Telemann: Music with Recorder

On this CD:

1. Trio Sonata in F
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

2. Trio Sonata in A minor
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

3. Quartet for recorder, 2 flutes & continuo in D minor
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

4. Trio Sonata for recorder, viola da gamba & continuo in F major (Essercizii Musici, 14), TWV 42:F3
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

5. Trio Sonata in C minor
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

6. Lauter Wonne, Lauter Freude for soprano, recorder & continuo, TVWV. I, 1040
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

7. Sonata for recorder in G minor
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

8. Trio Sonata in G minor
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

9. Quartet for flute, oboe, violin & continuo, TWV 43: a3
Composed by Georg Philipp Telemann
Performed by Jiri Stivin

Tracks:

Concerto, Op.10, No.3, in D: I. Allegro
Suite for Flute and Strings in A Minor:: V. Rejouissance
Cannon
Sonata, Op.1, No.4, in A Minor: IV. Allegro
Suite No.3, BWV 1068, in D: II. Air on the G string
Solomon: Arrival of the Queen of Sheba
Adagio
Concerto In C: III. Presto
Sonata, Op.1, No.11, in F: III. Siciliana
Sonata, Op.1, No.11, in F: IV. Allegro
Suite No.2, BWV 1067, in B Minor: VI. Menuet
Suite No.2, BWV 1067, in B Minor: VII. Badinerie
Messiah: Pastorial Symphony
Trio Sonata No.2, BWV 1039, in G: IV. Allegro moderato
Concerto, Op.10, No.3, in D: II. Cantabile
Sonata No.4, BWV 1033, in C: II. Allegro
Xerxes - Serse: Largo
Le basque
Sonata No.2, BWV 1031 in E-Flat: II. Siciliano
Suite for Flute and Strings in A Minor:: VII. Polonaise
Concerto, BWV 1059 - BWV 35, in E Minor: III. Presto
The Four Seasons: 'Spring': Allegro

Customer Reviews:

James Galway plays baroque music's greatest hits for flute........1999-05-31

Flute players and flute lovers everywhere will enjoy this collection of Galway recordings from the Baroque era. Besides the title cut, selections from the Telemann "Suite in a minor" will be appreciated by flute teachers and performers, as well as other works transcribed for flute. The Albnioni "Adagio" is particularly haunting and could be a new addition to the repertoire. Handel's "Queen of Sheba" is also nicely done. A good recording to have on hand for those performers wishing to "demonstrate" various works for perspective clients as well.

Average customer rating:

Pieces of Pieces--4.5 stars
A great baroque album by one of the masters of baroque composition
A Great Introduction at a Great Price
Delightful Baroque Variety

The Best of Telemann

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

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$6.99 and Under | Classical Music Blowout | Stores | Music

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ASIN: B00004TQOX
Release Date: 2000-07-18

Tracks:

Recorder Ste in a: Ov - Jiri Stivin/Capella Istropolitana/Richard Edlinger
Recorder Ste in a: Les Plaisirs - Jiri Stivin/Capella Istropolitana/Richard Edlinger
Recorder Ste in a: Air A L'Italienne - Jiri Stivin/Capella Istropolitana/Richard Edlinger
Recorder Ste in a: Rejouissance - Jiri Stivin/Capella Istropolitana/Richard Edlinger
Va Con in G: Largo - Ladislav Kyselak/Capella Istropolitana/Richard Edlinger
Va Con in G: Allegro - Ladislav Kyselak/Capella Istropolitana/Richard Edlinger
Tafelmusik I: Qt in G: Vivace - Moderato - Vivace - Orch Of The Golden Age
Ov in C, 'Darmstadt': Harlequinade - Cologne CO/Helmut Muller-Bruhl
Ov in C, 'Darmstadt': Sommeille - Cologne CO/Helmut Muller-Bruhl
Ov in C, 'Darmstadt': Rondeau - Cologne CO/Helmut Muller-Bruhl
Son No.5 in b, Op.2: Largo - American Baroque
Son No.5 in b, Op.2: Vivace - American Baroque
Ov in D, 'Darmstadt': Harlequinade - Cologne CO/Helmut Muller-Bruhl
Tpt Con in D: Adagio - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
Tpt Con in D: Allegro - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
Tpt Con in D: Grave - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
Tpt Con in D: Allegro - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
Ste La Changeante: Menuet I/Menuet II - Northern CO/Nicholas Ward
Ste La Changeante: La Plaisanterie - Northern CO/Nicholas Ward
Ste La Changeante: Hornpipe - Northern CO/Nicholas Ward
Ste La Changeante: Avec Douceur - Northern CO/Nicholas Ward
Ste La Changeante: Canarie - Northern CO/Nicholas Ward
Tafelmusik II: Conclusio in D - Orch Of The Golden Age

