20th Century English Choral Music

On this CD:

1. My Love Dwelt in a Northern Land for Chorus, Op.18/3
Composed by Edward Elgar

2. Shakespeare Songs (3) for chorus Full Fathom Five
Composed by Ralph Vaughan Williams

3. Shakespeare Songs (3) for chorus The Cloud-Capp'd Towers
Composed by Ralph Vaughan Williams

4. Shakespeare Songs (3) for chorus Over Hill, Over Dale
Composed by Ralph Vaughan Williams

5. The Blue Bird
Composed by Charles Villiers Stanford

6. Dashing away with the smoothing iron
Composed by John Rutter

7. Greensleeves, folk song for chorus (from the opera Sir John in Love)
Composed by Ralph Vaughan Williams

8. Gloriana, opera, Op. 53 Time
Composed by Benjamin Britten

9. Gloriana, opera, Op. 53 Concord
Composed by Benjamin Britten

10. Gloriana, opera, Op. 53 Time and Concord
Composed by Benjamin Britten

11. Gloriana, opera, Op. 53 Country Girls
Composed by Benjamin Britten

12. Gloriana, opera, Op. 53 Rustics and Fishermen
Composed by Benjamin Britten

13. Gloriana, opera, Op. 53 Final Dance of Homage
Composed by Benjamin Britten

14. Ca' the yowes
Composed by English Traditional

15. Choral Folk Songs (6), for chorus, Op.36b, H. 136
Composed by Gustav Holst

16. Bushes and briars, folk song for male chorus or chorus or voice & piano (Folksongs from the Eastern Counties No. 1)
Composed by Ralph Vaughan Williams

17. Songs (4) from the British Isles, for chorus
Composed by Michael Tippett

18. Songs (4) from the British Isles, for chorus
Composed by Michael Tippett

19. Songs (4) from the British Isles, for chorus
Composed by Michael Tippett

20. Songs (4) from the British Isles, for chorus
Composed by Michael Tippett

21. Yarmouth Fair for voice & piano
Composed by Peter Warlock

Tracks:

Louise (Acte 3): Depuis le jour ou je me suis donnee
Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
La rondine (Act 1): Chi il bel sogno di Doretta
Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
Carmina Burana (No. 21): In trutina
Vier Lieder, Op. 27 No. 4: Morgen!
Vocalise, Op. 34 No. 14: Vocalise
Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
LUNA: Epilogo
Chants d'Auvergne, Series 1: Bailero

Amazon.com essential recording

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

Customer Reviews:

The best of the best........2007-04-11

I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.

Beautiful and creamy voice.......2006-02-28

I like so much Ren?e Fleming and this is special cd !

Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30

IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.

The most gorgeous soprano voice I've ever heard.......2006-01-02

I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.

Wow!!!.......2005-09-28

This album is the album that introduced me to Renee Fleming. Every selection on this recording is a gem. Her voice is so gorgeous and her technique is so solid. I love her voice so much, her interpretations of J. Strauss, Jr.'s Csardas is incredible and Puccini's Chi il bel sogno di Doretta makes me cry everytime I listen to it. She is a true American treasure. Brava Renee!!!

Rule Britannia and Other Music from Last Night of the Proms

Average customer rating:

Music from the empire
The British and their music
A good choice of tunes
A beautiful CD!

Rule Britannia and Other Music from Last Night of the Proms

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Ultimate Last Night of the Proms
Royal Salute
Rule Britannia
Music from the coronation of Her Majesty Queen Elizabeth II
The Last Night of the Proms

ASIN: B00000AEL9
Release Date: 1998-08-25

Tracks:

Crown Imperial
Jerusalem
Enigma Variations, Op 36, Variation No 9 (Nimrod)
Fantasia on British Sea Songs: The Saucy Arethusa
Fantasia on British Sea Songs: Tom Bowling
Fantasia on British Sea Songs: Jack's The Lad
Fantasia on British Sea Songs: Farewell Ye Spanish Ladies
Fantasia on British Sea Songs: Home Sweet Home
Fantasia on British Sea Songs: See The Conquering Hero
Fantasia on British Sea Songs: Rule Britannia
Overture: 'Tam O'Shanter', Op. 51
I Was Glad When They Said Unto Me
Orb And Sceptre
Pomp and Circumstance, Op. 39, March No. 1

