Elgar: Symphony No. 1 in A-flat, Op 55 / Concert Overture "In the South", Op. 50
On this CD:
1. In the South ("Alassio"), overture for orchestra, Op. 50
Composed by Edward Elgar
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
2. Symphony No. 1 in A flat major, Op. 55
Composed by Edward Elgar
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
Elgar: Symphony No. 1 in A-flat, Op 55 / Concert Overture "In the South", Op. 50, Music, Edward Elgar, Sir John Pritchard, BBC Symphony Orchestra, Classical
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Best of Elgar
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
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Similar Items:
- Elgar: Pomp and Circumstance Marches Op. 39; Enigma Variations Op. 36
- Elgar: Enigma Variations
- The Best of Fauré
- The Best of Shostakovich
- Best of Prokofiev
ASIN: B0000014HN
Release Date: 1997-03-18 |
Tracks:
- Pomp And Circumstance March In D Major, Op. 39, No. 1
- Enigma Variations, Op. 36: Nimrod
- Intoduction And Allegro, Op. 47
- Cello Concerto In E minor, Op. 85 - Adagio
- Salut d'amour, Op. 12
- Symphony No. 1In A Flat Major, Op. 55, - Andante nobilmente e semplice (Excerpt)
- Serenade For Strings In E Minor, Op. 20: Larghetto
- Serenade For Strings In E Minor, Op. 20: Allegretto
- Violin Concerto In B Minor Op. 61 - Andante
- Pomp and Circumstance March In G Major, Op. 39, No. 4
- Cockaigne Overture (In London Town), Op. 40
Average customer rating:
- Hundred records contracts
|
Elgar: The 2 Symphonies; Enigma Variations; Overtures; Serenade; Violin Concerto; Cello Concerto
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
| ( E )
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Similar Items:
- Vaughan Williams: The Nine Symphonies
- Mendelssohn-Bartholdy: Symphonies; Overtures; Concertos
- Dvorák: Symphonies Nos. 1-9; In Nature; Serenade for Winds; Serenade for Strings, etc.
- Nielsen: Symphonies (Complete)
- Schubert: Symphonies Nos. 1-6, 8 & 9
ASIN: B0001TSWP0
Release Date: 2004-06-08 |
Tracks:
- In The South (Alassio), Op.50: Overture
- Andante. Nobilmente E Semplice; Allegro
- Allegro Molto
- Adagio
- Lento; Allegro
Tracks:
- Allegro Vivace E Nobilmente
- Larghetto
- Rondo: Presto
- Moderato E Maestoso
- Allegro Piacevole
- Larghetto
- Allegretto
- Salut D'Amour
Tracks:
- Froissart, Op.19
- Cockaigne (In London Town), Op.40 (Concert Overture)
- Theme (Enigma): Andante
- Variation I (C.A.E.): L'Istesso Tempo
- Variation II (H.D.S-P.): Allegro
- Variation III (R.B.T.): Allegretto
- Variation IV (W.M.B.): Allegro Di Molto
- Variation V (R.P.A.): Moderato
- Variation VI (Ysobel): Andantino
- Variation VII (Troyte): Presto
- Variation VIII (W.N.): Allegretto
- Variation IX (Nimrod): Adagio
- Variation X (Dorabella): Intermezzo: Allegretto
- Variation XI (G.R.S.): Allegro Di Molto
- Variation XII (B.G.N.): Andante
- Variation XIII (***): Romanza: Moderato
- Variation XIV (E.D.U.): Finale: Allegro
Tracks:
- Allegro
- Andante
- Allegro Molto
- Adagio; Moderato
- Lento; Allegro Molto
- Adagio
- Allegro, Ma Non Troppo; Poco Piu Lento; Allegro Molto
Customer Reviews:
Hundred records contracts.......2004-11-16
Leonard Slatkin has recorded 100 performances, Pinchas Zukerman, 100 performances, and Janos Starker, 150 performances. Doesn't RCA/BMG need them anymore?
I had heard Symphony 2 on record, but there is an Enigma and vagueness about these symphonies. They take forever and never get to the point.
Enigma Variations were pleasant enough, enough to make me sleep. I recognized Elgar in the last variation. Elgar fits more of what I am with an optimism and bombast in the orchestral works. Zukerman's rendition of Elgar's Violin Concerto is off-key ala Paganini.
I don't know whether Starker's or Du Pre's Cello Concerto playing is the most satisfying. But I definitely like it.
I suppose these recording stem from the Seventies. I heard Zukerman on CBC Radio 2 talking so I know he is available.
