Major, K.87-K74a: II. Andante grazioso
Symphony In D Major, K.87-K74a: III. Presto
Symphony In D Major, K.120-K.111-111a: I. Allegro assai
Symphony In D Major, K.120-K.111-111a: II. Andante grazioso
Symphony In D Major, K.120-K.111-111a: III. Presto
Symphony In C Major, K.96-K.111b: I. Allegro
Symphony In C Major, K.96-K.111b: II. Andante
Symphony In C Major, K.96-K.111b: III. Menuetto & Trio
Symphony In C Major, K.96-K.111b: IV. Allegro molto
Symphony No. 13 In F Major, K.112: I. Allegro
Symphony No. 13 In F Major, K.112: II. Andante
Symphony No. 13 In F Major, K.112: III. Menuetto & Trio
Symphony No. 13 In F Major, K.112: IV. Allegro molto

Tracks:

Symphony In C Major, K.35: Sinfonia: Allegro
Symphony In D Major, K.38: Intrada: Allegro
Symphony In D Major, K.200-K62a: I. Serenata: Allegro
Symphony In D Major, K.200-K62a: II. Menuetto &Trio
Symphony In D Major, K.200-K62a: III. Andante
Symphony In D Major, K.200-K62a: IV. Menuetto & Trio
Symphony In D Major, K.200-K62a: V. Allegro
Symphony No. 9 In C Major, K.73: I. Allegro
Symphony No. 9 In C Major, K.73: II. Andante
Symphony No. 9 In C Major, K.73: III. Menuetto & Trio
Symphony No. 9 In C Major, K.73: IV. Allegro molto
Symphony In D Minor, K.118-K74c: Overture: Allegro - Andante - Presto
Symphony In F Major, K.75: I. Allegro
Symphony In F Major, K.75: II. Menuetto & Trio
Symphony In F Major, K.75: III. Andantino
Symphony In F Major, K.75: IV. Allegro
Symphony No. 12 In G Major, K.110-K75b: I. Allegro
Symphony No. 12 In G Major, K.110-K75b: II. Andante
Symphony No. 12 In G Major, K.110-K75b: III. Menueto & Trio
Symphony No. 12 In G Major, K.110-K75b: IV. Allegro

Tracks:

Symphony No. 14 In A Major, K.114: I. Allegro moderato
Symphony No. 14 In A Major, K.114: II. Andante
Symphony No. 14 In A Major, K.114: III. Menuetto & Trio
Symphony No. 14 In A Major, K.114: IV. Molto allegro
Symphony No. 14 In A Major, K.114: V. Anhang: Menuett K.61g
Symphony No. 15 In G Major, K.124: I. Allegro
Symphony No. 15 In G Major, K.124: II. Andante
Symphony No. 15 In G Major, K.124: III. Menuetto & Trio
Symphony No. 15 In G Major, K.124: IV. Presto
Symphony No. 16 In C Major, K.128: I. Allegro maestoso
Symphony No. 16 In C Major, K.128: II. Andante grazioso
Symphony No. 16 In C Major, K.128: III. Allegro
Symphony No. 17 In G Major, K.129: I. Allegro
Symphony No. 17 In G Major, K.129: II. Andante
Symphony No. 17 In G Major, K.129: III. Allegro

Tracks:

Symphony No. 18 In F Major, K.130: I. Allegro
Symphony No. 18 In F Major, K.130: II. Andantino grazioso
Symphony No. 18 In F Major, K.130: III. Menuetto & Trio
Symphony No. 18 In F Major, K.130: IV. Molto allegro
Symphony No. 19 In E Flat Major, K.132: I. Allegro
Symphony No. 19 In E Flat Major, K.132: II. Andante
Symphony No. 19 In E Flat Major, K.132: III. Menuetto & Trio
Symphony No. 19 In E Flat Major, K.132: IV. Allegro
Symphony No. 19 In E Flat Major, K.132: Anhang: Andantino grazioso (substitute slow movement)
Symphony In D Major, K.185-K167a: I. Allegro assai
Symphony In D Major, K.185-K167a: II. Andante grazioso
Symphony In D Major, K.185-K.167a: III. Menuetto & Trio
Symphony In D Major, K.185-K167a: IV. Adagio - Allegro assai

Tracks:

Symphony No. 20 In D Major, K 133: I. Allegro
Symphony No. 20 In D Major, K 133: II. Andante
Symphony No. 20 In D Major, K 133: III. Menuetto And Trio
Symphony No. 20 In D Major, K 133: IV. Allegro
Symphony No. 21 In A Major, K 134: I. Allegro
Symphony No. 21 In A Major, K 134: II. Andante
Symphony No. 21 In A Major, K 134: III. Menuetto And Trio
Symphony No. 21 In A Major, K 134: IV. Allegro
Symphony In D Major, K 135: I. Molto allegro
Symphony In D Major, K 135: II. Andante
Symphony In D Major, K 135: III. Molto allegro
Symphony In D Major, K 161 - K 163 - K 141a: I. Allegro moderato
Symphony In D Major, K 161 - K 163 - K 141a: II. Andante
Symphony In D Major, K 161 - K 163 - K141a: III. Presto

Tracks:

Symphony No. 26 In E Flat Major, K 184 , K 161a: Molto presto - Andante - Allegro
Symphony No. 27 In G Major, K 199 , K 161b: I. Allegro
Symphony No. 27 In G Major, K 199 , K 161b: II. Andantino grazioso
Symphony No. 27 In G Major, K 199 , K 161b: III. Presto
Symphony No. 22 In C Major, K 162: I. Allegro assai
Symphony No. 22 In C Major, K 162: II. Andantino grazioso
Presto assai
Symphony In D Major, K 181, K 162b: I. Allegro spiritoso
Symphony In D Major, K 181, K 162b: II. Andantino grazioso
Symphony No. 24 In B Flat Major, K 181, K 162b: III. Presto assai
Symphony No. 24 In B Flat Major, K 182, K 173dA: I. Allegro spiritoso
Symphony No. 24 In B Flat Major, K 182, K 173dA: II. Andantino grazioso
Symphony No. 24 In B Flat Major, K 182, K 173dA: III. Allegro

Tracks:

Symphony No. 25 In G Minor, K 183, K 173dB: I. Allegro con brio
Symphony No. 25 In G Minor, K 183, K 173dB: II. Andante
Symphony No. 25 In G Minor, K 183, K 173dB: III. Menuetto And Trio
Symphony No. 25 In G Minor, K 183, K 173 dB: IV. Allegro
Symphony No. 29 In A Major, K 201, K 186a: I. Allegro moderato
Symphony No. 29 In A Major, K 201, K 186a: II. Andante
Symphony No. 29 In A Major, K 201, K 186a: III. Menuetto And Trio
Symphony No. 29 In A Major, K 201, K 186a: IV. Allegro con spirito

Tracks:

Symphony No. 30 In D Major, K 202 , K 186b: I. Molto allegro
Symphony No. 30 In D Major, K 202, K 186b: II. Andantino con moto
Symphony No. 30 In D Major, K 202, K 186b: III. Menuetto And Trio
Symphony No. 30 In D Major, K 202, K 186b: IV. Presto
Symphony In D Major, K 203, K 189b: I. Andante maetoso - Allegro assai
Symphony In D Major, K 203, K 189b: II. Andante
Symphony In D Major, K 203, K 189b: III. Menuetto And Trio
Symphony In D Major, K 203, K 189b: IV. Prestissimo

Tracks:

Symphony No. 28 In C Major, K 200, K 189k: I. Allegro spriritoso
Symphony No. 28 In C Major, K 200, K 189k: II. Andante
Symphony No. 29 In C Major, K 200, K 189k: III. Menuetto (Allegretto) And Trio
Symphony No. 28 In C Major, K 200, K 189k: IV. Presto
Symphony In D Major, K 121, K 207a: I. Allego molto
Symphony In D Major,K 121, K 207a: II. Andante grazioso
Symphony In D Major, K 121, K 207a: III. Allegro
Symphony In D Majr, K 204,K 213a: I. Allegro assai
Symphony In D Major, K 204, K 213a: II. Andante
Symphony In D Major, K 204, K 213a: III. Menuetto And Trio
Symphony In D Major, K 204, K 213a: IV. Andantino grazioso - Allegro

Tracks:

Symphony In C Major, K 208, K 213c: I. Molto allegro
Symphony In C Major, K 208, K 213c: II. Andantino
Symphony In C Major, K 208, K 213c: III. Presto assai
Symphony In D Jaor, K 250, K 249b (Haffner Serernade): I. Allegro maestoso - Allegro molto
Symphony In D Major, K 250, K 248b (Haffner Serenade): II. Menuetto galante And Trio
Symphony In D Major, K 250, K 248b (Haffner Serenade): III. Andante
Symphony In D Major, K 250, K 248b (Haffner Serenade): IV. Menuetto And 2 Trios
Symphony In D Major, K 250, K 248b (Haffner Serenade): V. Adagio - Allegro assai
Symphony No. 32 In G Major, K 318: I. Allegro spiritoso
Symphony No. 32 In G Major, K 318: II. Andante
Symphony No. 32 In G Majaor, K 318: III. Tempo primo

Tracks:

Symphony No. 33 In B Flat Major, K 319: I. Allegro assai
Symphony No. 33 In B Flat Major, K 319: II. Andante moderato
Symphony No. 33 In B Flat Major, K 319: III. Menuetto And Trio
Symphony No. 33 In B Flat Major, K 319: IV. Allegro assai
Symphony In D Major, K 320 (Posthorn Serenade): I. Adagio maestoso - Allegro con spirito
Symphony In D Major, K 320 (Posthorn Serenade): II. Andantino
Symphony In D Major, K 320 (Posthorn Serenade): III. Presto
Symphony No. 34 In C Major, K 338: I. Allegro vivace
Symphony No. 34 In C Major, K 338: II. Andante di molto piu tosto allegretto
Symphony No. 34 In C Major, K 338: III. Allegro vivace

Tracks:

March In D Major, K 408, No. 2, K 385a
Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: I. Allegro con spirito
Symphony No. 25 In D Major, 'Haffner' (First Version), K 385: II. Andante
Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: III. Menuetto And Trio
Symphony No. 35 In D Major, 'Haffner' (First Version), K 385: IV. Presto
Symphony No. 36 In Major, 'Linz', K 425: I. Adagio - Allegro spiritoso
Symphony No. 36 In C Major, 'Linz', K 425: II. Andante
Symphony No. 36 In C Major, 'Linz', K425: III. Menuetto And Trio
Symphony No. 36 In C Major, 'Linz', K 425: IV. Presto

