Verdi: La Traviata a Paris (Highlights from the Opera)
On this CD:
1. La Traviata, opera Preludio
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
Conducted by Zubin Mehta
2. La Traviata, opera Brindisi: Libiamo, libiamo ne'lieti calici
Composed by Giuseppe Verdi
Performed by Giorgio Gatti, Nicolas Rivenq, Jose Cura, Raphaelle Farman, Alain Gabriel
Conducted by Zubin Mehta
3. La Traviata, opera Oh! qual pallor!
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura, Eteri Gvazava
Conducted by Zubin Mehta
4. La Traviata, opera Un dì felice
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura, Alain Gabriel, Eteri Gvazava
Conducted by Zubin Mehta
5. La Traviata, opera E strano! è strano!...Ah, fors'è lui
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Eteri Gvazava
Conducted by Zubin Mehta
6. La Traviata, opera Follie!...Sempre libera
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura, Eteri Gvazava
Conducted by Zubin Mehta
7. La Traviata, opera Lunge da lei
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura
Conducted by Zubin Mehta
8. La Traviata, opera De' miei bollenti spiriti
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura
Conducted by Zubin Mehta
9. La Traviata, opera Oh mio rimorso!
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura
Conducted by Zubin Mehta
10. La Traviata, opera Dite alla giovine
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Rolando Panerai, Eteri Gvazava
Conducted by Zubin Mehta
11. La Traviata, opera Dammi tu forza, o cielo
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Rolando Panerai, Jose Cura, Eteri Gvazava
Conducted by Zubin Mehta
12. La Traviata, opera Di Provenza il mar
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Rolando Panerai, Jose Cura
Conducted by Zubin Mehta
13. La Traviata, opera Noi siamo zingarelle
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Giorgio Gatti, Raphaelle Farman
Conducted by Zubin Mehta
14. La Traviata, opera Di Madride noi siam matadori
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Giorgio Gatti, Raphaelle Farman, Alain Gabriel
Conducted by Zubin Mehta
15. La Traviata, opera Preludio, Act 2
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
Conducted by Zubin Mehta
16. La Traviata, opera Teneste la promessa
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Eteri Gvazava
Conducted by Zubin Mehta
17. La Traviata, opera Addio, del passato bei sogni
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Eteri Gvazava
Conducted by Zubin Mehta
18. La Traviata, opera Parigi, o cara, noi lasceremo
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Jose Cura, Eteri Gvazava
Conducted by Zubin Mehta
19. La Traviata, opera Su una pudica vergine
Composed by Giuseppe Verdi
Performed by Orchestra Sinfonica Nazionale della RAI
with Rolando Panerai, Jose Cura, Eteri Gvazava
Conducted by Zubin Mehta
Editorial Reviews
Amazon.com
This recording presents highlights from the "real time" Traviata presented on European television in June 2000. The idea was to heighten the drama by placing the opera in Parisian locations which still reflected the 1850s setting, and then having the soloists sing as plausibly as possible to a recorded soundtrack. The effect was somewhat bizarre--especially when it appeared that Violetta's cramped, little Act IV apartment had a mysteriously grand concert-hall acoustic. The recording allows one to judge the performance on its musical--instead of its televisual--merits, however, and on the whole it comes off rather well. Dreamboat tenor José Cura makes a passionate and convincing Alfredo, and Eteri Gvazava captures the pathos, if not the sparkle, of Violetta. She excels in the dramatic deathbed music of Act IV, but is less happy in the spinto (and fiendishly difficult) scales and leaps of "Sempre libera" in Act I. The warm orchestral accompaniment is sensitive to the singers, but only occasionally lacks power. All in all, this is a good introduction to the opera and a neat tie-in to the TV production. --Warwick Thompson
Verdi: La Traviata a Paris (Highlights from the Opera), Music, Nicolas Rivenq, Rolando Panerai, Victor Garcia Sierra, Giuseppe Verdi, Zubin Mehta, Raphaelle Farman, Orchestra Sinfonica Nazionale della RAI, Eteri Gvazava, Alain Gabriel, José Cura, Giorgio Gatti, Classical, Classical Music, Italian Romantic Opera, Opera, Opera / Operetta / Oratorio, Opera/Operetta
Average customer rating:
- heywhattsamattayou
- full of passion and love
- Absolutely Beautiful!
