Songs, dances, and fantasy
Track Listings
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1. The Mala Fantasy, Tibor Freso
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2. Lullaby, for a Little One, William Ferris
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3. Listen Lassies, Alexander Borodin
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4. Doubt, Mikhail Glinka
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5. Beautiful Fishermaiden, Alexander Borodin
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6. Bouree, George Frederic Handel
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7. Tambourin, Andre Earnest Gretry
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8. Aria, Nicolo Porpora
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9. A Fable for tenor, double bass and harp
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Editorial Reviews
(Chicago Tribune)
"fascinating recording by a gifted contrabassist" - Chicago Tribune
Performers
Tibor Freso, William Ferris, Alexander Borodin, George Frederic Handel, Andre Earnest Gretry, Nicolo Porpora
Songs, dances, and fantasy
Songs, dances, and fantasy, Music, double bass Jerry Fuller
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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Instruments of the Orchestra
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Stories Of Schumann And Grieg
Manufacturer: Vox (Classical)
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Binding: Audio CD
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Similar Items:
- Story Of Chopin In Words And Music
- The Story Of Brahms
- The Story of Schubert
- Mendelssohn In Words And Music
- The Story of Tchaikovsky
ASIN: B000001KCV
Release Date: 1995-04-16 |
Tracks:
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft
- Andante And Variations In B-Flat Major
- Symphonic Etudes, Op. 13
- Toccata In C Major, Op. 7
- Kreisleriana, Op. 16
- Piano Concerto In A Minor, Op. 54: Allegro Vivace
- Carnaval, Op. 9
- 'Dedication', Op. 25/1
- Symphony No. 4 in D Minor, Op. 120: Introduction - Vivace
- Papilons, Op. 2
- Op. 25-3: 'The Nut Tree'
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft-Schneller
- Piano Quintet In E-flat Major, Op. 44: Allegro ma non troppo
- Piano Concerto In A Minor, Op. 54: Allegro affettuoso
- Carnaval, Op. 9: Waltz
- Album For The Young, Op. 68: The Merry Farmer
- Scenes From Childhood, Op. 15: Dreams
- Cello Concerto In A Minor, Op. 129: Nicht au schnell
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Feierlich
- Peer Gynt Suite No. 1, Op. 46, No 1
- Lyric Suite, Op. 54-2: Norwegian Rustic Dance
- Op. 12 No. 4: Elf Dance
- Op. 35, No. 1: Norwegian Dances
- Elegiac Melodies
- Op. 64, No. 4: Symphonic Dances
- Op. 35, No. 2: Norwegian Dances
- Op. 5-3: 'I Love Thee'
- Op. 43, No. 1: Butterfly
- Op. 65, No. 6: Wedding Day At Troldhaugen
- Peer Gynt Suite No. 1, Op. 46, No. 3: Anitra's Dance
- Peer Gynt Suite No. 2, Op. 55, No. 4: Solveig's Song
- Peer Gynt Suite No. 1, Op. 46, No. 4: In The Hall Of The Mountain King
- Piano Concerto In A Minor, Op. 16: Allegro moderato; Allegro marcato
- Holberg Suite, Op. 40: Prelude: Allegro vivace
- Lyric Suite, Op. 54, No. 3: Dance Of The Dwarfs
- Homage To Chopin
- Sigurd Jorsalfar Suite, Op. 56, No. 3: Homage March
- Peer Gynt Suite No. 1, Op. 46: Morning Mood
- Peer Gynt Suite No. 1, Op. 46: The Death Of Aase
- Peer Gynt Suite No. 1, Op. 46: Anitra's Dance
- Peer Gynt Suite No. 1, Op. 46: In The Hall Of The Mountain King
- Peer Gynt Suite No. 2, Op. 55: III The Return Of Peer Gynt
- Peer Gynt Suite No. 2, Op. 55: IV Solveig's Song
Average customer rating:
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Bedroom Adagios
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000BWVBV
Release Date: 2003-09-09 |
Tracks:
- Concerto For Harpischord, Strings, And Continuo No. 5 In F Minor, BWV 1056 - Raymond Leppard