Tracks:

Symphony No. 31In D Major, 'Paris' (First Version), K 297, K 300a: I. Allegro vivace
Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: II. Andante
Symphony No. 31 In D Major, 'Paris' (First Version), K 297, K 300a: III. Allegro
Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: I. Allegro con spirito
Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: II. (Andante)
Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: III. Menuetto And Trio
Symphony No. 35 In D Major, 'Haffner' (Second Version), K 385: IV. Finale (Presto)
Symphony No. 38 In D Major, 'Prague', K 504: I. Adagio - Allegro
Symphony No. 38 In D Major, 'Prague', K 504: II. Andante
Symphony No. 38 In D Major, 'Prague', K504: III. Presto

Tracks:

Symphony No. 39 In E Flat Major, K 543: I. Adagio - Allegro
Symphony No. 39 In E Flat Major, K 543: II. Andante con moto
Symphony No. 39 In E Flat Major, K 543: III. Menuetto And Trio (Allegretto)
Symphony No. 39 In E Flat Major, K 543: IV. Finale (Allegro)
Symphony No. 40 In G Minor (First Version), K 550: I. Molto allegro
Symphony No. 40 In G Minor (First Version), K 550: II. Andante
Symphony No. 40 In G Minor (First Version), K 550: III. Menuetto And Trio (Allegretto)
Symphony No. 40 In G Minor (First Version), K 550: IV. Allegro assai

Tracks:

Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: I. Allegro assai
Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: II. Andante
Symphony No. 31 In D Major, 'Paris' (Second Version), K 297, K 300a: III. Allegro
Symphony No. 41 In C Major, 'Jupiter', K 551: I. Allegro vivace
Symphony No. 41 In C Major, 'Jupiter', K 551: II. Andante cantabile
Symphony No. 41 In C Major, 'Jupiter', K 551: III. Menuetto And Trio (Allegretto)
Symphony No. 41 In C Major, 'Jupiter', K 551: IV. Molto allegro

Tracks:

Symphony In A Minor, 'Odense', K 16a, Anh. 220: I. Allegro moderato
Symphony In A Minor, 'Odense', K 16a, Anh. 220: II. Andantino
Symphony In A Minor, 'Odense', K 16a, Anh. 220: III. Rondo: Allegro moderato
Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: I. Allegro maestoso
Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: II. Andante
Symphony In G Major, 'Alte Lambach', K 45a, Anh. 221: III. Molto allegro
Symphony In F Major, K 76, K 42a: I. Allegro maestoso
Symphony In F Major, K 76, K 42a: II. Andante
Symphony In F Major, K 76, K 42a: III. Menuetto And Trio
Symphony In F Major, K 76, K 42a: IV. Allegro
Symphony No. 6 In F Major, K 43: I. Allegro
Symphony No. 6 In F Major, K 43: II. Andante
Symphony No. 6 In F Major, K 43: III. Menuetto And Trio
Symphony No. 6 In F Major, K 43: IV. Allegro

Tracks:

Symphony In G Major, 'Neue Lambach': I. Allegro
Symphony In G Major, 'Neue Lambach': II. Andante un poco allegretto
Symphony In G Major, 'Neue Lambach': III. Menuetto And Trio
Symphony In G Major, 'Neue Lambach': IV. Allegro
Symphony No. 7 In D Major, K 45: I. Allegro
Symphony No. 7 In D Major, K 45: II. Andante
Symphony No. 7 In D Major, K 45: III. Menuetto And Trio
Symphony No. 7 In D Major, K 45: IV. Finale
Symphony In B Flat Major, K 45b, Anh. 214: I. Allegro
Symphony In B Flat Major, K 45b, Anh. 214: II. Andante
Symphony In B Flat Major, K 45b, Anh. 214: III. Menuetto And Trio
Symphony In B Flat Major, K 45b, Anh. 214: IV. Allegro
Symphony In D Major, K 51, K 46a: I. Molto allegro
Symphony In D Major, K 51, K 46a: II. Andante
Symphony In D Major, K 51, K 46a: III. Molto allegro
Symphony No. 8 In D Major, K 48: I. Allegro
Symphony No. 8 In D Major, K 48: II. Andante
Symphony No. 8 In D Major, K 48: III. Menuetto And Trio
Symphony No. 8 In D Major, K 48: IV. Allegro

Tracks:

Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: I. Allegro
Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: II. Andante
Symphony In B Flat Major, Anh. C11.03, Anh. 216, K 3 - 74g: III. Menuetto And Trio
Symphony In B Flat Major, Anh. C11.03, Anh. 215, K 3 - 74g: IV. Allegro molto
Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: I. Adagio maestoso - Allegro con spirito
Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: II. Andante sostenuto
Symphony No. 37 In G Major, K 444, K 425a, Anh. A53: Mvts II And III By Michael Haydn: III. Finale (Allegro molto)
Symphony No. 40 In G Minor (Second Version), K 550: I. Molto allegro
Symphony No. 40 In G Minor (Second Version), K 550: II. Andante
Symphony No. 40 In G Minor (Second Version), K 550: III. Menuetto And Trio (Allegretto)
Symphony No. 40 In G Minor (Second Version), K 550: IV. Allegro assai

Amazon.com essential recording

This was the set that really got the "authentic instrument" craze going. It was a big, ambitious project that promised a fresh look at familiar music, as well as lots of exciting new discoveries. Christopher Hogwood tailored his forces to match what we know of the actual size and constitution of the orchestras of the period, and since Mozart wrote symphonies in every country in Europe, including England, France, Italy, Germany, Austria and Czechoslovakia, the result is practically a blueprint of 18th-century orchestral practice. Then everyone else got into the act, and these performances sort of fell off the musical map. Listening to them again, one finds they hold up rather well. There's still the sense of discovery, and of course the music itself is glorious. At budget price, this is history in sound. --David Hurwitz

Customer Reviews:

The original, original instrument take.......2007-05-03

A few months ago I bought the Trevor Pinnock Mozart Complete Symphonies (11 cds) and the 250th Anniversary Edition Mozart Symphonies (8 cds) that is not quite a complete symphony cycle. The Anniversary Edition features Harnoncourt on about 5 of the 8 discs. I also have his two CD twofers that cover the early symphonies. So, I more or less ended up with two complete renditions of Mozart's symphonies. I first bought the Harnoncourt early symphony 2fer and enjoyed it enough to buy volume two. This led me to buy the 250 Anniversay 8 cd set. I have not in the least regretted these purchases!

Harnoncourt is the most radical of these three original instrument takes on Mozart, especially in the late symphonies. For example, listen to symphony 29 by each of these three sets and compare them to the Karl Bohm benchmark 29th. Harnoncourt is Ricky Racer and Bohm is Mr. Serene and Majestic.

Obviously, price is only one of the factors in buying. The AAM costs more but has almost twice the music. The AAM set is probably the more collectable since they got there first. This set was issued in multiple lp boxes way back when and I recently watched just one of these boxes, unopened, go for over 80 bucks at EBAY.

There really is quite a sound difference between modern and original instruments. Rhapsody has the Mozart Horn Concertos posted by the AAM using an apparently valveless horn. Listen to this very squeaky rendition and compare it to Brain's to get a feel for the difference. They also have the Philips Complete Mozart Piano Concerto box that features a pianoforte on disc one of concertos 1 to 4. This instrument sounds more like a harpsichord than a piano and took some adjusting to get used to. The Smithsonian put out on vinyl (circa 1980) The Six Brandenburg Concerti by Bach on original instruments. The booklet gives quite a bit of info on the differences in instruments between modern and original. Here are a few snippets: "The brass instruments were, until the 19th century, valveless." This reduced the number of notes available. "The wind instruments of Bach's time had few keys--the transverse flute had one, the oboe two or three, and the bassoon three--calling for contrived fingerings to cover the full chromatic scale." "The music produced by a Baroque bow is characteristically tapered in shape, with great potential for a lively distinction between notes."

The bottom line for me is that Mozart, when well played, conducted, and recorded, sounds great--be it original instruments or modern. Having both modern and original choices is great. Life is wonderful with changes in flavor. I have only listened once to the AAM Mozart symphonies and have not done a compare and contrast between these and Pinnock's, etc. I was impressed by the consistency in performance and that being very good. It is really quite a feat to put out 19 cds and have them sound great from stem to stern. As an ADD recording, these give the DDDs a run for the money. The AAM Mozart Symphony cycle is posted at Rhapsody so you can look before you leap if you are in the market.

The most complete set of Mozart symphonies ever recorded.......2006-08-10

This massive 19 CD collection contains 71 symphonies!

Yes, all 41 of the usual symphonies are here, but another 27 symphonic works are presented, as well as alternative versions of symphonies Nos. 31, 35 & 40. The works are all recorded on period instruments (or modern copies of 18th century instruments) and the orchestra is accompanied throughout by harpsichord continuo. The sounds of the various sections of the orchestra are full of colour and character - the wind and brass players, in particular, make this set such a delightful one.

I also have the Pinnock recording, which contains only the standard 41 symphonies and it is every bit as good. I can really make up my mind which I prefer, although Pinnock's reading of symphony No. 40 is sublime - particularly in the beautiful slow movement. However, Hogwood and his Academy of Ancient Music play almost all these symphonies with great gusto and style. As another reviewer said, Hogwood allows his musicians to simply play the music and let Mozart's music live in a natural and "organic" way, with minimal interference from the conductor.

Each work tells a story and the recordings of these works remind us of the fact that Mozart wasn't some sort of proto-Beethoven, rather, his music was more like the culmination of many 18th century currents, trends and ideas - "Baroque music on steroids", even! ;-))

This is a set which is very close to my heart and I consider it one of the treasures in my home. I return to it often - at any time of the day or night.

Indispensable .......2004-11-13

This set is indispensable for anyone who seriously wants to have a complete Mozart collection. It contains every symphonic work written by Mozart, including second versions of certain late symphonies.

The playing is "alive" and fresh, the sound is full, warm and clear. What you get is not Hogwood's "interpretation"...but music and just the music, this guy understands Mozart and just lets these musicians play with joy, spontaneity, meaning and feeling. I didn't think they would be so good! There are times when you don't even notice that they're playing on period instruments.

This set is completely satisfying and I'm glad I own it. It's a pricy box set, but totally worth it...try to find it used and bask in the glory of Mozart.