- Where is Amore I?
|
Amore II ~ Great Italian Love Arias
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ASIN: B00004C4MX
Release Date: 2000-02-01 |
Tracks:
- Gianni Schicchi: O mio babbino caro
- La rondine: Chi il bel sogno di Doretta
- La Boheme: Quando m'en vo
- La Boheme: Mi chiamano Mimi
- La Boheme: Che gelida manina
- TOSCA: Vissi d'arte
- Madama Butterfly: Un bel di
- Madama Butterfly: Bimba dagli occhi pieni di malia
- Turandot: Tu, che di gel sei cinta
- Rigoletto: La donna e mobile
- Rigoletto: Caro nome
- La Traviata: Lunge da lei...De miei bollenti spiriti...oh mio rimorso
- Aida: Celeste Aida
- L'Elisir d'Amore: Prendi, per me sei libero
- L'Elisir d'Amore: Una furtiva lagrima
- Don Pasquale: Quel guardo il cavaliere
- Fedora: Amor ti vieta
- Turandot: Nessun dorma
Customer Reviews:
heywhattsamattayou.......2007-06-12
i'm a tellin you..... if you dont a like a this music....well you musta been born with the stone for a heart...heh
full of passion and love.......2007-03-31
This CD is full of passion and love. Whenever I listen to it, I get the butterfly feeling in my stomach...must have CD!!!! I strongly recommend!
Absolutely Beautiful!.......2002-03-02
Two words describe the music found on this CD: ABSOLUTELY BEAUTIFUL! The beauty of the vocals and music combine to allow one to transcend from the daily grind to a world of beauty. Bravo!
Where is Amore I?.......2001-02-16
This CD is a selection of arias from Italian operas. Most of the time when you get a compilation like this, you feel lucky if you like 2/3 of the selections. In this case, whoever did the selecting did a great job, there isn't a clinker in the lot. About half of the arias are by Puccini, the rest are by Verdi, Donizetti, and Giordano. Singers include Kiri Te Kanawa, Luciano Pavarotti, Richard Tucker, and Andrea Rost. There is enough variety to keep the whole CD interesting, yet the mood is consistent throughout. The sound is generally quite good, and while I am not generally a fan of live recordings, the audience response in the performance by Pavarotti really does add excitement to the presentation. Given the title of this CD, I assumed this was the second in a series, and I liked it so much I went looking for the original. Unfortunately, I can find no other CD on the Sony label titled Amore - too bad.
Average customer rating:
- Operatic icon. Performer against which others are measured.
- La Divina set the stage
- The queen of opera
- Essential!
- The entire La Divina series is AMAZING!
|
La Divina 2
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B000002RTT
Release Date: 1994-07-19 |
Tracks:
- Alceste: Divinites du Styx Acte 1
- Carmen: Les tringles des sistres tintaient Acte ll
- Ernani: Surta e la notte......Ernani! Ernani, involami Atto l
- Manon Lescaut: In quelle trine morbide Atto ll
- Aida: Ritorna vincitor Atto l
- Orphee et Eurydice: J'ai perdu mon Eurydice Acte lV
- I vespri siciliana: Bolero: Merce, dilette amiche Atto V
- Louise: Depuis le jour Acte lll
- La Boheme: Donde lieta usci Atto lll
- Mignon: Ah, pour ce soir...Je suis Titania Acte ll
- La Traviata: Teneste la promessa...Addio, del passato Atto lll
- Don Carlo: O don fatale Atto lll
- Samson et Dalila: Printemps qui commence Acte l
- La Sonnambula: Compagne, teneri amici...Come per me sereno Atto l
- Adriana Lecouvreur: Ecco: respiro appena...Io son 'lumile ancella Atto l
- Lucia di Lammermoor: Spargi d'amaro pianto Atto lll
Customer Reviews:
Operatic icon. Performer against which others are measured........2007-05-26
Maria Callas may be the only female operatic 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.
La Divina set the stage.......2007-01-05
Maria Callas, as I understand it (I'm not a music expert), helped create a new interest in the bel canto tradition of Donizetti and Bellini at mid-twentieth century. This album represents those composers, plus many others as well.
Callas' range in choice of operatic material is great indeed. Selections on this CD run from Gluck to Donizetti to Bizet and Puccini. Her voice, uneven on occasion, does not define her importance. As noted, she helped spark a renewed interest in bel canto works. The irony is that she did not have great coloratura skills. In the selection from Lucia di Lammermoor, a trill is scarcely heard. Think a few years later, to Joan Sutherland, later still to Beverly Sills, and more recently to sopranos such as Angela Gheorghiu. They all have much better technique, trill well, and exhibit much more agile coloratura singing. But Callas was an important predecessor.