Customer Reviews:

Music from the empire.......2007-06-01

From the 1700s to the mid-1900s, Britian ruled most of the world at some time or another. Part of this experience was the exportation of the English language, English bureaucracy, and the British school system (headmasters, uniforms, standardized testing) to places as disparate as Canada, Singapore, India and Egypt. Yet somehow, music students around the world learn to play Mozart, Beethoven, Bach, or some other continental composer. British music did not get widespread attention until the Beatles. This is surprising given that English composers produced music in ballets, symphonies, overtures, operas and just about every other style and form known. Maybe the reason why is that many locals' first taste of British music was imperial music played upon the entrance of their overlords, or in military parades meant to cower them. Samples of such music are provided in this CD from naxos. Offering works from various English composers from the 1800s to early 1900s, this album leaves out the more melodic and evocative works of English music such as Vaughn-Williams' Greensleeves, Elgar's Pomp and Circumstance, or Jupiter by Holst. Instead, the focus is on music played at ceremonies, whether they be parades, crownings, burials, etc... The result is a nicely-themed CD that is unique in its contents. The sound quality is great, though the orchestration is only good. For example, title piece of Rule Britannia is played much better on other albums. Note that the works on this CD are pure British; no Irish, Scottish or Welsh influences. Overall, a nice CD to listen to.

The British and their music.......2007-05-30

This CD offers an excellent sampler of traditional British music. If you have watched Chariots Of Fire you will recognize Jerusalem By Parry(the final scene at Harold Abraham's funeral). This is a beautiful selection. The Tam O'Shanter Overture dispells the often unjustified characterization of the stuffy Englishman and is a rousing piece. All in all a very enjoyable CD. Buy it!

A good choice of tunes.......2005-06-29

It is a good choice of tunes played often in England. The quality of recording is good, the choice of tunes is good too and the orchestration is good too. It is a good CD to buy.

A beautiful CD!.......2001-12-16

This one is for all those who want a splendid introduction to the music this CD offers. It would make a lovely Christmas present for the discriminating listener. My favorite is "Jerusalem!"

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Average customer rating:

Aaron Copland: Populist and Conductor
Tribute to Lincoln
A great way to get your dose of Copland....
Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Copland Collection: Orchestral Works, 1948-1971
A Copland Celebration Vol. 3
Copland: Music for Films
A Copland Celebration Vol. 1
Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

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Britten Conducts Britten

Manufacturer: Decca
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Binding: Audio CD

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Pierre Monteux Decca & Philips Recordings, 1956-1964

ASIN: B000K2VDT0
Release Date: 2007-02-13

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Dissappointing
25 Sentimental Favorites

Sentimental Favorites (25)

Manufacturer: Vox (Classical)
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Binding: Audio CD

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25 Romantic Classics
25 Classical Favorites
Candlelight Favorites (25)
25 Tchaikovsky Favorites
25 Mozart Favorites

ASIN: B0000058ID
Release Date: 1996-08-20

Tracks:

The Skaters Waltz - Emile Waldteufel
String Quartet No. 2: III. Notturno - Alexander Borodin
'Thais': Meditation - Jules Massenet
Sleeping Beauty: Waltz - Pyotr Il'yich Tchaikovsky
The Red Poppy Ballet: Phoenix - Reinhold Moritsevich Gliere
Artist's Life Waltz - Peter Falk
Piano Concerto No. 21 In C Major, K. 467: II. Andante - Walter Klien
Nocturne In E Flat Major, Op.9 - Abbey Simon
Ave Maria - Aaron Rosand
Liebeslied - Aaron Rosand
Pavane - Susan Jolles
Je Te Veux - Susan Jolles
My Lady Greensleeves - Elena Polonska
Suite Espanola: 1. Granada - Konrad Ragossnig
Concerto For Flute And Harp In C Major, K. 299: II. Andantino - Catherine Michel
The Nutcracker Suite: Waltz Of The Flowers - Pyotr Il'yich Tchaikovsky
Carnival Of The Animals: The Swan - Camille Saint-Sa
Prince Igor: Polovtsian Dance No. 8 - Alexander Borodin
The Marriage Of Figaro: Arr. For Winds: Sull'aria Che Soave Zeffiretto - Wolfgang Amadeus Mozart
3 Old Viennese Dance Melodies: III. Schon Rosmarin - Bronislaw Gimpel
Scheherazade: Arab Song - Bronislaw Gimpel
Pelleas Et Melisande: Sicilienne - Gabriel Faur
Wedding Day At Troldhaugen - Edvard Grieg
Clarinet Concerto In A Major, K. 622: II. Allegro - Jost Michaels
Cavalleria Rusticana: Intermezzo - Pietro Mascagni