Average customer rating:
- Achingly beautiful Elgar
- A Gem!
|
Elgar: Symphonies #1 & 2, Cockaigne Overture, Sospiri; London Symphony Orchestra
Sir Edward Elgar , Jeffrey Tate , and London Symphony Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
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Similar Items:
- Piano Concertos 1 & 2
- Mahler: Symphony No5
- Douglas Lilburn: A Song of Islands; Aotearoa Overture; Forest
- A. Glazunov: Symphonies Nos. 5 & 8
- Alan Hovhaness: Symphony No. 60; Guitar Concerto; Khrimian Hairig
ASIN: B0000CE7FP
Release Date: 2004-06-01 |
Tracks:
- I. Andante: Nobilmente E Semplice - Allegro
- II. Allegro Molto
- III. Adagio
- IV. Lento - Allegro
- Cockaigne (In London Town), Op.40 (Concert Overture)
Tracks:
- I. Allegro Vivace E Nobilmente
- II. Larghetto
- III. Rondo: Presto
- IV. Moderato E Maestoso
- Sospiri, Op.70
Customer Reviews:
Achingly beautiful Elgar.......2005-01-10
These ARE fine performances: well recorded, superbly played, expertly conducted and deeply felt. The tempi are slower than the norm, especially slower than the composers own, but in performances of this complex, detailed music, it works wonders. If you don't already know and love this music, these recordings will convert you.
A Gem!.......2004-07-15
I've always felt these recordings never got thier full due in the US, mostly I suppose because of their limimted availability. I had them when they were in EMI's "British Composers" line, but then gave them up. I have been thrilled to come back to them. Yes, Barbirolli and Boult will always be important touchstones in this music, but there is still plenty of room for new ideas. And the playing of the LSO is magnificent. I'm not sure of Jeffrey Tate's current status. I hope he is still conducting regularly. This would be very near, if not at the top of my list for recordings of these works.
Average customer rating:
- 20th century classics
- More authentic than native Britons?
- To add to the other review
|
Elgar: Symphonies 1 & 2
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
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Romantic
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| Forms & Genres
| Classical
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Overtures
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Solti, Sir Georg
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Similar Items:
- Mahler: Symphony No. 9
- Dvorák: The Symphonies
- Piano Quintet in F Min / Complete String Quartets (1, 2, 3)
- Elgar: Introduction & Allegro for Strings; Symphony No. 1
- Nielsen: Symphonies no 4-6 / Blomstedt, San Francisco Symphony Orchestra
ASIN: B00000425P
Release Date: 1995-06-13 |
Tracks:
- Overture 'Cockaigne' ('In London Town'), Op.40
- Symphony No.1 in A flat major, Op.55: I - Andante, nobilmente e semplice-Allegro
- Symphony No.1 in A flat major, Op.55: II - Allegro molto
- Symphony No.1 in A flat major, Op.55: III - Adagio
- Symphony No.1 in A flat major, Op.55: IV - Lento-Allegro
Tracks:
- Overture 'In The South' ('Alassio'), Op.50
- Symphony No.2 In e Flat Major, Op.63: I - Allegro vivace e nobilmente
- Symphony No.2 In e Flat Major, Op.63: II - Larghetto
- Symphony No.2 In e Flat Major, Op.63: III - Rondo: Presto
- Symphony No.2 In e Flat Major, Op.63: IV - Moderato e maestoso
Customer Reviews:
20th century classics.......2007-07-03
Edward Elgar was probably the last of the great Romance composers in classical music, with many of his works published in the 20th century. Being English in origin, his music, like many other British Romance music, is subdued and relaxing in manner; no thunder and lightning like Beethoven's 5th or Tchaikovsky's 5th symphony. This 2-disc set presents some of Elgar's better known orchestral works, his first two symphonies and his "In The South" and "Cockaigne" overture. The last piece is probably the most famous in this set, and is recorded very well. In The South was unknown to me before buying this CD, and does not stand out as either as an excellent or memorable piece of music. The two symphonies are good, and tunes from both of them are distinctly familiar to fans of modern Hollywood theme music. For example, the middle parts of the 2nd symphony sound strangely similar to some of the softer themes in the Star Wars movies.
The overall sound quality is good. Both CD's provide about an hour of music, so this set is somewhat expensive at the Amazon price. But a cheap used copy is a great buy, which is what I got.
More authentic than native Britons?.......2002-12-03
Elgar's two symphonies tend to be discursive and soft-grained--at least the way they're frequently performed. Sir Georg Solti (a Hungarian knighted for, among other things, his tenure as director of the Royal Opera at Covent Garden) is not the first man who would have come to mind as a natural successor to Adrian Boult or John Barbirolli as far as Elgar's music is concerned, but in fact he gives Elgar's two completed symphonies (a Third Symphony exists only in sketches, which were filled out and orchestrated by Anthony Payne a few years ago) a welcome shot of adrenaline. The blunt, clipped phrasing and fast tempi in these recordings have a clear precedent in Elgar's own performances. As a result, the music has a ruddy glow to its cheeks and strides forward with a sense of purpose. I would say, however, that the Second Symphony gets the more deeply considered interpretation here (despite its being better known and more frequently heard than the First Symphony, the Second is not necessarily the finer piece); the First is just a tad superficial in Solti's hands, although the London Philharmonic give their best in both symphonies (and the two overtures which fill out this bargain-priced set).