More important than technique is the passion that many heard in her voice and her presence on stage. This is a good introduction to the range of Callas' repertoire and a reminder of this fiery singer from decades ago.
The queen of opera.......2004-05-16
Absolutely beautiful! Divine is the only word to do her justice! Viva La Divina, BRAVISSIMA!
Essential!.......2004-04-04
All three La Divina Albums are essential indeed! I bought them all and enjoy them! A very beautiful, dramatic voice!
The entire La Divina series is AMAZING!.......2004-02-26
I bought all three La Divina Releases and they're all splendid. Brilliant, for Callas and beyond!
Average customer rating:
- OPERA HEAVEN
- Incredibly Beautiful . . .
- Ultimate Aria
- Ultimate indeed
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The Ultimate Aria Collection ~ A Passion for Opera
Georges Bizet , Giuseppe Verdi , Giacomo Puccini , Gaetano Donizetti , Ruggero Leoncavallo , Gioachino Rossini , Gustave Charpentier , Leo Delibes , Vincenzo Bellini , Christoph Willibald Gluck , Pietro Mascagni , Wolfgang Amadeus Mozart , Francesco Cilea , Edouard Lalo , Camille Saint-Saens , Arrigo Boito , George Frideric Handel , Alfredo Catalani , Amilcare Ponchielli , Charles Gounod , Jules Massenet , Ambroise Thomas , Fritz Wunderlich , Rome Opera Theater Orchestra & Chorus , Maria Callas , Elisabeth Schwarzkopf , Orchestra e Coro del Teatro alla Scala , Wiener Philharmoniker , Orchestre de Paris , Carlo Maria Giulini , Tullio Serafin , Sir Charles Mackerras , Francesco Molinari-Pradelli , Riccardo Muti , and Leone Magiera
Manufacturer: EMI Classics
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ASIN: B000009OQL
Release Date: 1998-08-11 |
Tracks:
- Carmen: Quand je vous aimerai? ...L'amour (Habanera)
- I Pagliacci: Recitar!... Vesti la giubba
- Madama Butterfly: Un bel di vedremo
- L'Elisir d'Amore: Una furtiva lagrima
- Nabucco: Va pensiero (Chorus Of The Hebrew Slaves)
- Gianni Schicchi: O mio babbino caro
- Rigoletto: La dona e mobile
- The Barber Of Seville: Largo al factotum
- Louise: Depuis le jour
- Lakme: Flower Duet
- Turandot: Nessun dorma
- Norma: Casta diva
- Gianni Schicchi: A vete torto!
- TOSCA: Vissi d'arte
- TOSCA: E lucevan le stelle
- La rondine: Chi il bel sogno di Doretta
- Il Trovatore: Di quella pira
Tracks:
- L'Elisir d'Amore: Quanto e bella, quanto e cara!
- Orphee et Eurydice: J'ai perdu mon Eurydice
- La Boheme: Che gelida manina
- La Boheme: Si, mi chimano Mimi
- La Traviata: Di Provenza il mar
- L'amico Fritz: O amore, o bella luce del core
- Le nozze di Figaro: Voi che sapete
- TOSCA: Recondita armonia
- Adriana Lecouvreur: Ecco, respiro appena...lo son l'umile ancella
- Le Roi d'Ys: Puisqu'on ne peut... Vainement, ma bien-aimee
- Samson et Dalila: Mon coeur s'ouvre a'ta voix
- Mefistofele: Dai campi, dai prati
- Manon Lescaut: In quelle trine morbide
- Serse: Ombra mai fu
- Turandot: Signore, ascolta
- Manon Lescaut: Donna non vidi mai
- La Wally: Ebben? ne ando lontana
- La Gioconda: Cielo e mar
Tracks:
- Aida: Se quel guerriero io fossi...Celeste Aida
- Romeo Et Juliet: L'amour, l'amour...Ah, leve-toi soleil
- Mefistofele: L'altra notte in fondo al mare
- Werther: Toute mon ame est la...Pourqui me reveiller
- Barber Of Seville: Una voce poco fa
- Cosi Fan Tutti: Un aura amorosa
- Le Villi: Se como voi piccina
- Un Balle en Maschera: `Se come voi piccina`
- Carmen: La fleur que tu m'avais jette
- La forza del destino: Pace, pace mio Dio
- Adriana Lecouvreur: L'anima ho stanca
- La Gioconda: Suicidio
- Don Giovanni: Dalla sua pace
- La Traviata: De' miei bolenti spiriti
- La nozzi di Figaro: Porgi amor
- Turandot: Non piangere, Liu
- Mignon: Elle ne croyait pas dans sa candeur naive