Customer Reviews:

Pieces of Pieces--4.5 stars.......2007-06-05

According to Keith Anderson's CD insert (in English, French, & Spanish), "Georg Philipp Telemann [1681-1767] was among the most distinguished composers of his time." He was a friend of Bach's & was Bach's 2nd son's godfather. This CD contains many of Telemann's best & most famous works. I have other versions on CD's, esp. the Suite in A-moll (minor), Viola Concerto in G major, Trumpet Concerto in D major, & table music. For more of the latter--there's a 2 CD set "Dinner Music" B0001XBBPO Georg Philipp Telemann; Dinner Music Vol. 1 & 2 with Concertos by Johann Hummel & Franz Richter and "Musique de table" by Essential Classics/Sony. This CD is a generous 71:07 in 23 tracks/movements. It's strength is in its selection & variety. This, however, is also its weakness--many selections are pieces of pieces--not the entire composition. Thus, they appear shorter than other versions--mostly due to this excerpting. Similarly & simultaneously plus & minus, except for 2 by the Cologne Chamber Orchestra, the pieces are performed by different orchestras. Thus, I'd say this CD is a fine introduction to Telemann, but suggest further exploration to comprehend the fullness of his compositions. Still, I would give this a 5 star except for one thing. The lead-in piece, arguably Telemann's most famous, the A-moll is simply IMHO played too fast. It lacks the majesty shown in other renditions of this piece. Not a good way to start.

Also, I'd recommend: Telemann: Viola Concerto; Don Quichotte; Hamburger Ebb und Flut /ASMF * Marriner and The Sensuous Baroque

A great baroque album by one of the masters of baroque composition.......2007-03-04

George Philipp Telemann is a great introduction in to the world of baroque music. This album was the very first classical album that I bought (about 10 years ago) and I have found my love for baroque and classical music to increase exponentially ever since.
This album shows the true beauty of baroque by using instruments to their fullest potential. The baroque period was one of growth in knowledge of the arts and music theory played a large part in that knowledge.
Telemann, in my opinion, was one of the greatest baroque artists. I know that works such as Vivaldi's "The Four Seasons" and Handel's "Messiah" were the defining works of baroque, but Telemann used the smaller and more intimate groupings like chamber music. Even his orchestations were minimalized so as to accentuate the instrument on which he chose to focus.
Telemann was a master of the baroque age, if somewhat unsung, and I would recommend any of his albums, but this one has a special place for me as it was the first classical album that I bought in a now excessively large classical library.

A Great Introduction at a Great Price.......2004-12-06

I had heard some of Telemann's work on interent classical stations and wanted to learn more. This is a great introduction to a great composer at a great price. I found the quality satisfactory and my stereo is fairly advanced. The music flows nicely, which is not always the case with "best of" compilations. This will become a core part of my classical collection.

Delightful Baroque Variety.......2003-12-23

Here for baroque lovers or those interested in exploring one of its most prominent composers is a collection of some of the very best of Telemann.

What an enormous output this great German composer put out! From church music to chamber music, Telemann uses all the styles of his era, from Italian to French to German, he does them all execeptionally well with his own style of clarity and fluidity.

The Viola Concerto is absolutely gorgeous, and it's a shame that this resonant, sensuous instrument doesn't not have a wider repertoire. Kyselak is marvelous in his phrasing and expressiveness.

The Recorder Concerto by Stivin is just delightful and exemplary of the fine liltiness of baroque. The Quartet in G Major from Tafelmusik I is admirably performed by the Orchestra of the Golden Age with passion and sensitivity.

The Overture in D and C Major, Darmstadt, is just exquisite. This is exciting music with great swellings and undertonings throughout.

I thoroughly enjoy baroque and this collection with its varying instrumental groupings highlighted and the variety of styles and genres is truly stimulating and relaxing to listen to. For the price, this is just an outstanding find.