Customer Reviews:

Dissappointing.......2004-05-22

The recordings are fair at best. The performances poor to better.

I will dispose of this one.

25 Sentimental Favorites.......2000-06-19

I used to think that classical music is boring, but this CD has changed my mind. The first time I listened to this CD I said, its OK. Later every time I listen to it I discover a new beautiful music. I feel calm and relaxed. I mostly liked the Borodin, Mozart and Faure songs. It is really 25 sentimental favorites. Now, many titles of the 25 "?" Favorites are on my wish list....

Average customer rating:

"Simply a Stunner"
Good choice for opera lovers.

Simply the Best Night at the Opera
Giacomo Puccini , Jacques Offenbach , Gaetano Donizetti , Georges Bizet , Gioachino Rossini , Wolfgang Amadeus Mozart , George Frideric Handel , Igor Stravinsky , Jules Massenet , Antonin Dvorak , Camille Saint-Saëns , Benjamin Britten , Claudio Monteverdi , Giuseppe Verdi , Hector Berlioz , Charles Gounod , Henry Purcell , Pyotr Il'yich Tchaikovsky , Richard Wagner , English Chamber Orchestra , Munich Bavarian State Orchestra , Strasbourg Philharmonic Orchestra , Lyon National Opera Orchestra & Chorus , Prague Symphony Orchestra , Orchestre National de France , Berlin Philharmonic Orchestra , and Halle Orchestra
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

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The #1 Opera Album
The Best of Italian Opera
The Most Famous Opera Duets
A - Z of Opera (includes 762 page booklet)
The Most Famous Opera Arias

ASIN: B00000J9HR
Release Date: 1999-07-06

Tracks:

Turnadot: Nessun Dorma
Gianni Schicchi: O mio babbino caro
Les Conte d'Hoffmann: Messiers, Silence!
L'Elisir diAmore: Una fortiva lagrima
Carmen: Je Dis que rien ne m'epouvant
Les pecheurs de perles: Au fond du temple saint
L'Inganno felice: Al piu dolce
Cosi fan tutte: Soave sia il vento
Xerxes: Ombra mai fu
The Rake's Progress: Quietly, night
L'Italiana: Gia d'insolito ardore nel petto
Les Contes d'Hoffmann: Les oiseaux dans la charmille
Werther: Pourquoi me revieller
Rusalka: Song To The Moon

Tracks:

La Boheme: O soave faciulla
Samson et Dalila: Mon coeur s'ouvre a ta voix
La nozze di Figaro: Voi, che sapete che cosa e amor
Billy Budd: Look! ... Through The Port Come The Moonshine Astray!
L'Incoronazione di Poppea: Lameto di Ottavia: 'Diprezzata Regina'
Rigoletto: Gaultier Malde ... caro nome
Manon Lescant: Donna on vidi mia
Madama Butterfly: Un bel di vedreno
La Damnation de Faust: D'amour l'ardente flamme
Faust: Vous qui faites l'endormie
Dido's Lament: Thy Hand, Belinda - When I Am Laid In Earth
Yolanta: Scene & Monologue By Ibn Hakia
Carmen: Votre toast, je peaux le rendre
TOSCA: E lucevan le stelle
Tannhauser: Wie Todesahnung Damn'rung deckt die Lande ...

