Close of Day

On this CD:

1. Music for the Funeral of Queen Mary, Z. 860
Composed by Henry Purcell
Performed by Brass Ensemble, Gordon Reynolds

2. Sunset
Composed by Sir Charles H.H. Parry
Performed by Brass Ensemble, Gordon Reynolds

3. Litany (O God, the Father of Heaven), for 5 voices
Composed by Thomas Tallis
Performed by Brass Ensemble, Gordon Reynolds

4. Mass for 5 Voices (SATTB) Agnus Dei
Composed by William Byrd
Performed by Brass Ensemble, Gordon Reynolds

5. O nata lux de lumine, motet (hymn) for 5 voices, P. 209
Composed by Thomas Tallis
Performed by Brass Ensemble, Gordon Reynolds

6. Psalm Tunes (9) for Archbishop Parker's Psalter, for 4 voices
Composed by Thomas Tallis
Performed by Brass Ensemble, Gordon Reynolds

7. Adagio for organ in E
Composed by Frank Bridge
Performed by Brass Ensemble, Gordon Reynolds

8. Flat Pavan and Galliard for 2 lutes
Composed by John [composer] Johnson
Performed by Brass Ensemble, Gordon Reynolds

9. Prince's Alman,The
Composed by Robert (ii) Johnson
Performed by Brass Ensemble, Gordon Reynolds

10. Fall of the Leaf, The, for harpsichord (No 272 in the Fitzwilliam Virginal Book)
Composed by Martin Peerson
Performed by Brass Ensemble, Gordon Reynolds

11. Alman (Fitzwilliam Virginal Book)
Composed by Martin Peerson
Performed by Brass Ensemble, Gordon Reynolds

12. Te Deum à 8, motet for 8 vocal soloists, chorus, flute, oboe, strings & continuo, H. 145
Composed by Marc-Antoine Charpentier
Performed by Brass Ensemble, Gordon Reynolds

13. Psalm 84
Composed by Sir Edward Cuthbert Bairstow
Performed by Brass Ensemble, Gordon Reynolds

14. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 Jesu, Joy of Man's Desiring
Composed by Johann Sebastian Bach
Performed by Brass Ensemble, Gordon Reynolds

15. Organ Improvisation
Composed by Gordon Reynolds
Performed by Brass Ensemble, Gordon Reynolds

16. Te lucis ante terminum
Composed by Henry Balfour Gardiner
Performed by Brass Ensemble, Gordon Reynolds

17. Requiem, for 2 solo voices chorus, organ, & orchestra, Op. 48 Pie Jesu
Composed by Gabriel Faure
Performed by Brass Ensemble, Gordon Reynolds

18. Praise to the holiest in the height
Composed by Arthur Somervell
Performed by Brass Ensemble, Gordon Reynolds

19. Marche triomphale for organ (& brass ad lib) "Nun Danket Alle Gott", Op 65/9
Composed by Sigfrid Karg-Elert
Performed by Brass Ensemble, Gordon Reynolds

Tracks:

Creole Love Call
Must I Now Leave My Little Town?
Perpetual Motion
A Little Madness Is No Bad Thing
Tea For Two
A Little Spring Breeze
Darling, My Heart Longs To Greet You
Congo Lullaby
When Russian Sonja Is Dancing
Whispering
The Blue Danube
The Old Spinning-Wheel
The Barber Of Seville Overture
The Wedding Of The Painted Doll
At The Well Before The Gate
Barcarolle
Woodchoppers' Ditty
I Dream Of A Magical Night
In Silent Night
Night And Day
A Boy Saw A Wild Rosebush
Death's Evening Recitals At The Ship's Piano
Close Your Eyes
Tell Me Tonight
Auf Wiederseh'n, My Dear

Customer Reviews:

Brilliant vintage hamonics!.......1999-07-21

The Comedy Harmonists were an a close harmony group who recorded in Germany from '28 to the late '30's. They were harassed and force to disband because of Nazi disapproval of their semitic origins as well as their avant-guarde, jazz-oriented material. They sing here in German and English doing everything from folk songs to Tea for Two with clarity, musical grace and lightness. Their comic songs are very deft and witty. If you enjoy close harmonics, you will find this recording a revelation.

Average customer rating:

The penultimate collection ...
Muisic of the Spheres
The Ulllllltimate Sci-Fi Music Collection
SciFi Album gift
Away From to be a Collectible Peace

The Science Fiction Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

Star Trek | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Science Fiction Album, Vol. 1
Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 1: Final Frontiers
Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 4: Defenders Of Justice
Fantastic Journey
Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 2: The Dark Side

ASIN: B000066HE5
Release Date: 2005-02-08

Tracks:

2001: A Space Odyssey
Aliens
Sound Effect - The Nostromo
Alien
A.I.
Armageddon
Sound Effect - Apollo 13 Lift-off
Apollo 13
Back To The Future
Battle Beyond The Stars
Battlestar Galactica
The Black Hole
Contact
Capricorn One
Close Encounters of the Third Kind
The Day The Earth Stood Still
Dune