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Put together in evident haste, this collection is nevertheless a surefire, appetite-whetting starter kit both for the budding operaphile and for the simply intimidated. The samplings include some of the greatest voices from EMI's vaults: here you'll find the polar opposites Callas and Caballe, the golden wonder of Wunderlich and early Carreras, and a host of other singers who've made their stamp on this century. Emphasis is on the soprano and tenor range, while the lower voices are given short shrift, and the selections cleave predictably to standard Italian and French repertory (with an occasional surprise, such as an aria from Lalo's Le Roi d'Ys). Still, the nearly three and a half hours of music represented will make a ready convert of anyone who hasn't experienced the specially heightened, time-stopping expressivity--beyond the power of mere song--that is the aria's function and will likely spark a desire to explore the larger operatic context in several cases. And though the lack of a booklet with texts or at least bios of the artists is frustrating, this is a good place to begin for an overview of the mesmeric power extraordinary voices can wield. --Thomas May
Customer Reviews:
OPERA HEAVEN.......2002-12-13
Probely this is a good buy for someone who is gest getting into the world of OPERA.Still a very good purchaes with fimiluar songs.
Incredibly Beautiful . . ........2001-10-27
If you love opera - this collection of some of the lovliest arias ever sung by artists from Caballe to Freni, from Delibes to Puccini - will inspire you. It is a wonderful gift for friends or for yourself.
Ultimate Aria.......2001-08-03
In my small operetic mind, this set of Cd's has completely captured me for the Opera. I was a young and upcoming musician in my youth. I'v been around the block "as it were" with the Classics. This collection is indeed, the benchmark upon which all others would hope to aspire.
Congradulations EMI for an incredible vision of the greatest opeatic moments recorded.
Gosh what's next?
Ralph Hassman
Ultimate indeed.......2000-08-02
If you don't like the idea of buying whole operas, or if you're a newcomer to opera - this is an extremely good collection / introduction, worth every single cent. The collection features many of the worlds greatest singers, giving their interpretations of some of the world's greatest arias. The compilation itself is very tasteful and covers a wide range from Handel to early 20th century composers. You won't miss any important stuff from the history of opera, except maybe Wagner and the most modern operas - I'll come back to that fact later. The compilers have actually put some lesser known, although no less beautiful, arias here, that oftenly are neglected on ordinary opera-collections, why the name `ultimate collection' is more than correct in that aspect.
EMI have a enormous archive to pick their recordings from, and that of course makes it easy to find first rate interpretations of all the arias included in this collection, and I do think that almost all of the arias are wonderfully sung here. It may be possible to find better performances of single numbers here and there, but I've not yet heard a more complete, wellmatched, and so thrillingly sung collection.
Well then, is there nothing wrong with this compilation? You might find it a little odd that there are so many soloarias and so few duets, terzettos a.s.o, especially since the drama in operas oftenly is greater in numbers with more than one singer. You might also wish that some of the recordings had been a little more modern (most of these recordings were made during the 50's, 60's & 70's) giving place to younger performers that still are singing on the stages, but those are minor objections when the over all quality is so high.
The maybe strongest objection to this collection is that there is not one single part from any of Wagner's operas, and not any number sung in german, nor is there any parts from modern or russian operas. That may be a miss if you're interested in Wagner, russian and modern opera - on the other hand I think you should watch Wagners, russian and modern operas before listening to recordings of them - and if you've seen them and liked them you will probably buy the whole opera anyway. Therefor I still think that this is a extremely strong and complete compilation - the best I've run into so far. Easy to listen to, yet never banal.
Average customer rating:
- Brava Diva!
- a heavenly voice
- She does "O Mio Babbino Caro" beautifully.