Tracks:

I. Allegro
II. Adagio
III. Allegro
I. Allegro
II. Grave
III. Allegro
I. Adagio
II. Allegro
III. Largo
IV. Allegro
I. Affettuoso
II. Allegro
III. Adagio
IV. Allegro Assai
I. Adagio
II. Allegro
III. Adagio
IV. Vivace
I. Dolce
II. Allegro
III. Soave
IV. Vivace
I. Spirituoso
II. Grave
III. Allegro
I. Vivace
II. Andante
III. Vivace

Customer Reviews:

Interesting............2006-01-27

I got this as a Christmas present because I have been interested in Goebel's recordings for a while. Frankly, I had never even heard of these chamber pieces before. Yes, I was aware of other flute quartets, but not these. I searched and searched and could not find any other recordings of these, thus not being able to compare this with anything. All I can really say is that these are different than your "average baroque concerto." You don't often hear baroque chamber music played often, and on period intruments at that. Each part is very exposed, which alows the listener to really piece together the songs like a jigsaw puzzle andreally get into them and enjoy them that much more. I think the scoring is very well done on Teleman's part - I wouldn't expect anything like this out of Vivaldi or Handel, who though I admre, don't think they had the brains to come up with something like this.

One more thing which is just awesome, is the energy and intensity throughout this disc. The various players never lose focus, it seems.All of the tracks are exciting and I love them all.

This is a very different recording, but it definitely belongs in everyone's collection.

A must-have! Absolutely jaw-dropping.......2005-10-03

I quickly became a fan of Reinhard Goebel and his Musica Antique Koln emsemble when I purchased the Sinfonia Spirituosa String Concertos and have been itching to obtain another equally exciting, exhilerating and gorgeous piece of work ever since. This latest recording fits the bill perfectly. (Well, actually, it far surpasses the spirituosa string concerto disk -and that's no easy feat.) NOBODY plays Telemann like this group. I would rate this recording 10 stars if I could.

Sparkling repertoire performed with dazzling virtuosity.......2005-07-04

Here is a case of expectations richly rewarded. Telemann's flute quartets are vibrant and tuneful, at times making great demands on the soloists. The Musica Antiqua Koln are in all ways up to the challenge, delivering a musical bouquet that is at various turns elegant, soothing, and exciting.

Baroque music -- "exciting"? Yes, quite! As an example, have a listen to the final movement of the A minor quartet (track 18). The runs and bouncing tunes jumping from oboe to recorder to violin should have you smiling by the halfway point. Which is not to say that this music is all about Allegro and Vivace -- there are Adagio and Largo movements as well, which the soloists similarly relish by settling comfortably into their serenity and repose. This is music that is surely as rewarding for the players as it is for the listener.

There is a variety of color in the selections and sequencing that keeps the ear from tiring, and recorded sound quality is first-rate. The sonority of the authentic instruments is not in any way distracting, in fact the tone and expression are easily on a level with any modern-instrument ensemble.

If you are a fan of effervescent baroque then you will certainly want this in your collection.

Reihard Goebel, the glory of Koln.......2005-07-03

If there is a group of specialists on early chamber music
that is then with no doubt Reinhard Goebel and his
Musica Antiqua Koln. Herr Goebel is an authority on
early chamber music performance, this is his 8th recording of music of Georg Philipp Telemann(1681-1767) Herr Goebel
has been devoting recordings of the works since 1979; thus making Telemann a favorite composer of this early music group.
Herr Goebel and his musicians are well at home with this repertoire. The works in this recording are of the Flotenquartette (Flute Quartets) by Telemann. The Flutes used here are two very popular during the baroque periods the "transverse" or "German" Flute and the "French Flute" or Recorder. This recording is truly a great recording, and the sound is so clear that it sounds like you're there with them in the recording studio...Great historic music at a very competitive price....Goebel, Telemann and Musica Antiqua, the million dollar team of early music......

Average customer rating:

Entertaining Dialogues
Dialogues With Double Bass
Jeremy McCoy: Dialogues With Double Bass

Dialogues With Double Bass

Manufacturer: Bridge
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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Release Date: 2005-02-22

Tracks:

Gioacchino Rossini: Duetto
Gioacchino Rossini: Duetto
Gioacchino Rossini: Duetto
John Patitucci: The Root
Georg Philipp Telemann: Sonata No. 2
Georg Philipp Telemann: Sonata No. 2
Georg Philipp Telemann: Sonata No. 2
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Giovanni Bottesini: Gran Duetto No. 3
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Jean Francaix: Duo Baroque