- Concerto Grosso In B Minor, Op. 6, No. 12 - The Academy Of St Martin-In-The-Fields
- Pavane For A Dead Princess - Steve Erquiaga
- Romance For String Orchestra - The Academy Of St Martin-In-The-Fields
- Carnival Of The Animals - Pittsburgh Symphony Orchestra
- Bachianas Brasileiras No. 5 - Alexandre Lagoya
- En Bateau - l'ochestre de la suisse romande
- Humming Chorus - BBC Concert Orchestra
- Sicilienne - Steve Erquaiaga
- Italiana - The Academy Of St Martin-In-The-Fields
- Una Furtiva Lagrima - BBC Concert Orchestra
- Chanson De Matin, Op. 15, No. 2 - BBC Concert Orchestra
- Suite In E Major For Lute, BWV 1006A/1000 - Eduardo Fernandez
- Touch Her Soft Lips, And Part - Bournemouth Symphony Orchestra
- Suite for Cello Solo No. 3 In C Major, BWV 1009 - Pepe Romero
- Jesu, Joy Of Man's Desiring - Julian Lloyd Webber
- Pavane - Nicholas Kraemer
- Serenade For Strings In E Major, Op. 22 - The Academy Of St Martin-In-The-Fields
Tracks:
- O Mio Babbino Caro - BBC Concert Orchestra
- Cavatina - Goran Sollscher
- La Fileuse - L'Orchestre De La Suisse Romande
- Flower Duet (Sous Le Dome Epais) - BBC Concert Orchestra
- Pied-En-L'Air - Nicholas Kraemer
- Arioso - Steve Erquiaga
- Two Aquarelles - English Chamber Orchestra
- In Paradisum - Stephen Cleobury
- After A Dream - Steve Erquiaga
- Suite For Cello Solo No. 1 In G Major, BWV 1007 - Mischa Maisky
- My Bonny Boy - The Academy Of St Martin-In-The-Fields
- Concerto For Guitar In D Major, RV 93 - Eduardo Fernandez
- Un Bel Di - BBC Concert Orchestra
- Holbert Suite, Op. 40 - Gothenburg Symphony Orchestra
- Concerto For Oboe In D Minor, BWV 1059 - Heinz Holliger
- Vissi D'Arte - BBC Concert Orchestra
- Sheep May Safely Graze - William Bennett
- Fantasia On Greensleeves - William Bennett
Customer Reviews:
Exceptional Collection.......2003-12-31
I have heard many, many classical "mood" collections, and this is one of the best, with many surprise selections.
It is consistently restful and calming.
I recommend it highly.
Average customer rating:
- I can name that tune in three notes
- A Fabulous CD
- Mega-Sampler! This really does have 99 tracks!
- Fun Sampler
- Useful.
|
Idiot's Guide to Classical Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Scott Joplin: Greatest Hits
- The Complete Idiot's Guide to Classical Music
- Classical Guitar, Vol. 2
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ASIN: B000003FPT
Release Date: 1995-02-14 |
Tracks:
- Adagio
- Air on the G String: Air on the G String, Excerpt
- Brandenburg Concerto: Third Movement, Excerpt
- Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
- Tocatta & Fugue: Excerpt
- Adagio for Strings: Excerpt
- Synphony No. 5: First Movement, Excerpt
- Symphony No. 9: Fourth Movement, Excerpt
- Fse: Excerpt
- Turkish March: Turkish March, Excerpt
- Moonlight Sonata: Excerpt
- Symphonie Fantastique: March Ot the Scaffold, Excerpt
- Damnation of Faust: Excerpt
- Carmen - Habanera: Habanera, Excerpt
- Toreador Song [From Carmen]
- Minuet: Minuet, Excerpt
- Prince Igor: Polovtsian Dance No 17, Excerpt
- Hungarian Dance No. 5: No 5, Excerpt
- Lullaby: No 4, Lullaby, Excerpt
- "Minute" Waltz: Excerpt
- Grande Valse Brillante: Excerpt
- Marche Fune: Marche Fune
- Appalachian Spring: Excerpt
- Fanfare for the Common Man: Excerpt
- Clair de Lune: Excerpt
- Prelude to the Afternoon: Excerpt
- Lakm Flower Duet: Flower Duet, Excerpt
- Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
- The Sorcerer's Apprentice: Excerpt
- Pomp & Circumstance: Excerpt
- El Amor Brujo
- Pavane: Excerpt
- Rhapsody in Blue: Excerpt
- American in Paris: Excerpt
- Funeral March of Marionette: Excerpt
- Piano Concerto in a Minor: Excerpt
- Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
- Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
- Water Music - Hornpipe: Hornpipe, Excerpt
- Symphony No. 94 "Surprise": Second Movement, Excerpt
- The Planets - Mars: Mars, Excerpt
- Sabre Dance: Sabre Dance, Excerpt
- Pagliacci: Vesti la Giubba, Excerpt
- Hungarian Rhapsody