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A Portrait of Kiri Te Kanawa
Giacomo Puccini , Giuseppe Verdi , Engelbert Humperdinck , Wolfgang Amadeus Mozart , Richard Strauss , Franz Schubert , Robert Schumann , Gabriel Faure , William Walton , London Philharmonic Orchestra , Gurzenich-Orchester , Paris National Opera Theater Orchestra , London Symphony Orchestra , Kiri Te Kanawa , Laurence Dale , and Richard Amner
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ASIN: B0000025YK
Release Date: 1990-10-25 |
Tracks:
- TOSCA: Vissi D'arte
- Gianni Schicchi: O Mio Babbino Caro
- La Traviata: E Strano...Ah, Fors'E Lui
- Hansel und Gretel: Der Kleine Sandmann
- Don Giovanni: 'Ah, Fuggi Il Traditor
- Don Giovanni: 'Mi Tradi'
- 'Morgen'
- 'Ruhe, Meine Seele'
- 'Gretchen Am Spinnrade'
- 'Du Bist Wie Eine Blume'
- 'Apres Un Reve'
- 'Old Sir Faulk'
- 'Daphne'
- 'Through Gilded Trellises'
Customer Reviews:
Brava Diva!.......2006-10-21
Dame Kiri Te Kanawa sings some of her most famous pieces on this 1983 compilation album from CBS Masterworks. Most of the recordings date between 1979-1983, with no real variance in sound quality, and the disc is offered at a bargain price. Real vintage Kanawa, simply superb.
Dame Kiri performs the "Der Kleine Sandmann" from Humperdinck's "Hansel und Gretel"; "Mi Tradi" from Mozart's "Don Giovanni"; and "Vissi D'Arte" from Puccini's "Tosca". Also featured are pieces from Walton, Faure, Verdi and Schubert among others.
If you are just beginning to collect Dame Kiri recordings, or are confused where to begin, this CD is a good place to start.
[CBS Masterworks/Columbia MK 39208]
a heavenly voice.......2002-09-26
Dame Kiri Te Kanawa is one of the most talented opera singers of today. She delivers vocal justice to every track on this recording, especially such favorites as "O Mio Babbino Caro" and "Vissi d'arte." Her range is superb and her emotional expression is full of compassion. After hearing this CD, you will no longer think of opera as fat ladies trouncing around in helmets. Quite the contrary, these arias are simply sublime.
She does "O Mio Babbino Caro" beautifully........2000-07-23
I first heard Kiri Te Kanawa doing "O Mio Babbino Caro" at the beginning of the movie "A Room with a View." Beautiful! I have never been able to track down that rendition but this one is as good. She also does a wonderful job of the Verdi piece from La Traviata.
Average customer rating:
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Verdi: Greatest Hits
Manufacturer: Decca
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ASIN: B0000DZ3HJ
Release Date: 2003-11-04 |
Tracks:
- Sinfonia
- Questa O Quella
- Caro Nome
- La Donna E Mobile
- Bella Figlia Dell'Amore (Quartet)
- Libiamo Ne'lieti Calici (Brindisi)
- Parigi, O Cara, Noi Lasceremo
- Va, Pensiero, Sull'ali Dorate (Chorus Of The Hebrew Slaves)
- Come In Quest'Ora Bruna
- Gloria All'Egitto (Grand March)
- Se Quel Guerrier Io Fossi...Celeste Aida
- Ritorna Vincitor!
- Ernani! Ernani! Ernani!
- Merce, Dilette Amiche (Bolero)
- Squilli, Echeggi La Tromba
- Di Quella Pira
- Vedi! Le Fosche Notturne Spoglie (Anvil Chorus)
- Dies Irae (Excerpt)
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Opera Stoppers
Giacomo Puccini , Alfredo Catalani , Giuseppe Verdi , Umberto Giordano , Gioachino Rossini , Ruggero Leoncavallo , Vincenzo Bellini , Wolfgang Amadeus Mozart , Orchestra del Teatro alla Scala , London Philharmonic Orchestra , Vienna State Opera Orchestra , Columbia Symphony Orchestra , New Philharmonia Orchestra , Emilie Romagna Symphony Orchestra , London Symphony Orchestra , National Philharmonic Orchestra , Paris Opera Orchestra , Emerson Buckley , Sir John Pritchard , Nello Santi , Fausto Cleva , Franz Allers , Riccardo Chailly , Gianandrea Gavazzeni , James Levine , Lorin Maazel , Luciano Pavarotti , Kiri Te Kanawa , Laurence Dale , Richard Tucker , Leo Nucci , Renata Scotto , Ruggero Raimondi , and Marilyn Horne
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ASIN: B0000027BK
Release Date: 1991-01-18 |
Tracks:
- Turandot - Act III: Nessun Dorma
- La Boheme - Act I: Che Gelida Manina
- Pagliacci - Act I: Vesti La Giubba