Amazon.com

Destined by sheer size to hold up a whole orchestra, the double bass is rarely encountered in solo or chamber music. But on this record, Jeremy McCoy, Assistant Principal bassist of the Metropolitan Opera Orchestra, proves that this mighty monster will let a great player perform fascinating technical feats and elicit sounds of astonishing beauty and variety. Collaborating with equally brilliant partners, he displays his instrument's infinite resources, as well as his own stunning virtuosity and stylistic versatility; the program--partly original, partly transcribed--ranges from Baroque, real and faux, to the present. Two charming Italian "Duettos" sound like parodies of grand opera: Bottesini's, himself a great bassist, for two basses, and Rossini's, for cello and, incredibly, a three-stringed bass. Both include singing slow movements, bouncy finales and dazzling pyrotechnics. Jazz bassist and composer John Patitucci contributes two pieces: one rhythmically spicy, one lyrical. A Telemann Canonic Sonata, familiar on flutes or violins, growls on bassoon and bass; Martin Dalby's Scottish-influenced "Rant" features sound effects for flute and bass. Duets by Gliére and Elgar, with viola and trombone respectively, are lovely. In Jean Francaix's brilliant "Duo Baroque," the bass and harp make fun of themselves and each other, but the joke goes on too long. This record will leave you smiling with admiration and delight. --Edith Eisler

Album Description

Jeremy McCoy's new album, "Dialogues with Double Bass" presents a wide-ranging look at the double bass repertoire. The album highlights two particular themes. The primary notion is highlighting the bass as an equal voice in instrumental duos that are diverse and interesting conversations. A second theme is found in the vocal quality of much of the music. Like Bottesini, one of history's most famous bass players, who earned his living playing in an opera orchestra, Jeremy McCoy is a seasoned member of New York City's Metropolitan Opera Orchestra (the orchestra's assistant principal bassist). The influence of great singing can be heard in McCoy's playing, in the way he shapes a phrase and in the varied tonal colors of his sound. McCoy's wide experience as a soloist, chamber player and orchestral musician, and the expressive range of his instrument, finds him right at home in this engaging collection of eloquent dialogues with the double bass.

Customer Reviews:

Entertaining Dialogues.......2007-01-08

I enjoyed listening to "Dialogues with Double Bass" from beginning to end. I would recommend this excellent disk without any reservations!

The range of instrumental colors makes this a varied and interesting listening experience. This recording captures the fine details of the instruments without losing any warmth.

Communication between the players is excellent. McCoy's bass playing is superb, with great feel and great timing.

I have heard other fine recordings of the Rossini, but this one is my favorite. Kudos to Jeremy McCoy for showing the potential of the double bass in duet settings!

Dialogues With Double Bass.......2007-01-03

I bought this CD primarily for the recording of Elgar's Duet for Double bass and trombone. It contains a very wide variety of music, all of it good: however, because of the variety it is not often I feel like sitting down and listening to it in one sitting. It is more of a "dip into" CD.

Overall, tho, a very fine CD which shows off some of the textures available to the double bass.

Jeremy McCoy: Dialogues With Double Bass .......2006-10-25

This is a CD of duets with double bass in a classical music format. It is so refreshing that it does not sound confining like classical music can at times. I put it right up there with Yo-Yo Ma's Bach: The Cello Suites Inspired by Bach! Recording of instruments is clean, dynamic, yet highs and low in volumes are not so great that you are turning the volume up and down all the time. Five star on mi iPod!

Average customer rating:

Telemann: Chamber Concertos

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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ASIN: B00008AD9X
Release Date: 2003-06-10

Tracks:

1. Affettuoso
2. Vivace
3. Aria
4. Bourree
1. Adagio
2. Allegro
3. Grave
4. Allegro
1. (Without Tempo Indication)
2. Allegro
3. Dolce
4. Allegro
1. (Allegro)
2. Siciliana
3. Bourree
4. Menuett
1. Grave
2. Allegro
3. Largo E Staccato
4. Allegro

Average customer rating:

Baroque Fireworks

Manufacturer: MSR Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002Y1H2Y
Release Date: 2004-08-24

Tracks:

Zelenka: Sonata V in F, ZWV.181
Vivaldi: Sonata No.6 in B-flat, F.XIV
Telemann: Sonata in F minor
Vivaldi: Sonata No.3 in A minor, F.XIV
Telemann: Tafelmusik II Quartet in D minor

Album Description

At the dawn of the Baroque era, Venetian composer Giovanni Gabrieli and his followers developed the concertato style of composition. One result of this innovation was to encourage composers throughout Europe to explore the expressive and technical solo possibilities of instruments like the bassoon, traditionally relegated to non-solo roles. More than a century later, late Baroque masters Antonio Vivaldi, Georg Philipp Telemann and Jan Dismas Zelenka, all born within a three-year span, composed some of the finest and most challenging music ever written for the bassoon. This recording features several works from this era.