Customer Reviews:

"Simply a Stunner".......2006-07-21

Ideal for an opera lover, or for anyone who loves gorgeous singing. I am an opera nut and was introduced to this one by accident; "Au gond du temple saint" from Pearl Fishers (selection #6, disc one) was playing on the stereo in the Metropolitan Opera giftshop when I walked in at intermission one night. I thought it was so stunning I bought my first copy of the CD then and there; and have bought 2 other "back-up copies" since then, as well as having it on my iPod.

Good choice for opera lovers........2001-08-16

If you are in search of a cd containing various popular pieces from the greatest operas in the world, then search no more. This cd contains classic operatic pieces, sung by some of the most talented tenors and sopranos out there, including Placido Domingo. Madame Butterfly's Un Bel Di and Turandot's Nessun Dorma are, without a doubt, two of the most emotional and dramatic songs ever composed. Fortunately, this inexpensive two cd set includes those songs and many more. This cd is a delight to own, whether or not you've ever attended an opera.

Joy to the World - Eugene Ormandy, Philadelphia Orchestra

Average customer rating:

Joy To The World........a joy indeed!
If you like classical Christmas music, this is for you
"Joy To The World . . . The Lord Has Come . . . And Heaven And Nature Sing"
Christmas music done in Ormady's rich "Philadelphia Sound"
A Timeless Christmas Classic

Joy to the World - Eugene Ormandy, Philadelphia Orchestra

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003EPC
Release Date: 1990-10-25

Tracks:

Hark! The Hearld Angels Sing
Away In The Manger
The Little Drummer Boy
We Wish You A Merry Christmas
Waltz of the Flowers
What Child Is This
Sleigh Ride
The First Nowell
Carol of the Bells
O Come, All Ye Faithful
Joy to the World
I Wonder As I Wander
Good King Wenceslas
Silent Night
Jesu, Joy of Man's Desiring
Angels We Have Heard On High
Silver Bells
Messiah: Pastoral Symphony (Messiah)
Messiah: Hallelujah Chorus

Customer Reviews:

Joy To The World........a joy indeed!.......2007-03-16

This wonderful CD has everything to celebrate the great joy of the Christmas season. Recorded in the early 1970's it still sounds as fresh and timeless as it did way back then.
The orchestrations are majestic and imaginative without being mushy or too symphonic in structure.The addition of the chorus in most of the carols is an added bonus. The singers and orchestra blend wonderfully without either dominating the other too much. The programme of selected songs is excellent and with some lovely orchestra only tracks the CD is not tiring to listen to creating a well balanced programme.
Maestro Eugene Ormandy conducts the Philadelphia Orchestra with great zeal and a passion for the music that is felt by the listener.The chorus master is the very talented Robert Page and the carols are arranged and orchestrated by the great Arthur Harris.
The sound quality is excellent and the CD has been beautifully remastered without any loss of crispness or dynamics.The stereo balance and instrument placement sound superb with the singers centre stage.
This is a remarkably good CD from the RCA Gold Seal range and is a must for lovers of really good seasonal music played with love and passion for the joys of the Christmas season.
Thank you for taking the trouble to read my review and I wish one and all much enjoyment from this lovely CD.

Happy listening!

If you like classical Christmas music, this is for you.......2007-01-13

A truly great collection of classical Christmas music. Highly recommended.

"Joy To The World . . . The Lord Has Come . . . And Heaven And Nature Sing".......2006-12-15

For those of you who, like me, love traditional and old-fashioned Christmas carols with a chorus and a full orchestra, this album is just a perfect listen this Yuletide season. It's always been a delight listening to this classic Christmas CD, "Joy to the World with Eugene Ormandy and The Philadelphia Orchestra and Chorus." It creates a nostalgic feeling and an atmosphere of an old-fashioned Christmas that reminds me so much of the past Christmas celebrations I had with my late parents. This is the kind of Christmas music they so loved.

The Philadelphia Orchestra and Chorus under the direction of Robert Page performed ten of the nineteen tracks and The Philadelphia Orchestra performed the rest of the tracks without the Chorus under the baton of one of the most respected names in conducting and orchestration, Eugene Ormandy. Arthur Harris beautifully and traditionally arranged all the songs. This is one of the greatest Christmas albums ever recorded and a worthy addition to your Christmas collection.