- Rigoletto - Act I: Questo O Quella Per Mi Pari Sono
- Rigoletto - Act III: La Donna E Mobile
- Fedora - Act II: Amor Ti Vieta
- Gianni Schicchi: O Mio Babbino Caro
- La Boheme - Act II: Quando Me'n Vo' Soletta
- La rondine - Act I: Chi Il Bel Sogno Di Doretta
- Tosca - Act II: Vissi D'Arte
- La traviata - Act I: E Strano-Ah Fors'E Lui...Sempre Libera
- Madama Butterfly - Act II: Un Bel Di Vedremo
- Aida - Act I: Celeste Aida
- Tosca - Act I: Recondita Armonia Di Bellezze Diverse
- Tosca - Act III: Lucevan Le Stelle
- Il trovatore - Act III: Di Quella Pira
- Il barbiere di Siviglia - Act I: Largo Al Factorum
- La Wally - Act I: Ebben? Ne Andro Lontana
- Norma - Act I: Casta Diva
- Don Giovanni - Act I: Finch' Han Dal VIno
- Il barbiere di Siviglia - Act I: Il barbiere di Siviglia: Una Voce Poco Fa
Average customer rating:
- A flop
- good but not great
- La Traviata a Paris a wonderful experience
- Wonderful music, very well sung
- angel music
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La Traviata à Paris / Gvazava, Cura, Panerai; Mehta (2000 TV film)
Giuseppe Verdi , Zubin Mehta , José Cura , Eteri Gvazava , Rolando Panerai , Nicolas Rivenq , Magali Léger , Raphaelle Farman , Alain Gabriel , and Giorgio Gatti
Manufacturer: Elektra / Wea
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ASIN: B00004TT0K
Release Date: 2000-08-15 |
Tracks:
- La Traviata A Paris: Preludio - Zubin Mehta
- Atto Primo: 'Dell'invito Trascorsa E Gia L'ora' - Nicolas Rivenq
- Atto Primo: Brindisi 'Libiamo, Libiamo Ne'lieti Calici' - Nicolas Rivenq
- Atto Primo: 'Che E Cio?' - Nicolas Rivenq
- Atto Primo: 'Oh! Qual Pallor!' - Jose Cura
- Atto Primo: 'Un Di Felice' - Jose Cura
- Atto Primo: 'Si Ridesta In Ciel L'aurora' - Nicolas Rivenq
- Atto Primo: 'E Strano! E Strano!...Ah, Fors'e Lui' - Eteri Gvazava
- Atto Primo: 'Follie! ... Sempre Libera' - Jose Cura
- Atto Secondo: 'Lunge Da Lei' - Jose Cura
- Atto Secondo: 'De'miei Bollenti Spiriti' - Jose Cura
- Atto Secondo: 'Annina, Donde Vieni?' - Jose Cura
- Atto Secondo: 'Oh Mio Rimorso!' - Jose Cura
- Atto Secondo: 'Alfredo?' - Rolando Panerai
- Atto Secondo: 'Pura Siccome Un Angelo' - Rolando Panerai
- Atto Secondo: 'Dite Alla Giovine' - Rolando Panerai
- Atto Secondo: 'Dammi Tu Forza, O Cielo' - Jose Cura
- Atto Secondo: 'Ah, Vive Sol Quel Core' - Rolando Panerai
- Atto Secondo: 'Di Provenza Il Mar' - Rolando Panerai
Tracks:
- Atto Secondo: 'Avrem Lieta Di Maschere La Notte' - Raphaelle Farman
- Atto Secondo: 'Noi Siamo Zingarelle' - Raphaelle Farman
- Atto Secondo: 'Di Madride Noi Siam Matadori' - Raphaelle Farman
- Atto Secondo: 'Alfredo! Voi!' - Nicolas Rivenq
- Atto Secondo: 'Invitato A Qui Seguirmi' - Jose Cura
- Atto Secondo: 'Ogni Suo Aver' - Nicolas Rivenq
- Atto Secondo: 'Di Sprezzo Degno' - Nicolas Rivenq
- Atto Terzo: Preludio - Zubin Mehta
- Atto Terzo: 'Annina? - Commandate?' - Eteri Gvazava
- Atto Terzo: 'Teneste La Promessa' - Eteri Gvazava
- Atto Terzo: 'Addio, Del Passato Bei Sogni' - Eteri Gvazava
- Atto Terzo: 'Largo Al Quadrupede Sir Della Festa' - Emanuela di Pietro
- Atto Terzo: 'Signora... - Che T'accadde?' - Jose Cura
- Atto Terzo: 'Parigi, O Cara, Noi Lasceremo' - Jose Cura
- Atto Terzo: 'Ah! Gran Dio! Morir Si Giovane' - Jose Cura
- Atto Terzo: 'Ah! Violetta! - Voi, Signor' - Rolando Panerai
- Atto Terzo: 'Se Una Pudica Vergine' - Rolando Panerai
Amazon.com
This recording comes from the "real-time" Traviata presented on European television in June 2000. The idea was to heighten the drama by placing the opera in Parisian locations that still reflected the 1850s setting, and then having the soloists sing as plausibly as possible to a recorded soundtrack. The effect was somewhat bizarre--especially when it appeared that Violetta's cramped, little Act IV apartment had a mysteriously grand concert-hall acoustic. The recording, however, allows one to judge the performance on its musical--and not its televisual--merits, and on the whole it comes off rather well. Dreamboat tenor José Cura makes a passionate and convincing Alfredo, and Eteri Gvazava captures the pathos, if not the sparkle, of Violetta. She excels in the dramatic deathbed music of Act IV, but is less happy in the spinto (and fiendishly difficult) scales and leaps of "Sempre libera" in Act I. The warm orchestral accompaniment is sensitive to the singers, but just occasionally lacks power. All in all, this is a good introduction to the opera and a neat tie-in to the TV production. --Warwick Thompson