Tracks:

Galaxy Quest
Sound Effect - Dogfight in Space
Enemy Mine
Ghostbusters
Gremlins
Heavy Metal
Independence Day
E.T.
Judge Dredd
The Last Starfighter
Lifeforce
Sound Effect - Crash Landing
Lost In Space
Mars Attacks
The Matrix
Predator
The Right Stuff

Tracks:

Moonraker
Robocop
Silent Running
Sound Effect - Alien Organism
Species
Stargate
Starship Troopers
Starman
Star Trek - TV Theme
Star Trek: The Motion Picture End Title
Klingon Attack
Sound Effect - Warp Drive
Star Trek II: The Wrath of Khan
Star Trek: Deep Space Nine
Star Trek: Generations
Star Trek IV: The Voyage Home

Tracks:

Star Trek VI: The Undiscovered Country
Sound Effect - Transporter Crew
Star Trek: Deep Space Nine - Main Theme
Star Trek First Contact
Star Wars
The Empire Strikes Back
The Empire Strikes Back
Return of the Jedi
Sound Effect - Battle Stations
Star Wars Episode 1: The Phantom Menace - The Flag Parade
Anakin's Theme
The Adventures of Jar Jar
Duel of the Fates
The Time Machine
Things to Come
The Thing From Another World
War of the Worlds
When Worlds Collide
Total Recall
You Only Live Twice
Superman

Customer Reviews:

The penultimate collection ..........2006-12-07

Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.

I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.

This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...

But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)

If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).

But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.

Muisic of the Spheres.......2006-11-06

You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.

The Ulllllltimate Sci-Fi Music Collection.......2005-10-23

If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.

The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.

Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.

Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).

Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.

Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.

And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.

I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).

I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).

I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).

If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.

SciFi Album gift.......2005-07-20

I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!

Away From to be a Collectible Peace.......2004-12-16

If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.

Average customer rating:

Singing All Day & Dinner on the Ground
Jimmy Martin & The Sunny Mountain Boys
Manufacturer: Music Mill
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

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General | Pop | Indie Music | Stores | Music
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This World Is Not My Home
Foggy Mountain Gospel
The King & the Father
Hymns and Sacred Songs
Will the Circle Be Unbroken

ASIN: B0007UDCO4
Release Date: 2005-03-04

Tracks:

Singing All Day and Dinner On the Ground
Lift Your Eyes To Jesus
My Lord Keeps a Record
God Is Always the Same
When the Savior Reached Down For Me
Shake Hands With Mother Again
Help Thy Brother
A Beautiful Life
Stormy Waters
Hold To God's Unchanging Hand
Little Angels In Heaven

Average customer rating:

Live, he says it himself
Not Bad
One song album
Jeff buckley lives on
Now *this* is what *I* call *Music*!!

At the Close of Every Day
Arid
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Reminiscence
Haunted Castle (3-D) (Large Format)
The Ultimate 3-D Collection (Haunted Castle / Alien Adventure / Encounter in the Third Dimension) (Large Format) (Includes H3D Viewing System)

ASIN: B00004SVK2
Release Date: 2000-04-25

Tracks:

At The Close Of Every Day
Too Late Tonight
All Will Wait
Little Things Of Venom
Believer
Dearly Departed
Me And My Melody
World Weary Eyes
Life
Elegy
Soiree

Customer Reviews:

Live, he says it himself.......2003-12-23

In Belgium we call this album "Little things of venom" wich is a much more beautiful title and also the best song of the CD. Now to business: This one is good. Very good. I would even call it fantastic. It's the voice, I know. Talking about talent.... The cd is full of moving, touching songs, some soft, some rocking, but the atmosphere remains the same. Somewhat melancholic. Very beautiful. Live they are invincible, really. Even more in little clubs than on big stages. At the moment of speaking (december 2003) there appeared a live-cd. I would say: grab your chance!

Not Bad.......2003-04-21

This album wasn't bad. The best song is Little Things of Venom..I first heard the song while in Las Vegas. The lead singer appears as the lead character in an IMAX film called Haunted House which is shown at the Luxor Hotel & Casino. The band appears together at the end singing the Venom song which is played throughout.

One song album.......2003-02-05

This is one of those albums which is named after the one song worth listening to. The songs are just not there. The man has a good voice reminiscent of the lead singer of Starsailor's and Jeff Buckley, but like them, these songs, the phrasings, the music,...none of it seems to go together. I've listened to it several times and have wondered how it could have garnered the praise other Amazoners have lavished on this "Cut-out bin" record.

Jeff buckley lives on.......2002-04-19

This is one of my favorite bands. They sound very much like Jeff but they gave it a more poppier twist and the songs are shorter. that poppier touch isn't a bad thing. So if you like Jeff at least give this a try. Their new album is coming out in may. Make sure you don't miss it.

Now *this* is what *I* call *Music*!!.......2001-08-10

I can only try to share my enthousiasm on this one.

