Vienna Night
On this CD:
1. Explosions-Polka, for orchestra, Op. 43 (RV 43)
Composed by Johann II Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
2. Pizzicato Polka for orchestra, Op 234
Composed by Johann II and Josef Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
3. Der Opernball, operetta Im Chambre Separée
Composed by Richard Heuberger
Performed by BBC Symphony Orchestra
with Stuart Burrows, Catherine Wilson
Conducted by Sir John Pritchard
4. Plappermaulchen Polka for orchestra, Op 245
Composed by Josef Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
5. Freikugeln (Free-shooting Bullets), polka schnell for orchestra, Op. 326
Composed by Johann II Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
6. Sphärenklänge Waltzes for orchestra, Op 235
Composed by Josef Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
7. Giuditta, operetta Du Bist Meine Sonne
Composed by Franz Lehar
Performed by BBC Symphony Orchestra
with Stuart Burrows
Conducted by Sir John Pritchard
8. Die lustige Witwe (The Merry Widow), operetta Vilja
Composed by Franz Lehar
Performed by BBC Symphony Orchestra
with Catherine Wilson
Conducted by Sir John Pritchard
9. Mein Lebenslauf ist Lieb'und Lust, waltz, Op 263
Composed by Josef Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
10. Feuerfest Polka for orchestra, Op 269
Composed by Josef Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
11. Csárdás, for orchestra, Op. 441 (RV 441-4)
Composed by Johann II Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
12. Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437)
Composed by Johann II Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
13. An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314)
Composed by Johann II Strauss
Performed by BBC Symphony Orchestra
Conducted by Sir John Pritchard
Vienna Night, Music, Pritchard, BBC, Classical
Average customer rating:
- customer
- WONDERFUL CD
- Good upbeat working music
|
Very Best of Hooked on Classics
Manufacturer: Double Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Hooked on Classics 3: Journey Through the Classics
- More Hooked On Classics
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ASIN: B000028CJX
Release Date: 1998-09-28 |
Tracks:
- Hooked on Classics Pt. 1 & 2: Piano of the Bumblebee No. 1/Fli [Medley]
- Hooked on Haydn: Trumpet Concerto in E-Flat (3rd Movement) [Medley]
- Night in Opera: Trumpet Concerto in E-Flat (3rd Movement)/Hall [Medley]
- Tales of the Vienna Waltz: Blue Danube Waltz 1, Theme 1/Blue D [Medley]
- Hooked on a Can Can: Orpheus in the Underworld (Can Can)/Thund [Medley]
- Hooked on Marching: Under the Double Eagle/The Stars & Stripes [Medley]
- Journey Through America: The Star Spangled Banner/Oh Susanna/M [Medley]
- Hooked on Mozart: Rondo Alla Turca (Turkish March, From Sonata [Medley]
- Hooked on Bach: Ave Maria/Minuet [From the Notebook of Anna Ma [Medley]
- Symphony of the Seas: The Sailors Hornpipe/Portsmouth/Anchors [Medley]
Tracks:
- Hooked on Classics: Wedding March [From a Midsummer's Night's [Medley]
- Hooked on Romance (Opus 3): Gymnopedie No. 2/Nocturne Opus 9, [Medley]
- Hooked on Tchaikovsky: Capriccio Italien (Introduction)/Swan L [Medley]
- If You Knew Sousa/The Liberty Bell/Blaze Away/The Liberty Bell [Medley]
- If You Knew Sousa and Friends: Entry of the Gladiators/Colonel [Medley]
- Also Sprach Zarathustra [Medley]
- Can't Stop the Classics: Overture 2 Russian & Ludmilla/Czardas [Medley]
- Hooked on America: Rhapsody in Blue/Camptown Races/Rhapsody in [Medley]
- Hooked on Romance: Air Form Suite No. 3 (Air for G String)/Ave [Medley]
Customer Reviews:
customer.......2007-06-26
cd arrived fast, in excellent shape as promised, well packaged to protect it during shipment. I'd heard the CD during an exercise class and had trouble trying to get it from other vendors so especially appreciated Amazon.
WONDERFUL CD.......2007-05-08
I was so happy to find this on CD I have the original on a cassette from childhood. I loved it then and now and now my children listen and love it.
Good upbeat working music.......2007-03-08
I love these CDS . . what a brilliant idea to add a beat to the most popular classical songs of all time. It is great upbeat music that gets you going. I specifically use it for when I need a boost to get me going on housework. It get you in just the right mood to start working. My kids love it too.
Average customer rating:
- perfect score for a perfect movie
- Pleasant "ethnic" melodies
- Third Man & Other Original Records
- The first man of the zither
- This is the one you're looking for.
|
Third Man & Other Original Recordings
Anton Karas
Manufacturer: Jasmine Music
ProductGroup: Music
Binding: Audio CD
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- The Very Best of Anton Karas
- The Third Man
- The Third Man (50th Anniversary Edition) - Criterion Collection
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ASIN: B00006J9M2
Release Date: 2004-04-05 |
Tracks:
- Third Man Theme (The Harry Lime Theme) (Original Version)
- Anton Karas Second Theme
- Cafe Mozart Waltz (Original Version)
- Carol Theme
- That Dear Old Song (Original Version)
- Rendezvous Waltz (Previously Unissued)
- Farewell To Vienna (Previously Unissued)
- Alt Wiener Tanz In C-Dur
- Visions Of Vienna
- Danube Dreams
- Anton Karas Medley Pt. 1
- Anton Karas Medley Pt. 2
- Im In The Middle Of A Riddle (V. Kay Arment)
- Where Do I Go From You? (V. Kay Armen)
- Zither Rhythm Of Anton Karas
- Vienna, Women And Song (Later Version)
- Cherry Stones
- Wo Grunes Kranzel Hangt
- Silent Night, Holy Night
- Vienna, City Of My Dreams
- Vienna, Women And Song (Original Version)
- Third Man Theme (Later Version)
- Cafe Mozart Waltz (Later Version)
- That Dear Old Song (Later Version)
- Wenn Der Herrgott Net Will / The Third Man Theme (Brief Reprise)
Customer Reviews:
perfect score for a perfect movie.......2007-02-19
Carol Reed's veteran cinematographer Robert Krasker's quirky angles under Reed's direction perfectly framed the ready-made-for-an-art designer bombed out shadows and stark, isolated street lights of post-war Vienna and its underworld. Unique to cinema history the whole score (but for some canned incidental cafe music) was just the brilliant zither playing of Anton Karas, adding his nuances to every dramatic transition. Krasker won an Oscar, and Karas was nominated.
The "Third Man Theme" (also known as the "Harry Lime Theme") is alternately brittle, jaunty, bittersweet, romantic, wry, and even sardonic piece of music--which fits the mood of the story and the film perfectly -- that, once heard, can't be forgotten.
The "Third Man Theme" turned Anton Karas into a wealthy man after 28 years of toiling in obscurity an relative poverty in Vienna.
One night, Carol Reed was passing by a wine tavern where growers offer their own wines for sale directly, and heard Anton Karas's playing in the background. Reed had never heard a zither before and found the sound to be attractive. He approached Karas and persuaded him to play for him at his hotel, and made a recording, which Reed brought back to the studio to test. He liked the effect when the zither's sound was placed against the recorded dialogue and, ignoring the protests of many around him, hired Karas and brought him to London for 12 weeks.
Anton Karas screened the movie hundreds of times, devising music for each scene. The Third Man ended up with a vast amount of music, scored in virtually every scene of its 104 minutes. Ironically, the piece that became known as the "Third Man Theme" was something that Anton Karas had written two decades earlier and hadn't played in over 15 years. As he later explained to Reed, playing the zither for a whole night for tips was hard work, and one tended to play the easiest pieces the most often, to save the fingers.
Other zither players never got it to sound just right. The truth was that as recorded for the movie, "The Third Man Theme" was one of the first practical examples of overdubbing on a hit record, rivaling Les Paul's work--Anton Karas had gotten just the right effect working underneath Reed's kitchen table, and had gotten the piece just right by recording and mixing more than one zither part.
The Third Man was finished and prepared for release, and Reed and the production company, London Films, tried to raise interest in it through the music. None of the record companies, however, was interested in recording Karas or releasing the "Third Man Theme." The music was too strange and different, and although British movies had produced some soundtrack successes in the past, those were usually more conventional light classical pieces, not a jangly piece of music played on a central European folk instrument.
Pleasant "ethnic" melodies.......2007-01-22
The tunes on this disc have a nice, comforting sound. Some of the selections are haunting, some have a peasant-liveliness. Nothing great or revolutionary, but plain good zither music, very enjoyable.
Third Man & Other Original Records.......2006-11-10
We bought it for a friend. They loved it.
The first man of the zither.......2006-03-10
The CD didn't sound as good as the movie sound track. Ity sounded a bit rushed as if the sampling during the transfer was not sufficient
This is the one you're looking for........2004-04-26
You've been looking for the original version of the music in "The Third Man", right? Every other CD on the market wouldn't work for you. But lucky for you, this is the one! Don't go wrong.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Well-recorded, jolly music
- excellent value
|
Suppé: Famous Overtures
Manufacturer: Naxos
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ASIN: B0000014FP
Release Date: 1997-02-04 |
Tracks:
- The Beautiful Galatea
- Light Cavalry
- Fatinitza
- Bocaccio Marsch
- Fortune's Labyrinth
- Morning, Noon And Night In Vienna
- Jolly Robbers
- Queen Of Spades
- Gay Blades
- Poet And Peasant
Customer Reviews:
Well-recorded, jolly music.......2006-06-19
Yet another Naxos jem. This collection of famous operetta overtures by Austrian composer Franz von Suppe is not only an exceptional value, but the music included is just plain fun.
While his complete operettas are rarely performed, much of the music Suppe wrote for them has become famous, in particular LIGHT CAVALRY (which we've all heard in countless cartoons) and POET AND PEASANT. Suppe's overtures brim with good humor and infectiously catchy tunes; I would challenge anyone not to be uplifted by this recording.
The over-all technical qualities of this album are excellent. Not only does the (very talented) Slovak State Philharmonic play with enthusiasm, but audiophiles will appreciate the roudy brashness of the sound.
excellent value.......2000-05-29
This is an excellent value [...]. The Slovak Philharmonic is quite good. Recording quality is very good. Many of these Suppe' pieces are hard to find. It you like the composer, you will like this recording. Suppe' wrote many operettas and Slovak Philharmonic has recorded several volumes of the Suppe' overtures. I plan to purchase more in the series.
Average customer rating:
- First Christmas Album I bought for myself
- wonderful
- Wonderfully Different & Addicting! And All Your Friends Will Be Calling HOO-HOO!
- Wonderful and funny compilation
- A historical meeting...
|
The Three Tenors Christmas
Pavarotti , Domingo , and Carreras
Manufacturer: Sony
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Binding: Audio CD
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- The Best of the Three Tenors
- Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
- The 3 Tenors in Concert 1994
- O Holy Night / Luciano Pavarotti / Special Deluxe Edition (Decca)
- #1 Christmas Album
ASIN: B00004YB9Y
Release Date: 2000-10-31 |
Tracks:
- Cantique de Noel (O Holy Night)
- Adeste Fideles
- Ave Maria, Dolce Maria
- Wiegenlied
- Oh Tannenbaum
- Tu Scendi dalle Stelle
- Amazing Grace
- White Christmas
- Dormi O Bambino
- Silent Night
- Pregarla (El Can de L'Anima a La Verge)
- Susani
- Happy Christmas/War is Over
- Wiegenlied
- Carol of the Drum (The Little Drummer Boy)
- La Virgen Lava Paqales
- I'll Be Home for Christmas
- Sleigh Ride
- Winter Wonderland
- Un Nuevo Siglo
- Feliz Navidad
Amazon.com
Resplendent in voice and manner, José Carreras, Placido Domingo, and Luciano Pavarotti deliver 21 songs of traditional sacred music and secular numbers in a remarkable 1999 live recording from the opulent Viennese concert hall (Konzerthaus), with the Vienna Symphony Orchestra and a renowned choir. The Three Tenors are practically as famous as the faces of Mount Rushmore and inspire perhaps even more awe and adulation around the world than the four presidents. The performances--whether alone, in tandem, or simply as the threesome that has made them collectively famous--are generally impeccable for their passion, nuance, and sheer tour de force vocal artistry. Reaching often into the classical realm for such works as the traditional German carol "Susani," Strauss's and Brahms's "Wiegenlied," plus traditional Polish and Spanish pieces, the trio also visits Pavarotti's "Ave Maria, dolce Maria" (cowritten with Vittoriano Benvenuti), and "Un nuevo siglo," written by Domingo's son. Only John Lennon and Yoko Ono's "Happy Christmas/War Is Over" doesn't quite work in this grand setting. --Martin Keller
Customer Reviews:
First Christmas Album I bought for myself.......2007-01-16
Album is great. For any other holiday music, just listen to your local radio station that plays it during December.
wonderful.......2007-01-15
they are wonderful singers a delight to the ears and doing Christmas music made Christ mas even better
Wonderfully Different & Addicting! And All Your Friends Will Be Calling HOO-HOO!.......2005-08-23
First, let me state I don't listen to opera singers that much; thus, don't expect a hypercritical review here. (Really, is there ANY field of music that has more hypercritics than opera?) I got this CD simply because Columbia House had it on sale for $2.99, and I wanted some new Christmas CDs.
I found the CD delightful beyond words. It has some beautiful versions of well-known Christmas songs, as well as songs I've never heard before. "Carol of the Drum" and "War Is Over" are my two favorites, with "Sleigh Ride" a close third.
Sure, there is some tripping over of words by these three great opera stars...but that makes it even more enhancing in my opinion. Pavarotti was particularly amusing when he was singing: "And all our friends are calling 'HOO-HOO'!" (Watch the DVD for Carreras' reaction to that one!) And let's not forget Pavarotti singing: "I'll be home for Christmas. You can PLAY on me."
The children's chorus is great, the Vienna Symphony is great...and, once again, buy or rent the DVD so you can get the full affect of this astounding Christmas concert...the music, the lights, the colors, and the marvelous Steven Mercurio conducting it all.
Wonderful and funny compilation.......2005-03-09
The Three Tenors are, of course, wonderful to listen to. This is also a funny CD. When they sing the more modern songs (Happy Christmas by John Lennon and Yoko Ono, for example) they have trouble keeping up with the pace of the song. They almost sound like they're tripping over the syllables, because as opera singers they are more accustomed to long, drawn out vowels, not fast ones. This doesn't hurt the song at all, it makes it more interesting to listen to. It's a great CD. I would recommend this as an addition to any collection of Christmas music.
A historical meeting..........2004-11-28
Although several labels already had Christmas albums of the three tenors in their catalogue, the three maestros never actually trioed on these releases. When Plácido Domingo and the "Christmas in Vienna" team started preparing the eighth concert in the series (six predecessors were captured by Sony, and one, titled "Celebration of Christmas" issued by Erato-Warner), they made a monumental decision: Re-uniting three of the greatest voices of the current music business.
For one and a half hour, Carreras, Domingo and Pavarotti performed the greatest Christmas songs and carols from around the world. Nearly 65 minutes of this monumental concert are captured on this disk. The opening version of "O Holy Night" (aka "Cantique De Noel", "Minuit, Chrétien") by Domingo and Pavarotti would be reason enough to get this one. But wait, there is far more on the way, than selections from the classical genre. The real enjoyment starts, when the three tenors do one of the most romantic arrangements of Irving Berlin's "White Christmas" ever heard and fade from a rousing "La Virgen Lava Pa`nales" into one of the finest treatments of "I'll Be Home For Christmas" ever heard. Also of great interest is the trio arrangement of "Let It Snow!", which is included on some of the import versions and on the DVD.
If you are a hopeless completist like me, you may be asking, what happened to the 25 minutes cut from the CD release. Well, first let me say, that none of the currently available releases has the order of the songs as they were performed in the concert. Although this is a live recording, handclaps and other characteristics of a live recording are hardly audible on the CD version. Two tracks, "Jingle Bells" and "Let It Snow", which had clearly audible handclaps at the beginning and at the end of the performance (and therefore couldn't be faded out) can be found on the mentioned import disk and on the DVD's PCM soundtrack. "Children of Christmas" (a Plácido Domingo Jr. composition originally introduced in "Christmas In Vienna IV" by Plácido Domingo and Michael Bolton) and "Ay" Para Navidad" can be found exclusively on the DVD. Currently unavailable on any official release is the "Overture" (which can be found on the DVD, but abridged with sound effects). So here's the actual running order: "Overture", 20, 2, 1, 11, 3, 4, "Children of Christmas", 16, 17, 6, 15, 8, "Let it snow", 5, "Ay! Para Navidad", 9, 19, 14, 18, 12, 13, "Jingle Bells", 7, 21, 10;
If you still doubt about the quality of this performance, let me say one for sure: As other volumes in the series will slowly disappear (as some of them have already in the US), this one is a matter of decades and when you buy this one, you will have joyful Christmas hours for many, many Christmases to come.
Average customer rating:
- Half the tracks are march or played like one
- decent for dancing
- Recommended
- Wonderful selection, but not really dancing music
- This Will Keep You Dancing
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Similar Items:
- 25 Classical Favorites
- A Night at the Ballet (Box Set)
- Symphony (25) Favorites
- Favorite Waltzes
- 25 Concerto Favorites
ASIN: B0000058IQ
Release Date: 1997-07-01 |
Tracks:
- Blue Danube Waltz
- Midsummer's Night Dream: Scherzo
- Sleeping Beauty: Introduction
- Sleeping Beauty: Adagio pas d'action
- Annen Polka
- Tales From The Vienna Woods
- Turkish March
- Bella Bolka Polka
- Les Patineurs: Pas de Duex From Les Patineurs
- Les Patineurs: Finale From Les Patineurs
- Dance Of the Nubian Slave Girls
- Samson: Ballet Music From Samson
- Entry Of The Gladiators
- La Gioconda: Dance Of The Hours
- Washington Post
- Peaches & Cream
- Polovtsian Dances (Extract)
- Slavic Dance In G Minor, Op.46 No. 8
- Der Rosenkavalier Waltz
- Galop (La Vie Parisienne)
- Orpheus: Can Can (Orpheus)
- Sabre Dance
- Gavotta Choro
- Faust: Ballet (Extract)
- Bolero
Customer Reviews:
Half the tracks are march or played like one.......2007-06-05
This disc reminded me of Leonard Bernstein's conducting: somehow many of his conducting session became marches. Many tracks on this disc is like that. I am a novice when it comes to classical music, so part of allure of this disc was that it contained many titles I didn't recognize, so it wasn't a total loss. I guess I should have read the track listing more carefully... what is Washington Post by Sousa doing on dance compilation?
decent for dancing.......2006-12-31
There are quite a few tracks on here that do well for recital music. THere's different ones from the unoriginal swan lake's and nutcracker..my students loved to hear what came next....it gets better towards the end of the cd!
Recommended.......2005-10-03
For those who would enjoy a fast, fun, and cheerful kind of classical music, I guess this cd is a very good choice. Also, if you want to make your kids a classic music lover, you could start with this fun, lighthearted music.
Wonderful selection, but not really dancing music.......2000-06-27
I agree that this is indeed absolutely beautiful light classical music. It is indeed a perfect beginning to a lifelong passion to have classical music playing in the background or to turn up the volume and immerse yourself in it. But it consists of mostly ballet music, several marches, polkas, an entrance of the gladiators, a gavotte and just to show that he can-can, a delightful little march by Beethoven of all people (Turkish March). Or can you dance to the continuous hypnotic rhythm of Ravel's Bolero? Quite tiring, I would think. Nevertheless, great music at an astounding price. Consider buying all or most of the "25 Favorites" series. You will not regret it
This Will Keep You Dancing.......2000-03-30
If you like to dance and you like classical, this cd is a must have. Who says you can't dance to classical? This CD proves those who think so wrong. Highlights include Tchaikovsky's Sleeping Beauty, Mendhelsson's Midsummer Night's Dream, Gounod's Dance of the Slave Girls and Faust, Dvorak's Slavonic Dance, Offenbach's can-can (yeah!) Katchaturian's Sabre Dance and Ravel's Bolero. All these are excellent. Sousa Marches are here too. You must get this CD if you are a serious lover of the classical. In fact, this was my first Classical CD. Make it a part of your life and dance to the great beats of the classics ! Yeah I'm serious.
Average customer rating:
- A fabulous vintage recording; this is among the best
- Paul Paray/Detroit To The Finish Line.......
- Paul Paray Brings Rare Overtures To Life
- Pure, Unrestrained JOY...
- Nice CD
|
Suppe: Overtures: Light Cavalry, etc.; Auber: Overtures
Manufacturer: Philips
ProductGroup: Music
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Similar Items:
- Paul Paray Conducts Dances of Death
- Chabrier: España, rhapsody; Bourrée fantasque
- Mendelssohn: Symphony No. 5 / Midsummer Night's Dream
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- Howard Hanson Conducts Barber, Piston, Griffes, McCauley, Kennan, Bergsma
ASIN: B0000057LK
Release Date: 1992-05-12 |
Tracks:
- Concerto For Violin & Orchestra No. 1 In G Minor, Op. 26 : Vorspiel. Allegro moderato - attacca:
- Concerto For Violin & Orchestra No. 1 In G Minor, Op. 26 : Adagio
- Concerto For Violin & Orchestra No. 1 In G Minor, Op. 26 : Finale. Allegro energico - Presto
- Concerto For Violin & Orchestra No. 1 In E Minor, Op. 64 : Allegro molto appassionato
- Concerto For Violin & Orchestra No. 1 In E Minor, Op. 64 : Andante
- Concerto For Violin & Orchestra No. 1 In E Minor, Op. 64 : Allegretto non troppo - Allegro molto vivace
Customer Reviews:
A fabulous vintage recording; this is among the best.......2006-12-06
From beginning to end, this is an excellent disc, perhaps the best of its kind. The 1959 recording is amazing; Mercury has done wonders with the sound. I bought this recording despite the fact that I own all but four of the overtures (Boccaccio & the Auber), and have not regretted it a bit. I had bought Mehta's recording previously, but Paray wins in most every regard. The former seems lackluster when compared to Paray, especially when it comes to The Beautiful Galatea. Pique Dame is also quite a bit more energetic in Paray's version.
As for the others, Light Cavalry is joyously executed, Poet and Peasant the same. Morning, Noon and Night in Vienna is neglected far more than it should be. The same goes for Boccaccio: this is one of the two recordings of it available. This is the starting place in this repertoire.
And all this does not even touch on the Auber overtures! Auber's overtures sound almost a cross between Rossini & Suppe at times; yet they are very individual. Curiously, The Bronze Horse is an overture to an oriental opera. Auber does not treat it as such, that is for sure. Fra Diavolo begins with a bit of percussion, then leads into its first piquant melody. Masaniello is a bit more familiar; Johann Strauss's Op. 34 is entitled "Schwarttsche Ball-Tanze," Cotillons on themes from "La muette de Portici" (this is the other name for Masaniello). Give them a listen, all three are fabulous. It is surprising these concert pieces are not more well known.
Overall, this disc is a must for the lover of the overture, or any such music. Paray and the Detroit Symphony Orchestra do the music full justice, as Mercury do to the players. Enjoy.
Paul Paray/Detroit To The Finish Line..............2005-09-29
If Paul Paray was a race horse, I'd place my bet on him each time to win...and indeed I would. This former conductor of the Detroit Symphony has the "Midas Touch", for everything he touches turns to gold. This CD of Suppe and Auber Overtures is no exception, and belongs in everyone's musical library. No matter how many other recordings of these warhorse pieces you own...these renditions are essential. Consistently, each Paray/Detroit recording is a gala event. The overtures contained on this CD are all very familiar to me, and yet it's as though I'm hearing them through a different set of ears. Conductor Paray brings out orchestral nuances like few other conductors can. Each well-known overture is played with energy, finesse, impeccable interpretation, and with extraordinary sound, which is a Mercury Living Presence trademark. Do yourself a favor, anything that Paul Paray and the Detroit Symphony have recorded...BUY!!! I have not lost a race yet. Very Highly recommended.
Paul Paray Brings Rare Overtures To Life.......2005-08-15
This recording, digitally remastered from the old 50's or 60's LP, is more than anything a joyous discovery of rare overtures conducted by an excellent and much admired conductor, the Canadian-born Paul Paray. Paray shaped the Detroit Symphony and since his death in 1979, a conductor of his magnificence has yet to be found for that particular orchestra. Though Paray's home was Montreal, Canada, and he conducted the Montreal forces in his younger days, he became a big name in American conducting. He found a home with the Detroit Symphony and even recorded several fine works of classical music on LP. Many of these- Scheherazade, French Orchestral Music, Carmen Suites and others are on CD and available on Amazon.com.
In this recording, Paray treats us to finely executed overtures by the operetta composer Franz Von Suppe. Suppe was not a big star in his day. His operettas were early Viennese operettas before the more famous Johann Strauss ever staged Die Fledermaus and the dozens of other operettas that followed. Suppe was an Austrian man but very French in his attitude (hence the last name Suppe)and even had French opera-bouffes in his musical styling. Like Offenbach, his operettas were charming, engaging works of fantasy. Consider "The Beautiful Galatea" which is the first track. The Overture is ebullient and energetic, describing the magical forces behind the story which is basically the ancient Greek myth that inspired Pygmalion- an aged inventor who builds the perfect woman. Consider also his "Boccaccio" based on the late Renaissance collection of mildly erotic poetry which read more like the Italian version of the English Canterbury Tales. Boccaccio is amusing, with music expressing adventure and romantic entanglements. The Light Cavalry Overture is actually quite familiar to the trained ear. Its militaristic theme has been used haphazardly in cartoons when a cavalry on horse would appear. His Pique Dame (Queen of Spades) is not the same subject matter as Tchaikovsky's later opera which is far darker opera. Suppe's is charming comedy about a gambling salon. The Poet and the Peasant Overture is festive and brilliantly played, in fact, the best I've heard. Morning, Noon and Night in Vienna foreshadows Strauss waltzes. The album concludes with overtures from an even lesser known composer Daniel-Francois-Esprit Auber. Auber was a French composer who wrote early opera-buffes, though most assuredly he was eclipsed by Offenbach and Halevy. His Fra Diavolo and Masaniello Overtures are effectively engaging with their colorful phrasing.
Paul Paray brings life to these overtures, making them appear as if they are not old or obscure at all. He has genuine chemistry with all the musicians in the orchestra and the music is bright, energetic and even a pleasure to hear because it would appear it was a pleasure for Paray and the Detroit forces to make this recording.
Pure, Unrestrained JOY..........2003-02-27
I bought this CD beause I'm working on collecting the Mercury Catalog, and when I bought it, I paid no attention to what the actual pieces were because I had no idea who Suppe was or what his overtures were.
I can't tell you how happy I was when I was surprised upon first listening... Not only is this music the type of music that is inherent to people from its use in background music to cartoons, TV, movies, etc... but it is so very enjoyable because it exhudes an amazing, unadulterated amount of PURE JOY and EXCITEMENT... with no attempt at being high-brow, or overly serious music.
The good news is that even though this music might be considered to be more "common" among classical elitists, Paul Paray treated it as he would any great art. This recording gives you such beautifully refined sound, such truly INCREDIBLE energy and exhuberence, all with stunning precision and control- that you will be sold upon first hearing.
As other reviews mention- there is no need to look at other recordings of these works, because you will mosy likely get a cheap "pops" orchestra recording that treats the music cheaply beacause of its unabashed "happiness" and accesibility. The result is fun, but trite and gets old fast. With this Paray, the energy seems to remain fresh every time you play it. You can't go wrong with this orchestral uplifter to cleanse your palate between your serious Brahms, Tchaikovsky, Beethoven, and Mahler symphonies.
So, elitsts... forget your pride and buy these CDs. Fun is not a crime. And, beginners, this is a GREAT way to find how truly fun and emotive classical music can be. Enjoy it.
Nice CD.......2002-08-13
In high school, I played Suppe's "Light Cavalry". So I wanted to get a copy for years but just hadn't bothered. This music recorded on this CD is good quallity (sometimes classical music CD's aren't as good a quality) and the music is very enjoyable. Lovers of classical music or Suppe will enjoy this CD. It is a worthy addition to any music collection.
Average customer rating:
- Fantastic
- Famous Overtures
- Spectacular
- Excellent
- The best Overture Album !
|
Famous Overtures
Manufacturer: Decca
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Similar Items:
- William Tell & Other Favorite Overtures
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ASIN: B00002MXN4
Release Date: 1999-11-09 |
Tracks:
- Light Cavalry - Suppe
- Ruslan and Lyudmila - Glinka
- La Traviata - Prelude, Act I - Verdi
- Die Meistersinger von Nurnberg - Prelude, ACt I - Wagner
- Les Francs-Juges - Berlioz
- Le nozze di Figaro - Mozart
- Egmont - Beethoven
- Oberon - Weber
- Academic Festival Overture - Brahms
- Pique Dame - Suppe
Tracks:
- Morning, Noon and Night in Vienna - Suppe
- Il barbiere di Siviglia - Rossini
- Prince Igor - Borodin
- Carmen - Prelude, Act I - Bizet
- Der fliegende Hollander - Wagner
- Leonore No 3 - Beethoven
- Hansel und Gretel - Humperdinck
- Khovanshchina - Mussorgsky
- Poet and Peasant - Suppe
Customer Reviews:
Fantastic.......2006-06-30
First of all anything with Sir Solti's name on is worth purchasing. Solti has such a way with interpreting music! If you like overtures this CD is for you. It has the best overtures here in one collection. With orchestras like chicago, london, and the vienna you cannot argue with the performances. There are a few "weaker" ensembles, but when compared with the other ensembles there are few that will not sound weak. Again any work Solti has done is worth purchasing!
Famous Overtures.......2005-08-16
Did not like the way these musical pieces were "interpretted".
Did not like the tempo and in one piece one of the instruments played a portion which I would say they played a flat instead of a natural note. This is based on hearing the same pieces played by someone else, it's just my opinion.
Spectacular.......2003-09-25
Not only does it include some of the most famous overtures, but they are played in such an exciting style, full of life and passion. The Suppe overtures are superior and the Wagner overtures are wonderful as well. There is not a bad point to this recording - highly recommended!
Excellent.......2002-06-11
This is an excellent collection of overtures, especially of Von Suppe's overtures. Solti truly brings out life in these pieces.
The best Overture Album !.......2000-02-28
If you like overtures, here is the album. Never have these been performed so musically and with such excitement. The orchestras involved vary in their abilities, yet the Chicago, Vienna, and London Symphony perfom with style. Solti loves this music and it shows.
Average customer rating:
- It is a great CD
- Found it to lack real depth
- John P. Cutler
|
Angelic Voices: The Best of the Vienna Boys' Choir
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Similar Items:
- The Best of the Vienna Boys' Choir (Box Set)
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- Bach: Voices Of Angels
ASIN: B00000HY8N
Release Date: 1999-01-12 |
Tracks:
- Jesu Joy Of Man's Desiring
- Ave verum corpus - K. 618
- Hear My Prayer: O, For The Wings Of A Dove
- Messiah: Hallelujah
- Requiem: Pie Jesu
- Exsultate, jubilate - K. 165 (Excerpt)
- Silent Night, Holy Night
- Samson: Let The Bright Seraphim
- Rinaldo: Lascia ch'io pianga
- Zadok The Priest
- Fruhlingsstimmen - Op. 410
- The Keeper Would A-Hunting Go
- Scarborough Fair
- Loch Lomond
- Shenandoah
- Now Is The Hour
- The Girl From Ipanema
- El condor pasa
- La Guantanamera
- Cielito lindo
- Heidenroslein
- Kuckuck, Kuckuck, ruft's aus dem Wald
Customer Reviews:
It is a great CD.......2001-03-22
I get this item and I can say is great, if you really want to get an idea about the vienna boys choir's work, you have to get this, you can admire the soloist voice, Emanuel Cencic, he has an outstanding voice, principally the track "let the bright querubin" but in general is a great compilation, you can stop listening.
Found it to lack real depth.......2000-01-12
The songs are nice and the music pleasant to listen to, but the titles are fairly short and there is something missing. I just didn't find it to be very moving, perhaps it's just the recording.
John P. Cutler.......1999-12-29
This CD covers a wide range of music.The Vienna Boys Choir have done another great job. I believe this CD is a great choice, one that You will be happy with.
Music Track:
- Viola Da Gamba Sonatas
- Wagner: Siegfried (abridged)
- Weimarer Transcriptions
- Wilhelm Furtwängler Conducts Johannes Brahms
- 20th Century Bravura Chamber Music
- 4 Last Songs / Oboe Concerto / Songs
- 6 Concerti, Op 6
- A Musical Collage
- Albrecht: Piano Sonata
- Anton Liste: Piano Sonata, Op. 8; Piano Duet Sonata; Masonic Cantata; Three Songs
Music Track
music track
Recommended Music:
Wildest Wish to Fly [Original recording remastered]
Edvard Grieg: Symphonic Dances: Six Orchestral Songs; Three Orchestral Pieces from 'Sigurd Jorsalfar'
Brahms: Alto Rhapsody; Choral Works
Music: Hits of Reba McEntire, Vol. 5 [Karaoke]
Pro-Death Ravers
Cape Breton Fiddle and Piano Music
Della [Import]
Brahms: Clarinet Sonatas, Op. 120; Vier ernste Gesänge. Op. 121 (arr. for piano)
Down to Earth
Common Touch
Flip Your Wig
Feel Like Funkin' It Up
Canciones de Amor
Above The Groove
The Art of Falling