To add to the other review.......2002-01-21
I agree with the review below and would add that it seems these recordings tend to be enjoyed more by people who didn't think they liked Elgar more than hard-core Elgarians, at least that has been my experience. I never thought I liked these works until I heard this set. So I would recommend to anyone who is in that position to give it a shot.
Average customer rating:
|
Elgar: Symphony No. 1 in A-flat, Op 55 / Concert Overture "In the South", Op. 50
Manufacturer: Innov. Music Prod.
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000000TL7
Release Date: 1995-08-22 |
Tracks:
- Con Ov, Op.50: IN THE SOUTH
- Sym No.1 in A flat, Op.55: 1st Movt: Andante
- Sym No.1 in A flat, Op.55: 2nd Movt: Allegro molto
- Sym No.1 in A flat, Op.55: 3rd Movt: Adagio
- Sym No.1 in A flat, Op.55: 4th Movt: Lento
Average customer rating:
- Super collection of Elgar's major works
|
Elgar: Orchestral & Choral Works; Concertos
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Elegies
| Requiems, Elegies & Tombeau
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
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| Music
London Philharmonic Orchestra
| ( L )
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| Classical
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| Music
National Philharmonic Orchestra London
| ( N )
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General
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Similar Items:
- Vaughan Williams: The Nine Symphonies
- Rachmaninov: The Symphonies
ASIN: B0000759Y6
Release Date: 2004-04-13 |
Customer Reviews:
Super collection of Elgar's major works.......2004-06-28
Most compilations of composers works usually only feature, at best, maybe one or two works in recordings that are of outstanding quality, especially if different artists are featured. Such is absolutely not the case with this collection, one of the finest of its sort ever issued.
This box makes a perfect one stop shopping choice for the major, most-well-known works the British composer Sir Edward Elgar. The title is misleading though. The box, on 8 CDs at an incredible price, contains both Orchestral AND Choral works.
Since Amazon does not list the contents, I will :
Symphony Nos. 1 & 2 -- LPO , Solti
Serenade for strings - ASMF , Marriner
Intro and Allegro - ECO , Britten
Cello Concerto - Webber , RPO , Menuhin
Enigma Var. -- CSO , Colti
Cockaigne Over -- LPO , Solti
Violin Con -- Chung , LPO , Solti
Falstaff -- Montreal , Dutoit
Dream of Gerontius -- LSO , Britten
Sea Pictures -- RPO , Mackerras
In the South -- LPO , Solti
Pomp and Circumstance -- LPO , Solti
Imperial MArch -- Band of Grebadier Guards , Bashford
Sospri -- ASMF , Marriner
Elegy -- ASMF , Marriner
Wand of Youth -- Welsh NO , Mackerras
Starlight Express -- Welsh NO , Mackerras
Dream Children -- Welsh NO , Mackerras
Look up almost any of the individual works and you should be able to find these recordings in their individual issues, many with several 5 start ratings.
I won't elaborate on any of the specific recordings, just take my word for that there isn't a dud in the box.
If you have no Elgar, and you don't to hunt and peck for the right recordings of the best works, get this special set now.
Average customer rating:
|
Elgar: The Ultimate Collection
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Elegies
| Requiems, Elegies & Tombeau
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B000000SA1
Release Date: 1997-05-27 |
Tracks:
- Pomp And Circumstance March No. 4: Pomp And Circumstance March No.4
- Sospiri
- Chanson de matin
- Chanson de nuit
- Symphony No. 1: Andante: Nobilmente e semplice
- Dream Children: Allegretto piacevole
- Introduction And Allegro For Strings
- Enigam Variations: Introduction
- Ysobel
- Troyte
- W.N.