It is difficult to explain what I felt listening to the record for the first time. I bought it without really knowing the band or any songs, on an impulsion. I did not regret it a second, I was overwhelmed. The singer has an awesome voice and know how to use it. They have a great sense of melody, lifted up by proeminent guitars. I cannot imagine to skip a single track. This is melodious solid rock. And unlike many products released these days you can read the lyrics without asking yourself if they were written by a 10 years old kid. They can be compared to lot of bands, but they remain themselves, Arid. I consider it as my best purchase this year!

"At the close of everyday" and "Too late Tonight" shake you all up, then they calm things down with a mysterious ballad "All will wait". "Little things of venom" alterns a deep pulse and a melodious chorus you will sing along, "Believer" will catch you straight away, try to avoid foot taping on this one - right pick for a single. "Dearly departed" is a pendant to "Little things of Venom", "Me and my melody" has a Radiohead feeling (when they were releasing "High and dry" or "Street Spirit") and "World Weary eyes" puts tempo up again. "Life" is an amazing track with incredible rhythm variations, acelerations and decelerations. "Elegy" is a delicate ballad where the singer can show his vocal abilities again. I am thinking about Kurt Cobain sometimes. "Soiree" ends up the album on an up-tempo song "grunge" bands would have not looked down at. I can't even pick a favourite.

Tracks:

Dream
Suddenly
I Get The Blues When It Rains
Red Sails in the Sunset
Out of This World
Once In A While
I'm Beginning To Wonder
I'll Follow You
I Need You Now
How Little We Know
Give Me Something I Can Dream About
Don't You Remember Me
There Will Never Be Another You
Dancing In The Dark
The Song You Heard When You Fell In Love

Album Description

A second collection of Betty's hits, digitally remastered from the original recordings.

Customer Reviews:

An absolutely perfect voice.......2007-03-13

If only she had been blessed with hit-producers, undoubtedly Betty Johnson would have remained on the charts for years, instead of the nine records that made BILLBOARD'S Top 100 between 1956 and 1959.

An absolutely perfect pitch and refreshing sound of purity. Every would-be singer should study these vocals.

This Voume 2 contains a great many "standards" and it is wonderful listening. What a talent!

Respectfully,

/s/ SH

Betty's Hits - Vol. 2.......2007-01-14

I have been looking for a cd that contains Betty's hits for a long time.
Amazon was the first site that was able to deliver the disc. Very happy with it.

Even more disappointing..........2002-10-05

Volume one of Betty Johnson's Hits was a considerable disappointment on many fronts. One would have hoped that some of the shortcomings of that piece would have been corrected here in the subsequent "hits" package. No such luck. And to label this a "hits" package is just plain misleading. No additional hits here at all with the exception of the inclusion of "Dream", a track that was listed but not included on the volume one CD. Again, sound quality is mediocre and obviously not taken from high-generation tapes. Unfortunately, for those seeking the music of this artist, there are no other options currently available. Johnson's contribution was a notable element of the music of the 50s and deserves much better treatment than that given here.

Average customer rating:

The Songs of Frank Bridge

Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000003010
Release Date: 1997-07-08

Tracks:

Sonnet: When most I wink
If I could choose
The Primrose
A Dirge
The Devon Maid
Dawn and Evening
Where'er my bitter teardrops fall
E'en as a lovely flower
Blow, blow, thou winter wind
Go not, happy day
Night lies on the silent highways
A Dead Violet
Cradle Song
Lean close thy cheek
Fair Daffodils
Adoration
So perverse
Tears, idle tears
The Violets Blue
Come to me in my dreams
My pent-up tears oppress my brain
Music, when soft voices die
Far, far from each other
Where is it that our soul doth go?

Tracks:

All things that we clasp
Love is a rose
Dear, when I look into thine eyes
Isobel
O that it were so!
Strew no more red roses
Where she lies asleep
Love went a-riding
Thy hand in mine
So early in the morning
Mantle of Blue
The Last Invocation
When you are old and gray
Into her keeping
What shall I your true love tell?
'Tis but a week
Day after Day
Speak to me, my love!
Dweller in my deathless dreams
Goldenhair
Journey's End

Enduring Light: 60 Inspirational Favorites

Average customer rating:

Enduring Light: 60 Inspirational Favorites

Manufacturer: Sound Exchange
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Oratorios | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Tracks:

Handel's 'Messiah': Overture - The London Philharmonic Orchestra/Walter Susskind
Handel's 'Messiah': And The Glory Of The Lord - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Behold A Virgin Shall Conceive - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': For Unto Us A Child Is Born - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': There Were Shepherds Abiding In The Field - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': He Shall Feed His Flock Like A Shepherd - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Behold The Lamb Of God - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': He Was Despised And Rejected Of Men - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Lift Up Your Heads, O Ye Gates - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Why Do The Nations So Furiously Rage - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Hallelujah - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Since By Man Came Death - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Worthy Is The Lamb That Was Slain/Amen - The London Philharmonic Choir/Frederick Jackson