For this recording a bassoon, rather than the cello, was used as the bass continuo instrument in combination with the harpsichord, except in the Zelenka Trio, where the composer specified violone as one of the instruments of choice. Accordingly, the modern double bass was employed here.

Tracks:

Anon: Allegro - Not Listed
Rondo Allegretto - Bart Schneemann
Excerpt From 'The Canticle Of The Sun' - Peter Wispelwey
Gigue/Allegro - Amsterdam Loeki Stardust Quartet
Taquito Militar - Alfredo Marcucci
Lux Aeternia - The Gents
Andante - Pieter Wispelwey
St. John Passion - The Netherlands Bach Society
Homenaje A Revueltas - Ebony Band Amsterdam
Modere - Florilegium
Capriccio/Finale - Jorgen Van Rijen
Musickes Sweetest Joyes - Mieneke Van Der Velden
Notre Pere - The Gents
Allegro Vivace - Dejan Lazic
Andantino Cantabile - Rachel Podger
Adaigo - Bart Schneemann
Amarilla Mia Bella - Fred Jacobs
Allegro Con Fuoco - Budapest Festival Orchestra
Er Nahm Alles Wohl In Acht - The Netherlands Bach Society

Average customer rating:

1st rate Telemann, excellent, warm sound

Telemann: Overtures, Sonatas, Concertos

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

Sextets | Chamber Music | Classical | Styles | Music

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Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B0001ZWKQG
Release Date: 2004-07-27

Tracks:

Largo
Allegro
Andante
Presto
Largo
Allegro
Grave
Allegro
Adagio
Allegro
Largo
Presto
Lento
Allegro
Largo
Allegro
Ouverture
Gavotte
Loure
Rejouissance
La Bravoure
Menuet I/II
Rodomontade

Customer Reviews:

1st rate Telemann, excellent, warm sound.......2006-02-12

It is a fair criticism of some period instrument recordings that the strings sound "edgy" or overly bright. Much as I enjoy Musica Antiqua Koln, for example, I don't think their sound, as represented by their recordings, is as flattering, or pleasant, as they sound live. It is indeed bright, and on the wrong hi-fi, edgy and wearing.

The German label MDG has been getting good press for their recording quality, and this recording is a great example of why that is so. It is one of the warmest and richest recordings of a period instrument group that I have heard. Happily, that group, Musica Alta Ripa, is first rate. It is a small ensemble--there are 11 players on this record, including a wonderful bassoon "guest" artist, and they utilize not only a harpsichord, but a theorbo or baroque guitar in the continuo part.

And how can you go wrong with Telemann? Most of this disc consists of music for strings (pleasantly interrupted by a concerto for recorder, bassoon and strings). It is as good a cross-section of Telemann's work as this listener has encountered, with the possible exception of the best of Telemann's Tafelmusic.

Strongly recommended, especially for listeners who have been disappointed by period performances in the past.

Average customer rating:

La Flute Enchantée

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B000002ST6
Release Date: 1997-04-22

Tracks:

I Andante
II Largo E Dolce
III Presto - Allegro
I Allegro Moderato
II Siciliano
III Allegro
I Vivace
II Largo E Dolce
III Allegro
I Andante - Presto - Allegro
II Adagio
III Menuetto I & II
I Adagio Ma Non Tanto
II Allegro
III Andante
IV Allegro
I Adagio Ma Non Tanto
II Allegro
III Siciliano
IV Allegro Assai
I Allemande
II Courante
III Sarabande
IV Bourree Anglaise

Tracks:

I Allegro Ma Non Troppo
II Adagio
III Allegro
Ouverture
Les Plaisirs
Air A L'Italienne
Menuets
Rejouissances
Passepied
Polonaise
Sonate En Fa Mineur: Triste - Allegro - Andante - Vivace
Sonate En Si Mineur: Cantabile - Allegro - Dolce - Allegro
Sonate En Si Bemol Majeur: Dolce - Vivace - Sicilienne - Vivace
Concerto Pour Flute & Clavecin En Re Majeur: Piacevole - Allegro - Largo - Vivace

Tracks:

I Allegro Moderato
II Andantino
III Vivace
I Entrata - Allegro
II Tempo Ordinario D'Un Menuetto
III Allegro Molto
IV Andante Con Variazioni
V Allegro Scherzando E Vivace
VI Adagio - Allegro Vivace Disinvolto
Introduction & Variations Sur Le Theme 'Ihr Blumlein Alle', Extr. De 'La Belle Meuniere', Pour Flute & Piano, D.802
I Nicht Schnell
II Einfach, Innig
III Nicht Schnell