The true essence of Christmas is captured by the artful blend of voices from the chorus combined with the sublime orchestration from the first carol, "Hark! The Herald Angels Sing" to the last piece, Handel's "Hallelujah Chorus from Messiah."

Each and every track is a highlight and sacredly performed. My top favorites are "Silent Night," Bach's "Jesu, Joy of Man's Desiring," Tchaikovsky's "Waltz of the Flowers" from "The Nutcracker," "Angels We Have Heard On High," "Away In A Manger," "What Child Is This? (Greensleeves), and "Joy To The World."

"Joy to the world
The Lord has come
Let earth receive her King
Let every heart prepare Him room
And heaven and nature sing."

Joyfully recommended!

Christmas music done in Ormady's rich "Philadelphia Sound".......2004-12-04

"Joy to the World" has Eugene Ormandy with the Philadelphia Orchestra and Chorus providing a rich selection of Christmas songs, both classical and traditional, arranged by Arthur Harris. It is the former that are most impressive, although there are fewer of them, starting with Mendelssohn's "Hark! The Herald Angels Sing" and Tchaikovsky's "Waltz of the Flowers" from "The Nutcracker," then ending with Bach's "Jesu, Joy of Man's Desire," and the "Pastoral Symphony" and "Hallelujan Chorus" from Handel's "Messiah."

Eugene Ormandy (born Jenö Blau in Budapest) was one of the most famous of the popular American conductors of the 20th century, known best for his long time relationship with the Philadelphia Orchestra. Originally gaining public notice with the orchestra when he served as a last-minute replacement for an ill Arturo Toscanini in 1931, Ormandy would serve as Musical Director in Phialdelphia from 1938 until 1980. Under his baton the Philadelphia Orchestra became known for its warm tones, textured romantic "Philadelphia Sound," which is well represented on this Christmas album. I always thought Ormandy's interpretation of Rachmaninoff was particularly strong, although I do not know enough about classical music to articulate a coherent defense of that position beyond noting that when Vladimir Horowitz played Rachmaninoff's Third Concerto on the occasion of the 50th anniversary of his Carnegie Hall debut, he picked Ormandy as the conductor of the orchestra that night.

There is over an hour's worth of music here for you to enjoy if you like more of the classical approach to your Christmas music. But Ormandy's work is always marked by an ability to bring out the emotions of music being played by a symphonic orchestra. That is why the standout tracks here are "The Little Drummer Boy," "I Wonder as I Wander," and "What Child Is This?" You would not normally think of these songs as working as well song by a chorus that by a single individual, but this album will get you to rethink your position. In terms of choirs at Christmas I still have a preference for the Mormon Tabernacle Choir and the Ray Conniff Singers (I embrace the extremes), but in terms of listening to an orchestra play Christmas music, this is as good as it gets.

A Timeless Christmas Classic.......2003-12-08

I'm a lover of traditional Christmas music and I've acquired about 20 CDs of it. There's nothing my family likes better in December than putting on some good Christmas music and getting in the mood for the season, hearing once again the old favorites you've known since childhood. Of all the Christmas music CDs I've tried, I have two desert-island favorites, the two I always reach for first. This is one of them. I think it's one of the greatest recordings of traditional Christmas music ever made. The arrangements (by Arthur Harris) are joyous, beautiful, and soul-stirring; the performances are heartfelt and magnificent. If you can listen to this CD and not feel filled by the Christmas spirit, you must be (a) named Ebeneezer Scrooge, or (b) deaf. This one is a timeless Christmas classic, not to be missed. Warmest recommendation.

Average customer rating:

Holiday Pops
Best for Christmas Cheer !!
Can listen all year
A Must For Boston Pops Lovers
Thank you, Keith Lockhart

Holiday Pops

Manufacturer: RCA
ProductGroup: Music
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ASIN: B000007QGW
Release Date: 1998-09-29

Tracks:

Gloria
Christmas Waltzes
Carol Of The Bells
Fantasia On Christmas Carols!
Tomorrow Is My Dancing Day
Shepherd's Chorus (From L'Enfance Du Christ)
Farandole (From L'Arlesienne)
Christmas Time Is Here (From A Charlie Brown Christmas)
Good Swing Wenceslas
Mary's Little Boy Child
Sleigh Ride
Frosty All The Way!
Merry Christmas, Merry Christmas (From Home Alone 2)

Customer Reviews:

Holiday Pops.......2007-01-21

I ordered this CD because I had received one for the music library at the public radio station where I was music director before my retirement. I loved hearing it every Christmas when I programmed music from it to air on my station, so I decided to get one for my own library at home when I no longer had access to the CD at work. I love it! And amazon.com processed my order quickly. Thanks!