- Liebestraum No. 3: No 3, Excerpt
- Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
- Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
- Symphony No. 4 "Italian": Fourth Movement, Excerpt
- Rondeau: No 1, Rondeau
- Piano Concerto No. 21: Andante, Excerpt
- Eine Kleine Nachtmusik: First Movement, Excerpt
- The Marriage of Figaro - Overture: Overture, Excerpt
- Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
- Symphony No. 40: First Movement, Excerpt
- Night on Bald Mountain: Excerpt
- Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
- Barcarolle: Barcarolle, Excerpt
- Orpheus in Hades - Theme II: Excerpt (Theme)
- Carmina Burana - O Fortuna: O Fortuna, Excerpt
- Canon: Canon, Excerpt
- Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
- Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
- Turandot - Nessun Dorma: Nessun Dorma, Excerpt
- Piano Concerto No. 2: Second Movement, Excerpt
- Symphony No. 2: Third Movement, Opening, Excerpt
- Rhapsody on a Theme: Variation 18, Excerpt
- Bolero
- Flight of the Bumblebee
- Concierto de Aranjuez - Adagio: Adagio, Excerpt
- The Barber of Seville - Overture: Excerpt
- The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
- William Tell Overture - Theme II: Excerpt
- Danse Macabre: Excerpt
- Gymnope No. 1
- Symphony N0. 8 "Unfinished": Excerpt
- Ave Maria: Excerpt
- Finlandia [Finale: Finale, Excerpt]
- Valse Triste: No 1, Valse Triste, Excerpt
- Stars & Stripes Forever: Excerpt
- Semper Fidelis: Excerpt
- Blue Danube Waltz: Excerpt
- Tales from the Vienna Woods: Excerpt
- Also Sprach Zarathustra: Fanfare, Excerpt
- Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
- The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
- Swan Lake - Waltz: Waltz, Excerpt
- Sleeping Beauty -: Waltz, Excerpt
- Romeo & Juliet - Theme II: Theme LL, Excerpt
- Piano Concerto No. 1 - Opening: Opening, Excerpt
- 1812 Overture - Finale: Finale, Excerpt
- Fantasia on "Greensleeves": Excerpt
- Alda - Grand March: Grand March, Excerpt
- Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
- Requiem - Dies Irae: Dies Irae, Excerpt
- Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
- The Four Seasons "Spring" - Allegro: Allegro, Excerpt
- The Four Season "Winter" - Largo: Largo, Excerpt
- Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
- Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt
Customer Reviews:
I can name that tune in three notes.......2005-02-19
My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.
A Fabulous CD.......2004-10-14
The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.
Mega-Sampler! This really does have 99 tracks!.......2002-03-20
Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.
If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.
The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.
I can honestly say that this CD is a great gift for the friend who has everything.
Fun Sampler.......2001-11-09
For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.
Useful........1999-03-22
Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Average customer rating:
|
Virtuoso Violin
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B00005NPK5
Release Date: 2003-01-07 |
Tracks:
- Carmen Fantasy, Op.25 - Itzhak Perlman
- I: El Pano Moruno
- II: Nana
- III: Cancion
- IV: Polo
- V: Asturiana
- VI: Jota
- Spanish Dance
- Danza Da La Gitana
- Habanera, Op.21 No.2
- Playera, Op.23
- Spanish Dance, Op.26 No.8
- Malaguena, Op.21 No.1
- Caprice Basque, Op.24
- Romanza Andaluza, Op.22
- Zapateado, Op.23
- Malaguena, Op.165 No.3
- Ziguenerweisen, Op.20 - Itzhak Perlman
Customer Reviews:
Simply fantastic.......2007-05-07
I am a 29 years-old violin musician. To be concise, you will never obtain so, so much for such a little price. Some of the works were originally written for Spanish guitar, and others exclusively for violin, as those from Sarasate, and the violin performance of all of them together is simply fantastic.