Ok, but...........2004-06-30

I will qualify this review by saying that I have not by any means listened to every single symphony on this recording. I listened to several of the symphonies from this set for a conducting class, and spent a considerable amount of time comparing them with other recordings for phrase structure, dynamics, etc. My conclusion:

Overall, I am personally just not impressed by Hogwood. His handling of the phrases is rough, and the music just doesn't seem polished. Occasionally the balance is questionable (for example, several clarinet passages in the first movement of the 39th stick out), and at other points I get the impression that he put little planning into the organization of strong and weak bars. Perhaps it is mostly personal preference, but other conductors really do sound better.

I think that this recording has its place, as there are few boxed sets of all of Mozart's symphonies available, and certainly there was some groundbreaking period instrument work here. I would, however, strongly recommend that anyone considering purchasing this set actually obtain a copy first from a library to decide if this is really what they want.

A milestone set, and worthy of all praise.......2004-04-29

In the 1970s, the Hungarian conductor Antal Dorati recorded all of the 104 symphonies of Franz Joseph Haydn (Amazon asin # B0000042DP). The era of "epic" integral collections was ignited. Many thought the vast majority of Haydn's symphonies would be boring, cookie-cutter works rolled out in almost assembly-line fashion. But Dorati, with excellent help from the Haydn scholar H. C. Robbins Landon, would disprove all of that, and show that there is not a dud in the whole collection. And Dorati's readings have stood the test of time.

Dorati's achievement marked the beginning of an ea that in the next 2 decades would see complete integral sets of the works of every major composer, culminating ultimately in the 1980s with Phiips complete Mozart Edition.

Shortly after Dorati finished his massive project, the Academy of Ancient Music embarked on a complete traversal of all of the "symphonies" of Mozart on period instruments, the currently reviewed item. Not just the traditional 41, but also many lesser know works. More fascinating music was unearthed. But, the milestone of this set is not the discovery of forgotten masterpieces. That had become a common daily occurence. It was the period instrument movement instead that was set free by Hogwood's achievement. With this project, Hogwood did for period instruments what Dorati did for integral cycles of lesser known works. The period instrument movement had been around for a long time. But it never quite could hit "mainstream" until Hogwood made these recordings. And ever since, period instruments have flourished.

There are better recordings of many of the works in this set, both on period instruments and conventional instruments. But the consistency that runs through the set brings an appreciation for Mozart's Symphonies that is unparallelled.

Tracks:

Symphony No. 1 In E Flat, Kv 16 - 1. Allegro Molto
Symphony No. 1 In E Flat, Kv 16 - 2. Andante
Symphony No. 1 In E Flat, Kv 16 - 3. Presto
Symphony No. 4 In D, Kv 19 - 1. Allegro
Symphony No. 4 In D, Kv 19 - 2. Andante
Symphony No. 4 In D, Kv 19 - 3. Presto
Symphony In F, Kv App. 223-19a - 1. Allegro Assai
Symphony In F, Kv App. 223-19a - 2. Andante
Symphony In F, Kv App. 223-19a - 3. Presto
Symphony No. 5 In B Flat, Kv 22 - 1. Allegro
Symphony No. 5 In B Flat, Kv 22 - 2. Andante
Symphony No. 5 In B Flat, Kv 22 - 3. Allegro Molto
Symphony No. 6 In F, Kv 43 - 1. Allegro
Symphony No. 6 In F, Kv 43 - 2. Andante
Symphony No. 6 In F, Kv 43 - 3. Menuetto
Symphony No. 6 In F, Kv 43 - 4. Allegro
Symphony No. 7 In D, Kv 45 - 1. Overture (Allegro)
Symphony No. 7 In D, Kv 45 - 2. Andante
Symphony No. 7 In D, Kv 45 - 3. Menuetto
Symphony No. 7 In D, Kv 45 - 4. (Allegro)
Symphony In G, Kv Deest 'Neue Lambacher' - 1. Allegro
Symphony In G, Kv Deest 'Neue Lambacher' - 2. Andante Un Poco Allegretto
Symphony In G, Kv Deest 'Neue Lambacher' - 3. Menuetto
Symphony In G, Kv Deest 'Neue Lambacher' - 4. Allegro
Symphony No. 7a In G, Kv App. 221-45a - 'Alte Lambacher' - 1. Allegro Maestoso
Symphony No. 7a In G, Kv App. 221-45a - 'Alte Lambacher' - 2. Andante
Symphony No. 7a In G, Kv App. 221-45a - 'Alte Lambacher' - 3. Presto
Symphony [No. 55] In B Flat, Kv, App. 214-45b - 1. Allegro
Symphony [No. 55] In B Flat, Kv, App. 214-45b - 2. Andante
Symphony [No. 55] In B Flat, Kv, App. 214-45b - 3. Menuet
Symphony [No. 55] In B Flat, Kv, App. 214-45b - 4. Allegro
Symphony No. 8 In D, Kv 48 - 1. (Allegro)
Symphony No. 8 In D, Kv 48 - 2. Andante
Symphony No. 8 In D, Kv 48 - 3. Menuetto
Symphony No. 8 In D, Kv 48 - 4. (Allegro)
Minuet In A, Kv 61g No. 1
Symphony No. 9 In C, Kv 73 - 1. Allegro
Symphony No. 9 In C, Kv 73 - 2. Andante
Symphony No. 9 In C, Kv 73 - 3. Menuetto
Symphony No. 9 In C, Kv 73 - 4. Allegro Molto
Symphony No. 10 In G, Kv 74 - 1. (Allegro)
Symphony No. 10 In G, Kv 74 - 2. (Andante)
Symphony No. 10 In G, Kv 74 - 3. (Allegro)
Symphony No.42 In F, K75 1 - Allegro
Symphony No.42 In F, K75 2 - Menuetto
Symphony No.42 In F, K75 3 - Andantino
Symphony No.42 In F, K75 4 - Allegro
Symphony No.43 In F, K76-42a 1 - Allegro Maestoso
Symphony No.43 In F, K76-42a 2 - Andante
Symphony No.43 In F, K76-42a 3 - Menuetto
Symphony No.43 In F, K76-42a 4 - Allegro
Symphony No.44 In D, K81-73l 1 - Allegro
Symphony No.44 In D, K81-73l 2 - Andante
Symphony No.44 In D, K81-73l 3 - Allegro Molto
Symphony No.11 In D, K84-73q 1 - Allegro
Symphony No.11 In D, K84-73q 2 - Andante
Symphony No.11 In D, K84-73q 3 - Allegro
Symphony No.45 In D, K95-73n 1 - Allegro
Symphony No.45 In D, K95-73n 2 - Andante
Symphony No.45 In D, K95-73n 3 - Menuetto
Symphony No.45 In D, K95-73n 4 - Allegro
Symphony No.46 In C, K96-111b 1 - Allegro
Symphony No.46 In C, K96-111b 2 - Andante
Symphony No.46 In C, K96-111b 3 - Menuetto
Symphony No.46 In C, K96-111b 4 - Allegro Molto
Symphony [No. 47] In D, Kv 97-73m - 1. Allegro
Symphony [No. 47] In D, Kv 97-73m - 2. Andante
Symphony [No. 47] In D, Kv 97-73m - 3. Menuetto
Symphony [No. 47] In D, Kv 97-73m - 4. Allegro
Symphony No. 12 In G, Kv 110-75b - 1. Allegro
Symphony No. 12 In G, Kv 110-75b - 2. Andante
Symphony No. 12 In G, Kv 110-75b - 3. Menuetto
Symphony No. 12 In G, Kv 110-75b - 4. Allegro
Symphony No. 13 In F, Kv 112 - 1. Allegro
Symphony No. 13 In F, Kv 112 - 2. Andante
Symphony No. 13 In F, Kv 112 - 3. Menuetto
Symphony No. 13 In F, Kv 112 - 4. Molto Allegro
Symphony No. 14 In A, Kv 114 - 1. Allegro Moderato
Symphony No. 14 In A, Kv 114 - 2. Andante
Symphony No. 14 In A, Kv 114 - 3. Menuetto
Symphony No. 14 In A, Kv 114 - 4. Allegro Molto
Symphony No. 14 In A, Kv 114 - 3. Menuetto (Alternative)
Symphony No. 15 In G, Kv 124 - 1. Allegro
Symphony No. 15 In G, Kv 124 - 2. Andante
Symphony No. 15 In G, Kv 124 - 3. Menuetto
Symphony No. 15 In G, Kv 124 - 4. Presto
No.16 In C, Kv 128
No.16 In C, Kv 128
No.16 In C, Kv 128
No. 17 In G, Kv 129
No. 17 In G, Kv 129
No. 17 In G, Kv 129
No. 18 In F, Kv 130
No. 18 In F, Kv 130
No. 18 In F, Kv 130
No. 18 In F, Kv 130
No. 19 In E Flat, Kv 132
No. 19 In E Flat, Kv 132
No. 19 In E Flat, Kv 132
No. 19 In E Flat, Kv 132
No. 19 In E Flat, Kv 132
Symphony No. 20 In D
Symphony No. 20 In D
Symphony No. 20 In D
Symphony No. 20 In D
Symphony No. 50 In D
Symphony No. 50 In D
Symphony No. 50 In D
Symphony On. 48 In D
Symphony No. 51 In D
Symphony No. 51 In D
Symphony No. 51 In D
Symphony No. 51 In D
Symphony No. 51 In D
Symphony No. 51 In D
Symphony N. 21 - 1- Allegro
Symphony N. 21 - 2- Andante
Symphony N. 21 - 3- Menuetto
Symphony N. 21 - 4- Allegro
Symphony N. 22 - 1- Allegro Assai
Symphony N. 22 - 2- Andantino Grazioso
Symphony N. 22 - 3- Presto Assai
Symphony N. 23 - 1- Allegro Spiritoso 2- Andantino Grazioso 3- Presto Assai
Symphony N. 24 - 1- Allegro Spiritoso
Symphony N. 24 - 2- Andantino Grazioso
Symphony N. 24 - 3- Allegro
Symphony N. 25 - 1- Allegro Con Brio
Symphony N. 25 - 2- Andante
Symphony N. 25 - 3- Menuetto
Symphony N. 25 - 4- Allegro
Symphony No. 26 (Overture) In E Flat Major, Kv 184- Molto Presto - Andante - Allegro
Symphony No. 27 In G Major, Kv 199- 1- Allegro
Symphony No. 27 In G Major, Kv 199- 2- Andantino Grazioso
Symphony No. 27 In G Major, Kv 199- 3- Presto
Symphony No. 28 In C Major, Kv 200- 1- Allegro Spiritoso
Symphony No. 28 In C Major, Kv 200- 2- Andante
Symphony No. 28 In C Major, Kv 200- 3- Menuetto (Allegretto)
Symphony No. 28 In C Major, Kv 200- 4- Presto
Symphony No. 29 In A Major, Kv 201- 1- Allegro Moderato
Symphony No. 29 In A Major, Kv 201- 2- Andante
Symphony No. 29 In A Major, Kv 201- 3- Menuetto
Symphony No. 29 In A Major, Kv 201- 4- Allegro Con Spirito
Symphony No. 30 In D Major, Kv 202- 1- Molto Allegro
Symphony No. 30 In D Major, Kv 202- 2- Andantino Con Moto
Symphony No. 30 In D Major, Kv 202- 3- Menuetto
Symphony No. 30 In D Major, Kv 202- 4- Presto
Symphony No. 31 In D Major, Kv 297 -Paris-- 1- Allegro Assai
Symphony No. 31 In D Major, Kv 297 -Paris-- 2- Andante
Symphony No. 31 In D Major, Kv 297 -Paris-- 3- Allegro
Symphony No. 31 In D Major, Kv 297 -Paris-- 2- Andante (Alternative)
Symphony No. 32 (Overture) In G Major, Kv 318- Allegro Spiritoso - Andante - Tempo I
Symphony No. 33 In B Flat Major, Kv 319- 1- Allegro Assai
Symphony No. 33 In B Flat Major, Kv 319- 2- Andante Moderato
Symphony No. 33 In B Flat Major, Kv 319- 3- Menuetto
Symphony No. 33 In B Flat Major, Kv 319- 4- Finale (Allegro Assai)
1- Allegro Vivace
2- Andante Di Molto
3- Finale ( Allegro Vivace)
1- Allegro Con Spirito
2- Andante
3- Menuetto
4- Finale (Presto)
1- Adafio-Allegro Spiritoso
2- Poco Adagio
3- Menuetto
4- Finale (Presto)
Minuet For A Symphony In C Major, Kv 409
Adagio Amestoso In G Major, Kv 444 (Introduction To A Symphony By Michael Haydn)
Symphony No. 38 In D Major, Kv 504 -Prague-- 1- Adagio
Symphony No. 38 In D Major, Kv 504 -Prague-- 2- Andante
Symphony No. 38 In D Major, Kv 504 -Prague-- 3- Finale (Presto)
Symphony No. 39 In E Flat Major, Kv 543- 1- Adagio - Allegro
Symphony No. 39 In E Flat Major, Kv 543- 2- Andante Con Moto
Symphony No. 39 In E Flat Major, Kv 543- 3- Menuetto (Allegretto)
Symphony No. 39 In E Flat Major, Kv 543- 4- Finale (Allegro)
Symphony No. 40 In G Minor
Symphony No. 40 In G Minor
Symphony No. 40 In G Minor
Symphony No. 40 In G Minor
Symphony No. 41 In C
Symphony No. 41 In C
Symphony No. 41 In C
Symphony No. 41 In C