- Nimrod
- Elegy
- Cello Concerto: Adagio - Moderato
- Salut d'amour
- In The South (Alassio)
- Serenade For Strings: Allegro piacevole
- Larghetto
- Allegretto
- POMP AND CIRCUMSTANCE MARCH NO. 1: Pomp And Circumstance March No.1
- Lux Aeterna
Average customer rating:
- Very good # 2; presentable #1
|
Elgar: Symphonies Nos. 1 & 2, 'In the South' Overture, Pomp & Circumstance Marches 1, 3 & 5
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000000SA8
Release Date: 1997-10-28 |
Tracks:
- Symphony No. 1, Op. 55 In A Flat Major: Sym No. 1 - #1 Andante: Nobilmente e semplice . Allegro
- Symphony No. 1, Op. 55 In A Flat Major: #2 Allegro molto
- Symphony No. 1, Op. 55 In A Flat Major: #3 Adagio
- Symphony No. 1, Op. 55 In A Flat Major: #4 Lento - Allegro
- Pomp and Circumstance Marches, Op. 39: Pomp And Circumstances Marches - #1 No. 1 In D Major
- Pomp and Circumstance Marches, Op. 39: #2 No. 3 In C Minor
- Pomp and Circumstance Marches, Op. 39: #3 No. 4 In G Major
Tracks:
- Op. 50 Overture: In The South
- S2: Allegro vivace e nobilmente: Symphony No. 2, Op. 63 In E Flat Major - Allegro vivace e nobilmente
- Symphony No. 2, Op. 63 In E Flat Major: Larghetto
- Rondo - Presto
- Moderato e maestoso
Amazon.com essential recording
Conductor Andrew Davis suffers from occasional bouts with that dreaded British bug--chronic dullness. He's not by any means a bad conductor, but you can always tell when he feels energized by the music he's playing or recording. Elgar is one of his great loves; that much is clear. These are his second recordings of the two symphonies, and they are excellent in every respect. Davis shapes both with a firm hand and a clear view of his final destination. Teldec's recorded sound is especially fine, naturally encompassing the extremes of Elgar's rich orchestration without unnatural spotlighting. At two discs for the price of one, this set is a great deal. --David Hurwitz
Customer Reviews:
Very good # 2; presentable #1.......1999-10-08
Teldec have now repackaged Andrew Davis's views on the two Elgar symphonies. The recordings come from two different sessions, and I think this shows. The first symphony (on disc 1) is given a performance that is somewhere between good and very good; it is straightforward but ultimately lacking in any special qualities. The coupled marches similarly are quite well done. Maybe the rather dry acoustic of Barking Town Hall in East London had something to do with it.
The version of the second has been generally praised in the UK, and Davis moves up a notch here with a performance to rank with the best, although for me Barbirolli isn't quite matched. In the South also comes over very well, and the church used for the recording of these two works imparts a greater sense of atmosphere than in the works in disc 1. Overall, it could be argued that the set is very worth having just for the second symphony and the overture. If you take this view, you will get a presentable first as a bonus.
Average customer rating:
- The cutting edge performance of Elgar's 1st. symphony
- EMI & Elgar -- Look No Further!
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Elgar: Symphony No. 1 in A flat; Cockaigne Overture
Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000DOBZ
Release Date: 2001-01-09 |
Tracks:
- Cockaigne (In Lonton Town): Conc Ov, Op.40
- Sym No.1 in A flat, Op.55: I. Andante: Nobilmente E Semplice - Allegro
- Sym No.1 in A flat, Op.55: II. Allegro Molto
- Sym No.1 in A flat, Op.55: III. Adagio
- Sym No.1 in A flat, Op.55: IV. Lento - Allegro
Customer Reviews:
The cutting edge performance of Elgar's 1st. symphony.......2003-05-08
For me the Elgar 1 is the quintessential English symphony ever written. I am passionate about the true nobility and flawless musical flow of the composition. I once owned the LP version by Sir John on the Seraphim label but donated it years ago to my local library. In recent weeks I have purchased similar CD's conducted by Hurst and Boult, but I am convinced that no other interpretation penetrates the heart and Romantic English canon of this work as that woven by Barbirolli and the Philharmonia.
EMI & Elgar -- Look No Further!.......2003-02-03
When it comes to Elgar Symphonies, don't look any further than EMI's "British Composers" Series. It has arguably the three best pairs of the two symphonies ever recorded -- Elgar's own mono recordings from the 30s (which sound incredible!), Boult's with the LPO, and Sir John Barbirolli's stereo set, from which this CD belongs. This is not his 1956 version with the Halle Orchestra, but instead the 1962 performance with the Philharmonia Orchestra. Even though JB's not playing with his normal lads from Manchester, this is one for the record books -- a truly remarkable performance. Toss in a first rate performance of the Cockaigne Concert Overture and you have an essential disc.
Music Track:
- Faust: Gounod
- Frank Wallace - his own new works
- Franz Lehár: Piano Sonatas and Fantasie
- Frescobaldi: Toccatas & Partitas Book 1
- Giuseppe di Stefano: Unreleased Jewels
- Glass: Glassworks for Piano Solo [Import]
- Handel: Salomo, The Oratorio [Box set]
- Historical Baroque Organs of Luxembourg
- Il Combattimento Di Tancredi E Clorinda
- Intabulatura for Organ
Music Track
music track
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