Average customer rating:
|
Piano Classics
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000542ID
Release Date: 2001-01-09 |
Tracks:
- Pno Son in C, K.545: I. Allegro - Marta Deyanova
- Pno Son in C, K.545: II. Andante - Marta Deyanova
- Pno Son in C, K.545: III. Rondo: Allegretto - Marta Deyanova
- Pno Son in A, K.331/300j: I. Andante Grazioso - Marta Deyanova
- Pno Son in A, K.331/300j: II. Menuetto & Trio - Marta Deyanova
- Pno Son in A, K.331/300j: III. Alla Turca: Allegretto - Marta Deyanova
- Pno Son in F, K.332/300k: I. Allegro - Marta Deyanova
- Pno Son in F, K.332/300k: II. Adagio - Marta Deyanova
- Pno Son in F, K.332/300k: III. Allegro Assai - Marta Deyanova
- Fant in c, K.475: Adagio - Allegro - Andantino - Marta Deyanova
Tracks:
- Son No.8 in C, Op.13 'Pathetique': Grave - Allegro Di Molto Con Brio - Bernard Roberts
- Son No.8 in C, Op.13 'Pathetique': Adagio Cantabile - Bernard Roberts
- Son No.8 in C, Op.13 'Pathetique': Rondo - Allegro - Bernard Roberts
- Son No.14 in c#, Op.27 No.2 'Moonlight': Adagio Sostenuto - Bernard Roberts
- Son No.14 in c#, Op.27 No.2 'Moonlight': Allegretto - Bernard Roberts
- Son No.14 in c#, Op.27 No.2 'Moonlight': Presto Agitato - Bernard Roberts
- Son No.21 in C, Op.53 'Waldstein': Allegro Con Brio - Bernard Roberts
- Son No.21 in C, Op.53 'Waldstein': Intro: Adagio Molto - Rondo: Allegretto Moderato - Bernard Roberts
- Son No.26 in E flat, Op.81a 'Les Adieux': Das Lebewohl: Adagio - Bernard Roberts
- Son No.26 in E flat, Op.81a 'Les Adieux': Abwesenheit: Andante Espressivo - Bernard Roberts
- Son No.26 in E flat, Op.81a 'Les Adieux': Das Widersehen: Vivacissimamente - Bernard Roberts
Tracks:
- Impromptus, Op.142 D.935: No.1 in f: Allegro Moderato - Marta Deyanova
- Impromptus, Op.142 D.935: No.2 in A flat: Allegretto - Marta Deyanova
- Impromptus, Op.142 D.935: No.3 in B flat: Andante (Theme And Vars) - Marta Deyanova
- Impromptus, Op.142 D.935: No.4 in f: Allegro Scherzando - Marta Deyanova
- Six Moments Musicaux, Op.94 D.780: No.1 in C: Moderato - Marta Deyanova
- Six Moments Musicaux, Op.94 D.780: No.2 in a flat: Andantino - Marta Deyanova
- Six Moments Musicaux, Op.94 D.780: No.3 in f: Allegretto Moderato - Marta Deyanova
- Six Moments Musicaux, Op.94 D.780: No.4 in c#: Moderato - Marta Deyanova
- Six Moments Musicaux, Op.94 D.780: No.5 in f: Allegro Vivace - Marta Deyanova
- Six Moments Musicaux, Op.94 D.780: No.6 in A flat: Allegretto - Marta Deyanova
- Impromptu, Op.90 D.899: No.3 in G flat: Andante - Marta Deyanova
Tracks:
- Caprice in a, Op.33 No.1 - Martin Jones
- Andante And Rondo Capriccioso, Op.14 - Martin Jones
- Prld and Fugue in e, Op.35 No.1: Allegro Con Fuoco - Martin Jones
- Prld and Fugue in e, Op.35 No.1: Andante Espressivo - Martin Jones
- Study No.2 in F: Allegro Con Moto - Martin Jones
- Prld And Fugue in f, Op.35 No.5: Andante Lento - Martin Jones
- Prld And Fugue in f, Op.35 No.5: Allegro Con Fuoco - Martin Jones
- Fant in e, Op.16 No.2: II. Scherzo-Presto - Martin Jones
- Songs Without Words: Book I, Op.19: No.1 in E: Andante Con Moto - Martin Jones
- Songs Without Words: Book I, Op.19: No.3 in A: Molto Allegro E Vivace (Hunting Song) - Martin Jones
- Songs Without Words: Book I, Op.19: No.6 in g: Andante Sostenuto (Venetian Gondola Song) - Martin Jones
- Songs Without Words: Book II, Op.30: No.4 in b: Agitato E Con Fuoco - Martin Jones
- Songs Without Words: Book IV, Op.53: No.4 in F: Adagio - Martin Jones
- Vars Serieuses in d, Op.54 - Martin Jones
- Songs Without Words: Book V, Op.62: No.5 in a: Andante Con Moto - Martin Jones
- Songs Without Words: Book V, Op.62: No.6 in A: Allegretto Grazioso (Spring Song) - Martin Jones
- Songs Without Words: Book VI, Op.67: No.4 in C: Presto (Spinning Song) - Martin Jones
- Songs Without Words: Book VII, Op.85: No.1 in F: Andante Espressivo - Martin Jones