~Mary Lee Warner

Best for Christmas Cheer !!.......2007-01-12

This is one of the cleanest orchestral recordings of the 90s and shows the Boston Pops to great advantage. The production values are amazingly good to my ears, as is the wonderful interpretation of Maestro Lockhart. Amazon should list his name (not Mark Oswald's) to increase sales. This one will put you in the spirit of the holidays, for certain!

John Whitney, Music Director, Southern Tier Symphony

Can listen all year.......2004-10-20

This is a great cd and Farandole has been a favorite of our son for over a year (he's 2 1/2). I highly recommend it!

A Must For Boston Pops Lovers.......2003-12-04

Poor Keith Lockhart did not have the easiest time when he first came to Boston. He made a few major mistakes. First, he shortened the 1812 Overture at the July 4th Concert at the Esplanade, which may have been a decision of the television stations carrying the broadcast, but it, went over with a thud. His first few Christmas concerts were not critically acclaimed, though crowds still attended. By the time his album HOLIDAY POPS was released, things got a bit better for poor Keith, and now he is as much of a Boston institution as anyone.

The collections greatest strength is the lush sound of the orchestra and Lockhart's excellent handling of the ensemble. No matter what he selected as music for this album, it probably would have worked rather well. The track has a "Gloria" that was commissioned by the Boston Symphony. There are also familiar arrangements in the style associated with the Boston Pops of Christmas waltzes, a track called "Frosty All the Way," "Good Swing Wenceslas," and perhaps the best track on the disc "Tomorrow Is My Dancing Day." The chorus adds to numbers such as "The shepherd's Chorus," "Sleigh Ride," and John William's "Merry Christmas, Merry Christmas" from HOME ALONE 2.

Lockhart's style differs greatly from the legendary Arthur Fiedler and his successor John Williams, but for those who love the Boston Pops, especially at Christmastime, will not have a complete collection without this disc.

Thank you, Keith Lockhart.......2001-12-05

In an age of Christmas artists like Mannheim Steamroller and Trans-Siberian Orchestra (Who came up with these names anyway?), it's a blessing that we still have artists who have become as timeless as the Christmas music that they play. For many years, the Boston Pops Orchestra has had an annual tradition of performing Holiday Pops concerts in December, with the audiences enjoying champagne and refreshments on the floor. And Keith Lockhart has certainly done an excellent job of carrying on the tradition long maintained by Arthur Fiedler and John Williams.

This CD is an excellent compilation of the Boston Pops at its finest. From the opening "Gloria" to "Merry Christmas, Merry Christmas," each selection has its own unique touch applied to it. My favorites are "Gloria," "Christmas Waltzes," "Carol of the Bells," "The Shepherds' Chorus," "Christmas Time Is Here," and the swinging compilation "Frosty All The Way!"

Tracks:

A Sea Symphony
A London Symphony
Symphony No. 8 In D Minor
English Folk Song Suite
A Pastoral Symphony
Symphony No. 4 In F Minor
Flos Campi
Oboe Concerto In A Minor
Symphony No. 5 In D
Symphony No. 6 In E Minor
Symphony No. 9 In E Minor
Fantasia On "Greensleeves"
Serenade To Music
Partita For Double String Orchestra
Sinfonia Antartica
Fantasia On A Theme By Thomas Tallis
Five Variants Of Dives And Lazarus
Job - A Masque For Dancing

Customer Reviews:

RESTORES ONE'S FAITH IN HONEST MUSIC MAKING.......2007-03-29

Thank God for Tod Handley. I vividly recall a year or two back, feeling particularly jaundiced after a succession of glitzy, superficial concerts by conductors far starrier and younger, having my faith in real music making restored by a Handley concert which included a scintillating Schubert Little C Major and a profoundly moving VW Sea Symphony.