Average customer rating:

I just heard this "Jupiter" on the radio

Mozart: Symphonies 32,35,36,39,41

Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00000632I
Release Date: 2005-11-25

Tracks:

Symphony No.32 In G Major, K.318: Allegro spiritoso
Symphony No.35 In D Major, K.385 'Haffner': I. Allegro con spirito
Symphony No.35 In D Major, K.385 'Haffner': II. Andante
Symphony No.35 In D Major, K.385 'Haffner': III. Menuetto
Symphony No.35 In D Major, K.385 'Haffner': IV. Finale: presto
Symphony No.36 In C Major, K.425 'Linz': I. Adagio - Allegro spiritoso
Symphony No.36 In C Major, K.425 'Linz': II. Andante
Symphony No.36 In C Major, K.425 'Linz': III. Menuetto
Symphony No.36 In C Major, K.425 'Linz': IV. Presto

Tracks:

Symphony No.39 In E Flat Major, K.543: I. Adagio - Allegro
Symphony No.39 In E Flat Major, K.543: II. Andante con moto
Symphony No.39 In E Flat Major, K.543: III. Menuetto
Symphony No.39 In E Flat Major, K.543: IV. Allegro
Symphony No.41 in C major, K.551 'Jupiter': I. Allegro vivace
Symphony No.41 in C major, K.551 'Jupiter': II. Andante cantible
Symphony No.41 in C major, K.551 'Jupiter': III. Menuetto
Symphony No.41 in C major, K.551 'Jupiter': IV. Allegro molto

Customer Reviews:

I just heard this "Jupiter" on the radio.......2004-06-01

Wow! The finale of the Symphony 41 is exhilirating! What swing and rollicking good fun! I confess not to have heard any of the other symphonies on this set, but if the Jupiter is any indication, I'm in for a treat. The conductor is unknown to me, but his grip on the tempo and ensemble is fabulous. I just purchased this from a third-party, and am looking forward to a good couple of hours listening to this once I receive it. The Scottish ensemble sound great, and there is a sense of real music-making here.

Tracks:

I. Allegro - Ton Koopman
II. Andante - Ton Koopman
III. Allegro - Ton Koopman
I. Allegro - Ton Koopman
II. Andantino Grazioso - Ton Koopman
III. Menuetto - Ton Koopman
IV. Molto Allegro - Ton Koopman
I. Allegro - Ton Koopman
II. Andante - Ton Koopman
III. Menuetto - Trio - Ton Koopman
IV. Allegro (Rondeau) - Ton Koopman
V. Andantino Grazioso - Ton Koopman
I. Allegro Assai - Ton Koopman
II. Andantino Grazioso - Ton Koopman
III. Presto Assai - Ton Koopman

Tracks:

I. Allegro - Ton Koopman
II. Andante - Ton Koopman
III. Menuetto & Trio - Ton Koopman
IV. Allegro - Ton Koopman
I. Allegro Spiritoso - Ton Koopman
II. Andantino Grazioso - Ton Koopman
III. Presto Assai - Ton Koopman
I. Allegro Spiritoso - Ton Koopman
II. Andantino GRazioso - Ton Koopman
III. Allegro - Ton Koopman
I. Allegro - Ton Koopman
II. Andantino GRazioso - Ton Koopman
III. Presto - Ton Koopman

Tracks:

No.1 In D Major - Scottish Chamber Orchestra
No.2 In A Major - Scottish Chamber Orchestra
No.3 In C Major - Scottish Chamber Orchestra
No.4 In G Major - Scottish Chamber Orchestra
No.5 In B Flat Major - Scottish Chamber Orchestra
No.6 In D Major - Scottish Chamber Orchestra
Ouverture: Allegro - Scottish Chamber Orchestra
I. Largo - Scottish Chamber Orchestra
II. Gavotte - Scottish Chamber Orchestra
III. Andantino & IV. Allegro - Scottish Chamber Orchestra
V. Larghetto - Scottish Chamber Orchestra
Vi. Gavotte Joyeuse: Allegro - Scottish Chamber Orchestra
VII. Adagio - Scottish Chamber Orchestra
VIII. Senza Indicazione Di Tempo - Scottish Chamber Orchestra
IX. Gavotte Gracieuse - Scottish Chamber Orchestra
X. Pantomime - Scottish Chamber Orchestra
XI. Passepied - Scottish Chamber Orchestra
XII. Andante - Scottish Chamber Orchestra
XIII. Gavotte - Scottish Chamber Orchestra
I. Allegro Con Brio
II. Andante
III. Menuetto
IV. Allegro
I. Molto Presto
II. Andantino Grazioso
III. Allegro

Tracks:

I. Allegro Spiritoso
II. Andante
III. Menuetto: Allegretto
IV. Presto
I. Allegro Moderato
II. Andante
III. Menuetto
IV. Allegro Con Spirito
I. Molto Allegro
II. Andantino Con Moto
III. Menuetto
IV. Presto

Tracks:

I. Allegro Assai
II. Andante
III. Allegro
II. Andante
I. Allegro Assai
II. Andante Moderato
III. Menuetto
IV. Allegro Assai
I. Allegro Vivace
II. Andante Di Molto, Piu Tosto Allegretto
III. Allegro

Tracks:

I. Allegro Spiritoso
II. Andante
III. Primo Tempo
I. Allegro Con Spirito
II. Andante
III. Menuetto
IV. Presto
I. Adagio - Allegro Spiritoso
II. Andante
III. Menuetto
IV. Presto

Tracks:

I. Adagio - Allegro
II. Andante
III. Presto
I. Adagio - Allegro
II. Andante Con Moto
III. Menuetto: Allegretto
IV. Finale: Allegro

Tracks:

I. Molto Allegro
II. Andante
III. Menuetto: Allegretto
IV. Allegro Assai
I. Allegro Vivace
II. Andante Cantabile
III. Menuetto: Allegretto
IV. Molto Allegro

Customer Reviews:

Harnoncourt brings a little gitty up to Mozart!.......2006-11-21

After acquiring Harnoncourt's 2 vols (4 cds) of Mozart's early symphonies, I noticed this collection. This is not quite a complete Mozart symphony cycle. It is lacking some of the early Symphonies. Harnoncourt's contribution to this collection is found on the last 5 and a half cds and covers Mozart's middle and later symphonies. So, by combining the early with the later I get an almost complete Mozart Symphony cycle conducted by Harnoncourt. There are a few of the middle symphonies that are not touched by Harnoncourt's early volumes or this present set. I found them on vinyl at Ebay or here at Amazon marketplace for outrageous sums of money (more than this present set!). It looks like what I have will have to do.

When I think of Beethoven, I think of his 9th symphony and when it was performed, he could not hear a single note because he was deaf! When I think of Mozart, I am picturing an 8 year old who caused his dad to retire early from music composition! Harnoncourt writes that as an 8 year old, Mozart was already head and shoulders above just about any composer on the continent of Europe. Mozart's 40th and especially his 41st symphonies are true epiphanies. Yet the sound heard in these is the same as that by 8 year old Mozart! Mozart did not start composing and then 20 years later develop his voice. I love Mozart's music for the beauty, the balance and the mathematical precision. I love Beethoven's for the power and the thunder. Yet, who can top the beauty of the softer movements in his symphonies such as the 3rd in his 9th?

My standard for Mozart's symphonies (his last seven) and Beethoven's Nine are found on vinyl conducted by Bohm. I bought the DG Bohm recordings on vinyl back in the 70s and was so pleased with both the recording quality and the superb playing I did not have any other renditions (except Karajan) until recently.