- Songs Without Words: Book VIII, Op.102: No.3 in C: Presto - Martin Jones
- Songs Without Words: Book VIII, Op.102: No.4 in g: Un Poco Agitato, Ma Andante - Martin Jones
- Seven Characteristic Pieces, Op.7: No.7 in E: Presto - Martin Jones
- Klavierstucke: No.2 in g - Martin Jones
Tracks:
- Etudes Symphoniques, Op.13: Theme - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude I - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude II - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude III - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude IV - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude V - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude VI - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude VII - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude VIII - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude IX - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude X - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude XI - Shura Cherkassky
- Etudes Symphoniques, Op.13: Etude XII - Shura Cherkassky
- Carnaval, Op.9: Preamble (Quasi Maestoso) - Marta Deyanova
- Carnaval, Op.9: Pierrot (Moderato) - Marta Deyanova
- Carnaval, Op.9: Arlequin (Vivo) - Marta Deyanova
- Carnaval, Op.9: Valse Noble (Un Poco Maestoso) - Marta Deyanova
- Carnaval, Op.9: Eusebius (Adagio) - Marta Deyanova
- Carnaval, Op.9: Florestan (Passionato) - Marta Deyanova
- Carnaval, Op.9: Coquette (Vivo) - Marta Deyanova
- Carnaval, Op.9: Replique (L'istesso Tempo) - Marta Deyanova
- Carnaval, Op.9: Papillons (Prestissimo) - Marta Deyanova
- Carnaval, Op.9: A.S.C.H.-S.C.H.A. Lettres Dansantes (Presto) - Marta Deyanova
- Carnaval, Op.9: Chiarina (Passionato) - Marta Deyanova
- Carnaval, Op.9: Chopin (Agitato) - Marta Deyanova
- Carnaval, Op.9: Estrella (Con Affetto) - Marta Deyanova
- Carnaval, Op.9: Reconnaissance (Animato) - Marta Deyanova
- Carnaval, Op.9: Pantalon Et Colombine (Presto) - Marta Deyanova
- Carnaval, Op.9: Valse Allemande (Molto Vivace)/Paganini: Intermezzo (Presto) - Tempo I - Marta Deyanova
- Carnaval, Op.9: Aveu (Passionato) - Marta Deyanova
- Carnaval, Op.9: Promenade (Comodo) - Marta Deyanova
- Carnaval, Op.9: Pause (Vivo) - Marta Deyanova
- Carnaval, Op.9: March Des Davidbundler Contre Les Philistins (Non Allegro) - Marta Deyanova
- Toccata in C, Op.7: Allegro - Mark Anderson
Tracks:
- Vars On A Theme Of Paganini, Op.35: Book I - Martin Jones
- Vars On A Theme Of Paganini, Op.35: Book II - Martin Jones
- Hungarian Dances: No.1 Allegro - Martin Jones
- Hungarian Dances: No.3 Allegretto - Martin Jones
- Hungarian Dances: No.5 Allegro - Martin Jones
- Hungarian Dances: No.10 Presto - Martin Jones
- Gavotte - Martin Jones
- Rhap in B, Op.79 No.1 - Martin Jones
- Ballade in D, Op.79 No.1 - Martin Jones
- Intermezzo in E flat, Op.117 No.1 - Martin Jones
- Romanze in F, Op.118 No.5 - Martin Jones
- Intermezzo in e flat, Op.118 No.6 - Martin Jones
- Intermezzo in b, Op.119 No.1 - Martin Jones
- Rhap in E flat, Op.119 No.4 - Martin Jones
Tracks:
- Scherzo No.3 in c#, Op.39 - Vlado Perlemuter
- Berceuse in D flat, Op.57 - Vlado Perlemuter
- Ballade No.2 in F, Op.38 - Vlado Perlemuter
- Etude in E, Op.10, No.3 'Tristesse' - Vlado Perlemuter
- Etude in G flat, Op.10, No.5 'Black Key' - Vlado Perlemuter
- Etude in c, Op.10, No.12 'Revolutionary' - Vlado Perlemuter
- Etude in G flat, Op.25, No.9 'Butterfly' - Vlado Perlemuter
- Etude in a, Op.25, No.11 'Winter Wind' - Vlado Perlemuter
- Nocturne in c, Op.48 No.1 - Vlado Perlemuter
- Nocturne in D flat, Op.27 No.2 - Vlado Perlemuter
- Son No.2 in b flat, Op.35: Marche Funebre - Vlado Perlemuter
- Prld in D flat, Op.29 No.15 'Raindrop' - Vlado Perlemuter
- Prld in c, Op.28 No.20 - Vlado Perlemuter
- Prld in A, Op.28 No.7 - Vlado Perlemuter
- Prld in c#, Op.45 - Vlado Perlemuter