Customer Reviews:
A flop.......2004-02-03
A Violetta that sounds like a cheap imitation of Callas, Cura sounding crude and Panerai way over the hill. There are much better Traviatas out there than this one.
good but not great.......2003-06-29
I just had the opportunity to see a rebroadcast of the TV film, and completely disliked the visual performance, including the staging, the camera work, and the acting. Now, if you close your eyes, and listen to the music, you might actually enjoy it. Although it is a stretch to compare it with the classic recordings of the same, it does hold its own, at least it is not bad. The exception is the elder Germont. I never had the chance to listen to Rolando Panerai when he was younger, but here at 75, his voice is stiff, lacks emotion, and contains too many rough edges to my liking. While I agree with one of the reviewers who dismisses the critical comment about this performance by pleading ignorance to the academic finer points, and focusses instead on the enjoyment aspect of the show, I am also in agreement with the author of that critical comment, why bother with this one, if you can't completely enjoy it.
OK, some of you may want to find a different presentation of the old classic, in that sense, you probably won't be disappointed by the musical portion of it (if you can overlook the one role I mentioned above), but for those of you looking for the DVD, I would suggest to stop that search right now, not because it is not available in stores, but because of its less than pleasing visual presentation.
The raison d'etre of this sound recording is the made-for-television event of broadcasting from Paris, purportedly made by the same crew that made the Tosca from Rome. While Tosca from Rome was a live performance, a grand artistic tour de force, this TV film was made in such an amateurish fashion, that it looks like the entire crew had a lobotomy after the first success. The direction, the use of cameras (angles, movement, etc.), as well as the acting evoked from the performers are horrendous. The under-the-table scene in Act I is unnecessary, and looks to be a copy from Boheme; the use of Steadycam (it is mounted on the cameraman, and his going and stopping give the feeling of discontinuity) gimmick is not much of an improvement from Dave Letterman's Monkeycam years ago; and the camera angle and zoom is very curious, the director seems to like to place obstacles, like tree leaves, tall grass, furniture, and other things, between the camera and performers. I was so distracted by his constant obscuring of Germont and Violetta's faces in Act II that I kept thinking "ticks, ticks, ticks" when they walked into the overgrown tall grass, and "will she scream if she finds a worm" when they kept walking into the hanging willow leaves. 8-)
I may appear to be a little cynical, but my point is that if it fails to capture the attention of the audience, the director failed his job. This production's visual part is full of unsuccessful experiments, it is painful to watch. So if you have to get this performance, get the CD version, but stay away from the video (get the Zefferelli version instead to see how it's supposed to be done).
La Traviata a Paris a wonderful experience.......2002-04-13
The finest la Traviata I have ever heard. Bold orchestration and deep rich vocals. Wonderful listening experience. It's a great CD for fledgling opera buffs who want to start with the best execution of the best composers.
Wonderful music, very well sung.......2002-04-12
So what if they overdubbed to make a good TV show... the singing is just fine. Not perfect, but Gvazava and Cura put on a very good show.
Remember that this beautiful music and drama was created as entertainment. Let's not get in the way of enjoying this fine performance with pointless academic refernces to other people who may have done it better. Lighten up folks!