There is a complete Mozart Symphony DG collection by Bohm that has been ported over to digital. But I was a little curious what a fresh, digital recording would sound like, how it would stack up to Bohm. I was also curious to compare the smaller orchestra with period instruments to the full orchestra with modern instruments used by Bohm. I also bought the complete Pinnock Mozart cycle recorded with a smaller orchestra than Bohm's and period instruments. Of the two, Pinnock sounds more like Bohm than Harnoncourt.

The period instruments/smaller orchestras have a little more harpsicord and not as full an orchestra sound. If its too much harpsicord, I end up pinching myself to make sure I did not accidentally play Vivaldi or Teleman. The less than full sound is more chamber orchestra style than full orchestra. I can hear more of the individual instruments and their resonating than the blended sound of the fuller orchestra. Pinnock supposedly used 20 to 30 players. But while Bohm may have had a "full" orchestra, it certainly is not full in the Wagner sense of full. I have been to concerts that featured both Mozart and later Romantic composers. The Orchestra pit seemed a little less than half full when its Mozart and bursting at the sides when its Wagner or Mahler. I enjoy the "full" orchstra sound and I really like the smaller chamber type sound. I do not live in an "either/or" universe. Buy both! No classical music Nazi can tell you otherwise. Its all about Freedom, baby!

I am still digesting Harnoncourt's rendition of Mozart's last 6 symphonies. The tempos and the overall playing sounds much different than Bohm or Pinnock. The tempos seem to not be as consistently precise and they seem to shift, that is why I my title says "Mozart with a little gitty up." That being said, I enjoyed both Pinnock and Harnoncourt. I do not regret for a moment shelling out close to $50 for this set!

Bohm's analog records sound good. These didgital recordings sound really GOOD! PURE, maybe even a little too sanitized. The period instrument movenent is trying to approximate the 1700s sound with Mozart, yet you will never hear a cough or any other sound other than the instruments producing music. This includes the bow sounds when the bow comes on or off the instrument. These Bass bowing sounds are left on Karjan's DVD Beethoven Symphony Cycle. To really approximate the 1700s, we need a group of 2nd rate musicians playing on third or fourth rate instruments in concert halls with less than idealic acoustics. If we are going to get real, lets really get real. I bet Mozart would have walked a half mile barefoot over shards of broken glass to have his music played by orchestras such as the BPO or the Vienna Phil conducted by Bohm. And I will bet dollars to donuts any day that any of our smaller city orchestras such as Pasadena CA or Omaha Nebraska would blow the socks off of just about all of the top orchestras of Mozart's day. Maybe the period instrumenters should break out the old analog recording equipment like the Musical Heritage Society from 30 years ago and press their recordings on 78s or 10 inch LPs. So, while they may be using instruments similar to those used in the 1700s, we are still getting a very professional modern sound and recording. Don't kid yourself that if you buy Pinnock or Harnoncourt Mozart Symphony recordings, when you listen, you will be suddenly teleported as a classical music Yankee back to King Arthur's Court.

I converted Pinnock and this present 250th anniversary edition set to CD-R mp3s at 192 kps. 90 to 100 kps is supposedly FM radio quality and anything above 170 kps only your dog will enjoy. 192kps will yield a little over 8 hours of music on a 702 mb CD-R. I can play a cd at work and let it run all day long filling my life with the world's greatest music.

I still am still debating the period instrument movement. Yet, the music is still MOZART! MOZART! Bohm (died circa 1981), Harnoncourt, and Pinnock are superb conductors and their musicians are top notch. None of these conductors nor their orchestras screw up Mozart! You may disagree, yet let me point out that these gents and their orchestras have filled concert halls for decades and have very loyal followings of musically satiated listeners. Believe it or not, sometimes 10,000 Frenchmen are not wrong.

You may or may not like Mozart with a little "gitty up" but you surely will not get typhoid fever from listening! Chill out, it is still Mozart! Old Wolfgang himself were he alive would be sitting front row, center aisile with a big bag of chips and a cold Tecate having the time of his life listening to Harnoncourt and his Orchestra.

Average customer rating:

Mozart: The Late Symphonies (Box Set)

Manufacturer: Arts Music
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0000YO63I
Release Date: 2004-06-29

Average customer rating:

Outstanding Performances
I agree with
Good, but . . .
Great sound, great music-making - Mackerras best Mozart
Replaces all other versions in my collection

Mozart: The Symphonies

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music
Similar Items:

Tchaikovsky: The Complete Symphonies
Beethoven: The Complete Symphonies
Brahms: Complete String Quartets, Quintets & Sextets
Dvorák: The Symphonies
Johannes Brahms: The Symphonies

ASIN: B000003CYC
Release Date: 1991-09-13

Tracks:

I. Allegro Molto
II. Andante
III. Presto
I. Allegro Assai
II. Andante
III. Presto
I. Allegro
II. Andante
III. Presto
I. Allegro
II. Andante
III. Allegro Molto
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Finale
I. Allegro
II. Andante

Tracks:

III. Menuetto; Trio
IV. Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro Molto
I. Allegro
II. Andante
III. Allegro Molto
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Presto
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro
I. Allegro
II. Andante
III. Allegro
I. Introduction: Andante
II. Allegro
I. Allegro
II. Menuetto; Trio
III. Andantino
IV. Allegro

Tracks:

I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro Molto
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Presto

Tracks:

I. Allegro Maestoso
II. Andante Grazioso
III. Rondo; Allegro
I. Allegro
II. Andante
III. Allegro
I. Allegro
II. Andantino Grazioso
III. Menuetto; Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Andantino Grazioso (Alternate)
IV. Menuetto; Trio
V. Allegro
I. Allegro
II. Andante
III. Menuetto; Trio

Tracks:

IV. Allegro
I. Allegro
II. Andante
III. Menuetto; Trio
IV. Allegro
I. Molto Presto
II. Andante
III. Allegro
I. Allegro
II. Andantino Grazioso
III. Presto
I. Allegro Assai
II. Andantino Grazioso
III. Presto Assai
I. Allegro Spiritoso
II. Andantino Grazioso
III. Presto Assai
I. Allegro Spiritoso
II. Andantino Grazioso
III. Allegro

Tracks:

I. Allegro Con Brio
II. Andante
III. Menuetto; Trio
IV. Allegro
I. Allegro Moderato
II. Andante
III. Menuetto; Trio
IV. Allegro Con Spirito
I. Moto Allegro
II. Adnantino Con Moto
III. Menuetto; Trio
IV. Presto

Tracks:

I. Allegro Spiritoso
II. Andante
III. Menuetto; Trio
IV. Presto
I. Allegro Vivace
II. Andante
II. Andante (Alternate)
III. Allegro
I. Allegro Spiritoso
II. Andante
III. Allegro Spiritoso
I. Allegro Assai
II. Andante Moderato
III. Menuet; Trio
IV. Allegro Assai

Tracks:

I. Allegro Vivace
II. Andante Di Molto
III. Allegro Vivace
I. Allegro Con Spirito
II. (Andante)
III. Menuetto; Trio
IV. Presto
I. Adagio; Allegro Spiritoso
II. Poco Adagio
III. Menuetto; Trio
IV. Presto

Tracks:

I. Adagio; Allegro
II. Andante
III. Presto
I. Adagio; Allegro
II. Andante Con Moto
III. Menuetto: Allegretto; Trio
IV. Allegro

Tracks:

I. Molto Allegro
II. Andante
III. Menueto; Trio
IV. Allegro Assai
I. Allegro Vivace
II. Andante Cantablie
III. Menuetto; Trio
IV. Molto Allegro

Amazon.com

Musical scholar that he is, Charles Mackerras adopts period performance practice, but opts for modern instruments. The Prague Chamber Orchestra is one of the world's best small ensembles. They play this music with impeccable wit, sophistication, and style. Of course, Mackerras himself studied in Prague--Mozart's musical home away from home--and has long enjoyed an excellent relationship with the city's orchestras and musicians. With swift tempos, employment of a harpsichord accompaniment, and all the repeats taken in each work, these finely honed interpretations offer a uniquely consistent view of Mozart's symphonic achievement. Telarc's superb sound allows the music to fall very gratefully on the ear. --Dave Hurwitz

Customer Reviews:

Outstanding Performances.......2007-07-07

While historical instuments are not used on these recordings the performances are still excellent and most particularly for the faster than usual tempos for the minuets. Lethargic and pompous minuet tempos are common with most recordings of music from the Classic Period but here we have minuet tempos that are related to the dance steps and the way it was generally danced in the period. While ignorance of the minuet as a dance is wide spread here we have recordings that rise above that limitation and give improved character and vigor to the works as a whole. Bravo!

I agree with.......2006-02-19

a music fans comment, Mackerras is good, BUT...
So I do not expect anyone to give my comment a "YES Paul's review was most helpful"
:-))
Mackerras is the most popular as far as modern voting goes. Popular votes never influence my decision in critiquing.
My fav in the complete is Bohm/Berlin
In the last 6 syms, it is Walter/Columbia/Sony which may be the finest I've heard, which is sadly Out of print. The Walter/Columbia is a bigger orch sound, which obviously is against Mozart's initial idea of size of orch. But the Columbia plays so tight/fliud/details rendered with powerful depth of emotions, that it is excusable the "big-band" sound.
Bohm's Berlin is slightly scaled down in size, yet at times does not match the Columbia's tightness/percision.
But I do find Bohm and Walter to be very close so that I can't decide which I prefer more.
IOW I love them both equally, and prefer both over Mackerras well recorded set. Seems to me Mackerras' Prague Chamber is like a "youth orch", not going into the details as does the more experienced Columbia and Berlin. Also to consider is the fact of the instrument quality, which the Prague is not in the same class as the Columbia and Berlin. In Mozart the string section's instruments can make all the difference. AS well as winds. I'm sure the Prague is a smaller budget orch and cannot afford the finer instruments alloted to the 2 bigger orchestras. .
Makerras' orch play too fast at times, lacks depths in the nuances that I hear in Walter and Bohm, and the recorded sound is abit harsh/grainy.
Overall the Mackerras is my 3rd choice in Mozart. But still as good as Bohm is, I felt no need to keep the Mackerras.
Read my review of the Bohm/Berlin complete set.

Good, but . . ........2004-07-08

I bought this item from Amazon and I am not sorry that I did. Actually it is good, very good, but I find something that I do not like: Why does this Sir McKerras play all the minuets so fast? Why does he such excessive repeating? The minuets in Haydn are all happy and full of joy, but in Mozart each one is quite different from another: some are happy, some are sad, some are childish, some are majestic, etc. Some of those Minuets seem to be written in order to be danced by Kings and so forth. Is Sir McKerras such an egalitarian that he does not accept such differences? Too bad Herr Josef Krips is dead, he was the real Mozartean.