- Barcarolle in F#, Op.60 - Vlado Perlemuter
Tracks:
- Rhap Espagnole (Folies D'Espagne Et Jota Aragonesa) - Mark Anderson
- Zwei Konzertetuden: Walderauschen - Mark Anderson
- Zwei Konzertetuden: Gnomenreigen - Mark Anderson
- Annees De Pelerinage - Troisieme Annee: Les Jeux D'eau A La Villa D'Este - Mark Anderson
- Legendes: St. Francois D'Assise 'La Predication Aus Oiseau' - Mark Anderson
- Legendes: St. Francois De Paule Marchant Sur Les Flots - Mark Anderson
- 3. Mephisto - Waltzer - Mark Anderson
- Vier Kleine Klavierstucke: I. Sehr Langsam (Adagio) - Mark Anderson
- Vier Kleine Klavierstucke: II. Moderato - Mark Anderson
- Vier Kleine Klavierstucke: III. Sehr Langsam (Adagio) - Mark Anderson
- Vier Kleine Klavierstucke: IV. Andantino - Mark Anderson
- Annees De Pelerinage - Deuxieme Annee: Sonetto 104 Del Petrarca - Mark Anderson
Customer Reviews:
Big Music-Little Money.......2001-05-28
Most amount of songs for the least amount of money...its great...i still haven't listened to all of them because there is so much music on these cd's...its great...get this!! its a must have for the collector of classical music...
Average customer rating:
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The Perlman Edition (Box Set)
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ASIN: B0000AF1O4
Release Date: 2004-05-04 |
Average customer rating:
- A Mussorgsky feast beyond praise
- A STRONG REBUTTLE to the "bad" reviews.
- Review for Richter's "Pictures" Only
- A bad whooping cough in 1958 in Sofia, Bulgaria
- Giant performance!
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ASIN: B00004W3IV
Release Date: 2000-09-26 |
Tracks:
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Gnomus
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: The Old Castle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Tuileries
- Pictures At An Exhibition: Bydlo
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Ballet Of The Unhatched Chicks
- Pictures At An Exhibition: Samuel Goldenberg und Schmuyle
- Pictures At An Exhibition: The Market At Limoges
- Pictures At An Exhibition: Catacombs: The Roman Tomb
- Pictures At An Exhibition: With The Dead In A Dead Language
- Pictures At An Exhibition: The Hut On Chicken's Legs
- Pictures At An Exhibition: The Great Gate Of Kiev
- Night On Bald Mountain
- Songs And Dances Of Death: 1. Lullaby
- Songs And Dances Of Death: 2. Serenade
- Songs And Dances Of Death: 3. Trepak
- Songs And Dances Of Death: 4. The Field Marshal
- Khovanshchina - Highlights: Prelude: Dawn Over The River Moscow
- Khovanshchina - Highlights: Dances Of The Persian Slave Girls
Tracks:
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Gnomus
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Il vecchio castello - Promenade
- Pictures At An Exhibition: Tuileries
- Pictures At An Exhibition: Bydlo
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Ballet des petits poussins dans leurs coques
- Pictures At An Exhibition: Samuel Goldenberg und Schmuyle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Limoges: Le Marche
- Pictures At An Exhibition: Catacombae: Sepulchrum Romanum - Cum mortuis in lingua mortua
- Pictures At An Exhibition: La Cabane sur des pattes de poule
- Pictures At An Exhibition: La Grande Porte de Kiev
- 6 Songs: Lullaby
- 6 Songs: The Magpie
- 6 Songs: Night
- 6 Songs: Where Art Thou, Little Star?
- 6 Songs: The Ragamuffin
- 6 Songs: On The Dnieper
- Boris Godunov - Highlights: Shuisky: 'Long Live Our Tsar Boris Feodorovich!' (Prologue)
- Boris Godunov - Highlights: Boris Godunov: 'My Soul Is Sad! (Prologue)
- Boris Godunov - Highlights: Boris Godunov: 'I Stand Supreme In Power'
- Boris Godunov - Highlights: Boris Godunov: 'Farewell, My Son, I Am Dying'
- Boris Godunov - Highlights: Boris Godunov: 'Hark! 'Tis The Knell Of Death!'