That work, of course, is the springboard for this cycle of complete VW symphonies. And a very satisfying journey through this inspiring canon of nine it is, too. Handley's affinity with English music needs no reiterating, but his relationship with Vaughan Williams in particular is a special one. More than most, he is alive to the changing and developing nature of the different symphonies through Vaughan Williams life - from the rich Romantic panoply of the 1st, taking in the influence of study with Ravel in the 3rd, the violence of Nos.4 & 6 and the idealisation of his Pilgrim music as well as that of his beloved Tudor composers in the Fifth, right through to the exploration of new sonorities and form in 7, 8 and 9. Throughout the cycle, this is music making that is honest, perceptive, communicative and frequently illuminating and inspiring.

Handley's Sea Symphony has terrific sweep in the opening movement, ideal rhythmic crispness in the scherzo and real depth in the long, questing Finale. Its one drawback is perhaps the somewhat cramped acoustics of Liverpool's Philharmonic Hall compared to, say, the fuller sound of the Kingsway Hall in Boult's second recording. His London Symphony is as fine as any, though I do now miss the passages opened out in Hickox's recording of the Original Version.

I'm inclined to think this the best Pastoral of any on disc: it finds Handley very sensitive to all the overtones of VW's experiences of the Great War that lie behind its overt pastoralism - Flanders Fields as much as English ones. This is followed by a stunning Fourth, matched only by the composer's own performance. The grinding dissonances of its motto motif, the bounce of the jazzier rhythms, the dark Beethovenian transition to the Finale are all perfectly realised: "I don't know if I like it, but it's what I meant" in VW's famous phrase and I feel sure Handley's performance is just what he meant.

The Fifth finds fierce competition from Boult (twice), Barbirolli (twice) and Haitink (most purely symphonic of all). But Handley strikes a fine balance between the Pilgrim's Progress antecedents of much of the material and the `absolute music' arguments to which it is subjected. This disc is almost worth it for the glorious horn counterpoint at the climax of the first movement alone, picked out by Handley as by no other conductor in my experience. His Sixth is another blistering reading to set beside that of his mentor, Boult, in mono for Decca. Handley's pp final movement here is too mystical to be mistaken for the post-nuclear landscape it's often compared to - it seems closer to VW's great friend, Holst's, Neptune. Pacing and colour are the strengths of this Antarctica, but only Haitink really succeeds in making it sound truly symphonic. And No.8 was always the domain of its dedicatee, `Glorious John' Barbirolli, who seemed to have the secret of its somewhat obtuse Variations without a Theme opening movement, its Bartokian Strings only and Wind only inner movements and the clangour of its Finale with `all the phones and spiels know to the composer'. However the elusive 9th is one of the best of Handley's set. He really seems to understand its deep, dark, Hardyesque mysteries, grounded as those novels seem to be in the very earth and land of England, as well as its further explorations of intriguing sonorities with the use of flugelhorn and saxophones.

The fill-ups from the original discs are here as well, including a fine Job and a superb Flos campi, another elusive work that seems to speak of secrets that are not to be found in the VW biographies. These are all considerable performances that reflect Handley's long-standing empathy with and authority in this music. And all at a bargain price.

Excellence throughout.......2004-10-16

On balance, this is probably the best set of Vaughan Williams symphonies out there today. Vernon Handley was a protege of Adrian Boult and you can hear a likeness in the way the two approach the music of their countryman. Boult may have had an advantage, being alive at a time Vaughan Williams was composing and premiering a number of the symphonies after they were composed.

The passage of time has left us two outstanding sets of Vaughan Williams symphonies by Boult, including a latter stereo version. I have heard both sets and they are wonderful. I prefer this one, however. Handley does things with some of the lesser played Vaughan Williams scores that, I believe, gives him an edge as the best of today's interpreters.

His version of the "Sea" Symphony No. 1 -- which is not a favorite of mine -- stacks up with anything out there. It avoids the bombastic approach taken by some conductors that do not completely understand the music or Vaughan Williams style. Even the new Atlanta Symphony version of the "Sea" Symphony does not exceed the vigor, loveliness and fine singing on parade under Handley's baton.