Great sound, great music-making - Mackerras best Mozart.......2003-05-19

Mackerras has made some pretty amazing recordings these last years, from Beethoven's 9th to Mahler's 5th. This set has Mackerras conducting the Prague Chamber Orchestra, an ensemble that has definetely studied Mozart and studied him well. Most if not all the symphonies are first class but I have to point out the opening of the 25th and the finale of the 40th. I really rediscovered these pieces after hearing to these great recordings. The sound perfect as always with Telarc recordings. A must for all Mozart fans and a great alternative to the celebrated Hogwood set on L'Oiseau Lyre (Decca).

Replaces all other versions in my collection.......2000-12-16

When Sir Charles Mackerras aimed his sights at recording the complete Mozart Symphonies with the Prague Chamber Orchestra, critics were delighted at the results as the discs became available separately. The writer for the Penguin Guide commented that the playing and the technical aspects of the recordings were excellent, while pointing out that the pacing is more urgent in the earlier symphonies, more relaxed in the later ones. The Gramophone writer pronounced them "full of sparkle and precision."

No, this is not an "original instrument" presentation, but Mackerras takes a loving view of his composer and most listeners will be quite satisfied with the results. Granted that other recordings might offer more "period style" here or more heaven-moving renditions there. However, this boxed set of 10 CDs has replaced in my collection all the miscellaneous recordings I have been lining up on the Mozart shelf; and (as Ko-Ko sings) "They never will be missed" as long as this Telarc set is there to be played.

Tracks:

I. Allegro Moderato
II. Andante
III. Menuetto
IV. Allegro Con Spirito
I. Allegro Con Brio
II. Andante
III. Menuetto
IV. Allegro
I. Allegro Assai
II. Andante Moderato
III. Minuetto
IV. Finale: Allegro Assai

Tracks:

I. Molto Presto
II. Andante
III. Allegro
I. Allegro
II. Andantino Grazioso
III. Presto
I. Allegro Spiritoso
II. Andante
III. Minuetto (Allegretto) - Trio
IV. Presto
I. Molto Allegro
II. Andantino Con Moto
III. Minuetto - Trio
IV. Presto
Allegro Spiritoso
Andante
Tempo Primo

Tracks:

I. Allegro Assai
II. Andante
III. Allegro
I. Adagio - Allegro Spiritoso
II. Andante
III. Menuetto And Trio
IV. Presto
I. Adagio - Allegro
II. Andante
III. Presto

Tracks:

I. Allegro Vivace
II. Andante Di Molto
III. Finale (Allegro)
I. Allegro Con Spirito
II. Andante
III. Menuetto And Trio
IV. Presto
I. Adagio - Allegro
II. Andante Con Moto
III. Menuetto (Allegretto) And Trio
IV. Finale (Allegro)

Tracks:

I. Molto Allegro
II. Andante
III. Menuetto (Allegretto) And Trio
IV. Allegro Assai
I. Allegro Vivace
II. Andante Cantabile
III. Menuetto (Allegretto) And Trio
IV. Molto Allegro
I. Adagio Maestoso - Allegro Con Spirito
II. Andante Sostenuto
Finale (Allegro Molto)

Average customer rating:

Krips and the Concertgebouw Orchestra are the reason to buy this set
Very well performed
Mozart Complete Symphonies - Philips
Where's the Rest of Him?
You haven't fallen in love with His symphonies, yet...

Mozart: Complete Symphonies

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Symphony No. 1 In E Flat, KV 16: 1. Allegro molto
Symphony No. 1 In E Flat, KV 16: 2. Andante
Symphony No. 1 In E Flat, KV 16: 3. Presto
Symphony No. 4 In D, KV 19: 1. Allegro
Symphony No. 4 In D, KV 19: 2. Andante
Symphony No. 4 In D, KV 19: 3. Presto
Symphony In F, KV App. 223-19a: 1. Allegro assai
Symphony In F, KV App. 223-19a: 2. Andante
Symphony In F, KV App. 223-19a: 3. Presto
Symphony No. 5 In B Flat, KV 22: 1. Allegro
Symphony No. 5 In B Flat, KV 22: 2. Andante
Symphony No. 5 In B Flat, KV 22: 3. Allegro molto
Symphony No. 6 In F, KV 43: 1. Allegro
Symphony No. 6 In F, KV 43: 2. Andante
Symphony No. 6 In F, KV 43: 3. Menuetto
Symphony No. 6 In F, KV 43: 4. Allegro
Symphony In D, KV 45: 1. Ouverture (Allegro)
Symphony In D, KV 45: 2. Andante
Symphony In D, KV 45: 3. Menuetto
Symphony In D, KV 45: 4. (Allegro)

Tracks:

Symphony In G, KV deest in G 'Neue Lambacher': 1. Allegro
Symphony In G, KV deest in G 'Neue Lambacher': 2. Andante un poco allegretto
Symphony In G, KV deest in G 'Neue Lambacher': 3. Menuetto
Symphony In G, KV deest in G 'Neue Lambacher': 4. Allegro
Symphony No. 7a In G, KV App. 221-45a 'Alte Lambacher': 1. Allegro maestoso
Symphony No. 7a In G, KV App. 221-45a 'Alte Lambacher': 2. Andante
Symphony No. 7a In G, KV App. 221-45a 'Alte Lambacher': 3. Presto
Symphony (No. 55) In B Flat, KV App. 214-45b: 1. Allegro
Symphony (No. 55) In B Flat, KV App. 214-45b: 2. Andante
Symphony (No. 55) In B Flat, KV App. 214-45b: 3. Menuet
Symphony (No. 55) In B Flat, KV App. 214-45b: 4. Allegro
Symphony No. 8 In D, KV 48: 1. (Allegro)
Symphony No. 8 In D, KV 48: 2. Andante
Symphony No. 8 In D, KV 48: 3. Menuetto
Symphony No. 8 In D, KV 48: 4. (Allegro)
Minuet In A , KV 61g No. 1
Symphony No. 9 In C, KV 73: 1. Allegro
Symphony No. 9 In C, KV 73: 2. Andante
Symphony No. 9 In C, KV 73: 3. Menuetto
Symphony No. 9 In C, KV 73: 4. Allegro molto
Symphony No. 10 In G, KV 74: 1. (Allegro)
Symphony No. 10 In G, KV 74: 2. (Andante)
Symphony No. 10 In G, KV 74: 3. (Allegro)

Tracks:

Symphony (No. 42) In F, KV 75: 1. Allegro
Symphony (No. 42) In F, KV 75: 2. Menuetto
Symphony (No. 42) In F, KV 75: 3. Andantino
Symphony (No. 42) In F, KV 75: 4. Allegro
Symphony (No. 43) In F, KV 76-42a: 1. Allegro maestoso
Symphony (No. 43) In F, KV 76-42a: 2. Andante
Symphony (No. 43) In F, KV 76-42a: 3. Menuetto
Symphony (No. 43) In F, KV 76-42a: 4. Allegro
Symphony No. (44) In D, KV 81-73l: 1. Allegro
Symphony No. (44) In D, KV 81-73l: 2. Andante
Symphony No. (44) In D, KV 81-73l: 3. Allegro molto
Symphony No. 11 In D, KV 84-73q: 1. Allegro
Symphony No. 11 In D, KV 84-73q: 2. Andante
Symphony No. 11 In D, KV 84-73q: 3. Allegro
Symphony (No. 45) In D, KV 95-73n: 1. Allegro
Symphony (No. 45) In D, KV 95-73n: 2. Andante
Symphony (No. 45) In D, KV 95-73n: 3. Menuetto
4. Allegro
Symphony (No. 46) In C, KV 96-111b: 1. Allegro
Symphony (No. 46) In C, KV 96-111b: 2. Andante
Symphony (No. 46) In C, KV 96-111b: 3. Menuetto
Symphony (No. 46) In C, KV 96-111b: 4. Allegro molto

Tracks:

Symphony (No. 47) In D, KV 97-73m: 1. Allegro
Symphony (No. 47) In D, KV 97-73m: 2. Andante
Symphony (No. 47) In D, KV 97-73m: 3. Menuetto
Symphony (No. 47) In D, KV 97-73m: 4. Presto
Symphony No. 12 In G, KV 110-75b: 1. Allegro
Symphony No. 12 In G, KV 110-75b: 2. Andante
Symphony No. 12 In G, KV 110-75b: 3. Menuetto
Symphony No. 12 In G, KV 110-75b: 4. Allegro
Symphony No. 13 In F, KV 112: 1. Allegro
Symphony No. 13 In F, KV 112: 2. Andante
Symphony No. 13 In F, KV 112: 3. Menuetto
Symphony No. 13 In F, KV 112: 4. Molto allegro
Symphony No. 14 In A, KV 114: 1. Allegro moderato
Symphony No. 14 In A, KV 114: 2. Andante
Symphony No. 14 In A, KV 114: 3. Menuetto
Symphony No. 14 In A, KV 114: 5. Allegro molto
Minuet To KV 114: 3. Menuetto (Alternative)
Symphony No. 15 In G, KV 124: 1. Allegro
Symphony No. 15 In G, KV 124: 2. Andante
Symphony No. 15 In G, KV 124: 3. Menuetto
Symphony No. 15 In G, KV 124: 4. Presto

Tracks:

Symphony No. 16 In C, KV 128: 1. Allegro maestoso
Symphony No. 16 In C, KV 128: 2. Andante grazioso
Symphony No. 16 In C, KV 128: 3. Allegro
Symphony No. 17 In G, KV 129: 1. Allegro
Symphony No. 17 In G, KV 129: 2. Andante
Symphony No. 17 In G, KV 129: 3. Allegro
Symphony No. 18 In F, KV 130: 1. Allegro
Symphony No. 18 In F, KV 130: 2. Andante grazioso
Symphony No. 18 In F, KV 130: 3. Menuetto
Symphony No. 18 In F, KV 130: 4. Allegro molto
Symphony No. 19 In E Flat, KV 132: 1. Allegro
Symphony No. 19 In E Flat, KV 132: 2. Andante
Symphony No. 19 In E Flat, KV 132: 3. Menuetto
Symphony No. 19 In E Flat, KV 132: 4. Allegro
Andantino grazioso To KV 132: 2. Andantino grazioso (Alternative)

Tracks:

Symphony No. 20 In D, KV 133: 1. Allegro
Symphony No. 20 In D, KV 133: 2. Andante
Symphony No. 20 In D, KV 133: 3. Menuetto
Symphony No. 20 In D, KV 133: 4. Allegro
Symphony (No. 50) In D, KV 141a (KV 161 & 163): 1. Allegro moderato
Symphony (No. 50) In D, KV 141a (KV 161 & 163): 2. Andante
Symphony (No. 50) In D, KV 141a (KV 161 & 163): 3. Presto
Symphony (No. 48) In D, KV 111 & KV 120-111a: 1. Allegro assai (Overture 'Ascanio In Alba') - 2. Andante ('Ascanio In Alba', No. 1) - 3. Presto
Symphony (No. 51) In D, KV 196 & 121-207a: 1. Allegro molto
Symphony (No. 51) In D, KV 196 & 121-207a: 2. Andantino grazioso
Symphony (No. 51) In D, KV 196 & 121-207a: 3. Allegro
Symphony (No. 52) In C, KV 208 & 102-213c: 1. Molto allegro
Symphony (No. 52) In C, KV 208 & 102-213c: 2. Andantino
Symphony (No. 52) In C, KV 208 & 102-213c: 3. Presto assai

Tracks:

Symphony No 21 in A, K 134: 1. Allegro
Symphony No 21 in A, K 134: 2. Andante
Symphony No 21 in A, K 134: 3. Menuetto
Symphony No 21 in A, K 134: 4. Allegro
Symphony No 22 in C, K 162: 1. Allegro assai
Symphony No 22 in C, K 162: 2. Andantino grazioso
Symphony No 22 in C, K 162: 3. Presto assai
Symphony No 23 in D, K 181-162b: 1. Allegro Spiritoso - 2. Andantino grazioso - 3. Presto assai
Symphony No. 24 in B Flat, K 182-173dA: 1. Allegro spiritoso
Symphony No. 24 in B Flat, K 182-173dA: 2. Andantino grazioso
Symphony No. 24 in B Flat, K 182-173dA: 3. Allegro
Symphony No 25 in G minor, K 183-173dB: 1. Allegro con brio
Symphony No 25 in G minor, K 183-173dB: 2. Andante
Symphony No 25 in G minor, K 183-173dB: 3. Menuetto
Symphony No 25 in G minor, K 183-173dB: 4. Allegro

Tracks:

Symphony No. 26 (Overture) In E Flat, KV 184-161a: 1. Molto Presto
Symphony No. 26 (Overture) In E Flat, KV 184-161a: 2. Andante - 3. Allegro
Symphony No. 27 In G, KV 199-161b: Allegro
Symphony No. 27 In G, KV 199-161b: 2. Andantino grazioso
Symphony No. 27 In G, KV 199-161b: 3. Presto
Symphony No. 28 In C, KV 200-189k: 1. Allegro Spritoso
Symphony No. 28 In C, KV 200-189k: 2. Andante
Symphony No. 28 In C, KV 200-189k: 3. Menuetto (Allegretto)
Symphony No. 28 In C, KV 200-189k: 4. Presto
Symphony No. 29 In A, KV 201-186a: 1. Allegro moderato
Symphony No. 29 In A, KV 201-186a: 2. Andante
Symphony No. 29 In A, KV 201-186a: 3. Menuetto
Symphony No. 29 In A, KV 201-186a: 4. Allegro con spirito

Tracks:

Symphony No. 30 In D, KV 202-186b: 1. Molto allegro
Symphony No. 30 In D, KV 202-186b: 2. Andantino con moto
Symphony No. 30 In D, KV 202-186b: 3. Menuetto
Symphony No. 30 In D, KV 202-186b: 4. Presto
Symphony No. 33 In B Flat, KV 319: 1. Allegro assai
Symphony No. 33 In B Flat, KV 319: 2. Andante moderato
Symphony No. 33 In B Flat, KV 319: 3. Menuetto
Symphony No. 33 In B Flat, KV 319: Finale (allegro assai)
Symphony No. 34 In C, KV 338: 1. Allegro vivace
Symphony No. 34 In C, KV 338: 2. Andante di molto
Symphony No. 34 In C, KV 338: 3. Finale (Allegro vivace)

Tracks:

Symphony No. 31 In D, KV 297-300a 'Paris': 1. Allegro assai
Symphony No. 31 In D, KV 297-300a 'Paris': 2. Andante
Symphony No. 31 In D, KV 297-300a 'Paris': 3. Allegro
Andante To KV 297: 2. Andante (Alternative)
Symphony No. 35 In D, KV 385 'Haffner': 1. Allegro con spirito
Symphony No. 35 In D, KV 385 'Haffner': 2. Andante
Symphony No. 35 In D, KV 385 'Haffner': 3. Menuetto
Symphony No. 35 In D, KV 385 'Haffner': 4. Finale (Presto)
Symphony No. 36 In C , KV 425 'Linz': 1. Adagio - Allegro spiritoso
Symphony No. 36 In C, KV 425 'Linz': 2. Andante
Symphony No. 36 In C, KV 425 'Linz': 3. Menuetto
Symphony No. 36 In , KV 425 'Linz': 4. Presto

Tracks:

Symphony No. 39 In E Flat, KV 543: 1. Adagio - Allegro
Symphony No. 39 In E Flat, KV 543: 2. Andante con moto
Symphony No. 39 In E Flat, KV 543: 3. Menuetto (Allegretto)
Symphony No. 39 In E Flat, KV 543: 4. Finale (Allegro)
Symphony No. 41 In C, KV 551 'Jupiter': 1. Allegro vivace
Symphony No. 41 In C, KV 551 'Jupiter': 2. Allegro cantabile
Symphony No. 41 In C, KV 551 'Jupiter': 3. Menuetto (Allegretto)
Symphony No. 41 In C, KV 551 'Jupiter': 4. Molto allegro

Tracks:

Symphony No.40 In G Minor, K 550: 1. Molto allegro
Symphony No.40 In G Minor, K 550: 2. Andante
Symphony No.40 In G Minor, K 550: 3. Menuetto (Allegretto)
Symphony No.40 In G Minor, K 550: 4. Finale (Allergo assai)
Symphony No. 32 (Overture) In G, K 318: 1. Allegro spiritoso -
Symphony No. 32 (Overture) In G, K 318: 2. Andante -
Symphony No. 32 (Overture) In G, K 318: 3. - Tempo I
Symphony No.38 in D, K 504 'Prague': 1. Adagio - Allegro
Symphony No.38 in D, K 504 'Prague': 2. Andante
Symphony No.38 in D, K 504 'Prague': 3. Finale (Presto)

Amazon.com

This was a very smart idea. The early symphonies are all performed by Neville Marriner, while the later (and better) ones are the classic performances by Joseph Krips and the incomparable Concertgebouw Orchestra of Amsterdam. Some of these appeared on budget CDs briefly, but never the entire set. So although a hybrid series, this is as fine a collection of Mozart symphonies as one is likely to get. Music lovers who know about these legendary Krips recordings will snap this up without delay, but it also makes a very safe recommendation for anyone wanting the complete numbered symphonies on regular instruments. -- David Hurwitz

Customer Reviews:

Krips and the Concertgebouw Orchestra are the reason to buy this set.......2005-12-02

If you're looking at this set and wondering if you should buy it, Josef Krips and the Concertgebouw Orchestra are the reason to purchase this set. Krips conducts Symphonies 21-41, or 6 discs worth: 50% of this set of Mozart Symphonies. The Concertgebouw Orchestra plays beautifully, as you would expect, and have the perfect sense of Mozart's style, served so well and warmly by Krips' conducting. Krips' Mozart deserves to stand with the other "greats" in the Mozart later symphonies:
Bohm/Berlin (DG); Klemperer/Philharmonia (EMI); Szell/Cleveland (Sony); Bruno Walter/Columbia (CBS) or New York Philharmonic (Sony "Bruno Walter Edition"); and Beecham/Royal Philharmonic (EMI: Symphony 41; Sony UK: Symphonies 35, 36, 38, 39, 40, 41) and London Philharmonic (Dutton). Tempos are never rushed, but Krips is sometimes faster than Bohm or Klemperer in some Allegro movements, but never to the detriment of Mozart's music. One prime example I recall is III of Symphony 26 in E flat Major: Krips is much faster than Bohm in this short movement, but it doesn't destroy the music.

Neville Marriner leads Symphonies 1-21, plus a number of other symphonies attributed to or by Mozart, but outside the regular numbering system or Kochel numbers, etc. Marriner and the Academy of St. Martin in the Fields have excellent credentials as Mozart experts, and with good reason: they have made some great Mozart recordings on EMI and Philips. Here, however, Marriner and co. sound boring and routine in some of the earlier symphonies, and the harpsichord clatters away mercilessly; perhaps better phrasing and forward motion would have corrected this impression. But Marriner IS of value here for the Symphonies like 47, 52, etc. which are rarely, if ever recorded elsewhere. If you want to hear Marriner/ASMF in the later Mozart Symphonies, go for their EMI and Seraphim recordings, regularly available through Amazon.com.

This is a valuable set, and I'm glad to have it mostly for the Krips recordings.

Very well performed.......2005-03-17

Marriner and Krips both do fantastic jobs. Some may say this set is missing some pieces, and don't get me wrong, Mozart is one of my favorite composers, but frankly, these works are probably some of his early or posthumous symphonies, which are really not needed in the first place. The ones that are there more than suffice, and they are incredible. I usually go for period instrument performances, but I really think that the Mozart Symphonies sound so much better with modern instruments, which are used here. The sound quality is very good. Very highly recommended.

Mozart Complete Symphonies - Philips.......2004-10-12

As usual, the ASMF and Marriner shine through with just the right tempo and expression. Marriner will always be my conductor of choice for Mozart's symphonies, although Jeffrey Tate with the English Chamber Orchestra does rather well too. The problem I had with this set was with the latter half (what are considered Mozart's "late" symphonies). They are disappointing under Krips' hand because Krips' interpretation of Mozart's symphonies is draggy and lack a je ne sais quois that the other Mozartean conductors of our day possess. It would have been better if Krips had done the early symphonies and Marriner, the late, because Mozart was at his peak as a composer with his late symphonies.