Customer Reviews:
A Mussorgsky feast beyond praise.......2006-06-11
It was incredibly generous of DG to throw toegther these great performances--one of them legenday--in a bargain two-fer. The legendary performance, of course, is Richter's 1958 Pictures at an Exhibition performed in concert. The rights are owned by Philips, but I don't know if their latest remastering has been used here. The complaints about dreadful sonics are justified: the piano is far away and tinny, the Sofia audience coughs continuously--some of them are lucky to have left with their lungs intact--and there is a noisy exhaust fan in the foreground. It's a testimony to Richter's incandescent reading that it survives beyond all obstacles.
Another high point is the orchestral reading of Pictures under Giulini with the CSO. This was a famous recording in its day, because Giulini took the thrice-familiar music seriously, a bit slower than usual, adding many individual touches. Maybe his approach becomes ponderous and too serious at times, but it's one of a kind, and the solo winds in the orchestra are a delight.
Actually, I was most moved by Vishnievskaya's selection of songs, recorded in the Soviet Union with Igor Markevitch adding his superlative accompaniments--this is Mussorgsky singing of the highest order. But so is Fassbaender's Songs and Dances of Death, despite her lack of Slavic authenticity. Maazel bombs through Night on Bald Mountain with suitable thrills.
In all, this Panorama two-fer can't be faulted. It's one of the very best in the seeries, and several of the choicest things on it are otherwise out of print.
A STRONG REBUTTLE to the "bad" reviews........2006-05-19
155 minutes of music and one reviewer gives these CDs 1 star for couging here and there during 7 minutes of Richter's Pictures recital. Not continually mind you. I DON'T GET IT!
A reviewer doesn't like vocal music..so 2 stars. I DON'T GET IT! Just because one does not like "classical" vocals, doesn't mean they stink.
This is over 2 1/2 hours at single CD budget price. Geez...
Giulini gives a superbly recorded THRILLING performance of Pictures that, in my humble opinion, is second only to Reiner's. Also with the CSO 15 years earlier.
This 34+ minutes alone is worth the price of this collection.
The excerpts from Boris Gudonov are considered one of the best performances in the catalog (Karajan/VPO). 29 minutes and a good way to determine if you want to purchase the complete opera 3 CD set for over $30+ bucks.
Markevich/Vishnevskaya is considered to be the definitive version for the "6 songs".
The Kovanshchina prelude (Dawn on The Moskva River) is one the most heart rending themes in the canon. Simply gorgeous 6 minute piece of music.
I could go on and on.
Sure there are a few "gaffs" on these CDs. Maazel brings in Bald Mountain in under 10 minutes. Whew!
But hey...kudos to the orchestra for being able to play that well, that fast without stumbling over each other. Quite exhilerating acually.
And Then there is Richter's famous/"infamous" Pictures. Yes the annoying cough and a not so sonic recording. But anyone looking for just this track should already have been aware of this problem. "Classisists" have been talking about this problem for 50+ years. Obviously it can't be fixed. But still several coughs in 30+ minutes just makes it sound as live a performance as it is.
So let's recap...155 minutes of music with maybe parts of 15 minutes of minor problems for DISCOUNT bucks. Pretty good math I'd say. Equals 5 STARS where I come from.
Overall, this is an excellent CD for those who want Mussorgsky's major orchestral output in one package at a bargain price.
Top conductors, top orchestras, great performances and, except for Richter's Pictures, GREAT SONICS.
If you want a truly magnificent solo piano Pictures try Pletnev's on Virgin Classics. It will blow you away. And you get the bonus of his own piano transcription of Tchaikovsky's Sleeping Beauty which is even better.
ENJOY!
Review for Richter's "Pictures" Only.......2006-04-24
I was thrilled to find that Deutsche Grammophon has reissued Sviatoslav Richter's famous Sophia performance of "Pictures." I have owned it on tape, but have until now not had it on CD. I was surprised by previous reviews of this edition, since I thought that the explosive coughing had been toned down substantially. My tape broke years ago, so maybe my memory is off. But the re-engineering of this performace has been one of the most needed "retrofits" in the entire classical catalogue. The sound quality of this edition is certainly much better than the old Polydor record.
I also will refrain from entering the "Is it the greatest Pictures ever?"-debate. It is my favorite. One sometimes hears critics dismiss the piano--thus Mussorgsky's--version as monochromatic. But Richter presents a much more percussive version than most others, which may be why some people don't care for it. (My dad played this piece with a more Romantic reading.) It's a matter of taste: I have never cared for the Ravel version, probably because the percussive aspect doesn't translate into orchestration.