Having vented all of that,I'm looking forward a release of the DVD version of this performance. The CD just is fine, but watching it as a full performance is even better. Just saw it broadcast by the CBC while in Toronto. Get the DVD, listen - watch, enjoy.
angel music.......2001-08-24
level of recording and presentation beyond excellence. Couple Gura/Gvazava is a guarantee of full success. Please find me the DVD.
Average customer rating:
- Great soundtrack for a sublime movie
|
Callas Forever
Vincenzo Bellini , Giuseppe Verdi , Tullio Serafin , Georges Pretre , Maria Callas , Milan Chorus & Orchestra of La Scala , National Theatre Orchestra of Paris Opera , Giacomo Puccini , Georges Bizet , and Carlo Maria Giulini
Manufacturer: © 2003 EMI Records Ltd.
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
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Similar Items:
- The Very Best Of Maria Callas
- Callas Forever
- Maria Callas, the Voice of the Century
- Maria Callas - The Callas Conversations (EMI Classic Archive)
- Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan
ASIN: B00006C2CD
Release Date: 2003-02-11 |
Tracks:
- Puccini: Un bel di vedremo (from Madama Butterfly)
- Vlad: Callas Forever
- Puccini: O mio babbino caro (from Gianni Schicchi)
- Bizet: Carmen Prelude
- Bizet: Carmen
- Bizet: Carmen
- Bizet: Habanera (from Carmen)
- Bizet: Gypsy Song (from Carmen)
- Bizet: Flower Song (from Carmen)
- Bizet: March and Song (from Carmen)
- Bizet: Carmen
- Bizet: Finale (from Carmen)
- Vlad: Picnic
- Verdi: Brindisi (from La Traviata)
- Vlad: Maria and Larry
- Puccini: Vissi d'arte (frm Tosca)
- Puccini: ACT II finale (from Tosca)
- Puccini: Act II finale (from Tosca)
- Bellini: Casta Diva (from Norma)
Customer Reviews:
Great soundtrack for a sublime movie.......2005-02-12
Zeffirelli's "Callas Forever" is an intimate portrait of the final years of the world's greatest soprano with an interesting twist. Maria is coaxed out of her retirement to act in operamovies (Being dubbed with her old recordings). She even finishes an entire movie (Carmen) before she realizes that this is against all her principles and resists further offers plus she asks for the Carmen-Film to be destroyed. So how is this soundtrack? It's a lovely mix of arias from Madama Butterfly and Carmen (of course) plus some very new music. Bittersweet and haunting it's a recording I wouldn't want to be without.
Average customer rating:
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Opera Explained: Introduction to Verdi's La Traviata
David Smillie , and David Timson
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Opera Explained: An Introduction to Rossini's "The Barber of Seville"
- Opera explained: An Introduction to Verdi's "Aida"
- Opera Explained - Verdi: Rigoletto
- Opera Explained: La Boheme
- Opera Explained: Carmen
ASIN: B0000682W2
Release Date: 2002-09-17 |
Average customer rating:
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La Belle Époque
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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| Delibes, Léo
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ASIN: B000005EB1
Release Date: 1993-09-07 |
Tracks:
- La Belle Epoque: Theme Et Variations Sur Le 'Carnaval De Venise'
- La Belle Epoque: Fantasie Brillante
- La Belle Epoque: Goutte D'Eau
- La Belle Epoque: La Traviata - Variations
- La Belle Epoque: Fete Militaire
- La Belle Epoque: Myrto Polka
- La Belle Epoque: Madeleine
- La Belle Epoque: Le Pays Du Sourire - Air du Prince Sou-Chong: 'Je t'ai donne mon coeur'
- La Belle Epoque: Lakme - Scene Et Legende De La Fille Du Paria
- La Belle Epoque: Les Pecheurs De Perles - Romance De Nadir
Music Track:
- Verdi, Strauss and Tchaikovsky
- Vivaldi: Four Seasons, Il Cimento Dell'armonia V.1 [Import]
- Wagner: Tannhäuser (Bayreuth 1966)
- A Brahms Recital
- A Tout Choeur [Import]
- Albinoni: Adagios Baroques V.51 [Import]
- Amor de Lonh: The Distant Love of the Troubadours
- Antonín Dvorák: Symphony No. 8/Carnival Overture
- Artur Schnabel Plays Mozart II
- Bach J.S: Brandenburg Concertos Nos. 1 - 3 V.28 [Import]
Music Track
music track
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