Handley also does wonderful things with the lesser known Symphonies 8 and 9, which some critics went wow over when Bernard Haitink recorded them together on one CD a few years back. Personally, I never heard the message of the dramatic 8th Symphony until I listened to this set.

Handley is hardly at a loss in the more well-known symphonies, either. His renditions of the "London" Symphony 2, "Pastoral" Sympony 3, Symphony 4 and "Antarctica" Symphony 7 are up with the best versions ever recorded. Handley's version is the first time I ever heard the chimes of Big Ben in the "London" symphony. His trip to Antarctica in Symphony 7 is probably the best one out there today and rivals the famous mono version Boult did 50 years ago, less the spoken tracts at the beginning and between sections.

Handley is equally fine in Vaughan Williams two violent symphonies, Nos. 4 and 6. In Symphony 4, he is especially visionary, understanding that the composer was not really writing about the impending world war when he penned the symphony in the late 1930s. Vaughan Williams said it was more about human interaction and communication and you hear this from Handley, who eschews much of the needless violence other conductors put into the score.

It is only the Symphony No. 5 where I find a clear preference to versions by Andre Previn in either of his stereo versions. Previn's 1988 Telarc recording also includes "Fantasia on a Theme by Thomas Tallis", perhaps Vaughan Williams' best-known melody. This is preferable to Handley's Symphony 5 diskmate, the "Flos Campi" Suite, which provides another moment for the Liverpool Philharmonic Choir to shine. Previn endows the wonderful symphony with more romance and emotion than Handley.

That's not to say Handley's recording is a dog. Hardly! His is an exquisite recording of some of the world's most beautiful music. It lacks little and competes with the best out there. All told, this is a five star set with beautiful and, when appropriate, powerful and visceral playing from the Royal Liverpool Philharmonic Orchestra.

There are other fine Vaughan Williams set extant -- both Boult sets, the exceptionally well-recorded Thomson on Chandos, various recordings by Previn & Hickox and those by Bakels on Naxos -- but no complete set quite captures Ralph Vaughan Williams as three dimensionally as this one. My only complaint is Classics for Pleasure could have mated Handley's equally brilliant version of "Job: A Masque for Dancing" with one of the shorter symphonies and did not.

Average customer rating:

I recommend it highly
Pour yourself some tea, get the paper and put on this CD

For A Sunday Morning
Various Artists
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005UWL1
Release Date: 2002-01-15

Tracks:

Grieg: Morning Mood
Dvorak: Waltz From Serenade For Strings
Faure: Pavane, Op. 50
Bach: Air
Holst: Finale (The Dargason) from St. Paul's Suite
Debussy: Prelude To "The Afternoon Of A Faun"
Faure: Sicilienne from Pelleas et Melisande
Bach: Sleepers, Awake
Debussy: En Bateau
Grieg: Anitra's Dance
Britten: Sunday Morning By The Beach
Williams: Seventeen Come Sunday From English Folk Song Suite
Strauss: Morning Newspapers

Customer Reviews:

I recommend it highly.......2005-10-05

I have yet to grow tired of this CD. I listen to it at work several times per week.

Pour yourself some tea, get the paper and put on this CD.......2002-02-14

This truly is a great album for a Sunday morning. I bought it after a recent morning I spent with my boyfriend; we made tea, ate breakfast, cuddled and napped, but I wanted some relaxing classical tunes to put on. I stumbled across this, and it certainly fits the bill.

I also liked that it had a good mix of familiar songs and ones I hadn't heard before. Selections include "Morning" and "Anitra's Dance" by Grieg, "Serenade for Strings in E Major" by Dvorak, "Sunday Morning" by Britten, "Pavane" by Faure, "Seventeen Come Sunday" by Vaughan Williams, "Air on a G String" by Bach, "Morgenblatter" by Strauss, "The Dargason" by Holst, "Prelude a l'Apres-Midi d'un Faune" by Debussy, and "En Bateau" and "Sicilienne" by Faure.

Don't expect any big fireworks -- there's certainly nothing rousing like "Ride of the Valkyries" or "1812 Overture" here. Pop this in for a lazy day.

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