I almost never write music reviews, since I'd hate to convince people to plunk down good money on a CD that conforms to my taste but not theirs. BUT, if you have enjoyed this performace in the past . . .
I give five stars to Richter recital, which amazes me still. I agree that his deliberate "clunkers" are distracting. But having listened to this performance for almost twenty years, it is the "correct" playing of Pictures that now jars me. If you love this performance, as I clearly do, you'll be happy to have this CD. Just don't Google the Hartmann pictures which inspired Mussorgsky. It's disillusioning, but they aren't very good!
A bad whooping cough in 1958 in Sofia, Bulgaria.......2006-04-17
I was listening to the magnificient percussion and
overall sound of this double release, from 2000, #469 169-2,
when throughout the 1st CD, which opens up with the Mussorgsky
number PICTURES AT AN EXHIBITION, there's an irritating
musician in the room, exhibiting signs of a bad whooping cough,
thereby totally destroying the 20 minutes or so recording!
There are many soft passages throughout the number, and
it is just incredible that DEUTSCHE GRAMMOPHON allowed the
bad caugh distractions and irritations (cough! cough! cough!)
to stay on the tape!
Unbelievable! It's so bad, I thought about unloading this
art work, at a second hand music store for a buck and a half,
although I surely paid more than $20 for this double CD release
a few years ago.
I don't care much for the vocal pieces, either.
Aside from that, the remainder of the release is very strong,
so ...I can't bring myself to unload it....yet, anyway.
Giant performance!.......2005-06-03
Carlo Maria Giulini has been to my mind one of the most aristocratic, intelligent, wisdom and remarkable conductors in the last Century. Born in 1914, Giulini owns that special touch of genius that has been proved in several ocassions.
There are several works in the Symphonic repertoire whose meaning depends in last instance of your personal world's approach. The list wold be extremely long but briefly I would name five classic works: The Eroica, The First of Mahler, The Ninth of Bruckner, The fourth of Nielsen and this work.
What do you demand from this work? Fireworks, nostalgic approach, musical musculature,effectism or tonal poolish?
Besides a great amount of recorded versions, there is however, a relatively small number of succesful performances from the early forties with Arturo Toscanini, Guido Cantelli and Igor Markevitch in the fifties, Dorati in the sixties and then Markevitch again and Giulini in the seventies.
Giulini gives this work a remarkable stature, enriching the score with sumptuous details and rubatos, smart accents, inflexions, color sense and above all a noblesse spirit that personally I haven't listened in any other previous version.
Go for this golden treasure recording. But do not expect great fireworks exercises. Giulini never searched the gallery' s applause. He was a honest and original master by himself: his personal landmark.
Average customer rating:
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Fantasies, Ayres and Dances - Elizabethan and Jacobean Consort Music
Manufacturer: RCA
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Byrd, William
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Similar Items:
- The Golden Age of English Lute Music
- Dowland: Complete Lute Works, Vol.1-5
- Early Venetian Lute Music
- Codex Faenza: Instrumental Music of the Early 15th Century
ASIN: B000003ERG
Release Date: 1990-10-25 |
Tracks:
- Morley Joyne Hands
- Phillips Phillips Pavin
- Dowland The Frog Galliard
- Nicholson The Jew's Delight
- Morley The Sacred End Pavin
- And Galliard
- Alison De La Tromba Pavin
- Morley Tirsis And Milla
- Alison Alison's Knell
- Anonymous Grimstock
- Alison Alison's Knell
- Anonymous Grimstock
- Alison Goe From My Window
- Dowland Goe Nightly Cares
- Bachelor Daniel's Almain
- Stogers In Nomine Pavin
- Dowland Eyck Come Again
- Dowland Lachrimae Pavin
- Dowland Can She Excuse
Amazon.com
If you had to reduce your recordings of 16th-century instrumental music to only one disc (a horrendous thought!), you'd do very well to keep this one. Rarely is any recording of any repertoire so well conceived, programmed, and performed--and rarely is the music so consistently and incredibly beautiful. The age in which this music was created may have been infinitely different from ours, but we dearly need music with such sincerity and heart these days. Lutenist Julian Bream and his period-instrument ensemble draw us into an enchanting world of beautiful, sometimes heartbreaking melodies and lovely harmonies. Occasionally we hear a lively dance, and a few times we hear Robert Tear's plaintive tenor. But mostly it's the viols, Renaissance flute, cittern, and lute performing some of the finest examples of English Renaissance music we're ever likely to hear. --David Vernier
Music Track:
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- The Chaucer Songbook
- The Lord of the Rings
- Vienna Première Vol.2
Music Track
music track
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