Where's the Rest of Him?.......2003-04-06

If a work is to be called the "complete" anything, does it not behoove the artist to tell the truth? Anyone familiar with sonata allegro form knows a symphonic exposition is presented twice before entering development in the first movement. It's basic introduction to music. So how come my very favorite, Number 39, is abbreviated to only one presentation of the exposition? For nearly $... I think I deserve more no matter how good the cd sounds. If it sounds incomplete, then it is incomplete. I bought Beethoven's complete by Solti and the Chicago Symphony and despite the fact that those expositions are by tradition offered only once, Solti's integrity called him to present all 9 as written. I'm no scholar nor am I a stickler. I just know what things should sound like and anything less is unsatifactory.

You haven't fallen in love with His symphonies, yet..........2002-03-12

Every phrase ever so beautifully formed and sounded with the help of the group that has that wonderful heavenly tone that could have been made to play Mozart - the Royal Concertgebouw Orchestra (really only one of the few that deserve such a title), Josef Krips, a man who had devoted his career to the study of Mozart, deliver performances that closest match the achievement of the works themselves. Perhaps not known widely Josef Krips had a uncommon gift of forming and bringing out in his sensitive and loving way (savoring of Bruno Walter) the pictorial elements in the work, and having his roots in the stage, he was especially skilled in overlapping elements in Mozart's operatic work; of drama and humane feeling, and with those of his orchestral output; of philosophical resignation and a powerful otherworldly influence along perfect grace. You will be able to tell, he was a true Mozartean - one of the very few on record. And of his examination of the composer he wrote (included in the booklet of the as excellent Don Giovanni record on Decca): "Mozart is, of all composers, the most difficult to conduct, and I can tell you why: two bars and you are suddenly transported to heaven. It's very hard to keep your bearings when you are there."

Average customer rating:

A set for completists in stylish, convincing performances
Excellent survey of Mozart's symphonies
one of the best
The best Mozart symphonies box, in performance and sound--

Mozart: 51 Symphonies

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Mozart: Chamber Music
Mozart:The Complete Piano Sonatas and Variations
Mozart: The Complete Piano Concertos
Beethoven - The Complete String Quartets / Alban Berg Quartet
Mendelssohn: 5 Symphonies; 7 Overtures

ASIN: B0000BWTKM
Release Date: 2003-11-04

Tracks:

I. Molto Allegro
II. Andante
III. Presto
I. Allegro
II. Andante
III. Presto
I. Allegro Assai
II. Andante
III. Presto
I. Allegro
II. Andante
III. Molto Allegro
I. Allegro Maestoso
II. Andante
III. Molto Allegro
I. Allegro Maestoso
II. Andante
III. Menuetto & Trio
IV: Allegro

Tracks:

I. Molto Allegro
II. Andante
III. Menuetto & Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV: Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV: Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Allegro Molto

Tracks:

I. Allegro
II. Andante
III. Menuetto & Trio
IV. Presto
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Presto
I. Allegro
II. Andante
III. Allegro
I. Allegro
II. Andante
III. Allegro
I. Allegro
II. Menuetto & Trio
III. Andantino
IV. Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Molto Allegro

Tracks:

I. Allegro
II. Andante
III. Menuetto & Trio
IV. Allegro Molto
I. Allegro Assai
II. Andante Grazioso
III. Presto
I. Allegro Moderato
II. Andante
III. Menuetto & Trio
IV. Molto Allegro
Appendix: Menuetto, K61g
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Presto
I. Allegro Maestoso
II. Andante Grazioso
III. Allegro

Tracks:

I. Allegro
II. Andante
III. Allegro
I. Allegro
II. Andante Grazioso
III. Menuetto & Trio
IV. Molto Allegro
I. Allegro
II. Andante
III. Menuetto & Trio
IV. Allegro
Appendix: Andantino Grazioso (Substitute For II)
I. Allegro
II. Andante
III. Menuetto & Trio - Kate Hill
IV. Allegro

Tracks:

I. Allegro
II. Andante
III. Menuetto & Trio
IV. Allegro
I. Allegro Moderato
II. Andante
III. Presto
I. Allegro Assai
II. Andante Grazioso
III. Presto Assai
I. Allegro Spiritoso
II. Andante Grazioso - Gordon Hunt
III. Presto Assai
I. Allegro Spiritoso
II. Andante Grazioso
III. Allegro
I. Allegro Molto
II. Andante Grazioso
III. Allegro
I. Molto Allegro
II. Andantino - Neil Black
III. Presto Assai

Tracks:

I. Allegro Assai
II. Andante
III. Allegro
Appendix: Andante (Alternative For II)
I. Allegro
II. Andantino Grazioso
III. Presto
I. Allegro Con Brio
II. Andante
III. Menuetto & Trio
IV. Allegro

Tracks:

I. Molto Presto
II. Andante
III. Allegro
I. Allegro Moderato
II. Andante
III. Menuetto & Trio
IV. Allegro Con Spirito
I. Molto Allegro
II. Andantino Con Moto
III. Menuetto & Trio
IV. Presto
I. Allegro Spiritoso
II. Andante
III. Menuetto (Allegretto) & Trio
IV. Presto

Tracks:

I. Allegro Spiritoso
II. Andante
III. Tempo Primo (Allegro Spiritoso)
I. Allegro Con Spirito
II. Andante
III. Menuetto & Trio
IV. Presto
I. Adagio - Allegro
II. Andante
III. Menuetto (Allegretto) & Trio
IV. Allegro

Tracks:

I. Allegro Vivace
II. Andante Di Molto Piu Tosto Allegretto
III. Allegro Vivace
Appendix: Menuetto & Trio, K409
I. Allegro Assai
II. Andante Moderato
III. Menuetto & Trio
IV. Allegro Assai

Tracks:

I. Adagio - Allegro Spiritoso
II. Poco Adagio
III. Menuetto & Trio
IV. Presto
I. Adagio - Allegro
II. Andante
III. Presto

Tracks:

I. Molto Allegro
II. Andante
III. Menuetto (Allegretto) & Trio
IV. Allegro Assai
I. Allegro Vivace
II. Andante Cantabile
III. Menuetto (Allegretto) & Trio
IV. Molto Allegro

Customer Reviews:

A set for completists in stylish, convincing performances.......2006-02-14

Great music deserves to be an event whenever it is performed, but obviously that can't be the case when a single conductor sets out to record all of Mozart's 41 official symphonies plus relatted fragments and unfinished scores. Complete sets, whoever does them, don't tend to include great performances; one judges them on their average level of artistry. By that measure Jeffrey Tate comes out well. He is an enthusiastic, alert Mozartean who tries hard not to fall into routine, even when the music is less than first-rate.

If you are a completist and can find this 12-CD set for a good price, it's a fine choice, probably better overall than Marriner and the ASMF, whose readings are on the same scale and adhere to the same middle-of-the-road appraoch. In neither set do we get extreme tempos or screechy violins playing without vibrato. These are polished, cultivated readings.

Having said that, there are a number of Mozart symphonies where one wants a great performance, including #25, 29-31, 33-36, and 38-41, each climbing steadily higher on the scale of masterpieces. In these dozen symphonies I would not judge Tate's readings to be at the top of the heap (the same goes for other complete sets by Bohm, Levine, Mackerras, and Marriner that I have sampled). So even if you buy his whole cycle, you are likely to overlap quite a few works in search of greater inspiration. I long ago decided to pick and choose among great recordings, so my Mozart shelf includes Abbado, Bruno Walter, Klemperer, Bernstein, and Karajan, along with selected, lesser readings of early symphonies that major conductors usually don't touch.

Excellent survey of Mozart's symphonies.......2004-04-22

I would highly recommend this set! I have 3 complete sets of Mozart symphonies -- this one, Karl Bohm's, and the Mackerass discussed below, and I must say that Tate is my favorite. The Mackerass seems dry to my ears -- perhaps it's the harpsichord -- the sound is somewhat flat, and the performances can be a bit lifeless. Bohm's performances and orchestra are superb, but the sound is dated, the style can seem a bit heavy at times, and most of the repeats are cut. Tate seems to bring everything you could want to the table -- a fine ensemble, great sound, refined elegant playing, and he includes a number of early symphonies that the others lack. Mozart covers a lot of ground in these 51 works, and there are certainly better performances of the more famous individual symphonies out there -- but if you want them all at once from a single point of view, Tate's survey provides an excellent perspective.

If you have the $$$, this would be my recommendation for a complete set of Mozart's symphonies. It will provide much enjoyment for many years. For a cheaper symphonic sampling of Mozart, try the recently re-released late symphony collection by Leonard Bernstein in Vienna (more satisfying than Tate in some respects, but not a complete set), or the 2-CD DG set by Bohm of 35-41.

one of the best.......2003-12-15

Tate's set of complete Mozart symphonies is truly most pleasing, and, certainly, one of the best available. It may seem like it's an expensive set, but remember that you are getting 12 CDs for the price...a very good value. The quality of recording is excellent, and so is the performance and interpretation. There are also other very good sets. Pinnock's (and I have to disagree with the previous reviewer) is an excellent set for those who are into authentic performance. Having heard several complete sets of Mozart symphonies on modern instruments, Tate's is one of my most favorite ones. Buy it and enjoy.

The best Mozart symphonies box, in performance and sound--.......2003-12-10

Jeffrey Tate is one of the most underrated conductors working today. He reminds me of Blomstedt, actually, who is also just a supremely accomplished conductor whose results speak for themselves, without a lot of flash or hype.

My first Tate/Mozart recording was Thea King's performance of the clarinet concerto on Hyperion. I was immediately struck by the very refined and elegant orchestral backdrop that Tate provided for King. Indeed, the way the ECO plays the adagio of that work for Tate is one of the glories of my CD collection!

Tate's box of Mozart symphonies is the best choice for this repertoire for these same reasons: refinement, elegance, supremely accomplished playing by one of the world's best Mozart bands, and a superior recording.

Mackerras with the Prague outfit is overrated, in my opinion. First, the rhythms and tempos are a little overdriven in an effort to make everything sound "fresh." Second, I'm no fan of a harpsichord continuo in Mozart (which Tate eschews). Third, many critics have noticed a distracting reverberation in many of the Mackerras recordings. Fourth--and most importantly--Mackerras simply lacks the intangible "je ne sais quoi" that makes Tate's performances sing.

By the way, to clear up any confusion, the last nine discs of this present 12-disc set were previously issued in a Mozart box that was available for several years. In Fall 2003, EMI added three discs containing the earliest symphonies and reissued this set as a 12-disc set.

So if you're considering Mackerras, or Marriner/Krips, or (worst of all) Pinnock and his squeezing/scraping authentic band, you really should investigate this set, too. I've played the first 9-disc issue endlessly for several years now. To me, it epitomizes Mozartian sparkle, elegance, and refinement.

You can't do better!

Music Track: