Howells: Hymnus Paradisi for soprano, tenor, chorus, & orchestra; Fantasia for Cello and orchestra
On this CD:
1. Hymnus Paradisi for soprano, tenor, chorus, & orchestra
Composed by Herbert Howells
Performed by Royal Philharmonic Orchestra
with April Cantelo, David Johnston
Conducted by Donald Hunt
2. Fantasia for Cello and orchestra
Composed by Herbert Howells
Performed by Glasgow BBC Scottish Symphony Orchestra
with Alexander Baillie
Conducted by Norman del Mar
Howells: Hymnus Paradisi for soprano, tenor, chorus, & orchestra; Fantasia for Cello and orchestra, Music, Herberg Howells, April Cantelo (soprano), David Johnston, Alexander Baillie (cello), Donald Hunt, Royal Philharmonic Orchestra, Norman del Mar, Classical, Classical Music
Average customer rating:
- A fine recording of Howell's greatest work
- Hickox captures Howell's grief and precarious optimism
- Splendid British Choral Music
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Howells: Hymnus Paradisi, etc / Hickox, et al
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Howells, Herbert
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Similar Items:
- Herbert Howells: Hymnus Paradisi/An English Mass
- Howells: Requiem; Take Him, Earth, for Cherishing
ASIN: B00000K2FI
Release Date: 1999-09-21 |
Tracks:
- Hymnus Paradisi: I Preludio
- Hymnus Paradisi: II Requiem aeternam
- Hymnus Paradisi: III The Lord Is My Shepherd
- Hymnus Paradisi: IV Sanctus: I Will Lift Up Mine Eyes
- Hymnus Paradisi: V I Heard A Voice From Heaven
- Hymnus Paradisi: VI Holy Is The True Light
- A Kent Yeoman's Wooing Song: I Lento
- A Kent Yeoman's Wooing Song: II Allegro vivo
- A Kent Yeoman's Wooing Song: III Meno mosso, con tenerezza
- A Kent Yeoman's Wooing Song: IV Allegro ritmico
Customer Reviews:
A fine recording of Howell's greatest work.......2001-06-02
Herbert Howells is best known for his church and organ music though he wrote some fine orchestral and chamber works too. Hymnus Paradisi had a long gestation and was completed in 1938 though the war delayed its first performance, at the Three Choirs Festival, until 1950. The chronology is rather confused but he was contemplating composing a requiem in the early 1930s and a first sketch was complete by 1932. His son, Michael, developed a fatal infection in late 1935. He was only nine years old. Howells was devastated and never really got over his loss. The Requiem became an intensely personal thing for him and he kept it in a drawer. It was not published until 1980. This piece for unaccompanied choir is very beautiful and has music in common with the Hymnus, so they are intimately connected.
Hymnus Paradisi is a work of incandescent beauty and Lux perpetua - Everlasting Light - sums up the nature of the music. Fiendishly difficult to sing, the vocal lines weave in and out of each other to produce harmonies I can only describe as intense white light as music. The orchestral writing is brilliant, underpinned by mighty organ pedals from time to time. This is one of the greatest choral works of the 20th century and one not to be missed. I was privileged to attend a performance in Hereford cathedral in the late 1970s in the presence of the composer. A diminutive but still handsome man in his eighties, he sat on the raised dias at the rear, both hands folded on top of his stick.
The performance by Richard Hickox and his forces is a very fine one and the recording is excellent. The 1970 recording under David Willcocks was transfered to CD and is still available at the time of writing (2001) and is just as good. I would hesitate to choose between them.
Hickox captures Howell's grief and precarious optimism.......2000-11-21
What a poignantly beautiful piece of music. From the very opening measures it's obvious that this is a committed performance--intense in fact. There are many delicate, and obviously intimate, moments in this music and all are caught beautifully by Hickox, soloists, and the BBC.
What does the music sound like? It's easier to say what it doesn't sound like. In mysterious sections, Howells colors material "touched by the breath of the eternal," predictably, with delicate harp filigree and rarefied chord progressions, but avoids the Holstian harp/vibraphone twos against threes sound, ("Saturn," of "The Planets" is a good example); reflective moments glow appropriately, but Howells maintains a contrapuntal rigor and forward motion even in times of repose, while Faure, Delius, and Durufle can make one feel as though time is standing still.
Vaughan Williams' is about the closest reference I could give--though only on occasion. Howells does not employ any folk-song elements as far as I can tell. The music is chromatic and the vocal writing often sounds declamatory rather than "smoothly melodic." Hymnus is a reworking of an earlier Requiem, and was written as a sort of therapy after the death of the composer's 9yr old son. It was VW who convinced Howells to offer the work for public performance.
The Chandos recording also contains a premiere recording of Howells' "A Kent Yeoman's Wooing Song." It's an extrovert piece with a very endearing love song as the 3rd mov't.
Solists include Joan Rogers, Anthony Rolfe Johnson, and Alan Opie.
Splendid British Choral Music.......2000-06-30
Although Herbert Howells might not be as popular as other British contemporaries, such as Vaughan Williams and William Walton, his music truly deserves to be widely heard. Being a fan of British music, I first got acquainted with Howells through this magnificent work. There is a great tradition of choral music among British composers. Just think of Vaughan Williams, Holst, Britten... Howells' "Hymnus Paradisi" must definitely be added to this distinguished list for it is an unquestionable masterpiece. At its core resonates a profound sense of loss. The work was composed to exteriorize deep feelings of mourning, following the death of the composer's six years old son, Michael. The feeling here is one of muted introspection. There are powerful tuttis, but the overall atmosphere is quite introspective. The orchestral prelude is arresting. It combines a sense of urgency and bitterness with a dramatic flourish of anger faced with life's cruel injustice. The "Requiem Aeternam" that immediately follows, is by contrast one of the most moving expressions of mourning I have ever heard in sacred music. Some parts bring to mind Gabriel Fauré's "Requiem"'s quiet intimacy. As with most Chandos releases, this recording is terrific with a rich, sensitive performance by the BBC Syphony orchestra and Chorus under Richard Hickox's baton. The recording is spacious. I have since acquired other Howells recordings. This is music with vision and a wide range of expressive feelings. The music is not all gloom and despair. Quite the contrary: I think it shimmers with a deep appreciation of life's beauty. Let us hope now that Chandos will bring us many more works by this most talented of composers.
Average customer rating:
- Glorious performances of a neglected masterpiece
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Herbert Howells: Hymnus Paradisi/An English Mass
Manufacturer: Hyperion UK
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Binding: Audio CD
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Similar Items:
- Howells: Music for Strings
- Howells: Missa Sabrinensis
- Howells: Requiem; Take Him, Earth, for Cherishing
- Howells: Orchestral Works
- Howells: Hymnus Paradisi, etc / Hickox, et al
ASIN: B000002ZPE
Release Date: 1993-11-19 |
Tracks:
- Hymnus Paradisi: Preludio (Lento, molto espressivo)
- Hymnus Paradisi: Requiem aeternam (Lento, teneramente)
- Hymnus Paradisi: The Lord Is My Shepherd (Quasi lento, non troppo rubato)
- Hymnus Paradisi: Sanctus: I Will Lift Up Mine Eyes (Allegro volante)
- Hymnus Paradisi: I Heard A Voice From Heaven (Lento, assai tranquillo)
- Hymnus Paradisi: Holy Is The True Light (Con moto, ma assai sostenuto)
- An English Mass: Kyrie eleison (Lento, appenato)
- An English Mass: Credo (Vivo, deciso)
- An English Mass: Sursum corda (Poco lento)
- An English Mass: Sanctus (Moderato, espressivo)
- An English Mass: Benedictus (Lento, piacevole)
- An English Mass: Agnus Dei (Adagio doloroso)
- An English Mass: Gloria (Allegro vivo)
Amazon.com
Howells was one of English music's great "might have beens." He established himself early on in the '20s and '30s, but the death of his only son dealt him a personal blow from which he never fully recovered. The Hymnus Paradisi is Howell's memorial tribute to his child, and it was years before his friends could persuade him to permit the work to be performed. As might well be imagined, it's a masterpiece of the first rank, and a deeply moving experience. Its success encouraged him to continue writing, and he completed several other extraordinary choral works, but posterity was denied the large body of music that he surely could have written. As you can hear for yourself, it was our loss. --David Hurwitz
Customer Reviews:
Glorious performances of a neglected masterpiece.......2001-03-09
"Hymnus Paradisi" was written after the death of Howells's only son from polio in the late 1930s. In 1950, Howells showed it to Ralph Vaughan Williams, who insisted that it be made public; thankfully, Howells assented.
Handley's forces handle this work admirably, capturing all the emotions, and its wide dynamic ranges with seemingly effortless ease, ranging from the touching simplicity of the end of 'I heard a voice from heaven', to the radiant 'Sanctus/I will lift up mine eyes," to the tour de force in the final movement, 'Holy is the True Light.' Kennard and Ainsley are in fine form, although Ainsley occasionally gets lost in the tutti fortissimo passages.
"An English Mass" is an excellent companion, requiring essentially the same forces (with soloists from the choir); it is a much simpler work than his massive "Missa Sabrinensis", but it succeeds equally well on an emotional level.
This is certainly my favorite recording of "Hymnus Paradisi", and I recommend it highly.
Average customer rating:
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Howells: Hymnus Paradisi for soprano, tenor, chorus, & orchestra; Fantasia for Cello and orchestra
Herberg Howells , April Cantelo (soprano) , David Johnston , Alexander Baillie (cello) , Donald Hunt , Royal Philharmonic Orchestra , and Norman del Mar
Manufacturer: Carlton Classics
ProductGroup: Music
Binding: Audio CD
Howells, Herbert
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| Classical
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General
| Concertos
| Forms & Genres
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| Styles
| Music
General
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General
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ASIN: B000000TN9
Release Date: 1997-07-29 |
Music Track:
- Instrumental Works 2
- Introducing David Schrader
- Introducing Dmitry Paperno
- Introducing Patrice Michaels
- Jacques Thibaud: Inédits 1953
- Johannes Brahms: Cello Sonatas
- John Ruskin: The King of the Golden River
- Joy a Celebration of Holiday Music
- Korngold: Sextet Op10; Zemlinsky: Movements
- Krenek: Karl V
Music Track
music track
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